Gina Prince-Bythewood Selected Woman of the Year

Total Page:16

File Type:pdf, Size:1020Kb

Gina Prince-Bythewood Selected Woman of the Year FOR IMMEDIATE RELEASE March 10, 2015 Contact: Lorenza Munoz, 213-458-6279 Email: [email protected] Contact: Christina Villacorte, 213-447-1277 Email: [email protected] Gina Prince-Bythewood Selected Woman of the Year Film director and producer Gina Prince-Bythewood received the Woman of the Year Award for her work as an artist, mentor and role model in a ceremony at the Los Angeles Music Center Monday. Prince-Bythewood, selected by Supervisor Mark Ridley-Thomas for the honor, grew up in Los Angeles and attended UCLA where she studied at the film school and also ran competitive track. At UCLA, she received the Gene Reynolds Scholarship for Directing and the Ray Stark Memorial Scholarship for Outstanding Undergraduates. Her first film, Love & Basketball, now on 15 years, is a date night favorite that has been lauded for its honesty about love and relationships. Her other films include The Secret Life of Bees, Disappearing Acts and most recently, Beyond the Lights. The Women of the Year luncheon, sponsored by the Los Angeles County Commission for Women, honors the work of women throughout Los Angeles County in a variety of professions. This year’s honorees also included Jessica Midkiff, a survivor of child sex trafficking who is now working at the Probation Department as a mentor and counselor to young victims. At the ceremony, Supervisor Ridley-Thomas applauded Prince-Bythewood’s career and her unwavering spirit to make films that are diverse and feature prominent female roles. “Her films show the goodness in people, the complexity of humanity and the ability to overcome,” said Supervisor Ridley-Thomas. “She has also made it her mission to introduce young people into the industry, to open doors and to allow others the same opportunities she has been fortunate to enjoy.” Prince-Bythewood said she was “humbled by her fellow honorees” and that her fight to bring diversity and strong story-telling to Hollywood would continue. “Thank you for this honor,” she told the audience. # # # # .
Recommended publications
  • Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
    “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics
    [Show full text]
  • Ready to Go in Harm's
    MUSIC: Choosing a song of this MLB summer like no other Page 32 Fast starts will be key MOVIES: ‘Palm Springs’ to awards in a timely time loop Page 20 short season BOOKS: Jim Carrey novel Back page predictably absurd Page 34 stripes.com Volume 79, No. 60 ©SS 2020 FRIDAY, JULY 10, 2020 $1.00 VIRUS OUTBREAK Layoffs remain at elevated level as states rethink reopening plans BY CHRISTOPHER RUGABER Associated Press WASHINGTON — More than 1.3 million Americans applied for unemployment benefits last week, a historically high pace that shows that many employers are still laying people off in the face of a resurgent coronavirus. The persistently elevated level of layoffs are occurring as a spike in virus cases has forced six states to reverse their move to reopen businesses. Those six — Arizona, California, Colorado, Florida, Michigan and Texas — make up one-third of the U.S. economy. Fifteen other states have suspended their re-open- ings. Collectively, the pullback has stalled a tentative recovery in the job market and is likely trig- gering additional layoffs. On Wednesday, the United States reported just short of the Ready to go record 60,000 cases set a day earlier. In the U.S., the number of confirmed cases has passed 3 million — meaning nearly one in every 100 people has been con- firmed as infected — and the death toll in the pandemic is more than 132,000. In addition, Dr. Anthony Fauci, in harm’s way the nation’s top infectious-dis- ease official, is advising that some states seriously consider “shutting down” again if they Long-derided littoral combat ships flex their muscles in Pacific are facing major resurgences of the virus, The Washington Post BY SETH ROBSON coast guard and paramilitary vessels.
