PROGRAMA CINEUROPA.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

PROGRAMA CINEUROPA.Pdf ALCALDE DE SANTIAGO: Ana Parga Miguel Ángel Varela Gerardo Conde Roa Ángela Pereira Paula G. Iglesias Luz Verde C0NCELLEIRO DE CULTURA RESPONSABLES DE SALAS: Ángel Currás Fernández GABINETE TÉCNICO TEATRO PRINCIPAL TEATRO PRINCIPAL: Montse Cillero DIRECTOR Deborah Esser Romero e Lucía Ferreiro Xesús Amado José Luis Losa García SALÓN TEATRO: RESPONSABLE DE PRENSA XERENTE CINEUROPA Belen Brandido Paula Roca Luz Guldrís Iglesias SEDE NOVACAIXAGALICIA CSM: ÁREA TÉCNICA DE PROXECCIÓNS: COORDINADOR SECCIÓN CINEMATOGRÁFICA Ana Salgado TÉCNICOS DE SUBTITULADO: GALEGA SOFTITULAR CGAC: Martin Pawley TÉCNICO DE PROXECTORES: Cristina Trigo COORDINACIÓN SECCIÓN DOCS: José Manuel Fuentes PERSOAL AUXILIAR: DOCUMENTOS: Especialista en visionados películas: Proxeccionistas Mike Farthing Emilio Baños Moisés González Responsable tráfico de películas: COORDINADOR SECCIÓN CONEXIÓN BOS Francisco Sánchez Francisco Balado AIRES: José Antonio Tenreiro Javier Porta TRADUCTORES GALEGO: José Manuel Budiño Boquela traductores COORDINACIÓN SECCIÓN DOC-MUSIC: PRESENTADOR DIRECTORES INVITADOS: Xavier Valiño TRADUCTOR INGLÉS: Moncho Lemos Fernando G. Iglesias AUDITORIO DE GALICIA: PERSOAL DE ATENCIÓN DE SALAS: DIRECTOR XERENTE RELACIÓNS PÚBLICAS: Heima Tours José Victor Carou Rosa Portela e Laura Pérez P&P azafatas GABINETE TÉCNICO AUDITORIO TÉCNICO ELABORACIÓN BASE DE DATOS: ASISTENCIA TÉCNICA: David Areán Pedro Lucas HumanPro Chus Busto MONTAXE DE GALAS: DESEÑO GRÁFICO: Miriam F. Louzao Kachet Maizcreativos Carlos Millán Silvia Modia EQUIPO ADMINISTRATIVO: Ángeles Otero Sandra Otero cineuropa.compostelacultura.org • www.compostelacultura.org Novembro é xa sinónimo de Cineuropa en Compostela. E é así porque desde hai 25 anos os composteláns sabemos que neste mes temos unha cita ineludible co mellor cinema do mundo, sabemos que en novembro poderemos gozar, sen saír da nosa cidade, deses títulos dos que escoitamos falar ao longo do ano porque brillaron en festivais internacionais como Berlín, Bos Aires, Cannes, Locarno, Venecia ou San Sebastián. E así, un ano máis, a nosa cidade vístese de cine e recibe, entre outros, os filmes máis controvertidos de Cannes, os aínda recentes León de Ouro de Venecia e Concha de Ouro de San Sebastián ou o Premio da Crítica de Berlín. E ao lado destes títulos e directores máis chamativos, a posibilidade de mergullarse nos máis de 140 filmes que Cineuropa trae da súa man neste 25 aniversario. En definitiva, o mellor do cinema latinoamericano, asiático e, por suposto, europeo. E como 25 anos non se cumpren todos os días, este ano o Festival vén cargado de agasallos para celebrar este aniversario: unha retrospectiva especial XXV Anos de Cineuropa onde poderemos ver algúns dos títulos máis importantes que pasaron polo festival; un concerto no que a música de Shostakovich, interpretada pola Real Filharmonía de Galicia, fúndese coas imaxes de ‘A nova Babilonia’ no Auditorio de Galicia; e outro recital, co selo do gañador dun Oscar, Jorge Drexler, que poñerá, por un día, pausa á pantalla do Principal para ofrecernos a súa música e ao que lle entregaremos o Premio Cineuropa. O outro Premio Cineuropa deste ano será para unha actriz poderosa