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Now Let Us Come Before Him Nun Laßt Uns Gehn Und Treten 8.8
Now Let Us Come Before Him Nun laßt uns gehn und treten 8.8. 8.8. Nun lasst uns Gott, dem Herren Paul Gerhardt, 1653 Nikolaus Selnecker, 1587 4 As mothers watch are keeping 9 To all who bow before Thee Tr. John Kelly, 1867, alt. Arr. Johann Crüger, alt. O’er children who are sleeping, And for Thy grace implore Thee, Their fear and grief assuaging, Oh, grant Thy benediction When angry storms are raging, And patience in affliction. 5 So God His own is shielding 10 With richest blessings crown us, And help to them is yielding. In all our ways, Lord, own us; When need and woe distress them, Give grace, who grace bestowest His loving arms caress them. To all, e’en to the lowest. 6 O Thou who dost not slumber, 11 Be Thou a Helper speedy Remove what would encumber To all the poor and needy, Our work, which prospers never To all forlorn a Father; Unless Thou bless it ever. Thine erring children gather. 7 Our song to Thee ascendeth, 12 Be with the sick and ailing, Whose mercy never endeth; Their Comforter unfailing; Our thanks to Thee we render, Dispelling grief and sadness, Who art our strong Defender. Oh, give them joy and gladness! 8 O God of mercy, hear us; 13 Above all else, Lord, send us Our Father, be Thou near us; Thy Spirit to attend us, Mid crosses and in sadness Within our hearts abiding, Be Thou our Fount of gladness. To heav’n our footsteps guiding. 14 All this Thy hand bestoweth, Thou Life, whence our life floweth. -
The Musical Heritage of the Lutheran Church Volume I
The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945). -
The Use of Multiple Stops in Works for Solo Violin by Johann Paul Von
THE USE OF MULTIPLE STOPS IN WORKS FOR SOLO VIOLIN BY JOHANN PAUL VON WESTHOFF (1656-1705) AND ITS RELATIONSHIP TO GERMAN POLYPHONIC WRITING FOR A SINGLE INSTRUMENT Beixi Gao, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2017 APPROVED: Julia Bushkova, Major Professor Paul Leenhouts, Committee Member Susan Dubois, Committee Member Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Vice Provost of the Toulouse Graduate School Gao, Beixi. The Use of Multiple Stops in Works for Solo Violin by Johann Paul Von Westhoff (1656-1705) and Its Relationship to German Polyphonic Writing for a Single Instrument. Doctor of Musical Arts (Performance), May 2017, 32 pp., 19 musical examples, bibliography, 46 titles. Johann Paul von Westhoff's (1656-1705) solo violin works, consisting of Suite pour le violon sans basse continue published in 1683 and Six Suites for Violin Solo in 1696, feature extensive use of multiple stops, which represents a German polyphonic style of the seventeenth- century instrumental music. However, the Six Suites had escaped the public's attention for nearly three hundred years until its rediscovery by the musicologist Peter Várnai in the late twentieth century. This project focuses on polyphonic writing featured in the solo violin works by von Westhoff. In order to fully understand the stylistic traits of this less well-known collection, a brief summary of the composer, Johann Paul Westhoff, and an overview of the historical background of his time is included in this document. -
Suffering and Social Conscience in the Passion Genre from JS Bach's
Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Johann Jacob Van Niekerk A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Giselle Wyers, Chair Geoffrey Boers Shannon Dudley Program Authorized to Offer Degree: School of Music ©Copyright 2014 Johann Jacob Van Niekerk University of Washington Abstract Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Chair of the Supervisory Committee: Giselle Wyers Associate Professor of Choral Music and Voice The themes of suffering and social conscience permeate the history of the sung passion genre: composers have strived for centuries to depict Christ’s suffering and the injustice of his final days. During the past eighty years, the definition of the genre has expanded to include secular protagonists, veiled and not-so-veiled socio- political commentary and increased discussion of suffering and social conscience as socially relevant themes. This dissertation primarily investigates David Lang’s Pulitzer award winning the little match girl passion, premiered in 2007. David Lang’s setting of Danish author and poet Hans Christian Andersen’s “The Little Match Girl” interspersed with text from the chorales of Johann Sebastian Bach’s St. Matthew Passion (1727) has since been performed by several ensembles in the United States and abroad, where it has evoked emotionally visceral reactions from audiences and critics alike. -
Bibliographie Der Literatur Zu Paul Gerhardts Leben, Werk Und Wirkung Zusammengestellt Von Andreas Stegmann Stand: November 2020
Bibliographie der Literatur zu Paul Gerhardts Leben, Werk und Wirkung zusammengestellt von Andreas Stegmann Stand: November 2020 1. Bibliographien und Literaturberichte AMELN, KONRAD: Literaturbericht zur Hymnologie (in: JLH 4, 1958/59, 244–264) [Literatur zum Gerhardt-Jubilä- umsjahr 1957: 248] – : Literaturbericht zur Hymnologie (in: JLH 22, 1978, 231–276) [Literatur zum Gerhardt-Jubiläumsjahr 1976: 238f.] BIBLIOGRAPHIE DER DEUTSCHEN SPRACH- UND LITERATURWISSENSCHAFT 1ff., 1957ff. (für die Jahre seit 1945) DÜNNHAUPT, GERHARD: Personalbibliographien zu den Drucken des Barock. Zweite, verbesserte und wesentlich vermehrte Auflage des Bibliographischen Handbuches der Barockliteratur, dritter Teil, Stuttgart 1991 [zu Gerhardt: 1589–1598] ECKART, RUDOLF: Paul Gerhardt-Bibliographie. Stimmen und Schriften über Paul Gerhardt. Ein Nachklang zum Jubeljahre 1907, Pritzwalk o. J. [1909] FISCHER, ALBERT; TÜMPEL, W.: Das deutsche evangelische Kirchenlied des siebzehnten Jahrhunderts (hg. v. Albert Fischer, vollendet und hg. v. W. Tümpel), Gütersloh 1906 (ND Hildesheim 1964) [zu Gerhardt: Bd. 3, 295– 297] GOEDEKE, KARL: Grundrisz zur Geschichte der deutschen Dichtung aus den Quellen, Bd. 3: Vom dreissigjährigen bis zum siebenjährigen Kriege, Dresden 21887 [zu Gerhardt: 182f.] JAHRESBERICHTE FÜR NEUERE DEUTSCHE LITERATURGESCHICHTE 1–26, 1892–1916 (für die Jahre 1890 bis 1915) [Nach- weise und Berichte zu Gerhardt-Literatur finden sich besonders umfangreich in: Bd. 17/18, 1906/07 (I: 195–198, II: 651–653) und Bd. 19/20, 1908/09 (I: 221, II: 682f.)] JAHRESBERICHTE ÜBER DIE WISSENSCHAFTLICHEN ERSCHEINUNGEN AUF DEM GEBIETE DER DEUTSCHEN LITERATUR 1–16/19, 1924– 1956 (für die Jahre 1921 bis 1939) [JOERDENS]: Art. Paul Gerhardt (in: Lexikon deutscher Dichter und Prosaisten, hg. v. Karl Heinrich Joerdens, Bd. 2, Leipzig 1807, 95–101) [mit Verweisen auf Literatur zu Gerhardt aus dem 18. -
Im Auftrag Der Internationalen Heinrich-Schütz-Gesellschaft E.V. Herausgegeben Von Walter Werbeck in Verbindung Mit Werner Brei
Im Auftrag der Internationalen Heinrich-Schütz-Gesellschaft e.V. herausgegeben von Walter Werbeck in Verbindung mit Werner Breig, Friedhelm Krummacher, Eva Linfield 33. Jahrgang 2011 Bärenreiter Kassel . Basel . London . New York . Praha 2012_schuetz-JB_druck_120531.ind1 1 31.05.2012 10:03:13 Gedruckt mit Unterstützung der Internationalen Heinrich-Schütz-Gesellschaft e.V. und der Landgraf-Moritz-Stiftung Kassel © 2012 Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, Kassel Alle Rechte vorbehalten / Printed in Germany Layout: ConText, Carola Trabert – [email protected] ISBN 978-3-7618-1689-9 ISSN 0174-2345 2012_schuetz-JB_druck_120531.ind2 2 31.05.2012 10:03:13 Inhalt Vorträge des Schütz-Festes Kassel 2010 Heinrich Schütz und Europa 7 Silke Leopold Heinrich Schütz in Kassel 19 Werner Breig Europa in der ersten