DOCSLIB.ORG

NGA | 2012 Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NGA | 2012 Annual Report NA TIO NAL G AL LER Y O F A R T 2012 ANNUAL REPort 1 ART & EDUCATION Diana Bracco BOARD OF TRUSTEES COMMITTEE Vincent J. Buonanno (as of 30 September 2012) Victoria P. Sant W. Russell G. Byers Jr. Chairman Calvin Cafritz Earl A. Powell III Leo A. Daly III Frederick W. Beinecke Barney A. Ebsworth Mitchell P. Rales Gregory W. Fazakerley Sharon P. Rockefeller Doris Fisher John Wilmerding Juliet C. Folger Marina Kellen French FINANCE COMMITTEE Morton Funger Mitchell P. Rales Lenore Greenberg Chairman Frederic C. Hamilton Timothy F. Geithner Richard C. Hedreen Secretary of the Treasury Teresa Heinz Frederick W. Beinecke John Wilmerding Victoria P. Sant Helen Henderson Sharon P. Rockefeller Chairman President Benjamin R. Jacobs Victoria P. Sant Sheila C. Johnson John Wilmerding Betsy K. Karel Linda H. Kaufman AUDIT COMMITTEE Robert L. Kirk Frederick W. Beinecke Leonard A. Lauder Chairman LaSalle D. Leffall Jr. Timothy F. Geithner Secretary of the Treasury Edward J. Mathias Mitchell P. Rales Diane A. Nixon John G. Pappajohn Sharon P. Rockefeller Frederick W. Beinecke Mitchell P. Rales Victoria P. Sant Sally E. Pingree John Wilmerding Diana C. Prince Robert M. Rosenthal TRUSTEES EMERITI Roger W. Sant Robert F. Erburu Andrew M. Saul John C. Fontaine Thomas A. Saunders III Julian Ganz, Jr. Fern M. Schad Alexander M. Laughlin Albert H. Small David O. Maxwell Michelle Smith Ruth Carter Stevenson Benjamin F. Stapleton Luther M. Stovall Sharon P. Rockefeller John G. Roberts Jr. EXECUTIVE OFFICERS Ladislaus von Hoffmann Chief Justice of the Diana Walker United States Victoria P. Sant President Alice L. Walton Earl A. Powell III William L. Walton Director Walter L. Weisman Franklin Kelly John R. West Deputy Director and Chief Curator Andrea Woodner Elizabeth Cropper Dean, Center for Advanced Study in the Visual Arts HONORARY TRUSTEES’ Darrell R. Willson COUNCIL Administrator (as of 30 September 2012) William W. McClure Edwin L. Cox Hillary Rodham Clinton Timothy F. Geithner Treasurer Secretary of State Secretary of the Treasury Robert F. Erburu Elizabeth A. Croog Secretary and General Counsel John C. Fontaine Joseph J. Krakora Julian Ganz, Jr. Executive Officer, Development Alexander M. Laughlin and External Affairs David O. Maxwell Ruth Carter Stevenson TRUSTEES’ COUNCIL John C. Whitehead (as of 30 September 2012) James T. Dyke Chair William H. Ahmanson Max N. Berry G. Wayne Clough Secretary of the Smithsonian Institution 3 NATIONAL GALLERY OF ART Washington, DC 2 3 PRESIDENT’S FOREWORD The National Gallery of Art experienced a period of great My fellow trustees and I especially would like to thank excitement in fiscal year 2012. More than 4.2 million those who made major commitments to the Gallery visitors came to see special exhibitions that revealed a spec- this year. We were delighted to celebrate the gift of the tacular display of cultural riches from around the world. Kaufman Collection, a distinguished assemblage of early From late-fifteenth-century Flemish tapestries from the American furniture and decorative arts promised by Collegiate Church of Pastrana in Spain to Itō Jakuchū’s Linda Kaufman and the late George M. Kaufman, now thirty-scroll set of bird-and-flower paintings from the on view in the West Building. Our sincere thanks go Shōkokuji Monastery in Kyoto to the renowned works of to Juliet and Lee Folger for their generous gift through the American artist George Bellows, all our exhibitions The Lee and Juliet Folger Fund for the acquisition of reminded visitors how much can be learned about a soci- Portrait of a Gentleman Wearing a Fancy Ruff by Thomas ety through the study of its artistic output. The Gallery’s de Keyser. We are also grateful to those individuals and website made these discoveries possible for our 17.5 mil- foundations that made significant commitments for lion online visitors. All the while, vital behind-the-scenes the special exhibitions and art acquisition programs: activities such as conservation and scholarly research Estate of Mrs. Charles (Florian) Carr, Greg and Candy fostered the development and exchange of ideas on a Fazakerley, Gail and Benjamin Jacobs, Barbara and Jack wide range of other topics. These programs and activi- Kay, Mark and Ann Kington/The Kington Foundation, ties would not be possible without the public-private the Joseph F. McCrindle Foundation, The Honorable partnership that has been the bedrock of the Gallery Alfred H. Moses and Ms. Fern M. Schad, Helen Porter since its founding. We extend our sincere appreciation and James T. Dyke, and the Robert H. Smith Family to the President and the Congress for their steadfast Foundation. The trustees are also appreciative of the support of the Gallery, a commitment that continues to Terra Foundation for American Art’s strong support of be matched by generous donors nationwide. the Gallery’s American art program. We are also grateful This year marked the thirtieth anniversary of the to the Samuel H. Kress