DOCSLIB.ORG

Musicians Plug in to Support an Open Internet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Musicians Plug in to Support an Open Internet MUSICIANS PLUG IN TO SUPPORT AN OPEN INTERNET. “Let’s preserve the seamless flow of information between artist and fan and recognize that net neutrality is critical to the conservation of this dynamic.” -R.E.M. ~Mendoza~ 1 mm/sec 1000 Watts 12horse 180grams. 226 Records Company 29Ten 2nd Hour 2nd Story Band 31G Records 40s 7 Arcos Recordings 9mm SOLUTION A Birdsong Valentine A City Heart A. Scott A.M.TuneShop Abi the Troubadour Absolutely Kosher Records Abunai! According to Wendy Adam Williams Aesop Rock Agent Double E Al Green Alabaster Brown Alan Sarkisian Alex Kash Alexander Hess All Them Other Records Alone With a Ghost AM Magic Amanda Blank Amanda Potter AMFM Amy Dalley Ana Kanpa Andrew Beneker Andrew Floebert Andrew Jimenez Andrew Penmer Andy Mason Ann Blair Ann Pence Annehse Jensen Anodyne Records Anthem 32 Anti-Social Music Antietam Apeadeus AquaCloset Arashk Arcadio Arizona Art Friday Art of Life Records ArtistOne Artmuse Records Ascension Records Asteroid B-612 Astra Records Astronauts For Everyone Records aswedestroy athensmusic.net Atomic Pop Monkey Attack Flamingo Attack Formation Au Revoir Simone Aubrey Debauchery Audio MC Audiodef Austin Willacy Autolect Azul B.C. Camplight Babes in Toyland Babies On Planes Backyard Shark Bad Art Records Bad Brains Badman Recording Co. Bangarang Barb Sorensen Barrelhouse Bonni Barton Carroll Batt3rboy Battles BBC Soundsystem Beans Beatbeat Whisper Beatbots Beatnik Turtle Beau Hall & The Magnificent 7 Beauty Pill Becky Riias Beezlefeast Belle Epoque Ben Lindell Benjamin Shaw Benji Martin Benson Beneker Better Bhi Bhiman Bibble Big Nasty Big Rhythm Wine Big Sound Music Bill Ely Band Bill Robinson BiomechanicÆ Birdman Records Black Bear Moon Rhythm Ensemble Black Patterns From Saturn Black Sunrise Blackalicious Blackout Records BlackRose Music Group BlackSmith BLAMMOS Bleak Dawn Bletzung Blockhead Bloodshot Records Blotto Blottofox Blue Room Project BluesSource.com Bluesy Blunt Bo Porter & The Dixie Rockits Bob Gentry Bob Hughes Bob Mould Bobby Brown RAM Music Bohagey Bowes Bomb the Music Industry! Boneless Bonerama Bong Hits For Jesus Bonnie Hayes Bonnie J. Gordon Boogernauts Boom Bip Boots Riley Bottles/Cans Brad Parker Brad Price Bramble Radio Branches Brandy Vaughn Brave New Girl Brett Allen Morgan Brian Franklin Brian Hildebrand Brian Krolak Brian Roessler Brian Troester Brian Austin Whitney Brodylicious Laboratories Broken Vault Bronislaw Szalanski Tria Brooks deForest Brown Shoe BUCK69 Buckyball Records Buddyhead Built By Snow Built for the Sea Bull City Buried By Hope Bus Driver Busted Puppets BuzzHound C.O.D. CabrÛn! Cage Cake Calexico Calumusic Camile Alvey CAN CAN Care Factor Zero Carin Dawn Carlos Daniels Carmen Rasmusen Carny Carol Bui Carol McComb Carolina Rain Carrot Top Records Cary Fly Band Casey Desmond Catatonic Cate Sparks Cath Carroll Cathexes Cazio CD Baby CEO Band Charming Youngsters Chaser Cherub Records Chill Factor-5 Chris Bosman Chris Flood Chris Young Chris Zabriskie Christopher Wilson Circle Back Music Climates Cloud 13 Records Club Manor COASTAL Songwriters Organization Cockatoo Cold Blue Music Common Common Shiner Concord Ballet Orchestra Players Conduit Records Contraphonic Cookie Cutter Girl Cooper Cornslaw Industries Corruption of Blood Cosio Cosmo Baker Courtney Chambers Cowboy Troy CR Craig Manganello Crescendo Crippled Preacher Crossin Dixon Crucial Blast Curtis Vodka Cynthia Castro Cyphert Music Company D XX D-Squared Entertainment D.H.H. Daedelus Dakotafish Damn Fine Coffee Dan Bryk Dan Deacon Dan Peluso Daniel Hayden Danielle Peck Dark House Sweet Dark Side of the Cop Darker Brighter Darkgibson David Baylaw David Blaze David Fagin David Gans David Lev David Miller David Moreen Dead Birds In Paradise Dead Copycats Dead Rabbit Death Cab For Cutie Deborah Crooks Defend Music Definitive Jux Degrees of Sanity Del The Funky Homosapien Demander Denoument Dephonic Despot Devendra Banhart Devon Wolfe Dick Prall Dickie Goodman Digital Outlaw DIME Diplo Dirtywater DISCHORD Division of Planes DJ Benzi