Excise Inspector Written Examination Seating Arrangement Seat No
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GOA UNIVERSITY Taleigao Plateau - Goa List of Rankers for the 31St Annual Convocation Gende Sr
GOA UNIVERSITY Taleigao Plateau - Goa List of Rankers for the 31st Annual Convocation Gende Sr. No. Degree / Exam Seat No. PR. NO. Name of Students Year of Exam CGPA/CPI Marks Perc Class /Grade Add 1 Ph. No. r FLAT NO 4 KAPIL BUILDING HOUSING BOARD COLONY 1 M.A. English EG-1316 201303249 F DO REGO MARIA DAZZLE SAVIA April, 2018 8.60 1496/2000 74.80 A FIRST 9881101875 GHANESHPURI MAPUSA BARDEZ GOA. 403507 HNO.1650 VASVADDO BENAULIM SALCETTE GOA. 2 EG-0116 201302243 F AFONSO VALENCIA SHAMIN April, 2018 8.49 1518/2000 75.90 A SECOND 8322770494 403716 3 EG-4316 201609485 M RODRIGUES AARON SAVIO April, 2018 8.23 1432/2000 71.60 A THIRD DONA PAULA, GOA. 403004 9763110945 1196/A DOMUS AUREA NEOVADDO GOGOL FATORDA 4 M.A. Portuguese PR-0216 201606566 M COTTA FRANZ SCHUBERT AGNELO DE MIRANDA April, 2018 9.29 1643/2000 82.15 A+ FIRST 8322759285 MARGAO GOA. 403602 HOUSE NO. 1403 DANGVADDO BENAULIM SALCETE 5 PR-0616 201606570 F VAS SANDRA CARMEN April, 2018 8.25 1465/2000 73.25 A SECOND 9049558659 GOA. 403716 F1 F2 SANTA CATARIA RESIDENCY SERAULIM SALCETE 6 PR-0316 201302493 F DE SCC REBELO NADIA MARIA DE JESUS April, 2018 7.58 1303/2000 65.15 B+ THIRD 8322789027 GOA. 403708 B-10 ADELVIN APTS SHETYEWADO DULER MAPUSA 7 M.A. Hindi HN-3216 201303177 F VERLEKAR MAMATA DEEPAK April, 2018 8.34 1460/2000 73.00 A FIRST 9226193838 BARDEZ GOA. 403507 H. NO. GUJRA BHAT TALALIM CURCA TISWADI GOA. 8 HN-1416 201307749 F MENKA KUMARI April, 2018 7.50 1281/2000 64.05 B+ SECOND 9763358712 403108 9 HN-3016 201303949 M VARAK DEEPAK PRABHAKAR April, 2018 7.36 1292/2000 64.60 B+ THIRD VALKINI COLONY NO. -
PRODUCERS Sr
PRODUCERS Sr. Photo Name Address Category Contact No. Email ID Prasad Creations , SOI, 5th Allaparthi Durgaprasad 1 Floor,Milroc Lar Menezes, SV Road Producer 9822185804 [email protected] (National Awardee) Panjim 403001 Andre Agnelo Fernandes H. no. 52, Consua Verna, Salcete, 2 Producer 9850133861 [email protected] (State Awardee) Goa. 403722 H. No. 7, Opp. Merces Church, 3 Andre Brazinho De Souza Merces Vaddy, P.O. Santa Cruz, Producer 9822110396 [email protected] Illhas, Goa Angelo Braganza Agnelo House, H. No. 135, Mitra, 4 Producer 9664815065 [email protected] (National & State Awardee) Caranzalem, Illhas Goa. 205-F/1 , Boa Vista ,Bastora -Bardez 5 Anil Lad Producer 9326100075 [email protected] ,Goa Shri, H -7, Housing Board, Gogol, 6 Amar Sawant Producer 9730761270 [email protected] Margao. 403602 H.N.858, Opp Police Outpost, 7 Armando Fernandes Producer 7875801604 [email protected] Shiroda Ponda Goa.403103 Kurtarkar Gardens, Central Block E- 8 Ashutosh Khandekar 005, Opp. Anuradha Apts., Producer 9326104094 [email protected] Vidyanagar, Gogol, Margao, Goa 1st Floor, Alberto Castle, Opp Hotel 9 Atrey Sawant Producer 9850474882 [email protected] La Paz,Vasco Goa Telematics 1st floor, Flamingo Bld, 10 Augie D'Mello Near Old patto bridge, Near Hotel Producer 9326100211 [email protected] Sona/CMM, Panaji Goa. 403001 Bhalchandra Bakhale 'Swatyantra' near santosh garage, 11 Producer 9823628525 [email protected] (State Awardee) Aquem Margao Goa. Bonafacio Dias G1, Madel, Near the chapel, Margao, 12 Producer 9833515210 ______ (State Awardee) Goa. 173, Nagmodem, Navelim, Salcette 13 Claudio Colaco Producer 9822037228 [email protected] Goa 403707 H.No. -
