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Drinkers Order Whisky Galore Island's Entire Stocks … Five
Drinkers order Whisky Galore island’s entire stocks … five years too early 4th may 2009 shân ross Not a brick has been laid to build the first distillery on the island where Whisky Galore! was filmed—but connoisseurs have already signed up to reserve the entire batch of its first-year casks. Peter Brown will begin building the distillery on Barra in the autumn. The distillery, costing more than £1 million, will make about 5,000 gallons of Isle of Barra Single Malt Whisky a year using water from Loch Uisge, the island’s highest loch. It will use barley grown by crofters on the island before being milled and malted locally and be bottled at the distillery in Borve. Whisky needs to be matured for three years before it can legally be called whisky so the distillery will not have its first consignment until 2014. In the meantime Mr Brown has taken orders for the £1,000 oak casks from individuals and groups of friends from countries including Germany, Japan and Sweden, and the rest of the u.k. More than half the casks will be retained by the distillery but he is already selling his public quota of second-year reserve. Mr Brown said it was impossible to tell at this stage what the whisky would taste like but that it was ‘unlikely to be excessively peaty’. He said it would sell at about £30 a bottle at current prices at the premium end of market. Mr Brown, who ran a courier company in Edinburgh before moving to Barra 12 years ago, said: ‘The whisky will be of the island, from the island. -
History Timeline from 13.7 Billion Years Ago to August 2013. 1 of 588 Pages This PDF History Timeline Has Been Extracted
History Timeline from 13.7 Billion Years ago to August 2013. 1 of 588 pages This PDF History Timeline has been extracted from the History World web site's time line. The PDF is a very simplified version of the History World timeline. The PDF is stripped of all the links found on that timeline. If an entry attracts your interest and you want further detail, click on the link at the foot of each of the PDF pages and query the subject or the PDF entry on the web site, or simply do an internet search. When I saw the History World timeline I wanted a copy of it for myself and my family in a form that we could access off-line, on demand, on the device of our choice. This PDF is the result. What attracted me particularly about the History World timeline is that each event, which might be earth shattering in itself with a wealth of detail sufficient to write volumes on, and indeed many such events have had volumes written on them, is presented as a sort of pared down news head-line. Basic unadorned fact. Also, the History World timeline is multi-faceted. Most historic works focus on their own area of interest and ignore seemingly unrelated events, but this timeline offers glimpses of cross-sections of history for any given time, embracing art, politics, war, nations, religions, cultures and science, just to mention a few elements covered. The view is fascinating. Then there is always the question of what should be included and what excluded. -
Beautiful, Spacious Beachside Island Home
Beautiful, Spacious Beachside Island Home Suidheachan, Eoligarry, Isle of Barra, HS9 5YD Entrance hallway • Kitchen • Dining room • Utility room Drawing room / games room • Sitting room • Inner hallway • Bathroom Master bedroom with en suite 4 further bedrooms • Butler’s pantry • Shower room Bedroom 5 / study Directions The isle of Barra is often If you are taking the ferry from described as the jewel of the Oban you will arrive at Castle Hebrides with its spectacular Bay – turn right and continue beaches, rugged landscaped north for approximately 8.3 and flower laden machair, while miles; Suidheachan is on the the wildlife rich isles of left hand side adjacent to Vatersay (linked by a causeway Barra Airport. to Barra) and Mingulay (accessed by boat) are equally If flying to Barra Airport – stunning and also boast idyllic Suidheachan is adjacent to beaches. The beaches in Barra the airport. and Vatersay are among the very best in the world with Flights to Barra Airport from fabulously white sands and Glasgow Airport take around 1 crystal clear waters. The hour 10 minutes in normal beaches offer large and empty flying conditions. The ferry stretches of perfect sand and from Oban takes are also popular with sea approximately 4 hours 30 kayakers and surfers. The minutes in normal wildlife on the island is sailing conditions. stunning, with numerous opportunities for wildlife Situation watching including seals, The beautiful isle of Barra is a golden eagles, puffins, 23 square mile island located guillemots and kittiwakes, with approximately 80 miles from oyster catchers and plovers on the mainland reached by either the seashore. -