DJ Drama DJ Electro Cool DJ Love DJ Massive DJ Scottie B DJ SHAFT(69) DJ Spooky That Subliminal Kid DLO Records Dogtown Allstars Donerail Doseone Double Method Double Standard Down To A Crawl DownNeck Dr. Dre Dragon Secreto Drainage X Drezdon Records Dusty Drake Duval Street Dwarvin Mine Productions Dynasty Records Dysfunctional Kid E Backwards E E-Klectrik Music Eadans Roses Ear Reverends East Meets West Records Eastern Blok Echelon Productions Echo Root Echoing August Eclectic Method Edan EDuBS and the SiNE El Jesus de Magico El P eLEKTRONIK SiENCE MuLTIMeDIA Elektrovet Elizabeth Mitchell Elliott M. Burke Emergency Umbrella Emily Aybo Emily Kate Boyd Emily Koon Engeo Enteramente Artist Management EP Records, USA Epicentrik Recordings Eric Church Eric Patton Escanaba Europa Evan Abood Excepter Exotic Recordings Factory Damage Fair Faith Hill Falabeats Fall Records Farmertan Farzad Ajory Fasten Belt Fat Caddy Records Fatback Band Feed the Kitty Detroit Fern Knight Fever Pitch Finest Dearest Fiona Apple Fire Flies Firebowl Records International Five Foot Two Records Five Star Reject Flashspot Flipperbabies Flora McGill Flosstradamus Flowers & Kain Flying Lotus Foreign Born Foxtail Somersault Fred Miller Freedom Freekbass Fresno Summer Frostbite Fuego Funk Culture Funksion Fuzz Gaia Consort Gaia Sound Garland of Hours Gartol Gary B & the Notions Gary Nichols Gasoline GE$$O CORP Genuine Articles Geoff Faribault Geoff Farina Geoff Kaufman George Clinton George Strait Get Poison Records Ghost of Monkshood Ghost Riders Ghostly International Girl Talk Glomag Glory Fountain Gold Streets Golden Boy (Fospassin) Good Night States Gorch Fock Gordon Withers / Trisloth Gore Gore Girls Grandpa Griffith Gray Barn Studios Greenback Gang Greenside Manners Greg Caldwell Greg Davis Greg Gilliam Greyday Records Griddle Griffin House Grimoon Grizzly Bear Groundblinder Gruesome Boys Guster GvilleMusic.com Gypsy Knights H-Beam Hailstone Hani Naser Band Hanna M. Levifin Hanson Har Mar Superstar Hard Candy Hearts Harry Perry Band Hassan HeadRush Music Heather Bint Heather Go Psycho HER & Kings Country HereJam Hey Bulldog Hi Frontier Hideout Hiero Imperium Hieroglyphics Hitswitch Records Holla Factory Hollus Hometapes Honeymoon Music Hook Review Hope Alane Horse Thieves HOSS Records Hot Apple Pie Hour Negative House Shoes Howells Transmitter Hugpatch I, Synthesist Ida Idol Records Ifdakar IFI Music Immigrants & Navigators Imperial Teen In Media Rest Infotourist Innervoid Inntrance Inspectah Deck Intothelightcarolanne Invisible Agent Irving Ishah ‘El theatre arts IT’S OK ItsAboutMusic.com J. T. Hall Jace Everett Jack Ingram Jade Banger Jake Brennan Jake Owen Jamal from Indiana James Hall James M Buchanan James Otto James Reams & The Barnstormers Jammates Records Jason Aldean Jason and the band Jason Lee Jay Reatard Jay Wise Jayson Homyzk Jedd Hughes Jeff Belfi Jeff Black Jeff Compton Jel Jen Strickland Jennifer Leonhardt Jerome Karwoski Jerry Harrison Jesse Sparhawk Jessica Williams Jewel JFJO Jill Sobule Jimmy Tamborello Jmac Jody Watley Joe Cruz JoeRockhead.com John Krueger John Aselin John Doe John Lichtefeld John P. Strohm John Vanderslice John Watt Band Johnny Asia, Guitarist from the Future Jon Cleary Jon Rauhouse Jordan Page Joseph Procopp Josh Scheidler Josh Turner Josh Ward Joshua R. Henk Jukebox Zeros Julia Free JuliesSister Julius C Just Blaze Just Listen Productions Just Plain Folks 2007 Justin Bowsher Justin Cancelliere Justin Denman Kalpana Kanine Records Karina Schaffar Karl Goble Karriem Riggins Kathleen Fowle Kathleen Hanna Katie Dean Katie Mission Katie Todd Katy Kiefer Keith Anderson Keith Moody Keith VanEtten Keli Raven KeN Ken Girls Rock Ken Klemaiwz Kendrick Scott Oracle Keshco Kevin Baovn Kevin Bogle Kid Koala Kid Rock Kid Sister Kidd Gorgeous Kill Country Stars KillaCe Killdozer Kimberly Hall King For a Day King Krash Kinky Star Kira Koenig Kittylicious KnockHardBeats Kool G Rap Kronos Quartet Kujo’s Lunch Money Kuxaan-Sum NET NEUTRALITY or over a decade, Future of Music Coalition (FMC) has championed innovative structures that allow more musicians to reach audiences and earn a living. Early on, we recognized the impact that the