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NGA | 2012 Annual Report

NGA | 2012 Annual Report

NA TIO NAL G AL LER Y O F A R T

2012 annual report

1 & EDUCATION Bracco BOARD OF TRUSTEES COMMITTEE Vincent J. Buonanno (as of 30 September 2012) Victoria P. Sant W. Russell G. Byers Jr. Chairman Calvin Cafritz Earl A. Powell III Leo A. Daly III Frederick W. Beinecke Barney A. Ebsworth Mitchell P. Rales Gregory W. Fazakerley Sharon P. Rockefeller Doris Fisher John Wilmerding Juliet C. Folger Marina Kellen French FINANCE COMMITTEE Morton Funger Mitchell P. Rales Lenore Greenberg Chairman Frederic C. Hamilton Timothy F. Geithner Richard C. Hedreen Secretary of the Treasury Teresa Heinz Frederick W. Beinecke John Wilmerding Victoria P. Sant Helen Henderson Sharon P. Rockefeller Chairman President Benjamin R. Jacobs Victoria P. Sant Sheila C. Johnson John Wilmerding Betsy K. Karel Linda H. Kaufman AUDIT COMMITTEE Robert L. Kirk Frederick W. Beinecke Leonard A. Lauder Chairman LaSalle D. Leffall Jr. Timothy F. Geithner Secretary of the Treasury Edward J. Mathias Mitchell P. Rales Diane A. Nixon John G. Pappajohn Sharon P. Rockefeller Frederick W. Beinecke Mitchell P. Rales Victoria P. Sant Sally E. Pingree John Wilmerding Diana C. Prince Robert M. Rosenthal TRUSTEES EMERITI Roger W. Sant Robert F. Erburu Andrew M. Saul John C. Fontaine Thomas A. Saunders III Julian Ganz, Jr. Fern M. Schad Alexander M. Laughlin Albert H. Small O. Maxwell Michelle Smith Ruth Carter Stevenson Benjamin F. Stapleton Luther M. Stovall Sharon P. Rockefeller John G. Roberts Jr. EXECUTIVE OFFICERS Ladislaus von Hoffmann Chief Justice of the Diana Walker Victoria P. Sant President Alice L. Walton Earl A. Powell III William L. Walton Director Walter L. Weisman Franklin Kelly John R. West Deputy Director and Chief Curator Andrea Woodner Elizabeth Cropper Dean, Center for Advanced Study in the Visual HONORARY TRUSTEES’ Darrell R. Willson COUNCIL Administrator (as of 30 September 2012) William W. McClure Edwin L. Cox Hillary Rodham Clinton Timothy F. Geithner Treasurer Secretary of State Secretary of the Treasury Robert F. Erburu Elizabeth A. Croog Secretary and General Counsel John C. Fontaine Joseph J. Krakora Julian Ganz, Jr. Executive Officer, Development Alexander M. Laughlin and External Affairs David O. Maxwell Ruth Carter Stevenson TRUSTEES’ COUNCIL John C. Whitehead (as of 30 September 2012) James T. Dyke Chair William H. Ahmanson Max N. Berry G. Wayne Clough Secretary of the

