Adobe Reader Version

Total Page:16

File Type:pdf, Size:1020Kb

Adobe Reader Version CELEBRATING Wakefield Press CELEBRATING30 YEARS IN 2019 For all flyers and complete stocklist visit www.wakefieldpress.com.au New30 YEARS Releases For all price and availability queries visit www.titlepage.com ABORIGINAL & INDIGENOUS TITLES MGS = Michael Graham-Stewart QTY TITLE FIRST AUTHOR/EDITOR FORMat ISBN PUBLISHER AU PRICE TOtaL First Wave, The Dooley PB 9781743056158 WP $49.95 Kangaroo Islanders, The Cawthorne PB 9781862546554 WP $39.95 Out of the Silence Foster PB 9781862546554 WP 34.95 Ochre and Rust Jones PB 9781743055267 WP $49.95 Colonialism and its Aftermath Brock PB 9781743054994 WP $45.00 Country, Kin and Culture Smith PB 9781862545755 WP $29.95 Kin Duthie PB 9781743056028 WP $24.95 Yura and Udnyu Brock PB 9781743056738 WP $24.95 Boys From St Francis, The Mallett PB 97817430558095 WP $34.95 Unearthed Taylor PB 9781862547988 WP $34.95 Alternative Interventions Mayne PB 9781743052723 WP $24.95 My Side of the Bridge Gale PB 9781862545571 WP $19.95 Clock Struck Thirteen, And the O’Brien PB 9781862547308 WP $19.95 In the Name of the Law Nettlebeck PB 9781862547483 WP $34.95 Colouring the Rainbow Hodge PB 9781743053935 WP $39.95 Ian W. Abdulla Fox HB 9781862546189 WP $45.00 Bitter Fruit Graham-Stewart HB 9780646936390 MGS $110.00 Images of the Interior Jones PB 9781862545847 WP $49.95 Bush Mechanics Paul PB 9781743055151 WP $29.95 Kulurdu Marni Ngathaitya! Amery PB 9781743052341 WP $39.95 Ngarrindjeri Nation Kartinyeri PB 9781862547254 WP $34.95 TOTAL Customer Trade Order No. Address I enclose a cheque for $ Please charge $ to my Bankcard Mastercard Visa Email Address Card number Phone Date Expiry date Signature Phone: +61 8 8352 4455 Wakefield Press Email: [email protected] 16 Rose Street, Mile End SA 5031 Australia Website: wakefieldpress.com.au Wakefield Press CELEBRATING For all flyers and complete stocklist visit www.wakefieldpress.com.au 30 YEARS For all price and availability queries visit www.titlepage.com ABORIGINAL & INDIGENOUS TITLES Colonialism and its Aftermath The First Wave A history of Aboriginal South Australia Exploring early coastal contact history 054994 056158 in Australia EDITED BY PEGGY BROCK AND TOM GARA GILLIAN DOOLEY, DaNIELLE CLODE PB• 480 PP• 234 x 156 781743 781743 PB• 462 PP• 234 x 156• ISBN 9781743054994• $45.00 9 9 ISBN 9781743056158• $49.95 Despite catastrophic interventions in the Written for a general audience, The First lives of Aboriginal people during and following Wave brings together a variety of colonisation, many communities retain strong contributions from thought-provoking identities rooted in a deep connection to the writers, including both original research and land. creative work. Our contributors explore the Colonialism and its Aftermath traces the dynamics of these early encounters, from ongoing impact of colonialism on Aboriginal representations in art and literature to the individuals, communities and cultures, the role of animals, food and fire in mediating disruptions and displacements it has caused, first contact encounters, andI ndigenous and Aboriginal responses to these challenges. agency in exploration and shipwrecks. The Kangaroo Islanders Country, Kin and Culture A story of South Australia before Survival of an Australian Aboriginal 546554 colonisation 1823 545755 community W.A. CawTHORNE, RICK HOSKING CLAIRE SMITH 781862 PB• 256 PP• 234 x 156• 781862 PB• 208 PP• 210 x 140• 9 ISBN 9781862546554• $39.95 9 ISBN 9781862545755• $29.95 Written in the mid-1850s, The Kangaroo When Captain Cook landed on Australian Islanders is one of the few colonial novels that shores he came into contact with one of the represents some of the encounters between most dynamic, culturally rich and