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Adelaide Festival 1994 Programme, Cover and Artists' Week

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Adelaide Festival 1994 Programme, Cover and Artists' Week MAJOR SPONSOR Five days of debate, presentations and DAY 2: Wednesday February 23 DAY 3: Thursday February 24 j screenings about installations, Aboriginal art, performance, and art ABORIGINALITY IN ART ABORIGINALITY IN ART/ and technology. Each day is curated A project of Boomalli Aboriginal Artists ADELAIDE INSTALLATIONS separately by Australian arts Co-operative. Curated by Hetti Perkins NSW Curated by Hetti Perkins NSW and practitioners and curators. and Brenda Croft A/SW Brenda Croft/VSWJohn Barrett-Lennard WA Elder Hall except where otherwise indicated and Alison Carroll Vic Elder Hall at the University of Adelaide, Elder Hall except where otherwise indicated North Terrace, and various sites. 9-9.15am Welcome and program outline 9-11am Forum DAY 1: Tuesday February 22 Garnet Wilson 0AM SA Chair of Tandanya Working in Black Arts Aboriginal Cultural Institute Speakers: Jimmy Wululu Ramlngining, NT ADELAIDE INSTALLATIONS Daphne Wallace ACT, Joy Murphy Vic 9.15-11.15am Forum From 10am Adelaide Installations Doreen Mellor SA Njarrindjeri Artists exhibitions open at various sites Aboriginal art from the Murray River 11.15-12.45pm Interactive Performance 11am Performance Co-ordinated by Kerry Giles SA with audience participation Nyirripi dancers SA Speakers: Ian Abdulla SA Richard Bell Old, Harry Wedge NSW Gerard & Goodman Building Yvonne Koolmatrie SA 1.15-2.45pm Forum Tavistock Lane, Adelaide 11.30-12.30pm Film Unstable Ground: the politics of 1.30-3pm Forum Welcome to my Koori World position and Adelaide Installations (2j Unstable Ground: the politics of Introduced by the director. Destiny Deacon Vic Discussion with artists from Adelaide position and Adelaide Installations (1) Bienniei of Australian Art 1.30-3.30pm Forum Discussion with Australian artists and Women's Art 3-4.30pm Forum curator John Barrett-Lennard Elder Hall Speakers: Ellen Jose Vic, Rea NSVl/ Beyond the Material World; the View of the Artists from North Asia 3.45-4.30pm Film 3.30-5pm Forum Speakers: Kim Soun-gui Korea From Little Things... Beyond the Material World; the View of Shim Moon-Seup Korea Produced by Rachel Perkins NSW the Artists from South East Asia Lij Shengzhong China Introduced by Michael Riley WSIV Speakers: Santiago Bose Philippines Toshlkatsu Endo Japan Montien Boonma Thailand 4.30-5pm Film Commentator: Caroline Turner Qld Marl Dono Indonesia Quest for Country Commentator: Julie Ewington ACT 4.45-5.45pm Curators' Forum Introduced by the director, Michael Riley NSW Chair: Max Bourke/VSW Adelaide Installations Elder Hall 5-6pm John Barrett-Lennard WA, Alison Carroll Vic Frames-Tudawali Award Launch Doreen Mellor SA A new award for Australian indigenous 5.45-7pm Magazine Launch film-making. ABT and AsiaPacific Goodman Crescent Lawns (adj. Elder Hall) Goodman Crescent lawns (adj. Elder Hall) Adelaide Installations: Satellite events 6.15pm Artists' Talk 5 30-8pm Exhibition opening Dolly Nampiginpa Daniels and Anne Mosey Biodata At the opening of ngurra (campl Fiona Hall S/l/Simryn Gill Singapore home/country) Contemporary Art Centre of SA University of South Australia Art Museum, 14 Porter St, Parkside Holbrooks Rd, Underdale 9.30pm Paper Adelaide Installations: Satellite events In the Flesh 5.30-7.30pm Exhibition opening Lyndal Jones, Margarita de Ferranti Fathers II A paper on the evolution of sexuality, with Mike Pan NSW translation by Anna Schwartz. Experimental Art Foundation Gerard & Goodman building Cnr. Morphett St and North Tee, Adelaide (Limited capacity; free admission. Entrance by ticket only, available from 9.30pm Paper Elder Hall on the day) In the Flesh from top: Rict)ard Bell, detail from Look at Me, 7993; Lyndal Jones, Margarita de Ferranti Toshlkatsu Endo, Untitled, 1987; Denis Del Fai/era, A paper on the evolution of sexuality, with Linea di Fucoo, 7987. translation by Anna Schwartz. Gerard & Goodman building (Limited capacity, free admission. Entrance by ticket only, available from Elder Hall on the day) 16 DAY 5: Saturday February 26 FUTURE LANGUAGES International and Australian artists, writers and theorists question the impact of new DAY 4: Friday February 25 technologies on art and culture. MIXED RELATIONS: BLOODLINES, Curated by VNS Matrix: Josephine Starrs CULTURAL TRAJECTORIES AND HOTSPOTS SA, Francesca da Rimini SA, Julianne Pierce NSW, Virginia BarrattWSW Visual and performance artists explore Elder Hall (except where otherwise indicated) cross-cultural exchange and hybridisation. Curated by Sarah Miller/VSW 9.15-IOam Elder Hall except where otherwise indicated Briefing by curators VNS Matrix 9-9.15am Welcome and program outline Telepresence welcome by Simon Penny Sarah Miller WSI/V First Associate Professor in Art and