GLOBAL MUSIC REPORT 2019 // STATE of the INDUSTRY WELCOME 3 Welcome
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4 Non Blondes What's up Abba Medley Mama
4 Non Blondes What's Up Abba Medley Mama Mia, Waterloo Abba Does Your Mother Know Adam Lambert Soaked Adam Lambert What Do You Want From Me Adele Million Years Ago Adele Someone Like You Adele Skyfall Adele Turning Tables Adele Love Song Adele Make You Feel My Love Aladdin A Whole New World Alan Silvestri Forrest Gump Alanis Morissette Ironic Alex Clare I won't Let You Down Alice Cooper Poison Amy MacDonald This Is The Life Amy Winehouse Valerie Andreas Bourani Auf Uns Andreas Gabalier Amoi seng ma uns wieder AnnenMayKantenreit Barfuß am Klavier AnnenMayKantenreit Oft Gefragt Audrey Hepburn Moonriver Avicii Addicted To You Avicii The Nights Axwell Ingrosso More Than You Know Barry Manilow When Will I Hold You Again Bastille Pompeii Bastille Weight Of Living Pt2 BeeGees How Deep Is Your Love Beatles Lady Madonna Beatles Something Beatles Michelle Beatles Blackbird Beatles All My Loving Beatles Can't Buy Me Love Beatles Hey Jude Beatles Yesterday Beatles And I Love Her Beatles Help Beatles Let It Be Beatles You've Got To Hide Your Love Away Ben E King Stand By Me Bill Withers Just The Two Of Us Bill Withers Ain't No Sunshine Billy Joel Piano Man Billy Joel Honesty Billy Joel Souvenier Billy Joel She's Always A Woman Billy Joel She's Got a Way Billy Joel Captain Jack Billy Joel Vienna Billy Joel My Life Billy Joel Only The Good Die Young Billy Joel Just The Way You Are Billy Joel New York State Of Mind Birdy Skinny Love Birdy People Help The People Birdy Words as a Weapon Bob Marley Redemption Song Bob Dylan Knocking On Heaven's Door Bodo -
Popular Repertoire (1960’S – Present Day)
! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club -
Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection
Search artists, albums and more... ' Explore + Marketplace + Community + * ) + Dashboard Collection Wantlist Lists Submissions Drafts Export Settings Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Collection Value:* Min $3,698.90 Med $9,882.74 Max $29,014.80 Sort Artist A-Z Folder Keepers (500) Show 250 $ % & " Remove Selected Keepers (500) ! Move Selected Artist #, Title, Label, Year, Format Min Median Max Added Rating Notes Johnny Cash - American Recordings $43.37 $61.24 $105.63 over 5 years ago ((((( #366 on R.S. top 500 List LP, Album Near Mint (NM or M-) US 1st Release American Recordings, American Recordings 9-45520-1, 1-45520 Near Mint (NM or M-) Shrink 1994 US Johnny Cash - At Folsom Prison $4.50 $29.97 $175.84 over 5 years ago ((((( #88 on R.S. top 500 List LP, Album Very Good Plus (VG+) US 1st Release Columbia CS 9639 Very Good Plus (VG+) 1968 US Johnny Cash - With His Hot And Blue Guitar $34.99 $139.97 $221.60 about 1 year ago ((((( US 1st LP, Album, Mic Very Good Plus (VG+) top & spine clear taped Sun (9), Sun (9), Sun (9) 1220, LP-1220, LP 1220 Very Good (VG) 1957 US Joni Mitchell - Blue $4.00 $36.50 $129.95 over 6 years ago ((((( #30 on R.S. top 500 List LP, Album, Pit Near Mint (NM or M-) US 1st Release Reprise Records MS 2038 Very Good Plus (VG+) 1971 US Joni Mitchell - Clouds $4.03 $15.49 $106.30 over 2 years ago ((((( US 1st LP, Album, Ter Near Mint (NM or M-) Reprise Records RS 6341 Very Good Plus (VG+) 1969 US Joni Mitchell - Court And Spark $1.99 $5.98 $19.99 -
All Around the World the Global Opportunity for British Music
1 all around around the world all ALL British Music for Global Opportunity The AROUND THE WORLD CONTENTS Foreword by Geoff Taylor 4 Future Trade Agreements: What the British Music Industry Needs The global opportunity for British music 6 Tariffs and Free Movement of Services and Goods 32 Ease of Movement for Musicians and Crews 33 Protection of Intellectual Property 34 How the BPI Supports Exports Enforcement of Copyright Infringement 34 Why Copyright Matters 35 Music Export Growth Scheme 12 BPI Trade Missions 17 British Music Exports: A Worldwide Summary The global music landscape Europe 40 British Music & Global Growth 20 North America 