internet would have on traditional music business models. Yet where some saw only disruption, we F also saw opportunity. Historically, relatively few artists had a chance to be heard. In most cases, musicians had to sign away their copyrights to even have a shot at reaching listeners. Widespread consolidation in the broadcast industry all but extinguished opportunities for local, independent and niche artists. Major record labels kept a tight hold on distribution, with little room for independents. Manufacturing costs and limited retail space meant that many albums had impossibly short shelf lives. The internet changed everything. With commercial radio play and widescale distribution out of reach, many artists embraced the web. The internet’s open structures meant that they could compete right alongside the biggest companies — an unprecedented development in music history. The internet ushered in an era of connectivity, enhancing participation and amplifying voices. It also transformed how music is acquired. The road to a legitimate digital music marketplace has been bumpy, but the scenery is starting to get good. A growing number of sites and services serve up a vast array of music, while compensating creators and rightsholders. Web radio outlets like Pandora and Slacker customize to listener preference, accelerating music discovery.
Load more

Recommended publications
  • NEW PEAK for ROGERS BAND SARA EVANS 53 56 Real Fine Placc ,Ngwith 15,000 Copies at No
    See Charts Legend for rules and explanations. to 2006, VNU Business Media, Inc. and Nielsen SoundScan, Inc. All rights reserved. SALES DATA COMPILED BY SEP 30 Nielsen SoundSc an 2006 11/ 01111 alk TOP NW COUNTRY ALBUMS-. .e W maARTIST Titleit jg n.ARTIST Title 1I 3i3-6 IMPRINT & NUMBER / DISTRIBUTING LABEL (PRICE) a 55.3 i 3o IMPRINT & NUMBER / DISTRIBUTING LABEL (PRICE) 0 A. RASCAL FLATTS MIRANDA LAMBERT 1 1 1 24 1 Me And My Gang 58 5' Kerosene 1, LYRIC STREET 165058/HOLLYWOOD 118.98, .1-11C 92008=SBN 112 98) O. JOSH TURNER MONTGOMERY GENTRY Your Man 67 57 Al Something To Be Proud Of: The Best Of 1999-2005 MCA NASHVILLE 004744/UMGN (13 98) ULUMBIA 7751210N (18 98) GM -AMUCARRIE UNDERWOOD AARON TIPPIN Some HeartsEl 1 512 34 Aaron Tippin: Now & Then RAILER ARISTA/ARISTA NASHVILLE 71197/RMG (18.931 NIPPIT 11701/RUST (15.98) TRACE ADKINS PACE JOHNNY CASH Dangerous Man I - 2 Country Legends CAPITOL NASHVILLE 56731 (18 98)(5 0 74 SETTERBC! 40927 (8.98 CD/DVO) TIM MCGRAW Greatest Hits Vol 2: Reflected 1-1-2! MERLE HAGGARD Hag: The Best Of Merle Haggard CURB 78891 (18 98) CAPITOL NASHVILLE 62704 (18.98) SOUNDTRACK VARIOUS ARTISTS Broken Bridges . 1 60 55 Blue Collar Comedy Tour: One For The Road DOG NASHVILLE 0001 (18.98) JACKANARNER BROS. 44252/WRN (18.98) THE WRECKERS WAYLON JENNINGS Stand Still, Look Pretty 58 16 Biggest Hits 42 ----nrn BROS 48980/WW1 (18.98' - - RCA414.1G HERITAGE 67827/SONY BMG STRATEGIC MARKETING GROUP (12.98) RANDY ROGERS BAND MARTINA MCBRIDE Just A Matter Of Time 1 MERCURY 007003/UMGN (13 98J RCA 72425/SBN (18.98) Timeless
    [Show full text]
  • JACK RUTBERG FINE ARTS Reflections Through Time
    JACK RUTBERG FINE ARTS 357 N. La Brea Avenue ∙ Los Angeles, CA 90036 ∙ Tel (323) 938-5222 ∙ www.jackrutbergfinearts.com FOR IMMEDIATE RELEASE Contact: Jack Rutberg (323) 938-5222 [email protected] June 13 – September 30, 2015 Reflections Through Time Los Angeles, CA – Celebrated L.A. contemporary artist Ruth Weisberg is the subject of a new exhibition entitled “Ruth Weisberg: Reflections Through Time,” opening with a reception for the artist from 6:00 to 9:00 p.m. on Saturday, June 13, at Jack Rutberg Fine Arts, located at 357 North La Brea Avenue in Los Angeles. The exhibition extends through September 30. “Ruth Weisberg: Reflections Through Time” expands upon the recent Weisberg exhibition at the University of Tennessee, Knoxville, presented on the occasion of receiving the prestigious 2015 Printmaker Emeritus Award from the Southern Graphics Council, the largest international body of “Waterbourne,” 1973, Lithograph, 30 1/4 x 42 1/4 Inches printmakers in North America. (The SGC’s previous awardee, in 2014, was Wayne Thiebaud.) Included in “Reflections Through Time” are selected works, such as Weisberg’s iconic “Waterbourne” (1973). Here the artist joins both symbolic and literal reflections of light, and in this case, a personal passage of impending motherhood and the emergence of woman. Other works in the exhibition, including her most recent work “Harbor” (2015), engage reflections on personal history and of the convergence of art history and cultural experience. “Reflections Through Time” reveals Weisberg’s decades-long interest in re-imagining the works of past masters such as Velazquez, Watteau, Blake, Titian, Veronese, Cagnacci, Corot, and Giacometti.
