Fiorello H. La Guardia, a Model Mayor? 2017
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Scholarships and Special Funds 1 Scholarships and Special Funds
Scholarships and Special Funds 1 Scholarships and Special Funds An asterisk (*) indicates a scholarship or special fund that was transferred by Andover Newton Theological School (now Andover Newton Seminary at Yale Divinity School) in 2019. Scholarships The Bradford E. Ableson Scholarship was established in 2008 by Julia Ableson to honor her husband, the Rev. Dr. Bradford Edward Ableson, M.Div. 1985. The scholarship is awarded annually with a preference for students who are postulants or candidates for Holy Orders of the Episcopal Church and demonstrate superior promise for pastoral ministry. The Harry Baker Adams Scholarship was created in 1993 by a gi from Frank P. Wendt, charter member and chairman emeritus of the Yale Divinity School Board of Advisors. The scholarship has since been augmented by numerous gis from other friends, students, and admirers of Professor Harry B. Adams, B.A. 1947, B.D. 1951, who has touched the lives of so many who have attended the School. The purpose of the scholarship is to attract “the brightest and the best.” The Rev. Dr. Marilyn McCord Adams Scholarship Fund was established in 2020 by the Rev. Christopher T. Worthley, M.Div. 2002, and Christian M. Clough, M.A.R. 2003, for the benefit of deserving students affiliated with Berkeley Divinity School at Yale. *The Rev. Dr. Paul R. Adkins Scholarship is awarded with a preference toward United Church of Christ students and students in the Andover Newton Seminary program. The African Methodist Episcopal Church Scholarship was established in 2007 by Bishop Frederick Hilborn Talbot, M.Div. 1957, and his friends and family to honor him for receiving the YDS “Lux et Veritas” Alumni Award. -
Crittendon Et Al V. International Follies, Inc. Et Al
Case 1:18-cv-02185-ELR Document 1 Filed 05/16/18 Page 1 of 32 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF GEORGIA ATLANTA DIVISION CRYSTAL CRITTENDON, ) SHALEAH DAYE, RIANA EAST, ) CASSIDY GATES, JOVANA ) CIVIL ACTION GIBBS-ARNOLD, ASHLEY ) FILE NO. 1:18-mi-99999 HAYES, MERRIAH ) HILLARD, ASHLEY JOHNSON, ) TIFFANY LOWE, JASMINE ROSS, ) JASMINE THOMAS, MEGAN ) THOMAS, and SAMANTHA ) WILLIAMS, individually and on ) FLSA COLLECTIVE ACTION behalf of those similarly situated ) and LINDSEY CROOME, NICOLE ) MILLER-JORDAN and AVIA ) JURY TRIAL DEMANDED SHLTON individually only, ) ) Plaintiffs, ) ) v. ) ) INTERNATIONAL FOLLIES, INC. ) d/b/a Cheetah and JACK BRAGLIA, ) ) Defendants. ) COMPLAINT COME NOW, CRYSTAL CRITTENDON, SHALEAH DAYE, RIANA EAST, CASSIDY GATES, JOVANA GIBBS-ARNOLD, ASHLEY HAYES, MERRIAH HILLARD, ASHLEY JOHNSON, TIFFANY LOWE, -1- Case 1:18-cv-02185-ELR Document 1 Filed 05/16/18 Page 2 of 32 JASMINE ROSS, JASMINE THOMAS, MEGAN THOMAS, SAM WILLIAMS, Individually and on behalf of those similarly situated, and LINDSEY CROOME, NICOLE MILLER-JORDAN and AVIA SHELTON, individually and files their Complaint against INTERNATIONAL FOLLIES, INC. d/b/a Cheetah and JACK BRAGLIA and show: INTRODUCTION 1. Plaintiffs are former or current employees of INTERNATIONAL FOLLIES, INC. (“Cheetah”). 2. Cheetah operates an adult entertainment club in Atlanta, Fulton County, Georgia known as the “Cheetah.” 3. JACK BRAGLIA (“Braglia”) is the general manager of Cheetah and part owner of Cheetah. 4. Cheetah failed to pay Plaintiffs and other similarly situated entertainers the minimum wage and overtime wage for all hours worked in violation of 29 U.S.C. §§ 206 and 207 of the Fair Labor Standards Act, 29 U.S.C. -
Clark Spring Semester 2020 Homeschoole MT
