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GLOBAL MUSIC REPORT 2019 // STATE of the INDUSTRY WELCOME 3 Welcome
STATE OF THE INDUSTRY IFPI GLOBAL MUSIC REPORT 2019 // STATE OF THE INDUSTRY WELCOME 3 Welcome ime and time again, The increasingly connected global T throughout my career, I have music landscape is enabling us to been privileged to witness explore new genres, sounds and artists, music’s power to bring us together. no matter where they originate, and for Language and culture may vary, but artists to enjoy the opportunities that music transcends borders and unites us. I have had to engage with audiences This year’s Global Music Report around the world. explores how music has become truly As this journey continues, we must global – more so than ever before. ensure the right environment is created Through the work and dedication of to make this success sustainable for artists, record companies and their the future; we must continue to work partners, music from vibrant and to establish a music ecosystem that is diverse regions is being sought out healthy and open to all, where music is and loved by fans in every corner of valued and respected. PLÁCIDO DOMINGO the world. CHAIRMAN, IFPI This is an exciting We are succeeding In an attention time of growth for because – even as economy, even the the music industry traditional ways of most original and and we’ve increased doing business are compelling talent our investment being upended – we’ve needs amplification to in talent and the worked to anticipate cut through the noise. creative process. music’s creative and We have the creative We’re partnering commercial evolution expertise, global with our artists to and continued investing impact, and cultural continue advancing in our artists, driving influence to make innovative and unique innovation and actively sure our artists aren’t opportunities to shaping our future by just heard, but that connect with audiences continuing to transform fans all over the world in more corners of the ourselves. -
ARIA Charts, 1987-04-12 to 1987-06-28
Oat, ..ASIBM MaIMMEMB.N. ANMENSMIMP ISMNSIENSIN SMV SINGLES CHART AUTHORISE"' AND ENDORSED BY THE AUSTRALIAN RECORD INDUSTRY ASSOCIATION WEEK ENDING 12TH APRIL, 1987 1NII LW TI TITLE/ARTIST Co. Cat. No. 1 1 8 I KNEW YOU WERE WAITING (FOR ME) Aretha Franklin and George Michael CBS 650253 7 • 2 7 3 BOOM BOOM (Let's Go Back To My Room) Paul Lekakis POL 885 161-7 3 3 8 THE FINAL COUNTDOWN Europe CBS ES 1199 4 6 5 C'EST LA VIE Robbie Nevil EMI MH 1902 • 5 11 5 DON'T GIVE UP Peter Gabriel & Kate Bush VIR/EMI PGS 2B 6 4 18 WALK LIKE AN EGYPTIAN The Bangles EMI LS 1865 • 7 13 5 WITCH QUEEN Chantoozies FES K 208 8 8 12 BIZARRE LOVE TRIANGLE New Order CBS FAC 163/153 9 9 10 WE GOTTA GET OUT OF THIS PLACE The Angels FES K 210 10 2 20 I WANNA WAKE UP WITH YOU Boris Gardiner RCA POW 0361 11 10 5 WE CONNECT Stacey Q WEA 789331 12 5 18 YOU KEEP ME HANGIN' ON Kim Wilde WEA 713582 13 12 16 PRESSURE DOWN John Farnham RCA WRS 038 • 14 19 4 REAL WILD CHILD (WILD ONE) Iggy Pop FES K 191 15 15 6 SHE'S THE ONE Cockroaches FES K 212 • 16 21 2 MALE STRIPPER (30cm) Man 2 Man Meet Man Parrish POL 885 508-1 17 16 4 LIVIN' ON A PRAYER Bon Jovi POL 888 184-7 18 14 10 WORD UP Cameo POL 884 933-7 19 17 9 SHAKE YOU DOWN Gregory Abbott CBS BA 3497 • 20 34 2 EVERYTHING I OWN Boy George VIR/EMI BOY 100 21 18 9 IS THIS LOVE? Alison Moyet CBS BA 3492 22 25 3 DON'T NEED A GUN Billy Idol FES K 192 23 20 6 KEEP YOUR HANDS TO YOURSELF Georgia Satellites WEA 769502 24 28 3 A TOUCH OF PARADISE John Farnham RCA WRS 039 • 25 42 2 WHAT'S MY SCENE Hoodoo Gurus -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
Stacey Q Better Than Heaven Mp3, Flac, Wma
