Circus Report, March 24, 1980, Vol. 9, No. 12
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National Circus and Acrobats of the People's Republic of China
Friday, September 11, 2015, 8pm Saturday, September 12, 2015, 2pm & 8pm Zellerbach Hall National Circus and Acrobats of the People’s Republic of China Peking Dreams Cal Performances’ $"#%–$"#& season is sponsored by Wells Fargo. PROGRAM Peking Dreams EKING (known today as Beijing), the capital of the People’s Republic of China, is a Pfamous historical and cultural city with a history spanning 1,000 years and a wealth of precious Chinese cultural heritage, including the Great Wall, the Forbidden City, the Summer Palace, and the Temple of Heaven. Acrobatic art, Chinese circus, and Peking opera are Chinese cultural treasures and are beloved among the people of Peking. These art forms combine music, acrobatics, performance, mime, and dance and share many similarities with Western culture. Foreign tourists walking along the streets or strolling through the parks of Peking can often hear natives sing beautiful Peking opera, see them play diabolo or perform other acrobatics. Peking Dreams , incorporating elements of acrobatics, Chinese circus, and Peking opera, invites audiences into an artistic world full of history and wonder. The actors’ flawless performance, colorful costumes, and elaborate makeup will astound audiences with visual and aural treats. PROGRAM Opening Acrobatic Master and His Pupils The Peking courtyard is bathed in bright moonlight. In the dim light of the training room, three children formally become pupils to an acrobatic master. Through patient teaching, the master is determined to pass his art and tradition down to his pupils. The Drunken Beauty Amidst hundreds of flowers in bloom, the imperial concubine in the Forbidden City admires the full moon while drinking and toasting. -
Yann Leblanc- Curriculum Vitae Montreal
Curriculum Vitae Yann LeBlanc London, UK Mobile: +44 (0)7944 185 291 E-mail : [email protected] Instagram: circusyannleblanc.entertainer Yann graduated in 2010 from the National circus school of Montreal. He was then hired by Cirque Éloize, a highly known circus company from Canada and consequently worked for companies such as: The 7 Fingers, Cirque Alfonse, GOP Variete, Flip Fabrique, Art on Ice, Cirque du Soleil and so on. Recently he decided to live in UK with his partner where their passion can be witness in all their projects. The duet is performing a top level hand to hand act but also having 6 solos in between them: Cyr wheel, Juggling, Handstand, Contortion, Aerial hoop and Silk. They work regularly in different cabarets, corporates events, dinner shows all around London, Europe, but also all around the world. General information Age: 30 years old Nationality: Canadian with Uk Visa Height: 1,74 meters / 5’8’’ Weights: 176 Pounds / 80 kg Hair: brown Eyes: brown Spoken language: French and English Formation National Circus School of Montreal: DEC program 2008/2009/2010 -Main discipline: Duo juggling -Minor discipline: Hand to hand, Acrobatic, Trampoline & Banquine National circus school of Montreal: High school IV et V 2006/2007 -General formation Touring Shows GOP Essen: Lovely Bastard ( 65 shows) -Cyr wheel & Hand to hand 2019 Cirque Éloize: Cirkopolis (250 shows) -Hand to hand, Club Passing, German wheel, Diabolo, 2018/15/14/13 Cyr wheel duo, Banquine & Teeterboard Flip Fabrique: Catch me (180 shows) -Acrobatic, Cyr -
Tli Regiment ^ in the World
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Lucas Boutin CV 2020 English
LUCAS BOUTIN — ACROBAT D.O.B. : 19/02/1990 [email protected] Based in Montréal French passport Permanent Resident of Canada Language EXPERIENCE French / English Acrobat/Artist Coach - CRYSTAL - Cirque du Soleil - Tour - 2017/2020 Circus Disciplines Creation and international tour of the arena show CRYSTAL, the first Cirque Chinese pole, floor du Soleil Ice show. General acrobat, as well as pole specialist in the main acrobatics, hoop diving, poles/pendular pole act (mix of chinese pole and russian swing). Back-up cyr wheel, juggling clown and back-up juggler. (bouncing balls and clubs), banquine and Receptionist, The 7 Fingers, Montreal — February/June 2017 groupe acrobatic. Casting, data base and receptionist for the 7 Fingers in their ofice in Formations Montreal. - National Center for Circus Arts (Circus Coach - LA PERLE - Dragone - DUBAI — November 2016 Space) Chinese pole and suspended pole coach for the last Dragone creation LA Specialized in chinese PERLE in Dubai. pole and floor acrobatics 2008/2011 Acrobat - CIRKOPOLIS - Cirque Éloize- Montreal/Miami June/July 2016 London, England. Rehearsals of the show CIRKOPOLIS by Cirque Éloize in Montreal followed by - École Nationale de 5 weeks of performances in Miami, USA. Main act Duo Chinese pole, and Cirque de Châtellerault groups acts (banquine, floor acrobatics, club passing). French baccalaureat in literature and Circus Solo Chinese Pole - THE ACT - DUBAI - November 2015 Arts, specialized in floor One month of performing my solo chinese pole act for the cabaret THE ACT acrobatics and juggling in Dubai. 2005/2008 Châtellerault, France. Coach - National Center for Circus Arts - London - July 2015 Chinese pole coach for the Circus Degree at the National Center for Circus Profil Arts (Circus Space) in London. -