46 Increasing Global Competition 22 Asia 48 British Music Exports 23 South/Central America 52 Record Companies Fuel this Global Success 24 Australasia 54 The Story of Breaking an Artist Globally 28 the future outlook for british music 56 4 5 all around around the world all around the world all The Global Opportunity for British Music for Global Opportunity The BRITISH MUSIC IS GLOBAL, British Music for Global Opportunity The AND SO IS ITS FUTURE FOREWORD BY GEOFF TAYLOR From the British ‘invasion’ of the US in the Sixties to the The global strength of North American music is more recent phenomenal international success of Adele, enhanced by its large population size. With younger Lewis Capaldi and Ed Sheeran, the UK has an almost music fans using streaming platforms as their unrivalled heritage in producing truly global recording THE GLOBAL TOP-SELLING ARTIST principal means of music discovery, the importance stars. We are the world’s leading exporter of music after of algorithmically-programmed playlists on streaming the US – and one of the few net exporters of music in ALBUM HAS COME FROM A BRITISH platforms is growing. -
Marketing in the Music Industry
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Marketing in the Music Industry (Bakalářská práce) Autor: Jan Kašpír Studijní obor: Angličtina se zaměřením na aplikovanou ekonomii Vedoucí práce: Joseph James Ference Dr. Olomouc 2012 I declare that I elaborated this paper independently and that I mentioned the absolute list of works cited In Olomouc on the day I hereby express my deepest gratitude towards Dr. Joseph Ference for his constant guidance, advice and patience in the development of this bachelor thesis. List of Abbreviations Used in the Thesis A&R – artist and repertoire ARC – American Record Corporation BBC – British Broadcasting Company BMG – Bertelsmann Music Group CBS – Columbia Broadcasting System CD – compact disc CD-R – recordable compact disc CD-ROM – Compact Disc Read-only memory – preprinted CD containing data readable by a computer CEO – chief executive officer DAT – Digital Audio Tape DMCA – Digital Millennium Copyright Act DNS – Domain Name System DRM – Digital Rights Management EMI – Electrical and Musical Industries e-tailer – electronic (internet) retailer GE – General Electric IFPI – International Federation of the Phonographic Industry IP – internet protocol ISP – internet service provider LP – long play record M. C. – music cassette MCA – Music Corporation of America mp3 – MPEG2 Audio Layer III – audio compression format P2P – peer-to-peer: computer internet network allowing users to share files PIPA - PROTECT IP Act - Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 R&B – Rhythm and Blues SME – Sony Music Entertainment SOPA – Stop Online Piracy Act UMG – Universal Music Group VCR – video cassette recorder WEA – Warner-Elektra-Atlantic WMG – Warner Music Group Table of Contents 1 Introduction .................................................................................................... -
Global Music Report 2018 ANNUAL STATE of the INDUSTRY
Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018: STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people. -
Raymond Weil Celebrates in Style As the Official Timing Partner to the Brit Awards 2019
RAYMOND WEIL CELEBRATES IN STYLE AS THE OFFICIAL TIMING PARTNER TO THE BRIT AWARDS 2019 BRIT Award winner George Ezra and Rag’n’Bone Man receiving their RAYMOND WEIL watch Luxury Swiss watchmaker, RAYMOND WEIL celebrated its association with The 2019 BRIT Awards with MasterCard, at last night’s star-studded ceremony, held at London’s O2 Arena. The brand continued as the Official Timing Partner to the UK’s premier music awards ceremony, celebrating the best of both British and international musical achievements throughout 2018. The evening highlights included a show stopping opening performance from multi- award-winning Hugh Jackman, who thrilled the maximum capacity audience that included P!NK, Calvin Smith, Jorja Smith, Jess Glynne, Little Mix, The 1975 and more. The big winners of the night