DOCSLIB.ORG

GLOBAL MUSIC REPORT 2019 // STATE of the INDUSTRY WELCOME 3 Welcome

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GLOBAL MUSIC REPORT 2019 // STATE of the INDUSTRY WELCOME 3 Welcome STATE OF THE INDUSTRY IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY WELCOME 3 Welcome ime and time again, The increasingly connected global T throughout my career, I have music landscape is enabling us to been privileged to witness explore new genres, sounds and artists, music’s power to bring us together. no matter where they originate, and for Language and culture may vary, but artists to enjoy the opportunities that music transcends borders and unites us. I have had to engage with audiences This year’s Global Music Report around the world. explores how music has become truly As this journey continues, we must global – more so than ever before. ensure the right environment is created Through the work and dedication of to make this success sustainable for artists, record companies and their the future; we must continue to work partners, music from vibrant and to establish a music ecosystem that is diverse regions is being sought out healthy and open to all, where music is and loved by fans in every corner of valued and respected. PLÁCIDO DOMINGO the world. CHAIRMAN, IFPI This is an exciting We are succeeding In an attention time of growth for because – even as economy, even the the music industry traditional ways of most original and and we’ve increased doing business are compelling talent our investment being upended – we’ve needs amplification to in talent and the worked to anticipate cut through the noise. creative process. music’s creative and We have the creative We’re partnering commercial evolution expertise, global with our artists to and continued investing impact, and cultural continue advancing in our artists, driving influence to make innovative and unique innovation and actively sure our artists aren’t opportunities to shaping our future by just heard, but that connect with audiences continuing to transform fans all over the world in more corners of the ourselves. genuinely engage, world than ever before. react and care. ROB STRINGER SIR LUCIAN GRAINGE MAX LOUSADA CEO, Sony Music Chairman & Chief CEO of Recorded Music, Entertainment Executive Officer, Warner Music Group Universal Music Group NIELSEN MUSIC CONNECT THE INDUSTRY’S PREMIER MUSIC PERFORMANCE MEASUREMENT PLATFORM Gain access to the industry-leading global data analysis platform that delivers a comprehensive view of music streaming and sales for artists and songs in a single Web-based tool. To learn more, contact [email protected] Copyright © 2019 The Nielsen Company (US), LLC. All Rights Reserved. IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY CONTENTS 5 Contents State of the Industry 6 Global Music Market 2018 in Numbers 7 Introduction - Frances Moore 8 Global Charts 12 Global Market Overview 15 2018 Figures by Format 16 2018 Figures by Region 18 The Dynamic Nature of High-Potential Markets 24 The Global Story of Local Genres 26 Case Study: Aya Nakamura 27 Case Study: George Ezra 29 Case Study: J Balvin 30 The Value of a Label 36 Fostering Fair Marketplaces so Music Continues to Thrive www.ifpi.org © IFPI 2019 @IFPI_org All data, copy and images are subject to copyright and may not be Designed by Data Design reproduced, transmitted or made available without permission from IFPI 6 GLOBAL MUSIC MARKET 2018 IN NUMBERS IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY Global Music Market 2018 in Numbers +9.7% +32.9% Global revenue Growth in growth paid streaming revenues +34.0% 46.9% Growth in Streaming overall streaming share of global revenues revenues -21.2% -10.1% Download Physical revenue revenue decline decline IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY INTRODUCTION 7 Introduction Music becomes truly global usic has truly become global – Korea fuelling growth. The Middle East M in ways never before imagined. and North Africa are now commanding From the South Korean boy attention. Crucially, these territories, band, BTS, capturing the hearts of fans and the artists emerging from them, from Seoul to Rio, to the Colombian are already reaping real benefit. Record reggaeton singer, J Balvin, taking his place company investment, local partnerships amongst the global pop elite, to emerging and increasing availability of mobile data stars like Mali-born French artist, Aya have given rise to a rich and diverse global