socially the colonisers and the colonised on the sophisticated societies that had ever existed. edges of the island continent. This book documents how one such A remarkable and colourful book, this community drew upon their sense of country, novel represents life on Kangaroo Island in kin and culture to survive the incursions of the period between 1802–1836. British colonisation. Out of the Silence Kin The history and memory of An extraordinary Australian filmmaking 055823 South Australia’s frontier wars 056028 family ROBERT FOSTER, AMANDA EDITED BY AMANDA DUTHIE NETTELBECK 781743 781743 PB• 198 PP• 210 x 140• 9 PB• 256 PP• 234 x 156• 9 ISBN 9781743056028• $24.95 ISBN 9781743055823• $34.95 In Kin, artists and filmmakers from all over When South Australia was founded in 1836, the world pay tribute to the indomitable the British government was pursuing a new Freda Glynn and her family. Freda approach to the treatment of Aboriginal championed Aboriginal screen storytelling people. The colony’s founding Proclamation with global impact, helping establish CAAMA declared that as British subjects, Aboriginal and Imparja Television in the 1980s. people would be as protected as colonists. But could colonial governments provide the protection that was promised? Yura and Udnyu Ochre and Rust A history of the Adnyamathanha of the Artefacts and encounters on 056738 North Flinders Ranges 055267 Australian frontiers PEGGY BROCK PHILIP JONES PB• 132 PP• 210 x 140• 781743 781743 PB• 448 PP• 230 x 168 ISBN 9781743056738• $24.95 9 9 ISBN 9781743055267• $49.95 Using firsthand accounts from Ochre and Rust takes nine Aboriginal and Adnyamathanha and archival sources, this colonial artefacts from their museum book traces the history of colonial incursion shelves, and positions them at the centre and Adnyamathanha responses from 1840 to of these gripping, poignant tales set in the the era of native title in the twenty-first heart of Australia’s frontier zone. century. CELEBRATING Wakefield Press CELEBRATING30 YEARS IN 2019 For all flyers and complete stocklist visit www.wakefieldpress.com.au New30 RYEARSeleases For all price and availability queries visit www.titlepage.com ABORIGINAL & INDIGENOUS TITLES The Boys From St Francis My Side of the Bridge Stories of the remarkable Aboriginal The life story of Veronica Brodie as told to 545571 055809 activists, artists and athletes Mary-Anne Gale who grew up in one seaside home MaRY-ANNE GaLE ASHLEY MALLETT 781862 781743 PB• 208 PP• 210 x 135 9 9 PB• 304 PP• 210 x 140 ISBN 9781862545571• $19.95 ISBN 97817430558095• $34.95 Veronica Brodie was an Aboriginal woman In 1945, Anglican priest Father Percy Smith of Ngarrindjeri-Kaurna descent. She grew up brought six boys from their Northern at Raukkan near Victor Harbor and until the Territory home to an Adelaide beach suburb. mid-sixties lived under the Aborigines There, they became the first boys ofS t Protection Board. Later, Veronica Brodie was Francis, a place that would house 50 such involved in the Hindmarsh Island Bridge affair, boys over 11 years. Some were sent, with the on the side of the Ngarrindjeri women who blessing of their mothers, to gain an knew of the secret women’s business and education. Others were members of the sought to stop the construction of the bridge. Stolen Generations. Unearthed And the Clock Struck Thirteen The Aboriginal Tasmanians of The life and thoughts of Kaurna Elder 547308 547988 Kangaroo Island Uncle Lewis Yerloburka O’Brien REBE TAYLOR LEWIS YERLOBURKA O’BRIEN, MaRY- ANNE GaLE 781862 781862 PB• 402 PP• 234 x 156 9 PB• 265 PP• 210 x 135 9 ISBN 9781862547988• $34.95 ISBN 9781862547308• $19.95 The Palawa community of Tasmania is This is the story of Kaurna man Uncle Lewis mostly descended from the Aboriginal O’Brien and his