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Robert Burns in American Cultural Memory, C. 1840-1866
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture 2018-04 The Burnsian Palimpsest: Robert Burns in American Cultural Memory, c. 1840-1866 Sood, A http://hdl.handle.net/10026.1/11284 Symbiosis: a journal of anglo-american literary relations All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. The Burnsian Palimpsest: Robert Burns in American Cultural Memory, c. 1840- 1866 The memory of Burns…The west winds are murmuring it… Ralph Waldo Emerson (Ballantine 1959: 37) ~ Cultural memory reaches back into the past only so far as the past can be reclaimed as ‘ours’… Jan Assmann (Assmann 2008: 111) Introduction Arguably more so than any other eighteenth-century literary figure, the political and popular legacy of Robert Burns has been continually contested, revised and appropriated to various ends. As recently as the 2015 UK General Election, the Scottish branch of the right-wing populist United Kingdom Independence Party (UKIP) attempted to win the hearts (if not the minds) of Scottish voters by producing posters emblazoned with lines from Burns’s ‘The Dumfries Volunteers’;1 while, previously, the opposing Scottish Nationalist Party strategically launched an electoral campaign on the poet’s birthday (Tempest 2005). Contests were also waged over Burns’s presumed political leanings during the 2014 Scottish Referendum, as he was variably cast as a Unionist or Nationalist across several media outlets (Maddox 2012). -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
Celticism, Internationalism and Scottish Identity Three Key Images in Focus
Celticism, Internationalism and Scottish Identity Three Key Images in Focus Frances Fowle The Scottish Celtic Revival emerged from long-standing debates around language and the concept of a Celtic race, a notion fostered above all by the poet and critic Matthew Arnold.1 It took the form of a pan-Celtic, rather than a purely Scottish revival, whereby Scotland participated in a shared national mythology that spilled into and overlapped with Irish, Welsh, Manx, Breton and Cornish legend. Some historians portrayed the Celts – the original Scottish settlers – as pagan and feckless; others regarded them as creative and honorable, an antidote to the Industrial Revolution. ‘In a prosaic and utilitarian age,’ wrote one commentator, ‘the idealism of the Celt is an ennobling and uplifting influence both on literature and life.’2 The revival was championed in Edinburgh by the biologist, sociologist and utopian visionary Patrick Geddes (1854–1932), who, in 1895, produced the first edition of his avant-garde journal The Evergreen: a Northern Seasonal, edited by William Sharp (1855–1905) and published in four ‘seasonal’ volumes, in 1895– 86.3 The journal included translations of Breton and Irish legends and the poetry and writings of Fiona Macleod, Sharp’s Celtic alter ego. The cover was designed by Charles Hodge Mackie (1862– 1920) and it was emblazoned with a Celtic Tree of Life. Among 1 On Arnold see, for example, Murray Pittock, Celtic Identity and the Brit the many contributors were Sharp himself and the artist John ish Image (Manchester: Manches- ter University Press, 1999), 64–69 Duncan (1866–1945), who produced some of the key images of 2 Anon, ‘Pan-Celtic Congress’, The the Scottish Celtic Revival. -
ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W. -
Universiv Microfilms International 3Ü0 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer cf a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Japonisme in Britain - a Source of Inspiration: J
Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933). -
The Tradition of Theriophily in Cowper, Crabbe, and Burns
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 The rT adition of Theriophily in Cowper, Crabbe, and Burns. Rosemary Moody Canfield Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Canfield, Rosemary Moody, "The rT adition of Theriophily in Cowper, Crabbe, and Burns." (1971). LSU Historical Dissertations and Theses. 2034. https://digitalcommons.lsu.edu/gradschool_disstheses/2034 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 72-3470 CANFIELD, Rosemary Moody, 1927- THE TRADITION OF THERIOPHILY IN COWPER, CRABBE, AND BURNS. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Language and Literature, general University Microfilms, A \ERQX Company , Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED The Tradition of Theriophily in Cowper, Crabbe, and Burns A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Rosemary Moody Canfield B.A., University of Minnesota, 1949 M.A., University of Minnesota, 1952 August, 1971 PLEASE NOTE: Some Pages have indistinct print. Filmed as received. UNIVERSITY MICROFILMS TABLE OF CONTENTS PAGE TITLE P A G E .............................................. i ACKNOWLEDGEMENT........................................ ii ABSTRACT ............................................... iv I. INTRODUCTION....................................... 1 II. THERIOPHILY IN THE WORK OFWILLIAM COWPER . -
