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Dreams of Timeless Beauties: a Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations
Dreams of Timeless Beauties: A Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations Xiaolu (Sasha) Han Submitted in Partial Fulfillment of the Prerequisite for Honors in East Asian Studies April 2014 ©2014 Xiaolu (Sasha) Han Acknowledgements First of all, I thank Professor Ellen Widmer not only for her guidance and encouragement throughout this thesis process, but also for her support throughout my time here at Wellesley. Without her endless patience this study would have not been possible and I am forever grateful to be one of her advisees. I would also like to thank the Wellesley College East Asian Studies Department for giving me the opportunity to take on such a project and for challenging me to expand my horizons each and every day Sincerest thanks to my sisters away from home, Amy, Irene, Cristina, and Beatriz, for the many late night snacks, funny notes, and general reassurance during hard times. I would also like to thank Joe for never losing faith in my abilities and helping me stay motivated. Finally, many thanks to my family and friends back home. Your continued support through all of my endeavors and your ability to endure the seemingly endless thesis rambles has been invaluable to this experience. Table of Contents INTRODUCTION ....................................................................................... 3 CHAPTER 1: THE PAIRING OF WOOD AND GOLD Lin Daiyu ................................................................................................. -
A Thematic Study of Lh Xun's Prose P O E T R Y Collection
A THEMATIC STUDY OF LH XUN'S PROSE POETRY COLLECTION WILD GRASS by TIANM1NG LI M.A., The University of Ilcnan, 1086 M.A., The University of British Columbia, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES Department of Asian Studies We accept this thesis as conforming to the rexiuired standard THE UNIVERSITY OF BRITISH COLUMBIA September 1998 © Tianming Li, 1998 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada DE-6 (2/88) tt Abstract This thesis is a comprehensive thematic study of the unique prose poetry collection Wild Grass by the famous modern Chinese writer Lu Xun. It provides a general survey of previous Wild Grass studies both in China and abroad in the past 70 years in Chapter 1. The survey clarifies the achievements and defects of those studies, and finds that they are still insufficient and can and should be further expanded. By employing a comprehensive methodology, including close reading, rhetorical analysis, intertextual interpretation, and some standard psychoanalytic insights, the thesis explores the themes of Wild Grass on three different levels. -
Toward a Maoist Dream of the Red Chamber: Or, How Baoyu and Daiyu Became Rebels Against Feudalism
Journal of chinese humanities 3 (���7) �77-�0� brill.com/joch Toward a Maoist Dream of the Red Chamber: Or, How Baoyu and Daiyu Became Rebels Against Feudalism Johannes Kaminski Postdoctoral Researcher, Academia Sinica, Taiwan [email protected] Abstract Mao Zedong’s views on literature were enigmatic: although he coerced writers into “learning the language of the masses,” he made no secret of his own enthusiasm for Dream of the Red Chamber, a novel written during the Qing dynasty. In 1954 this para- dox appeared to be resolved when Li Xifan and Lan Ling presented an interpretation that saw the tragic love story as a manifestation of class struggle. Ever since, the conception of Baoyu and Daiyu as class warriors has become a powerful and unques- tioned cliché of Chinese literary criticism. Endowing aristocratic protagonists with revolutionary grandeur, however, violates a basic principle of Marxist orthodoxy. This article examines the reasons behind this position: on the one hand, Mao’s support for Li and Lan’s approach acts as a reminder of his early journalistic agitation against arranged marriage and the social ills it engenders. On the other hand, it offers evidence of Mao’s increasingly ambiguous conception of class. Keywords class struggle – Dream of the Red Chamber – Hong Lou Meng – Mao Zedong – On Contradiction literature * I am grateful to the Academia Sinica in Taipei, in particular to the Department of Chinese Literature and Philosophy. Dr. Peng Hsiao-yen’s intellectual and moral support facilitated the research work that went -
Ghost Opera, Reformed Drama and the Staging of a New China, 1949-1979
UNIVERSITY OF CALIFORNIA, SAN DIEGO The Sound of Ghosts: Ghost Opera, Reformed Drama and the Staging of a New China, 1949-1979 A dissertation submitted in partial satisfaction of the requireents for the degree Doctor of Philosophy in History by Margaret C. Greene Committee in charge: Professor Joseph W. Esherick, Co-Chair Professor Paul G. Pickowicz, Co-Chair Professor Nancy Guy Professor Ari Larissa Heinrich Professor Weijing Lu 2013 Copyright Margaret C. Greene, 2013 All rights reserved. The Dissertation of Margaret C. Greene is approved, and it is acceptable in quality and form for the publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Co-Chair ________________________________________________________________________ Co-Chair University of California, San Diego 2013 iii DEDICATION Over the course of my studies, I have benefited from the wisdom and advice of many people. My advisors, Paul Pickowicz and Joseph Esherick, deserve the lion’s share of credit for herding me along the path from freaked out first year grad student to reasonably competent PhD candidate. They have been patient with my many missteps along the way, and I will always be grateful for the excellent training, advice, and support I have received from them along the way. One of the treasures of the UCSD Modern Chinese History program is Dr. Ye Wa, who goes above and beyond in helping us sort through historical documents. She first pointed out Li Huiniang to me, and everything flowed from that critical moment. Her generosity in sharing her time and knowledge has been unmatched, and I will sorely miss her keen insights and good humor. -