Nakamura, showing language is no barrier landscape with fans in each territory to reaching beyond home borders. The accessing music through a unique and global music community has never been evolving combination of formats and more connected, and fans and artists alike services. As this continues, revenue is FRANCES MOORE are seizing the opportunities of this new returned to the artists, the cultures and CHIEF EXECUTIVE, IFPI era to enjoy and share the music they love, the communities to spark the next cycle no matter where it comes from. of creative endeavour. We have now seen four consecutive Record companies continue to hone years of growth, driven by great music their partnerships with artists, offering from incredible artists in partnership expertise and resources on the ground with talented, passionate people in record to help navigate these landscapes and companies around the world who help bring their music to their fans in the most them realise their creative and commercial effective and affecting ways. potential. Today, this partnership takes There is still much to be achieved to many forms, with artists drawing on the ensure that these positive developments extensive expertise and resources record continue at pace. We are campaigning for companies provide. Ultimately, it is forged music to be fairly valued in all its forms. on the simple premise of a shared love of We are working for music copyright to music and mutual respect. be recognised and respected around One of the most exciting aspects of the world, and we remain committed to this global growth is the regions driving establishing a level playing field when it it. For the fourth year in a row, Latin comes to negotiating a fair deal for those America has seen the largest regional who create music. Above all, we are growth, with countries like Brazil leading working to ensure that music continues the way. Asia has become a world player, on its exciting, global journey. with markets like China and South 8 GLOBAL CHARTS IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY Global Charts The most popular artists and best sellers of 2018 IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY GLOBAL CHARTS 9 Top 10 Global Recording Artists 01 02 Drake BTS 03 04 Ed Sheeran Post Malone 05 06 Eminem Queen 07 08 Imagine Ariana Dragons Grande 09 10 Lady Gaga Bruno Mars IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY GLOBAL CHARTS 11 Global Top 10 Global Top 10 Digital Singles Albums of 2018 of 2018 Artist & Title Global converted Artist & Title Global converted single units (m) single units (m) 01 01 Camila Cabello 1 9.0 Cast of 'The Greatest Showman' 3.5 (feat. Young Thug) The Greatest Showman (OST) Havana 02 02 Drake 15.3 BTS 2.7 God's Plan Love Yourself 'Answer' 結 03 03 Ed Sheeran 14.9 BTS 2.3 Shape of You Love Yourself 'Tear' 轉 04 04 Ed Sheeran 13.5 Lady Gaga 1.9 Perfect A Star Is Born (OST) 05 05 Maroon 5 11.9 Johnny Hallyday 1.7 (feat. Cardi B) Mon Pays C'est L'amour Girls Like You 06 06 Luis Fonsi 11.8 Ed Sheeran 1.3 (feat. Daddy Yankee) Despacito ÷ 07 07 Tia Ray 10.9 Queen 1.2 Be Apart Bohemian Rhapsody 08 08 The Chainsmokers 10.0 P!nk 1.2 & Coldplay Beautiful Trauma Something Just Like This 09 09 Marshmello 9. 6 Eminem 1.0 & Anne-Marie Kamikaze FRIENDS 10 10 Post Malone 9. 2 Cast of 'Mamma Mia! 0.9 (feat. Ty Dolla $ign) Here We Go Again' Psycho Mamma Mia! Here We Go Again (OST) 12 GLOBAL MARKET OVERVIEW IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY 25 0.6 0.7 0.8 1.0 1.0 20 1.0 0.4 1.2 0.4 2.7 1.3 0.4 0.3 0.3 0.3 0.3 0.4 2.4 15 1.3 0.3 2.3 1.4 1.5 1.6 4.7 1.8 1.9 2.0 23.3 5.2 21.7 5.6 10 20.0 19.4 18.1 16.4 14.2 12.0 2.3 Global 10.5 9.0 8.3 7.7 6.8 5.8 6.0 2.6 3.2 5 3.8 8.9 4.4 4.3 4.0 2.0 3.7 3.9 4.3 6.7 1.0 2.7 3.4 4.7 0.4 1.9 2.9 0 0.1 0.2 0.2 0.3 0.4 0.4 0.7 1.0 1.4 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 Total revenue Market 23.9 22.4 20.8 20.8 20.2 19.6 18.4 17.1 16.0 15.1 15.0 15.1 14.8 14.3 14.8 16.2 17.4 19.1 $US billions Overview Physical Digital (excluding streaming) Streaming Performance rights Synchronisation revenues Dynamic, diverse markets drive global growth Synchronisation revenues 2% USA South Korea Performance 14% rights 25% Japan China Physical In 2018, the global recorded music market grew This growth was predominantly driven by a 32.9% Downloads & 12% other digital UK Australia by 9.7%. It is the fourth consecutive year of global rise in paid streaming, that now accounts for 37.0% Subscription of total revenue.
