Mcmahon Brazilian Jiu-Jitsu Training Manual
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Gracie Combatives® Lesson 2
Gracie Combatives® Lesson 2 Technique: Americana Armlock Position: Mount Overview The goal in the fight is to achieve the mount, exhaust your opponent, and then win the fight. Punching your opponent from the mount can be effective but is exhausting, risks your balance, and could injure your opponent more seriously than desired. We prefer to use leverage-based submissions instead so that we can maintain better control of our opponent and save energy. The Americana Armlock is a highly effective submission that can be used with minimal effort to defeat a larger opponent. First you will learn the Basic Applica- tion and then two variations that could be used in combat. Technical Slices™ 1) Basic Application (Preparation Drill) • Essential Detail: Effective hand positioning and solid wrist curvature • Most Common Mistake: All lift without any slide • Safety Tip: Squeeze very slowly and remember to tap out when slight discomfort is felt • Drill Orders: Start from mount, 1 repetition on each arm, reverse roles 2) Standard Variation • Indicator: Opponent fears punches and protects their face with both hands. • Essential Detail: Back hook in front knee open • Most Common Mistake: No hip pressure • Bad Guy Reminder: Test partners hooks by trying to push with free arm • Safety Tip: Do not squeeze the lock while opponent is checking base • Drill Orders: Start from mount, 1 repetition on each arm, reverse roles 3) Neck-hug Variation • Indicator: Opponent exposes their arm while you maintain control of their neck. • Essential Detail: Grip with thumb at first then switch to thumbless grip • Most Common Mistake: Forgetting the loop, and trying to apply pressure from the neck hug • Drill Orders: Start from mount, 1 repetition on each arm, reverse roles Reflex Development Drill™ Practice all variations of the Trap and Roll Escape – Mount (L1) In combination with all variations of the Americana Armlock – Mount (L2) Mindset Minute The beauty of submissions is that they give you the ability to control the amount of damage that you inflict. -
Lockdown Submission Grappling Series Rules & Regulations
LOCKDOWN SUBMISSION GRAPPLING SERIES RULES & REGULATIONS Dress & Equipment » All competitors must wear a mouthguard. » Groin guards are compulsory for kids and colts - optional for adults. MEN » Shorts or lycra elastic pants - without pockets or with pockets entirely stitched shut and reaching at least halfway down the thigh and at most to the knee. Attached metal or plastic of any kind that may hurt the opponent is expressly forbidden on the board shorts. » Rashguard or a shirt of elastic fabric (clings to body). WOMEN » Shorts or lycra elastic pants - without pockets or with pockets entirely stitched shut and reaching at least halfway down the thigh and at most to the knee. Attached metal or plastic of any kind that may hurt the opponent is expressly forbidden on the board shorts. » Rashguard or a shirt of elastic fabric (clings to body). FORBIDDEN » Any hard or rigid strapping which could cause injury or harm during a match » Joint protectors (knee, elbow braces, etc.) that increase body volume to the point of making it harder for an opponent to grip or lock (submit) » Full length compression training pants, tops or similiar » Board shorts or pants with pockets » Loose shirts of any kind » No gloves of any kind » Grease, liniments, oils or other similar substances » Foot gear (including wrestling boots) » Head gear » Hair pins » Jewellery and piercings Hygiene » Athletes’ finger and toe nails should be trimmed and short » Long hair should be tied up so as not to cause opponents any discomfort » Athletes will be disqualified if they are wearing hair dye that stains » Athletes presenting skin lesions or any other skin condition shall be directed to the tournament medical staff. -
NAGA No Gi Points Takedowns 1 Or 2 Points Submission Attempts 1 Or 2
This is a summary of the NAGA No-Gi and Gi rules. This document contains important information on scoring, illegal techniques, time limits, and safety related items. For a complete listing of the NAGA Rules, visit the NAGA website, www.NAGAfighter.com. NAGA makes every effort to give our competitors an environment that is fair and safe. Have fun and thank you for competing in NAGA. NAGA No Gi Points Takedowns 1 or 2 Points Submission Attempts 1 or 2 Points Sweeps 2 Points Side Control Variations 2 Points Mount 2 Points Back Grab 2 Points Knee on Belly 2 Points NO-GI TAKEDOWNS: 2 Points are awarded when you initiate a Takedown, take your opponent off their feet, and remain on a top position for two seconds. 1 Point may be awarded for Takedowns that do not result in top control. All Takedowns are legal except dropping an opponent on their head, or a Scissors Takedown without placing your hand on the mat first (Scissors Takedowns are illegal for Children and Teens). Slamming an opponent with the intention to cause injury will result in immediate disqualification. NO-GI DOMINANT POSITIONAL CONTROL: 2 Points are awarded for all forms of top control that provide common submission opportunities, including Side Mount, North-South, Knee on Belly, Scarf Hold, Modified Scarf Hold, Top Turtle control, Mount, and Back Grab positions. Consecutive control points are only awarded for going from a form of Side Control to Knee on Belly/Mount/Back Grab, not from a Side Control to another form of Side Control. -
Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│
Free uniform included with new membership. Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│ WWW.MMAOFBOWIE.COM BOWIE MIXED MARTIAL ARTS Member Handbook BRAZILIAN JIU-JITSU │ JUDO │ WRESTLING │ KICKBOXING Copyright © 2019 Bowie Mixed Martial Arts LLC. All Rights Reserved. Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│ WWW.MMAOFBOWIE.COM Free uniform included with new membership. Member Handbook Welcome to the world of Brazilian Jiu-Jitsu. The Brazilian Jiu-Jitsu program consists of a belt ranking system that begins at white belt and progresses to black belt. Each belt level consists of specific techniques in 7 major categories; takedowns, sweeps, guard passes, submissions, defenses, escapes, and combinations. Techniques begin with fundamentals and become more difficult as each level is reached. In addition, each belt level has a corresponding number of techniques for each category. The goal for each of us should be to become a Master, the epitome of the professional warrior. WARNING: Jiu-Jitsu, like any sport, involves a potential risk for serious injury. The techniques used in these classes are being demonstrated by highly trained professionals and are being shown solely for training purposes and competition. Doing techniques on your own without professional instruction and supervision is not a substitute for training. No one should attempt any of these techniques without proper personal instruction from trained instructors. Anyone who attempts any of these techniques without supervision assumes all risks. Bowie Mixed Martial Arts LLC., shall not be liable to anyone for the use of any of these techniques. -
Rule Book General Competition Guidelines Competition Format Manual
ENGLISH VERSION RULE BOOK GENERAL COMPETITION GUIDELINES COMPETITION FORMAT MANUAL INTERNATIONAL BRAZILIAN JIU-JITSU FEDERATION (IBJJF) ©PHOTOS BY DAN ROD DESIGN AND ILLUSTRATION: VICTOR GRUZMAN VERSION 3.0 CONTENTS PAGE 3 RULE BOOK PAGE 33 GENERAL COMPETITION GUIDELINES PAGE 39 COMPETITION FORMAT MANUAL INTERNATIONAL BRAZILIAN JIU-JITSU FEDERATION (IBJJF) ©PHOTOS BY DAN ROD DESIGN AND ILLUSTRATION: VICTOR GRUZMAN VERSION 3.0 RULE BOOK INTERNATIONAL BRAZILIAN JIU-JITSU FEDERATION (IBJJF) ©PHOTOS BY DAN ROD DESIGN AND ILLUSTRATION: VICTOR GRUZMAN VERSION 3.0 1 ARTICLE 1 – REFEREEING 1.1 Authority of Referee 1.1.1 The referee is the highest authority in a match. 1.1.2 The referee ruling on the result of each match is incontestable. 1.1.3 The ruling on the result of a match may only be changed under the following circumstances: • If the score on the board has been misread; • If the athlete declared winner submitted his/her opponent using an illegal hold previously unnoticed by the referee. • If the athlete has been disqualified erroneously for using a legitimate hold. In this case, if the match was interrupted and the athlete disqualified prior to the athlete under attack tapping out, the match shall be restarted at the center of the match area and the attacking athlete shall be awarded two points. In the event that the athlete under attack should tap out prior to the interruption and disqualification, the athlete performing the hold shall be declared the winner. Obs: Subjective interpretations of the referee on the awarding of points, advantages or penalties will are final and not subject to change. -
Rule Book (PDF)
TABLE OF CONTENTS - No Gi Rules (Point descriptions, Legal vs. Illegal techniques, match time limits, penalty processes and determining ties for all competitor divisions) PG. – 5 - No Gi Adult, Masters, Directors & Executives (Legal vs. Illegal techniques) PG. – 24 - No Gi Teens (Legal vs. Illegal techniques) PG. – 31 - No Gi Kids (Legal vs. Illegal techniques) PG. – 41 - (Point descriptions, Legal vs. Illegal techniques, match time limits, penalty processes and determining ties for all competitor divisions) PG. – 54 - (Legal vs. Illegal techniques) PG. – 78 - (Legal vs. Illegal techniques) PG. – 89 - (Legal vs. Illegal techniques) PG. – 101 2 NAGA Referee Responsibilities The NAGA Referee is the highest authority on the mat. Failure to adhere to his/her commands will result in penalties assessed, disqualification, event ejection with potential probation from future NAGA events. • NAGA Referees are among the very best trained submission grappling / Brazilian Jiu-Jitsu officials worldwide. • NAGA Referees will perform to the highest standards