Eileen Chang
Eileen Chang Romancing Languages, Cultures and Genres Edited by Kam Louie This publication has been generously supported by the Faculty of Arts of the University of Hong Kong. Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong www.hkupress.org © Hong Kong University Press 2012 ISBN 978-988-8083-79-4 (Hardback) ISBN 978-988-8083-72-5 (Paperback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, record- ing, or any information storage or retrieval system, without permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd., Hong Kong, China Contents Notes on Contributors vii Acknowledgements xi Introduction: Eileen Chang: A Life of Conflicting Cultures 1 in China and America Kam Louie 1 Romancing Returnee Men: Masculinity in “Love in 15 a Fallen City” and “Red Rose, White Rose” Kam Louie 2 From Page to Stage: Cultural “In-betweenness” in 33 (New) Love in a Fallen City Jessica Tsui Yan Li 3 Eileen Chang and Things Japanese 49 Nicole Huang 4 The Ordinary Fashion Show: Eileen Chang’s Profane 73 Illumination and Mnemonic Art Esther M. K. Cheung 5 Betrayal, Impersonation, and Bilingualism: 91 Eileen Chang’s Self-Translation Shuang Shen 6 Eileen Chang, Dream of the Red Chamber, 113 and the Cold War Xiaojue Wang 7 Eileen Chang and Ang Lee -
Swimming Against the Tide: Tracing and Locating Chinese Leftism Online
SWIMMING AGAINST THE TIDE: TRACING AND LOCATING CHINESE LEFTISM ONLINE Andy Yinan Hu B.A., Simon Fraser University, 2004 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the School of Communication O Andy Yinan Hu 2006 SIMON FRASER UNIVERSITY Summer 2006 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME: Yinan Andy Hu DEGREE: TITLE: SWIMMING AGAINST THE TIDE: TRACING AND LOCATING CHINESE LEFTISM ONLINE EXAMINING COMMITTEE: CHAIR: Prof. Alison Beale Prof. Yuezhi Zhao Senior Supervisor Associate Professor, School of Communication Prof. Pat Howard Supervisor Associate Professor, School of Communication Prof. TimothyCheek Examiner Professor, Centre for Chinese Research, UBC Date: SIMON FRASER UNIWR~~brary DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection, and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriterface, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, sut>standard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate ttie deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell information and Leaming 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA UMJ 800-521-0600 SHÜIHU ZHUAtl (WATER MARGIN) AS ELITE CULTURAL DISCOURSE: READING, WRITING AND THE MAKING OF MEANING DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Hongyuan Yu, B.A., M.A. ****** The Ohio State University 1999 Approved by Dissertation Committee: Kirk Denton (Adviser) Patricia Sieber (Co-Adviser) f— ? } Timothy Wong Department of East Asian Languages and Literatures UMI Number 9951751 UMI* UMI Microform9951751 Copyright 2000 by Bell & Howell Information and Leaming Company. -
Private Writer VS. Private Doctor
Private Writer VS. Private Doctor --Qi Benyu criticizes the memoir of Li Zhisui Interviewer: editor of “Dallas Chinese Daily” Lu Yuan, Compiled by Zhong Zhilin Original text: https://www.marxists.org/chinese/reference-books/qibenyu/5-03.htm#1 Once the “private writer” of Mao Zedong, the former member of the Central Cultural Revolution Committee Qi Benyu now lives a modest life. He doesn’t see reporters, doesn’t discuss politics, and doesn’t write memoirs. The editor of “Dallas Chinese Daily” Lu Yuan is like a son to him and he’s a close friend of Qi Benyu. Recently, Lu Yuan went to Mainland China for a business trip, the two met and was discussing the past. During the conversation Lu Yuan asked Qi Benyu about his opinions on the book “The Private Life of Chairman Mao” written by Li Zhisui. Qi Benyu resolutely refuted Li Zhisui, and revealed many hidden historical information regarding the Cultural Revolution and the Party Centre of the CPC. Lu: Recently, Taiwan and the US released a memoir by Mao Zedong’s private doctor Li Zhisui, this book was a big hit outside China, I wonder if you have read it? Qi: Yes, a friend of mine brought it back from Japan, before discussing this issue; I’ll have to “clear one’s name”, as Confucius would put it. Mao Zedong never had private doctors. Mao’s doctors, nurses and secretaries were all “public”. Li Zhisui was originally a doctor in the clinic in Zhongnanhai, Beijing. When I first started working in Zhongnanhai in 1950, he was responsible for treating the cadres and workers in Zhongnanhai. -
Red Discipline
