Unsettling the Colony
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William Wakefield Memorial Dufferin Street
Date: 26 November 2013 William Wakefield Memorial Dufferin Street Summary of heritage significance • The Wakefield Memorial is of architectural value for its design and form, in particular as a Victorian interpretation of Classical architecture and the Grecian temple form. The structure is simple but well formed and attractive. • This memorial is one of Wellington’s most significant monuments. It is primarily associated with William Wakefield, whose life and achievements it commemorates. William Wakefield (1803-1848) was the first leader of the Wellington settlement in 1840, a key official in the New Zealand Company, and a significant figure in the European colonisation of Wellington and New Zealand. • The Wakefield Memorial is an unusual type of structure for a memorial, with most others in Wellington being statues or obelisks. Nationally it is a rare structure as prefabricated monuments are unusual in New Zealand, and the cast iron elements add to its significance. 1 Date: 26 November 2013 District Plan: Map 16, reference 11 Lot 1 DP 90475 (CT WN58A/615), Wellington Land Legal Description: District Heritage Area: HPT Listed: Category I, reference 1441, Basin Reserve Historic Area Archaeological Site: NZAA Central City Archaeological Are R27/270 Other Names: - Key physical dates: Construction: 1850s, Relocated: 1882, 1917, 2006 Architect / Builder: - Former uses: Memorial Current uses: Memorial Earthquake Prone Status: Unknown at time of writing Extent: Cityview GIS 2013 2 Date: 26 November 2013 1.0 Outline History 1.1 History1 The Wakefield Memorial commemorates Colonel William Wakefield (1803-1848), the first leader of the Wellington settlement in 1840, a key official in the New Zealand Company, and a significant figure in the European colonisation of Wellington and New Zealand. -
New Zealand Wars Sources at the Hocken Collections Part 2 – 1860S and 1870S
Reference Guide New Zealand Wars Sources at the Hocken Collections Part 2 – 1860s and 1870s Henry Jame Warre. Camp at Poutoko (1863). Watercolour on paper: 254 x 353mm. Accession no.: 8,610. Hocken Collections/Te Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to the New Zealand Wars in the 1860s and 1870s held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. -
The Social History of Taranaki 1840-2010 Puke Ariki New Zealand
Date : 07/06/2006 Common Ground: the social history of Taranaki 1840-2010 Bill Mcnaught Puke Ariki New Zealand Meeting: 153 Genealogy and Local History Simultaneous Interpretation: No WORLD LIBRARY AND INFORMATION CONGRESS: 72ND IFLA GENERAL CONFERENCE AND COUNCIL 20-24 August 2006, Seoul, Korea http://www.ifla.org/IV/ifla72/index.htm Abstract: Puke Ariki opened in 2003 and is the flagship museum, library and archival institution for Taranaki. Some commentators have suggested that there is no region in New Zealand with a richer heritage than Taranaki, but some episodes were among the most difficult in New Zealand’s history. There is a growing view that New Zealand needs to talk about some of its difficult history before it can heal the wounds that are still apparent in society. ‘Common Ground’ is a ground-breaking 5 year programme that begins in 2006 to look at the social history of Taranaki including some of the painful chapters. This paper explains some of the background and ways of joint working across library, museum and archival professions at Puke Ariki. Puke Ariki (pronounced ‘poo kay ah ree kee’ with equal emphasis on each syllable) means ‘Hill of Chiefs’ in the Māori language. Before Europeans arrived it was a fortified Māori settlement - also a sacred site because the bones of many chiefs are said to have been interred there. When the British settlers founded the small city of New Plymouth in the 19th century they removed the hill and used the soil as the foundation material for industrial building. Today it is the location for the flagship Taranaki museum, library and archival institution. -
“I Am a Seed Saver, That's My First Passion, and 'Kākano' Means 'Seed'.”
