DOCSLIB.ORG

Posner President of Elektra/Asylum

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Posner President of Elektra/Asylum Dedicated to the Needs August 25, 1913 Of the Music/Record Industry 11W Inaugurates Holzman Sr. VP at WCI; Geffen Chmn., Japanese Coverage sNEW YORK-BobAustin and Sid Parnes of Record World Posner President of Elektra/Asylum have announced that beginning NEW YORK-Jac Holzman, this week, Record World willfounder and for 23 years the inaugurate a weekly column andPresident and Chief Executive charts on Japan, in conjunctionOfficer for Elektra Records, has with "Original Confidence," Ja-been named Chairman of the pan's leading music trade publi-Planning Committee and Senior cation."OriginalConfidence" Vice President of Warner Com- will henceforth have exclusivemunicationsInc.,bySteven Japaneserights to Record Ross, WCI Chairman. The for- World stories and charts, whilemal announcement was made Record World will have recipro-last Tuesday(14) at a press calrights within the Unitedreception in New York. States to the Japanese publica- At the same time, it was an- tion. nouncedthatDavidGeffen In a joint statement AustinwouldbecomeChairmanof and Parnes expressed pleasureElektraRecords.whileMel Pictured (from left)are Mel Posner, JacHolzman, Nesuhi Ertegun with the new agreement thatPosner would becomePresi- (foreground), David Geffen, Ahmet Ertegunand Allan Cohen. will add "solid coverage of thedent of the label (see separate burgeoning Japanese recordingstory). man "will continue to bein- Geffen, Posner industry to Record World's in- Holzman'sdutiesasVice - volved in the record business" ternationallineup."See pagePresident,accordingto WCIby advising all of the Warner-Assume Key Posts 52. VicePresidentAllanCohen,Elektra-Atlanticlabels."The who made the announcementwhole corporation will benefit NEW YORK-David Geffen at the press reception, will in-from Jac's guidance," he con-has been appointed Chairman of cludecontinuinginvolvementcluded. Elektra and Asylum Records, invideo -disc,cable television Regarding his new positionwhile Mel Posner will become and quad. Cohen called Holz-with Warner Communications,President. Both announcements man "a fine record man whoHolzman commented "Becausewere made by WCI Chairman has been inthe forefront ofmusic is such an important as-Steven Ross at a press recep- technological advances in thepect of WCI's activities, I willtion held here last week (14), industry." and added that Holz - (Continued on page47) coinciding with Jac Holzman's appointment as a Warner Com- municationsInc.Senior Vice Soko Koike, center, President of N.Y. Times Music Corp. Formed; President. the Japanese music trade publica- tion"OriginalConfidence,"is Murray Deutch Named President At the same time it was an- shown with Record World's Edi- nounced that Asylum Records tor -in -Chief Sid Parnes, left, and NEW YORK - The New will become part of the Elektra Publisher Bob Austin,in RW's YorkTimes Companyhas New York office, where an agree- formed The New York Times (Continued on page47) ment was reached granting reci- procal use of charts and storiesMusic Corporation, a new sub- from the two magazines. sidiary that will begin opera- tions on September17,it was announced last week. Grateful Dead Koppelman Named As reportedinlastweek's Label Set For Record World, thePresident VP, Natl. An at Col and ChiefExecutiveofthe Indie Distribution NEW YORK-Irwin Segel - companywill be Murray SAN FRANCISCO - Rec- stein,PresidentofColumbia Deutch, who has spent the past ord World has learned that Records,hasannouncedthe 11 years with United Artists the Grateful Dead label will appointment ofCharles Kop-Music having been president at be independentlydistrib- pelman as Vice President, Na- that company since1970. Murray Deutch uted, and that their distri- tional A&R, for Columbia Rec- According to Sydney Gruson, bution setupis80 percent ords. The appointment isef- The Times' Senior Vice Presi- tobuilda music publishing complete. Thelabel'sfirst fective immediately. dent for subsidiary operations, entitythatwillfunctionin album, a new release from In his new capacity, Koppel -Deutch's activities will includemany phases of the industry," the Dead, should be ready man will coordinate and super- theacquisitionofexistingGruson said. in October. A spokesman for viseallofthelabel'sa&r song catalogs, the signing of Gruson noted that the new the label would neither con- activities, reporting directly tocomposers in the popular musicsubsidiary will work in close firm nor deny a report that Segelstein. Workingclosely field,includingtheatreand relatonship with Quadrangle/ an official announcement withstaffandindependenttelevision, and the management The New York Times Book would be made in the next producers, he will be heavilyandpromotionofexisting Company. Quadrangle pub - few weeks. (Continued on page19) catalogs. "Itis our intention (Continued on page47) 3.