Wilderness Walking View Trip Dates Outer Hebrides: Book Now the Uists, Barra & Mingulay
Wilderness Walking View Trip Dates Outer Hebrides: Book Now The Uists, Barra & Mingulay Trip Grade: Green 2 Outer Hebrides: The Uists, Barra & Mingulay Join us as we embark on a journey through the southern Outer Hebrides. The curious traveller who ventures here will be rewarded by quiet islands, wonderfully scenic walks and welcoming accommodations, all the time accompanied by wild Atlantic vistas. A trip to Mingulay provides a fitting climax to the trip. Your knowledgeable guide will provide a fascinating insight into the complex tapestry of island life, history and geology. They can also help you spot wildlife, which may include golden eagles, white tailed sea eagles, basking sharks, whales and dolphins, as well helping you identify the rich flora of the islands found in the famous coastal ‘machairs’ or flower meadows. With charming accommodation and delicious food, this special trip provides a memorable insight into these wild and beautiful islands. Highlights • Visit seven islands on a spectacular journey through the southern Outer Hebrides, indulging in the wild scenery and rich history of the islands • Journey to the abandoned island of Mingulay on a privately chartered boat, relishing its wild beauty and abundant wildlife while learning about the hardships of life there • Enjoy exceptional island hospitality at our carefully selected guest houses, set in magnificent coastal locations Book with confidence • We guarantee this trip will run as soon as 2 people have booked • Maximum of 8 places available per departure PLEASE NOTE – The itinerary may be subject to change at the discretion of the Wilderness Scotland Guide with regard to weather conditions and other factors. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Nimal Dunuhinga - Poems
Poetry Series nimal dunuhinga - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive nimal dunuhinga(19, April,1951) I was a Seafarer for 15 years, presently wife & myself are residing in the USA and seek a political asylum. I have two daughters, the eldest lives in Austalia and the youngest reside in Massachusettes with her husband and grand son Siluna.I am a free lance of all I must indebted to for opening the gates to this global stage of poets. Finally, I must thank them all, my beloved wife Manel, daughters Tharindu & Thilini, son-in-laws Kelum & Chinthaka, my loving brother Lalith who taught me to read & write and lot of things about the fading the loved ones supply me ingredients to enrich this life's bitter-cake.I am not a scholar, just a sailor, but I learned few things from the last I found Man is not belongs to anybody, any race or to any religion, an independant-nondescript heaviest burden who carries is the Brain. Conclusion, I guess most of my poems, the concepts based on the essence of Buddhist personal belief is the Buddha who was the greatest poet on this planet earth.I always grateful and admire him. My humble regards to all the readers. www.PoemHunter.com - The World's Poetry Archive 1 * I Was Born By The River My scholar friend keeps his late Grandma's diary And a certain page was highlighted in the color of yellow. My old ferryman you never realized that how I deeply loved you? Since in the cradle the word 'depth' I heard several occasions from my parents. -
Now Whisky Galore Isle to Build Its Own £2.5M Distillery
Source: Scottish Daily Mail {Main} Edition: Country: UK Date: Tuesday 29, January 2019 Page: 28 Area: 125 sq. cm Circulation: 90121 Daily Ad data: page rate £5,040.00, scc rate £20.00 Phone: Keyword: Barra Distillery Now Whisky Galore isle to build its own £2.5m distillery Daily Mail Reporter in cases when it ran aground in 1941. The crew were rescued IT was once the island home unharmed. of Whisky Galore author Sir Sir Compton’s 1947 novel inspired the 1949 Ealing comedy Compton Mackenzie. Barra in the Outer Hebrides in which many islanders were used as extras. was also used in making the classic film of his book, which Barra Distillery director Peter was based on the true-life Brown said: ‘You cannot buy the grounding of the SS Politician publicity that the mere hint of with a cargo of the spirit on the Whisky Galore gives.’ neighbouring island of Eriskay. Now it is hoped there really ‘Environmentally will be whisky galore on Barra friendly’ after the launch of a shares offer for a £2.5million distillery project. It is looking for £1.5million of the cash through crowdfunding. The scheme, which already has planning permission for a site above the township of Borve, aims to be the ‘most environmentally friendly whisky distillery’ in the UK. Four wind turbines have already been built. Two hydro turbines as well as solar panels will be added to meet all energy requirements. The distillery will use the peaty water from the island reservoir at Loch Uisge. It is hoped to secure a local supply of barley, grown in Barra or neighbouring Uist. -
