G.D.Modi College of Arts, Palanpur Presents Book List No
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Vividh Bharati Was Started on October 3, 1957 and Since November 1, 1967, Commercials Were Aired on This Channel
22 Mass Communication THE Ministry of Information and Broadcasting, through the mass communication media consisting of radio, television, films, press and print publications, advertising and traditional modes of communication such as dance and drama, plays an effective role in helping people to have access to free flow of information. The Ministry is involved in catering to the entertainment needs of various age groups and focusing attention of the people on issues of national integrity, environmental protection, health care and family welfare, eradication of illiteracy and issues relating to women, children, minority and other disadvantaged sections of the society. The Ministry is divided into four wings i.e., the Information Wing, the Broadcasting Wing, the Films Wing and the Integrated Finance Wing. The Ministry functions through its 21 media units/ attached and subordinate offices, autonomous bodies and PSUs. The Information Wing handles policy matters of the print and press media and publicity requirements of the Government. This Wing also looks after the general administration of the Ministry. The Broadcasting Wing handles matters relating to the electronic media and the regulation of the content of private TV channels as well as the programme matters of All India Radio and Doordarshan and operation of cable television and community radio, etc. Electronic Media Monitoring Centre (EMMC), which is a subordinate office, functions under the administrative control of this Division. The Film Wing handles matters relating to the film sector. It is involved in the production and distribution of documentary films, development and promotional activities relating to the film industry including training, organization of film festivals, import and export regulations, etc. -
Audio Books(282)
Gujarat Arts & Science College Sydenham Library Audio Books Sr.no Accession Title Authour Reference No 1 EM0001 madiyana pratinithi ekanki Chunilal Madiya GF0002 2 EM0002 Kaka ni Shashi Kanaiyalal munshi GF0004 3 EM0003 Tamara naam nu madhya bindu Shrikant shah GF0011 4 EM0004 Prithvi tirth varsha adalja GF0024 5 EM0005 Samudrantike dhruv bhatt GF0033 6 EM0006 Akshar ni yatra harindra dave GF0059 7 EM0007 Dharti abhna cheta pannalal patel GF0094 8 EM0008 Dhumketuni vartao dhumketu GF0099 9 EM0009 Janmtip ishwar petlikar GF0100 10 EM0010 Kaal ni kedie Dr. I.K.Vijliwala GF0101 11 EM0011 Lohini sagai ishwar petlikar GF0102 12 EM0012 Mari priya lok kathao joravar sinh jadav GF0107 13 EM0013 Premno pagrav Dr. I.K.Vijliwala GF0108 14 EM0014 Pruthivi vallabh K.M.Munshi GF0113 15 EM0015 Navlikao k.M.Munshi GF0117 16 EM0016 Paralysis Chandrakant bakshi GF0123 17 EM0017 Mankhani mirat joseph mekwan GF0126 18 EM0018 tankha mandal 4 dhumketu GF0129 19 EM0019 Saurashtrani rasdhar part-1 zaverchand meghani GF0140 20 EM0020 Saurashtrani rasdhar part-2 zaverchand meghani GF0141 21 EM0021 Saurashtrani rasdhar part-3 zaverchand meghani GF0142 22 EM0022 Saurashtrani rasdhar part-4 zaverchand meghani GF0143 23 EM0023 Saurashtrani rasdhar part-5 zaverchand meghani GF0144 24 EM0024 lopa mudra K.M.Munshi GF0145 25 EM0025 Na hanyate MAITRIE DEVI GF0147 26 EM0026 Algari Rakhadpatti Rasik zaveri GF0184 27 EM0027 Amaasnaa taaraa kishansinh chavda GF0185 28 EM0028 Ashru ghar ravji patel GF0186 29 EM0029 mann no malo Dr. I.K.Vijliwala GF0187 30 EM0030 one night @call -