Load more

Recommended publications
  • The Life & Rhymes of Jay-Z, an Historical Biography
    ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life.
    [Show full text]
  • Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection
    Search artists, albums and more... ' Explore + Marketplace + Community + * ) + Dashboard Collection Wantlist Lists Submissions Drafts Export Settings Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Collection Value:* Min $3,698.90 Med $9,882.74 Max $29,014.80 Sort Artist A-Z Folder Keepers (500) Show 250 $ % & " Remove Selected Keepers (500) ! Move Selected Artist #, Title, Label, Year, Format Min Median Max Added Rating Notes Johnny Cash - American Recordings $43.37 $61.24 $105.63 over 5 years ago ((((( #366 on R.S. top 500 List LP, Album Near Mint (NM or M-) US 1st Release American Recordings, American Recordings 9-45520-1, 1-45520 Near Mint (NM or M-) Shrink 1994 US Johnny Cash - At Folsom Prison $4.50 $29.97 $175.84 over 5 years ago ((((( #88 on R.S. top 500 List LP, Album Very Good Plus (VG+) US 1st Release Columbia CS 9639 Very Good Plus (VG+) 1968 US Johnny Cash - With His Hot And Blue Guitar $34.99 $139.97 $221.60 about 1 year ago ((((( US 1st LP, Album, Mic Very Good Plus (VG+) top & spine clear taped Sun (9), Sun (9), Sun (9) 1220, LP-1220, LP 1220 Very Good (VG) 1957 US Joni Mitchell - Blue $4.00 $36.50 $129.95 over 6 years ago ((((( #30 on R.S. top 500 List LP, Album, Pit Near Mint (NM or M-) US 1st Release Reprise Records MS 2038 Very Good Plus (VG+) 1971 US Joni Mitchell - Clouds $4.03 $15.49 $106.30 over 2 years ago ((((( US 1st LP, Album, Ter Near Mint (NM or M-) Reprise Records RS 6341 Very Good Plus (VG+) 1969 US Joni Mitchell - Court And Spark $1.99 $5.98 $19.99
    [Show full text]
  • Marketing in the Music Industry
    Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Marketing in the Music Industry (Bakalářská práce) Autor: Jan Kašpír Studijní obor: Angličtina se zaměřením na aplikovanou ekonomii Vedoucí práce: Joseph James Ference Dr. Olomouc 2012 I declare that I elaborated this paper independently and that I mentioned the absolute list of works cited In Olomouc on the day I hereby express my deepest gratitude towards Dr. Joseph Ference for his constant guidance, advice and patience in the development of this bachelor thesis. List of Abbreviations Used in the Thesis A&R – artist and repertoire ARC – American Record Corporation BBC – British Broadcasting Company BMG – Bertelsmann Music Group CBS – Columbia Broadcasting System CD – compact disc CD-R – recordable compact disc CD-ROM – Compact Disc Read-only memory – preprinted CD containing data readable by a computer CEO – chief executive officer DAT – Digital Audio Tape DMCA – Digital Millennium Copyright Act DNS – Domain Name System DRM – Digital Rights Management EMI – Electrical and Musical Industries e-tailer – electronic (internet) retailer GE – General Electric IFPI – International Federation of the Phonographic Industry IP – internet protocol ISP – internet service provider LP – long play record M. C. – music cassette MCA – Music Corporation of America mp3 – MPEG2 Audio Layer III – audio compression format P2P – peer-to-peer: computer internet network allowing users to share files PIPA - PROTECT IP Act - Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 R&B – Rhythm and Blues SME – Sony Music Entertainment SOPA – Stop Online Piracy Act UMG – Universal Music Group VCR – video cassette recorder WEA – Warner-Elektra-Atlantic WMG – Warner Music Group Table of Contents 1 Introduction ....................................................................................................