que pisou xa hai algúns anos o escenario do Principal, Aitana Sánchez-Gijón. Polo demais, como sempre contaremos coa Sección Oficial, Panorama Internacional, Cinefilias, Docs Cineuropa, Mundo Asia, Conexión Bos Aires, Panorama Audiovisual Galego, Maratón e O meu primeiro Cineuropa, o cine para os máis pequenos, ao que lle hai que engadir o Doc Music: Todo sobre Elvis, Ciclo Escola de Berlín, Foco Andrés Veiel, coloquios con varios directores, a celebración de diferentes mesas de debate e, como xa comentábamos, unha retrospectiva especial XXV Anos de Cineuropa. Cineuropa é, definitivamente, patrimonio cultural da nosa cidade. E como tal, celebramos esta nova edición e convidámolos a todos a que rebusquen no programa, elixan e se deixen levar pola maxia do cinema un ano máis. Ángel Currás Fernández Tenente de Alcalde Concelleiro de Cultura, Educación e Normalización Lingüística BENVIDOS/AS JOSÉ LUIS LOSA. DIRECTOR DE CINEUROPA. Un festival de cinema, competitivo ou con xurado popular, debe acoutar o seu espazo, as súas propostas de debate en torno á creación, as reflexións sobre as imaxes do presente e do futuro que vai decantando a través do seu programa. Debe, en definitiva, afinar a demarcación ética e artística que lle concirne e ser dunha fidelidade férrea a ese territorio. Só así se consolida e perdura. Non hai outra liña de continuidade que a de gañar o respecto dos que van habitar as salas durante case un mes. Unicamente baixo esa premisa é factible achegarse a un público crítico, non embrutecido pola polución da imaxe-lixo, e propoñerlle un pacto honesto, exento de paternalismos e de falsas poses de elitismo ou avant- garde que pronto envellecen. Un festival de cinema débelle poder mirar ao espectador aos ollos e suxerirlle un proceso de vivencia en común, unha participación activa nesa aventura que supón explorar na ramaxe dos creadores con coraxe: dos que miran lonxe, cara á abstracción, e dos cineastas entomólogos da realidade. Así se cimentou este foro de gozo e de paixón polo cinema que pode ser Cineuropa, como unha ágora, ou un último val que entre todos/as construímos no medio dunha paisaxe exterior, un páramo, artisticamente reducido a cinsas. Agora que se cumpren vinte e cinco anos do nacemento deste val do cinema, cabe máis que nunca repensarmos o camiño andado, convivido xa con varias xeracións de espectadores activos que madurarían nas súas idades e nos seus gustos, da mesma forma que o cinema que nos interesa, o que propón risco e epifanía, é un continuo work in progress que non permite quedar varado. O cinema e a vida baséanse no movemento. No Principal, e no resto de salas anexionadas a este festival, flúen as historias e as existencias de autores e espectadores que non queren permanecer quietos. Máis ca nunca, en tempos difíciles coma estes, non parece a quietude a mellor solución. Por iso as imaxes en torno ás cales xira a viaxe desta XXV edición de Cineuropa levan a sinatura de aventureiros ou visionarios do cambio, da superación das convencións: Bela Tarr, Shion Sono, Bruno Dumont, Bertrand Bonello, Aki Kaurismaki, Aleksandr Sokurov, Valérie Donzelli, os irmáns Dardenne, Isaki LaCuesta, Jerzy Skolimovsky, Hirokazu Kore-Eda ou Monte Hellman, entre outros, parecen boa compañía para un itinerario, unha