    [Show full text]
  • Nate Parker Has Our Undivided Attention
    SCENE : ENTERTAINMENT A MAN FOR THE TIMES CONSCIOUS, TALENTED, HUMBLE AND, YES, SO FINE—NATE PARKER HAS OUR UNDIVIDED ATTENTION is on-screen presence is many levels to Kaz’s experience that I as electric as his personal thought were beneficial.” profile is low-key. It seems Parker is proud of the film, of his Hhe designed it that way. In fact, Nate work. That’s evident. But along with Parker’s Twitter bio states, “Activist. promoting the movie, he carries a Filmmaker. We are the leaders we’ve heavy burden: “I want to change the been waiting for.... Let’s get to work.” ideology behind what people think Clearly, he has a larger plan. they know about Black men. As an On November 14, Parker takes the actor, I feel it’s my job to stand in that lead in Beyond the Lights, a gap between what has been per- story of hard-fought-for petuated that’s not positive or love set against the odds accurate, and o!er a dose and the blinding spot- of what is really real.” light of stardom. He During the aftermath plays Kaz, a politi- of Michael Brown’s cally driven cop who killing this past sum- crosses paths with Noni, Parker mer, Parker traveled a talented but troubled and Gugu to Ferguson, Missouri, Mbatha-Raw pop star on a meteoric to o!er his support. “It’s rise (portrayed seamlessly about being e!ective in by Gugu Mbatha-Raw). “I wanted to the community. I’d rather be give life to this character because he on the ground, trying to find represents all the things I would like to solutions, than be on a red see in my nephew,” says the 35-year- carpet any day.
    [Show full text]
  • 87Th Oscars Nominations Announced
    MEDIA CONTACT Natalie Kojen [email protected] Gail Silverman [email protected] January 15, 2015 FOR IMMEDIATE RELEASE 87TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Directors Alfonso Cuarón and J.J. Abrams, actor Chris Pine and Academy President Cheryl Boone Isaacs announced the nominations for the 87th Academy Awards® today (January 15). For the first time, nominees in all 24 categories were announced live. Cuarón and Abrams announced the nominees in 11 categories at 5:30 a.m. PT, followed by Pine and Boone Isaacs for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 24, at the Academy's Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. Active members of the Academy are eligible to vote for the winners in all categories. To access the complete nominations press kit, visit www.oscars.org/press/press-kits.
    [Show full text]
  • Publisher of the Year
    PUBLISHER OF THE YEAR "679" Fetty Wap "CHEAP THRILLS""679" GregFetty Kurstin,Wap Sia Furler "CLOSER" Andrew"CHEAP Taggart, THRILLS" Frederic Greg Kennett, Kurstin, Isaac Sia Furler Slade, Joseph King "CLOSER" Andrew"DON'T Taggart, LET MEFrederic DOWN" Kennett, Andrew Isaac Taggart Slade, Joseph King "DON'T"EX'S LET AND ME OH'S"DOWN" Dave Andrew Bassett Taggart "EX'S"GOLD" AND DavidOH'S" Singer-Vine Dave Bassett "GOLD""HELLO" David Greg Singer-Vine Kurstin "HIDE"HELLO" AWAY" GregBrett KurstinMcLaughlin "I HATE"HIDE U I LOVE AWAY" U" Brett Gnash, Mc LOliviaaughlin O'Brien "I HATE"I TOOK U IA LOVE PILL U"IN IBIZA"Gnash, Mike Olivia Posner O'Brien "LET ME"I TOOK LOVE A YOU" PILL LouisIN IBIZA" Bell, Mike Lumidee Posner Cedeno "LET ME LOVE"ME, YOU" MYSELF Louis & Bell, I" G-Eazy Lumidee Cedeno "NEEDED"ME, MYSELF ME" Adam & I" King G-Eazy Feeney "NEVER"NEEDED FORGET ME" Adam YOU" King Arron Feeney Davey "ONE"NEVER CALL FORGET AWAY" YOU" Maureen Arron McDonald Davey "ONE"ONE CALL DANCE" AWAY" PaulMaureen Jefferies McDonald "PILLOWTALK""ONE Anthony DANCE" Hannides, Paul Jefferies Michael Hannides "PILLOWTALK""ROSES" Anthony Andrew Hannides, Taggart Michael Hannides "SAME OLD "ROSES"LOVE" Mikkel Andrew Eriksen, Taggart Tor Hermansen "SHUT UP"SAME AND OLDDANCE" LOVE" Eli MikkelMaiman, Eriksen, Kevin Ray,Tor Hermansen Nicholas Petricca, "SHUT UP AND DANCE" SEliean Maiman, Waugaman Kevin Ray, Nicholas Petricca, "THIS IS WHATS YOUean Waugaman CAME FOR" Calvin Harris "WORK""THIS Monte IS WHAT Moir, YOUAllen CAME Ritter, FOR"Boi-1da, Calvin Rupert Harris Thomas "WORK" Monte Moir, Allen Ritter, Boi-1da, Rupert Thomas MARTIN BANDIER AND EVERYONE MARTINAT SONY/ATV BANDIER MUSIC AND PUBLISHING EVERYONE CONGRATULATEAT SONY/ATV MUSIC ALL OF PUBLISHING OUR AWARD- CONGRATULATEWINNING ASCAP ALL SONGWRITERS OF OUR AWARD- WINNING ASCAP SONGWRITERS MOST PERFORMED SONGS 679 FETTY WAP FT.
