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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers Across 900 Popular Songs from 2012-2020
Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers across 900 Popular Songs from 2012-2020 Dr. Stacy L. Smith, Dr. Katherine Pieper, Marc Choueiti, Karla Hernandez & Kevin Yao March 2021 INCLUSION IN THE RECORDING STUDIO? EXAMINING POPULAR SONGS USC ANNENBERG INCLUSION INITIATIVE @Inclusionists WOMEN ARE MISSING IN POPULAR MUSIC Prevalence of Women Artists across 900 Songs, in percentages 28.1 TOTAL NUMBER 25.1 OF ARTISTS 1,797 22.7 21.9 22.5 20.9 20.2 RATIO OF MEN TO WOMEN 16.8 17.1 3.6:1 ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 ‘19 ‘20 FOR WOMEN, MUSIC IS A SOLO ACTIVITY Across 900 songs, percentage of women out of... 21.6 30 7.1 7.3 ALL INDIVIDUAL DUOS BANDS ARTISTS ARTISTS (n=388) (n=340) (n=9) (n=39) WOMEN ARE PUSHED ASIDE AS PRODUCERS THE RATIO OF MEN TO WOMEN PRODUCERS ACROSS 600 POPULAR SONGS WAS 38 to 1 © DR. STACY L. SMITH WRITTEN OFF: FEW WOMEN WORK AS SONGWRITERS Songwriter gender by year... 2012 2013 2014 2015 2016 2017 2018 2019 2020 TOTAL 11% 11.7% 12.7% 13.7% 13.3% 11.5% 11.6% 14.4% 12.9% 12.6% 89% 88.3% 87.3% 86.3% 86.7% 88.5% 88.4% 85.6% 87.1% 87.4% WOMEN ARE MISSING IN THE MUSIC INDUSTRY Percentage of women across three creative roles... .% .% .% ARE ARE ARE ARTISTS SONGWRITERS PRODUCERS VOICES HEARD: ARTISTS OF COLOR ACROSS SONGS Percentage of artists of color by year... 59% 55.6% 56.1% 51.9% 48.7% 48.4% 38.4% 36% 46.7% 31.2% OF ARTISTS WERE PEOPLE OF COLOR ACROSS SONGS FROM ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 ‘19 ‘20 © DR. -
Love Someone
Love Someone (Lukas Graham) By David Labrel, Jaramye Daniels, Morten Pilegaard, Morten Ristorp, Lukas Forchhammer, James Ghaleb, Don Stefano Arranged By Tim Middleton Duration: 3:36 String Quartet Violin I Violin II Viola Violoncello © 2018 WB MUSIC CORP., BIG DREAMS APS, HALLA!HALLA! PUBLISHING, MORTEN PILEGAARD PUB DESIGNEE, JARAMYE DANIELS MUSIC, STEFPUBLISHING, DAVID LaBREL PUBLISHING DESIGNEE, MARTIN SHADOWSKI MUSIC GROUP, ANNAMYLOVEMUSIC and MXM All Rights for BIG DREAMS APS, HALLA!HALLA! PUBLISHING, MORTEN PILEGAARD PUB DESIGNEE, JARAMYE DANIELS MUSIC and STEFPUBLISHING Administered by WB MUSIC CORP. All Rights for MARTIN SHADOWSKI MUSIC GROUP, ANNAMYLOVEMUSIC and MXM Administered Worldwide by SONGS OF KOBALT MUSIC PUBLISHING All Rights Reserved Used by Permission Love Someone As Sung By Lukas Graham By David Labrel, Jaramye Daniels, Morten Pilegaard, Morten Ristorp, Lukas Forchhammer, James Ghaleb, Don Stefano q = 86 Arranged By Tim Middleton ° 4 œœ œ ˙ œœœ œ œ ˙ œœ œ œ ˙ Violin I & 4 Œ Ó ‰™ R œ œ œ œ Œ mp 4 j j j œ œ Violin II & 4 œ ‰ œ ˙ œ ‰ œ ˙ œ ‰ œ ˙ œ ‰ J œ p j j Viola B 4 œ ‰ œ ˙ ‰ œ ‰ œ ˙ ‰ œ 4 J œ œ ˙ J œ œ œ p j Violoncello ? 4 ‰ œ™ œ ‰ œ ˙ ‰ j ‰ j œ ¢ 4 œ œ œ œ J œ œ œ œœ™ œ œ œ p 5 œ ˙ ° œœ œ œ œ œœ œ œ™ œ ˙ œœ ˙ œœ ˙ Vln. I & Œ ™ œœœœ pp j j œ œ ˙ Vln. II ‰ ‰ ‰ ‰ j & œ œ ˙ œ œ ˙ J œ œ œ œœœœ pp j j Vla. B œ ‰ œ ˙ ‰ œ ‰ œ ˙ ‰ œ J œ œ ˙ J œ œ œ pp j Vc. -
Ava Max Could Always Envision Her Dream, She Actually Went out and Made It a Reality on Her Own