were The 1975 and Calvin Harris, who both received two BRIT Awards each, marking an amazing year for each artist. Other winners included; Drake, Arianna Grande, The Carters, Ed Sheeran and Tom Walker. In celebration of its continued collaboration with The BRIT Awards, RAYMOND WEIL presented two special edition timepieces to winners and performers backstage at the show. Reciprocates included; Jack Whitehall, Jonas Blue, Jax Jones, Dan Caplen, Luke Franks, The 1975, Years and Years, Sam Fender and Nile Rogers, to name just a few. Comedian and Actor Jack Whitehall, wearing his RAYMOND WEIL maestro Skeleton timepiece, presented The BRIT Awards for the second year in a row. Backstage, BBC Radio 1 DJ Luke Franks – also wearing a RAYMOND WEIL timepiece – held intimate red carpet interviews with the stars. RAYMOND WEIL maestro Skeleton timepieces – the official timepiece of the BRIT Awards 2019 – are available to purchase at all leading jewellery stores and through: www.raymond-weil.co.uk RAYMOND WEIL S.A - AVENUE EUGENE-LANCE 36-38 - P.O.BOX 1569 - 1211 GENEVA 26 - SWITZERLAND TEL. -
Investing in Music How Music Companies Discover, Nurture and Promote Talent
Investing in MusiC How music companies discover, nurture and promote talent Investing In Music 2012 contents 1 Introduction by Plácido Domingo 2 Commentary by Frances Moore and Alison Wenham 3 Section One: The Cycle of Investment 4 Section Two: Dicovering and Signing Talent 16 Section Three: Nurturing Talent 18 Section 4: Promoting Talent 3 2012 Investing In Music introduction by Plácido Domingo, Chairman of IFPI Other collaborations are also possible, for example between the artist and a management company. But all these efforts to promote music depend on the protection of the copyrights and intellectual property of the musicians and the producers of the music. Without such protection, investment will not be forthcoming. Collaboration and investment are defining qualities of the music industry and play a vital role in helping artists pursue their career. Of course, the digital era has brought dramatic changes, but I do not believe it has made the investors in music any less important. Even in the age of the internet, where self-publishing is so much easier for artists than in the past, technology alone I am fortunate to have had a career of more than 50 years in cannot ensure an artist’s work is heard and appreciated. music. I have worked with people of exceptional artistic talent That is why artists continue to work in partnership with record and I continue to work today to try and help young musicians companies, management and others to develop their careers fulfil their ambitions and creative potential as opera singers. and bring their music to the widest possible audience. -
HERBERT ST. CLAIRE CRICHLOW, Plaintiff, V. WARNER MUSIC
Case 1:07-cv-01622-HHK Document 17 Filed 07/07/08 Page 1 of 6 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA HERBERT ST. CLAIRE CRICHLOW, Plaintiff, v. Civil Action 07-01622 (HHK) WARNER MUSIC GROUP CORP., Defendant. MEMORANDUM OPINION Herbert St. Claire Crichlow (“Crichlow”) brings this action against Warner Music Group Corp. (“Warner”) contending that he is owed royalties for songs that he wrote. Warner moves to dismiss Crichlow’s action on several grounds [#4]. Upon consideration of the motion, the opposition thereto, and the record of this case, the court concludes that Warner’s motion must be granted because this court is unable to exercise personal jurisdiction over Warner. I. BACKGROUND Crichlow, a songwriter and resident of Sweden, signed two music publishing agreements with subsidiaries of Warner. Crichlow and a company named Megasong Publishing A/S (“Megasong”) entered into a music publishing agreement (the “Megasong Agreement”). Megasong was subsequently acquired by Warner/Chappell Music Denmark A/S, which is in turn owned by Warner/Chappell Music Scandinavia AB. Warner/Chappell Music Scandinavia AB is in turn owned by Warner Bros. Music International, Inc., which is owned by Warner/Chappell Music, Inc. Warner/Chappell Music, Inc. is owned by Warner via two non-operating holding companies. Thus, Warner is separated from Megasong by approximately seven corporate levels. Case 1:07-cv-01622-HHK Document 17 Filed 07/07/08 Page 2 of 6 Acting on behalf of A Lemon Groove AB (“Lemon Groove”), Crichlow entered into another music publishing agreement (“Artemis Agreement”) with Muziekuitgeverij Artemis BV. -