Fall 2016 (PDF)
GRADUATE STUDENTS MAKE AN IMPACT ON ST. LOUIS’ CATHOLIC SCHOOLS Page 8 ALUMNUS’ PHOTOS AUTHOR’S LIFE THE LIBRARY HONOR ROLL TELL STORIES INSPIRES OTHERS ASSOCIATES OF DONORS Page 12 Page 14 Page 16 Page 19 PRESIDENT’S MESSAGE VOLUME 43, ISSUE 1 EDITOR Laura Geiser (A&S ’90, Grad ’92) ASSOCIATE EDITOR Amy Garland (A&S ’97) ART DIRECTOR In September 1985, former Saint Louis University President Paul Matt Krob C. Reinert, S.J., wrote a piece for Momentum magazine on “The CONTRIBUTORS Spiritual Dimensions of Giving and Getting.” In an effort to show Emily Clemenson how philanthropy is ultimately tied to the love of God, human Marie Dilg (Grad SW ’94) Tina Haberberger growth and development, Father Reinert connected two ostensibly Maria Tsikalas opposing concepts: religious values and fundraising. Ultimately, he articulated that SLU’s ability to live our mission and achieve ON CAMPUS NEWS STORIES University Communications PHOTO BY STEVE DOLAN our goals relies heavily on the benevolence of our benefactors. Medical Center Communications First-year students await the start of convocation at Chaifetz Arena in August. nswering the call to live a life of service and service to SLU (page 3). When asked about her dedication Billiken Media Relations generosity is no easy feat. Father Reinert to the University, Mary said it was an “act of love.” The FEATURES SPECIAL INSERT admitted he would be unable to devote his way each of us shows our love toward the University dic- ON THE COVER life to the service of Saint Louis University tates the manner in which we choose to give of our gifts: Billiken Teacher Corps students 8 19 if he were not “genuinely committed to the our time, our resources and our knowledge. -
An Overview of Circus and Street Arts in Morocco
AN OVERVIEW OF KAHWA MEETINGS MOROCCO STREET AND CIRCUS ARTS IN MOROCCO ARTCENA is the National Centre for Circus, Street and Theatre Arts, This publication was created by the French Ministry of written by Claudine Culture. It coordinates Circostrada Dussollier and edited and has a permanent seat on its by Circostrada Steering Committee. It works closely with sector professionals and offers them publications and Since 2003, Circostrada Network has been multimedia resources through its working to develop and structure the fields digital platform. It develops mentoring, training, tools and services to of circus and street arts in Europe and beyond. help them in their daily practices. With more than 100 members from over 30 It provides support to contemporary countries, it helps building a sustainable future creation through national programmes and encourages for these sectors by empowering cultural international development of these players through activities in observation and three sectors. research, professional exchanges, advocacy, European Network capacity-building and information. Co-funded by the Circus and Street ArtS Creative Europe Programme of the European Union FOREWORD What is the landscape and what project(s) exist relating to street and circus arts? In Morocco, cultural figures are strengthening the links between artistic creativity and place(s), on a local, regional and international level. Since the inaugural États Généraux de la Culture (General Assembly on Culture) in 2014, the landscape for street and circus arts has evolved considerably, with the arrival on the scene of new companies and projects, the creation of a Moroccan street arts federation as well as international cooperation projects. -
Dust Palace Roving and Installation Price List 2017
ROVING AND INSTALLATION CIRQUE ENTERTAINMENT HAND BALANCE AND CONTORTION One of our most common performance installations is Hand Balance Contortion. Beautiful and graceful this incredible art is mastered by very few, highly skilled performers. Roving or installation spots are only possible for 30 mins at a time and are priced at $950+gst per performer. ADAGIO AND ACROBATICS Adagio, hand to hand, balance acrobatics and trio acro are all ways to describe the art of balancing people on people. Usually performed as a couple this is the same as hand balance contortion in that it’s only possible for 30 minute stints. Roving or installation can be performed in any style and we’re always happy to incorporate your events theme or branding into the theatrics