Standard Template for PM and Short Reportsat JIBS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q (Mark One) x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 30, 2013 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission File Number 001-32502 Warner Music Group Corp. (Exact name of Registrant as specified in its charter) Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 75 Rockefeller Plaza New York, NY 10019 (Address of principal executive offices) (212) 275-2000 (Registrant’s telephone number, including area code) Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ¨ No x Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes x No ¨ Indicate by check mark whether the Registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer or a smaller reporting company. -
Ben Cook Appoints Magnus Ribbeklint As General Manager, Atlantic Records Uk
2017-10-24 16:06 CEST BEN COOK APPOINTS MAGNUS RIBBEKLINT AS GENERAL MANAGER, ATLANTIC RECORDS UK Ribbeklint joins Atlantic UK having worked as General Manager of Warner Music Sweden, as well as Vice President, Marketing, Warner Music Nordics. A widely-respected leader in his field, Ribbeklint has been instrumental in guiding the company through the evolving digital landscape, with an innate understanding of the streaming era. Ben Cook - “Magnus is a brilliant creative and digital strategist. He shares our love of great music, our passion for artist development and our resolute focus on the future. Throughout the Nordic transition to streaming his foresight and expertise helped transform Warner Music Sweden into a global leader in social media, content and digital marketing. He joins us at a pivotal time for the UK industry. I’m confident he’ll help keep Atlantic at the leading edge of music’s on- going evolution - as we continue to find innovative new ways to release and campaign our amazing artists. I look forward to him being a key player in the already impressive force that makes up Atlantic UK.” Magnus Ribbeklint - “Jag vill tackaJonas Siljemark och hela det nordiska Warner- teamet för deras support. Det har varit ett stort privilegium att arbeta med dem de senaste fem åren. Jag har haft nöjet att få arbeta med några av de största artisterna I en tid när Norden har varit pionjärer i en grundläggande förvandling av musikindustrin. Jag har haft äran att jobba med svenska artister som Håkan Hellström, Laleh, Little Jinder, Lykke Li, Miriam Bryant, Måns Zelmerlöw, Nause, Otto Knows, Rhys och Sabina Ddumba, liksom nordiska stjärnor som Alma, Christopher och Julie Bergan. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Global Music Report 2018 ANNUAL STATE of the INDUSTRY
Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018: STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people. -
To Elektra EKL-264 Mono / EKS-7264 Stereo "The BLUES Project"
DAVE RAY: Dave "Snaker" Ray, whose ambition is to be a doctor, started playing guitar while a sophomore in high school. He origin ally began with blues (Leadbelly) to keep his fingers nimble fo r what he thought would be a classical-flamenco guitarist career. "After an adagio by Sor and a hacked-up Farruca, I began playing Led better's stuff exclusively, " Dave reports. He began playing the 12-string guitar when a senior in high school, and lists as early influences, Elvis' Sun label recordings, Bo Diddley, Muddy Waters, early Chicago, and, of course, Leadbelly. " I sing the blues because it's a medium not as demanding as literatu re or serious music, and free enough to permit a total statement of personality and. self, " Dave states. "I play blues because 1 feel it's important to me to express myself and because I feel it's a significant form of music which hasn't had enough dispersement. As far as white men playing blues, that's all who do play blues. the new Negroes are too busy (doing other things). " Discography: Blues, Rags and Hollers (Elektra EKL 240). Dave Ray may soon be heard, with John Koerner and Tony Glover, on Elektra EKL 267. ERIC VON SCHMIDT: E ric w rites: "B orn 1931; began singing in 1948; first influences were Leadbelly, Josh White and Jelly Roll Morton — then Library of Congress material and field recordings. Worked as magazine illustrator, then painter until 1952... two years in the army, and then to Florida, where I worked as a frame-maker and built a 27-foot ketch which was almost called the 'John Hurt'. -