(Public Section) Padma Awards Directory (1954-2009) Year-Wise List Sl
MINISTRY OF HOME AFFAIRS (Public Section) Padma Awards Directory (1954-2009) Year-Wise List Sl. Prefix First Name Last Name Award State Field Remarks 1954 1 Dr. Sarvapalli Radhakrishnan BR TN Public Affairs Expired 2 Shri Chakravarti Rajagopalachari BR TN Public Affairs Expired 3 Dr. Chandrasekhara Raman BR TN Science & Eng. Expired Venkata 4 Shri Nand Lal Bose PV WB Art Expired 5 Dr. Satyendra Nath Bose PV WB Litt. & Edu. 6 Dr. Zakir Hussain PV AP Public Affairs Expired 7 Shri B.G. Kher PV MAH Public Affairs Expired 8 Shri V.K. Krishna Menon PV KER Public Affairs Expired 9 Shri Jigme Dorji Wangchuk PV BHU Public Affairs 10 Dr. Homi Jehangir Bhabha PB MAH Science & Eng. Expired 11 Dr. Shanti Swarup Bhatnagar PB UP Science & Eng. Expired 12 Shri Mahadeva Iyer Ganapati PB OR Civil Service 13 Dr. J.C. Ghosh PB WB Science & Eng. Expired 14 Shri Maithilisharan Gupta PB UP Litt. & Edu. Expired 15 Shri Radha Krishan Gupta PB DEL Civil Service Expired 16 Shri R.R. Handa PB PUN Civil Service Expired 17 Shri Amar Nath Jha PB UP Litt. & Edu. Expired 18 Shri Malihabadi Josh PB DEL Litt. & Edu. 19 Dr. Ajudhia Nath Khosla PB DEL Science & Eng. Expired 20 Shri K.S. Krishnan PB TN Science & Eng. Expired 21 Shri Moulana Hussain Madni PB PUN Litt. & Edu. Ahmed 22 Shri V.L. Mehta PB GUJ Public Affairs Expired 23 Shri Vallathol Narayana Menon PB KER Litt. & Edu. Expired Wednesday, July 22, 2009 Page 1 of 133 Sl. Prefix First Name Last Name Award State Field Remarks 24 Dr. -
Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh
1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
Dtp01jan21.Qxd (Page 1)
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C The XXX files: Lucky days are THE TIMES OF INDIA Vin Diesel fuels here again for Tuesday, January 21, 2003 desire in Mariah! winter winners Page 8 Page 3 TO D AY S LUCKY 810 Downing street T wo little fleas 833 82 One little duck W ar with China 862 Your Dambola Ticket available in Delhi Times on 19th January, 2003 OF INDIA Numbers already announced : 71, 11, 79, 56, 21, 25, 5, 76 MANOJ KESHARWANI Why say ‘no’ to a casino? ARUN KUMAR DAS NEELABH re-shot hit. After all, there are Times News Network numerous Delhiites who visit Kathmandu with the aim of as Vegas. Bangkok. Col- visiting the casinos there.’’ ombo. Kuala Lumpur. So, with the tourism and L Add Faridabad to the travel sectors flashing thum- list. Cosmopolitan capitals ac- bs-up signs, there must be a ross the globe apart, even Ha- pressing reason why a casino ryana will soon be home to a can’t find Delhi ground under casino. And Delhi? Even as its feet. On the contrary. By the Haryana government sets the sound of things, there is a the dice rolling for the setting way —only, there seems to be up of casinos in Faridabad, a lack of political will. ‘‘There the powers-that-be in the Cap- are numerous parties which ital find the roulette route too are interested in setting up a dicey to handle. casino in the Capital, special- Over to Delhi finance min- ly after the Haryana govern- ister MS Saathi: ‘‘Yes, there ment has shown the way,’’ re- was a proposal for the con- veals a senior official of the struction of a casino in the excise department. -
