Libertas and Virtus of the Citizen in Cicero's De Republica*
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Plutarch, Machiavelli and Shakespeare's Coriolanus Patrick
The Changing Faces of Virtue: Plutarch, Machiavelli and Shakespeare’s Coriolanus Patrick Ashby University of Bristol [email protected] Introduction: The hinges of virtue ‘Let it be virtuous to be obstinate’, says Caius Martius Coriolanus, shortly before the catastrophe of Shakespeare’s tragedy (Coriolanus, 5.3.26).1 In uttering these words, he articulates a moral hypothesis which is of central importance to Coriolanus: the supposition that steadfastness of principle is a fundamental good. This is a theory which the play puts to the test. The idea of ‘virtue’ — in a variety of guises — is a key focus of this essay, which identifies as crucial those moments at which definitions of virtue are unsettled, transformed, or confronted with a range of alternatives. Several commentators have connected Shakespeare’s Coriolanus with the political ideas of Niccolò Machiavelli, the Florentine theorist whose notoriety rests upon his recommendation of moral flexibility for political leaders. For Anne Barton, who reads the play in the context of Machiavelli’s Discourses on Livy’s history of early Rome, Coriolanus dramatises the futile persistence of obsolescent virtues (the valorisation of battlefield heroics) in an environment of subtler needs and growing political sophistication.2 In Shakespeare and the Popular Voice, Annabel Patterson hints at Shakespeare’s sympathy with the idea of popular political representation, proposing that ‘there is nothing in the play to challenge that famous interpretation of the tribunate which [. .] Machiavelli made a premise of Renaissance political theory’.3 John Plotz 1 William Shakespeare, Coriolanus, The Norton Shakespeare, ed. by Stephen Greenblatt, Katherine Eisaman Maus, Jean E. -
Res Publica: an International Framework for Education in Democracy
RES PUBLICA: AN INTERNATIONAL FRAMEWORK FOR EDUCATION IN DEMOCRACY Revised January 2006 Civitas: An International Civic Education Exchange Program of the Center for Civic Education 5146 Douglas Fir Road / Calabasas, CA 91302 / USA 818-591-9321 / fax 818-591-9330 / [email protected] 1 This project is conducted as a part of Civitas: An International Civic Education Exchange Program administered by the Center for Civic Education. The project is supported by the United States Department of Education and conducted with the assistance of the United States Information Agency and its affiliated offices in nations throughout the world. 2003 Center for Civic Education 07 06 05 1 2 3 All rights reserved. Except for use in a review, reproduction or transmittal of this work in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, and use of this work in any form in any information storage or retrieval system is forbidden without prior written permission from the publisher. The U.S. Department of Education disclaims any responsibility for any opinion or conclusions contained herein. The federal government reserves a nonexclusive license to use and reproduce for government purposes, without payment, this material where the government deems it in its interest to do so. ISBN 0-89818-194-1 Res Publica: An International Framework for Education in Democracy Introduction Res Publica: An International Framework for Education in Democracy is an attempt to develop a cross- cultural and trans-national general statement of the central meanings and character of the ideas, values, principles, and institutions of democracy. -
IMPERIAL EXEMPLA Military Prowess, Or Virtus, Is but One Quality That
CHAPTER FOUR IMPERIAL EXEMPLA Military prowess, or virtus, is but one quality that characterized an efffec- tive emperor. Ideally, a ‘good’ emperor was not just a competent general but also displayed other virtues. These imperial virtutes were propagated throughout the Roman Empire by means of imperial panegyric, decrees, inscriptions, biographies, and coins.1 On coinage in particular, juxtaposi- tions of AVG or AVGG with the virtue and/or the imperial portrait on the obverse would connect the virtues mentioned on the reverses directly with the emperor(s). Not all emperors emphasized the same virtues on their coinage. For example, Elagabalus seems not to have felt the need to stress virtus, whereas his successor Severus Alexander did try to convince the Roman people of his military prowess by propagating it on his coins. The presence or absence of particular virtues on coins issued by diffferent emperors brings us to the question as to whether an imperial canon of virtues existed. But before elaborating on this, the concept ‘virtue’ must be clarifijied.2 Modern scholars investigating imperial virtues on coinage consider vir- tues to be personifijications with divine power – in other words, deifijied abstractions or, as Fears puts it, ‘specifijic impersonal numina’.3 For many, the terms ‘personifijication’ and ‘virtue’ are interchangeable.4 Indeed, vir- tues can be considered personifijications. Yet, not all personifijications are 1 Noreña, “The communication of the emperor’s virtues”, p. 153. 2 ‘But if one is to compare coins with other sources, particularly philosopically inspired ones (i.e. in talking of the virtues of the ideal statesman) it is vital to distinguish what is a virtue and what is not’, A. -