possible to keep ALL competitors as safe as possible during a NAGA event. • NAGA Referees reserve the right to stop a match at absolutely any given time he/she feels injury is imminent regardless of skill or belt rank. • NAGA Referee decisions are final and may not be contested by competitors, coaches or spectators during a NAGA event. • NAGA Referees will officiate each match according to the rules outlined by this rules manual with unbiased intentions towards any competitor, coach, team or spectator attending any NAGA competition. Please note: The NAGA Event Coordinator can overturn any referee decision due to a referee error. If a mistake has been made that affects the outcome of a match then the event coordinator may overturn the decision and update the bracket accordingly. -
Aikido and Spirituality: Japanese Religious Influences in a Martial Art
Durham E-Theses Aikid©oand spirituality: Japanese religious inuences in a martial art Greenhalgh, Margaret How to cite: Greenhalgh, Margaret (2003) Aikid©oand spirituality: Japanese religious inuences in a martial art, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4081/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk AIK3DO AND SPIRITUALITY: JAPANESE RELIGIOUS INFLUENCES IN A MARTIAL _ ART A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. A thesis submitted for the degree of Master of Arts in East Asian Studies in the Department of East Asian Studies University of Durham Margaret Greenhalgh December 2003 AUG 2004 COPYRIGHT The copyright of this thesis rests with the author. No quotation from it may be published without her prior written consent and information derived from it should be acknowledged. -
Compx Timberline Removable Lock Plug System
COMPX TIMBERLINE REMOVABLE LOCK PLUG SYSTEM • Wide Selection of Locks to Fit Most Furniture & Cabinet Applications • Available in Several High Quality Finishes • Removable Lock Plugs For Complete Keying Versatility • Pre-Packaged in Poly-bags for Easy Distribution to Your Customer ANY LOCK PLUG SNAPS INTO ANY CYLINDER BODY Lock Plug + Cylinder Body = Assembled Lock Most Timberline locks are designed for mounting in 3/4'' panels, with or without a veneer or laminate face. 3/4" CORE VENEER OR All Timberline LAMINATE locks mount easily with common #6 screws All Timberline locks consist of two separate Most Timberline locks are used in a 16.5 mm hole (drill components: a Lock Plug, and a Cylinder Body. bit C165DB available, see page 7). Optional bezels are A Change Tool (D500KY, see page 7) is required available (see page 7) that allow use of locks in holes to remove lock plugs from the cylinder bodies. from 3/4'' to 7/8'' in diameter. LOCK PLUGS FOR ALL LOCK TYPES Case Part No. Finish KA Codes* KD Codes Quantity Key Blank C100LP-14A Polished Nickel 10 200 † 25 D300KY Lock Features: C200LP-8 Old English 10 25** 25 D300KY C300LP-19 Black 10 200 † 25 D300KY • Small Diameter C400LP-20 Statuary Bronze 10 25** 25 D300KY • High Quality/Long Life C500LP-3 Polished Brass 10 25** 25 D300KY • Solid Brass Keys C700LP-15 Satin Nickel 10 25** 25 D300KY • Coded on Face & Keys C800LP White 10 25** 25 D300KY • Master-Keyed Standard * Key Codes Available: 100T, 101T, 102T, 103T, 104T, 105T, 106T, 107T, 108T, 109T • Removable Lock Plug ** Packaged Kit of 25 Lock Plugs, One Each Keyed with Codes 110T through 134T † Packaged Kit of 25 Lock Plugs, One Each Keyed with Codes 110TA - 209TA, 700TA - 799TA Lock Plug Finishes: Polished Old Statuary Polished Satin Nickel English Black Bronze Brass Nickel White 2 864-297-6655 • compx.com Application - Surface mounted DOOR LOCKS Cam Cam Cam Case lock for locking doors. -
Understanding Brazilian Jiu Jitsu Lingo Booklet
AURA UNDERSTANDING BRAZILIAN JIU JITSU LINGO 1 INDEX Where it all began 3 What is Brazilian Jiu Jitsu 3 What is Standing 4 What is the Guard 5 What is a Sweep 6 What is a Guard Pass 7 What is Side Control 8 What is Knee on Belly 9 What is Mount 10 What is Back Control 11 What is Turtle Position 12 What is a Submission 13 Gym Rules 14 What will your first class look like 15 Timetables 16 The idea behind the points is to reward the person who is gaining the more dominant positions and seeking to submit their opponent. The value of the positions is roughly matched to how well you lend yourself into an effective position should you find yourself in a real fight. If you hold the position for at least 3 seconds you have earned your points. 2 WHERE IT ALL BEGAN? Brazilian Jiu Jitsu was first developed in Brazil during the 1920s by the Gracie family. In 1917 Carlos Gracie was taught traditional Kodokan Judo by a travelling Japanese Judoka Mitsuyo Maeda. The family later went on to develop their own self defence system known as Gracie Jiu Jitsu. This system evolved into the modern Brazilian Jiu Jitsu, a world-renowned martial art. WHAT IS BRAZILLIAN JIU JITSU? Brazilian Jiu Jitsu (BJJ) is a self-defence, combat sport based martial art, often defined as submission grappling. It entails grappling on the feet, ground-fighting, and submission holds. BJJ focuses on advancing to dominant positions, controlling one’s opponent, forcing their opponent to submit to techniques such as joint-locks and chokes. -
