SPRING 2017 3 Indicated, I Am Interested in the Normative Claims That My Research Raises
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Now Let Us Come Before Him Nun Laßt Uns Gehn Und Treten 8.8
Now Let Us Come Before Him Nun laßt uns gehn und treten 8.8. 8.8. Nun lasst uns Gott, dem Herren Paul Gerhardt, 1653 Nikolaus Selnecker, 1587 4 As mothers watch are keeping 9 To all who bow before Thee Tr. John Kelly, 1867, alt. Arr. Johann Crüger, alt. O’er children who are sleeping, And for Thy grace implore Thee, Their fear and grief assuaging, Oh, grant Thy benediction When angry storms are raging, And patience in affliction. 5 So God His own is shielding 10 With richest blessings crown us, And help to them is yielding. In all our ways, Lord, own us; When need and woe distress them, Give grace, who grace bestowest His loving arms caress them. To all, e’en to the lowest. 6 O Thou who dost not slumber, 11 Be Thou a Helper speedy Remove what would encumber To all the poor and needy, Our work, which prospers never To all forlorn a Father; Unless Thou bless it ever. Thine erring children gather. 7 Our song to Thee ascendeth, 12 Be with the sick and ailing, Whose mercy never endeth; Their Comforter unfailing; Our thanks to Thee we render, Dispelling grief and sadness, Who art our strong Defender. Oh, give them joy and gladness! 8 O God of mercy, hear us; 13 Above all else, Lord, send us Our Father, be Thou near us; Thy Spirit to attend us, Mid crosses and in sadness Within our hearts abiding, Be Thou our Fount of gladness. To heav’n our footsteps guiding. 14 All this Thy hand bestoweth, Thou Life, whence our life floweth. -
Teaching Standards- Based Creativity in the Arts
Teaching Standards-based Creativity in the Arts Issued by Office of Academic Standards South Carolina Department of Education Jim Rex State Superintendent of Education 2007 1 Table of Contents CONTRIBUTORS ................................................................................. 3 WHY CREATIVITY? ............................................................................. 5 CULTIVATING CREATIVITY IN ARTS EDUCATION: MYTHS, MISCONCEPTIONS, AND PRACTICAL PROCEDURES………………………..7 DANCE: .......................................................................................... 100 GRADES PREK-K ............................................................................... 101 GRADES 1-2 .................................................................................... 111 GRADES 3-5 .................................................................................... 122 GRADES 6-8 .................................................................................... 139 GRADES 9-12 .................................................................................. 162 GRADES 9-12 ADVANCED .................................................................... 186 DANCE CREATIVITY RESOURCE LIST ........................................................ 208 MUSIC ............................................................................................ 213 MUSIC: GENERAL ............................................................................. 214 GRADES PREK-K .............................................................................. -
The GIA Historical Music Series
