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PLATAFORMA: FINANCIA FUNDADORA Y ORGANIZADORA PRODUCE INVITAN ALIADOS PRINCIPALES AUSPICIADORES OFICIALES PATROCINAN AUSPICIADORES MEDIA PARTNERS MEDIOS COLABORADORES COLABORADORES DIRAC Ministerio de Relaciones Exteriores Gobierno de Chile Palabras 09 Words FILMS DE Film de Apertura 22 INAUGURACIÓN & Opening Feature CLAUSURA Film de Clausura 26 OPENING & CLOSING FILMS Closing Feature P. 22 Selección Oficial 28 EN COMPETENCIA Largometraje Internacional Official International IN COMPETITION Feature Selection P. 27 Selección Oficial 43 Largometraje Chileno Official Chilean Feature Selection Selección Oficial 53 Cortometraje Latinoamericano Official Latin American Short Film Selection Selección Oficial Cortometraje Infantil Latinoamericano FICVin FICVin Official Latin American 67 Children’s Short Film Selection CINEASTAS Sion Sono 75 INVITADOS Deborah Stratman 85 GUEST Socavón Cine FILMAKERS 92 P. 74 MUESTRA HOMENAJES MUESTRA RETROSPECTIVA PARALELA TRIBUTES RETROSPECTIVE SERIES OUT OF COMPETITION Alice Guy 102 La Lección de Cine 229 PROGRAM Lotte Reiniger 113 The Film Lesson Clásicos 232 P. 101 Maya Deren 121 Classics Colectivo del 126 Cabo Astica Totalmente Salvaje 236 Private Astica’s Collective Totally Wild Claudio Arrau 133 Vhs Erótico 239 Víctor Jara 137 Erotic Vhs 50 años 141 Wavelength MUESTRA UACH Wavelength 50 Years UACH PROGRAM La Gran Ola de Tokio 146 Muestra Facultad de 243 The Great Tokyo Wave Filosofía y Humanidades Espadas Voladoras: 156 Philosophy and Humanities School El Wuxia Taiwanés Program Flying Swords: Taiwanese Wuxia Muestra Facultad de 246 Giallo: Terror a la 166 Arquitectura y Arte Uach Italiana UACH Arquitecture and Arts Faculty Program MUESTRA DE CINE MUESTRA INFANTIL FICVin CONTEMPORANEO FICVin CHILDREN’S PROGRAM CONTEMPORARY CINEMA SERIES CINEMAS 261 Gala 176 CINEMAS Gala Nuevos Caminos 186 INDUSTRIA New Pathways INDUSTRY Disidencias 197 Dissidences P. 268 Nocturama 204 Nocturama CINE CHILENO 265 Primeras Naciones 206 DEL FUTURO First Nations FUTURE CHILEAN CINEMA Ventana Del Cine Chileno 214 Chilean Cinema Showcase AUSTRALAB 265 Ventana Del Cine Austral 222 AUSTRALAB Austral Cinema Showcase ABREVIATURAS D: Dirección Direction Abbreviations G: Guión Script P: Producción Production F: Fotografía Cinematography E: Montaje Editing S: Sonido Sound M: Música Music A: Animación Animation I: Intérpretes Cast PALABRAS Words PALABRAS 10 [24] FICVALDIVIA Ernesto Ottone Ramírez Ministro Presidente Consejo Nacional de la Cultura y las Artes El Festival Internacional de Cine de Valdivia es quizás uno de los ejemplos más ilustrativos de cómo la gestión cultural, cuando encuentra sus bases en un verdadero amor por lo que se fomenta, puede ser semilla de un fenómeno inusitado. Esto porque si bien comenzó como un espacio muy pequeño, casi como un cineclub universitario, hoy se consolida como uno de los certámenes cinematográficos independientes más importantes de América Latina. En la construcción de este estatus, han sido determinantes tanto el trabajo, pasión y visión de sus gestores, como el apoyo institucional por parte del Estado. Una colaboración de larga data, de la cual en el Consejo Nacional de la Cultura y las Artes nos sentimos orgullosos, especialmente porque hemos ampliado ese compromiso de acuerdo a la forma en que el festival mismo ha ido creciendo y complejizándose. Así, complementariamente al apoyo que entregamos a través del Programa de Apoyo a Festivales de Trayectoria, hemos desarrollado herramientas de colaboración para las nuevas plataformas que el propio certamen ha ido creando. Instancias que sin lugar a dudas están en sintonía con la visión que desde el Consejo de la Cultura tenemos con respecto al desarrollo de esta disciplina y su industria. En este sentido, quisiera destacar cómo el Festival Internacional de Cine de Valdivia está constantemente empujando los límites de su rango de acción más allá del evento mismo, tanto en el calendario anual de actividades, como en su circulación regional. A través de iniciativas de formación artística de nuevas audiencias, como también del fomento a la industria y al audiovisual nacional, poco a poco ha ido abriendo una plaza regional para el cine independiente desde el sur de Chile, acciones que están plenamente en sintonía con cada uno de los ejes estratégicos de la Política Nacional del Campo Audiovisual 2017-2022. Este año es especialmente importante para nuestra