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Washington, DC

2 3 PRESIDENT’S FOREWORD

The National Gallery of Art experienced a period of great My fellow trustees and I especially would like to thank excitement in fiscal year 2012. More than 4.2 million those who made major commitments to the Gallery visitors came to see special exhibitions that revealed a spec- this year. We were delighted to celebrate the gift of the tacular display of cultural riches from around the world. Kaufman Collection, a distinguished assemblage of early From late-fifteenth-century Flemish tapestries from the American furniture and decorative arts promised by Collegiate Church of Pastrana in to Itō Jakuchū’s Linda Kaufman and the late George M. Kaufman, now thirty-scroll set of bird-and-flower from the on view in the West Building. Our sincere thanks go Shōkokuji Monastery in Kyoto to the renowned works of to Juliet and Lee Folger for their generous gift through the American artist George Bellows, all our exhibitions The Lee and Juliet Folger Fund for the acquisition of reminded visitors how much can be learned about a soci- Portrait of a Gentleman Wearing a Fancy Ruff by Thomas ety through the study of its artistic output. The Gallery’s de Keyser. We are also grateful to those individuals and website made these discoveries possible for our 17.5 mil- foundations that made significant commitments for lion online visitors. All the while, vital behind-the-scenes the special exhibitions and art acquisition programs: activities such as conservation and scholarly research Estate of Mrs. Charles (Florian) Carr, Greg and Candy fostered the development and exchange of ideas on a Fazakerley, Gail and Benjamin Jacobs, Barbara and Jack wide range of other topics. These programs and activi- Kay, Mark and Ann Kington/The Kington Foundation, ties would not be possible without the public-private the Joseph F. McCrindle Foundation, The Honorable partnership that has been the bedrock of the Gallery Alfred H. Moses and Ms. Fern M. Schad, Helen Porter since its founding. We extend our sincere appreciation and James T. Dyke, and the Robert H. Smith Family to the President and the Congress for their steadfast Foundation. The trustees are also appreciative of the support of the Gallery, a commitment that continues to Terra Foundation for American Art’s strong support of be matched by generous donors nationwide. the Gallery’s American art program. We are also grateful This year marked the thirtieth anniversary of the to the Samuel H. Kress Foundation and The Andrew W. founding of the Trustees’ Council, which serves the Mellon Foundation for their ongoing dedication to help- Gallery as a national advisory body to the Board of ing us fulfill the Gallery’s scholarly mission. Trustees. We were delighted to welcome several returning International corporations and foundations, as well as members in fiscal year 2012: Vincent Buonanno, Morton the diplomatic community, were integral to the success of Funger, Frederic Hamilton, Teresa Heinz, Edward the Gallery’s special exhibition program in 2012. Colorful Mathias, Robert Rosenthal, Andrew Saul, and Diana Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū Walker. My fellow trustees and I would like to express (1716–1800) was made possible by a consortium of our thanks to all of our Trustees’ Council members for Japanese corporations led by Toyota and Nikkei, Inc., as their dedicated . well as Airbus, the world’s leading aircraft manufacturer. We mourned the loss of several close Gallery friends this The exhibition was also supported by The Exhibition year, including the renowned connoisseur and collector of Circle and the E. Rhodes and Leona B. Carpenter contemporary art, Herbert Vogel. The remarkable story of Foundation. The Embassy of is also to be commend- Herb and his wife, Dorothy, who amassed a world-class ed for its help in making this unprecedented exhibition collection of more than 5,000 contemporary works and possible. We are grateful to the Anna-Maria and Stephen distributed them to the Gallery and museums through- Kellen Foundation and the Institut Ramon Llull for their out the nation, is an inspirational model of philanthropy support for Joan Miró: The Ladder of Escape, as well as to that will have a lasting legacy. We were also saddened by Nippon Television Network Corporation, , Japan; the death of Bob Duemling, a longtime member of the the Terra Foundation for American Art; the Henry Luce Trustees’ Council who shared with us a passion for art and Foundation; the Cordover Family Foundation; and The architecture. Together with his wife, Louisa, Bob gave gen- Mr. and Mrs. Raymond J. Horowitz Foundation for the erously to enhance the collection and special exhibitions Arts for their sponsorship of the landmark exhibition program. The Gallery also lost close friends Evelyn Lauder, George Bellows. The trustees also extend their thanks Don de Laski, Robert Looker, and Frank Pearl. to Helen Henderson and The HRH Foundation for its