    [Show full text]
  • To Elektra EKL-264 Mono / EKS-7264 Stereo "The BLUES Project"
    DAVE RAY: Dave "Snaker" Ray, whose ambition is to be a doctor, started playing guitar while a sophomore in high school. He origin ally began with blues (Leadbelly) to keep his fingers nimble fo r what he thought would be a classical-flamenco guitarist career. "After an adagio by Sor and a hacked-up Farruca, I began playing Led­ better's stuff exclusively, " Dave reports. He began playing the 12-string guitar when a senior in high school, and lists as early influences, Elvis' Sun label recordings, Bo Diddley, Muddy Waters, early Chicago, and, of course, Leadbelly. " I sing the blues because it's a medium not as demanding as literatu re or serious music, and free enough to permit a total statement of personality and. self, " Dave states. "I play blues because 1 feel it's important to me to express myself and because I feel it's a significant form of music which hasn't had enough dispersement. As far as white men playing blues, that's all who do play blues. the new Negroes are too busy (doing other things). " Discography: Blues, Rags and Hollers (Elektra EKL 240). Dave Ray may soon be heard, with John Koerner and Tony Glover, on Elektra EKL 267. ERIC VON SCHMIDT: E ric w rites: "B orn 1931; began singing in 1948; first influences were Leadbelly, Josh White and Jelly Roll Morton — then Library of Congress material and field recordings. Worked as magazine illustrator, then painter until 1952... two years in the army, and then to Florida, where I worked as a frame-maker and built a 27-foot ketch which was almost called the 'John Hurt'.
    [Show full text]
  • HERBERT ST. CLAIRE CRICHLOW, Plaintiff, V. WARNER MUSIC
    Case 1:07-cv-01622-HHK Document 17 Filed 07/07/08 Page 1 of 6 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA HERBERT ST. CLAIRE CRICHLOW, Plaintiff, v. Civil Action 07-01622 (HHK) WARNER MUSIC GROUP CORP., Defendant. MEMORANDUM OPINION Herbert St. Claire Crichlow (“Crichlow”) brings this action against Warner Music Group Corp. (“Warner”) contending that he is owed royalties for songs that he wrote. Warner moves to dismiss Crichlow’s action on several grounds [#4]. Upon consideration of the motion, the opposition thereto, and the record of this case, the court concludes that Warner’s motion must be granted because this court is unable to exercise personal jurisdiction over Warner. I. BACKGROUND Crichlow, a songwriter and resident of Sweden, signed two music publishing agreements with subsidiaries of Warner. Crichlow and a company named Megasong Publishing A/S (“Megasong”) entered into a music publishing agreement (the “Megasong Agreement”). Megasong was subsequently acquired by Warner/Chappell Music Denmark A/S, which is in turn owned by Warner/Chappell Music Scandinavia AB. Warner/Chappell Music Scandinavia AB is in turn owned by Warner Bros. Music International, Inc., which is owned by Warner/Chappell Music, Inc. Warner/Chappell Music, Inc. is owned by Warner via two non-operating holding companies. Thus, Warner is separated from Megasong by approximately seven corporate levels. Case 1:07-cv-01622-HHK Document 17 Filed 07/07/08 Page 2 of 6 Acting on behalf of A Lemon Groove AB (“Lemon Groove”), Crichlow entered into another music publishing agreement (“Artemis Agreement”) with Muziekuitgeverij Artemis BV.
    [Show full text]
  • Neuhoff, Laura-Brynn.Pdf (929Kb)
    “THE BIGGEST COLORED SHOW ON EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Laura-Brynn Neuhoff Washington, D.C. April 26, 2017 “THE BIGGEST COLORED SHOW ONE EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP Laura-Brynn Neuhoff Thesis Adviser: Marcia Chatelain, Ph.D. ABSTRACT This senior thesis seeks to answer the following question: how and why is the word “minstrel” and associated images still used in American rap and hip hop performances? The question was sparked by the title of a 2005 rap album by the group Little Brother: The Minstrel Show. The record is packaged as a television variety show, complete with characters, skits, and references to blackface. This album premiered in the heat of the Minstrel Show Debate when questions of authenticity and representation in rap and hip hop engaged community members. My research is first historical: I analyze images of minstrelsy and reviews of minstrel shows from the 1840s into the twentieth century to understand how the racist images persisted and to unpack the ambiguity of the legacy of black blackface performers. I then analyze the rap scene from the late 2000-2005, when the genre most poignantly faced the identity crisis spurred by those referred to as “minstrel” performers. Having conducted interviews with the two lyricists of Little Brother: Rapper Big Pooh and Phonte, I primarily use Little Brother as my center of research, analyzing their production in conjunction with their spatial position in the hip hop community.