Foundation and The Andrew W. founding of the Trustees’ Council, which serves the Mellon Foundation for their ongoing dedication to help- Gallery as a national advisory body to the Board of ing us fulfill the Gallery’s scholarly mission. Trustees. We were delighted to welcome several returning International corporations and foundations, as well as members in fiscal year 2012: Vincent Buonanno, Morton the diplomatic community, were integral to the success of Funger, Frederic Hamilton, Teresa Heinz, Edward the Gallery’s special exhibition program in 2012. Colorful Mathias, Robert Rosenthal, Andrew Saul, and Diana Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū Walker. My fellow trustees and I would like to express (1716–1800) was made possible by a consortium of our thanks to all of our Trustees’ Council members for Japanese corporations led by Toyota and Nikkei, Inc., as their dedicated service. well as Airbus, the world’s leading aircraft manufacturer. We mourned the loss of several close Gallery friends this The exhibition was also supported by The Exhibition year, including the renowned connoisseur and collector of Circle and the E. Rhodes and Leona B. Carpenter contemporary art, Herbert Vogel. The remarkable story of Foundation. The Embassy of Japan is also to be commend- Herb and his wife, Dorothy, who amassed a world-class ed for its help in making this unprecedented exhibition collection of more than 5,000 contemporary works and possible. We are grateful to the Anna-Maria and Stephen distributed them to the Gallery and museums through- Kellen Foundation and the Institut Ramon Llull for their out the nation, is an inspirational model of philanthropy support for Joan Miró: The Ladder of Escape, as well as to that will have a lasting legacy. We were also saddened by Nippon Television Network Corporation, Tokyo, Japan; the death of Bob Duemling, a longtime member of the the Terra Foundation for American Art; the Henry Luce Trustees’ Council who shared with us a passion for art and Foundation; the Cordover Family Foundation; and The architecture. Together with his wife, Louisa, Bob gave gen- Mr. and Mrs. Raymond J. Horowitz Foundation for the erously to enhance the collection and special exhibitions Arts for their sponsorship of the landmark exhibition program. The Gallery also lost close friends Evelyn Lauder, George Bellows. The trustees also extend their thanks Don de Laski, Robert Looker, and Frank Pearl. to Helen Henderson and The HRH Foundation for its 4 NATIONAL GALLERY OF ART ongoing commitment to funding educational films about The trustees also would like to express their gratitude our special exhibitions, including George Bellows. Bank of to members of The Legacy Circle, which recognizes those America and its Bank of America Foundation continued who have included the Gallery in their testamentary plans. its longtime support by sponsoring the conservation of This year a number of individuals have elected to support the Gallery’s Gilbert Stuart portraits. Bank of America the Gallery through bequests, charitable gift annuities, also supported the 2012 exhibition Roy Lichtenstein: A charitable lead and remainder trusts, and other planned Retrospective, which was also supported by the Robert and giving vehicles. Planned gifts are essential to this institu- Mercedes Eichholz Foundation as well as the longtime tion’s long-term success, and we greatly appreciate our Gallery supporter Altria Group. The trustees greatly Legacy Circle members’ foresight and generosity. appreciate the support of The Leonard and Evelyn The strong partnership between the federal government Lauder Foundation for the exhibition Shock of the News, and the private sector makes it possible for the millions and are also thankful for the following donors’ continued who visit the Gallery every year to have access to some of dedication to our special exhibition programs: Buffy and the world’s greatest artistic treasures. My fellow trustees William Cafritz, the Ryna and Melvin Cohen Family and I are grateful to all those who make these experiences Foundation and Marcella and Neil Cohen, the Marshall possible, especially the staff and volunteers, and we look B. Coyne Foundation, Sally Engelhard Pingree and forward to continuing to work with them and the many The Charles Engelhard Foundation, Hata Stichting, and who support the Gallery to uphold the excellence of this the Trellis Fund. fine institution. The Exhibition Circle provided further support for several exhibitions in 2012, including Elegance and Refinement: The Still-Life Paintings of Willem van Aelst and Picasso’s Drawings, 1890–1921: Reinventing Tradition, which was also sponsored by The Hearst Foundation, Victoria P. Sant Inc. This crucial annual giving program also made pos- sible two exhibitions in the Tower series: In the Tower: Mel Bochner and In the Tower: Barnett Newman, which were also sponsored by the Tower Project. The Gallery’s modern and contemporary art collection continued to thrive this year, thanks to the annual sup- port of the Collectors Committee.