Clark Spring Semester 2020 Homeschoole MT JENNA: In the early 1940s, Richard Rodgers and Oscar Hammerstein III’s ‘Oklahoma!,’ adapted from a play written by Claremore playwright Lynn Riggs, opened on Broadway. It was the first musical they wrote together.. KYLE: Each had already found success on Broadway: Rodgers, having written a series of popular musicals with lyricist Lorenz Hart, and Hammerstein, having written the monumental classic, ‘Show Boat.’ But together with ‘Oklahoma!', they would change musical theatre forever. “Oh! What a Beautiful Mornin’” There's a bright golden haze on the meadow There's a bright golden haze on the meadow The corn is as high as an elephant's eye And it looks like it's climbing clear up to the sky Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way All the cattle are standing like statues All the cattle are standing like statues They don't turn their heads as they see me ride by But a little brown maverick is winking her eye Oh, what a beautiful mornin' I've got a beautiful feeling Everything's going my way All the sounds of the earth are like music All the sounds of the earth are like music The breeze is so busy, it don't miss a tree And an old weeping willow is laughing at me Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way Oh, what a beautiful day ALEXA I: With its character-driven songs and innovative use of dance, ‘Oklahoma’ elevated how musicals were written. -
Mason Williams
City of Ambition: Franklin Roosevelt, Fiorello La Guardia, and the Making of New Deal New York Mason Williams Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Mason Williams All Rights Reserved Abstract City of Ambition: Franklin Roosevelt, Fiorello La Guardia, and the Making of New Deal New York Mason Williams This dissertation offers a new account of New York City’s politics and government in the 1930s and 1940s. Focusing on the development of the functions and capacities of the municipal state, it examines three sets of interrelated political changes: the triumph of “municipal reform” over the institutions and practices of the Tammany Hall political machine and its outer-borough counterparts; the incorporation of hundreds of thousands of new voters into the electorate and into urban political life more broadly; and the development of an ambitious and capacious public sector—what Joshua Freeman has recently described as a “social democratic polity.” It places these developments within the context of the national New Deal, showing how national officials, responding to the limitations of the American central state, utilized the planning and operational capacities of local governments to meet their own imperatives; and how national initiatives fed back into subnational politics, redrawing the bounds of what was possible in local government as well as altering the strength and orientation of local political organizations. The dissertation thus seeks not only to provide a more robust account of this crucial passage in the political history of America’s largest city, but also to shed new light on the history of the national New Deal—in particular, its relation to the urban social reform movements of the Progressive Era, the long-term effects of short-lived programs such as work relief and price control, and the roles of federalism and localism in New Deal statecraft. -
Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
"The New Deal of War"
"The New Deal of War" By Torbjlarn SirevAg University of Oslo Half a year beforeJapanese pilots bombed the United States into World War 11, in a June 1941 edition of Coronet magazine, a little known author added his voice to that of other critics of the policies of Franklin D. Roosevelt. There were basically only two New Deals, John Pritchard here retorted to those who were debating the many twists and turns of the administration's policies. As he saw it, there had been a visionary and planning-oriented first stage-a "New Deal I" -from 1933 to the Nazi push into Holland in May 1940. Roughly at that time, however, the first stage had given way to a far more hardnosed phase which he labeled "New Deal I1- the New Deal of War." If Pritchard's phrase was new, the notion behind it was not. But his was and remains the most poignant expression of an attitude that for all its impact has never been fully understood. How can it be that even if a clear majority of the American people favored all steps short of war in the months immediately before Pearl Harbor the President hesitated to take the lead ?And how can it be explaineed that Washington remained in a state of political turmoil during most of the military emergency when other nations at this crucial moment set aside politics in a show of real national unity? In both situations, the corrosive influence of the "New Deal of War" idea remains crucial. In retrospect, this idea served the function as a bridge uniting the peacetime and wartime opposition against Roosevelt. -
JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer. -
Great Cloud of Witnesses.Indd
A Great Cloud of Witnesses i ii A Great Cloud of Witnesses A Calendar of Commemorations iii Copyright © 2016 by The Domestic and Foreign Missionary Society of The Protestant Episcopal Church in the United States of America Portions of this book may be reproduced by a congregation for its own use. Commercial or large-scale reproduction for sale of any portion of this book or of the book as a whole, without the written permission of Church Publishing Incorporated, is prohibited. Cover design and typesetting by Linda Brooks ISBN-13: 978-0-89869-962-3 (binder) ISBN-13: 978-0-89869-966-1 (pbk.) ISBN-13: 978-0-89869-963-0 (ebook) Church Publishing, Incorporated. 19 East 34th Street New York, New York 10016 www.churchpublishing.org iv Contents Introduction vii On Commemorations and the Book of Common Prayer viii On the Making of Saints x How to Use These Materials xiii Commemorations Calendar of Commemorations Commemorations Appendix a1 Commons of Saints and Propers for Various Occasions a5 Commons of Saints a7 Various Occasions from the Book of Common Prayer a37 New Propers for Various Occasions a63 Guidelines for Continuing Alteration of the Calendar a71 Criteria for Additions to A Great Cloud of Witnesses a73 Procedures for Local Calendars and Memorials a75 Procedures for Churchwide Recognition a76 Procedures to Remove Commemorations a77 v vi Introduction This volume, A Great Cloud of Witnesses, is a further step in the development of liturgical commemorations within the life of The Episcopal Church. These developments fall under three categories. First, this volume presents a wide array of possible commemorations for individuals and congregations to observe. -
Gaede to Be Law Alumni Association President
VOLUME 7 Contents 2 Editor's Column 3 Forum 4 Francois-Xavier Martin: Printer, Lawyer, Jurist/ Michael C. Chiorazzi 14 W7.ry the Candidates Still Use FDR as Their Measure/ William E. Leuchtenburg 25 Conference Report: Empirical Studies of Civil Procedure 27 About the School 28 A Perspective on Placement DEAN EDITOR ASSOCIATE EDITOR Pamela B. Gann Evelyn M. Pursley Janse Conover Haywood NUMBER 1 35 The Docket 36 In the Public Interest 46 Alumna Profile: Pamela B. Gann 73 50 Book Review: 1999: Victory Without War by Richard M. Nixon '37 52 Specially Noted 56 Alumni Activities 64 Upcoming Events Duke Law Magazine is published under the auspices of the Office of the Dean, Duke University School of Law, Durham, North Carolina 27706 © Duke University 1989 BUSINESS MANAGER SUPPORT SERVICE PRODUCTION Mary Jane Flowers Evelyn Holt-Fuller Graphic Arts Services DUKE LAW MAGAZINE 12 Editor '5 Column The American legal world has pirical Studies of Civil Procedure article focuses on some our alumni changed greatly since the beginnings discusses the thought and efforts involved in such practice in a variety of our republic and continues to of some legal scholars who see em of ways and also reports on some change at a rapid rate. Though much pirical study as a method for effect law School programs designed to in the scene on our cover would ing possible changes in the legal encourage such interest. Our alum still be familiar in a modern law system. na proftle reports on our new dean, office (most lawyers I visit have The About the School section Pamela Gann '73. -
Photograph by © Joan Marcus Photograph by Amy Guip
Photograph by © Joan Marcus Photograph by Amy Guip Photograph by THE ALL-NEW 2016-2017 SEASON! Broadway at the Capitol is proud to present its BEST and BIGGEST season to date! This year we’re bringing the hottest new titles on Broadway, along with classic stories, family favorites and much more…all to Wheelings’s own Capitol Theatre! As always, our Season Ticket holders get the BEST seats at the BEST prices to every show! You won’t want to miss a second of all the action, so come join us this season and you’ll be dancing in the aisles! Photograph by Amy Guip Photograph by ORDER SEASON TICKETS TODAY! ORDER TODAY AT 304-233-4470! AT ORDER TODAY Photograph by Joan Marcus Photographby Joan Marcus Photograph by Joan Marcus