estrada asfaltada sobre chan libérrimo, que nos afaste da turba. Neles concéntranse as miradas dos que hoxe perseguen un cinema e un mundo revivificado. Cando Cineuropa naceu, e creo que isto dá unha medida das transformacións das imaxes e da Historia, aínda existía o Muro de Berlín. Este ano ofrecemos un ciclo de notable interese sobre a chamada “Escola de Berlín”, os cineastas mozos que saíron de entre os cascallos do novo milagre alemán reunificado. Os muros que nos cercan hoxe non son físicos. O que nos esmaga é a hexemonía da cultura-lixo envasada ao baleiro. Por iso debemos movernos, perdernos nos xardíns que nos brindan os autores destas 150 historias que conforman Cineuropa en 2011. Ao longo destas XXV edicións, e malia esa apoloxía do movemento perpetuo, houbo sólidas claves de bóveda que nos permitiron non parar: o Concello de Santiago, a súa concellaría de Cultura e mais o Consorcio da Cidade de Santiago, que nos sosteñen fielmente. O público, cuxas células se renovaron por completo unhas cinco veces, pero que segue sendo o motor crítico desta viaxe. Cineuropa non sería o que é sen o seu equipo. Quero salientar, moi especialmente, a paixón e mais a profesionalidade que pon desde o comezo, na sala de máquinas, Luz Guldrís, con quen comparto as alegrías e os incendios por apagar no día a día de Cineuropa. Inimaxinable que toda esta engrenaxe fluíse sen ela. E noutra orde de cousas, se queren que alguén lles conte de verdade de que vai a película, e todo o que cambiou nestes 25 anos, o mellor é que suban á sala de proxeccións e llo pregunten a Moisés González, o home que viu demasiado. Xa sei que a continuidade dunha boa nova non é noticia. Pero esta maduración de Cineuropa como parte dun proxecto cultural cívico, ese ambiente de tensión ilusionada que pervive entre os que lle inxectan vida, merece se mo permiten o meu titular: Nunca haberá palabras para agradecerlles tanta nobre complicidade. I 10 VENDA DE LOCALIDADES Localidades á venda no teléfono 902434443 Venda de localidades na internet www.novagaliciabanco.es Horario do despacho de billetes: A partir das 15:00h no Teatro Principal, No Salón Teatro unha hora antes da proxección As proxeccións que se realicen na Sede Novacaixagalicia C.S.M. (Rúa do Vilar, 19) e no CGAC son de entrada libre ata completar aforo As galas dos premios Cineuropa e a entrada do concerto da Real Filharmonía de Galicia son de entrada gratuita previa recollida da localidade na billeteira do Teatro Principal PREZO DA ENTRADA: 3 euros PREZO DO ABONO PARA 10 PELÍCULAS: 20 euros PREZO PARA O MARATÓN: 5 euros PREZO DO PROGRAMA: 1 euro Este calendario está sometido a posibles cambios, consultade a carteleira diaria www.compostelacultura.org cineuropa.compostelacultura.org I 11 DO 9 DE NOVEMBRO AO 2 DE DECEMBRO DE 2011 MÉRCORES 09 VENRES 11 TEATRO PRINCIPAL TEATRO PRINCIPAL 20:30 Gala de Inauguración. Acto de entrega do Premio 17:30 NOVIAS - MADRINAS - 15 AÑOS Cineuropa a Aitana Sánchez-Gijón Diego Levy e Pablo Levy Proxección OVIEDO EXPRESS 18:30 IBIZA OCCIDENTE Gonzalo Suárez Günter Schwaiger 20:00 MEDIANERAS XOVES 10 Gustavo Taretto 22:15
Recommended publications
  • JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
    Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history.