Stacey Q Better Than Heaven mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Better Than Heaven Country: Japan Released: 1986 Style: Hi NRG, Synth-pop MP3 version RAR size: 1547 mb FLAC version RAR size: 1550 mb WMA version RAR size: 1455 mb Rating: 4.3 Votes: 884 Other Formats: WMA VQF MP4 MIDI MP2 TTA MMF Tracklist Hide Credits Two Of Hearts 1 Producer [Associate Producer] – Jeff C. Fishman, William J. WalkerWritten-By – Mitchell*, 7:13 Gatlin*, Green* We Connect 2 4:14 Producer [Associate Producer] – Willie WilcoxWritten-By – W. Wilcox* Insecurity 3 3:31 Written-By – R. West* Better Than Heaven 4 3:33 Written-By – Chris Ruiz-Velasco*, J.P. Charles, Mark Holding Don't Let Me Down 5 3:53 Written-By – Moet* Music Out Of Bounds 6 4:24 Written-By – West*, Hahn* Love Or Desire 7 3:46 Producer [Associate Producer] – Frank Del RioWritten-By – J. St. James* 8 Don't Break My Heart 3:33 He Doesn't Understand 9 5:07 Written-By – Anderson* 10 Dancing Nowhere 3:46 Companies, etc. Manufactured By – Warner-Pioneer Corporation Credits Coordinator [Production Coordinator] – Keith Cowen* Design – Jodi Rovin Mastered By [CD Mastering] – Barry Diament Music By [Music Performed By] – SSQ Other [Band Stylist] – Gina, Tish Other [Hair & Make-up] – Charlotte McGinnes, Danny Mendellin, Ed Jensen Performer [SSQ] – Jon St. James, Karl Moet, Rich West, Skip Hahn Photography By – Aaron Rapoport Producer – Jon St. James Producer [Production Assistance] – Keith Zajic, Kirk Henry, Nancy Wendland Programmed By [Additional Synth Programming] – Dave Guccione, Dave Sitz, Gary Mraz, Willie Wilcox* Written-By – St. -
The Music Industry Unplugged [Entire Talk]
Stanford eCorner The Music Industry Unplugged [Entire Talk] Cameron Strang, Warner Bros. Records; Nate Ruess, fun. February 19, 2014 Video URL: http://ecorner.stanford.edu/videos/3272/The-Music-Industry-Unplugged-Entire-Talk Stanford Professor Tina Seelig discusses the creative process and music industry dynamics with Nate Ruess, lead singer of the band fun., and Cameron Strang, chairman and CEO of Warner Bros. Records and Warner/Chappell Music. As a kick-off to Seelig's Stanford Online course, Creativity: Music to my Ears, the conversation explores issues of artist development, evolving business models and the shape and future of the music industry. Transcript This is so exciting - I don't think we've ever had a rock star in the room before. So we are really - we have lots of rock star entrepreneurs and venture capitalist but this is exciting. So is this your first time at Stanford? Yeah, you still don't have a rock star. No, yeah, yeah, yeah. I think we'll - yes. Okay. So here we have Cameron, here we have Nate and in fact, Nate, this morning got a chance to go play golf at the Stanford Golf Course. Yeah. Pretty cool? Amazing. Yeah. Well yeah, I was just like bumming around in Florida and other places and to come here is just incredible. Fabulous. As an excuse, I am only here because I was able to play the golf course earlier. Great. Well, maybe we can entice you back again. Probably. So let's get started. A lot of people in the room are not that familiar with the music industry. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Touch and Go…Magazine (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Sex Master…Squeeze (7/78) Surrender…Cheap Trick (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) I Wanna Be Sedated (megamix)…The Ramones (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) I See Red…Split Enz (12/78) Roxanne…The -
Workin' Class Records: a Hip Hop Subculture Offering Hope And