Load more

Recommended publications
  • 4 Non Blondes What's up Abba Medley Mama
    4 Non Blondes What's Up Abba Medley Mama Mia, Waterloo Abba Does Your Mother Know Adam Lambert Soaked Adam Lambert What Do You Want From Me Adele Million Years Ago Adele Someone Like You Adele Skyfall Adele Turning Tables Adele Love Song Adele Make You Feel My Love Aladdin A Whole New World Alan Silvestri Forrest Gump Alanis Morissette Ironic Alex Clare I won't Let You Down Alice Cooper Poison Amy MacDonald This Is The Life Amy Winehouse Valerie Andreas Bourani Auf Uns Andreas Gabalier Amoi seng ma uns wieder AnnenMayKantenreit Barfuß am Klavier AnnenMayKantenreit Oft Gefragt Audrey Hepburn Moonriver Avicii Addicted To You Avicii The Nights Axwell Ingrosso More Than You Know Barry Manilow When Will I Hold You Again Bastille Pompeii Bastille Weight Of Living Pt2 BeeGees How Deep Is Your Love Beatles Lady Madonna Beatles Something Beatles Michelle Beatles Blackbird Beatles All My Loving Beatles Can't Buy Me Love Beatles Hey Jude Beatles Yesterday Beatles And I Love Her Beatles Help Beatles Let It Be Beatles You've Got To Hide Your Love Away Ben E King Stand By Me Bill Withers Just The Two Of Us Bill Withers Ain't No Sunshine Billy Joel Piano Man Billy Joel Honesty Billy Joel Souvenier Billy Joel She's Always A Woman Billy Joel She's Got a Way Billy Joel Captain Jack Billy Joel Vienna Billy Joel My Life Billy Joel Only The Good Die Young Billy Joel Just The Way You Are Billy Joel New York State Of Mind Birdy Skinny Love Birdy People Help The People Birdy Words as a Weapon Bob Marley Redemption Song Bob Dylan Knocking On Heaven's Door Bodo
    [Show full text]
  • Popular Repertoire (1960’S – Present Day)
    ! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club
    [Show full text]
  • Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection
    Search artists, albums and more... ' Explore + Marketplace + Community + * ) + Dashboard Collection Wantlist Lists Submissions Drafts Export Settings Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Collection Value:* Min $3,698.90 Med $9,882.74 Max $29,014.80 Sort Artist A-Z Folder Keepers (500) Show 250 $ % & " Remove Selected Keepers (500) ! Move Selected Artist #, Title, Label, Year, Format Min Median Max Added Rating Notes Johnny Cash - American Recordings $43.37 $61.24 $105.63 over 5 years ago ((((( #366 on R.S. top 500 List LP, Album Near Mint (NM or M-) US 1st Release American Recordings, American Recordings 9-45520-1, 1-45520 Near Mint (NM or M-) Shrink 1994 US Johnny Cash - At Folsom Prison $4.50 $29.97 $175.84 over 5 years ago ((((( #88 on R.S. top 500 List LP, Album Very Good Plus (VG+) US 1st Release Columbia CS 9639 Very Good Plus (VG+) 1968 US Johnny Cash - With His Hot And Blue Guitar $34.99 $139.97 $221.60 about 1 year ago ((((( US 1st LP, Album, Mic Very Good Plus (VG+) top & spine clear taped Sun (9), Sun (9), Sun (9) 1220, LP-1220, LP 1220 Very Good (VG) 1957 US Joni Mitchell - Blue $4.00 $36.50 $129.95 over 6 years ago ((((( #30 on R.S. top 500 List LP, Album, Pit Near Mint (NM or M-) US 1st Release Reprise Records MS 2038 Very Good Plus (VG+) 1971 US Joni Mitchell - Clouds $4.03 $15.49 $106.30 over 2 years ago ((((( US 1st LP, Album, Ter Near Mint (NM or M-) Reprise Records RS 6341 Very Good Plus (VG+) 1969 US Joni Mitchell - Court And Spark $1.99 $5.98 $19.99
    [Show full text]
  • All Around the World the Global Opportunity for British Music