Load more

Recommended publications
  • SALE RESULTS: PRINTS and MULTIPLES 26-27 April
    RESULTS | NEW YORK | 27 APRIL 2016 | FOR IMMEDIATE RELEASE SALE RESULTS: PRINTS AND MULTIPLES 26-27 April 2016 SALE TOTAL: $11,592,500 JASPER JOHNS (B. 1930), Flags I, screenprint in colors, on J.B. Green paper, 1973 Estimate: $800,0000-1,200,000 Price Realized: $1,685,000 NEW WORLD AUCTION RECORD FOR A PRINT BY THE ARTIST New York—Christie’s announces strong results for the two-day and three session sale of Prints and Multiples which took place from April 26-27 at Christie’s New York. The sale beat the initial estimate totaling $11,592,500 with 86% sold by lot and 91% sold by value. Record prices were set for artists Jasper Johns, Keith Haring, Frank Stella, Andy Warhol, and Ellsworth Kelly. There was active bidding through all three channels—live, online, and phone—with global representation across buyers. Richard Lloyd, International Head of Prints and Multiples, comments, “Strong prices were achieved for works across the 20th-century, led by Jasper Johns, Flags I, setting a new world auction record for a print by the artist. Significant results were also realized for Roy Lichtenstein, Keith Haring, and a notable 100% sell-through of works by Andy Warhol.” The top lot of the sale was Jasper Johns (B. 1930), Flags I, screenprint in colors, 1973, realizing $1,685,000, setting a new world auction record for his Flags I series and for any printed work by the artist. Previous artist record for a printed work: Jasper Johns (B. 1930), Untitled, which sold for $1,565,000 at Christie’s New York, November 2015.
    [Show full text]
  • AN ANALYTICAL STUDY of P. A. RENOIRS' PAINTINGS Iwasttr of Fint Girt
    AN ANALYTICAL STUDY OF P. A. RENOIRS' PAINTINGS DISSERTATION SU8(N4ITTED IN PARTIAL FULFILMENT OF THE REQUIfJIMENTS FOR THE AWARD OF THE DEGREE OF iWasttr of fint girt (M. F. A.) SABIRA SULTANA '^tj^^^ Under the supervision of 0\AeM'TCVXIIK. Prof. ASifl^ M. RIZVI Dr. (Mrs) SIRTAJ RlZVl S'foervisor Co-Supei visor DEPARTMENT OF FINE ART ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1997 Z>J 'Z^ i^^ DS28S5 dedicated to- (H^ 'Parnate ALIGARH MUSLIM UNIVERSITY CHAIRMAN DEPARTMENT OF FINE ARTS ALIGARH—202 002 (U.P.), INDIA Dated TO WHOM IT MAY CONCERN This is to certify that Sabera Sultana of Master of Fine Art (M.F.A.) has completed her dissertation entitled "AN ANALYTICAL STUDY OF P.A. RENOIR'S PAINTINGS" under the supervision of Prof. Ashfaq M. Rizvi and co-supervision of Dr. (Mrs.) Sirtaj Rizvi. To the best of my knowledge and belief the work is based on the investigations made, data collected and analysed by her and it has- not been submitted in any other university or Institution for any degree. Mrs. SEEMA JAVED Chairperson m4^ &(Mi/H>e& of Ins^tifHUion/, ^^ui'lc/aace' cm^ eri<>ouruae/riefity: A^ teacAer^ and Me^^ertHs^^r^ o^tAcsy (/Mser{xUlafi/ ^rof. £^fH]^ariimyrio/ar^ tAo las/y UCM^ accuiemto &e^£lan&. ^Co Aasy a€€n/ kuid e/KHc^ tO' ^^M^^ me/ c/arin^ tA& ^r€^b<ir<itlan/ of tAosy c/c&&erla6iafi/ and Aasy cAecAe<l (Ao contents' aMd^yormM/atlan&^ arf^U/ed at in/ t/ie/surn^. 0A. Sirta^ ^tlzai/ ^o-Su^benn&o^ of tAcs/ dissertation/ Au&^^UM</e^m^o If^fi^^ oft/us dissertation/, ^anv l>eAo/den/ to tAem/ IhotA^Jrom tAe/ dee^ o^nu^ l^eut^.