GIA Publications, Inc. 2018 2018 Music Education Catalog At GIA, we aspire to create innovative resources that communicate the joys of music making and music learning—that delve deeper into what it means to be musical. By working with leading authors who represent the very best the profession has to offer for all levels from preschool through college and beyond, GIA seeks to help music teachers communicate the joy, art, skill, complexity, and knowledge of musicianship. This year we again offer a wide range of new resources for early childhood through college. Scott Edgar explores Music Education and Social Emotional Learning (page 7); the legendary Teaching Music through Performance in Band series moves to Volume 11 (page 8); Scott Rush publishes Habits of a Significant Band Director (page 9) and together with Christopher Selby releases Habits of a Successful Middle Level Musician (pages 10-11). And there’s finally a Habits book for choir directors (page 12). James Jordan gives us four substantial new publications (pages 13-16). There’s also an Ultimate Guide to Creating a Quality Music Assessment Program (page 19). For general music teachers, there is a beautiful collection of folk songs from Bali (page 21), a best- selling book on combining John Feierabend’s First Steps in Music methodology with Orff Schulwerk (page 23), plus the new folk song picture book, Kitty Alone (page 24), just to start. All told, this catalog has 400 pages of resources to explore and enjoy! We’re happy to send single copies of the resources in this catalog on an “on approval” basis with full return privileges for 30 days. -
Lutheran Identity and Regional Distinctiveness
Lutheran Identity and Regional Distinctiveness Essays and Reports 2006 Containing the essays and reports of the 23rd biennial meeting of the Lutheran Historical Conference Columbia, South Carolina October 12-14, 2006 Russell C. Kleckley, Editor Issued by The Lutheran Historical Conference Volume 22 Library of Congress Control Number 72079103 ISSN 0090-3817 The Lutheran Historical Conference is an association of Lutheran his torians, librarians and archivists in the United States and Canada. It is also open to anyone interested in the serious study of North Ameri can Lutheran history. The conference is incorporated according to the laws of the State of Missouri. Its corporate address is: 804 Seminary Place St. Louis, MO 63105-3014 In-print publications are available at the address above. Phone: 314-505-7900 email: [email protected] ©Lutheran Historical Conference 2010 An Analysis of the Changing View of the Relation ship of Doctrine and Liturgy within the WELS or The Black Geneva Piety of the Wisconsin Synod Mark Braun The topic for this paper was prompted by a comment recorded in my 2003 book, A Tale of Two Synods: Events That Led to the Split between Wjsconsjn and Mjssouri Asked in a 1997 survey what indi cators suggested that a change was taking place in The Lutheran Church-Missouri Synod, one veteran Wisconsin Synod pastor said he had observed "a growing high church tendency" in Missouri which, he said, "almost inevitably breeds doctrinal indifference."1 A 1993 grad uate of Wisconsin Lutheran Seminary called that comment "a strik ing observation in view of the current voices within our synod which advocate the liturgy as a connection with the ancient church and as a kind of bulwark against false doctrine and human innovation."2 But the comment made by that veteran pastor would not have been regarded as such a "striking observation" at all by a 1947 grad uate of Wisconsin Lutheran Seminary, or a 1958 graduate, or even a 1978 graduate. -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
The Family Bach November 2016
Music of the Baroque Chorus and Orchestra Jane Glover, Music Director Violin 1 Flute Gina DiBello, Mary Stolper, principal concertmaster Alyce Johnson Kevin Case, assistant Oboe concertmaster Jennet Ingle, principal Kathleen Brauer, Peggy Michel assistant concertmaster Bassoon Teresa Fream William Buchman, Michael Shelton principal Paul Vanderwerf Horn Violin 2 Samuel Hamzem, Sharon Polifrone, principal principal Fritz Foss Ann Palen Rika Seko Harpsichord Paul Zafer Stephen Alltop François Henkins Viola Elizabeth Hagen, principal Terri Van Valkinburgh Claudia Lasareff- Mironoff Benton Wedge Cello Barbara Haffner, principal Judy Stone Mark Brandfonbrener Bass Collins Trier, principal Andrew Anderson Performing