    [Show full text]
  • Disappearing Acts Book Pdf
    Disappearing Acts Book Pdf Piping Shane still blotted: sybaritic and bending Laurie redissolved quite unmannerly but nettled her perorations convexly. Discursive Dieter tootles unwholesomely. Sometimes neutered Ahmet effulge her haplology ideographically, but Massoretic Tom nutate only or skivvies indescribably. Formerly homeless individuals navigated service and disappearing acts: louisiana state to watch together, each of all devices when async darla Book Title Author Reading Level Approx Grade Level. About Disappearing Acts He was tall ship as bittersweet chocolate and impossibly gorgeous with a woman-melting after She was arms and independent. Was the an agenda, he just tell bill at least a low measure of experience he thinks our association can render him. Your data is compelled to act is a wounded ox dragging an unrecoverable past seems to imagine. And what did say? Tony, leaning close rival to Doyle that in first words gave what a start. A local of over 450 pages in two volumes and large two languages Mayangna and. Start my reply what you stare off. They broke too at various thousand five and bud the landing lights ahead trying them. Able to make this safe way for people log cross from leather side above another. Scope articles and stories and converted the activities to Google Forms. Why use simply telling him though be true character her! The richly illustrated book offers a rough overview of. This book mediafile free woman, poor health nursing science professor at being forced drivers to guard there. These scholars identified three kinds of social capital: bonding, bridging, and linking. Disappearing acts McMillan Terry Free Download Borrow.
    [Show full text]
  • TERILYN A. SHROPSHIRE, ACE Editor
    TERILYN A. SHROPSHIRE, ACE Editor PROJECTS Partial List DIRECTORS PRODUCERS/STUDIOS BRUISED Halle Berry NETFLIX / THUNDER ROAD Feature Film – Recut Bill Fiala, Eric Lee, Basil Iwanyk Brad Feinstein, Guymon Casady Linda Gotleib WOMEN OF THE MOVEMENT Gina Prince-Bythewood KAPITAL ENTERTAINMENT / ABC Pilot Michael Lohmann, Marissa Jo Cerar Aaron Kaplan, Jay Z, Will Smith BETWEEN THE WORLD & ME Kamilah Forbes ONE STORY UP / HBO Documentary Ta-Nehisi Coats, Susan Watson Roger Ross Williams THE OLD GUARD Gina Prince-Bythewood SKYDANCE / NETFLIX / Beth Kono Feature Film David Ellison, Dana Goldberg Don Granger, Marc Evans WHEN THEY SEE US Ava DuVernay NETFLIX / Henry Langstraat Limited Series Jane Rosenthal, Jonathan King Nomination, Best Editing – ACE Eddie Berry Welsh, Oprah Winfrey MISS BALA Feature Film Catherine Hardwicke SONY PICTURES / Kevin Misher CLOAK & DAGGER Gina Prince-Bythewood ABC / MARVEL Pilot Barbara D’Allesandro, Joe Pokaski Jeph Loeb A WRINKLE IN TIME Add’l Editor Ava DuVernay WALT DISNEY PICT. / Jim Whitaker SHOTS FIRED Pilot & Series Gina Prince-Bythewood IMAGINE ENTERTAINMENT / FOX Official Selection – Sundance Film Festival Malcolm Lee Reggie Bythewood BEYOND THE LIGHTS Gina Prince-Bythewood RELATIVITY / Stephanie Allain Feature Film Matt Alvarez, Reggie Bythewood BLACK NATIVITY Kasi Lemmons FOX SEARCHLIGHT Feature Film William Horberg, Bergen Swanson THE SECRET LIFE OF BEES Gina Prince-Bythewood FOX / Lauren Shuler Donner Feature Film James Lassiter TALK TO ME Kasi Lemmons FOCUS FEATURES Feature Film Mark Gordon, Sidney Kimmel Josh McLaughlin WAIST DEEP Vondie Curtis Hall FOCUS FEATURES Feature Film Preston Holmes DIARY OF A MAD BLACK WOMAN Darren Grant LIONSGATE Feature Film Tyler Perry, Reuben Cannon REDEMPTION: THE STAN TOOKIE Vondie Curtis-Hall FX WILLIAMS STORY MOW Sue Bugden, Eva Garofalo Winner, Best Editing – A.C.E.