“I am a seed saver, that’s my first passion, and ‘kākano’ means ‘seed’.” JADE TEMEPARA KĀKANO CAFÉ Go to the shop at www.tahufm.com to check what’s available. ii TE KARAKA KAHURU 2016 KAHURU/AUTUMN 2016 69 5 CATCHING FISH NOT BIRDS A new laser beam device to protect seabirds from being caught in fishing nets. NGĀ HAU 7 WHENUA HOU E WHĀ Ngāi Tahu carver James York is carving pou to be erected on Whenua Hou FROM THE to honour the unique connection of Ngāi Tahu with the island. Nā Kahu Te Whaiti. EDITOR 12 ENVIRONMENTAL WATCHDOGS Since 2003 the HSNO Komiti has been protecting the environmental and He aha te mea nui o te ao? cultural interests of the iwi. Kaituhi Rob Tipa Reports. He tangata! He tangata! He tangata! This is it. My last issue as editor of 16 ARA MAI HE TOA KURA – A RISING STAR TE KARAKA. Yes, that means an enormous Eleven year-old Mihiroa Pauling is a rising surf lifesaving star. sadness. It was a privilege to be called to the role as editor at the beginning of 2012. 18 HEALTHY KAI MĀORI STYLES Former editor Faumuinā Tafuna’i was A new café and cookery school in Ōtautahi is serving up uniquely Māori style kai returning to her homeland of Samoa and I with a contemporary twist on the traditional. Kaituhi Alice Diamond reports. had been living in Auckland with my family. We were ready for the change and I was 18 more than ready to work for the tribe. -
Nga Pakanga O Aotearoa
Beginnings - The New Zealand Wars were fought between 1845 and Nga Pakanga 1872. They were about who controlled the country and who owned the land. When Europeans arrived, Māori had already been in Aotearoa for more than five hundred years. New Zealand may have looked wild and uninhabited to the o Aotearoa first Europeans, but this was misleading. Every part of THE NEW ZEALAND WARS the country was divided among iwi, hapū, and whānau. In each place, someone had the right to grow kūmara, by Ross Calman gather fern-root, take birds or timber, or catch fish. Organised groups of settlers started arriving in New Zealand shortly after the Treaty of Waitangi was signed. Most of these people came from the British Isles in search of a better life. At first, they lived in a handful of small coastal towns: Auckland, Wellington, Whanganui, Nelson, and New Plymouth. Māori outnumbered Pākehā, and British power and influence over the country was limited. Then, less than five years after the treaty was signed, a Māori leader decided to put British power to the test. Kororāreka around 1835 (at the time, ▲ New Zealand’s largest European settlement) The Treaty of Waitangi ▼ In the nineteenth century, a handful of Māori tribes fought a series of wars against the might of the British Empire – the world’s largest superpower at the time. Although Māori were eventually defeated, the British didn’t always have it their own way. 10 1111 Timeline HŌne Heke Pōkai and the Flagpole: THE NORTHERN WAR (1845–46) u 6 FEBRUARY 1840: The Treaty of Waitangi is signed. -
War in New Zealand
W I W AR N NE ZEALAND. W L AM FO! A .H. Ox on I LI , , , L AT! comm“ . w ar n “ AND 3m m mm 0! TB . COLONY . ER R A T A . A t — a p ge 86 , omi the words 3 Colonel A us in of h t , t , t e 1 4th. ” 1 85 in No e or A read , t , f , C. ” 239 in No e or read “ A , t , f . Wi'hi T W O MA PS AN D A PL A N . L O N D O N SM TH E DER AND o. 66 CORNH . I , L c , , ILL 1 866. WAR I NEW ZEALAND N . AM FO! A .H. O on WILLI , , x , L AT! M ID I !“ IN I ITAI Y AND NAT!“ mm 0? TB . COLONY . It mi ht be we tho ht it co ntrie so fei re and it eo e so tracta e o g ll ug , u , p pl bl , w uld lon ere this have een iet o e e to the atisfaction of the a vent rer and g b q u ly p ss ss d , s d u s, ' me eternizin f wh i c ll world do g o the memory of those o eflected t . But be ause a the e ee it defeilement this fo o in treatise sha ive ati fac tion to all indiflerent readers s , ll w g ll g s s , xow the i ne hath een carrie hen no ou t the i easi n er tan and bus ss b d ; w , d b , y w ll lyu d s d, e er to their e tion how it came to a that there was no etter eak and n w qu s , p ss b sp h ave“ of Captain John Smith of Virgi nia. -
Labourers' Letters in the New Zealand Journal, Wellington, 1840-45: Lefebvre, Bernstein and Pedagogies of Appropriation