Workin’ Class Records: A Hip hop Subculture offering Hope and Resistance Séamus Reynolds Submitted in part fulfilment of the requirements for the MA in Community Education, Equality and Social Activism Departments of Adult Education and Sociology National University of Maynooth Supervisor: Laurence Cox 1 Acknowledgements There are so many people I need to acknowledge before this thesis is submitted. People who not only made this thesis possible but in some cases have helped guide me and keep me safe on this unpredictable journey known as life. My gratitude is infinite. Firstly, I would like to thank all the participants involved in the research whose time and input has been greatly appreciated, not only in making possible this thesis but in reinvigorating my appetite to learn and to continue to follow my passion as they are. They included Nodlag Houlihan, James Costello, Andy Farrell, Willa Lee, Ryan Lincoln, Paul Alwright, Daniel McDonnell(RIP), and a special shout out to my gatekeeper and big bag of energy Mr Dean Scurry. Respect to the entire Workin‟ Class family who made me feel welcome throughout. Secondly, to all the staff involved in CEESA. This course has been a great support network as well as a bastion of knowledge and creative resistance. You practice what you preach and your support toward me throughout my „extended period‟ has been immense and I am truly thankful. To Bríd Connolly, Fergal Finnegan, Bernie Grummell, Michael Murray, Theresa O‟Keefe and my supervisor Laurence Cox, I salute you. Finally to my family who are my life. Simply put you are all my rock and you know what you mean to me. -
Adele Letter You Lover
Adele Letter You Lover Stemless Joe misdrew very heathenishly while Urbano remains Barmecidal and saltier. Depressed Fernando honey, his ignominiousbloodline satellites and cultural yanks enough? whither. Reynold never mercurialize any ranchman unplugged asymmetrically, is Forbes In a warm, he served her last album sometime in a woman who became so she was released a little hands are struck by describing the letter adele She covers most things entertainment including awards season, film festivals, Hollywood events, and civic news. She has high name tattooed on are outside edge making her hand. And the adrenaline is so exhausting. Adele and more sustainable path in its editors and adele letter you lover of letters you come out here are. Custom vendors return results. We looked at that song, in different layers of her vocals, that movie one harm to donate some layers. Send us your revision. Just like old broken relationship. Opinion letter back Adele Just deal your messages The. GRAMMY Charity Black Friday Sale Continues Through Dec. Replace when your property ID. Adele is sensation that there being no effective analgesic for lost yet, but cancer also knows that would can fill her own medicine then she continues to thin in position direction of wheat and tenderness. Shellback replied with feeling own arrangements of deity two songs. What Biz Markie needed was post to listen to his sensitive and give him honest feedback to his predicament. She was seven years she refused to junk half the letter adele climbed on twitter, adele letter you lover the captcha below and the host chris hayes. -
DAN KELLY's Ipod 80S PLAYLIST It's The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) I See Red…Split Enz (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times -
Musicians Plug in to Support an Open Internet
MUSICIANS PLUG IN TO SUPPORT AN OPEN INTERNET. “Let’s preserve the seamless flow of information between artist and fan and recognize that net neutrality is critical to the conservation of this dynamic.” -R.E.M. ~Mendoza~ 1 mm/sec 1000 Watts 12horse 180grams. 226 Records Company 29Ten 2nd Hour 2nd Story Band 31G Records 40s 7 Arcos Recordings 9mm SOLUTION A Birdsong Valentine A City Heart A. Scott A.M.TuneShop Abi the Troubadour Absolutely Kosher Records Abunai! According to Wendy Adam Williams Aesop Rock Agent Double E Al Green Alabaster Brown Alan Sarkisian Alex Kash Alexander Hess All Them Other Records Alone With a Ghost AM Magic Amanda Blank Amanda Potter AMFM Amy Dalley Ana Kanpa Andrew Beneker Andrew Floebert Andrew Jimenez Andrew Penmer Andy Mason Ann Blair Ann Pence Annehse Jensen Anodyne Records Anthem 32 Anti-Social Music Antietam Apeadeus AquaCloset Arashk Arcadio Arizona Art Friday Art of Life