LOK SABHA DEBATES (English Version)
,:~ Serles, Vol. XXI, NO.1 ,,~. LOK SABHA DEBATES (English Version) Seventh Session (Eigbth Lok Sabba) (V.I. XXI c."tain8 N08. 1 It) 10) LOI( SABRA SECRETARIAT NEW DaLHI ""/~. I IU. 6.00 ----,------ (Ori.iDal BIlaJu proceedings included in Bna1ish Version and Original Hindi proceedmp included in Hindi VenioD will be treated &5 autboritatiye aDet Dot the translation thereof.) CONTENTS [BI."th Serle., Yol. XXI, Seven,h Se"lo1l, 1986) No.1, T"e,day, NOl'.mb.r 4, i986/Kartlka 13, 1908 (SAKA) COLUMNS Obituary R.eference. ,1-4 Introduction of Ministers 4-6 '"'ral Answers to Questions : 6-32 .Starred Questions Nos. I, 2 and 4 to 6 'ritten Answers to Questions: 32-292 Starred Questions Nos. 3, 7 to 12 and 14 to 20 32-43 Unstarred Questions Nos. 1 to 8, 10 to 28, 30 to 184 and 43-292 186 to 221 Papers Laid on tbe Table 293-296 Sales Promotion Employees (Conditions of Service) Amendment Bill, 1986 296 Adjournment Motion- 299-376 Security Lapses at Rajahat on 2nd October, 1986- Prof. Madhu Dandavate 300 Shri Bhaawat J ba Azad 311 Shri Saifuddin Cbowdbary 316 Shri 0.0. Swcl1 320 Sbri c. Madbav Roddi 3.23 Shri R.S. Sparrow 327 Shri P. Kolandaivelu 330 Sbri Ajay Mushran 332 Sbri Dfncsb Goswami 33S Prof. Nirm~la Ku~ari Sbaktaw~t 338 Shri Indrajit Gupta 341 -------------------------------------~------.-------- .~----- ., -~-.~ The SilD t marked above tbe name of a Member indicates tbat tbe question w•• ~ctually asked on tbe ftoo~ of tbe House br that Membcl. (" ) ec.UIINI Shrl P.R. -
Inside and Outside the Law: Bombay's Anti-~Ero Cinema
Research Articles Inside and Outside the Law: Bombay's Anti-~ero Cinema AJANTA SIRCAR What does the unconscious ... do to the idea of legacy (from father to son, for example)?( ...] For psychoanalysis, to be a son is to feel guilty, even when there has been no crime. Lineage is a deadly affair. Jacqueline Rose, On Not Being Able to Sleep: Psychoanalysis and tlze Modern World, (2003) Crime, passion, the most unbearably intense but Cinema point out, the ideological function of 'n1e~od~a~a' unspeakable desire-all this is the stuff not only of here has in fact been to recast the aesthetic-social 1d10m Bombay cinema but, curiously enough, also of of Anglo-America into indigenous frames: psychpanalysis. This paper emerges out of n1y continuing fascination with two icons from these seemingly very Defined in the Indian context mainly as a 'musical dramati~' disparate 'rvorlds, Sigmund Freud and Mr. Amitabh narrative in accordance with its original genenc Bachchan. And while the argument that I put forward meaning ... Melodrama drew on the same sources ~s, e.g.,_ the here neither begins nor exhausts itself with Mr. Bachchan, mythological but functioned ~s the ?~sthetlc regtm~ he is nevertheless its most dramatic 'symptom'.1 The point accompanying the socio-economic trans1t1on fro_m feudal to keep in mind is that the 'symptom' (in the analytical artisanal to industrial ones, both formally and m content sense), never has a one-on-one correspondence with the matter ... [I]t recomposed traditional narrative idio~~ and unconscious psychic scars from which it erupts. themes, drawing on Western narrative forms and Similarly The poles within which I place my argument here can negotiating modernization tensions. -