Skivbolagsbranschen Och Internet
Södertörns högskola | Institutionen för ekonomi och företagande Kandidatuppsats 15 hp | Marknadsföring | Vårterminen 2009 Skivbolagsbranschen och Internet – en jämförelse mellan major- och indiebolag Av: Johan Sundblom, Mathias Lindqvist Handledare: Lars Vigerland 2009-07-09 Handledare Lars Vigerland Södertörns Högskola Kandidatuppsats i Marknadsföring Skivbolagsbranschen och internet en jämförelse mellan major- och indiebolag Författare: Johan Sundblom Mathias Lindqvist Handledare: Lars Vigerland Johan Sundblom 850612-9017 Mathias Lindqvist 850509-3271 2009-07-09 Handledare Lars Vigerland Sammanfattning Titel: Skivbolagsbranschen och Internet – en jämförelse mellan major- och indiebolag Författare: Johan Sundblom, Mathias Lindqvist Handledare: Lars Vigerland Institution: Institutionen för ekonomi och företagande, Södertörns högskola Kurs: Kandidatuppsats i företagsekonomi, 15 poäng Syfte: Att analysera och klargöra skillnader mellan major- och indiebolags användning av, och attityder gentemot, Internet och internetbaserade tekniker som marknadsförings- och distributionskanal. Metod: Vi använder oss av en till största delen kvalitativ metod, dock med vissa kvantitativa inslag. Intervjuer har genomförts med fyra skivbolag, två indiebolag och två majorbolag. Även observationer av skivbolagens verksamhet på Internet har utförts. Slutsatser: Ett antal skillnader har kunnat utläsas efter utförd studie. Indiebolagen står i högre grad än majorbolagen för utveckling och innovation i branschen. Marknadsföringsmässigt så använder sig indiebolagen -
Neuhoff, Laura-Brynn.Pdf (929Kb)
“THE BIGGEST COLORED SHOW ON EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Laura-Brynn Neuhoff Washington, D.C. April 26, 2017 “THE BIGGEST COLORED SHOW ONE EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP Laura-Brynn Neuhoff Thesis Adviser: Marcia Chatelain, Ph.D. ABSTRACT This senior thesis seeks to answer the following question: how and why is the word “minstrel” and associated images still used in American rap and hip hop performances? The question was sparked by the title of a 2005 rap album by the group Little Brother: The Minstrel Show. The record is packaged as a television variety show, complete with characters, skits, and references to blackface. This album premiered in the heat of the Minstrel Show Debate when questions of authenticity and representation in rap and hip hop engaged community members. My research is first historical: I analyze images of minstrelsy and reviews of minstrel shows from the 1840s into the twentieth century to understand how the racist images persisted and to unpack the ambiguity of the legacy of black blackface performers. I then analyze the rap scene from the late 2000-2005, when the genre most poignantly faced the identity crisis spurred by those referred to as “minstrel” performers. Having conducted interviews with the two lyricists of Little Brother: Rapper Big Pooh and Phonte, I primarily use Little Brother as my center of research, analyzing their production in conjunction with their spatial position in the hip hop community. -
The Butterfield Blues Band East-West Mp3, Flac, Wma
The Butterfield Blues Band East-West mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: East-West Country: Europe Style: Electric Blues, Blues Rock MP3 version RAR size: 1469 mb FLAC version RAR size: 1788 mb WMA version RAR size: 1120 mb Rating: 4.4 Votes: 968 Other Formats: AC3 MP3 FLAC MP1 WAV AA DTS Tracklist Hide Credits Walkin' Blues 1 3:15 Written-By – Johnson* Get Out Of My Life, Woman 2 3:13 Written-By – Toussaint* I Got A Mind To Give Up Living 3 4:57 Written-By – Traditional All These Blues 4 2:18 Written-By – Traditional Work Song 5 7:53 Written-By – Adderley*, Brown* Mary, Mary 6 2:48 Written-By – Nesmith* Two Trains Running 7 3:50 Written-By – Davis* Never Say No 8 2:57 Written-By – Traditional East-West 9 13:10 Written-By – Bloomfield*, Gravenites* Companies, etc. Record Company – Warner Communications Inc. Phonographic Copyright (p) – Elektra Records Copyright (c) – Elektra Records Copyright (c) – Demon Records Ltd. Manufactured By – TELDEC Record Service GmbH Mastered At – Digital Magnetics Credits Bass – Jerome Arnold Design, Photography [Cover Photos] – William S. Harvey Drums – Billy Davenport Guitar – Elvin Bishop, Mike Bloomfield Harmonica, Vocals – Paul Butterfield Liner Notes – Paul Nelson Mastered By [Cd Mastering] – Bruce Botnick, Paul A. Rothchild Organ, Piano – Mark Naftalin Producer – Barry Friedman (tracks: 6), Mark Abramson, Paul A. Rothchild Producer [Supervisor] – Jac Holzman Vocals – Elvin Bishop (tracks: 8) Notes Originally released in 1966. CD Mastering at Digital Magnetics, Los Angeles. -
IFPI Norges Årsrapport
Musikkåret 2017 IFPI Norges årsrapport SIGRID Foto: Petroleum Records Design: Anagramdesign . no Innhold årsrapport 2017 Innledning ................... 3 KYGO ....................... 5 Sammendrag av musikk- undersøkelsen 2017 ........... 6 Statistikk..................... 7 Fornyelse av opphavsretten i Norge og Europa – del 2 ..... 10 Cezinando ................... 11 Spellemann 2017 ............ 12 Astrid S..................... 14 United Screens – Topplista.... 15 Hkeem & Temur ............. 16 FORSIDE: Alan Walker ................. 17 Streaming topp20 2017 ...... 18 Streaming, norsk topp20 2017 19 SIGRID Album topp20 2017......... 20 Norges nye popkomet tok oss med storm Radio topp20 2017 .......... 21 Totalsalget av innspilt med låten «Don’t Kill My Vibe» i 2017. Hun fikk mye oppmerksomhet internasjo- Gabrielle .................... 22 musikk i Norge går opp nalt og var både på «The Tonight Show Seeb ....................... 23 2,1 % fra 2016 til 2017 starring Jimmy Fallon» og «The Late Late Troféoversikt 2017 ........... 24 Show with James Cordon». Etter flere kon- og streaming står nå serter både i Norge og i utlandet, har hun IFPI Insight 2017............. 26 for hele 85 % av salget. også vært opptatt med å lage sin debut Vidar Villa................... 27 album som forhåpentligvis kommer ut Dagny ...................... 28 i 2018. Hun var nominert til to priser under Spellemann 2017 og vant prisen for Årets IFPI Norge .................. 29 Nykommer & Gramostipend. 2 Innledning 2017 var et nytt godt år i norsk musikkindustri og nordmenn fortsetter å streame musikk som aldri før. Totalsalget av innspilt musikk i Norge er opp 3,7 % fra 2016 til 2017 og streaming står nå for hele 85 % av salget av innspilt musikk i Norge. Årstallene for 2017 viser at det ble solgt Det totale fysiske salget (CD, vinyl osv.) innspilt musikk for hele kr. -
AXS TV Schedule for Mon. June 15, 2020 to Sun. June 21, 2020
AXS TV Schedule for Mon. June 15, 2020 to Sun. June 21, 2020 Monday June 15, 2020 2:00 PM ET / 11:00 AM PT 7:00 AM ET / 4:00 AM PT Classic Albums The Very VERY Best of the 70s U2: The Joshua Tree - Rock’s DNA of blues, folk, gospel, and country were the building blocks of Crime Movies - From fraud to mobsters, these movies had audiences of the 70s flocking to the album, fashioned lyrically and acoustically for the 80’s. U2 and their producers Brian Eno theaters. Find out which 70s crime movies made our list as Morgan Fairchild, Fred Willard, Anson and Daniel Lanois approached the recording The Joshua Tree as an experiment, using it as an Williams, John Schneider, and more give us their opinions! opportunity for each of them to explore their own ideas, musical, political, and personal. 7:30 AM ET / 4:30 AM PT 3:00 PM ET / 12:00 PM PT TrunkFest with Eddie Trunk The Big Interview Castaway with Southern Ground - Eddie travels to the Caribbean coastline for Zac Brown Band’s REO Speedwagon - REO Speedwagon (Kevin Cronin, Neal Doughty, Bruce Hall, Dave Amato, & Castaway with Southern Ground, located in Mexico’s Hard Rock Hotel Riviera Maya. Eddie experi- Bryan Hitt) sits down with Dan Rather to talk about making hits and the keys to their ongoing ences everything from intimate poolside performances to a one of a kind cooking class. Special success. guests include Blackberry Smoke, Clay Cook and Coy Bowles of Zac Brown Band, and Chef Rusty.