    [Show full text]
  • AZ TIFF 2016.Pdf
    4. APERITIFF 27.05 – 05.06.2016 27.05 – 05.06.2016 APERITIFF .5 Paul Dédalus remembers his childhood in Roubaix... GALA DE DESCHIDERE TOATE FILMELE DE LA A LA Z His mother’s insane outbursts... The bond between 6,9 PE SCARA RICHTER himself and his younger brother, Ivan, a pious and (6.9 on the Richter Scale, România- ALL FILMS FROM A TO Z violent child... He remembers when he was nineteen, Bulgaria-Ungaria, 2016) 116’ his sister Delphine, his cousin Bob... And above all, R. Nae Caranfil. Cu: Teodor Corban, Laurenţiu Paul remembers Esther. She was the center of his Bănescu, Maria Obretin, Simona Arsu. life. This year’s César Award for Best Director! Un actor de teatru de 40 şi ceva de ani navighea- ză cu greu între un rol complicat într-un spec- MIDNIGHT DELIRIUM - HORROR tacol de muzical, o nevastă geloasă până la de- LATINOAMERICAN presie şi obsesia marelui cutremur devastator, zie se ia împreună: ce vor face cu pruncul pe care 36 DE PAŞI anunţat ca iminent de toţi experţii. Reapariţia Astrid îl poartă acum, însărcinată în luna a şa- (36 pasos / 36 Steps, Argentina, 2006) 97’ intempestivă, după decenii de absenţă, a pro- sea? Tocmai au aflat ca acesta suferă de un grav R. Adrián García Bogliano. Cu: Noelia Balbo, Inés priului său tată, manipulator şi amoral, îi va da handicap... Sbarra, Victoria Witemburg. viața peste cap. Premieră mondială la TIFF! # The stage lights, the applause - Astrid loves being a Mai multe fete pregătesc o petrecere de aniversa- A Romanian actor in his fourties faces the chal- cabaret performer, and loves her tolerant and sup- re într-o casă din afara oraşului.
    [Show full text]
  • 1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
    1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company.
    [Show full text]
  • Kiejziewicz the Nuclear Technology Debate Returns
    TRANSMISSIONS: THE JOURNAL OF FILM AND MEDIA STUDIES 2017, VOL.2, NO. 1, PP. 117-131. Agnieszka Kiejziewicz Jagiellonian University The nuclear technology debate returns. Narratives about nuclear power in post-Fukushima Japanese films Abstract The presented article revolves around the widespread debate on the Fukushima catastrophe in Japanese cinematography and the artists’ responses to the incident. They give the viewers clues on how to understand the reasons and results of the Fukushima nuclear disaster, as well as how to perceive nuclear technology after the catastrophe. The author analyses the chosen post-Fukushima films, points out the recurring depictions, and deliberates on the ways of presenting nuclear power. The analysis starts with a brief comparison of post-Hiroshima and post-Fukushima cinematography. The author then focuses on activists’ art in the form of anti-nuclear agitation (Nuclear Japan, 2014 by Hiroyuki Kawai) and pictures that can be classified as shōshimin-eiga: Kebo no kuni (The Land of Hope, 2012) and Leji (Homeland, 2014). The third part of the article puts emphasis on the description of the catastrophe as a “new beginning”, as Takashi Murakami presents it in Mememe no kurage (Jellyfish Eye, 2013). The debate on nuclear technology also appears in the remake of the story about the best-known Japanese monster, Godzilla, reactivated by Hideaki Anno in the post-Fukushima film Shin Gojira (New Godzilla, 2016). The last part of the paper presents the Western point of view and covers analysis of films such as Alain de Halleux’s Welcome to Fukushima (2013), Doris Dörrie’s Grüße aus Fukushima (Fukushima, My Love, 2016) or Matteo Gagliardi’s Fukushima: A Nuclear Story (2015).