institución, ya que por tercer año consecutivo la Comisión Fílmica de Chile mantendrá una alianza en conjunto con el festival enfocada en la capacitación de audiovisualistas y actividades de formación dirigidas a los asistentes del certamen, las cuales contemplan invitados internacionales, talleres y mesas redondas. Además, este año se realizará el Primer Encuentro de Comisiones Fílmicas Regionales de Chile en el marco de esta vigésimo cuarta edición, donde se convocarán a todos los proyectos regionales que participan del Programa de Apoyo para la Creación y Fortalecimiento de Comisiones Fílmicas Regionales de Chile. Sin lugar a dudas estamos ante un espacio que se ha consolidado como un festival de gran prestigio internacional y que además se ha transformado en una instancia que se constituye en un nodo para el desarrollo de esta disciplina en todas sus dimensiones. Un aporte que valoramos tremendamente como institución y que esperamos como futuro Ministerio de las Culturas, las Artes y el Patrimonio, seguir apoyando en pos de su crecimiento y aporte al desarrollo cultural, tanto de esta región, como de todo el país. [24] FICVALDIVIA 11 WORDS Ernesto Ottone Ramírez Minister President National Council for Culture and the Arts The Valdivia International Film Festival is perhaps one of the most illustrative examples of how arts management can be the seed for an unexpected phenomenon, when it finds its basis in a lasting love for what is promoted. This is so because, even if it was born as a very small space, a university cinema club, today, it has consolidated as one of the most important independent cinematographic events in Latin America. In the construction of this status, both the work, passion and vision of its organizers, and the State’s institutional support have been decisive. A long-standing collaboration we at the National Council for Culture and the Arts feel proud of, especially now we have widened this commitment, matching the way in which the festival has grown and become more complex. Thus, in complement to the contributions we furnish via the Support Program for Long-running Festivals, we have developed collaboration tools for the new platforms the festival itself has created. Without a doubt, these instances are in alignment with the vision we have at the Culture Council, regarding the development of this discipline and its industry. In that sense, I would like to highlight how the Valdivia International Film Festival is constantly driving the limits of its range of action beyond the event itself, both in the annual activities calendar, and in its regional circulation. Through initiatives related to artistic education for new audiences, as well as for development of the audiovisual industry in the country, bit by bit, it has opened a regional space for independent cinema in southern Chile, actions that run completely in accordance with each of the strategic aims of the National Policy for the Audiovisual Field 2017-2022. This year is particularly important for our institution, since it is the third consecutive year the Film Commission Chile will maintain an alliance with the festival, focused on offering training for filmmakers and educational activities directed to festival attendees, which include international guests, workshops and round tables. Additionally, this year, the First Gathering of Regional Film Commissions in Chile will take place, as part of the festival’s 24th edition, congregating all the regional projects that participate in the Support Program for the Creation and Strengthening of Regional Film Commissions in Chile. We undoubtedly stand before a space that has consolidated as a greatly prestigious international festival, which has also become hub for the development of this discipline, in all its dimensions. As an institution, we greatly value this contribution, and we hope, as the future Ministry for Cultures, Arts and Heritage, to continue supporting it, in favor of its advancement and the contributions to cultural development it makes, in this region, and in the entire country. PALABRAS 12 [24] FICVALDIVIA Ricardo Millán Gutiérrez Intendente Región de Los Ríos La equidad es un valor fundante que ha identificado al Gobierno de la Presidenta Michelle Bachelet. Las dimensiones de ésta deben alcanzar tantos dominios como sean necesarios para asegurar igualdad de oportunidades que permitan el desarrollo de las potencialidades de los individuos y los colectivos de nuestra