BUSINESS BULLETIN No. 276/2012 Monday 2 July 2012
BUSINESS BULLETIN No. 276/2012 Monday 2 July 2012 ANNOUNCEMENT Royal Assent The Alcohol (Minimum Pricing) Scotland Act 2012 (asp 4) received Royal Assent on 29 June 2012. 1 Contents The sections which appear in today‘s Business Bulletin are in bold Section A: Today‘s Business - Meetings of Committees - Meeting of the Parliament Section B: Future Meetings of the Parliament Section C: Future Meetings of Committees Section D: Oral Questions - Questions selected for First Minister‘s Question Time - Questions selected for response by Ministers and junior Scottish Ministers at Question Time Section E: Written Questions – new questions for written answer Section F: Motions and Amendments Section G: Bills - New Bills introduced - New amendments to Bills - Members‘ Bills proposals Section H: New Documents – new documents laid before the Parliament and committee reports published Section I: Petitions – new public petitions Section J Progress of Legislation – progress of Bills and subordinate legislation 2 Business Bulletin: Monday 2 July 2012 Section B – Future Meetings of the Parliament Business Programme agreed by the Parliament on 20 June 2012 Tuesday 4 September 2012 2.00 pm Time for Reflection followed by Parliamentary Bureau Motions 2.05 pm Topical Questions followed by Scottish Government Business followed by Business Motions followed by Parliamentary Bureau Motions 5.00 pm Decision Time followed by Members‘ Business Wednesday 5 September 2012 2.00 pm Parliamentary Bureau Motions 2.00 pm Portfolio Questions Education and Lifelong Learning -
Ayrshire Notes Template 3 Sep 03
No. 37 Spring 2009 ISSN 1474–3531 £2.00 Relief in bronze of John Galt by Robert Bryden 1904 Contributions for the Autumn 2009 issue of Ayrshire Notes, including information about the activities of Member Societies, should be sent before the end of July to Rob Close, 1 Craigbrae Cottages, Drongan, Ayr KA6 7EN, tel. 01292 590273, (email: [email protected]). The print order may be increased to provide additional copies of Ayrshire Notes for members of local societies at cost price by prior arrangement with David Courtney McClure, 7 Park Circus, Ayr KA7 2DJ, tel. 01292 262248. AYRSHIRE NOTES is published in Ayr by AYRSHIRE ARCHAEOLOGICAL & NATURAL HISTORY SOCIETY in association with AYRSHIRE FEDERATION OF HISTORICAL SOCIETIES AYRSHIRE NOTES 37, 2009, ISSN 1474–3531 © 2009. The copyright of the articles belongs to the individual authors. Further information about the AANHS (Ayrshire Archaeological & Natural History Society) and its publications will be found on the society’s website: www.aanhs.org.uk AANHS President Kenneth Montgomerie AANHS Secretary Mrs Sheena Andrew, 17 Bellrock Avenue, Prestwick KA9 1SQ. Tel. 01292 479077 AFHS Chairman Kathryn Valentine AFHS Secretary Pamela McIntyre, 5 Eglinton Terrace, Ayr KA7 1JJ. Tel. 01292 280080 Cover illustration Photographed and published by permission of South Ayrshire Council Museums and Galleries Services and by arrangement with Elizabeth Kwasnik, Museums and Galleries Officer. See also the article on page 33. Robert Bryden (1865-1939) was born in Coylton. He began as an apprentice architect in Ayr before going to study art in London, where he worked for many years before returning to Ayr (John Strawhorn, The History of Ayr, Edinburgh 1989, 204). -
Robert Burns and a Red Red Rose Xiaozhen Liu North China Electric Power University (Baoding), Hebei 071000, China