Hälfte des 17. Jahrhunderts 31 Georg Schmidt Music and Lutherian Devotion in the Schütz Era 41 Mary E. Frandsen »Mein Schall aufs Ewig weist«: Das Jenseits und die Kirchenmusik in der lutherischen Orthodoxie 75 Konrad Küster Medien sozialer Distinktion: Funeral- und Gedenkkompositionen des 17. Jahrhunderts im europäischen Vergleich 91 Peter Schmitz Echos in und um »Daphne« 105 Bettina Varwig Heinrich Schütz und Otto Gibel 119 Andreas Waczkat, Elisa Erbe, Timo Evers, Rhea Richter, Arne zur Nieden Heinrich Schütz as European cultural agent at the Danish courts 129 Bjarke Moe Freie Beiträge Eine unbekannte Trauermusik von Heinrich Schütz 143 Eberhard Möller Heinrich Schütz und seine Brüder: Neue Stammbucheinträge 151 Joshua Rifkin Die Verfasser der Beiträge 168 2012_schuetz-JB_druck_120531.ind3 3 31.05.2012 10:03:13 Abkürzungen ADB Allgemeine deutsche Biographie, München u. Leipzig 1876 – 1912 AfMw Archiv für Musikwissenschaft AmZ Allgemeine musikalische Zeitung Bd., Bde. -
Hymnody of Eastern Pennsylvania German Mennonite Communities: Notenbüchlein (Manuscript Songbooks) from 1780 to 1835
HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 by Suzanne E. Gross Dissertation submitted to the Faculty of the Graduate School of The University of Maryland in partial fulfillment of the requirements for the degree of Doctor of Philosophy 1994 Advisory Committee: Professor Howard Serwer, Chairman/Advisor Professor Carol Robertson Professor Richard Wexler Professor Laura Youens Professor Hasia Diner ABSTRACT Title of Dissertation: HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 Suzanne E. Gross, Doctor of Philosophy, 1994 Dissertation directed by: Dr. Howard Serwer, Professor of Music, Musicology Department, University of Maryland, College Park, Maryland As part of an effort to maintain their German culture, the late eighteenth-century Mennonites of Eastern Pennsylvania instituted hymn-singing instruction in the elementary community schoolhouse curriculum. Beginning in 1780 (or perhaps earlier), much of the hymn-tune repertoire, previously an oral tradition, was recorded in musical notation in manuscript songbooks (Notenbüchlein) compiled by local schoolmasters in Mennonite communities north of Philadelphia. The practice of giving manuscript songbooks to diligent singing students continued until 1835 or later. These manuscript songbooks are the only extant clue to the hymn repertoire and performance practice of these Mennonite communities at the turn of the nineteenth century. By identifying the tunes that recur most frequently, one can determine the core repertoire of the Franconia Mennonites at this time, a repertoire that, on balance, is strongly pietistic in nature. Musically, the Notenbüchlein document the shift that occured when these Mennonite communities incorporated written transmission into their oral tradition. -
Calmus Ensemble HALLELUJAH3
Calmus Ensemble Anja Pöche – Soprano Maria Kalmbach – Alto Friedrich Bracks – Tenor Ludwig Böhme – Baritone Manuel Helmeke – Bass HALLELUJAH3 Johann Sebastian Bach - Salomone Rossi – Leonard Cohen An exciting combination! And yet so obvious, because all three gave us one thing above all: songs! Spiritual songs full of passion, full of love and exultation, full of sadness and doubt. Songs full of spirituality and devotion that we can celebrate three times: Hallelujah1 The Psalms: the biblical origin, the songs of Solomon and David, originated over 2000 years ago. We sing them in settings by the Renaissance master Salomone Rossi, from his “Ha shirim asher li Shelomoh” (1623), the first collection of polyphonic synagogue music that has been written down in the ghetto in Mantua/Italy. Hallelujah2 Songs by Johann Sebastian Bach and Paul Gerhardt: They made faith more humane and are not missing in any hymn book today. Gerhardt's poetry and