    [Show full text]
  • Beat Streuli Living Room
    Beat Streuli Living Room September 3 to October 8, 2014 Yumiko Chiba Associates viewing room shinjuku Gallery Talk & Opening Reception: Saturday, September 6 (Gallery Talk will be held in HILLSIDE TERRACE café at Daikanyama Hillside Terrace.) ©Beat Streuli, Courtesy of Yumiko Chiba Associates Yumiko Chiba Associates viewing room shinjuku is pleased to present a solo exhibition by Beat Streuli, ‘Living Room’, from September 3 to October 8, 2014. Beat Streuli, a Swiss photographer who started working in the 1980s, has presented his works in cities around the globe. Presently based in Zurich and Brussels, he has been actively working all over Europe and in many other parts of the world. He first received attention for his series from the early 1990s; some of this work was photographed in Rome, Paris, and New York. Streuli takes photographs of local people in public places, often with a telephoto lens, focusing on them and their ordinary lives. He has begun to work more outside of Europe and the United States, in both Western and non-Western countries. Recently, his work has started to include more non-figurative, almost abstract elements. At the beginning of his career, Streuli produced and presented his works as small format and black and white photographs, but in the early 1990s, he developed new forms of presentation, working with floor to ceiling, multi-screen slide and video projections. He also started working with large scale images installed on the façades of public buildings in various cities, and with monumental billboard installations. For the past twenty years, Streuli's work has been frequently exhibited around the world; he has also realized many temporary and permanent projects in public spaces.
    [Show full text]
  • Southern Comfort
    FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience.
    [Show full text]
  • The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
    1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Touching the Void: The museological implications of theft on public art collections Jillian Seaton Ph.D. University of Edinburgh 2014 Abstract Of central importance to this thesis is the way security measures contradict the process through which museums have been seeking to divest themselves of theoretical hierarchies and value judgments in recent years. A context for investigation is established that considers how a perceptible increase in art theft, complicated by the escalating value of individual objects and the proliferation of museums as represented by a rise in attendance figures has produced a climate of vulnerability for arts collections around the world. In response, museums are installing unprecedented levels of security that are having a significant impact on established viewing conditions and redefining museum space. Further hindering this situation is the disparity between the fields of museology and museum security.
    [Show full text]
  • The Test of Time: Art Encyclopedias and the Formation of the Canon
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Erasmus University Digital Repository TEST OF TIME 1 The Test of Time: Art Encyclopedias and the Formation of the Canon of Seventeenth-Century Painters in the Low Countries Authors Filip Vermeylen, Ph.D. (lead author) Associate Professor in Cultural Economics Erasmus University Rotterdam, The Netherlands Website: http://filipvermeylen.com Maarten van Dijck, Ph.D. Lecturer in Historical Methodology Erasmus University Rotterdam, The Netherlands Website: www.eshcc.eur.nl/english/personal/vandijck/ Veerle De Laet, Ph.D., Leuven University Press, Belgium The authors wish to thank Karolien de Clippel, Neil de Marchi, Victor Ginsburgh and two anonymous reviewers for their insightful feedback, and Jessica Verboom for her help with collecting the data. TEST OF TIME 2 Abstract This paper deals with the process of canon formation for Flemish and Dutch painters from the seventeenth century onwards. We examine how the essential art-historical treatises and art encyclopedias since Houbraken’s Grote Schouburgh der Nederlandsche Konstschilders en Schilderessen ranked and evaluated the leading painters, based on the attention given to them in these volumes. Using standardized z-scores, we map the relative importance the selected artists received in these publications over the three centuries. In doing so, we emphasize the path-dependency and the dimension of time in explaining the endurance of certain artists in the long run. From our research it emanates that the canon of Netherlandish painters is much more volatile than previously assumed. TEST OF TIME 3 “When one does a thing, it appears good, otherwise one would not write it.