Dear Friends, Scholars and Critics This Is a Soft Copy of My Doctoral
Dear Friends, Scholars and Critics This is a soft copy of my doctoral dissertation written during the final five years of the previous millennium .Apart from a fairly large theoretical component dealing with translation theory, practice of translation and translation studies, it consists of around ninety compositions of Narsinh Mehta (c. 15th century AD), one of the greatest poets of Gujarat translated by me into English. Besides a critical appreciation of his works, the translations are framed with chapters discussing his life, works and the cultural context in which they were composed. I have been working on the translations and they have metamorphosed into a very different avatar today. However, those presented here are the ones I submitted for the degree. There are some slight changes in this copy owning to my ignorance of formatting methods. The bibliography which appears at the end of the thesis comes before the `notes and references of the soft copy. The notes and references for the individual chapters now appear at the end of the thesis. The `Table of Contents’ is merely a showpiece- it doesn’t indicate the specified pages in this copy. I don’t intend to publish this thesis in the present form and it has appeared in parts in many places. The work which I started with my doctoral research is actually a work in `progress’ and I find it interesting to look back where I was some eight years ago. I would be honoured to hear your critical comments and reactions to my work. Sachin Ketkar Baroda, 27 December 2007 TRANSLATION OF NARSINH MEHTA'S POEMS INTO ENGLISH: WITH A CRITICAL INTRODUCTION Thesis Submitted For The Degree Of DOCTOR OF PHILOSOPHY IN ENGLISH IN THE FACULTY OF ARTS OF SOUTH GUJARAT UNIVERSTIY SURAT RESEARCH CANDIDATE SACHIN C. -
Minor Research Project
U.G.C. Sponsored MINOR RESEARCH PROJECT (Duration: March, 2013 – 2015) On A Study of three noteworthy dramatists in contemporary Gujarati literature (Selected plays) Presented by: DR. VARSHA L. PRAJAPATI Assistant Professor, Department of Gujarati S.L.U. Arts and H. & P. Thakore Commerce College for Women, Ellis bridge, Ahmedabad, Gujarat. Website: slucollege.org 1 Annexure - VII UNIVERSITY GRANTS COMMISSION BAHADUR SHAH ZAFAR MARG NEW DELHI – 110002 PROFORMA FOR SUBMISSION OF INFORMATION AT THE TIME OF SENDING THE FINAL REPORT OF THE WORK DONE ON THE RESEARCH PROJECT 1. Title of the Project: A study of three Noteworthy Dramatists in Contemporary Gujarati Literature (Selected Plays) 2. Name and address of the Principal Investigator: Dr. Varsha L. Prajapati, Gujarati. 3. Name and address of the Institute: S.L.U.Arts and Com. for women, Ahmedabad. 4. UGC Approval Letter No. and Date: 23-612/13(WRO) 5. Date of Implementation: 29/03/13 6. Tenure of the Project: 2 Years 7. Total Grant Allocated: Rs.1,00,000 (One Lac. Only) 8. Total Grant received: Rs.80,000(Eighty thousand only) 9. Final Expenditure: Rs.1,00,000(One lac only) 10. Title of the Project: A study of three Noteworthy Dramatists in Contemporary Gujarati Literature (Selected Plays) 2 11. Objectives of the Project : Attached sheet – page no. 1 12. Whether objectives were achieved: Attached sheet. – pageno. 1 to 8 13. Achievements from the Project: Attached sheet.- Page no. 9 14. Summary of the findings: Attached sheet.- page no. 10 to 25 15. Contribution to the society: Attached sheet.- page no. -