    1 all around around the world all ALL British Music for Global Opportunity The AROUND THE WORLD CONTENTS Foreword by Geoff Taylor 4 Future Trade Agreements: What the British Music Industry Needs The global opportunity for British music 6 Tariffs and Free Movement of Services and Goods 32 Ease of Movement for Musicians and Crews 33 Protection of Intellectual Property 34 How the BPI Supports Exports Enforcement of Copyright Infringement 34 Why Copyright Matters 35 Music Export Growth Scheme 12 BPI Trade Missions 17 British Music Exports: A Worldwide Summary The global music landscape Europe 40 British Music & Global Growth 20 North America 46 Increasing Global Competition 22 Asia 48 British Music Exports 23 South/Central America 52 Record Companies Fuel this Global Success 24 Australasia 54 The Story of Breaking an Artist Globally 28 the future outlook for british music 56 4 5 all around around the world all around the world all The Global Opportunity for British Music for Global Opportunity The BRITISH MUSIC IS GLOBAL, British Music for Global Opportunity The AND SO IS ITS FUTURE FOREWORD BY GEOFF TAYLOR From the British ‘invasion’ of the US in the Sixties to the The global strength of North American music is more recent phenomenal international success of Adele, enhanced by its large population size. With younger Lewis Capaldi and Ed Sheeran, the UK has an almost music fans using streaming platforms as their unrivalled heritage in producing truly global recording THE GLOBAL TOP-SELLING ARTIST principal means of music discovery, the importance stars. We are the world’s leading exporter of music after of algorithmically-programmed playlists on streaming the US – and one of the few net exporters of music in ALBUM HAS COME FROM A BRITISH platforms is growing.
    [Show full text]
  • Marketing in the Music Industry
    Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Marketing in the Music Industry (Bakalářská práce) Autor: Jan Kašpír Studijní obor: Angličtina se zaměřením na aplikovanou ekonomii Vedoucí práce: Joseph James Ference Dr. Olomouc 2012 I declare that I elaborated this paper independently and that I mentioned the absolute list of works cited In Olomouc on the day I hereby express my deepest gratitude towards Dr. Joseph Ference for his constant guidance, advice and patience in the development of this bachelor thesis. List of Abbreviations Used in the Thesis A&R – artist and repertoire ARC – American Record Corporation BBC – British Broadcasting Company BMG – Bertelsmann Music Group CBS – Columbia Broadcasting System CD – compact disc CD-R – recordable compact disc CD-ROM – Compact Disc Read-only memory – preprinted CD containing data readable by a computer CEO – chief executive officer DAT – Digital Audio Tape DMCA – Digital Millennium Copyright Act DNS – Domain Name System DRM – Digital Rights Management EMI – Electrical and Musical Industries e-tailer – electronic (internet) retailer GE – General Electric IFPI – International Federation of the Phonographic Industry IP – internet protocol ISP – internet service provider LP – long play record M. C. – music cassette MCA – Music Corporation of America mp3 – MPEG2 Audio Layer III – audio compression format P2P – peer-to-peer: computer internet network allowing users to share files PIPA - PROTECT IP Act - Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 R&B – Rhythm and Blues SME – Sony Music Entertainment SOPA – Stop Online Piracy Act UMG – Universal Music Group VCR – video cassette recorder WEA – Warner-Elektra-Atlantic WMG – Warner Music Group Table of Contents 1 Introduction ....................................................................................................
    [Show full text]
  • Global Music Report 2018 ANNUAL STATE of the INDUSTRY
    Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018: STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people.