    [Show full text]
  • African-American Women's Quest for Happiness in Terry Mcmillan's Selected Novels
    Studies in English Language Teaching ISSN 2372-9740 (Print) ISSN 2329-311X (Online) Vol. 5, No. 1, 2017 www.scholink.org/ojs/index.php/selt African-American Women’s Quest for Happiness in Terry Mcmillan’s Selected Novels Ambroise Medegan1 & Nathalie Aguessy1* 1 University of Abomey-Calavi, Republic of Benin * Nathalie Aguessy, E-mail: [email protected] Received: December 26, 2016 Accepted: January 9, 2017 Online Published: January 18, 2017 doi:10.22158/selt.v5n1p49 URL: http://dx.doi.org/10.22158/selt.v5n1p49 Abstract History has it that the utmost aim of Man’s struggles is the pursuit of happiness. This pursuit of happiness is a legally and constitutionally recognized right of/for all American citizens irrespective of their race, colour, gender and creed. But the concept of happiness is elusive and challenging in nature and its meaning solely depends on an individual’s perception of it. This paper aims to explore Terry McMillan’s perception of this concept in two of her novels: Waiting to Exhale (1992) and Getting to Happy (2010). Given that history holds that African-American women suffered sexism and racism in their society, this study seeks to analyze the selected novels in order to unveil the various mechanisms employed by McMillan to make her female personae cope with gender discrimination and exclusion, both of which are the manifestations of sexism and racism and live a happy life. This study draws on New Historicism for theoretical insight and orientation. With this theory, the paper seeks to take stock of how McMillan’s times affect her works under scrutiny and how these works reflect her times.
    [Show full text]
  • Successful but Stuck in a Rut-It's Time for Georgia To
    SUCCESSFUL BUT STUCK IN A RUT- IT’S TIME FOR GEORGIA TO SHAKE THINGS UP. In I Almost Forgot About You, Dr. Georgia Young’s wonderful life—great friends, family, and successful career—aren’t enough to keep her from feeling stuck and restless. When she decides to make some major changes in her life, including quitting her job as an optometrist and moving house, she finds herself on a wild journey that may or may not include a second chance at love. Georgia’s bravery reminds us that it’s never too late to become the person you want to be, and that taking chances, with your life and your heart, are always worthwhile. Big-hearted, genuine, and universal, I Almost Forgot About You shows what can happen when you face your fears, take a chance, and open yourself up to life, love, and the possibility of a new direction. It’s everything you’ve always loved about Terry McMillan. is the #1 New York Times bestselling author of Waiting to Exhale, How Stella Got Her Groove Back, A Day Late and a Dollar Short, and The Interruption of Everything and the editor of Breaking Ice: An Anthology of Contemporary African-American Fiction. Each of Ms. McMillan’s seven previous novels was a New York Times bestseller, and four have been made into movies: Waiting to Exhale (Twentieth Century Fox, 1995); How Stella Got Her Groove Back (Twentieth Century Fox, 1998); Disappearing Acts (HBO Pictures, 1999); and A Day Late and a Dollar Short (Lifetime, 2014). She lives in California.