    [Show full text]
  • Descargar Catálogo 2017
    PLATAFORMA: FINANCIA FUNDADORA Y ORGANIZADORA PRODUCE INVITAN ALIADOS PRINCIPALES AUSPICIADORES OFICIALES PATROCINAN AUSPICIADORES MEDIA PARTNERS MEDIOS COLABORADORES COLABORADORES DIRAC Ministerio de Relaciones Exteriores Gobierno de Chile Palabras 09 Words FILMS DE Film de Apertura 22 INAUGURACIÓN & Opening Feature CLAUSURA Film de Clausura 26 OPENING & CLOSING FILMS Closing Feature P. 22 Selección Oficial 28 EN COMPETENCIA Largometraje Internacional Official International IN COMPETITION Feature Selection P. 27 Selección Oficial 43 Largometraje Chileno Official Chilean Feature Selection Selección Oficial 53 Cortometraje Latinoamericano Official Latin American Short Film Selection Selección Oficial Cortometraje Infantil Latinoamericano FICVin FICVin Official Latin American 67 Children’s Short Film Selection CINEASTAS Sion Sono 75 INVITADOS Deborah Stratman 85 GUEST Socavón Cine FILMAKERS 92 P. 74 MUESTRA HOMENAJES MUESTRA RETROSPECTIVA PARALELA TRIBUTES RETROSPECTIVE SERIES OUT OF COMPETITION Alice Guy 102 La Lección de Cine 229 PROGRAM Lotte Reiniger 113 The Film Lesson Clásicos 232 P. 101 Maya Deren 121 Classics Colectivo del 126 Cabo Astica Totalmente Salvaje 236 Private Astica’s Collective Totally Wild Claudio Arrau 133 Vhs Erótico 239 Víctor Jara 137 Erotic Vhs 50 años 141 Wavelength MUESTRA UACH Wavelength 50 Years UACH PROGRAM La Gran Ola de Tokio 146 Muestra Facultad de 243 The Great Tokyo Wave Filosofía y Humanidades Espadas Voladoras: 156 Philosophy and Humanities School El Wuxia Taiwanés Program Flying Swords: Taiwanese Wuxia Muestra Facultad de 246 Giallo: Terror a la 166 Arquitectura y Arte Uach Italiana UACH Arquitecture and Arts Faculty Program MUESTRA DE CINE MUESTRA INFANTIL FICVin CONTEMPORANEO FICVin CHILDREN’S PROGRAM CONTEMPORARY CINEMA SERIES CINEMAS 261 Gala 176 CINEMAS Gala Nuevos Caminos 186 INDUSTRIA New Pathways INDUSTRY Disidencias 197 Dissidences P.
    [Show full text]
  • Sion Sono Programa Del 26 De Febrero Al 3 De Marzo De 2018
    Ulima | Sala de Cine Ventana Indiscreta | Ciclo de Directores: Sion Sono Programa del 26 de febrero al 3 de marzo de 2018 Funciones Lunes 26 Martes 27 Miércoles 28 Jueves 1 Viernes 2 Sábado 3 El club del suicidio Strange Circus Love Exposure Cold Fish (Tsumetai nettaigyo) El romance y la culpa 9.00 horas (Jisatsu sâkuru) (Kimyô na sâkasu) (Ai no mukidashi) Dirección: Sion Sono (Koi no tsumi) Love Exposure Dirección: Sion Sono Dirección: Sion Sono Dirección: Sion Sono Género: Drama, terror Dirección: Sion Sono (Ai no mukidashi) Género: Drama, terror Género: Drama, misterio Género: Drama, comedia Actores: Mitsuru Fukikoshi, Género: Drama, cine negro Dirección: Sion Sono Actores: Ryo Ishibashi, Akaji Actores: Masumi Miyazaki, Issei Actores: Takahiro Nishijima, Denden, Asuka Kurosawa, Actores: Megumi Kagurazaka, Género: Drama, comedia Maro, Masatoshi Nagase, Saya Ishida, Rie Kuwana, Seiko Hikari Mitsushima, Sakura Megumi Kagurazaka, Hikari Miki Mizuno, Makoto Togashi, Actores: Takahiro Nishijima, 13.00 Hagiwara, Hideo Sako Iwaidô Andô, Yutaka Shimizu Kajiwara Kazuya Kojima Hikari Mitsushima, Sakura País: Japón País: Japón País: Japón País: Japón País: Japón Andô, Yutaka Shimizu horas Año: 2001 Año: 2005 Año: 2008 Año: 2010 Año: 2011 País: Japón Idioma: Japonés con subtítulos Idioma: Japonés con subtítulos Idioma: Japonés con subtítulos Idioma: Japonés con subtítulos Idioma: Japonés con subtítulos Año: 2008 en castellano en castellano en castellano en castellano en castellano Idioma: Japonés con subtítulos Duración: 1 h 39 m Duración: 1 h
    [Show full text]
  • Sion Sono's Science Fiction Films