Viveck Prabhu Vaswani Selected Profile 2019
VIVECK PRABHU VASWANI SELECTED PROFILE 2019 Campion School,’77 Cathedral School,’80 Sydenham College,’83 (Bachelor of Commerce) PART ONE/ THE ACTOR Theatre (Selected Bibliography) 1. Elephant Man/ Pearl Padamsee 2. Love and God by Woody Allen/ Pearl Padamsee 3. Night of Jan 16 by Ayn Rand/ Pearl Padamsee 4. Antigone/ Vijay Crishna 5. Mary Stuart/ Toni Patel 6. Savaksa by Gieve Patel/ Pearl Padamsee 7. Saint Joan/ Vijay Crishna 8. Bedroom Farce/ Adi Marzban 9. Caught On The Hop/ Hosi Vasunia 10. Loot by Joe Orton/ Hosi Vasunia (with Amjad Khan) 11. You Can’t Take It With You/ Kaufman & Hart/ Hima Devi 12. The Soul Of Chein Nu Leaves Her Body/ Producer 13. A Woman In A Dressing Gown/ Adi Marzban Actor in Films (Selected Filmography) 1. Zulm Hi Zulm/ A Salam 2. Zakham/ Irfan Khan 3. Soldier/ Abbas Mustan 4. Chori Chori Chupke Chupke/ Abbas Mustan 5. 36, Chinatown/ Abbas Mustan 1 6. Khel/ Raakesh Roshan 7. King Uncle/ Raakesh Roshan 8. Loafer/ David Dhawan 9. Hum Kisise Kum Nahin/ David Dhawan 10. Maine Pyar Kyun Kiya/ David Dhawan 11. Inspctor Kirron/ Ashok Panjabi 12. Josh/ Mansoor Khan 13. Aa Ab Laut Chalen/ Rishi Kapoor 14. Aashiq Aawara/ Umesh Mehra 15. Barsaat/ Suneel Darshan 16. Shakalaka Boom Boom/ Suneel Darshan 17. Raju Ban Gaya Gentleman/ Aziz Mirza 18. Patthar Ke Phool/ Anant Balani 19. Gawaahi/ Anant Balani 20. Dulha Mil Gaya/ Mudassar Aziz 21. Mastizaade/ Milap Zaveri 22. Buddha In A Traffic Jam/ Vivek Agnihotri 23. Satta/ Madhur Bhandarkar 24. Luv U Soniyo/ Joe Rajan 25. Hum Hain Rahi Car Ke/ Jyotin Goel 26. -
Spoofs and the Politics of the Film Image's Ontology in Tamil Cinema
Spoofs and the Politics of the Film Image’s Ontology in Tamil Cinema * Constantine V. Nakassis All Film Spoofs, No Spoof Films Commercial Tamil cinema has long been a travesty of itself, its textuality woven from so many citational allusions, homages, and self-parodies; and yet, until recently there was no such recognized genre of the spoof film, only “comedy tracks” trailing in the shadows of the grandiose hero and his more serious narrative, parodying his potent image here and there, most often through scenes of comically inverted or failed heroism (Nakassis 2010:209–221). In 2010, this was seen to have changed, with the release of a surfeit of spoof films—Venkat Prabhu’s Goa, Simbudevan’s Irumbu Kottai Mirattu Singam, and, most importantly for this paper, C. S. Amudhan’s aptly titled Thamizh Padam, or ‘Tamil Movie.’1 And then of course, there was that unwitting spoof hero, the self-proclaimed “Power Star,” Dr. S. Srinivasan, who entered the scene in 2011 with his unbel- ievably absurd, yet ambiguously self-serious, film (Lathika) and public persona (figure 1).2 Industry insiders and film enthusiasts often explain this seeming par- adox that Tamil cinema is all spoof with no spoofs by pointing to the self- seriousness of the industry—that is, that it can’t take a joke; or alter- natively by pointing to its cultural and historical particularity—that is, that “spoofs” are a foreign genre. But what is so notable is that the ind- ustry has long made jokes at its own expense. Think, for example, of Nagesh’s memorable comedy track from Sridhar’s classic 1964 romantic comedy Kadhalikka Neeramillai (‘No Time for Love’), which turns on Nagesh’s nascent film production: a parody of the film producer, Nagesh * Constantine V. -