Book Reviews
BOOK REVIEWS The Rural Tradition: a Study of the Non-Fiction Prose Writers of the English Countryside. By W.J. Keith. Toronto: University of Toronto Press, 1974. Pp. xiv, 310. $15.00. Thirteen years ago, a young university teacher and novelist enquired what I had done my recently completed Ph.D. dissertation on; and when I told him it was on George Sturt and English rural labouring life, he asked if 1 was joking. I could see why. On the face of it, writers like Sturt or Richard Jefferies - assuming one knew of them at all - were simply not the kind whose non-fiction about rural life demanded academic treatment. They wrote about relatively uncomplicated beings and doings, in lucid and unostentatious prose. There were no metaphysical depths to sound in them, no paradoxes to tease out, no striking historical obscurities to elucidate. Their works did not belong in any obvious genre, and there had been no significant critical controversies about them. Yet these very qualities could make such writers peculiarly interesting to work on if one was moved by them and wanted to find out why. 1n 1965, W.J. Keith gave us the first academic book on Richard Jefferies, based in part on an MA. thesis of his own. It was a very decent piece of work, unmarred by special pleading or a self-servingly ingenious discovery of non-existent complexities, and it was well calculated to get Jefferies taken seriously by readers ignorant of, or prejudiced against, the important review-article on hirp by Q.D. Leavis in Scrutiny (1938). -
1930S' Scottish Highland and Islands Life- the Documentary
The event which is in front of her eyes: 1930s’ Scottish Highland and Islands life- the documentary photography and film of M.E.M. Donaldson, Jenny Gilbertson and Margaret Fay Shaw. ‘The event which is in front of her eyes’ comes from the following John Berger quote: ‘The photographer chooses the events he photographs. The choice can be thought of as a cultural construction. The space for this construction is, as it were, cleared by his rejection of what he did not choose to photograph. The construction is his reading of the event which is in front of his eyes. It is that reading, often intuitive and very fast, which decides his choice of the instant to be photographed’. [1] For the purposes of this essay, I choose to imagine every ‘he’ of this quotation about a photographer’s choice, reading and gaze, as ‘she’. What did Donaldson, Gilbertson and Shaw see? Did they see their work as a ‘cultural construction’? How did they read the events in front of them? These women are not grouped together purely because of their biological gender. None were native to the rural communities they photographed or filmed, with only Gilbertson being Scottish by birth. [2] All chose independently to move to, and live over a substantial period of time with the rural communities they were documenting. M.E.M. Donaldson left England to build her own home on the Ardnamurchan Peninsula; Margaret Fay Shaw, an American, moved from New York to live with the sisters Peigi [1874-1969] and Màiri MacRae [1883- 1972] for six years at their croft at North Glendale, South Uist; and Jenny Gilbertson (née Brown) went as a single woman to live on a croft in Shetland, in order to make films, then settled there following her marriage to a crofter. -
Englishness, Literature and Sexuality, 1918-1939
BODIES, BOOKS AND THE BUCOLIC: ENGLISHNESS, LITERATURE AND SEXUALITY, 1918-1939 WREN SIDHE A thesis submitted to Cheltenham and Gloucester College of Higher Education in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts and Humanities May 2001 ABSTRACT The hypothesisthis thesistests is that interwar hegemonicdiscourses of Englishness locatedit as originating in the heterosexualbond betweena masculinenational subject and a feminine nature/landscape.Discursively, this left little spacefor women to insert themselvesinto sucha cultural formation. However, a paradoxof this heterosexualising 0 cultural matrix may havebeen to give a voice to lesbiansubjectivity, sinceIf 'women' might not be English, could lesbiansbe? If national land was figured as feminine, and women desiredidentification with their country-as-land,to