family, beginning with his Tasmanian women who sealers took to the great, great grandmother Kudnarto – the first Bass Strait Islands in the early nineteenth Aboriginal woman to marry a white man in century. But few people know that sealers South Australia. An esteemed Aboriginal also took Tasmanian women to Kangaroo elder, Lewis O’Brien joined the SA education Island, establishing a cross-cultural department as an Aboriginal education liaison community before the settlement of South officer in 1977, where his presence made a real Australia. Aboriginal Tasmanian descendants impact on the numbers of Indigenous are still living on Kangaroo Island today and children completing high school. this book is their story. Alternative Interventions In the Name of the Law Aboriginal homelands, Outback William Willshire and the policing of the 052723 Australia and the Centre for Appropriate 547483 Australian frontier Technology AMANDA NETTELBECK, ALAN MAYNE ROBERT FOSTER 781743 781862 9 PB• 200 PP• 234 x 160 9 PB• 258 PP• 234 x 156 ISBN 9781743052723• $24.95 ISBN 9781862547483• $34.95 Not all interventions in Aboriginal Australia Mounted Constable William Willshire are inspired by external agents, politics or commanded a corps of Native Police in ideology. Some arise from simple, pragmatic Central Australia during the 1880s. responses to community needs where Notorious for the violence of his patrols, he people and their aspirations are central. was eventually tried in 1891 for the murder of Historian Alan Mayne unravels a story of two Aboriginal men, and was posted to an people, place and relationships. At once even more remote frontier in the Top End. both personal and intensely political, this is a His story illuminates unfolding issues of race journey of ideas into action; intervention and nationalism in colonial Australia on the through innovation. eve of Federation. Wakefield Press CELEBRATING For all flyers and complete stocklist visit www.wakefieldpress.com.au 30 YEARS For all price and availability queries visit www.titlepage.com ABORIGINAL & INDIGENOUS TITLES Colouring the Rainbow Bush Mechanics Blak Queer and Trans perspectives From Yuendumu to the world 053935 EDITED BY DINO HODGE 055151 MaNDY PAUL, PB• 336 PP• 210 x 140 MICHELANGELO BOLOGNESE 781743 ISBN 9781743053935• $39.95 781743 PB• 88 PP• 265 x 218• 9 Colouring the Rainbow uncovers the often 9 ISBN 9781743055151• $29.95 hidden world of Queer and Trans Blak Bush Mechanics first screened on the BA C Australia and tells it like it is.
Recommended publications
  • Aboriginal and Torres Strait Islander Perspectives
    NOVELS Baillie, Allan The First Voyage F BAI:A An adventure story set in our very distant past, 30,000 years ago, when the first tribes from Timor braved the ocean on primitive rafts to travel into the unknown, and reached the land mass of what is now Australia. Baillie, Allan Songman F BAI:A This story is set in northern Australia in 1720, before the time of Captain Cook. Yukuwa sets out across the sea to the islands of Indonesia. It is an adventure contrasting lifestyles and cultures, based on an episode of our history rarely explored in fiction. Birch, Tony, The White Girl F BIR:T Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. Boyd, Jillian Bakir and Bi F BOY:J Bakir and Bi is based on a Torres Strait Islander creation story with illustrations by 18-year-old Tori-Jay Mordey. Bakir and Mar live on a remote island called Egur with their two young children. While fishing on the beach Bakir comes across a very special pelican named Bi. A famine occurs, and life on the island is no longer harmonious. Bunney, Ron The Hidden F BUN:R Thrown out of home by his penny-pinching stepmother, Matt flees Freemantle aboard a boat, only to be bullied and brutalised by the boson.