    Remembering the Future: Sion Sono’s Science Fiction Films Andreas Jacobsson, Karlstad University, Sweden Abstract This article focuses on two science fiction films by the Japanese film auteur Sion Sono: The Land of Hope (2012) and The Whispering Star (2015). The aim of the article is to analyse the two films as a critique of the aftermath to the 3/11 disaster in Fukushima in 2011; highlighting the potentially disastrous ecological effects that the meltdown of nuclear power plants can have on the future for humanity and life on earth. The analytical framework is based on the film philosophical concepts belief in images and time, the film studies concept slow cinema and the science fiction concept counter-futurism. The analysis of the films clarifies how time and duration is used to problematise a future without an actual future in relation to a nuclear disaster. One conclusion is that Sono’s entries in the genre can be regarded as a contemporary phase of the Japanese ‘imagination of disaster’, adding new counter-futurist critical ideas to the cross-section of film- philosophy and science fiction film. Keywords: Sion Sono; 3/11 disaster; Japanese science fiction; counter-futurism; slow cinema In this article I will analyse two very different science fiction films by the Japanese film auteur Sion Sono (1961–): the nuclear disaster family melodrama The Land of Hope (2012) and the low-key experimental space- travel drama The Whispering Star (2015). Sono’s entries in the science fiction genre, as I will show, entails both a reimagining of nuclear disasters and a renewal of science fiction film in Japan.1 The way the films are aesthetically structured also motivates including them in the ongoing critical dialogue on the use of film as philosophically motivated sources of knowledge to think with, to develop new ideas, and to create new concepts for understanding and impacting life (Colebrook 2001; Deleuze 1986; 1989).
    [Show full text]
  • Programm / Oktober / 2016
    / 10 / 16 Meine Zeit mit Cézanne ≥ Kino in der Pumpe / Kommunales Kino Kiel Programm / Oktober / 2016 Nouveau Cinéma Français > Propaganda – Das Kino der NS-Zeit & Die Jahre danach – Deutscher Film 1946-1964 neu in Kiel: Meine Zeit mit Cézanne > Schneider vs. Bax > Whispering Star > 1001 Nacht Seniorenkino – 15:00 Kaffee & Kuchen neu in Kiel neu in Kiel 13³ Birnenkuchen mit Lavendel 18³ Raving Iran 20∏ Mali Blues 1 06 16∂ Julia Eric Besnard · F 2016 · 97 Min Susanne Regina Meures · CH 2016 · 84 Min Lutz Gregor · D 2016 · 93 Min · FSK nv ----- ------------------------- ---------- ------------------------- ---------- ------------------------- ------------- 2 07 ----- --------------- -------------------- --------------- -------------------- ------------ ------------------------- - neu in Kiel 20∏ The Whispering Star – Hiso hiso boshi 3 01 Sion Sono · Jap 2015 · 100 Min · OmU Mit Megumi Kagurazaka, Kenji Endo, Yuto Ikeda, ----- ----- ------------------------- ----- ----- ------------------------- ----- ------------------------Kouko Mori -------------- 4 02 ----- -------------------- --------------- -------------------- --------------- ----------- ------------------------- -- 5 03 ----- ---------- ------------------------- ---------- ------------------------- ----------------------- --------------- neu in Kiel IRRE gute Filme neu in Kiel 16³ Meine Zeit mit Cézanne – Cézanne et moi 19∂ Hedi Schneider steckt fest 21∂ Meine Zeit mit Cézanne – Cézanne et moi 6 04 Danièle Thompson · F 2016 · 113 Min · Mit Sonja Heiss · NOR/D 2015 · 92 Min Danièle
    [Show full text]
  • Catalogo-FICVALDIVIA-24-2017.Pdf