Coriolanus: the Tragedy of Virtus ANTHONY MILLER
SYDNEY STUDIES Coriolanus: The Tragedy of Virtus ANTHONY MILLER From the opening entry of "a company of mntinous Citizens, with staves, clubs, and other weapons" to the next to last, barely coherent action-"Kill, kill, kill, kill, kill him!" "Hold, hold, hold, hold!"-Coriolanus displays an ancient world riven by war and civic turmoil.l For all its occasional evocations of a mar moreal Romanitas, it is also a busy play. Its protagonist accepts with relish and superhuman energy the opportunities for martial action that his world presents: Coriolanus is probably the most active of Shakespeare's tragic heroes, certainly the one least given to reflection. Yet the play's busyness is not always warlike. Much of it consists of talk, especially the contentious talk of political debate. Characters plan courses of action, rehearse public appearances, plot acts of vengeance, conjure with names, report off-stage events-and even events that the audience has seen occur on-stage. Much of the discussion revolves around Coriolanus himself. His nature and motives, his martial prowess and farouche political manners, are incessantly and variously canvassed. To a belligerent citizen, Coriolanus's heroics are performed to please his mother, and to be partly proud; to the indulgent Menenius, his nature is too noble for the world; to Aufidius, shrewd and grudgingly admiring, his actions are a matter for almost obsessive, but inconclusive, rumination: Whether 'twas pride, Which out of daily fortune ever taints The happy man; whether defect of judgement, To fail in the disposing of those chances Which he was lord of; or whether nature, Not to be other than one thing, not moving From th'casque to th'cushion, but commanding peace Even with the same austerity and garb As he controll'd the war; but one of these As he hath spices of them all, not all, For I dare so far free him-made him fear'd, So hated, and so banish'd. -
Public Law As the Law of the Res Publica Elisabeth Zoller
CORE Metadata, citation and similar papers at core.ac.uk Provided by Indiana University Bloomington Maurer School of Law Maurer School of Law: Indiana University Digital Repository @ Maurer Law Articles by Maurer Faculty Faculty Scholarship 2008 Public Law as the Law of the Res Publica Elisabeth Zoller Follow this and additional works at: http://www.repository.law.indiana.edu/facpub Part of the Comparative and Foreign Law Commons, European Law Commons, and the Public Law and Legal Theory Commons Recommended Citation Zoller, Elisabeth, "Public Law as the Law of the Res Publica" (2008). Articles by Maurer Faculty. Paper 146. http://www.repository.law.indiana.edu/facpub/146 This Conference Proceeding is brought to you for free and open access by the Faculty Scholarship at Digital Repository @ Maurer Law. It has been accepted for inclusion in Articles by Maurer Faculty by an authorized administrator of Digital Repository @ Maurer Law. For more information, please contact [email protected]. PUBLIC LAW AS THE LAW OF THE RES PUBLICA Elisabeth Zoller* A LECTURE GIVEN AS PART OF SUFFOLK TRANSNATIONAL LAW REVIEW'S 2008 DISTINGUISHED SPEAKER COLLOQUIUM SERIES In 1989, on the occasion of the Bicentennial of the French Revolution, I gave a talk at Suffolk University Law School on The Distinction Between Man and the Citizen in the Declaration of the Rights of Man and the Citizen of 1789.1 In retrospect, I am afraid that this may not have been one of my best talks. The truth of the matter is that I failed to give the rationale for this crucial distinction and its meaning in the Declaration of 1789. -
4 a Pocockian Moment
