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Champions of the Gods
Champions of the Gods Champions of the Gods by Warren Merrifield 1 Champions of the Gods Copyright ©2006 Warren Merrifield. This is an entry into the Iron Game Chef ‘06 competition. It uses the ingredients Ancient, Committee and Emotion, and is designed to be played in four two–hour sessions. Typeset in Garamond and Copperplate. Created with Apple Pages software on a G5 iMac. Contact me at [email protected] 2 Champions of the Gods Map of the Ancient Greek World 3 Champions of the Gods Introduction This is my Iron Game Chef ‘06 Entry. It uses the ingredients Ancient, Committee and Emotion, and is designed to be run in four two–hour sessions with between three and five participants. There is no Gamesmaster. I am no authority on Ancient Greece and its myths, so please indulge me any inaccuracies that I may have presented here. Background The Ancient Greek World, during the Age of Gods and Men: Zeus, father of all the Gods has decided that he wants a new religious festival for the Mortals to honour him. He has declared that it will be known as the “Olympics” and shall be held in the most worthy city–state in all of the Greek World — anywhere from Iberia to the Black Sea. But there are more city–states than Zeus can be bothered to remember, so to discover which is most worthy, he has chosen a number of his Godly offspring to do it for him. They will be known as the “Mount Olympus Committee”, and will report back in four mortal years, or Zeus shall rip all of Creation asunder. -
Telegraphic Mining Code Alphabetically Arranged for the Use
AXM A N V E Y , O G I N E E RS C O LCH ESTE R E N GLAN D , , , L ICE N SE E S AN D M AN U FACT U R E R S FO R E N GLAN D AN D TH E C O L ON IE S O F H U N T I N G D O N ’ S L ROLLER ART NTRI FUGA QU Z MI LL, P L /ER/ZI N I N CON EN TRA I FI NE U l G C TON. I TS P ARTICU L AR M E RITS A R E E conom in x n y e pe se of lant . Eco om in os f r in n y c t o wo g. E co om in sav in d n y g gol . E co om i hi r n y n tran sportation of mac ne y . E conomy in cost of e re ction of mill at mine . E conomy in time req uire d to establish plant at mine (one day only being co sum n ed) . E conomy in management of machinery (its simplicity of constru c ti on obviates the ski nee d of mechanical ll) . E co om r bei de e d . n y in powe r required (a saving of 50 pe cent . ng ren r ) We cl aim especial merit i n t/zat f eature qf t/zis system 5} w/z ie/t we prevent ’ ’ al l owi n o ol a ai ta uicksil ver and til e conse uen t l oss o ol d Mat fl g f g q , q f g ’ attenas stam mil l in p g. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Sometimes Shocking but Always Hilarious
The Sound of Hammers Must Never Cease: The Collected Short Stories of Tim Fulmer Party Crasher Press ©2009, 2010, 2014, Tim Fulmer. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of Tim Fulmer. This book is a work of fiction. Any resemblance to actual events or persons, living or dead, is entirely coincidental and perhaps the result of a psychotic breakdown on the reader’s part. This definitive collection of Tim Fulmer’s highly entertaining short work includes an introduction by the author and sixty-one stories that chronicle the restless lives of what have been called Gen X and Gen Y. From the psychotic disillusionment of inner city life in “Chicago, Sir" and “Mogz & Peeting” to the shocking and disturbing discoveries of suburban dysfunction in “It’s Pleonexia” and “Yankee Sierra,” Tim Fulmer tells us everything we need to know about growing up and living in North America after 1967. His characters are very scary people -- people with too much education, too much time on their hands, and too much insight ever to hold down a real job long enough to buy a house and support a family -- in short, people just like how you and I ought to be all the time. These are stories of concealed poets, enemies of the people, awful bony hands, pink pills, sharp inner pains, Jersey barriers, and exquisite corpses. The language throughout is unadorned, accurate, highly crafted, ecstatic, even grammatically desperate. -