For dreams to manifest into reality, it requires more than a fairytale wish… Truthfully, it takes hustle, heart, and a whole lot of attitude. For as much as Ava Max could always envision her dream, she actually went out and made it a reality on her own. Gathering billions of streams, multiplatinum plaques, award nominations, and acclaim from The New York Times, Rolling Stone, and many more, the international phenomenon projects an unbelievable personal journey into a poignant and punchy pop opus on her full-length debut album, Heaven & Hell [APG/Atlantic Records]. “Manifesting is really important to me,” she explains. “I put positive energy into my music. I know what I want to write, and there’s a story behind each song. It’s all about working hard and putting your heart and soul into it.” She started doing so as a kid. Prior to her birth in Milwaukee, Wisconsin, Ava’s parents emigrated from Albania to the United States. Without speaking a word of English, mom and dad held down three jobs each. However, both parents retained a passion for music. Among her earliest memories, Ava recalls her mother—a classically trained vocalist—singing opera aloud. The family relocated to Virginia where they eventually settled in their first house. Along the way, Ava clung to music, listening to Whitney Houston, Mariah Carey, and Shania Twain, to name a few. “At a very young age, I watched my parents really struggle in America,” she admits. “It was tough, and it impacted me in many ways. However, both of them always told me if they could make it here with no language and no money, then I could make it.” While in Virginia, she dove headfirst into music with the family staunchly behind her. -
Patrizia Sandretto Re Rebaudengo
April 2017 Dylan Lewis, Trans-Figure I Patron, collector and game-changer PATRIZIA SANDRETTO RE REBAUDENGO Mat Collishaw: THE TIME TRAVELLER’S ARTIST Shaking up Australia’s art scene with Danny Goldberg PLUS Classic Week at Christie’s New York APRIL 2017 Contents 062 Letters from Lisbon Take a typographical tour of a city that has stylish signwriting down to a ne art 072 Lit from within Helaine Blumenfeld creates monumental works that seem to glow with an inner life A selection of works and maquettes at Helaine Blumenfeld’s Cambridgeshire studio 082 Queen of Turin With a shrewd eye for emerging talent and a taste for the experimental, collector Patrizia Sandretto Re Rebaudengo has transformed the art scene in her native Italy and beyond 094 God is in the detail Northern Europe’s churches are treasure houses of spectacular limewood sculpture 100 Man on a mission Danny Goldberg wants as many people as possible to see his superb contemporary art collection 110 Nature writ large The South African wilderness is the ideal habitat for the sculptures of Dylan Lewis 120 I bought it at Christie’s Interior designer Edward Bulmer on his passion for an 18th-century religious painting 172 That was then Damien Hirst with Mother and Child (Divided) at the Venice Biennale, 1993 Photo: Nick Ballon. Artworks: © Helaine Blumenfeld, courtesy Artworks: Ballon. Blumenfeld, Nick of the artist © Helaine Photo: and Hignell Gallery [ 008 ] L I T F R O M W ITHIN Helaine Blumenfeld’s abstractions of the human form appear animated, as if by an inner soul. -
Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
“IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics -
Selena Gomez Has Cons of Staying in Los Angeles, Where Me
SATURDAY, NOVEMBER 26, 2016 Adele has reportedly threatened to leave America following Donald Trump's election he 'Hello' hitmaker's pal has said great California is, given the schools, the star - who is an avid Hillary lifestyle and weather, and how she's not TClinton supporter - is "distraught" disturbed as much as she is in the UK. with the results of the US presidential "Democrats are also heavily in the election and is seriously considering majority in California, so she's surround- ditching her 6.5 million Hollywood ed by people of similar beliefs." It comes home to return to the UK. Her pal said: after the 'Make You Feel My Love' singer "Adele's gut reaction was to get out of announced she is planning on having LA. "She was so pro-Hillary and was con- another child when she finishes her fident the result she favored would hap- 'Adele Live' world tour. As she closed the pen." However, the 28-year-old pop US leg of her tour on Monday (21.11.16) superstar - who has four-year-old son in Phoenix, Arizona, she told the audi- Angelo with her husband Simon Konecki ence: "I'll see ya later, I'll see ya on the - hasn't made her mind up yet, and is other side. In a couple of years when I'll believed to be weighing up the pros and be back, you won't be able to get rid of Selena Gomez has cons of staying in Los Angeles, where me. I'm going to go and have a baby." there are better schools and she is not recognised as much by her fans. -
Ready to Go in Harm's
MUSIC: Choosing a song of this MLB summer like no other Page 32 Fast starts will be key MOVIES: ‘Palm Springs’ to awards in a timely time loop Page 20 short season BOOKS: Jim Carrey novel Back page predictably absurd Page 34 stripes.com Volume 79, No. 60 ©SS 2020 FRIDAY, JULY 10, 2020 $1.00 VIRUS OUTBREAK Layoffs remain at elevated level as states rethink reopening plans BY CHRISTOPHER RUGABER Associated Press WASHINGTON — More than 1.3 million Americans applied for unemployment benefits last week, a historically high pace that shows that many employers are still laying people off in the face of a resurgent coronavirus. The persistently elevated level of layoffs are occurring as a spike in virus cases has forced six states to reverse their move to reopen businesses. Those six — Arizona, California, Colorado, Florida, Michigan and Texas — make up one-third of the U.S. economy. Fifteen other states have suspended their re-open- ings. Collectively, the pullback has stalled a tentative recovery in the job market and is likely trig- gering additional layoffs. On Wednesday, the United States reported just short of the Ready to go record 60,000 cases set a day earlier. In the U.S., the number of confirmed cases has passed 3 million — meaning nearly one in every 100 people has been con- firmed as infected — and the death toll in the pandemic is more than 132,000. In addition, Dr. Anthony Fauci, in harm’s way the nation’s top infectious-dis- ease official, is advising that some states seriously consider “shutting down” again if they Long-derided littoral combat ships flex their muscles in Pacific are facing major resurgences of the virus, The Washington Post BY SETH ROBSON coast guard and paramilitary vessels. -
Drake Take Care Free Album Download Mp3
Drake take care free album download mp3 Continue Atlanta Infectious Diseases Consultants (AIDC) is a Patient Advisory Infectious Disease Practice serving in the Atlanta and East Point Georgia area. It's the medical practice of Dr. Joyce Drayton who provides in patient, advisory Drake take care of the album tracklist free download, Drake take care of the album download lightning fast, Drake take care of the album download hulkshare.com, in one direction take me home album song songs, Drake take care of the album download livemixtapes, take me home one direction album download mp3, Drake take care of the album download songslover, in one direction take me home album of songs. See our hospital supplies here you are currently listening to samples. Listen to more than 60 million songs with an unlimited streaming plan. Listen to this album and over 60 million songs with unlimited streaming plans. 1 month free, then 19.99 euros/month Page 2 You are currently listening to samples. Listen to more than 60 million songs with an unlimited streaming plan. Listen to this album and over 60 million songs with unlimited streaming plans. 1 month free, then 19.99 pounds/month November 15, 2011 Take care of the lyrics: I know you've been hurt by someone else / I can tell by the way you wear yourself / If you let me, here's what I'll do / I'll take care of you / I loved and I'm lost / I. Take Care (Deluxe Version) is another 2011 album from Drake. Stream - Download ALBUM: Drake - Take Care (Deluxe Version) Mp3 Download. -