parts based on the critical edition Carl Philipp Emanuel Bach: The Complete Works (www.cpebach.org) were made available by the publisher, the Packard Humanities Institute of Los Altos, California. The Family Bach Jane Glover, conductor Sunday, November 20, 2016, 7:30 PM North Shore Center for the Performing Arts, Skokie Tuesday, November 22, 2016, 7:30 PM Harris Theater for Music and Dance, Chicago Gina DiBello, violin Mary Stolper, flute Sinfonia from Cantata No. 42 Johann Sebastian Bach (1685-1750) Adagio and Fugue for 2 Flutes Wilhelm Friedemann Bach and Strings in D Minor (1710-1784) Adagio Allegro Violin Concerto No. 2 in E Major J. S. Bach Allegro Adagio Allegro assai Gina DiBello, violin INTERMISSION Flute Concerto in B-flat Major Carl Philipp Emanuel Bach (1714-1788) Allegretto Adagio Allegro assai Mary Stolper, flute Symphony in G Minor, op. 6, no. 6 Johann Christian Bach (1735-1782) Allegro Andante più tosto Adagio Allegro molto Biographies Acclaimed British conductor Jane Glover has been Music of the Baroque’s music director since 2002. -
SF COMMENTARY 81 40Th Anniversary Edition, Part 2
SF COMMENTARY 81 40th Anniversary Edition, Part 2 June 2011 IN THIS ISSUE: THE COLIN STEELE SPECIAL COLIN STEELE REVIEWS THE FIELD OTHER CONTRIBUTORS: DITMAR (DICK JENSSEN) THE EDITOR PAUL ANDERSON LENNY BAILES DOUG BARBOUR WM BREIDING DAMIEN BRODERICK NED BROOKS HARRY BUERKETT STEPHEN CAMPBELL CY CHAUVIN BRAD FOSTER LEIGH EDMONDS TERRY GREEN JEFF HAMILL STEVE JEFFERY JERRY KAUFMAN PETER KERANS DAVID LAKE PATRICK MCGUIRE MURRAY MOORE JOSEPH NICHOLAS LLOYD PENNEY YVONNE ROUSSEAU GUY SALVIDGE STEVE SNEYD SUE THOMASON GEORGE ZEBROWSKI and many others SF COMMENTARY 81 40th Anniversary Edition, Part 2 CONTENTS 3 THIS ISSUE’S COVER 66 PINLIGHTERS Binary exploration Ditmar (Dick Jenssen) Stephen Campbell Damien Broderick 5 EDITORIAL Leigh Edmonds I must be talking to my friends Patrick McGuire The Editor Peter Kerans Jerry Kaufman 7 THE COLIN STEELE EDITION Jeff Hamill Harry Buerkett Yvonne Rousseau 7 IN HONOUR OF SIR TERRY Steve Jeffery PRATCHETT Steve Sneyd Lloyd Penney 7 Terry Pratchett: A (disc) world of Cy Chauvin collecting Lenny Bailes Colin Steele Guy Salvidge Terry Green 12 Sir Terry at the Sydney Opera House, Brad Foster 2011 Sue Thomason Colin Steele Paul Anderson Wm Breiding 13 Colin Steele reviews some recent Doug Barbour Pratchett publications George Zebrowski Joseph Nicholas David Lake 16 THE FIELD Ned Brooks Colin Steele Murray Moore Includes: 16 Reference and non-fiction 81 Terry Green reviews A Scanner Darkly 21 Science fiction 40 Horror, dark fantasy, and gothic 51 Fantasy 60 Ghost stories 63 Alternative history 2 SF COMMENTARY No. 81, June 2011, 88 pages, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia. -
Calmus Ensemble HALLELUJAH3
Calmus Ensemble Anja Pöche – Soprano Maria Kalmbach – Alto Friedrich Bracks – Tenor Ludwig Böhme – Baritone Manuel Helmeke – Bass HALLELUJAH3 Johann Sebastian Bach - Salomone Rossi – Leonard Cohen An exciting combination! And yet so obvious, because all three gave us one thing above all: songs! Spiritual songs full of passion, full of love and exultation, full of sadness and doubt. Songs full of spirituality and devotion that we can celebrate three times: Hallelujah1 The Psalms: the biblical origin, the songs of Solomon and David, originated over 2000 years ago. We sing them in settings by the Renaissance master Salomone Rossi, from his “Ha shirim asher li Shelomoh” (1623), the first collection of polyphonic synagogue music that has been written down in the ghetto in Mantua/Italy. Hallelujah2 Songs by Johann Sebastian Bach and Paul Gerhardt: They made faith more humane and are not missing in any hymn book today. Gerhardt's poetry and texts accompanies many people throughout their lives and in this program we’re going to sing it in artistic choral movements by