Christopher Marlowe and Dramatic Technique
CHRISTOPHER MARLOWE AND DRAMATIC TECHNIQUE By PRANK B. FIELER A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA June, 1960 PREFACE In T.amburlaine, Part I. Christopher Marlowe took a knownhistor- ical personage who was morally despicable by the standards of the six- teenth century, and, without falsifying the historical portrait, pre- sented him in a way designed to evoke admiration in the audience. This design involved an elaborate plan of apotheosis which persists through- out the play and, in some way, affects every element of the play's structure. At the same time, he attempted to persuade the audience not to leave the theatre with an uncritical acceptance of the hero's career as an ideal to be taken as a model. The existence of such an extensive plan suggests that, in addition to his having been an iconclastic, lyrical poet of great powers, he was an eminently conscious dramatist, who in the process of composition was aware, at all times, of the inter- action between his material and his audience, and who had the necessary ability and knowledge of his craft demanded by the constant control over material and audience reaction which is exhibited in Tamburlaine, Part I. To support these assertions, the first part of this study dis- cusses the problems which the selection of Tamburlaine as the subject of a play presented to the dramatist, and it investigates the means by which he resolved these problems and achieved that particular tensive effect between exhilaration and aversion the character of Tamburlaine has upon an audience, be it Elizabethan or modern. -
Criminal Justice: Capital Punishment Focus
Criminal Justice: Capital Punishment Focus Background The formal execution of criminals has been used in nearly all societies since the beginning of recorded history. Before the beginning of humane capital punishment used in today’s society, penalties included boiling to death, flaying, slow slicing, crucifixion, impalement, crushing, disembowelment, stoning, burning, decapitation, dismemberment and scaphism. In earlier times, the death penalty was used for a variety of reasons that today would seem barbaric. Today, execution in the US is used primarily for murder, espionage and treason. The Death Debate Those in support of capital punishment believe it deters crimes and, more often than not believe that certain crimes eliminate one’s right to life. Those who oppose capital punishment believe, first and foremost, that any person, including the government, has no right to take a life for any reason. They often believe that living with one’s crimes is a worse punishment than dying for them, and that the threat of capital punishment will not deter a person from committing a crime. Costs and Procedures On average, it costs $620,932 per trial in federal death cases, which is 8x higher than that of a case where the death penalty is not sought. When including appeals, incarceration times and the execution in a death penalty case, the cost is closer to $3 million per inmate. However, court costs, attorney fees and incarceration for life only totals a little over $1 million. Recent studies have also found that the higher the cost of legal counsel in a death penalty case the less likely the defendant is to receive the death penalty, which calls the fairness of the process into question. -
Aqueous Alteration on Main Belt Primitive Asteroids: Results from Visible Spectroscopy1
Aqueous alteration on main belt primitive asteroids: results from visible spectroscopy1 S. Fornasier1,2, C. Lantz1,2, M.A. Barucci1, M. Lazzarin3 1 LESIA, Observatoire de Paris, CNRS, UPMC Univ Paris 06, Univ. Paris Diderot, 5 Place J. Janssen, 92195 Meudon Pricipal Cedex, France 2 Univ. Paris Diderot, Sorbonne Paris Cit´e, 4 rue Elsa Morante, 75205 Paris Cedex 13 3 Department of Physics and Astronomy of the University of Padova, Via Marzolo 8 35131 Padova, Italy Submitted to Icarus: November 2013, accepted on 28 January 2014 e-mail: [email protected]; fax: +33145077144; phone: +33145077746 Manuscript pages: 38; Figures: 13 ; Tables: 5 Running head: Aqueous alteration on primitive asteroids Send correspondence to: Sonia Fornasier LESIA-Observatoire de Paris arXiv:1402.0175v1 [astro-ph.EP] 2 Feb 2014 Batiment 17 5, Place Jules Janssen 92195 Meudon Cedex France e-mail: [email protected] 1Based on observations carried out at the European Southern Observatory (ESO), La Silla, Chile, ESO proposals 062.S-0173 and 064.S-0205 (PI M. Lazzarin) Preprint submitted to Elsevier September 27, 2018 fax: +33145077144 phone: +33145077746 2 Aqueous alteration on main belt primitive asteroids: results from visible spectroscopy1 S. Fornasier1,2, C. Lantz1,2, M.A. Barucci1, M. Lazzarin3 Abstract This work focuses on the study of the aqueous alteration process which acted in the main belt and produced hydrated minerals on the altered asteroids. Hydrated minerals have been found mainly on Mars surface, on main belt primitive asteroids and possibly also on few TNOs. These materials have been produced by hydration of pristine anhydrous silicates during the aqueous alteration process, that, to be active, needed the presence of liquid water under low temperature conditions (below 320 K) to chemically alter the minerals. -
The Art of Defence on Foot with the Broad Sword and Sabre
THE ART OF DEFENCE ON FOOT WITH THE BROAD SWORD AND SABRE FOURTH EDITION BY CHARLES ROWORTH 1824 TRANSCRIBED. RESTORED AND INTRODUCED BY NICK THOMAS INSTRUCTOR AND CO-FOUNDER OF THE ACADEMY OF HISTORICAL FENCING (UK) Presented below is a complete reconstruction of the fourth edition of Charles Roworth's 'Art of Defence', or AOD as it is sometimes now known. The AOD is one of the most important references on British swordsmanship on foot in the Napoleonic period, The British army did not adopt an official infantry sword system until after war's end. However, when they did, it was based on this style depicted by Charles Roworth, as well as Henry Angelo Senior, whose son created the official system in 1817, based firmly on his father’s methods. Despite not being an official system, these 'broadsword' methods were widespread throughout the 18th century. In the case of Roworth's AOD manual, it was recommended for purchase and use by British officers in many publications of the time. They are also well referenced to have been taught in many military units. Roworth's manuals give the most in-depth insight into infantry sword combat in this period, and likely served as the basis of sword training for many in the army and militia of the day. As well as a method for those elsewhere, such as in America, where this edition was published. The Art of Defence was first published in 1798. This second edition was also published in the same year, and though very similar, it features a number of changes to both text and illustration. -
Song of Swords Beta 1.9.9 Opaque Studios
h[YnabXcamZ\g Song of Swords Beta 1.9.9 (MICRO UPDATE) from Opaque Studios LATEXified Revision - Alpha version 0.2.0 April 1, 2017 © Zachary Irwin,James Lacombe, 2015. All Rights Reserved h[YnabXcamZ\g h [a\ g Beta Rules for Song of Swords Roleplaying Game Lead Designer: James “Rome” Lacombe Executive Designer, Producer: Zachary T. Irwin Supplementary Design Team: Daniel Leiendecker, Forrest Phanton, Taylor Davis Art Director: Taylor Davis Cover Art: Kenneth Solis Book Art: Darren Tan, Frankie Perez, Duc Pham, Taylor Davis, Kassandra Swager Additional Development: Justin Hazen, Travis Mitchell, Alex Gann, Nicholas Henry, Alan Baird and The Five Cells, Dusan Nadimakovic CEO: Zachary T. Irwin All contents copyright © 2012-2015 by Zachary T. Irwin, James T. Lacombe. All rights reserved. This book is dedicated to Daniel Paris. Special thanks to our families, friends, teachers, Bret Sweet, Sherri Paris, Kenneth Solis, Charlie Krank, Nicholas Nacario, and our fans met on /tg/ and other places, everyone else, everyone else’s grandmother, the moon, God, any other deities you might care to name except Moloch because he’s a tool, Thomas Sowell, Zeljko Raznatovic’s pet tiger, Lu Bu, Mr. Rogers, Margaret Thatcher, G.K. Chesterton, Thomas Aquinas, Hidetaka Suehiro and Andrew Jackson If you can think of anyone else we didn’t name, write it in. We even left a space. opaquegames.com facebook.com/OpaqueIndustries opaque.freeforums.net Kickstarter is live! XcamZ\g g f i Contents 1 Introduction 1 1.1 What is Song of Swords?......................................... 3 1.2 What is a Roleplaying Game?...................................... 4 1.3 Basic Mechanics Explained....................................... -