GV Smart Vol.022
GV Smart Song Pack Vol.022 GV Smart Song Pack Vol.022 SONG LIST Song Title No. Popularized By Composer/Lyricist Amy Allen, Harry Styles, Thomas ADORE YOU 17316 HARRY STYLES Hull, Tyler Johnson ANY WAY YOU WANT IT 17329 JOURNEY Neal Schon, Stephen Perry Antonio Romero Monge, Michael Ray AYY MACARENA 17298 TYGA Stevenson, Pliznaya, Rafael Ruiz Jahseh Onfroy, John Cunningham, XXXTENTACION FT. PNB Michael White, Rakim Allen, Robert BAD VIBES FOREVER 656 ROCK, TRIPPIE REDD Soukiasyan Jonathan Singleton, Luke Combs, BEER NEVER BROKE MY HEART 17332 LUKE COMBS Randy Montana Ben Kohn, Lewis Capaldi, Peter BEFORE YOU GO 17314 LEWIS CAPALDI Kelleher, Phil Plested, Tom Barnes Abel Tesfaye, Ahmad Balshe, Jason BLINDING LIGHTS 17321 THE WEEKND Quenneville, Max Martin, Oscar Holter Bleta Rexha, Daniel Griffith, Lauren BODY BACK 17304 GRYFFIN FT. MAIA WRIGHT Christy, Mitch Allan, Par Westerlund CAN WE KISS FOREVER? 17323 KINA FT. ADRIANA PROENZA Adriana Proenza, Kina CATRIONA 4466 MATTHAIOS Jun Matthew Brecio Kanye West, Angel Lopez, Brian Miller, Chango Farías Gómez, Federico Vindver, Gene Thornton, Rennard East, Terrence Thornton, Timothy CLOSED ON SUNDAY 17307 KANYE WEST Mosley, Victory Elyse Boyd Chris Martin, Guy Berryman, Jonny DADDY 17318 COLDPLAY Buckland, Will Champion DANCE MONKEY 17313 TONES AND I Toni Watson Alex Pall, Andrew Jackson, Andrew Taggart, Gradon Jay Lee, Jorgen Odegard, FAMILY 17320 THE CHAINSMOKERS, KYGO Kyrre Gørvell - Dahll, McClenney FINALLY // BEAUTIFUL STRANGER 657 HALSEY Greg Kurstin, Halsey GET YOU 17327 DANIEL CAESAR -
Fletcher: "Bitter" Feat
VENERDì 2 OTTOBRE 2020 Dal 2 ottobre è in radio il nuovo singolo di Fletcher, "Bitter", in collaborazione con Trevor Daniel e prodotto dal DJ Kito (Diplo, Empress Of, Aluna George). Fletcher: "Bitter" feat. Trevor Daniel il nuovo singolo da oggi in Fletcher è il nuovo volto del pop americano. Con Capitol Records ha radio pubblicato il primo singolo, "Undrunk", a marzo del 2019. Da allora si è concentrata a scrivere canzoni che raccontano in particolare storie femminili e a settembre di quest'anno è uscito l'EP "The S(ex) Tapes" , dove compare il brano "Bitter" prodotto da Kito. La versione del singolo con Trevor Daniel è la prima collaborazione di ANTONIO GALLUZZO Fletcher con un artista maschile, una decisione che va di pari passo con la convinzione di usare la sua produzione creativa come mezzo per esplorare se stessa, la sua sessualità e il mondo che la circonda. Trevor è un artista così visionario che ho colto al volo l'opportunità di collaborare con lui. E' stato in grado di dare una prospettiva [email protected] completamente nuova alla canzone e credo che siamo ancora entrambi SPETTACOLINEWS.IT 'amareggiati' a causa dei nostri "ex", dice Fletcher, "Nel video ho voluto esplorare i temi dell'energia maschile e femminile in termini della scoperta di sé. Ho voluto raccontare la paura di uscire ed esplorare il mondo e il proprio rapporto con se stessi, temendo che la propria persona trovi qualcuno di nuovo durante questo processo. Non ho mai capito il detto "se ami qualcosa, lascialo andare". Ma questa è la vita.