Moral Sentiment from Adam Smith to Robert Burns Donald Wesling
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Robert Burns in American Cultural Memory, C. 1840-1866
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture 2018-04 The Burnsian Palimpsest: Robert Burns in American Cultural Memory, c. 1840-1866 Sood, A http://hdl.handle.net/10026.1/11284 Symbiosis: a journal of anglo-american literary relations All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. The Burnsian Palimpsest: Robert Burns in American Cultural Memory, c. 1840- 1866 The memory of Burns…The west winds are murmuring it… Ralph Waldo Emerson (Ballantine 1959: 37) ~ Cultural memory reaches back into the past only so far as the past can be reclaimed as ‘ours’… Jan Assmann (Assmann 2008: 111) Introduction Arguably more so than any other eighteenth-century literary figure, the political and popular legacy of Robert Burns has been continually contested, revised and appropriated to various ends. As recently as the 2015 UK General Election, the Scottish branch of the right-wing populist United Kingdom Independence Party (UKIP) attempted to win the hearts (if not the minds) of Scottish voters by producing posters emblazoned with lines from Burns’s ‘The Dumfries Volunteers’;1 while, previously, the opposing Scottish Nationalist Party strategically launched an electoral campaign on the poet’s birthday (Tempest 2005). Contests were also waged over Burns’s presumed political leanings during the 2014 Scottish Referendum, as he was variably cast as a Unionist or Nationalist across several media outlets (Maddox 2012). -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Scottish National Identity: the Case of Irn Bru“ Verfasserin Stefanie Gattringer angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin: Assoz.-Prof. Mag. Dr. Susanne Reichl Acknowledgements I would like to thank my family and friends for their support during my studies and during the time I spend on writing this thesis. My gratitude goes especially to Eva H. for her valuable comments. Many thanks also go to my supervisor, Dr. Susanne Reichl, who enabled this research project and provided me with helpful feedback. Furthermore my gratitude goes to the Erasmus scholarship programme. The Erasmus scholarship enabled me to study at the University of Aberdeen and thus to enrich my academic life. It sparked my interest in Scotland and was the inspirational source for the topic of this thesis. I would like to dedicate this thesis to my parents, Renate and Stefan Gattringer, in order to thank them for their inestimable support and encouragement throughout the years. And the good thing is that as we arrive at a position where Scottishness, and especially Scottish identity, is neither perceived nor defined in any narrow way, we are no longer looking towards a series of ideas or symbols, far less searching for a hero, this kind of work is entirely suited to the spirit of the times, offering a sense of optimism and hope through experimentation and imaginative freedom that shows no sign of diminishing. -
The Tradition of Theriophily in Cowper, Crabbe, and Burns
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 The rT adition of Theriophily in Cowper, Crabbe, and Burns. Rosemary Moody Canfield Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Canfield, Rosemary Moody, "The rT adition of Theriophily in Cowper, Crabbe, and Burns." (1971). LSU Historical Dissertations and Theses. 2034. https://digitalcommons.lsu.edu/gradschool_disstheses/2034 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 72-3470 CANFIELD, Rosemary Moody, 1927- THE TRADITION OF THERIOPHILY IN COWPER, CRABBE, AND BURNS. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Language and Literature, general University Microfilms, A \ERQX Company , Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED The Tradition of Theriophily in Cowper, Crabbe, and Burns A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Rosemary Moody Canfield B.A., University of Minnesota, 1949 M.A., University of Minnesota, 1952 August, 1971 PLEASE NOTE: Some Pages have indistinct print. Filmed as received. UNIVERSITY MICROFILMS TABLE OF CONTENTS PAGE TITLE P A G E .............................................. i ACKNOWLEDGEMENT........................................ ii ABSTRACT ............................................... iv I. INTRODUCTION....................................... 1 II. THERIOPHILY IN THE WORK OFWILLIAM COWPER . -
Ayrshire Notes Template 3 Sep 03
No. 37 Spring 2009 ISSN 1474–3531 £2.00 Relief in bronze of John Galt by Robert Bryden 1904 Contributions for the Autumn 2009 issue of Ayrshire Notes, including information about the activities of Member Societies, should be sent before the end of July to Rob Close, 1 Craigbrae Cottages, Drongan, Ayr KA6 7EN, tel. 01292 590273, (email: [email protected]). The print order may be increased to provide additional copies of Ayrshire Notes for members of local societies at cost price by prior arrangement with David Courtney McClure, 7 Park Circus, Ayr KA7 2DJ, tel. 01292 262248. AYRSHIRE NOTES is published in Ayr by AYRSHIRE ARCHAEOLOGICAL & NATURAL HISTORY SOCIETY in association with AYRSHIRE FEDERATION OF HISTORICAL SOCIETIES AYRSHIRE NOTES 37, 2009, ISSN 1474–3531 © 2009. The copyright of the articles belongs to the individual authors. Further information about the AANHS (Ayrshire Archaeological & Natural History Society) and its publications will be found on the society’s website: www.aanhs.org.uk AANHS President Kenneth Montgomerie AANHS Secretary Mrs Sheena Andrew, 17 Bellrock Avenue, Prestwick KA9 1SQ. Tel. 01292 479077 AFHS Chairman Kathryn Valentine AFHS Secretary Pamela McIntyre, 5 Eglinton Terrace, Ayr KA7 1JJ. Tel. 01292 280080 Cover illustration Photographed and published by permission of South Ayrshire Council Museums and Galleries Services and by arrangement with Elizabeth Kwasnik, Museums and Galleries Officer. See also the article on page 33. Robert Bryden (1865-1939) was born in Coylton. He began as an apprentice architect in Ayr before going to study art in London, where he worked for many years before returning to Ayr (John Strawhorn, The History of Ayr, Edinburgh 1989, 204). -