Old Norvicensian
ON Old Norvicensian Features 018/2019 ONs are getting serious 2 about business (page 20-43) 1 Old Norvicensian Welcome Welcome Welcome to this year’s edition of the or even reach out to acquaintances with Old Norvicensian magazine. As ever, it whom you have lost contact. seeks to provide a link with your school Contents by updating you on news from Cathedral Attending an ON event is always a good Close, both in terms of activities of the way to reconnect; please be in touch with current school and alumni events. the Development Team if you would like further details of what is coming up. You However, it also seeks to offer stimulation are guaranteed a warm welcome in School 02 94 114 and reflection from the ongoing lives of House, where my colleagues and I will Norvicensians in the wider world. After all, always be pleased to update you on the News & Announcements Obituaries our direct contact ends relatively early in latest news and plans. Updates Weddings, babies Remembering those ONs who your lives and the most we can do is set Development and and celebrations have sadly passed away you up for your ongoing experiences; most I should like to finish by offering my thanks School news of your life is lived as an Old Norvicensian to those who have worked hard to produce and, if we get it right, the best bits happen such a quality document – happy reading! then, too! Steffan Griffiths I therefore hope that the pages which Head Master follow will be of interest in their own right but will also encourage reflection on your own experiences from school and since 44 that time. -
Finding Missing Ancestors in Institutional Records, Part I: Hospitals, Asylums and Sanitariums”
“Finding Missing Ancestors in Institutional Records, Part I: Hospitals, Asylums and Sanitariums” Madeline Yanov 18 October 2019 I. HOSPITALS 1. General information: • A hospital is a healthcare institution providing treatment with specialized nursing and medical staff and medical equipment. • Term also used for sanitoriums or asylums for the mentally ill • “State hospitals” – euphemism for “mental hospitals” or “insane asylums” 2. History of American Hospitals • Births, deaths and illnesses mostly occurred at home • Concept emerged from almshouses, providing care for the ailing poor • First hospital co-founded by Benjamin Franklin in Philadelphia in 1751 • Modern concept of hospital emerges after the Civil War • Historically run by religious or charitable organizations 3. HIPPA • Health Insurance Portability & Accountability Act – 1996 o Access to own medical records o Permission needed to view your records o Upon death – records sealed forever • Revised in 2013 o Other restrictions from 1996 Act still apply except o Limits period of protection of deceased to 50 years after death • Even though you meet federal guidelines you STILL have to satisfy State and Local Laws. 4. How to find out if hospital records are available • No law says how long records must be kept - old records are often destroyed • If hospital doesn’t exist, check state libraries, archives, and local genealogical societies • If hospital exists – check website and catalog for digitized records. If there are no digitized records, then you or a representative has to go in person • State and hospital rules determine WHO gets access to records 5. Other records containing medical information • Death certificates • Cemetery and burial records • Court records • Newspaper articles • National Home for Disabled Volunteer Soldiers – precursor to VA hospital. -
Global Music Report 2018 ANNUAL STATE of the INDUSTRY
Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018 – STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people.