77 4 A Pocockian Moment My encounter with John G. A. Pocock, not in person but in bookish mode, took place more than two decades ago in rather unexpected cir- cumstances. It was in the course of my struggle with a couple of medieval English poems that I came across The Machiavellian Moment. 1 Reading it was for me a revealing experience and helpful in making out those oth- erwise intractable pieces of work. The poems in question were by Geoffrey Chaucer, The House of Fame and The Parliament of Fowls, both belonging to the medieval poetic genre called the “dream vision,” in which the poet/narrator describes in the first person singular the con- tents of a dream. Briefly put, the visionary experience comprising The House of Fame is made up largely of three sections through which the poet/narrator goes through: (1) in the first section (called the Temple of Venus) we are given an abridged version of the story of the Aeneid as the poet/narrator sees it portrayed on the walls of the temple. It should be noted for our present purposes that the Virgilian story is an exemplary instance of the topos “translatio imperii ”; (2) in the second section, the poet/narrator undergoes a version of the cosmic flight vision, in which the visionary/narrator describes his/her flight from the earth to some higher place. Its celebrated examples include the Somnium Scipionis, Boethius’s De Consolatione Philosophiae (esp. Book IV, metrum I), and Dante’s Paradiso. In Chaucer’s House of Fame, however, as we shall see later, what is supposed to be a transcendental cosmic flight was parodied so that the destination of the flight was neither the other side of the uni- verse (“on the outside of the swift air”) as in the case of Boethius, nor the 1. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Some Aspects of the Concept of Virtus in Roman Literature Until Livy
STUDIA PHILOLOGICA JYV ASKYLAENSIA 16 JUHANI SARSILA SOME ASPECTS OF THE CONCEPT OF VIRTUS IN ROMAN LITERATURE UNTIL LIVY ACADEMIC DISSERTATION TO THE PUBLICLY DISCUSSED, BY PERMISSION OF THE FACULTY OF HUMANITIES, OF THE UNIVERSITY OF JYVASKYLA, IN AUDITORIUM S 212, ON APRIL 7, 1982, AT 12 O'CLOCK NOON UNIVERSITY OF ]YVASKYLA, JYVASKYLA 1982 SOME ASPECTS OF THE CONCEPT OF VIRTUS IN ROMAN LITERATURE UNTIL LIVY STUDIA PHILOLOGICA JYVASKYLAENSIA 16 JUHANI SARSILA SOME ASPECTS OF THE CONCEPT OF VIRTUS IN ROMAN LITERATURE UNTIL LIVY UNIVERSITY OF JYVASKYLA, JYVASKYLA 1982 URN:ISBN:978-951-39-8309-3 ISBN 978-951-39-8309-3 (PDF) ISSN 0585-5462 lSBN 951-678-661-8 ISSN 0585-5462 COPYRIGHT © 1982, by University of Jyvliskylli Jyvliskyllin yliopisto monistuskeskus Kirjapaino Oy Sisa-Suomi. Jyvliskylli 1982 ABSTRACT Sarsila, Juhani, Some Aspects of the Concept of Virtus in Roman Literature until Livy / Juhani Sarsila. - Jyvaskyla Jyvaskylan yliopisto, 1981. - 153 s. - (Studia Philologica Jyvaskylaensia, ISSN 0585-5462; 16) ISBN 951-678-661-8 Diss. This study is an interpretation of some essential occurrences of virtus in the Roman literature from the beginnings until Livy. The method can be characterized as philological, more precisely compara tive-diachronical. Despite the great variety of literary genres, virtus remains rather similar from one author to another. The fact that the Romans repeatedly emphasized the importance of virtus goes to show the fundamental significance of this concept for their so ciety. Originally the conception of virtus was quite narrow consisting in the readiness of the agrarian and militant community to wage war and to endure hard toil. -
The Social History of Republica Internationale FC; a 30 Year Struggle for Socialist Football
This 2013 work was undertaken during employment at Leeds Metropolitan University. It can be accessed at http://www.playleftwing.org/freedom-through-football/ The social history of Republica Internationale FC; A 30 year struggle for Socialist Football. By Mick Totten (with help from Republica). Foreword; This article tells the tale of Republica Internationale FC, its’ thirty year history from formation as an alternative football club to its participation on an international stage of like-minded clubs. It covers the many social and political issues the club has had to confront, its successes and setbacks. The author is indebted to contributions made by many others and has tried to faithfully convey an accurate recollection of events. And, where controversy has arisen, the author has sincerely attempted to offer a fair and balanced view. Republica is very proud of its history and hope that others are inspired by it too. Page Contents 2 Introduction 3 1983-86; The Originals. 4 1986-92; Re-Generation. - Club on the move 5 - Constituted 7 1992-98 Local heroes. - Growing success 8 - Branching out 9 1998-02 International players. - Women enter the field 10 - Alternative World Cup 11 - Challenging violence 12 - Horizons abroad 13 - Creating a home 14 - Anti-Racist World Cup - Flying the flag 15 - Introducing Sankt Pauli 16 2002-06 Top of the World - Women in League 17 - Plotting and playing 19 - Rifts appearing 20 - Glorious Summer 21 2006-09 Pushed to the brink - Falling out - Illness and apathy 22 - Kicking Sexism out 24 2009-13 Shoots of Recovery - Gaining respect 25 - Hosting, renewal and removal 26 - Right Now 27 - A New Frontier 29 Conclusions 30 Bibliography 1 This 2013 work was undertaken during employment at Leeds Metropolitan University. -
Public Law As the Law of the Res Publica