Ne-Waza Competition Rules
Ne-Waza Competition Rules May 2018 Judo Canada's programs are sponsored in part by Sport Canada NE-WAZA COMPETITION RULES_________________________________________________________ SECTION 1 COURSE OF THE MATCH All ne-waza fights are refereed under IJF competition rules. Minor differences are made to accommodate some specifics, but IJF rules are predominant to any specific rules. Referee calls the competitors inside the mat. Fighters will enter the match area at the same time. The fighters will move towards the center of the fighting area and kneel down at a two meter distance. The fighters will then bow in that position. The fighters will then move to an up on one knee high kneeling stance at one metre distance. The fighter in white is at the right side of the Referee. • If the athletes go outside the fighting area without applying a technique with apparent success, the referee should stop the match and restart the two athletes in a high-knee position at the centre of the fighting area. • At the end of the match, the referee announces the winner and the fighters bow to each other (while on their knees) at a two metres distance. The fighters then exit the mat. SECTION 2 SCORE AND POINTS Points Ippon 20 points Osae-komi Waza-ari 2 points (technical points) 10 points Strangulation (Shime waza) Osae-komi 10 seconds 1) Pass the guard or osae-komi Arm locks (Kansetsu waza) with clear control: less than 10 seconds 2) Back mount 3) Back control 4) Sweep 5) Turnover 6) Shime/Kansetsu waza control but no submissions Technical points can only be given once per attack sequence. -
Heroes Fundamentals Workbook V 1.01 Thank You for Downloading the Heroes Fundamentals Workbook
Heroes Fundamentals Workbook v 1.01 Thank you for downloading the Heroes Fundamentals Workbook. This workbook is designed to help you track your own progress and make an honest assessment of your abilities in Jiu Jitsu. This workbook is specifically designed with White/Blue belt level in mind, but anyone could benefit from this. HOW TO USE THIS WORKBOOK: Fill out the Heroes Fundamentals Worksheet to the best of your abilities. Only fill out the worksheet with techniques that are actually in your current arsenal. If you don’t have a technique for a particular position, leave that slot blank. At the Fundamental level there should be NO MORE than two (2) techniques per box. The exercise is to list two techniques that you have at each position that would be your first and second choices when in the particular position. Ideally each of these positions should be complimentary to each other. After filling out the worksheet with techniques, give a rating between 1-5 on how comfortable you are with each technique: 1. I have learned the technique in Fundamentals and I don’t really get it 2. I have drilled the technique in Fundamentals and it makes sense, but I haven’t had to chance to use it in drilling and sparring much. 3. I have drilled the technique and I feel I can use it against someone at a lower overall level than me. 4. I have drilled the technique and I feel that I can use it against someone at the same overall level as me. -
Nokido Ju-Jitsu & Judo Student Handbook
Nokido Ju-Jitsu & Judo Student Handbook North Port, Florida Shihan Earl DelValle HISTORY OF JU-JITSU AND NOKIDO JU-JITSU Ju-Jitsu (Japanese: 柔術), is a Japanese Martial Art and a method of self defense. The word Ju- Jitsu is often spelled as Jujutsu, Jujitsu, Jiu-jutsu or Jiu-jitsu. "Jū" can be translated to mean "gentle, supple, flexible, pliable, or yielding." "Jitsu" can be translated to mean "art" or "technique" and represents manipulating the opponent's force against himself rather than directly opposing it. Ju-Jitsu was developed among the samurai of feudal Japan as a method for defeating an armed and unarmed opponent in which one uses no weapon. There are many styles (ryu) and variations of the art, which leads to a diversity of approaches, but you will find that the different styles have similar, if not the same techniques incorporated into their particular style. Ju-Jitsu schools (ryū) may utilize all forms of grappling techniques to some degree (i.e. throwing, trapping, restraining, joint locks, and hold downs, disengagements, escaping, blocking, striking, and kicking). Japanese Ju-Jitsu grew during the Feudal era of Japan and was expanded by the Samurai Warriors. The first written record of Ju-Jitsu was in 1532 by Hisamori Takeuchi. Takenouchi Ryu Ju-Jitsu is the oldest style of Ju-jitsu and is still practiced in Japan. There are hundreds of different Ju-Jitsu styles that have been documented and are practiced today, one of which is our modern style of Ju-Jitsu, Nokido Ju-Jitsu. Ju-Jitsu is said to be the father of all Japanese Martial Arts.