Breath Becoming a Word
BREATH BECOMING A WORD CONTMPORARY GUJARATI POETRY IN ENGLISH TRANSLATION EDITED BY DILEEP JHAVERI ACKNOWLEDGEMENTS My earnest thanks to GUJARAT SAHITYA AKADEMI for publishing this book and to Harshad Trivedi. With his wholehearted support a dream is fulfilled. Several of these translations have appeared in INDIAN LITERATURE- Sahitya Akademi Delhi MUSEINDIA KRITYA- web journals and elsewhere. Thanks to all of them. Cover page painting by Late Jagdeep Smart with the kind permission of Smt Nita Smart and Rajarshi Smart Dedicated to PROF. K. SATCHIDANANDAN The eminent poet of Malayalam who has continuously inspired other Indian languages while becoming a sanctuary for the survival of Poetry. BREATH BECOMING A WORD It’s more than being in love, boy, though your ringing voice may have flung your dumb mouth thus: learn to forget those fleeting ecstasies. Far other is breath of real singing. An aimless breath. A stirring in the god. A breeze. Rainer Maria Rilke From Sonnets To Orpheus This is to celebrate the breath becoming a word and the joy of word turning into poetry. This is to welcome the lovers of poetry in other languages to participate in the festival of contemporary Gujarati poetry. Besides the poets included in this selection there are many who have contributed to the survival of Gujarati poetry and there are many other poems of the poets in this edition that need to be translated. So this is also an invitation to the friends who are capable to take over and add foliage and florescence to the growing garden of Gujarati poetry. Let more worthy individuals undertake the responsibility to nurture it with their taste and ability. -
Pen, Pain and Poem: Feminist-Humanist Works of Sarup
JAC : A Journal Of Composition Theory ISSN : 0731-6755 Pen, Pain and Poem: Feminist-Humanist works of Sarup Dhruv Dr.Khevana Desai Assistant professor, Department of Sociology, Mithibai College of Arts, Mumbai, Maharashtra, India Email: [email protected] Abstract Sarup Dhruv, a voice from Gujarat was born in an independent nation (born a year after India attained freedom) and ultimately became the voice of the ones who never tasted freedom. She is not just the voice of the neglected but a voice most neglected in the mainstream and standardized Gujarati literature. She is the one who experienced marginalization in the literary world and yet never ceased to worry, write or work for every single strata of the marginalized society. Her poems are an emblem of passion with which she has moved in the world of Gujarati literature like wings on fire. Her works are a reflection of her activism filled with social compassion, social work and ideas of empowerment of women, dalit and other marginalised sections that reshaped her vocabulary, insight and perception. For her poetries of protest could not and should not be confined to rigid „forms‟ with stereotyped content. It should be the voice of the voiceless and not a song for applauses and appraisal. Her poems and other writings are denoted as fearless, „free‟ and fiery or rather for the mainstream literary world „a deviance from the established‟. The paper attempts to highlight and analyse the path breaking and unconventional contribution of Sarup Dhruv not just in Gujarati literature in particular but in Indian women‟s writings at large. -