BROADWAY CHRISTMAS WONDERLAND Monday | December 5, 2016 This most loved Christmas show features glittering costumes, a dazzling cast, and the highest kicking Chorus Girls this side of the North Pole. Start Christmas in style as Santa and his merry helpers take you on an unforgettable nostalgic Christmas journey. Songs include “White Christmas;’ “Winter Wonderland;’ “Have Yourself A Very “One of the Merry Christmas,” “Chestnuts Roasting,” ‘Jingle Bells;’ most delightful ‘’Away in a Manger;’ “Silent Night;’ “Deck The Halls,” “Rockin’ Around The Christmas Tree,” “O Holy Night” and and enchanting many more. This sparkling Holiday Show is ideal for the Christmas whole family. shows ever...” – Newsweek ORDER SEASON TICKETS TODAY! THE ILLUSIONISTS Monday | March 20, 2017 Direct from Broadway, the world’s best selling magic show is coming to Wheeling! This mind blowing spectacular showcases the jaw dropping talents of seven of the most incredible Illusionists on earth. -
Multi Award-Winning Musical Once Warms up Your Winter at the Court
26 May 2021 For immediate release Once Book by Enda Walsh Music & Lyrics by Glen Hansard & Markéta Irglová Based on the motion picture Written & Directed by John Carney Show Sponsor: Christchurch Casino Location: The Court Theatre, Addington, Christchurch Dates: 19 June - 24 July Multi award-winning musical warms up your winter at The Court Theatre. The award-winning musical Once is coming to Ōtautahi’s Court Theatre this June. This enchanting play is about the power of music and how the right notes can reignite your heart. The story follows Guy, a Dublin busker who is about to give up his dream of being a musician, when Girl, a Czech musician walks into his life like a breath of fresh air - broken hoover in her hand, hope in her heart. Based on the Oscar-winning film, Once 2007, this captivating and uplifting show is the first-ever to feature music that won an Academy Award, a Grammy Award, an Olivier Award and eight Tony Awards. The 13 strong cast are ecstatic to recreate the music-steeped streets of Dublin with all performers singing, dancing and playing instruments live on stage. The cast for this show is exceptional, featuring Amy Straker, Cameron Douglas, as Guy and Girl. "One of the best things to happen to Broadway in the past decade. An exquisite reminder of theatre’s singular capacity to transport us." - Hollywood Reporter The Court Theatre’s production of this world-renowned play will be directed by Melanie Luckman (A Streetcar Named Desire, In the Next Room, or the vibrator play), with Musical Supervision by Luke Di Somma (That Bloody Woman, Hedwig and the Angry Inch) and Musical Direction by Andy Manning (Billy Elliot the Musical, That Bloody Woman), the audience is in safe hands with this expert creative team calling the tune of this musical. -
Lyrics by Tim Rice Music by Andrew Lloyd Webber Directed by Rob Ruggiero
2018–2019 SEASON EVITA LYRICS BY TIM RICE MUSIC BY ANDREW LLOYD WEBBER DIRECTED BY ROB RUGGIERO CONTENTS 2 The 411 3 A/S/L, HTH 4 FYI 6 B4U 7 IRL 8 RBTL At The Rep, we know HOW TO BE THE BEST AUDIENCE EVER! that life moves fast— TAKE YOUR SEAT okay, really fast. But An usher will seat your class as a group, and often we have we also know that a full house with no seats to spare, so be sure to stick with some things are your school until you have been shown your section in the worth slowing down theatre. for. We believe that live theatre is one of those pit stops worth making and are excited that you are going to stop SILENCE IS GOLDEN by for a show. To help you get the most bang for your buck, Before the performance begins, be sure to turn off your cell we have put together WU? @ THE REP—an IM guide that will phone and watch alarms. If you need to talk or text during give you everything you need to know to get at the top of your intermission, don’t forget to click off before the show theatergoing game—fast. You’ll find character descriptions resumes. (A/S/L), a plot summary (FYI), biographical information (F2F), BREAK TIME historical context (B4U), and other bits and pieces (HTH). Most This performance includes an intermission, at which time importantly, we’ll have some ideas about what this all means you can visit the restrooms in the lobby.