    [Show full text]
  • Raymond Weil Celebrates in Style As the Official Timing Partner to the Brit Awards 2019
    RAYMOND WEIL CELEBRATES IN STYLE AS THE OFFICIAL TIMING PARTNER TO THE BRIT AWARDS 2019 BRIT Award winner George Ezra and Rag’n’Bone Man receiving their RAYMOND WEIL watch Luxury Swiss watchmaker, RAYMOND WEIL celebrated its association with The 2019 BRIT Awards with MasterCard, at last night’s star-studded ceremony, held at London’s O2 Arena. The brand continued as the Official Timing Partner to the UK’s premier music awards ceremony, celebrating the best of both British and international musical achievements throughout 2018. The evening highlights included a show stopping opening performance from multi- award-winning Hugh Jackman, who thrilled the maximum capacity audience that included P!NK, Calvin Smith, Jorja Smith, Jess Glynne, Little Mix, The 1975 and more. The big winners of the night were The 1975 and Calvin Harris, who both received two BRIT Awards each, marking an amazing year for each artist. Other winners included; Drake, Arianna Grande, The Carters, Ed Sheeran and Tom Walker. In celebration of its continued collaboration with The BRIT Awards, RAYMOND WEIL presented two special edition timepieces to winners and performers backstage at the show. Reciprocates included; Jack Whitehall, Jonas Blue, Jax Jones, Dan Caplen, Luke Franks, The 1975, Years and Years, Sam Fender and Nile Rogers, to name just a few. Comedian and Actor Jack Whitehall, wearing his RAYMOND WEIL maestro Skeleton timepiece, presented The BRIT Awards for the second year in a row. Backstage, BBC Radio 1 DJ Luke Franks – also wearing a RAYMOND WEIL timepiece – held intimate red carpet interviews with the stars. RAYMOND WEIL maestro Skeleton timepieces – the official timepiece of the BRIT Awards 2019 – are available to purchase at all leading jewellery stores and through: www.raymond-weil.co.uk RAYMOND WEIL S.A - AVENUE EUGENE-LANCE 36-38 - P.O.BOX 1569 - 1211 GENEVA 26 - SWITZERLAND TEL.
    [Show full text]
  • Investing in Music How Music Companies Discover, Nurture and Promote Talent
    Investing in MusiC How music companies discover, nurture and promote talent Investing In Music 2012 contents 1 Introduction by Plácido Domingo 2 Commentary by Frances Moore and Alison Wenham 3 Section One: The Cycle of Investment 4 Section Two: Dicovering and Signing Talent 16 Section Three: Nurturing Talent 18 Section 4: Promoting Talent 3 2012 Investing In Music introduction by Plácido Domingo, Chairman of IFPI Other collaborations are also possible, for example between the artist and a management company. But all these efforts to promote music depend on the protection of the copyrights and intellectual property of the musicians and the producers of the music. Without such protection, investment will not be forthcoming. Collaboration and investment are defining qualities of the music industry and play a vital role in helping artists pursue their career. Of course, the digital era has brought dramatic changes, but I do not believe it has made the investors in music any less important. Even in the age of the internet, where self-publishing is so much easier for artists than in the past, technology alone I am fortunate to have had a career of more than 50 years in cannot ensure an artist’s work is heard and appreciated. music. I have worked with people of exceptional artistic talent That is why artists continue to work in partnership with record and I continue to work today to try and help young musicians companies, management and others to develop their careers fulfil their ambitions and creative potential as opera singers. and bring their music to the widest possible audience.