becomeEnglish might mean for somewomen that they shouldbecome lesbian. In order to explore this, three main questionsare examined.Firstly, to what extent did the dominant discourseof the rural in the interwar period define 'Englishness'as masculineand 'Nature' as feminine? Secondly,if women were excludedfrom this discursiveheterosexual relationship, can it be seenparadoxically to haveopened up a spacefor alternativesexualities to emerge? If lesbianismwere an instanceof the latter, then what writing strategieswere adoptedin order to articulatea relationshipbetween Englishness and lesbianism?Thirdly, what can censoredand other literary texts of the period reveal aboutthe relationsbetween such an English masculinenational subject,the meaningand powersattributed to literature,and forbidden sexualitiesand subjectivities? In its analysisof the relationshipbetween national identity, geographical location and sexuality,this thesiscontributes to studiesof Englandand Englishness through the addition of the conceptof 'sexuality' to an understandingof their construction.It also contributesto lesbianand gay critical theory by examiningthe nationalprocesses which impinge of the construýtionof the homosexualsubject. -
JM QM Paper, Print Version
on not getting in a paper, by @jessiemclaugh i sent in a proposal to queer modernisms, and pretty soon after received the below ouch, i thought what was my abstract? and wtf made it so abstract? ‘the great Icelandic novelist Halldór Laxness noted in 1925 that Reykjavik had finally acquired all the accoutrements of modernity: “not only a university and a movie theatre, but also football and homosexuality”’ i wanted to talk about SPORT, ART, LITERATURE and what these three things might be able to learn from one another, how they might be able to radicalise one another, queer one another (some highlights were gonna be … (admittedly i probably should have specified that i was planning to focus on modernist art & lit … ) but still, it *felt* like the email was saying the idea of trying to stir together sport and modernism won’t be appropriate as part of a conference on queer modernism @ oxford soooooooooo … why did i think it would ?? hi MY NAME IS JESSIE … BARNEY … TOM … TIGER … TYGER … JESSE … JESSE JAMES … HEATHCLIFFE i am queer, brown, soft, introvert i am an amateur, at football, at art, at writing i have a ba (hons) in english lit & lang a masters in fine art photography & i’m about to start a arhc funded phd exploring the process of queering and decolonising the art museum by working with young people (i’m telling u this to acknowledge of all my privilege) and across all of these things i enjoy thinking about (queering) METHOD “instead, it offers a 1990s-flavoured lesbian Victorian London … it conjures up an antique lesbian lingo, using, or cheerfully misusing, some of the words and phrases – “toms”, “mashers”, “tipping the velvet” itself – that I’d come across in dictionaries of historical slang and in 19th-century pornography. -
Bertram Rota
January 2013 Bertram Rota Ltd 31 LONG ACRE COVENT GARDEN, LONDON WC2E 9LT Telephone: + 44 (0) 20 7836 0723 * Fax: + 44 (0) 20 7497 9058 E-mail: [email protected] www.bertramrota.co.uk IN OUR NINETIETH ANNIVERSARY YEAR From the Gavin H. Fryer Collection a fine selection of works by Joseph Conrad, Compton Mackenzie, V.S. Pritchett and others Catalogue 308 Part II Established 1923 TERMS OF BUSINESS. The items in this catalogue are offered at net sterling prices, for cash upon receipt. Charges for postage and packing will be added. All books are insured in transit. PAYMENT. We accept cheques and debit and credit cards (please quote the card number, start and expiry date and 3 digit security code as well as your name and address). For direct transfers: HSBC, 129 New Bond Street, London, W1A 2JA, sort code 40 05 01, account number 50149489 . VAT is added and charged on autograph letters and manuscripts (unless bound in the form of a book), drawings, prints and photographs WANTS LISTS. We are pleased to receive lists of books especially wanted. They are given careful attention and quotations are submitted without charge. We also provide valuations of books, manuscripts, archives and entire libraries. HOURS OF BUSINESS. We are open from 10.30 to 6.00 from Monday to Friday. Appointment recommended. Unless otherwise described, all the books in this catalogue are published in London, in the original cloth or board bindings, octavo or crown octavo in size. Dust-wrappers should be assumed to be present only when specifically mentioned. Featuring in particular works by Conrad and those two other literary masters of their time, Compton Mackenzie and V.S.