ANNUAL REPORT 2016 15 March Final.Pdf
INDIA INTERNATIONAL CENTRE 2015-2016 INDIA INTERNATIONAL CENTRE Board of Trustees Mr. Soli J. Sorabjee, President Justice (Retd.) B.N. Srikrishna Prof. M.G.K. Menon Mr. Vipin Malik Dr. (Smt.) Kapila Vatsyayan Dr. R.K. Pachauri Mr. N.N. Vohra Executive Committee Mr. Soli J. Sorabjee, Chairman Mr. K.N. Rai Air Marshal Naresh Verma (Retd.), Director Mr. Suhas Borker Cmde. Ravinder Datta, Secretary Smt. Shanta Sarbjeet Singh Mr. Dhirendra Swarup, Hony. Treasurer Dr. Surajit Mitra Mr. K. Raghunath Dr. U.D. Choubey Finance Committee Justice (Retd.) B.N. Srikrishna, Chairman Air Marshal Naresh Verma (Retd.), Director Dr. U.D. Choubey Cmde. Ravinder Datta, Secretary Mr. Rajarangamani Gopalan Mr. Ashok K. Chopra, CFO Mr. Dhirendra Swarup, Hony. Treasurer Medical Consultants Dr. K.A. Ramachandran Dr. Rita Mohan Dr. Mohammad Qasim Dr. Gita Prakash IIC Senior Staff Ms Omita Goyal, Chief Editor Ms Hema Gusain, Purchase Officer Dr. S. Majumdar, Chief Librarian Mr. Vijay Kumar Thukral, Executive Chef Mr. Amod K. Dalela, Administration Officer Mr. Inder Butalia, Sr. Finance & Accounts Officer Ms Premola Ghose, Chief, Programme Division Mr. Rajiv Mohan Mehta, Manager, Catering Mr. Arun Potdar, Chief, Maintenance Division Annual Report 2015–2016 This is the 55th Annual Report of the India International Centre for the year commencing 1 February 2015 to 31 January 2016. It will be placed before the 60th Annual General Body Meeting of the Centre, to be held on 31 March 2016. Elections to the Executive Committee and the Board of Trustees of the Centre for the two-year period, 2015–2017, were initiated in the latter half of 2014. -
From Goanet Archives. Transcribed by Roland Francis. Chris & Lorna
From Goanet archives. Transcribed by Roland Francis. Chris & Lorna - Love and Longing in Mumbai's Jazz Age by Naresh Fernandes - July 2003 When jazz swung into the subcontinent, Goans seized it as the song of their souls. "Jazz gave us freedom of expression," explains Frank Fernand, who played in the Teddy Weatherford band at the Taj. "You played jazz the way you feel morning you play differently, evening you play differently." New tunes came to India as sheet music, but that sometimes wasn't much help even to accomplished readers: jazz contained such unconventional instructions as glissando, mute and attack. "But when we heard the records, we knew how to play the notes," Frank says. For a Goan jazzman, the greatest accolade was to be told that he "played like a negro". No one seems to have received more praise on this account than Chic Chocolate, who occasionally led a two-trumpet barrage at the Green's Hotel with Chris Perry. Chic whose name Goans pronounced as if they were talking about a rooster's offspring was known as the "Louis Armstrong of India". His stratospheric trumpet notes and his growly scatting were a tribute to his New Orleans idol. "He had a negro personality," Frank Fernand marvels. "He played everything by heart." His stage presence was unforgettable. As the band reached a crescendo, Chic would fall on one knee and raise his horn to the stars. Chic had been born Antonio Xavier Vaz in Aldona in 1916. His mother wanted him to be a mechanic and earn a respectable living, but he dreamt of a life in music.