Varsha Adalja Tr. Satyanarayan Swami Pp.280, Edition: 2019 ISBN
HINDI NOVEL Aadikatha(Katha Bharti Series) Rajkamal Chaudhuri Abhiyatri(Assameese novel - A.W) Tr. by Pratibha NirupamaBargohain, Pp. 66, First Edition : 2010 Tr. Dinkar Kumar ISBN 978-81-260-2988-4 Rs. 30 Pp. 124, Edition : 2012 ISBN 978-81-260-2992-1 Rs. 50 Ab Na BasoIh Gaon (Punjabi) Writer & Tr.Kartarsingh Duggal Ab Mujhe Sone Do (A/w Malayalam) Pp. 420, Edition : 1996 P. K. Balkrishnan ISBN: 81-260-0123-2 Rs.200 Tr. by G. Gopinathan Aabhas Pp.180, Rs.140 Edition : 2016 (Award-winning Gujarati Novel ‘Ansar’) ISBN: 978-81-260-5071-0, Varsha Adalja Tr. Satyanarayan Swami Alp jivi(A/w Telugu) Pp.280, Edition: 2019 Rachkond Vishwanath Shastri ISBN: 978-93-89195-00-2 Rs.300 Tr.Balshauri Reddy Pp 138 Adamkhor(Punjabi) Edition: 1983, Reprint: 2015 Nanak Singh Rs.100 Tr. Krishan Kumar Joshi Pp. 344, Edition : 2010 Amrit Santan(A/W Odia) ISBN: 81-7201-0932-2 Gopinath Mohanti (out of stock) Tr. YugjeetNavalpuri Pp. 820, Edition : 2007 Ashirvad ka Rang ISBN: 81-260-2153-5 Rs.250 (Assameese novel - A.W) Arun Sharma, Tr. Neeta Banerjee Pp. 272, Edition : 2012 Angliyat(A/W Gujrati) ISBN 978-81-260-2997-6 Rs. 140 by Josef Mekwan Tr. Madan Mohan Sharma Aagantuk(Gujarati novel - A.W) Pp. 184, Edition : 2005, 2017 Dhiruben Patel, ISBN: 81-260-1903-4 Rs.150 Tr. Kamlesh Singh Anubhav (Bengali - A.W.) Ankh kikirkari DibyenduPalit (Bengali Novel Chokher Bali) Tr. by Sushil Gupta Rabindranath Tagorc Pp. 124, Edition : 2017 Tr. Hans Kumar Tiwari ISBN 978-81-260-1030-1 Rs. -
Découvrir Découvrir
Découvrir January - February 2012 HADOUK TRIO In Ahmedabad Throughout 2012, come and celebrate with us the 30 years of the Alliance Française in Ahmedabad I N D I A Cinéclub Calendar for Cultural Events 07 Jan • 18 Feb Alliance Française Gujarati will be closed on: JANUARY - FEBRUARY 2012 Sahitya Parishad January 01 (New Year) Short Film Festival Monthly Talk Fanatika Theatre January 14, 15 Concert Les Lutins du Niranjan Bhagat Documentary Festival (Uttarayan) Hadouk Trio Court Métrage 27 January 3-4-5 February 19-22 January 11 February Gujarati Gujarati January 26 Gujarati Natarani Sahitya Parishad Sahitya Parishad (Republic Day) Sahitya Parishad January 30 Concert Monthly Talk (Gandhiji’s Death Anniversary) Concert Eryck Abecassis Chinu Modi Eryck Abecassis 24 February 25 February February 04 17 February Kamatibaug Gujarati (Eid-E-Milad) NID Baroda Sahitya Parishad February 20 (Maha Shivratri) Alliance Française d'Ahmedabad Alliance Française – Annexe Baroda Découvrir Shahid Vir Kinariwala Marg, 1, Sangeet Society Opp. Gujarat College, Ellisbridge Opp. Shivashray Society [dekuvRiR] Ahmedabad 380 006 Gujarat, India. Vasna Road, Baroda 390 015 to discover Tel: +91 79 26401551, 26560271 Gujarat, India { { Fax: +91 79 26560221 Telefax: +91 265 2252854 January – February 2012 Web: http://ahmedabad.afindia.org Email: [email protected] Email: [email protected] Facebook: Af d'Ahmedabad Patrick Audoux © Desk CampusFrance-Espace Ahmedabad Design by (at Alliance Française d'Ahmedabad) er Image: v kreativeidea +91 98259 26602 www.campusfrance.org • email: [email protected] Co Gandhigram Law Garden Railway Station oad British Library Ashram R r e Panchvati v Town Hall i Circle R Gujarat College Ellis Bridge i t a m r a b a S Celebrating 30 years of Alliance Française in Ahmedabad Alliance Française d’Ahmedabad (founded in 1982) will celebrate its 30th birth anniversary in 2012 by organising a series of lectures, talks and discussion on ‘the impact of French literature on Gujarati writers’ throughout the year 2012. -