    [Show full text]
  • ANNUAL REPORT Report for the Fiscal Year July 1, 2018–June 30, 2019
    ANNUAL REPORT Report for the fiscal year July 1, 2018–June 30, 2019 1 ANNUAL REPORT Report for the fiscal year July 1, 2018– June 30, 2019 CONTENTS Director’s Foreword..........................................................3 Milestones ................................................................5 Acquisitions ...............................................................6 Notable Library Acquisitions .................... .............................8 Exhibitions ............................................................... 9 Loans ...................................................................12 Clark Fellows .............................................................14 Scholarly Programs ........................................................15 Publications ..............................................................18 Library ..................................................................19 Education ............................................................... 20 Member Events .......................................................... 21 Public Programs ...........................................................24 New Employee List .........................................................34 Financial Report .......................................................... 35 DIRECTOR’S FOREWORD The Clark Art Institute stands with its historic beauty, welcoming visitors to Williamstown and demonstrating its ability to expand and grow as an institution. This year was marked with some exceptional special exhibitions, exciting
    [Show full text]
  • [Roeloffs] WIJMELINCK [Op Stenderink]
    een genealogieonline publicatie De nakomelingen van Jan [Roeloffs] WIJMELINCK [op Stenderink] door Anneke Ruterink 20 september 2021 De nakomelingen van Jan [Roeloffs] WIJMELINCK [op Stenderink] Anneke Ruterink De nakomelingen van Jan [Roeloffs] WIJMELINCK [op Stenderink] Generatie 1 1. Jan [Roeloffs] WIJMELINCK [op Stenderink], zoon van Roeloff WIJMELINCK [op den Struet] en Nn Nn, is gedoopt rond 1650. Hij is bouwman op stenderink van beroep. Hij is getrouwd op 22 februari 1674 in Hengelo, Gelderland, Nederland met Hendersken HAIJKINCK, dochter van Willem HAIJKINCK en Geertien JEBBINCK. Zij, is gedoopt rond 1652 in Hengelo, Gelderland, Nederland. Hendersken is overleden. Zij kregen 2 kinderen: Gerrit op STENDERINK, volg 2. Teunis RUETERINK [Stenderinck], volg 3. Jan [Roeloffs] is overleden. Generatie 2 2. Gerrit op STENDERINK, zoon van Jan [Roeloffs] WIJMELINCK [op Stenderink] en Hendersken HAIJKINCK, is gedoopt op 17 januari 1675 in Hengelo, Gelderland, Nederland. Hij is getrouwd op 29 november 1705 in Hengelo, Gelderland, Nederland met Meijntjen MENNINK, dochter van Teunis MENNINCK en Aeltien MENCKVELTS. Zij, is gedoopt op 9 mei 1675 in Hengelo, Gelderland, Nederland. Meijntjen is overleden. Zij kregen 6 kinderen: Aeltjen op STENDERINK, volg 4. Willemken op STENDERINK, volg 5. Teunnisken [Gerritsen] op STENDERINK, volg 6. Roelof op STENDERINK, volg 7. Geertruit STENDERINK, volg 8. Jan STENDERINK, volg 9. Gerrit is overleden op 30 april 1759 in Hengelo, Gelderland, Nederland en is begraven op 4 mei 1759 in Hengelo, Gelderland, Nederland. 3. Teunis RUETERINK [Stenderinck], zoon van Jan [Roeloffs] WIJMELINCK [op Stenderink] en Hendersken HAIJKINCK, is gedoopt op 9 september 1677 in Hengelo, Gelderland, Nederland. Hij is bouwman van beroep.