    [Show full text]
  • HERBERT ST. CLAIRE CRICHLOW, Plaintiff, V. WARNER MUSIC
    Case 1:07-cv-01622-HHK Document 17 Filed 07/07/08 Page 1 of 6 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA HERBERT ST. CLAIRE CRICHLOW, Plaintiff, v. Civil Action 07-01622 (HHK) WARNER MUSIC GROUP CORP., Defendant. MEMORANDUM OPINION Herbert St. Claire Crichlow (“Crichlow”) brings this action against Warner Music Group Corp. (“Warner”) contending that he is owed royalties for songs that he wrote. Warner moves to dismiss Crichlow’s action on several grounds [#4]. Upon consideration of the motion, the opposition thereto, and the record of this case, the court concludes that Warner’s motion must be granted because this court is unable to exercise personal jurisdiction over Warner. I. BACKGROUND Crichlow, a songwriter and resident of Sweden, signed two music publishing agreements with subsidiaries of Warner. Crichlow and a company named Megasong Publishing A/S (“Megasong”) entered into a music publishing agreement (the “Megasong Agreement”). Megasong was subsequently acquired by Warner/Chappell Music Denmark A/S, which is in turn owned by Warner/Chappell Music Scandinavia AB. Warner/Chappell Music Scandinavia AB is in turn owned by Warner Bros. Music International, Inc., which is owned by Warner/Chappell Music, Inc. Warner/Chappell Music, Inc. is owned by Warner via two non-operating holding companies. Thus, Warner is separated from Megasong by approximately seven corporate levels. Case 1:07-cv-01622-HHK Document 17 Filed 07/07/08 Page 2 of 6 Acting on behalf of A Lemon Groove AB (“Lemon Groove”), Crichlow entered into another music publishing agreement (“Artemis Agreement”) with Muziekuitgeverij Artemis BV.
    [Show full text]
  • Old Norvicensian
    ON Old Norvicensian Features 018/2019 ONs are getting serious 2 about business (page 20-43) 1 Old Norvicensian Welcome Welcome Welcome to this year’s edition of the or even reach out to acquaintances with Old Norvicensian magazine. As ever, it whom you have lost contact. seeks to provide a link with your school Contents by updating you on news from Cathedral Attending an ON event is always a good Close, both in terms of activities of the way to reconnect; please be in touch with current school and alumni events. the Development Team if you would like further details of what is coming up. You However, it also seeks to offer stimulation are guaranteed a warm welcome in School 02 94 114 and reflection from the ongoing lives of House, where my colleagues and I will Norvicensians in the wider world. After all, always be pleased to update you on the News & Announcements Obituaries our direct contact ends relatively early in latest news and plans. Updates Weddings, babies Remembering those ONs who your lives and the most we can do is set Development and and celebrations have sadly passed away you up for your ongoing experiences; most I should like to finish by offering my thanks School news of your life is lived as an Old Norvicensian to those who have worked hard to produce and, if we get it right, the best bits happen such a quality document – happy reading! then, too! Steffan Griffiths I therefore hope that the pages which Head Master follow will be of interest in their own right but will also encourage reflection on your own experiences from school and since 44 that time.
    [Show full text]
  • Finding Missing Ancestors in Institutional Records, Part I: Hospitals, Asylums and Sanitariums”
    “Finding Missing Ancestors in Institutional Records, Part I: Hospitals, Asylums and Sanitariums” Madeline Yanov 18 October 2019 I. HOSPITALS 1. General information: • A hospital is a healthcare institution providing treatment with specialized nursing and medical staff and medical equipment. • Term also used for sanitoriums or asylums for the mentally ill • “State hospitals” – euphemism for “mental hospitals” or “insane asylums” 2. History of American Hospitals • Births, deaths and illnesses mostly occurred at home • Concept emerged from almshouses, providing care for the ailing poor • First hospital co-founded by Benjamin Franklin in Philadelphia in 1751 • Modern concept of hospital emerges after the Civil War • Historically run by religious or charitable organizations 3. HIPPA • Health Insurance Portability & Accountability Act – 1996 o Access to own medical records o Permission needed to view your records o Upon death – records sealed forever • Revised in 2013 o Other restrictions from 1996 Act still apply except o Limits period of protection of deceased to 50 years after death • Even though you meet federal guidelines you STILL have to satisfy State and Local Laws. 4. How to find out if hospital records are available • No law says how long records must be kept - old records are often destroyed • If hospital doesn’t exist, check state libraries, archives, and local genealogical societies • If hospital exists – check website and catalog for digitized records. If there are no digitized records, then you or a representative has to go in person • State and hospital rules determine WHO gets access to records 5. Other records containing medical information • Death certificates • Cemetery and burial records • Court records • Newspaper articles • National Home for Disabled Volunteer Soldiers – precursor to VA hospital.
    [Show full text]
  • Global Music Report 2018 ANNUAL STATE of the INDUSTRY
    Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018 – STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people.
    [Show full text]