texts accompanies many people throughout their lives and in this program we’re going to sing it in artistic choral movements by Johann Sebastian Bach. Hallelujah3 Songs by Leonard Cohen: Of course, his famous “Hallelujah” should not be missing. But there is a lot more to discover with this great songwriter and poet. Coming from a Jewish family, faith and love were the great subjects of life for him. His songs are non-denominational, all-encompassing - and touching. Leonard Cohen Here it is (arr. Juan Garcia, *1976) 1934-2016 *** Johann Sebastian Bach Die güldne Sonne voll Freud und Wonne 1685-1750/ Movements: Johann Georg Ebeling (1637-1676), Paul Gerhardt Johann Sebastian Bach (1685-1750 ), from: Schemelli’s Song Book 1607-1676 Paul Gerhardt Salomone Rossi Psalm 146 (Haleluyah. -
There Isn't a Piece That Doesn't Impress. This Is As
Also by Trio Settecento on Cedille Records An Italian Soujourn CDR 90000 099 “There isn’t a piece that doesn’t impress. This is as good a collection for a newcomer to the Baroque as it is for those who want to hear these works performed at a high level.” — Gramophone Producer: James Ginsburg Schmelzer) / Louis Begin, replica of 18th Century model (rest of program) Trio Settecento A German Bouquet Engineer: Bill Maylone Bass Viola da Gamba: William Turner, Art Direction: Adam Fleishman / 1 Johann Schop (d. 1667): Nobleman (1:56) bm Johann Sebastian Bach (1685–1750) London, 1650 Fugue in G minor, BWV 1026 (3:54) www.adamfleishman.com 2 Johann Heinrich Schmelzer (c. 1620–1680) ’Cello: Unknown Tyrolean maker, 18th Cover Painting: Still Life with a Wan’li Sonata in D minor (5:49) Philipp Heinrich Erlebach (1657–1714) century (Piesendel) Sonata No. 3 in A Major (14:06) Vase of Flowers (oil on copper), Georg Muffat (1653–1704) Bosschaert, Ambrosius the Elder (1573- Viola da Gamba and ’Cello Bow: Julian Sonata in D major (11:33) bn I. Adagio—Allegro—Lento (2:35) 1621) / Private Collection / Johnny Van Clarke bo II. Allemande (2:19) 3 I. Adagio (2:34) Haeften Ltd., London / The Bridgeman bp III. Courante (1:33) Harpsichord: Willard Martin, Bethlehem, 4 II. Allegro—Adagio—Allegro—Adagio (8:59) Art Library bq IV. Sarabande (1:53) Pennsylvania, 1997. Single-manual Johann Philipp Krieger (1649–1725) br V. Ciaconne (3:42) Recorded June 16, 17, 19, 23, and 24, instrument after a concept by Marin Sonata in D Minor Op. -
Lutherans for Lent a Devotional Plan for the Season of Lent Designed to Acquaint Us with Our Lutheran Heritage, the Small Catechism, and the Four Gospels
Lutherans for Lent A devotional plan for the season of Lent designed to acquaint us with our Lutheran heritage, the Small Catechism, and the four Gospels. Rev. Joshua V. Scheer 52 Other Notables (not exhaustive) The list of Lutherans included in this devotion are by no means the end of Lutherans for Lent Lutheranism’s contribution to history. There are many other Lutherans © 2010 by Rev. Joshua V. Scheer who could have been included in this devotion who may have actually been greater or had more influence than some that were included. Here is a list of other names (in no particular order): Nikolaus Decius J. T. Mueller August H. Francke Justus Jonas Kenneth Korby Reinhold Niebuhr This copy has been made available through a congregational license. Johann Walter Gustaf Wingren Helmut Thielecke Matthias Flacius J. A. O. Preus (II) Dietrich Bonheoffer Andres Quenstadt A.L. Barry J. Muhlhauser Timotheus Kirchner Gerhard Forde S. J. Stenerson Johann Olearius John H. C. Fritz F. A. Cramer If purchased under a congregational license, the purchasing congregation Nikolai Grundtvig Theodore Tappert F. Lochner may print copies as necessary for use in that congregation only. Paul Caspari August Crull J. A. Grabau Gisele Johnson Alfred Rehwinkel August Kavel H. A. Preus William Beck Adolf von Harnack J. A. O. Otteson J. P. Koehler Claus Harms U. V. Koren Theodore Graebner Johann Keil Adolf Hoenecke Edmund Schlink Hans Tausen Andreas Osiander Theodore Kliefoth Franz Delitzsch Albrecht Durer William Arndt Gottfried Thomasius August Pieper William Dallman Karl Ulmann Ludwig von Beethoven August Suelflow Ernst Cloeter W. -