Labourers' letters in the New Zealand Journal, Wellington, 1840-45: Lefebvre, Bernstein and pedagogies of appropriation. Sue Middleton School of Education, University of Waikato, Hamilton, New Zealand School of Education University of Waikato Private Bag 3105, Waikato Mail Centre Hamilton 3240 New Zealand. Email: [email protected] Paper presented at the British Educational Research Association Annual Conference, University of Manchester, 2-5 September 2009 Henri Lefebvre suggested that social researchers engage in „the concrete analysis of rhythms‟ in order to reveal the „pedagogy of appropriation (the appropriation of the body, as of spatial practice)‟. Lefebvre‟s spatial analysis has influenced educational researchers, while the idea of „pedagogy‟ has travelled beyond education. This interdisciplinary paper combines Lefebvre‟s analytical trilogy of perceived, conceived and lived spaces with Bernstein‟s „pedagogical device‟ in an interrogation of historical documents. It engages in a „rhythm analysis‟ of the New Zealand Company‟s „pedagogical appropriation‟ of a group of agricultural labourers into its „systematic colonisation scheme‟. The temporal-spatial rhythms of the labourers‟ lives are accessible in nine surviving letters they wrote in Wellington and sent to Surrey between 1841-1844. By revealing how their bodies were „traversed by rhythms rather as the „ether‟ is traversed by waves,‟ we understand how bodies, social space and the self are mutually constitutive and constituted. Keywords: history; Lefebvre; letters/literacy; colonisation Education‟s fragmented fields of inquiry retain some coherence in their common orientation around the „pedagogical.‟ As borders between human sciences became increasingly porous, the idea of „the pedagogical‟ flowed beyond education into disciplines such as geography. -
(2004) a Sort of Conscience: the Wakefields. by Philip Temple
80 New Zealand Journal of History, 38, 1 (2004) A Sort of Conscience: The Wakefields. By Philip Temple. Auckland University Press, Auckland, 2002. 584 pp. NZ price: $69.95. ISBN 1-86940-276-6. MY FIRST REACTION when asked to review this book was to ask myself, ‘is another book on Edward Gibbon Wakefield (EGW) really necessary, can more be wrung from that proverbial “thrice squeezed orange”?’ And, if so, need the book be of such length? What Philip Temple establishes in A Sort of Conscience is that the answer to these questions must surely be ‘yes’ and ‘yes’. Because here is a ‘panoramic book’ (the publisher’s term) this review will limit itself to its more striking features. First, the underlying argument. While conceding that the lives of almost the whole of the Wakefield family revolved around the career of ‘its most dynamic individual’, EGW himself, Temple believes that, in turn, the career of the great colonial reformer can be explained only when placed in the setting of the collective lives of members of the family. The result is a close consideration of the life story of certain dominating Wakefield figures. We learn of Priscilla, EGW’s radical Quaker grandmother, whose influence spanned generations, of whom hitherto most of us have known nothing. And there is the anatomization of EGW of course, his brothers William and Arthur, and his son Edward Jerningham (Teddy) about each of whom, after reading this book we must admit that we knew far less than we imagined. The Wakefields were a dysfunctional family, although Temple carefully does not introduce this concept until the close of the book lest we prejudge its members. -
Creating an Online Exhibit
CREATING AN ONLINE EXHIBIT: TARANAKI IN THE NEW ZEALAND WARS: 1820-1881 A Project Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History (Public History) by Tracy Phillips SUMMER 2016 © 2016 Tracy Phillips ALL RIGHTS RESERVED ii CREATING AN ONLINE EXHIBIT: TARANAKI IN THE NEW ZEALAND WARS: 1820-1881 A Project by Tracy Phillips Approved by: __________________________________, Committee Chair Patrick Ettinger, PhD __________________________________, Second Reader Christopher Castaneda, PhD ____________________________ Date iii Student: Tracy Phillips I certify that this student has met the requirements for format contained in the University format manual, and that this project is suitable for shelving in the Library and credit is to be awarded for the project. __________________________, Graduate Coordinator ___________________ Patrick Ettinger, PhD Date iv Abstract of CREATING AN ONLINE EXHIBIT: TARANAKI IN THE NEW ZEALAND WARS: 1820-1881 by Tracy Phillips This thesis explicates the impact of land confiscations on Maori-Pakeha relations in Taranaki during the New Zealand Wars and how to convey the narrative in an online exhibit. This paper examines the recent advent of digital humanities and how an online platform requires a different approach to museum practices. It concludes with the planning and execution of the exhibit titled “Taranaki in the New Zealand Wars: 1820- 1881.” _______________________, Committee Chair Patrick Ettinger, PhD _______________________ Date v DEDICATION I would like to dedicate this paper to my son Marlan. He is my inspiration and keeps me motivated to push myself and reach for the stars. -
References Review Author