    [Show full text]
  • May/June 2002 May/June 2002
    arch/April 2002 May/June 2002 No.3/2002 May/June 2002 No.3/2002 The Native Title Newsletter is published on a bi-monthly basis. The newsletter includes a Contents summary of native title as reported in the News from the Native Title press. Although the summary canvasses me- Research Research Unit Unit 2 dia from around Australia, it is not intended to be an exhaustive review of de- Features velopments. NativeAn update Title onBusiness the British -Travelling Columbia Art The Native Title Newsletter also includes Treaty Process by Mark McMillan 3 Exhibition 5 contributions from people involved in native title research and processes. Views ex- YortaMaMu Yorta Canopy – CourtWalk Report 7 pressed in the contributions are those of the by Lisa Strelein 7 Ngarla Pilbara Leadership Training authors and do not necessarily reflect the CourseNative title in the news 119 views of the Australian Institute of Aborigi- nal and Torres Strait Islander Studies. NativeApplications title in the news 10 13 Notifications 14 Applications 15 Recent publications 14 NativeNotifications Title Research Unit publications 16 STOP PRESS Recent Publications 16 The Native Title Conference 2002: Outcomes and Possibilities Geraldton 3 -5 September Native Title Research Unit publications 17 Registrations close 16 August The Newsletter is now available in ELECTRONIC format. This will provide a FASTER service for you, and will make possible much greater distribution. If you would like to SUBSCRIBE to the Native Title Newsletter electronically, please send us an email on [email protected], and you will be helping us pro- vide a better service. Electronic subscription will replace the postal service, please include your postal address so we can cross check our records.
    [Show full text]
  • Visions of Water in Lower Murray Country
    Visions of Water in Lower Murray Country Camille Marie Eugénie Roulière Thesis submitted for the degree of Doctor of Philosophy under a Cotutelle (Joint Program) Agreement JMCCCP ERIBIA Department of English and Creative École Doctorale Histoire, Mémoire, Writing Patrimoine, Langage School of Humanities Université de Caen Normandie Faculty of Arts University of Adelaide August 2018 I acknowledge the Kaurna Nation as the Traditional Custodians of the lands on which the University of Adelaide is located; and I acknowledge the Ngarrindjeri Nation as the Traditional Custodians of the lands on which my research bears— lands which were never ceded. I respect and acknowledge their respective ongoing relationships with these lands and their connected bodies of water. Aboriginal and Torres Strait Islander people are advised that this thesis contains names of Indigenous people who are deceased. Table of Contents Table of Figures ........................................................................................................ i Abstracts ................................................................................................................. iii English Version .................................................................................................. iii Version Française ............................................................................................... iv Declaration of Originality ...................................................................................... vi Acknowledgements ..............................................................................................
    [Show full text]
  • Affirmations of Identity, Aboriginal and Torres Strait Islander Visual Artists Resource
    AFFIRMATIONS of IDENTITY Aboriginal and Torres Strait Islander Visual Artists Resource Kit Gallery and Artists Warning This text might identify Aboriginal or Torres Strait Islander people who are now deceased in ways that inadvertently give offence to particular families or communities. Copyright information © 2007 Copyright Board of Studies NSW for and on behalf of the Crown in right of the State of New South Wales. This document contains Material prepared by the Board of Studies NSW for and on behalf of the State of New South Wales. The Material is protected by Crown copyright. All rights reserved. No part of the Material may be reproduced in Australia or in any other country by any process, electronic or otherwise, in any material form or transmitted to any other person or stored electronically in any form without the written prior permission of the Board of Studies NSW, except as permitted by the Copyright Act 1968. School students in NSW and teachers in schools in NSW may copy reasonable portions of the Material for the purposes of bona fide research or study. When you access the Material you agree: . to use the Material for information purposes only; . to reproduce a single copy for personal bona fide study use only and not to reproduce any major extract or the entire Material without the prior permission of the Board of Studies NSW; . to acknowledge that the Material is provided by the Board of Studies NSW; . not to make any charge for providing the Material or any part of the Material to another person or in any way make commercial use of the Material without the prior written consent of the Board of Studies NSW and payment of the appropriate copyright fee; .