    [Show full text]
  • BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
    BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age.
    [Show full text]
  • The Quality of Recorded Music Since Napster: Evidence Based on The
    Digitization and the Music Industry Joel Waldfogel Conference on the Economics of Information and Communication Technologies Paris, October 5-6, 2012 Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster AND And the Bands Played On: Digital Disintermediation and the Quality of New Recorded Music Intro – assuring flow of creative works • Appropriability – may beget creative works – depends on both law and technology • IP rights are monopolies granted to provide incentives for creation – Harms and benefits • Recent technological changes may have altered the balance – First, file sharing makes it harder to appropriate revenue… …and revenue has plunged RIAA Total Value of US Shipments, 1994-2009 16000 14000 12000 10000 total 8000 digital $ millions physical 6000 4000 2000 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Ensuing Research • Mostly a kerfuffle about whether file sharing cannibalizes sales • Oberholzer-Gee and Strumpf (2006),Rob and Waldfogel (2006), Blackburn (2004), Zentner (2006), and more • Most believe that file sharing reduces sales • …and this has led to calls for strengthening IP protection My Epiphany • Revenue reduction, interesting for producers, is not the most interesting question • Instead: will flow of new products continue? • We should worry about both consumers and producers Industry view: the sky is falling • IFPI: “Music is an investment-intensive business… Very few sectors have a comparable proportion of sales
    [Show full text]
  • THE BENNINGTON FREE PRESS Dr.Randy on the H1N1 Bvjonah LIPSKY '12 Do, Which Is Contain the Spread of Diabetes
    THEBENNINGTON Financial Freeze Concerns BYCONNIE PANZARIELLO '12 etc.), Vice President for Plan­ which was put into effect in June, be a financially prudent option FEATURESEDITOR ning and Special Programs Joan happened at a time when it still for saving money. While Morgan Goodrich and College President didn't look like our nation was said that he wouldn't characterize ogic at our school is Liz Coleman. Morgan firmly going to be experiencing much the measure as "precautionary," a rare find. We tend denied the rumor going around economic recovery. According to it will help us save some money Lto skip some steps, that Goodrich and Coleman gave Morgan, this has an effect on our in other areas such as the always­ jump around, and themselves pay raises. before the donors, who are more reluctant to needed financial aid. As for elim­ hope things will work out for the freeze happened. Not only is this give us funds at a time of finan­ inating faculty positions Morgan best. Thankfully, the person who incorrect (and trust me, I asked cial crisis. said, "you never know, but I don't handles our financial matters pos­ the man five times, in various Also not helping the situation foresee it and it's not in our cur­ sesses logic in bulk, and that's ways), it is impossible: they sim­ is the fact that "not surprisingly rent plans." . New hires will also all that really matters, right? Bill ply do not have the power. Pay the need for financial aid has in­ be decided by who they are and Morgan was nice enough to clear raises have to go through the bud­ creased." Morgan also reiterated what position they are filling, in up the always-impressive gossip get and be approved by the Board something that we should all be tenns of salary.