Red Discipline A Shandong Professor, Honglou meng, and the Rewriting of Literary History in the Early P.R.C. Inaugural-Dissertation zur Erlangung des Doktorgrades am Fachbereich Geschichts- und Kulturwissenschaften der Freien Universität Berlin November 2012 vorgelegt von Marie-Theres Strauss aus Stuttgart Inaugural-Dissertation zur Erlangung des Doktorgrades am Fachbereich Geschichts- und Kulturwissenschaften der Freien Universität Berlin November 2012 vorgelegt von Marie-Theres Strauss aus Stuttgart 1. Gutachter: Prof. Dr. Erling von Mende 2. Gutacher: PD Dr. Ingo Schäfer Datum der Disputation: 25. Juni 2013 RED DISCIPLINE Table of Contents List of Abbreviations ...................................................................................................................................... 1 Introduction ....................................................................................................................................................... 2 Chapter One. A Shandong Professor ..................................................................................................... 13 1. The Problem of Sources ............................................................................................................... 15 2. The Problem of Narratives ......................................................................................................... 25 3. A Republican Education ............................................................................................................... 29 4. A Socialist Profession -
Xiaojun Zhang the Field of Minzu 民 族 Studies Is Currently in a State of Disarray
The Paradigmatic Crises in China’s Minzu Studies: Reflections from the Perspective of Human Development Author: Xiaojun Zhang The field of minzu 民 族 studies is currently in a state of disarray. This article proposes to discuss three paradigmatic crises—the one-dimensional interpretation, problematization, and de-ethnicization of the term minzu—from the perspective of human development. Although the meaning of minzu is, as this article argues, ambiguous, it has mostly been reduced to its political and ideological meaning. To solely rely on this one-dimensional interpretation in an academic discussion has led to a paradigmatic crisis in minzu studies. From the perspective of human development, minzu is the carrier and basic cultural unit of a pluralistic global culture. Although the concept of minzu is not inherently problematic, the word is being problematized by subsuming a number of extraneous issues. Problematization thus constitutes another paradigmatic crisis in current minzu studies. Opposing the current trend of de-ethnicizing the minzu question, this article proposes to de-problematize the concept of minzu instead, thereby preventing it from being used as a political tool. This article intends to shed light on the current state of crisis in China’s minzu studies, discuss a suitable research methodology, and provide an academic basis for ethnic research and policy implementation. Affiliations: Professor of Sociology, Qinghua University China [email protected] Where Is China Headed? New Tendencies in the Humanities and Social Sciences Author: Xuedian Wang China as a whole is facing a marked trend toward indigenization. The past thirty years have seen rapid and profound changes in the social sciences, heralding a new season in the humanities, in which the study of traditional culture has shifted from the sidelines to the center of academic research. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title The Sound of Ghosts : : Ghost Opera, Reformed Drama and the Staging of a New China, 1949-1979 Permalink https://escholarship.org/uc/item/42t7h05w Author Greene, Margaret Caroline Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO The Sound of Ghosts: Ghost Opera, Reformed Drama and the Staging of a New China, 1949-1979 A dissertation submitted in partial satisfaction of the requireents for the degree Doctor of Philosophy in History by Margaret C. Greene Committee in charge: Professor Joseph W. Esherick, Co-Chair Professor Paul G. Pickowicz, Co-Chair Professor Nancy Guy Professor Ari Larissa Heinrich Professor Weijing Lu 2013 Copyright Margaret C. Greene, 2013 All rights reserved. The Dissertation of Margaret C. Greene is approved, and it is acceptable in quality and form for the publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Co-Chair ________________________________________________________________________ Co-Chair University of California, San Diego 2013 iii DEDICATION Over the course of my studies, I have benefited from the wisdom and advice of many people. My advisors, Paul Pickowicz and Joseph Esherick, deserve the lion’s share of credit for herding me along the path from freaked out first year grad student to reasonably competent PhD candidate. They have been patient with my many missteps along the way, and I will always be grateful for the excellent training, advice, and support I have received from them along the way. One of the treasures of the UCSD Modern Chinese History program is Dr. -
A Companion to Modern Chinese Literature Blackwell Companions to Literature and Culture
A Companion to Modern Chinese Literature Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post‐canonical texts, orientating the beginning student in new fields of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field. Published Recently 73. A Companion to Romantic Poetry Edited by Charles Mahoney 74. A Companion to the Literature and Culture of the American West Edited by Nicolas S. Witschi 75. A Companion to Sensation Fiction Edited by Pamela K. Gilbert 76. A Companion to Comparative Literature Edited by Ali Behdad and Dominic Thomas 77. A Companion to Poetic Genre Edited by Erik Martiny 78. A Companion to American Literary Studies Edited by Caroline F. Levander and Robert S. Levine 79. A New Companion to the Gothic Edited by David Punter 80. A Companion to the American Novel Edited by Alfred Bendixen 81. A Companion to Literature, Film, and Adaptation Edited by Deborah Cartmell 82. A Companion to George Eliot Edited by Amanda Anderson and Harry E. Shaw 83. A Companion to Creative Writing Edited by Graeme Harper 84. A Companion to British Literature, 4 volumes Edited by Robert DeMaria, Jr., Heesok Chang, and Samantha Zacher 85. A Companion to American Gothic Edited by Charles L. Crow 86. A Companion to Translation Studies Edited by Sandra Bermann and Catherine Porter 87.