    [Show full text]
  • The Butterfield Blues Band East-West Mp3, Flac, Wma
    The Butterfield Blues Band East-West mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: East-West Country: Europe Style: Electric Blues, Blues Rock MP3 version RAR size: 1469 mb FLAC version RAR size: 1788 mb WMA version RAR size: 1120 mb Rating: 4.4 Votes: 968 Other Formats: AC3 MP3 FLAC MP1 WAV AA DTS Tracklist Hide Credits Walkin' Blues 1 3:15 Written-By – Johnson* Get Out Of My Life, Woman 2 3:13 Written-By – Toussaint* I Got A Mind To Give Up Living 3 4:57 Written-By – Traditional All These Blues 4 2:18 Written-By – Traditional Work Song 5 7:53 Written-By – Adderley*, Brown* Mary, Mary 6 2:48 Written-By – Nesmith* Two Trains Running 7 3:50 Written-By – Davis* Never Say No 8 2:57 Written-By – Traditional East-West 9 13:10 Written-By – Bloomfield*, Gravenites* Companies, etc. Record Company – Warner Communications Inc. Phonographic Copyright (p) – Elektra Records Copyright (c) – Elektra Records Copyright (c) – Demon Records Ltd. Manufactured By – TELDEC Record Service GmbH Mastered At – Digital Magnetics Credits Bass – Jerome Arnold Design, Photography [Cover Photos] – William S. Harvey Drums – Billy Davenport Guitar – Elvin Bishop, Mike Bloomfield Harmonica, Vocals – Paul Butterfield Liner Notes – Paul Nelson Mastered By [Cd Mastering] – Bruce Botnick, Paul A. Rothchild Organ, Piano – Mark Naftalin Producer – Barry Friedman (tracks: 6), Mark Abramson, Paul A. Rothchild Producer [Supervisor] – Jac Holzman Vocals – Elvin Bishop (tracks: 8) Notes Originally released in 1966. CD Mastering at Digital Magnetics, Los Angeles.
    [Show full text]
  • Finding Missing Ancestors in Institutional Records, Part I: Hospitals, Asylums and Sanitariums”
    “Finding Missing Ancestors in Institutional Records, Part I: Hospitals, Asylums and Sanitariums” Madeline Yanov 18 October 2019 I. HOSPITALS 1. General information: • A hospital is a healthcare institution providing treatment with specialized nursing and medical staff and medical equipment. • Term also used for sanitoriums or asylums for the mentally ill • “State hospitals” – euphemism for “mental hospitals” or “insane asylums” 2. History of American Hospitals • Births, deaths and illnesses mostly occurred at home • Concept emerged from almshouses, providing care for the ailing poor • First hospital co-founded by Benjamin Franklin in Philadelphia in 1751 • Modern concept of hospital emerges after the Civil War • Historically run by religious or charitable organizations 3. HIPPA • Health Insurance Portability & Accountability Act – 1996 o Access to own medical records o Permission needed to view your records o Upon death – records sealed forever • Revised in 2013 o Other restrictions from 1996 Act still apply except o Limits period of protection of deceased to 50 years after death • Even though you meet federal guidelines you STILL have to satisfy State and Local Laws. 4. How to find out if hospital records are available • No law says how long records must be kept - old records are often destroyed • If hospital doesn’t exist, check state libraries, archives, and local genealogical societies • If hospital exists – check website and catalog for digitized records. If there are no digitized records, then you or a representative has to go in person • State and hospital rules determine WHO gets access to records 5. Other records containing medical information • Death certificates • Cemetery and burial records • Court records • Newspaper articles • National Home for Disabled Volunteer Soldiers – precursor to VA hospital.