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ongoing commitment to funding educational films about The trustees also would like to express their gratitude our special exhibitions, including George Bellows. Bank of to members of The Legacy Circle, which recognizes those America and its Bank of America Foundation continued who have included the Gallery in their testamentary plans. its longtime support by sponsoring the conservation of This year a number of individuals have elected to support the Gallery’s Gilbert Stuart portraits. Bank of America the Gallery through bequests, charitable gift annuities, also supported the 2012 exhibition : A charitable lead and remainder trusts, and other planned Retrospective, which was also supported by the Robert and giving vehicles. Planned gifts are essential to this institu- Mercedes Eichholz Foundation as well as the longtime tion’s long-term success, and we greatly appreciate our Gallery supporter Altria Group. The trustees greatly Legacy Circle members’ foresight and generosity. appreciate the support of The Leonard and Evelyn The strong partnership between the federal government Lauder Foundation for the exhibition Shock of the News, and the private sector makes it possible for the millions and are also thankful for the following donors’ continued who visit the Gallery every year to have access to some of dedication to our special exhibition programs: Buffy and the world’s greatest artistic treasures. My fellow trustees William Cafritz, the Ryna and Melvin Cohen Family and I are grateful to all those who make these experiences Foundation and Marcella and Neil Cohen, the Marshall possible, especially the staff and volunteers, and we look B. Coyne Foundation, Sally Engelhard Pingree and forward to continuing to work with them and the many The Charles Engelhard Foundation, Hata Stichting, and who support the Gallery to uphold the excellence of this the Trellis Fund. fine institution. The Exhibition Circle provided further support for several exhibitions in 2012, including Elegance and Refinement: The Still-Life Paintings of Willem van Aelst and Picasso’s Drawings, 1890–1921: Reinventing Tradition, which was also sponsored by The Hearst Foundation, Victoria P. Sant Inc. This crucial annual giving program also made pos- sible two exhibitions in the Tower series: In the Tower: Mel Bochner and In the Tower: Barnett Newman, which were also sponsored by the Tower Project. The Gallery’s modern and contemporary art collection continued to thrive this year, thanks to the annual sup- port of the Collectors Committee. The 2012 Collectors Committee meeting in March resulted in the acquisition of Étude by Simon Hantaï, which will enrich the collection tremendously. The Board of Trustees is profoundly grateful to Barry Berkus and Denise Saul, the Committee’s co-chairs, for their leadership and to all Collectors Committee mem- bers for their ongoing generosity. Barry’s subsequent passing has meant the loss of a wonderful friend. The Circle, the Gallery’s other annual giving program, numbered more than a thousand members nationwide at year-end. Led by co-chairs Greg Fazakerley and Diana Prince, The Circle continued to provide unrestricted sup- port for vital Gallery programs while providing wonderful opportunities for member involvement. We are grateful to Greg and Diana for their leadership and to all Circle members for their commitment to the Gallery.

5 Director’s Statement

The National Gallery of Art was created for the people of the Holy Cross, to Barry Le Va’s post-minimalist sculp- of the United States of America by a joint resolution ture. We also added an important group of gelatin silver of Congress accepting the gift of financier, public ser- prints of America’s changing landscape by Robert Adams. vant, and art collector Andrew W. Mellon in 1937. The This fiscal year the Gallery acquired one of fewer than Gallery receives crucial support from the President and the a dozen known still lifes painted in the late 1840s by Congress in the form of federal funds, which allow for the African American artist Robert Seldon Duncanson. The upkeep, administrative expenses, and costs of operations acquisition of Still Life with Fruit and Nuts, 1848, was made of the Gallery’s collections. These funds, together with pri- possible with funds from Ann and Mark Kington/The vate donations, enable us to continue Mr. Mellon’s vision Kington Foundation and the Avalon Fund. The Gallery to , collect, exhibit, and foster an understanding of has long been seeking works by Duncanson, and we were works of art. We are grateful to all who helped the Gallery very pleased to acquire this , which is a particularly achieve its mission in each of these areas this fiscal year. fine example of his work in this genre. One of the most visible undertakings was the East The Gallery also acquired works this year in conjunc- Building Exterior Stone Repairs project. By the end of the tion with its outstanding exhibitions program. In honor fiscal year, stone removal on the public side of the building, of Harry Callahan at 100, the Callahan family—including which includes the main entrance, was more than ninety- the artist’s wife, Eleanor, and daughter, Barbara—gave the five percent complete, and stone re-installation was close to Gallery an extraordinary gift of forty-five of his photo- seventy-five percent complete. graphs, thirty-four of which were included in the exhibition. Thanks to the continued congressional support of the It was Callahan’s hope that the Gallery’s collection of his Gallery’s Master Facilities Plan, the West Building Main work would be one of the finest in the world and would rival Floor galleries reopened to the public after a two-year its exceptional holdings of photographs by other twentieth- restoration. The Gallery’s French impressionist and post- century photographers. These generous gifts from the impressionist holdings, numbering nearly 400 paintings, Callahan family, as well as gifts from other donors, have are among the most prized in the collection, and rightly so. helped to accomplish that goal. While the appearance of these revered rooms changed very The Gallery presented an impressive array of exhibi- little—preserving the conditions of light, the room pro- tions. The contributions of Pier Jacopo Alari Bonacolsi, portions, and wall colors that make the Gallery one of the known as Antico, were celebrated in Antico: The Golden great places to view art in the world—the paintings them- Age of Renaissance Bronzes. The late Robert H. Smith, selves are now shown in a newly innovative arrangement. former president of the Gallery, was one of the keenest Congressional support of the Gallery’s Master Facilities admirers and collectors of Antico’s work, and his vision Plan also allowed for the complete renovation of our and generosity have made the Gallery a leader in the study renowned conservation, imaging and visual services, and of Renaissance bronzes. The exhibition and accompanying registrar offices and lab space. Construction contracts were catalogue, dedicated to Bob’s memory, served as a tribute to awarded for façade repair and restoration on a section of his leadership as a collector and philanthropist. the West Building’s north side, as well as the third and final Picasso’s Drawings, 1890–1921: Reinventing Tradition phase of Work Area 4. Design began on the first section presented the dazzling development of the artist as a of the East Building, Work Area 9, based on the Master draftsman during the first thirty years of his career. Facilities Plan. Drawing served as an essential means of invention and As we work to present the collections at the highest discovery in ’s multifaceted art, connecting possible museum standards, we depend on the generosity him with the European masters of the near and distant of private donors to continue building the nation’s art col- past. Picasso’s work has long been integral to the Gallery’s lection—now standing at nearly 127,000 works. Several collection and has been the subject of six important exhi- important acquisitions were made this year, including a bitions here, but this was the first to focus on his major good number of “firsts,” ranging from ’s drawings, watercolors, pastels, and collages. larger-than-life paintings of Saint Luke and Saint Mark The Gallery was deeply honored to present an exquisite and Thomas Moran’s extraordinary watercolor Mountain set of thirty scrolls of bird-and-flower paintings on silk