    [Show full text]
  • Souls of Mischief: ’93 Still Infinity Tour Hits Pawtucket
    Souls of Mischief: ’93 Still Infinity Tour Hits Pawtucket The Met played host to the Souls of Mischief during their 20-year anniversary tour of their legendary debut album, “’93 til Infinity”. This Oakland-based hip- hop group, comprised of four life-long friends, A-Plus, Tajai, Opio and Phesto, together has created one of the most influential anthems of the ‘90’s hip-hop movement: the title track of the album, ’93 ‘til Infinity. This song is a timeless classic. It has a simple, but beautifully melodic beat that works seamlessly with the song’s message of promoting peace, friendship and of course, chillin’. A perfect message to kick off a summer of music with. The crowd early on in the night was pretty thin and the supporting acts did their best to amp up the audience for the Souls of Mischief. When they took the stage at midnight, the shift in energy was astounding. They walked out on stage and the waning crowd filled the room in seconds. The group was completely unfazed by the relatively small showing and instead, connected with the crowd and how excited they were to be in Pawtucket, RI of all places. Tajai, specifically, reminisced about his youth and his precious G.I. Joes (made by Hasbro) coming from someplace called Pawtucket and how “souped” he was to finally come through. The show was a blissful ride through the group’s history, mixing classic tracks like “Cab Fare” with more recent releases, like “Tour Stories”. The four emcees seamlessly passed around the mic and to the crowd’s enjoyment, dropped a song from their well-known hip-hop super-group, Hieroglyphics, which includes the likes of Casual, Del Tha Funkee Homosapien and more.
    [Show full text]
  • The History and Development of Jazz Piano : a New Perspective for Educators
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr.
    [Show full text]
  • OMC | Data Export
    Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw.
    [Show full text]
  • Glastonburyminiguide.Pdf
    GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating.
    [Show full text]
  • 88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
    The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates.
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • 6Th Annual Kaiser Permanente San Jose Jazz Winter Fest Presented By
    ***For Immediate Release: Thursday, January 14, 2016*** 6th Annual Kaiser Permanente San Jose Jazz Winter Fest Presented by Metro Thursday, February 25 - Tuesday, March 8, 2016 Cafe Stritch, The Continental, Schultz Cultural Arts Hall at Oshman Family JCC (Palo Alto), Trianon Theatre, MACLA, Jade Leaf Eatery & Lounge and other venues in Downtown San Jose, CA Event Info: sanjosejazz.org/winterfest Tickets: $10 - $65 "Winter Fest has turned into an opportunity to reprise the summer's most exciting acts, while reaching out to new audiences with a jazz-and-beyond sensibility." –KQED Arts National Headliners: John Scofield Joe Lovano Quartet Regina Carter Nicholas Payton Trio Delfeayo & Ellis Marsalis Quartet Marquis Hill Blacktet Bria Skonberg Regional Artists: Jackie Ryan J.C. Smith Band Chester ‘CT’ Thompson Jazz Beyond Series Co-Curated with Universal Grammar KING Kneedelus Kadhja Bonet Next Gen Bay Area Student Ensembles Lincoln Jazz Band SFJAZZ High School All Stars Combo Homestead High School Jazz Combo Los Gatos High School Jazz Band San Jose State University Jazz Combo San Jose Jazz High School All Stars San Jose, CA -- Renowned for its annual Summer Fest, the iconic Bay Area institution San Jose Jazz kicks off 2016 with dynamic arts programming honoring the jazz tradition and ever-expanding definitions of the genre with singular concerts curated for audiences within the heart of Silicon Valley. Kaiser Permanente San Jose Jazz Winter Fest 2016 presented by Metro continues its steadfast commitment of presenting a diverse array of some of today’s most distinguished artists alongside leading edge emerging musicians with an ambitious lineup of more than 25 concerts from February 25 through March 8, 2016.
    [Show full text]