Advances in Social Science, Education and Humanities Research, volume 311 1st International Symposium on Education, Culture and Social Sciences (ECSS 2019) Robert Burns and A Red Red Rose Xiaozhen Liu North China Electric Power University (Baoding), Hebei 071000, China. [email protected] Abstract. Robert Burns is a well-known Scottish poet and his poem A Red Red Rose prevails all over the world. This essay will first make a brief introduction of Robert Burns and make an analysis of A Red Red Rose in the aspects of language, imagery and rhetoric. Keywords: Robert Burns; A Red Red Rose; language; imagery; rhetoric. 1. Robert Burns’ Life Experience Robert Burns (25 January 1759 – 21 July 1796) is a Scottish poet and lyricist. He is one of the most famous poets of Scotland and is widely regarded as a Scottish national poet. Being considered as a pioneer of the Romantic Movement, Robert Burns became a great source of inspiration to the founders of both liberalism and socialism after his death. Most of his world-renowned works are written in a Scots dialect. And in the meantime, he produced a lot of poems in English. He was born in a peasant’s clay-built cottage, south of Ayr, in Alloway, South Ayrshire, Scotland in 1759 His father, William Burnes (1721–1784), is a self-educated tenant farmer from Dunnottar in the Mearns, and his mother, Agnes Broun (1732–1820), is the daughter of a Kirkoswald tenant farmer. Despite the poor soil and a heavy rent, his father still devoted his whole life to plough the land to support the whole family’s livelihood. -
From Social Democracy Back to No Ideology? - the Scottish National Party and Ideological Change in a Multi-Level Electoral Setting
From Social Democracy back to No Ideology? - The Scottish National Party and Ideological Change in a Multi-level Electoral Setting Peter Lynch Accepted for publication in Regional & Federal Studies published by Taylor and Francis Introduction Nationalist and regionalist parties have often been characterised as ideologically heterogeneous (Hix and Lord, 1997; De Winter and Türsan, 1998). This situation makes regionalist parties difficult to classify in conventional left-right terms though viewing these parties as an ideological family is to misunderstand their role and significance. Ideological profile can be understood as a secondary characteristic of regionalist parties, as opposed to their primary characteristic of support for self- government – the core business of autonomy (De Winter, 1998, 208-9): which in itself contains a variety of constitutional options to reorganise the territorial distribution of power within a state (Rokkan and Urwin, 1983). However, though ideological positioning may be a secondary characteristic, most regionalist parties have adopted an ideology – in the SNP’s case social democracy. As will be explained below, the reasons for adopting an ideology in itself, in addition to a particular ideology, are complex. For the SNP, the ideological position of elites, the policy preferences of the party’s membership and the adoption of an electoral strategy to challenge a dominant political party in the region (Labour) were all influential. The adoption of an ideological position was not always uncontroversial but became easier due to party system change (the electoral decline of the Conservatives in Scotland from the 1960s), as the SNP came to focus much of its attention on Labour as its primary competitor. -
National Identity Construction During the Referendum Campaign for Scottish Independence 2014
National Identity Construction During the Referendum campaign for Scottish Independence 2014. A Critical Discourse Analysis Asha Manikiza 861123T369 International migration and Ethnic Relations One-year Master Thesis (IM627L) Spring semester 2018 Supervisor: Anne Sofie Roald Word Count: 15,888 Abstract Scotland is one of the four nations that make up the plurinational UK. It is as of yet the only one of these nations to have a referendum on its independence. Using Critical Discourse Analysis of 20 newspaper articles at different times in the referendum campaign, I have seen how Scottish national identity has been constructed. The study reveals that far from constructing a national identity based on culture, symbols or historic myth, the Scots base their identity largely on a differing approach to economic policy than the English. Keywords: Scotland, Critical Discourse Analysis, Newspapers, National identity construction, Referendum Contents Page Abstract Table of Contents Abbreviations 1. Introduction 1 1.2 Aim and Research question 1 1.3 Delimitations 2 1.4 Research Relevance 2 1.5 Terminalogical Explannations 2 1.6 Thesis Structure 3 2. Contextual Background 4 2.1 The Scottish Question: A historical Overview 4 2.2 Why Focus on Scotland? 4 2.3 Why the Increase In Scottish Nationalism? 5 2.4 Why Focus on the Referendum Campaign for Scottish Independence 2014? 5 2.5 Role of the Newspapers in national identity construction 6 3. Previous Research 7 3.1 The Shifting Concept of a Scottish National Identity and Britishness 7 3.2 The Crisis of Union and the move towards Independence 8 4. Theoretical Framework 10 4.1 Banal Nationalism 10 4.2 Imagined Communities 11 5.