around the skill. Performers are valued at $950+gst per 30 minute slot. MANIPULATION SKILLS Manipulation skills include; Hula Hoops, Juggling, Cigar boxes, Diabolo, Chin Balancing, Poi Twirling, Plate Spinning and Crystal Ball. As a roving or installation act these are fun and lively, bringing some nice speedy movement to the room. All are priced by the ‘performance hour’ which includes 15 minutes break and range between $400+gst and $700+gst depending on the performer and the skill. Some performers are capable of character work and audience interaction. Working these skills in synchronisation with multiple performers is a super cool look. Most of these skills can be performed with LED props. EQUILIBRISTICS aka balance skills The art of balancing on things takes many long hours of dedication to achieve even the most basic result. -
Tritontrouperscircus.Com
FOR IMMEDIATE RELEASE TRITON TROUPERS CIRCUS SHOW DATES FOR 2019 (48th season). Triton Troupers Circus is an extraordinary show based out of Triton College near Chicago which has performed annually since 1972! The 2019 shows are on: Thursday April 11th - 7pm Friday April 12th - 7pm Saturday April 13th - *1pm and 7pm *1pm Saturday show includes ASL Interpreter. At 2001 N 5th Ave, River Grove IL. The Triton Troupers Circus performance is in the Robert M. Collins Center Gymnasium on the Triton campus, just West of Chicago, near North Avenue and Maywood Park. The Gym is on the EAST side of the street, adjacent to free parking lot and sports fields. All shows are wheelchair accessible, all ages, and animal-free. The show is about two hours long including an intermission, and drinks and snacks are sold. Show may include fog and strobes, as well as balloons and confetti. Doors open one hour before show time, so come early for best parking and tickets, and enjoy the clown pre-show. Tickets are just $6 purchased at the door before the show. For individual or group advanced ticket sales call Student Services at 708/456-0300 (TTY 800-526-0844). Triton Troupers Circus is a non-profit effort dedicated to the preservation of the circus arts and to the local community. Triton Troupers Circus features skilled performers in classic circus specialties such as Chairs, Clowning, Double Stunts, Globes, Gymwheel, Juggling, Statues, Teeterboard, Trampoline, Trapeze, Unicycle, Web, Wire, feats of strength and more. Come see our fun website: TritonTroupersCircus.com ========================================================== ADDITIONAL RESOURCES FOR PRESS Probable next year (2020) shows: April 2nd, 3rd, 4th. -
Acrobatics Acts, Continued
Spring Circus Session Juventas Guide 2019 A nonprofit, 501(c)3 performing arts circus school for youth dedicated to inspiring artistry and self-confidence through a multicultural circus arts experience www.circusjuventas.org Current Announcements Upcoming Visiting Artists This February, we have THREE visiting artists coming to the big top. During the week of February 4, hip hop dancer and choreographer Bosco will be returning for the second year to choreograph the Teeterboard 0200 spring show performance along with a fun scene for this summer's upcoming production. Also arriving that week will be flying trapeze expert Rob Dawson, who will attend all flying trapeze classes along with holding workshops the following week. Finally, during our session break in February, ESAC Brussels instructor Roman Fedin will be here running Hoops, Mexican Cloud Swing, Silks, Static, Swinging Trapeze, Triple Trapeze, and Spanish Web workshops for our intermediate-advanced level students. Read more about these visiting artists below: BOSCO Bosco is an internationally renowned hip hop dancer, instructor, and choreographer with over fifteen years of experience in the performance industry. His credits include P!nk, Missy Elliott, Chris Brown, 50 Cent, So You Think You Can Dance, The Voice, American Idol, Shake It Up, and the MTV Movie Awards. Through Bosco Dance Tour, he’s had the privilege of teaching at over 170 wonderful schools & studios. In addition to dance, he is constantly creating new items for BDT Clothing, and he loves honing his photo & video skills through Look Fly Productions. Bosco choreographed scenes in STEAM and is returning for his 2nd year choreographing spring and summer show scenes! ROB DAWSON As an aerial choreographer, acrobatic equipment designer, and renowned rigger, Rob Dawson has worked with entertainment companies such as Cirque du Soleil, Universal Studios, and Sea World. -
June-Oct 2021