sociedad. Por eso hemos sostenido reformas claves en términos políticos, educacionales y laborales. El acceso al arte y la cultura, tanto en el rol de creador como en el rol de espectador, son también básicos para asegurar un desarrollo justo y democrático. Es por esto que hemos trabajado como Gobierno Regional en una serie de iniciativas donde, probablemente las más relevantes están relacionadas con infraestructura, que nos permitirán rescatar históricos teatros de la región y la creación de una Política Regional de Cultura e Identidad. También nos hemos sumado con entusiasmo en apoyar diversas iniciativas culturales que nacen desde bases ciudadanas y que constituyen la matriz básica para un
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    Currents: Re-Viewing Cineprobe, 1968–2002 October 24, 2019 –November 20, 2019 Thursday, October 24 7:30pm One P.M. (One Parallel Movie). 1971. USA. Directed by D. A. Pennebaker, with Jean-Luc Godard, Richard Leacock. With LeRoi Jones, Eldridge Cleaver, Rip Torn, Tom Hayden, the Jefferson Airplane. 16mm. 95 min. Money. 1984. USA. Directed by Henry Hills. With John Zorn, Susie Timmons, Sally Silvers, Ron Silliman, James Sherry, Peter Hall, David Moss, Mark Miller, Christian Marclay, Arto Lindsay, Pooh Kaye, Fred Frith, Alan Davies, Tom Cora, Jack Collom, Yoshiko Chuma, Abigail Child, Charles Bernstein, Derek Bailey, Bruce Andrews. 16mm. 14 min. Friday, October 25 4:30pm Five Films by Nathaniel Dorsky Pneuma. 1983. USA. Directed by Nathaniel Dorsky. 16mm. 28 min. 17 Reasons Why. 1985–87. USA. Directed by Nathaniel Dorsky. With Konrad Steiner, Peter Herwitz, Hiromi Makepeace, Jerome Hiler, Larry Fagin, Robert Kocik, Sara Mannheimer. 16mm. 19 min. Variations. 1992–98. USA. Directed by Nathaniel Dorsky. 16mm. 24 min. The Visitation. 2002. USA. Directed by Nathaniel Dorsky. 16mm. 18 min. Compline. 2009. USA. Directed by Nathaniel Dorsky. 16mm. 18:30 min. Program 108 min. 7:30pm Films by Stan Brakhage and Phil Solomon He Was Born, He Suffered, He Died. 1974. USA. Directed by Stan Brakhage.16mm. 7:30 min. Nightmare Series. 1978. USA. Directed by Stan Brakhage. 16mm. 20 min. The Thatch of Night. 1990. USA. Directed by Stan Brakhage. 16mm. 5 min. Elementary Phrases. 1994. USA. Directed by Stan Brakhage, Phil Solomon. 16mm. 34:30 min. Clepsydra. 1994. USA. Directed by Phil Solomon. 16mm. 14 min.
  • Jugend Medienschutz-Report

    Jugend Medienschutz-Report

    Jugend Medien Schutz-Report 2/07 Fachzeitschrift zum Jugendmedienschutz mit Newsletter April 2007 Inhaltsverzeichnis Heftmitte/Beihefter: Aktuelle Entscheidungen im April 2007 AUFSÄTZE / BERICHTE (INDIZIERUNGEN / BESCHLAGNAHMEN) 2 Christiane Pröhl: Beschwerdeflut beim Werberat – Mehr Eingaben gegen weniger Werbekampagnen 3 Dirk Nolden: KJM-Test zeigt: Jugendschutzfilter genügen INDIZIERUNGS-LISTEN bisher nicht den gesetzlichen Anforderungen 4 Jörg Weigand: Vom Leihbuchschreiber zum Bestsellerautor: 13 Listenteile A und B (gem. § 18 Abs. 2 Nr. 1, 2 JuSchG) Heinz G. Konsalik – Ein Autorenporträt sowie sog. Liste E (Einträge vor dem 01.04.2003) 13 1. Filme (Videos/DVDs/Laser-Disks): 2958 STATISTIKEN 35 2. Spiele (Computer-/Video-/Automatenspiele): 476 2 Beschwerdestatistik 2006 des Deutschen Werberates 39 3. Printmedien (Bücher/Broschüren/Comics etc.): 224 10 Jahresstatistik 2006 der Bundesprüfstelle (BPjM) 42 4. Tonträger (Schallplatten/CDs/MCs): 650 RECHTSPRECHUNG 48 Listenteile C und D (gem. § 18 Abs. 2 Nr. 3, 4 JuSchG) 65 BGH, Urteil vom 15.03.07, Az.: 3 StR 486/06: Durchgestrichenes Hakenkreuz kein verbotenes Kenn- 48 5. Telemedien zeichen nach § 86 a StGB – Nichtöffentliche Listenteile, daher kein Abdruck – 68 VG München, Beschluss vom 31.01.2007, Az.: M 17 S 07.144: Pornographische Angebote im Internet ohne wirksame Zugangsbeschränkung BESCHLAGNAHME-LISTE 72 OLG Celle, Beschluss vom 13. Februar 2007, 48 6. Sonderübersicht Az.: 322 Ss 24/07: Unzulässige Posendarstellung von beschlagnahmter/eingezogener Medien: 601 Kindern und Jugendlichen im Internet Regelmäßige Anordnungsgründe/Straftatbestände: • Volksverhetzung, §§ 86a, 130, 130a StGB KURZNACHRICHTEN • Gewaltverherrlichung, § 131 StGB 5 BGH: Durchgestrichenes Hakenkreuz kein verbotenes • harte Pornographie, §§ 184a, 184b StGB Kennzeichen ◆ BGH: Forenbetreiber haften für fremde Beiträge ab Kenntnis ◆ Holocaust-Leugner Rudolf ver- ◆ SONDERÜBERSICHTEN urteilt ULR/HAM: Neue Medienanstalt hat Arbeit auf- genommen ◆ Bei Europas größter Schülerplattform steht 55 7.