94 BOOK REVIEWS in recent years. Richard Boast (2013, 2015), for Tribunal process has played in shifting the example, in his recent legal-historical study of ground of that debate and in providing an ines- the operation of the Native Land Court takes capable backdrop to the discussion. great care to separate the practices of judges and The essays that address the Native Land the mechanics of the practical operation of the Court illustrate the thoughtful and insightful court from its effects on Mäori communities. character of O’Malley’s essays in this collection. Boast does not dispute the devastating impact Overall, the essays demonstrate a willingness that the court had on many Mäori communi- to think differently about key events in New ties but cautions against allowing the outcome Zealand’s colonial history. There appears to to obscure the reality of the court’s processes be an openness to historical reinterpretation and its development of a complex body of law. based on developing understandings of context O’Malley notes the value of understanding the rather than a contrarian drive to be revisionist. way in which the court operated, but also con- This collection might therefore best be seen as siders that this cannot be viewed in isolation opening up a space for further conversations from the broader context: about New Zealand history and identity. There is much in this collection that would sustain Neo- revisionist accounts of the Native Land such conversations and anyone with an interest Court have raised some valid points. Not all in our history will be rewarded for engaging judges were unsympathetic towards Mäori with the ideas that underpin the essays in this aspirations and ignorant of their language and collection. -
Colonising Te Whanganui Ā Tara and Marketing Wellington, 1840-1849
Colonising Te Whanganui ā Tara and Marketing Wellington, 1840-1849 Colonising Te Whanganui ā Tara and Marketing Wellington, 1840-1849: Displaying (Dis)Possession By Patricia Thomas Colonising Te Whanganui ā Tara and Marketing Wellington, 1840-1849: Displaying (Dis)Possession By Patricia Thomas This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Patricia Thomas All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3907-5 ISBN (13): 978-1-5275-3907-5 RĀRANGI UPOKO TABLE OF CONTENTS List of Illustrations .................................................................................... ix Preface ..................................................................................................... xiii He Mihi Acknowledgements .................................................................. xvii Tīmatanga Kōrero Introduction .................................................................. 1 Colonisation old and new A habit of colonisation A brief history of New Zealand Company colonisation “The British Colonization of New Zealand” “Adventure in New Zealand” Part One: Setting the Scene Chapter One ............................................................................................. -
The Mount Tarawera Volcanic Eruption in New Zealand and Māori Cometary Astronomy
Journal of Astronomical History and Heritage, 22(3), 521‒535 (2019). THE MOUNT TARAWERA VOLCANIC ERUPTION IN NEW ZEALAND AND MĀORI COMETARY ASTRONOMY Wayne Orchiston National Astronomical Research Institute of Thailand, 260 Moo 4, T. Donkaew, A. Maerim, Chiang Mai 50180, Thailand, and Centre for Astrophysics, University of Southern Queensland, Toowomba, Queensland 4350, Australia. Email: [email protected] and John Drummond PO Box 113, Patutahi 4045, New Zealand. Email: [email protected] Abstract: In The Astronomical Knowledge of the Maori, which was first published in 1922, the Dominion Ethnologist Elsdon Best mentions that the name Tiramaroa was applied to comets, and that Tiramaroa was seen about the time of the Tarawera eruption (which occurred on 10 June 1886), and also during the siege of Te Tapiri in 1865. In this paper we identify naked eye comets that were visible from New Zealand in 1865 and 1886, and examine other comets seen during the half-century from 1850 that also were associated with disasters of some kind. We also list other Māori names that were used for comets. Keywords: Aotearoa/New Zealand, Māoris, Elsdon Best, comets, Tiramaroa, Mount Tarawera eruption, Te Tapiri Pa, disasters, Māori fatalities 1 INTRODUCTION the brighter stars, the Milky Way, the coal Sack, both Magellanic Clouds, and even the The Māori were the initial human settlers of Zodiacal Light. There also were names for Aotearoa/New Zealand, and during the thirteen- comets and meteors. (Orchiston, 2016: 33). th century CE they brought with them a well- established astronomical system from their a- European settlement of New Zealand dur- ncestral homeland in the Cook Island‒Society ing the first half of the nineteenth century saw Island area of the Pacific.