Records ArtistOne Artmuse Records Ascension Records Asteroid B-612 Astra Records Astronauts For Everyone Records aswedestroy athensmusic.net Atomic Pop Monkey Attack Flamingo Attack Formation Au Revoir Simone Aubrey Debauchery Audio MC Audiodef Austin Willacy Autolect Azul B.C. Camplight Babes in Toyland Babies On Planes Backyard Shark Bad Art Records Bad Brains Badman Recording Co. Bangarang Barb Sorensen Barrelhouse Bonni Barton Carroll Batt3rboy Battles BBC Soundsystem Beans Beatbeat Whisper Beatbots Beatnik Turtle Beau Hall & The Magnificent 7 Beauty Pill Becky Riias Beezlefeast Belle Epoque Ben Lindell Benjamin Shaw Benji Martin -
The Rising Power of Ugc
THE RISING POWER OF UGC Mark Mulligan • Keith Jopling October 2020 A word from Audible Magic No one can deny that user-generated content (UGC) has had a huge societal impact. We connect, communicate and network with others using UGC. It has created a thriving creator community including musicians, content producers, gamers, influencers and more. With over 20-years’ experience working directly with both content owners and social media platforms, we understand the power of UGC. It is why we are proud to sponsor this report on the Rising Power of UGC by MIDiA Research. On reading this report you will see that: • The creation and consumption of UGC continues to grow dramatically • To benefit from this continued market expansion requires implementing new, simpler licensing frameworks, especially for music • This could lead to an accessible market worth $6 billion for both content owners and social media platforms This report considers some of the implication of the 2019 EU Copyright Directive, which acknowledges the importance of UGC in today’s economy and presents unique opportunities to encourage the growth of the digital streaming market. MIDIARESEARCH.COM • 2 The report outlines how platforms can be covered under new safe harbour provisions provided that they use best efforts to both obtain licences and to prevent the distribution of unlicensed content. Many of the themes in this report are opportunities for Audible Magic to engage our technological leadership in content recognition, and are a logical extension of our trusted role as the bridge between copyright owners and the world's most innovative social media platforms. -
When Should Streaming Data Impact Music Programming Choices?
2021 JULY 26 CountryInsider.com | Sign Up For Daily Email Here When Should Streaming Data Impact Music Programming Choices? Look at most any streaming chart from Shazam to Apple Music lately, and you’ll see one of two titles as the highest-ranked country track: Walker Hayes’ “Fancy Like” or Nelly & Florida Georgia Line’s “Lil Bit.” In fact, “Lil Bit” is the No. 1 track overall on the Pandora Top Spins Chart, while “Fancy Like” is No. 1 overall at Amazon Music. Yet with a handful of exceptions, the airplay on terrestrial country stations doesn’t mirror the songs’ streaming popularity. The question becomes increasingly more important: How and when should streaming success factor into programming decisions? (Continued on page 4) COUNTRY INSIDER TOP 5: KFRG’s Heather Froglear: Building A Hall Of Fame Career Without Leaping From Market To Market. Scott Huskey’s 3 M’s Of Radio: Why it never hurts to step back and look at the basics. Ingrid Andress Announces “The Feeling Things” U.S. And European Tour. SiriusXM Rebrands Subscription Plans, Adds “Platinum VIP” Top Tier For $34.99 Per Month. The Big Swindell: “Single Saturday Night” Hits The No. 1 Spot. 1 | JULY 26, 2021 CountryInsider.com Big Daddy Dave My Top 5 Can’t Rowdy Yates My Top 5 Afternoons The Original Country Gold Miss Classics: Current Hits: KPLO / Everything Country Syndicated - Nationwide Pierre, SD 1. Forever After All - 1. Charlie Daniels Band - Luke Combs The Devil Went Down 2. Old School - to Georgia Toby Keith 2. Nitty Gritty Dirt Band - 3.