    [Show full text]
  • LOST for WORDS' Ulrike Sturm
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright THE UNIVERSITY OF SYDNEY Sydney College of the Arts An exegesis submitted in fulfillment of the requirements for the degree of Master of Fine Arts 'LOST FOR WORDS' Ulrike Sturm 2012 'LOST FOR WORDS' STATEMENT This volume is presented as a record of the work undertaken for the degree of Master of Fine Arts at Sydney College of the Arts, University of Sydney. TABLE OF
    [Show full text]
  • Valuing Art, Respecting Culture
    VALUING ART, RESPECTING CULTURE PROTOCOLS FOR WORKING WITH THE AUSTRALIAN INDIGENOUS VISUAL ARTS AND CRAFT SECTOR You can show/hide bookmarks by clicking this icon in the tools palette above. Care has been taken in compiling this document, to obtain the appropriate permissions for reproduction of images, and to respect cultural and intellectual property rights. Readers are advised however, that unintentional offence or distress may be caused by the use of images, or names of persons who have passed away since printing and publication of the document. General Editor and Principal Consultant Doreen Mellor Web links to many Indigenous artists, support organisations and retail Authors Doreen Mellor and Terri Janke outlets can be accessed via the Visual Arts Net website. In addition, the Copy Editor Lorraine Rogge Executive Summaries of Valuing Art, Respecting Culture can be downloaded from the site. Site address www.visualarts.net.au Designer Creative consultancy provided by Jones Davis Creative Pty Ltd ©National Association for the Visual Arts Ltd Copyright in any ‘prior material’ used in this publication remains with the original author. Funded by the Aboriginal and Torres Strait Islander Commission ISBN 0 9585 474 0 8 (ATSIC); the Commonwealth Government through the Australia Council's Aboriginal and Torres Strait Islander Arts Board; and the Cover image ©Brian Nyinawanga “Visions of the City” 1994. Northern Territory Government's Department of Arts and Museums. Screenprint. Image courtesy of the Museum and Art Gallery of the Northern Territory. “When Brian Nyinawanga visited Sydney, it was the first major city he had seen apart from Darwin. It made a significant impression upon him, particularly the claustrophobic streets with their tall buildings, depicted here in classic plan perspective.
    [Show full text]
  • You Are Invited to Be Part of Advocacy Through Art
    YOU ARE INVITED TO BE PART OF ADVOCACY THROUGH ART STARTER PACK ENTRIES CLOSE 4 JULY 2017 VINNIES.ORG.AU/JUSTART [email protected] VinniesYouthVic The St Vincent de Paul Society Victoria acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation as the traditional custodians of the lands on which we work. We pay our respects to ancestors and Elders, past and present. We are committed to honouring Australian Aboriginal and Torres Strait Islander peoples’ unique cultural and spiritual relationships to the land, waters and seas and their rich contribution to society. TABLE OF CONTENTS Letter to all participants 1 PART A: Participant Information About us 3 What is Just Art? 4 Advocacy – What is it? 5 Key Advocacy Messages 6 Artistic Categories 7 Judging Criteria, Terms and Process 8 Category Winners and Major Awards 11 Awards Event and Exhibition 13 PART B: Participant Resources Inspiration 16 Discussion Questions 20 Resource List 23 Relevant Organisations 23 Books 24 Picture Storybooks 27 Documents 30 Relevant Movements and Causes 31 PART C: Schools Information Related Learning Areas and Strands 33 Related Capabilities and Strands 34 Relevant Capabilities Curriculum Achievement Standards 35 Relevant Learning Areas Curriculum Achievement Standards 38 Religious Education (For Catholic Schools) 42 Aboriginal and Torres Strait Islander histories and cultures 44 PART D: Registration and Submission Registration and Submission Process 47 Submission of Artwork Methods 48 Dropbox Upload Process 49 Image Release Form – Adult 50 Image Release Form - Child 51 Dear Friends and Supporters, After the success of our inaugural Just Art Competition in 2016, we are delighted to invite your participation in 2017.