The Use of the Saber in the Army of Napoleon
Acta Periodica Duellatorum, Scholarly Volume, Articles 103 DOI 10.1515/apd-2016-0004 The use of the saber in the army of Napoleon Bert Gevaert Katholieke Universiteit Leuven (Belgium) Hallebardiers / Sint Michielsgilde Brugge (Belgium) [email protected] Abstract – Though Napoleonic warfare is usually associated with guns and cannons, edged weapons still played an important role on the battlefield. Swords and sabers could dominate battles and this was certainly the case in the hands of experienced cavalrymen. In contrast to gunshot wounds, wounds caused by the saber could be treated quite easily and caused fewer casualties. In 18th and 19th century France, not only manuals about the use of foil and epee were published, but also some important works on the military saber: de Saint Martin, Alexandre Muller… The saber was not only used in individual fights against the enemy, but also as a duelling weapon in the French army. Keywords – saber; Napoleonic warfare; Napoleon; duelling; Material culture; Historical European Martial Arts (HEMA); History “The sword is the weapon in which you should have most confidence, because it rarely fails you by breaking in your hands. Its blows are the more certain, accordingly as you direct them coolly; and hold it properly.” Antoine Fortuné de Brack, Light Cavalry Exercises, 18761 I. INTRODUCTION Though Napoleon (1769-1821) started his own military career as an artillery officer and achieved several victories by clever use of cannons, edged weapons still played an important role on the Napoleonic battlefield. Swords and sabers could dominate battles and this was certainly the case in the hands of experienced cavalrymen. -
The Abcs of Assessing Student Teachers' Performance In
NATIONAL SOCIAL SCIENCE PROCEEDINGS Volume 46 #2 National Technology and Social Science Conference, 2011 Table of Contents Resurgent Foreclosures in Metropolitan Atlanta Counties Housing Market, 2000-2010: Lessons and Challenges for Public Policy Ebenezer O. Aka, Jr., Morehouse College 1 The ABCs of Assessing Student Teachers‟ Performance in Practicum Jane Andrews, Northwest Missouri State University 15 iTeaching: Using Mobile Devices to Deliver Social Science Curriculum Stephen N. Baldridge, Alexandra Moran, Whitney Herrington, Abilene Christian University 19 Dairy Surplus: A Search for Policy Solutions Jacqueline Behling, Central Washington University 30 Fear of Crime in Mexico Ben Brown, The University of Texas at Brownsville Wm. Reed Benedict, Eastern Illinois University 38 Civil Defense Update: Why do you need a „57 Chevy? Barry Bruster, Austin Peay State University 50 Co-chairing a University Department: A Case Study of the Pro‟s and Con‟s of Shared Responsibility Carol Butterfield, Dan Fennerty, Veronica Gomez-Vilchis, Central Washington University 59 Building Relationships in Online Classes by Incorporating Letter Writing, Buddy Systems, and Teaching and Utilizing Proper Netiquette Patti Cost, Weber State University 67 Now How Am I S‟posed to Know That? Addressing the Neglected “R” in Teacher Education Betty Duncan, Lamar University 72 Some Classifications and Features of Sub-Saharan African Countries Bruce A. Forster, University of Nebraska at Kearney 79 What Can Teachers and Principals Do To Better Address the Reading Instructional Needs of English Language Learners? Jerry Garrett, Marshall University 93 Ethnocentrism and Intercultural Willingness to Communicate in U. S. College Students Carrol R. Haggard, Fort Hays State University Margaret Miller Butcher, Online Education Consultants 104 Multicultural Book Club: Creating Third Space through Student-led Discussion and Books with Cultural Content in a Diverse Classroom Marcella J.