    PLATAFORMA: FINANCIA FUNDADORA Y ORGANIZADORA PRODUCE INVITAN ALIADOS PRINCIPALES AUSPICIADORES OFICIALES PATROCINAN AUSPICIADORES MEDIA PARTNERS MEDIOS COLABORADORES COLABORADORES DIRAC Ministerio de Relaciones Exteriores Gobierno de Chile Palabras 09 Words FILMS DE Film de Apertura 22 INAUGURACIÓN & Opening Feature CLAUSURA Film de Clausura 26 OPENING & CLOSING FILMS Closing Feature P. 22 Selección Oficial 28 EN COMPETENCIA Largometraje Internacional Official International IN COMPETITION Feature Selection P. 27 Selección Oficial 43 Largometraje Chileno Official Chilean Feature Selection Selección Oficial 53 Cortometraje Latinoamericano Official Latin American Short Film Selection Selección Oficial Cortometraje Infantil Latinoamericano FICVin FICVin Official Latin American 67 Children’s Short Film Selection CINEASTAS Sion Sono 75 INVITADOS Deborah Stratman 85 GUEST Socavón Cine FILMAKERS 92 P. 74 MUESTRA HOMENAJES MUESTRA RETROSPECTIVA PARALELA TRIBUTES RETROSPECTIVE SERIES OUT OF COMPETITION Alice Guy 102 La Lección de Cine 229 PROGRAM Lotte Reiniger 113 The Film Lesson Clásicos 232 P. 101 Maya Deren 121 Classics Colectivo del 126 Cabo Astica Totalmente Salvaje 236 Private Astica’s Collective Totally Wild Claudio Arrau 133 Vhs Erótico 239 Víctor Jara 137 Erotic Vhs 50 años 141 Wavelength MUESTRA UACH Wavelength 50 Years UACH PROGRAM La Gran Ola de Tokio 146 Muestra Facultad de 243 The Great Tokyo Wave Filosofía y Humanidades Espadas Voladoras: 156 Philosophy and Humanities School El Wuxia Japonés Program Flying Swords: Taiwanese Wuxia Muestra Facultad de 246 Giallo: Terror a la 166 Arquitectura y Arte Uach Italiana UACH Arquitecture and Arts Faculty Program MUESTRA DE CINE MUESTRA INFANTIL FICVin CONTEMPORANEO FICVin CHILDREN’S PROGRAM CONTEMPORARY CINEMA SERIES CINEMAS 261 Gala 176 CINEMAS Gala Nuevos Caminos 186 INDUSTRIA New Pathways INDUSTRY Disidencias 197 Dissidences P.
    [Show full text]
  • Kinotayo Festival of Contemporary Japanese Film
    KINOTAYO FESTIVAL OF CONTEMPORARY JAPANESE FILM 6th edition: 8-29 November 2011 www.kinotayo.fr As every year, KINOTAYO association is determined to honor contemporary Japanese cinema by selecting 17 films which represents Japanese production’s quality and diversity. The works provides a different perspective on the modern side of a country, in which the director’s imaginary reflects hopes and concerns of the whole era. While Japan still suffers from the struck of greatest disaster since Second World War, we decided to keep continue the festival to understand better a country, whose attitude won worldwide respect. This is also an opportunity for KINOTAYO to support, though symbolically, Japanese film industry which has been indirectly affected by this disaster. 6 films will be in competition. Spectators will escape into the Japanese path and witness the profound love of a couple (My Wife by Yukinari HANAWA) investigate a traumatic childhood (Into the White Night by Yoshihiro FUKAGAWA), in search for a fanciful writer (Love and Treachery by Hitoshi YAZAKI), life in the village of Kabuki (Someday by Junji SAKAMOTO), enter in the heart of a drama pushing back limits of human experimentation (When I Kill Myself by Ryo NAKAJIMA) and a preview of the latest film of the most popular Japanese director in France recently: Naomi KAWASE takes us into the mountainous region of Asuka to an initiatory quest in search of happiness (Hanezu). 4 unreleased films will be out of competition. The two obsessional masterpieces of an inimitable director Sion SONO (Cold Fish and Guilty of Romance), a French documentary screened at preview, about the life of Osamu DAZAI, a great Japanese writer unknown in the West (A Whispered Life by Marie-Francine LE JALU and Gilles SIONNET) and a short experimental film of a poet Shuji TERAYAMA dating 1979 (Grass Labyrinth).