    [Show full text]
  • Trickle Down Effect: Sculpture and Land Kim Williams University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2012 Trickle down effect: sculpture and land Kim Williams University of Wollongong Recommended Citation Williams, Kim, Trickle down effect: sculpture and land, Master of Creative Arts - Research thesis, Faculty of Creative Arts, University of Wollongong, 2012. http://ro.uow.edu.au/theses/3803 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] University of Wollongong MASTER OF CREATIVE ARTS (RESEARCH) 2012 EXEGESIS TRICKLE DOWN EFFECT: SCULPTURE AND LAND Kim Williams 2012 CERTIFICATION OF ORIGINAL WORK I, Kim Williams, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Master of Creative Arts (Research), in the Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Signature 1 TABLE OF CONTENTS List of Illustrations 3 Abstract 5 Acknowledgments 6 1….. Overview 7 2….. Looking back 10 3….. Mapping the territory 14 4….. Planning an expedition 18 5….. Making a mark 21 6….. The lie of the land 27 7….. Streams of thought 30 8….. Relationships 33 9….. Catchment 37 10… Bringing the outside in 39 11… Reflection 43 12… Trickle-down effect 46 Bibliography 49 Image sources 53 Appendix: Kim Williams Darling Diary 2012 DVD (48 mins) 2 LIST OF ILLUSTRATIONS page 8 Map of the Murray-Darling Basin page 11 Ludwig Becker Portrait of Dick, the Brave and Gallant Native Guide, Darling Depot 1860 Watercolour, brush and ink on paper, 14 x 22 cm page 12 Helena Forde Red Sandstone Cliffs above “Cutthro” J.
    [Show full text]
  • Annual Report 2010-2011
    SOUTH AUSTRALIA _____________________ THIRTY-FIRST ANNUAL REPORT OF THE HISTORY TRUST of SOUTH AUSTRALIA D (History SA) FOR THE YEAR ENDED 30 JUNE 2011 History SA Directorate Torrens Parade Ground Victoria Drive Adelaide SA 5000 GPO Box 1836 Adelaide SA 5001 DX 464 Adelaide Telephone: +61 8 8203 9888 Facsimile: +61 8 8203 9883 (General) +61 8 8203 9889 (Executive) Website: www.history.sa.gov.au Email: [email protected] This report is prepared by the Directorate of History SA. ABN 17 521 345 493 ISSN 1832–8482 Contents BACKGROUND......................................................................................................................................... 1 WHO WE ARE ................................................................................................................................................... 1 OUR VISION..................................................................................................................................................... 1 OUR MISSION .................................................................................................................................................. 1 OBJECTIVES ..................................................................................................................................................... 2 WHAT WE DO................................................................................................................................................... 3 CORE VALUES .................................................................................................................................................
    [Show full text]
  • R-10 Languages
    SACSA Companion Document SERIES R–10 Languages (Australian Indigenous) R–10 Languages (Australian Indigenous) Teaching Resource Additional copies of this publication are available from: • For South Australian government schools ONLY E-mail: [email protected] • For other requests, contact Curriculum Corporation PO Box 177, Carlton South Victoria 3053 Telephone orders: 1800 337 405 Facsimile orders: 1300 780 545 E-mail: [email protected] Website: www.curriculum.edu.au 2005, The State of South Australia, Department of Education and Children’s Services Produced by DECS Publishing 266 Port Road, Hindmarsh SA 5007 Edited by Gunta Groves Cover design by Triple Image Design Printed by Hyde Park Press, South Australia ISBN 0 7308 7773 6 R2233/L 2 FOREWORD The R–10 Languages (Australian Indigenous) teaching resource is part of the SACSA Companion Documents series. Underlying the development of this series is the need to promote consistency of curriculum within and across schools in South Australia. These resources are designed to support teachers to engage further with the SACSA Framework and work towards maximising students’ achievement. They arise from the need expressed by many teachers for the requirements of the SACSA Framework to be made more explicit for each year level. The documents are written by practising teachers in close collaboration with curriculum officers, members of professional associations and other committed educators. This resource is a valuable support for teachers working to meet the diverse needs of learners in the range of settings across South Australia. Steve Marshall CHIEF EXECUTIVE 3 ACKNOWLEDGMENTS The following people are acknowledged for their valuable contribution to the development of this resource.