Robert Burns and a Red Red Rose Xiaozhen Liu North China Electric Power University (Baoding), Hebei 071000, China
Advances in Social Science, Education and Humanities Research, volume 311 1st International Symposium on Education, Culture and Social Sciences (ECSS 2019) Robert Burns and A Red Red Rose Xiaozhen Liu North China Electric Power University (Baoding), Hebei 071000, China. [email protected] Abstract. Robert Burns is a well-known Scottish poet and his poem A Red Red Rose prevails all over the world. This essay will first make a brief introduction of Robert Burns and make an analysis of A Red Red Rose in the aspects of language, imagery and rhetoric. Keywords: Robert Burns; A Red Red Rose; language; imagery; rhetoric. 1. Robert Burns’ Life Experience Robert Burns (25 January 1759 – 21 July 1796) is a Scottish poet and lyricist. He is one of the most famous poets of Scotland and is widely regarded as a Scottish national poet. Being considered as a pioneer of the Romantic Movement, Robert Burns became a great source of inspiration to the founders of both liberalism and socialism after his death. Most of his world-renowned works are written in a Scots dialect. And in the meantime, he produced a lot of poems in English. He was born in a peasant’s clay-built cottage, south of Ayr, in Alloway, South Ayrshire, Scotland in 1759 His father, William Burnes (1721–1784), is a self-educated tenant farmer from Dunnottar in the Mearns, and his mother, Agnes Broun (1732–1820), is the daughter of a Kirkoswald tenant farmer. Despite the poor soil and a heavy rent, his father still devoted his whole life to plough the land to support the whole family’s livelihood. -
1 Sarah Sharp Exporting 'The Cotter's Saturday Night': Robert Burns
1 Sarah Sharp Exporting ‘The Cotter’s Saturday Night’: Robert Burns, Scottish Romantic Nationalism and Colonial Settler Identity Abstract: A Scottish literary icon of the nineteenth century, Burns’s ‘The Cotter’s Saturday Night’ was a key component of the cultural baggage carried by emigrant Scots seeking a new life abroad. The myth of the thrifty, humble and pious Scottish cottager is a recurrent figure in Scottish colonial writing whether that cottage is situated in the South African veld or the Otago bush. This article examines the way in which Burns’s cotter informed the myth of the self-sufficient Scottish peasant in the poetry of John Barr and Thomas Pringle. It will argue that, just as ‘The Cotter’ could be used to reinforce a particular set of ideas about Scottish identity at home, Scottish settlers used Burns’s poem to respond to and cement new identities abroad. Keywords: Scottish Romanticism, Settler Colonialism, Robert Burns, Thomas Pringle, John Barr, John Wilson. 2 Exporting ‘The Cotter’s Saturday Night’: Robert Burns, Scottish Romantic Nationalism and Colonial Settler Identity. In 1787, reviewer John Logan commented of Robert Burns’s Kilmarnock edition that ‘“The Cotter’s Saturday Night” is, without exception, the best poem in the collection’.1 His opinion was echoed by many contemporary and subsequent reviewers. In 1812 George Gleig was able to confidently assert that ‘The “Saturday Night” is indeed universally felt as the most interesting of all the author’s poems’ (Bold, 217). This view of Burns’s poem of common life has not endured. The image of Scotland presented in the poem has become at best a stereotype and at worst a source of cultural cringe. -
Mass Observation (1937-2017) and Life Writing: an Introduction
THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME X (2021) MO1–MO15 Mass Observation (1937-2017) and Life Writing: an Introduction T. G. Ashplant King's College London Abstract Mass Observation (MO) was formed in Britain in 1937 as an innovative research project, to develop new methods for accurately gauging public opinion, thereby contributing to a more democratic form of politics and public policy formation. The archive of its first phase (1937-49) was transferred to the University of Sussex in 1970. In 1981 it was revived as the Mass Observation Project (MOP), which continues to the present. The documentation which MO and MOP together generated includes a significant body of life writings. The purpose of this cluster of articles is to introduce the ways in which the interaction between the aims and approaches of MO's founders and its later MOP refounders, and the responses of its contributors, produced specific forms of life writing; and to explore aspects of the 'afterlife' of these texts – their contextualisation, publication, and interpretation. This introduction situates the original, multifaceted and idiosyncratic, MO project within wider political and cultural trends of the 1930s, and then examines MO's methods, which aimed at 'the observation by everyone of everyone, including themselves'. Keywords: Mass Observation, life writing, 1930s, social enquiry Copyright © 2021 T.G. Ashplant https://doi.org/10.21827/ejlw.10.37403 This article is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) T.G. Ashplant - Mass Observation (1937-2017) and Life Writing: an Introduction 2 Mass Observation (MO) was formed in Britain in 1937 as an innovative research project, with the aim of developing new methods for accurately gauging public opinion, and thereby contributing to a more democratic form of politics and public policy formation.1 Its subsequent history falls into three phases. -