JUNE-OCT FREE & BENEFIT 2021 PERFORMANCES SUMMERSTAGE.ORG SUMMERSTAGE NYCSUMMERSTAGE SUMMERSTAGENYC SUMMERSTAGE IS BACK More than a year after the first lockdown order, SummerStage is back, ready to once again use our city’s parks as gathering spaces to bring diverse and thriving communities together to find common ground through world-class arts and culture. We are committed to presenting a festival fully representing the city we serve - a roster of diverse artists, focused on gender equity and presenting distinct New York genres. This year, more than ever before, our festival will focus on renewal and resilience, reflective of our city and its continued evolution, featuring artists that are NYC-born, based, or inextricably linked to the city itself. Performers like SummerStage veteran Patti Smith, an icon of the city’s resilient rebelliousness, Brooklyn’s Antibalas, who have married afrobeat with New York City’s Latin soul, and hip hop duo Armand Hammer, two of today’s most important leaders of New York’s rap underground. And, as a perfect symbol of rebirth, Sun Ra’s Arkestra returns to our stage in this year of reopening, 35 years after they performed our very first concert, bringing their ethereal afro-futurist cosmic jazz vibes back to remind us of our ongoing mission and purpose. Our festival art this year also reflects our outlook -- bold, bright, powerful -- and was created by New Yorker Lyne Lucien, an award-winning Haitian artist based in Brooklyn. Lucien is an American Illustration Award Winner and a finalist for the Artbridge - Not a Monolith Residency. She has worked as a photo editor and art director at various publications including New York Magazine, The Daily Beast and Architectural Digest. -
Circus Educators Insurance Application
Circus Educators Insurance Application The AYCO-ACE Insurance Program has been specifically designed to provide insurance for the unique risks of teaching & performing circus arts. The program has been collaboratively designed with AYCO-ACE Board of Directors. Front Row is committed to helping you better understand your insurance coverage and how it can protect you, your school or studio, your students and the great people working for you. We love questions – so be sure to ask lots of them! The AYCO-ACE program can include the coverage for: Bodily Injury & Property Damage Liability (Each Occurrence/Aggregate) $1,000,000 / $3,000,000 Personal Injury (Libel, Slander, Defamation) & Advertising Liability (Copyright Infringement) Up to $1,000,000 Each Occurrence Damage to Rented Premises Up to $1,000,000 Each Claim Participant Accident & Medical Insurance $10,000 or $25,000 Optional Coverage: Hired or Non-Automobile Liabilitty Up to $1,000,000 Professional Educators Errors & Omissions Liability (Each Occurrence/Aggregate) Up to $1,000,000 / $2,000,000 Abuse & Molestation Liability (Each Occurrence/Aggregate) Up to $1,000,000 / $2,000,000 Property: Equipment, Studio Assets, Tenant Improvements, Buildings, Tents As Required Note: Higher insured amounts are available. Please provide us with the following additional documents when you return the application: 1. Signed Application: The Application must be signed by an executive officer. 2. Waivers: A copy of waiver or release forms that participants, their parents or guardians sign when registering for your programs. 3. Organization Policies: Your Organization’s Harassment & Discrimination policy. 4. Claims History: A 4-year claims history report from your current insurance provider. -
No Radical Hangover: Black Power, New Left, and Progressive Politics in the Midwest, 1967-1989
No Radical Hangover: Black Power, New Left, and Progressive Politics in the Midwest, 1967-1989 By Austin McCoy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2016 Doctoral Committee: Associate Professor Matthew J. Countryman, Co-Chair Associate Professor Matthew D. Lassiter, Co-Chair Professor Howard Brick Associate Professor Stephen Ward Dedicated to Mom, Dad, Brandenn, Jeff, and K.C., all of the workers who have had their jobs stolen, and to all of the activists searching for answers. ii Acknowledgements Since I have taken the scenic route to this point, I have many thanks to give to family, friends, and various colleagues, collaborators, and communities that I have visited along the way. First, I would like to thank my dissertation committee—Howard Brick, Stephen Ward, Matt Lassiter, and Matthew Countryman. Your guidance and support enhanced this my dissertation. Your critical comments serve a cornerstone for this project as I proceed to revise it into a book manuscript. Howard, your classes and our conversations have expanded my thinking about the history of the left and political economy. Stephen, I appreciate your support for my scholarship and the fact that you always encouraged me to strike a balance between my academic and political work. Matt, I have learned much from you intellectually and professionally over the last seven years. I especially valued the fact that you gave me space and freedom to develop an ambitious project and to pursue my work outside of the classroom. I look forward to your continued mentorship.