Maurer School of Law: Indiana University Digital Repository @ Maurer Law Articles by Maurer Faculty Faculty Scholarship 2008 Public Law as the Law of the Res Publica Elisabeth Zoller Follow this and additional works at: https://www.repository.law.indiana.edu/facpub Part of the Comparative and Foreign Law Commons, European Law Commons, and the Public Law and Legal Theory Commons Recommended Citation Zoller, Elisabeth, "Public Law as the Law of the Res Publica" (2008). Articles by Maurer Faculty. 146. https://www.repository.law.indiana.edu/facpub/146 This Conference Proceeding is brought to you for free and open access by the Faculty Scholarship at Digital Repository @ Maurer Law. It has been accepted for inclusion in Articles by Maurer Faculty by an authorized administrator of Digital Repository @ Maurer Law. For more information, please contact [email protected]. PUBLIC LAW AS THE LAW OF THE RES PUBLICA Elisabeth Zoller* A LECTURE GIVEN AS PART OF SUFFOLK TRANSNATIONAL LAW REVIEW'S 2008 DISTINGUISHED SPEAKER COLLOQUIUM SERIES In 1989, on the occasion of the Bicentennial of the French Revolution, I gave a talk at Suffolk University Law School on The Distinction Between Man and the Citizen in the Declaration of the Rights of Man and the Citizen of 1789.1 In retrospect, I am afraid that this may not have been one of my best talks. The truth of the matter is that I failed to give the rationale for this crucial distinction and its meaning in the Declaration of 1789. I said that the distinction was almost invisible in this country and much less important than in the French legal system, but I did not explain why. -
Cicero's Somnium Scipionis and Chaucer's Early
“FOR I HADDE RED OF AFFRYCAN BYFORN:” CICERO’S SOMNIUM SCIPIONIS AND CHAUCER’S EARLY DREAM VISIONS Timothy A. Shonk When Marcus Tullius Cicero began his contemplative work on the perfect state, De re publica, he confronted two questions, one public and one per- sonal, that must have consumed his psychic energies: how to remain influential in the growth of the Roman state after his year of exile in Greece, and how to ensure that his words and concomitant reputation for rhetorical power endured. To answer the first question, Cicero, removed from the office of Consul and the hall of the Senate, had little choice in continuing to work to meld the classes into an ideal functioning govern- ment but to “do so from his study.”1 To this end, he developed an imagined conversation, closely modeled on Plato’s Republic, featuring personages who loomed large in Rome’s recent history: among them, Publius Cornelius Scipio Africanus the Younger, Manius Manillus, Publius Rutilus Rufus, and Quintus Mucius Scaevola. The primary speaker, Scipio the Younger, following an opening discussion of the possible explanations of the recent phenomenon of two suns in one day, begins the theme that dominates the work: the three types of government—dictatorship, aristo- cratic rule, and pure democracy of rule by the people—outlining the mer- its and demerits of each system before settling on the view that Rome comes closest to perfection in balancing the three types as best as can be imagined. The second question consuming Cicero had to be his future and his name. -
1489 Macrobius
1489 Ambrosius A.T. Macrobius –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Although the T-O diagrams were the first to be published (see 1472), other more detailed drawings in the medieval manuscripts of early scholars were copied too, notably those with climatic zones by the Roman philosopher, Ambrosius Aurelius !eodosius Macrobius. Some of these early circular woodcut maps after Macrobius are attractive miniatures, all very similar in design but differing in both their dimensions and details. The British Library !e first in this series of nine maps was printed in Venice by Johann L. Santritter in 1489 (see above). It measures 93 x 98 mm. with east and west reversed and this mistake does not much help in deciphering the topography. !e cities of Babylon, Jerusalem and Alexandria are shown pictorially, but only Babylon survives on all the later blocks and then without its name. Two mountain ranges are also indicated, the Riphaean in the north and the Atlas in Africa, but only the first is on all the later maps. !ule, Britain, Spain, France and Italy are shown in Europe and on later versions too, but Sardinia and Sicily only on the first one. Parthia, India and Taprobana are named in Asia but the last of these not again. Ethiopia in Africa is found on all versions and the Red Sea on most. !e maps which followed were of various sizes, all somewhat smaller than the first but four of them were almost the same as each other, about 80 mm. square. Although the nomenclature in the northern hemisphere was much simplified, it remained unchanged in the southern one.