LAW1611: Political Science – VI 1. Political Theory Is A
The Maharaja Sayajirao University of Baroda Faculty of Law ACADEMIC YEAR Maharaja Pratapsinharo Gaekwad Parisar, Fatehganj, Vadodara 2020-2021 Phone: 0265 2789189 Email: [email protected] B.A. LL.B. (HONS.) YEAR III CORE: CRDIT 6 Semester II LAW1611: Political Science – VI HOURS 90 1. Political Theory is a distinct field within the discipline of Political Science. It tends to focus more on theoretical claims rather than empirical claims about the nature of the politics. OBJECTIVES: 2. It is the study of the concepts and principles that people use to describe, explain and evaluate political events and institutions. Effort has been made to orient students to the methodological and ideological traditions in Political Science. COURSE CONTENT/SYLLABUS Concept of Political Theory UNIT-I 15 hrs. 1.1 Concerns of Political Theory ormative, Empirical, Sementic & Policy Orientation Behavioral& Post-Behavioral approaches 2.1: Behavioral 2.1.1 Meaning & Features 2.1.2 Demerits UNIT-II 15 hrs. 2.2: Post- Behavioral Approaches 2.2.1 Historical Development 2.2.2 Features & Role in Political theory Basic Ideologies of Political Theory UNIT-III 3.1: Marxism 15 hrs. 3.1.1 Meaning & Evolution 3.1.2 Features & Critical estimate 3.2: Fascism 3.2.1 Meaning & Growth 3.2.2 Features & Critical estimate 3.3: Sarvodaya 3.3.1 Meaning & Evolution 3.3.2 Features & Types 3.3.3 Role & Significance Concept of Democracy & Authoritarianism 4.1: Democracy 4.1.1 Classical & Liberal 4.1.2 Direct & Indirect Democracy UNIT-IV 15 hrs. 4.1.3 Contemporary Theories 4.2: Authoritarianism 4.2.1 Definition & features 4.2.2 Types, Merits & Demerits Meaning of Justice UNIT-V 5.1. -
Bhavan's Shri Il Pandya Arts-Science and Smt. Jm Shah Commerce College
Self Study Report of Shri Bhavan’s I.L.Pandya Arts &Science and J.M.Shah Commerce College. DAKOR Page | 1 Self Study Report of Shri Bhavan’s I.L.Pandya Arts &Science and J.M.Shah Commerce College. DAKOR BHAVAN’S SHRI I. L. PANDYA ARTS-SCIENCE AND SMT. J. M. SHAH COMMERCE COLLEGE, DAKOR MANAGED BY Bharatiya Vidya Bhavan- Mumbai Dakor Kendra, Dist- Kheda AFFILIATED TO GUJARAT UNIVERSITY, AHMEDABAD-GUJARAT SELF STUDY REPORT FOR REACCREDITATION SUBMITTED To, Director National Assessment and Accreditation Council Bengaluru. Page | 2 Self Study Report of Shri Bhavan’s I.L.Pandya Arts &Science and J.M.Shah Commerce College. DAKOR CONTENTS Sr. No Particulars Page No I Executive Summary 01 II Institutional Profile 06 III Criteria wise Inputs 1 Curricular Aspects 13 2 Teaching-Learning & Evaluation 25 3 Research Consultancy & Extension 66 4 Infrastructure and Learning Resources 85 5 Students Support & Progression 103 6 Governance, Leadership & Management 117 7 Innovations & Best Practices 139 IV Post Accreditation Initiatives 146 V Evaluative Report Of The Departments 147 Annexures Page | 3 Self Study Report of Shri Bhavan’s I.L.Pandya Arts &Science and J.M.Shah Commerce College. DAKOR PREFACE Bhavan’s I.L.Pandya (Motabhai) Arts-Science and Smt. Jashodaben M. Shah Commerce college, Dakor is one of the branches of the Bharatiya Vidya Bhavan Mumbai, established by Late Dr. K.M. Munshi and the college was established in the year 1962 by him. Dr. Munshi with the hearty blessing of Mahatma Gandhi and active support and co-operation of several eminent all India leaders like Sardar Patel, Dr. -