    [Show full text]
  • Jaargang XIV Maand 8
    SA-GENEALOGIE Poslys Argiewe 2017 Jaargang XIV Maand 8 Augustus 2017 Saamgestel deur: Elorina du Plessis KWYTSKELDING Hierdie argief is nie ’n amptelike, wetlike dokument nie, maar ’n samestelling van die e-posse van verskillende lede van die SA Genealogie Gesprekslys soos dit gedurende die tydperk ingestuur was. Die lyseienaars en hulle bestuurspan aanvaar dus geen aanspreeklikheid vir die korrektheid van gegewens, sienings oor bepaalde gebeure, interpretasie en samestelling van familieverwantskappe, of vir enige aksies of verlies wat daaruit mag voortspruit nie, en stel voor dat persone wat hierdie bron gebruik, self eers die gegewens kontroleer. Augustus 2017 Bundels (Oogstmaand) Onderwerp: [SA-Gen] Bundel Nommer 8139 Datum: Tue Aug 1, 2017 Daar is 7 boodskappe in hierdie uitgawe Onderwerpe in hierdie bundel: 1.1 File - netiket.txt by 2a Geen e-posse ontvang nie by "Johan Moolman" 3 [Press] The Mercury /Daily News 31 July 2017 by "Aletta Magrieta Quebbemann" alettaqea9fac 4 [PRESS] Die Burger Oos-Kaap 01 Augustus 2017 by "Hester Marx" 5a Gendata by "Yvonne Syffert" 6 Meyers Orts- und Verkehrs-Lexikon des Deutschen Reichs by "Elmien Wood" 7a Re: Fwd: DNA Toets by dan_strydom Messages 1.1 File - netiket.txt Mon Jul 31, 2017 9:07 pm (PDT) . Posted by: SAGenealogie: herinnering aan lysreëls, en lysnetiket Die volgende reëls en riglyne is daargestel om almal se ervaring van SA Genealogie nog meer aangenaam en produktief te maak. Gebruikers van die poslys aanvaar, deur hulle lidmaatskap en gebruik, die voorwaardes van die lysreels en onderneem om hulle daarby te hou. Indien iemand nie die reels wil nakom nie, moet hulle asseblief nie die poslys gebruik nie.
    [Show full text]
  • How to Plan a Successful Art Heist: a College Student's Contingency
    How to Plan a Successful Art Heist: A College Student’s Contingency Loan Repayment Plan and Backup Career Explained By Samara Diab As an English major and prospective law student attempting to conceptualize six-figure debt, my life has morphed into a deafening series of what ifs, an overwhelming collection of worst-case scenarios. What if I can’t find a job after graduation? What if I drop out and am stuck with debt but no degree? What if I regret all the life choices I ever made and have to pay for them for the rest of my life? It would be nice to have a Plan B, one that could repay all my student loans and still leave me with a nest egg to jumpstart the next chapter of my life. Then I could stop worrying about money and actually enjoy my education. So naturally, I began to research backup careers. The problem is that I am not yet jaded. I still walk through life with my eyes wide, smile wider, thinking I can do something great and leave my mark on the world. If I am going to have a backup career, my one requirement is that it be something great. Something fascinating and unique, intellectually stimulating and creative. Something serious, and purposeful and just a little bit sexy. My backup career should be the Mona Lisa of backup careers, a stunningly nuanced masterpiece with a smile that leaves you wanting more. Or maybe instead of crafting a career in the image of Leonardo da Vinci’s Mona Lisa, I could just steal it.
    [Show full text]
  • The March in Glasgow
    FOit.A · ·BALANCED University of Edinburgh,-Old College South Bridge, Edinburgh 'EHB 9YL vmw Tal: 031-6671011 ext4308 18 November-16 December GET .ALBERT IRVIN Paintings 1959-1989 ~*;£~-- Tues-Sat 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council DAILY G~as~ow Herald _ of the Year y 30rd november 1 RUGBY BACK TO THE. 1st XV FUTUREII s:enttpacking problems of iii Peffenrtill time~ travel~ ·>... page8 .page 1 • I • arc STUDENTS from all over Park just after 2 pm, and con­ tinued to do so for nearly an hour, the United Kingdom assem­ with the rally properly beginning bled in Qlasgow on Tuesday around 2.15 pm. to take part in what was prob­ Three common themes were ably the biggest ever student addressed by the ten public demonstration on the British figures at the rally in the Park: mainland. these were the discriminatory nature of student loans; the com­ The march organised by the mitment by all to student grants, National Union of Students and the solidarity of support given against the Government's prop­ by them to students. osed introduction of top-up loans, The first four speakers addres­ was deemed by Strathclyde Police ·sed the rally from the semi-circu­ to have attracted around 20,00 lar, covered platform as students people. still marched in through the gates. Certainly, spirits were high All four- Mike Watson , Labour despite the cold and damp dismal MP for Glasgow Central ; Archy weather. It is likely this was a fac­ Kirkwood, Liberal Demcorat tor in preventing a larger turn­ MP; Diana Warwick, .
    [Show full text]