Johann Sebastian Bach. Hallelujah3 Songs by Leonard Cohen: Of course, his famous “Hallelujah” should not be missing. But there is a lot more to discover with this great songwriter and poet. Coming from a Jewish family, faith and love were the great subjects of life for him. His songs are non-denominational, all-encompassing - and touching. Leonard Cohen Here it is (arr. Juan Garcia, *1976) 1934-2016 *** Johann Sebastian Bach Die güldne Sonne voll Freud und Wonne 1685-1750/ Movements: Johann Georg Ebeling (1637-1676), Paul Gerhardt Johann Sebastian Bach (1685-1750 ), from: Schemelli’s Song Book 1607-1676 Paul Gerhardt Salomone Rossi Psalm 146 (Haleluyah. -
Verlorene Kirchen Dresdens Zerstörte Gotteshäuser Eine Dokumentation Seit 1938
Faktum Dresden Die sächsische Landeshauptstadt in Zahlen · 2015/2016 Verlorene Kirchen Dresdens zerstörte Gotteshäuser Eine Dokumentation seit 1938 Verlorene Kirchen Dresdens zerstörte Gotteshäuser Eine Dokumentation seit 1938 Dank Abb. 1: Rathaus und Evangelisch-reformierte Kirche, um 1910 Für umfangreiche Unterstützung oder für die Bereitstellung historischer Unterlagen danken die Autoren ■ Dr. Roland Ander ■ Eberhard Mittelbach, ehemaliger ■ Claudia Baum Sprengmeister ■ Pfarrer i. R. Johannes Böhme ■ Anita Niederlag, Landesamt für Denk- ■ Ulrich Eichler malpflege ■ Pfarrer Bernd Fischer, St.-Franziskus- ■ Rosemarie Petzold Xaverius-Gemeinde ■ Gerd Pfitzner, Amt für Kultur und ■ Martina Fröhlich, Bildstelle Stadt- Denkmalschutz planungsamt ■ Pfarrer i. R. Hanno Schmidt ■ Gerd Hiltscher, ehemaliger Küster der ■ Pfarrer Michael Schubert, St.-Pauli- Versöhnungskirche Gemeinde ■ Uwe Kind, Ipro Dresden ■ Dr. Peter W. Schumann, Gesellschaft ■ Stefan Kügler, Förderverein Trinitatis- zur Förderung einer Gedenkstätte für kirchruine den Sophienkirche Dresden e. V. ■ Cornelia Kraft ■ Friedrich Reichert, Stadtmuseum ■ Christa Lauffer, May Landschafts- ■ Pfarrer Klaus Vesting, Evangelisch- architekten reformierte-Gemeinde Abb. 2: Rathaus und Evangelisch-reformierte Kirche, nach 1945 2 Inhaltsverzeichnis Vorwort 4 Die St.-Pauli-Kirche 40 Manfred Wiemer Joachim Liebers Einführung 5 Die Evangelisch-reformierte Kirche 44 Prof. Gerhard Glaser Dr. Manfred Dreßler † Die Sophienkirche 6 Die Trinitatiskirche 48 Dietmar Schreier und Manfred Lauffer † Dirk -
The Concept of “Sister Churches” in Catholic-Orthodox Relations Since
THE CATHOLIC UNIVERSITY OF AMERICA The Concept of “Sister Churches” In Catholic-Orthodox Relations since Vatican II A DISSERTATION Submitted to the Faculty of the School of Theology and Religious Studies Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Will T. Cohen Washington, D.C. 2010 The Concept of “Sister Churches” In Catholic-Orthodox Relations since Vatican II Will T. Cohen, Ph.D. Director: Paul McPartlan, D.Phil. Closely associated with Catholic-Orthodox rapprochement in the latter half of the 20 th century was the emergence of the expression “sister churches” used in various ways across the confessional division. Patriarch Athenagoras first employed it in this context in a letter in 1962 to Cardinal Bea of the Vatican Secretariat for the Promotion of Christian Unity, and soon it had become standard currency in the bilateral dialogue. Yet today the expression is rarely invoked by Catholic or Orthodox officials in their ecclesial communications. As the Polish Catholic theologian Waclaw Hryniewicz was led to say in 2002, “This term…has now fallen into disgrace.” This dissertation traces the rise and fall of the expression “sister churches” in modern Catholic-Orthodox relations and argues for its rehabilitation as a means by which both Catholic West and Orthodox East may avoid certain ecclesiological imbalances toward which each respectively tends in its separation from the other. Catholics who oppose saying that the Catholic Church and the Orthodox Church are sisters, or that the church of Rome is one among several patriarchal sister churches, generally fear that if either of those things were true, the unicity of the Church would be compromised and the Roman primacy rendered ineffective. -