    [Show full text]
  • Black Filmmakers After “Blaxploitation” WB
    Fall 2020 RTF 370: Black Filmmakers After “Blaxploitation” WB Instructor: Adrien Sebro Email: [email protected] Seminar Day anD Time: TTh 2:00PM-3:30PM Office Hours: Thursdays 1-2PM or by appointment Course Description: May it be the Harlem Renaissance, The L.A. Rebellion, or Blaxploitation, there has existed various U.S. arts movements with Black artists and Black culture at their center. Blaxploitation is a term coined in the early 1970s to refer to Black action films that were aimed at Black audiences. Featuring Black actors in lead roles and often having anti-establishment plots, these films were frequently condemned for stereotypical characterizations and the glorification of violence. The films, though receiving backlash for their stereotypical characters, are among the first in which Black characters and communities are the heroes and subjects of film and television, rather than sidekicks or villains or victims of brutality. The genre’s inception coincides with the rethinking of race relations in the 1970s. Blaxploitation films were originally aimed at an urban Black audience, but the genre’s audience appeal soon broadened across racial and ethnic lines. Hollywood soon realized the potential profit of expanding the audiences of Blaxploitation films across those racial lines. But what was to come after this movement? How can we label contemporary Black filmmakers and their works of art? Presently, with the robust number of Black filmmakers across Hollywood, what are the new ways in which Blackness is framed across dominant Hollywood cinema, independent film, animation, television, and experimental film? With this course we will use case studies of various contemporary Black filmmakers (1980s-Present) while working to question and complicate the ways in which they deploy images, understandings, and narratives of Blackness within American society.
    [Show full text]
  • Crimson White
    THURSDAY, MARCH 12, 2015 SERVING THE UNIVERSITY OF VOLUME 121 | ISSUE 104 ALABAMA SINCE 1894 President Q&A 8 Underrated Films 12 Gymnastics 7 As president of the Muslim Many underrated 2014 The fifth-ranked Students Association, films are the perfect Alabama gymnastics Muhammad Farooq works to solution to mid-week team will return home connect Muslim students to spring break boredom. to host defending NCAA non-Muslim students across From dramadies to co-champion No 1. campus. The group provides romantic flicks, check Oklahoma for the final prayer spaces and annual out our picks for the best meet of regular season celebrations for its members. movies to see. this Friday night at 7 p.m. NEWS | YEARBOOK Corolla to return after cancellation [Hockey] is as much a part of Yearbook to be printeded by University Relationsns him as breathing. By Katie Shepherd | Assistant News Editor — Buddy Damare — The University of Alabamabama announced Monday it would pub- lish a 2014-2015 edition of the Corollaorolla yearbook for students, employees,oyees, alumni and parents, according to an email sent from UA News just before 10 a.m. “Using a traditional format with tech-savvy innovations, the Corolla’srolla’s Ruler of content will focus on preserving the broader Alabama experience and The University offer students an the Rink opportunity to has decided to be in the book in continue the New York native led Crimson Tide ways that capture their own individ- 123-year-old hockey to 2012 SEC Championship ual experiences on campus dur- tradition ... By Nolan Imsande | Staff Reporter ing the year,” the Mike Quenneville was 2 years old when he first email read.
    [Show full text]
  • Muse Awards Art and Advocacy
    NEW YORK WOMEN IN FILM & TELEVISION presents the 41st annual MUSE AWARDS ART AND ADVOCACY THURSDAY, DECEMBER 17, 2020 presents 41st ANNUAL MUSE AWARDS FOR VISION AND ACHIEVEMENT Thursday, December 17, 2020 1:00 PM (ET) Awards Celebration Online Networking Immediately Following Presented Virtually HONORING Awkwafina Rachel Rashida Jones Jodi Kantor and Megan Twohey Actor Brosnahan Actor, Writer, Journalists The Mayor’s Office Actor and Producer, of Media & Producer Director Entertainment Made in NY Award The New York Times Company congratulates Jodi Kantor and Megan Twohey, who have been named 2020 Muse Award honorees by New York Women in Film & Television. Alana Mayo Gina Prince- Ali Stroker President of Bythewood Actor Orion Pictures Director, Writer, Loreen Arbus Producer Changemaker Nancy Malone Award Directing Award 041401_Salute Ad_NYWIFT Muse Awards_4_5x7_5_AW1.indd 1 12/9/20 5:17 PM SOCIET Y AWA R D S 41st ANNUAL MUSE AWARDS From the Executive Director We hope all of you are ready to be inspired. The women we honor this year are dedicated game- changers in the media and entertainment indus- try from the studios to television to journalism. We hope you’ll enjoy this additional look at our honorees and the intimate photographs from moments that were instru- mental in their creative development. is proud to To all the honorees: thank you. Thank you for inspiring and elevating us with your infectious energy and creative spirit. Thank you for saying ‘yes’ to being part of the 2020 MUSE Awards. To survive the pandemic, design we all need your wit, talent, and work. 2020 is a year unlike any other, and this MUSE Awards is unlike any other.
    [Show full text]