    [Show full text]
  • The Whispering Star
    präsentiert THE WHISPERING STAR ein Film von Sion Sono Kinostart: 26. Mai 2016 Verleih gefördert durch Pressebetreuung Verleih PressePlus Rapid Eye Movies HE GmbH Claudia Göttler Niehler Straße 318 Mozartstr. 15 50735 Köln 50674 Köln Tel: 0221 660 660 88 Tel: 0221 569 579 0 Mobil: 0176 544 076 21 Fax: 0221 569 579 99 [email protected] [email protected] Pressematerial / Informationen Über unsere Homepage www.rapideyemovies.de haben Sie die Möglichkeit, sich Pressematerial herunterzuladen. Sollten Sie Zugangsdaten benötigen, wenden Sie sich bitte an: [email protected]. THE WHISPERING STAR 2 Credits ................................................................................................. 4 Kurzinhalt .......................................................................................... 5 Pressenotiz........................................................................................ 6 Director’s Note ................................................................................ 7 Regisseur und Drehbuchautor Sion Sono ............................. 7 Hauptdarstellerin Megumi Kagurazaka .............................. 10 Kameramann Hideo Yamamoto ............................................. 11 Festivals ........................................................................................... 12 Pressestimmen ............................................................................. 13 THE WHISPERING STAR 3 .......................................................................................................
    [Show full text]
  • Unabridged Cannes Product Guide + Stills
    CANNES PRODUCTPRODUCT GUIDEGUIDE Sarah Wharton comments from them about the Tennis 10 REGOLE PER FARE 7 & 7 PRODUCERS’ Delivery Status: Screening world of today. Featured in this INNAMORARE Over the course of one night, an programme are such stars as : FRED AKA: 10 RULES FOR FALLING IN SALES SERVICE underachieving twenty-something must PERRY, ROD LAVER, PANCHO 7 & 7 Producers’ Sales Service, 122 LOVE re-examine his listless life and battle his GONZALES, KEN ROSEWELL, ILIE Teen Romantic Comedy (93 min.) Walton Street, London, SW3 2JJ UK, pot-dealing roommate to win over the NASTASE, ROY EMERSON, FRED Language: Italian Tel: +44(0)7814.681335 girl of his dreams. STOLLY, JOHN MACENROE, IVAN Director: Cristiano Bortone www.producerssalesservice.com, TORTOISE IN LOVE LENDL, ANDRE AGASSI. Writer: Cristiano Bortone, Fausto Brizzi [email protected] Romantic Comedy (81 min) Producer: Orisa Produzioni - Orkestra At Cannes: Maura Ford (Managing AFRICAN ODYSSEY Language: English 2012Wildlife Documentary (13x30 min OR Entertainment Director - Sales), Antony Ford (Company Director: Guy Browning 1x52 min) Key Cast: Guglielmo Scilla, Vincenzo Director - Acquisitions) Writer: Guy Browning Language: English Salemme, Enrica Pintore Office: Lerins R1, Tel: Co-Production Partners: Immense Director: Joanne Goldring Cohen Delivery Status: Completed +33(0)6.11.78.28.59 CARELESS LOVE Productions LLP. Writer: Joanne Goldring Cohen Year of Production: 2012 Country of Drama (105 min) Producer: Steffan Aquarone Executive Producer: Eliot Cohen Origin: Italy Language:
    [Show full text]