    [Show full text]
  • Warner Music Group & Atlantic Records
    Christine Osazuwa Marketing Plan November 19, 2010 Warner Music Group & Atlantic Records Company History & Overview Warner Music Group Warner Music Group Corporation is the world’s only publically traded major music company. WMG operates all over the world; its best-known labels include Atlantic, Elektra, Reprise, Rhino, Roadrunner and Warner Brothers. In addition to distribution and labels, WMG offers artist management and music publishing. Warner Music Group (WMG) began in the 1800s, with sheet and classical music. By the early 1900s, WMG had procured exclusive rights to the Vitaphone. In 1929, Jack Warner found Music Publishers Holding Company to acquire music copyrights for use in films. In 1947, Ahmet Ertehun and Herb Abramson found Atlantic Records. Three years later Jac Holzman found Elektra Records. Word Records was founded in 1951 as one of the first companies in contemporary Christian music. Warner Brothers Records was founded in 1958 as a soundtrack factory for Warner Brothers movie studio, and two years late Frank Sinatra created Reprise Records. Warner Bros and Reprise merge in 1963. In 1970, Elektra and Nonesuch Records become part of Kinney National, which became Warner Communications and forms Warner- Elektra-Atlantic (WEA Corporation), which is the first major music distribution company in the US. 1986 brought WEA Manufacturing, the company’s first CD manufacturing plant as well as further international expansion. Warner merges with Time, Inc to form Time Warner and 1 | P a g e Christine Osazuwa Marketing Plan November 19, 2010 becomes, at the time, the world’s largest music publisher. Throughout the 1990s, Time Warner was the largest media company in the world.
    [Show full text]
  • NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
    January 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on The Music Business Looks Forward: 5 Social Media Predictions For 2012 The President’s Corner By Shore Fire Media via Hypebot.com Happy New Year everyone! In the last year, the music industry shifted from cautiously Those of you who attended our annual CCC Holiday Party at Café experimenting with social media, to recognizing it as a necessary part of Cordiale were treated to great food, great conversation and rousing every marketing strategy, from the smallest bands to the biggest brands. entertainment courtesy of Chris Saranec and his accordion. I’d like to It’s an exciting time. The tools and strategies we use daily shift at thank all of you who came and supported the CCC’s scholarship fund by bidding at our silent auction. Thanks to you, we were able to fund lightning speed. As a PR firm Shore Fire Media is focused on tracking our scholarship program for another year. Special thanks to those of this constant evolution. In the spirit of this inquiry, we asked music you who provided items for the auction and to our party planner industry insiders and social media experts what they see for the future of extraordinaire Teri Nelson Carpenter for organizing the event. social media. From a focus on mobile, to social listening, to the demise social media as we know it, here are predictions that will help guide us Tonight’s panel takes our usual film & TV panel and turns it on its through 2012.
    [Show full text]
  • GLOBAL MUSIC REPORT 2019 // STATE of the INDUSTRY WELCOME 3 Welcome
    STATE OF THE INDUSTRY IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY WELCOME 3 Welcome ime and time again, The increasingly connected global T throughout my career, I have music landscape is enabling us to been privileged to witness explore new genres, sounds and artists, music’s power to bring us together. no matter where they originate, and for Language and culture may vary, but artists to enjoy the opportunities that music transcends borders and unites us. I have had to engage with audiences This year’s Global Music Report around the world. explores how music has become truly As this journey continues, we must global – more so than ever before. ensure the right environment is created Through the work and dedication of to make this success sustainable for artists, record companies and their the future; we must continue to work partners, music from vibrant and to establish a music ecosystem that is diverse regions is being sought out healthy and open to all, where music is and loved by fans in every corner of valued and respected. PLÁCIDO DOMINGO the world. CHAIRMAN, IFPI This is an exciting We are succeeding In an attention time of growth for because – even as economy, even the the music industry traditional ways of most original and and we’ve increased doing business are compelling talent our investment being upended – we’ve needs amplification to in talent and the worked to anticipate cut through the noise. creative process. music’s creative and We have the creative We’re partnering commercial evolution expertise, global with our artists to and continued investing impact, and cultural continue advancing in our artists, driving influence to make innovative and unique innovation and actively sure our artists aren’t opportunities to shaping our future by just heard, but that connect with audiences continuing to transform fans all over the world in more corners of the ourselves.
    [Show full text]
  • Warner Music Group Annual Report 2019
    Warner Music Group Annual Report 2019 Form 10-K (NASDAQ:WMG) Published: November 27th, 2019 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ___________________________________________________________________________________________ FORM 10-K ___________________________________________________________________________________________ (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended September 30, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32502 ___________________________________________________________________________________________ Warner Music Group Corp. (Exact name of Registrant as specified in its charter) ___________________________________________________________________________________________ Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 1633 Broadway New York, NY 10019 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 275-2000 ___________________________________________________________________________________________ Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered None None None Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________________________________________
    [Show full text]