500Th Anniversary of the Lutheran Reformation
500TH ANNIVERSARY OF THE LUTHERAN REFORMATION L LU ICA TH EL ER G A N N A S V Y E N E O H D T LUTHERAN SYNOD QUARTERLY VOLUME 57 • NUMBERS 2 & 3 JUNE & SEPTEMBER 2017 The journal of Bethany Lutheran Theological Seminary ISSN: 0360-9685 LUTHERAN SYNOD QUARTERLY VOLUME 57 • NUMBERS 2 & 3 JUNE & SEPTEMBER 2017 The journal of Bethany Lutheran Theological Seminary LUTHERAN SYNOD QUARTERLY EDITOR-IN-CHIEF........................................................... Gaylin R. Schmeling BOOK REVIEW EDITOR ......................................................... Michael K. Smith LAYOUT EDITOR ................................................................. Daniel J. Hartwig PRINTER ......................................................... Books of the Way of the Lord The Lutheran Synod Quarterly (ISSN: 0360-9685) is edited by the faculty of Bethany Lutheran Theological Seminary 6 Browns Court Mankato, Minnesota 56001 The Lutheran Synod Quarterly is a continuation of the Clergy Bulletin (1941–1960). The purpose of the Lutheran Synod Quarterly, as was the purpose of the Clergy Bulletin, is to provide a testimony of the theological position of the Evangelical Lutheran Synod and also to promote the academic growth of her clergy roster by providing scholarly articles, rooted in the inerrancy of the Holy Scriptures and the Confessions of the Evangelical Lutheran Church. The Lutheran Synod Quarterly is published in March and December with a combined June and September issue. Subscription rates are $25.00 U.S. per year for domestic subscriptions and $35.00 U.S. per year for international subscriptions. All subscriptions and editorial correspondence should be sent to the following address: Bethany Lutheran Theological Seminary Attn: Lutheran Synod Quarterly 6 Browns Ct Mankato MN 56001 Back issues of the Lutheran Synod Quarterly from the past two years are available at a cost of $10.00 per issue. -
The Translation of German Pietist Imagery Into Anglo-American Cultures
Copyright by Ingrid Goggan Lelos 2009 The Dissertation Committee for Ingrid Goggan Lelos Certifies that this is the approved version of the following dissertation: The Spirit in the Flesh: The Translation of German Pietist Imagery into Anglo-American Cultures Committee: Katherine Arens, Supervisor Julie Sievers, Co-Supervisor Sandy Straubhaar Janet Swaffar Marjorie Woods The Spirit in the Flesh: The Translation of German Pietist Imagery into Anglo-American Cultures by Ingrid Goggan Lelos, B.A.; M.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2009 Dedication for my parents, who inspired intellectual curiosity, for my husband, who nurtured my curiositities, and for my children, who daily renew my curiosities Acknowledgements I would like to express my gratitude to so many who made this project possible. First, I must thank Katie Arens, who always believed in me and faithfully guided me through this journey across centuries and great geographic expanses. It is truly rare to find a dissertation advisor with the expertise and interest to direct a project that begins in medieval Europe and ends in antebellum America. Without her belief in the study of hymns as literature and the convergence of religious and secular discourses this project and its contributions to scholarship would have remained but vague, unarticulated musings. Without Julie Sievers, this project would not have its sharpness of focus or foreground so clearly its scholarly merits, which she so graciously identified.