Did the Scottish Enlightenment Emerge in an English Cultural Province? Roger Emerson
Document generated on 09/24/2021 11:17 p.m. Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies Travaux choisis de la Société canadienne d'étude du dix-huitième siècle Did the Scottish Enlightenment Emerge in an English Cultural Province? Roger Emerson Volume 14, 1995 URI: https://id.erudit.org/iderudit/1012505ar DOI: https://doi.org/10.7202/1012505ar See table of contents Publisher(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 1209-3696 (print) 1927-8284 (digital) Explore this journal Cite this article Emerson, R. (1995). Did the Scottish Enlightenment Emerge in an English Cultural Province? Lumen, 14, 1–24. https://doi.org/10.7202/1012505ar All Rights Reserved © Canadian Society for Eighteenth-Century Studies / Société This document is protected by copyright law. Use of the services of Érudit canadienne d'étude du dix-huitième siècle, 1995 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 1. Did the Scottish Enlightenment Emerge in an English Cultural Province? When I sat down to write this paper I had in mind a rather straightfor• ward piece on Robert Wodrow and Cotton Mather as virtuosi in distinc• tive but comparable towns. I thought that Wodrow and Mather, Boston and Glasgow, Massachusetts and Scotland all might be usefully com• pared to shed light on the origins and differences of two quite dissimilar enlightenments emerging in what John Clive and Bernard Bailyn in 1954 described as 'England's cultural provinces/1 As I worked on this essay, I realized that what I was doing was mainly setting out my reasons for believing Clive and Bailyn were wrong. -
Memory, the Great War, and the Rise of Scottish Nationalism Brooke Krancer University of Pennsylvania
Penn History Review Volume 26 Issue 1 Penn History Review: Journal of Article 3 Undergraduate Historians 6-6-2019 “Winning Little aB nnockburns”: Memory, the Great War, and the Rise of Scottish Nationalism Brooke Krancer University of Pennsylvania This paper is posted at ScholarlyCommons. https://repository.upenn.edu/phr/vol26/iss1/3 For more information, please contact [email protected]. Memory, the Great War, & the Rise of Scottish Nationalism “Winning Little Bannockburns”: Memory, the Great War, and the Rise of Scottish Nationalism Brooke Krancer On June 20, 1914, at the sexcentenary celebration of the Scottish defeat of the English at the Battle of Bannockburn, for- mer British prime minister Lord Rosebery addressed the youth of Scotland: Do you children feel that you, too, might grow up to be heroes like them; to be ready, if necessary, to die for your country, your freedom, and your King; and if that chance do not come, as I hope it may not, to be heroes, as you may all be in your daily lives, winning little Bannock burns for yourselves over the forces of evil? Try.1 Mere weeks later, Britain was embroiled in the First World War. The sort of rhetoric used by the English Lord Rosebery was ex- ceedingly common during the war, appropriating the memory of Bannockburn and Scotland’s martial history of victory against England in the Wars of Independence to reinforce the idea of a British rather than Scottish identity and encourage Scottish peo- ple to die for a British king and country.2 After the conflict, the Great War itself would be folded into this mythologized memory of Scotland’s history and likewise used for ideological and politi- cal reasons by different groups with varying goals. -
Guide to the Robert Burns Holdings in the Rosenbach Museum & Library
Guide to the Robert Burns holdings in the Rosenbach Museum & Library 20 January 2021 HISTORICAL NOTE Robert Burns (1759-1796) is a national symbol for Scots, the greatest in a long line of poets who wrote in the Lowland Scots dialect. The son of a tenant farmer, he had little formal education; but he read widely, and drew largely on the folk tales and tunes of his native land. He began his life as a poet while working a farm with his brother, Gilbert, from 1784 to 1788. During this period he wrote some of his best poetry, but managed to scrape only the barest living. In 1786, trying to raise money for passage to Jamaica where a job awaited him, he published the Kilmarnock edition of his early poems. It made him famous, though not rich, and he continued to combine careers as farmer and poet. In 1789 he supplemented his income by obtaining an appointment in the excise, finally giving up his farm in 1791. SCOPE & CONTENT The Rosenbach holds the manuscripts of more than 50 poems, including such important ones as “For a’ that and a’ that”, “Bannockburn”, “Tam O’Shanter”, and “The Rights of Woman”; as well as approximately 50 letters to such close friends as Frances Dunlop, Agnes M’Lehose (Clarinda), and Maria Riddell; and several letters by Burns’s family and friends, including Gilbert Burns, William Riddell, and Helen Maria Williams. Our holdings also include more than 40 books by Burns, mostly early editions, including a copy of the first edition of his Poems that belonged to his patron Frances Dunlop, with copies of additional poems and letters in her hand bound in.