    [Show full text]
  • 30 YEARS on White Settlement, from the 1940S to the 1980S
    Reading Resistant Landscapes in Ngarrindjeri Country: The Photographic Legacy of Aunty Charlotte Richards1 Karen Hughes At Camp Coorong, just outside the South Australian lakeside town Meningie, the esteemed Ngarrindjeri Elder, weaver and cultural educator Aunty Ellen Trevorrow has been up early help- ing several young grandchildren head off to school.2 A winter mist has floated in from the Coorong waters. Aunty Ellen brings in a stack of loose pictures and photo albums she has selected from a collection passionately assembled over many decades. She takes out a photo showing her husband, the feted Ngarrindjeri leader Uncle Tom Trevorrow, as a chubby, well- nurtured baby, cradled in the arms of his father, Joe Trevorrow, at the former One Mile Fringe Camp, near Meningie.3 Next to them is Tom’s brother Choom (Joe Trevorrow Jnr), who in his younger days helped transport the mail across the rugged remote Oodnadatta-Birdsville track. Behind them stands a hand-built home, cobbled together from repurposed metal and wood (Figure 21.1). The image, taken in 1954 by Aunty Charlotte Richards, vividly evokes the camaraderie, survivance and proud inde- pendence of Ngarrindjeri family life in the Meningie-Coorong fringe camps in the mid twentieth century. Charlotte Richards is a talented, pioneering Australian Aboriginal woman photographer, notably one of the earliest documented Aboriginal women photographers.4 Her rare, distinctive images offer an intimate inventory of the resilience of family life in fringe camp communities, on the edges of 254 KAREN HUGHES : READING RESISTANT LANDSCAPES 21.1 Joseph Trevorrow holding his son Tom Trevorrow with Joe Trevorrow Jnr, 1954 Photographer: Charlotte Richards, courtesy Ellen and Tom Trevorrow collection 255 READING THE COUNTRY: 30 YEARS ON white settlement, from the 1940s to the 1980s.
    [Show full text]
  • Adelaide Festival 1994 Programme, Cover and Artists' Week
    MAJOR SPONSOR Five days of debate, presentations and DAY 2: Wednesday February 23 DAY 3: Thursday February 24 j screenings about installations, Aboriginal art, performance, and art ABORIGINALITY IN ART ABORIGINALITY IN ART/ and technology. Each day is curated A project of Boomalli Aboriginal Artists ADELAIDE INSTALLATIONS separately by Australian arts Co-operative. Curated by Hetti Perkins NSW Curated by Hetti Perkins NSW and practitioners and curators. and Brenda Croft A/SW Brenda Croft/VSWJohn Barrett-Lennard WA Elder Hall except where otherwise indicated and Alison Carroll Vic Elder Hall at the University of Adelaide, Elder Hall except where otherwise indicated North Terrace, and various sites. 9-9.15am Welcome and program outline 9-11am Forum DAY 1: Tuesday February 22 Garnet Wilson 0AM SA Chair of Tandanya Working in Black Arts Aboriginal Cultural Institute Speakers: Jimmy Wululu Ramlngining, NT ADELAIDE INSTALLATIONS Daphne Wallace ACT, Joy Murphy Vic 9.15-11.15am Forum From 10am Adelaide Installations Doreen Mellor SA Njarrindjeri Artists exhibitions open at various sites Aboriginal art from the Murray River 11.15-12.45pm Interactive Performance 11am Performance Co-ordinated by Kerry Giles SA with audience participation Nyirripi dancers SA Speakers: Ian Abdulla SA Richard Bell Old, Harry Wedge NSW Gerard & Goodman Building Yvonne Koolmatrie SA 1.15-2.45pm Forum Tavistock Lane, Adelaide 11.30-12.30pm Film Unstable Ground: the politics of 1.30-3pm Forum Welcome to my Koori World position and Adelaide Installations (2j Unstable Ground: the politics of Introduced by the director. Destiny Deacon Vic Discussion with artists from Adelaide position and Adelaide Installations (1) Bienniei of Australian Art 1.30-3.30pm Forum Discussion with Australian artists and Women's Art 3-4.30pm Forum curator John Barrett-Lennard Elder Hall Speakers: Ellen Jose Vic, Rea NSVl/ Beyond the Material World; the View of the Artists from North Asia 3.45-4.30pm Film 3.30-5pm Forum Speakers: Kim Soun-gui Korea From Little Things..
    [Show full text]