Dr. Ushaben G. Upadhyay [Professor].Pdf
Curriculum Vitae Name : Prof. Dr. Usha Upadhyay Date of Birth : 07/06/1956 Address (Postal) : 14, fourth floor, Vandemataram Arcade, Vandemataram Cross, Road, New Gota, Ahmedabad‐ 382481 Current Position : Professor and Head, Department of Gujarati, M.D. Samajsewa Sankul, Gujarat Vidyapith, Ahmedabad – 380014 E‐mail : [email protected] [email protected] [email protected] Mobile : +91‐9426415887, 9106305995 1 Academic Qualifications Division / Exam Grade / Board/University Subjects Year passed Merit. Ph. D. Saurashtra Uni., Rajkot Symbols in Post‐ 1982 Awarded Independence Gujarati Poetry M.A. S.N.D.T. Uni., Mumbai Gujarati 1977 55% B.A. S.N.D.T. Uni., Mumbai Main‐Gujarati, 1975 56% Sub‐Hindi Contribution to Teaching Courses Taught Name of University/College/Institution Duration M.A., M. Phil, Department of Gujarati, Gujarat Vidyapith, 1998 to till date Ph.D. (PG) Ahmedabad M.A. (PG) Department of Gujarati, Bhavnagar Uni., Bhavnagar 1990 to 1998 M.A. (PG) N.P. Arts College,Keshod 1987 to 1990 K.O. Shah College, Dhoraji B.A. (UG) M.M.G. Mahila College, Junagadh 1985 to 1990 Area of Specialization 1. Comparative Literature 2. Folk Literature 3. Indian Poetics 4. Women’s Studies 2 Awards and other Achievements Awards: 1. Late Bhagirathibahen Maheta (Jahnvi) Smriti Kavyitri Award, Shishuvihar, Bhavnagar, 2018 2. ‘Nari‐Shakti’ Award, Palitana, 2017 3. ‘Women Achiever’s Award by Udgam Institute, Gandhinagar, 2015 4. ‘Sahitya Darshan’ Samaan by Kendriy Hindi Sansthan, Agra, 2014 5. ‘Nagrik Samman’ by Municipal Corporation, Ahmedabad, 2013 6. ‘Mahatma Savitribai Phule’ Award by Mahatma Savitribai Phule Talent Research Academy, Nagpur, 2012 7. -
Critical Study of Chinu Modi's One Act Plays Bhasmasur and Kalparivartan
ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- Critical Study of Chinu Modi’s One Act Plays Bhasmasur and Kalparivartan Arjun G. Dave Marwadi Education Foundation, Rajkot V o l u m e . 1 I s s u e 6 June - 2 0 1 6 Page 1 ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- A Critical Study of Chinu Modi’s One Act Plays Bhasmasur and Kalparivartan Chinu Modi (1939) is experimental and creative dramatist of Gujarat, who has received the modern trends from the western literature and dived deep into the ancient treasure of Indian Literature. Modi is a trendsetter Gujarati playwright. The attitude, mood and taste of Gujarati readers is taken into the consideration by this playwright. He has received great appreciation as a dramatist and poet in Gujarati Literature from readers and critics. He also has remained controversial literary figure because of his rebellious attitude and experimental nature. He has developed his own vision to see the themes with a unique perspective. Drama is not only literary art but it is also performing art. One Act Play is a modern form of drama which required more keen dramatic abilities. It is one of the most accepted performing arts, which has fascinated dramatists and spectators both. It is having great scope for creativity and social reform. Modi took the opportunity to work on it too. In this paper researcher has focused on his two recent one act plays to study Modi as a One Act Playwright. Bhasmasur: Chinu Modi’s one act play Bhasmasur deals with the myth of Bhasmasu who was enchanted and was ultimatelyburned to death by Vishnu incarnated as enchantress.