The American Bach Society the Westfield Center
The Eastman School of Music is grateful to our festival sponsors: The American Bach Society • The Westfield Center Christ Church • Memorial Art Gallery • Sacred Heart Cathedral • Third Presbyterian Church • Rochester Chapter of the American Guild of Organists • Encore Music Creations The American Bach Society The American Bach Society was founded in 1972 to support the study, performance, and appreciation of the music of Johann Sebastian Bach in the United States and Canada. The ABS produces Bach Notes and Bach Perspectives, sponsors a biennial meeting and conference, and offers grants and prizes for research on Bach. For more information about the Society, please visit www.americanbachsociety.org. The Westfield Center The Westfield Center was founded in 1979 by Lynn Edwards and Edward Pepe to fill a need for information about keyboard performance practice and instrument building in historical styles. In pursuing its mission to promote the study and appreciation of the organ and other keyboard instruments, the Westfield Center has become a vital public advocate for keyboard instruments and music. By bringing together professionals and an increasingly diverse music audience, the Center has inspired collaborations among organizations nationally and internationally. In 1999 Roger Sherman became Executive Director and developed several new projects for the Westfield Center, including a radio program, The Organ Loft, which is heard by 30,000 listeners in the Pacific 2 Northwest; and a Westfield Concert Scholar program that promotes young keyboard artists with awareness of historical keyboard performance practice through mentorship and concert opportunities. In addition to these programs, the Westfield Center sponsors an annual conference about significant topics in keyboard performance. -
Lutherans for Lent a Devotional Plan for the Season of Lent Designed to Acquaint Us with Our Lutheran Heritage, the Small Catechism, and the Four Gospels
Lutherans for Lent A devotional plan for the season of Lent designed to acquaint us with our Lutheran heritage, the Small Catechism, and the four Gospels. Rev. Joshua V. Scheer 52 Other Notables (not exhaustive) The list of Lutherans included in this devotion are by no means the end of Lutherans for Lent Lutheranism’s contribution to history. There are many other Lutherans © 2010 by Rev. Joshua V. Scheer who could have been included in this devotion who may have actually been greater or had more influence than some that were included. Here is a list of other names (in no particular order): Nikolaus Decius J. T. Mueller August H. Francke Justus Jonas Kenneth Korby Reinhold Niebuhr This copy has been made available through a congregational license. Johann Walter Gustaf Wingren Helmut Thielecke Matthias Flacius J. A. O. Preus (II) Dietrich Bonheoffer Andres Quenstadt A.L. Barry J. Muhlhauser Timotheus Kirchner Gerhard Forde S. J. Stenerson Johann Olearius John H. C. Fritz F. A. Cramer If purchased under a congregational license, the purchasing congregation Nikolai Grundtvig Theodore Tappert F. Lochner may print copies as necessary for use in that congregation only. Paul Caspari August Crull J. A. Grabau Gisele Johnson Alfred Rehwinkel August Kavel H. A. Preus William Beck Adolf von Harnack J. A. O. Otteson J. P. Koehler Claus Harms U. V. Koren Theodore Graebner Johann Keil Adolf Hoenecke Edmund Schlink Hans Tausen Andreas Osiander Theodore Kliefoth Franz Delitzsch Albrecht Durer William Arndt Gottfried Thomasius August Pieper William Dallman Karl Ulmann Ludwig von Beethoven August Suelflow Ernst Cloeter W.