Robotics at Carnegie Mellon University, 9.15-10.1 Sam Presentation Pittsburgh, USA. The Best Breeds in Town 10-11.30am Forum Franchesca Cubillo Alberts SA Visceral Morph 10.30-Noon Forum Speakers: Paula Dawson NSW, Norie Neumark Dangerous Relations: the family as NSW, Allucquere Rosanne Stone USA interdisciplinary practice 11.45-1.15pm Forum Speakers: William Yang NSW Big Daddy Mainframe Noelle Janaczewska NSW Brenda Croft NSW Speakers: Maria Fernandez USA, Rich Gold Chair: Hetti Perkins NSW USA, Ian Howard Qld 1.15-2.15pm Vector 2 12.15-1 pm Artist Presentation Mouse-sexy hyperware tech tour Rose English UK A journey through the datascape of Adelaide Chair: Noelle Janaczewska with real-time guide Monski Mouse SA Biographies of curators see page 102. 1 45 3pm Presentation (Limited capacity) Hbominabie Relations: The Artist as Familiar A full Artists' Week program and map of 2.15-3.45pm Forum Spoken paper: Jane Goodall NSW Adelaide Installations sites can be collected Burning Foam Visual essay: Emil Goh NSW from Elder Hall, the Art Gallery of SA or the Speakers: Ken Wark NSW, Chris Mann Vic, Festival Centre. 3.15-4.15pm Performance Sally PryorWSW The Voice of the Masked Other Artists's Weelf co-ordinated by Julianne Pierce. 4-5.30pm Forum Intermedia performance by Yuji Sone NSW Th/s project is supported by the Commonwealth Cyborg Surgery Government through the Australia Council, its arts 4.30-5.45pm Forum Speakers: Glenda Nalder Qld, Dr Sadie Plant UK, funding and advisory body, Video as Open Forum Dr Zoe Sofoulis WA Speakers: Philip Hayward NSW 5.45-6.30pm Performance Titus Tilley PNG Techno Digesto Fetishism 6.30-7.30pm Performance Cyberdada Vic Aboriginality in Art is supported by Boomalli Aboriginal Artists' Co-operative NSW and Aboriginal Photoplay Multi-flavoured erotic consumption and Torres Strait Islander Commission (ATSICj. Open City NSW for electronic couples Writer-performers: Mixed Relations: Bloodlines, Cultural Trajectories Continuous throughout Day 5 Virginia Baxter and Keith Gallasch and Hotspots is supported by Air Niug/ni, Tbe Cultural Relations Program, Public Affairs Section of Projections: Sandy Edwards Interactive computer workshop the Australian High Commission, Port Uloresby, PNG. Design: NRG (Michael Geissler & Stefan Kahn) Cyberflesh Girlmonster Music: Robert Lloyd In the tradition of Mary Shelley, Identikit Future Languages is supported by Apple Computer Australia. Supported by The Australia Council and NSW and Helene Cixous, Linda Dement NSW Department for the Arts. Artists' Weel< has been assisted by Art Research and Video compilation Development Fund of the Australian Network for Art & Adelaide Installations: Satellite event Australian computer and video artists Technology, Filmsouth, Murdoch University, Noon-2pm Performance Online sound installation University of Birmingham, Tektronix, Xerox PARC (Palo Alto, California), CoMed/a (an Adelaide based 100 Songs from (ALPHABET/ Colony HAEMORRHAGE) Black Box of 100 Self organisation with a social justice brief. CoMedia has Installation comprising computers, modems supported Future Languages by assisting the Portrait Etchings, 5 and phone lines. participation of Linda Dement and Norie Neumark). Performer: John Breheney An Australian/Canadian collaboration Mike Parr NSW produced in Adelaide by Artsnet Art Gallery of South Australia, Elder Wing 17 BIOGRAPHI north Queensland and has a that she was Director of The now Australia's longest standing, ADELAIDE background in management, Performance Space in Sydney, full-time professional quartet with INSTALLATIONS educational administration, art where for neady five years, she a busy career of teaching, ALISON CARROLL (Curator Beyond teaching and visual arts practice. fostered the growth and expansion pertorming, touring, broadcasting the Materia! World){BA Hons, MA) Tandanya's extensive Visual Arts of highly innovative performing and and recording. Based in Adelaide, has enjoyed a distinguished career, Program includes the presentation visual arts practices with a it is the quartet-in-residence at the as a teacher {Fine Arts, University of tounng exhibitions, and particular focus on interdisciplinary University of Adelaide's Elder exhibitions curated from within projects. Her own practice of Melbourne), a curator of more Conservatorlum, where three of its Tandanya as well as collaborations encompasses pertormance-making members hold teaching positions. than 50 exhibitions, a writer on with organizations such as and critical writing. Throughout the The Quartet's repertoire reflects its visual arts and as a board member Boomalli Aboriginal Artists' Eighties she worked with the passion for the finest music of of several visual arts Institutions Cooperative. Mellor chairs the performance group. Told by an every penod, and it is a regular and advisory bodies, including the South Australian
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