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from Japan as the centerpiece of Colorful Realm: Japanese being conserved through a grant from the Bank of America Bird-and-Flower Paintings by Itō Jakuchū (1716–1800). Art Conservation Project. The conservation work to date This cultural treasure, never before shown in its entirety has resulted in major improvements in the appearance of outside of Japan, was on view for four weeks during the the paintings and has greatly increased the stability of the National Cherry Blossom Festival. paint layers. We are extremely grateful to Bank of America, The Gallery was the only U.S. venue for Joan Miró: a longtime supporter of the Gallery, for helping to preserve The Ladder of Escape, a landmark exhibition that revealed these American masterworks. the politically engaged side of the artist. Telling the story ’s Madonna and Child was treated for the first of Miró’s life and that he witnessed reveals the time since it entered the collection in 1939. Removal dark intensity of many of his works. Behind the engaging of discolored varnish revealed Giotto’s masterful use of innocence of his style lie a profound concern for human- color and fine attention to detail. The treatment also pro- ity and a sense of personal identity. We were grateful to vided an opportunity for conservators to learn more about the many lenders, both public and private, who made the Giotto’s materials and techniques. exhibition possible. Through the efforts of the Gallery’s division of imaging The first comprehensive exhibition of George Bellows’ and visual services, the collection can be enjoyed virtually career in more than three decades premiered at the Gallery by visitors. This year, the Gallery launched NGA Images, this year. George Bellows is arguably the most important an online open access image resource, containing more figure in the generation of artists who negotiated the tran- than 21,750 high-resolution, publication-ready digital sition from the Victorian to the modern era in American images free of charge for immediate download and any use. culture. The exhibition George Bellows provided the most Images continue to be added regularly each month. complete account of his achievements to date and intro- NGA Images is just one of the online resources that duced Bellows to new generations. more than 17.5 million visitors to www.nga.gov accessed The first monographic exhibition devoted to Dutch this year. More than 4.2 million visitors came to the artist Willem van Aelst, Elegance and Refinement: The Gallery to experience its renovated spaces, gain a new Still-Life Paintings of Willem van Aelst featured remark- appreciation and understanding of artists through exhibi- able works. Although Van Aelst is not a household name tions, and enjoy the rich offerings of concerts, films, and today, this seventeenth-century artist was one of the most other education programs. I join with Board President famous still-life painters of his day. Elegance and Refinement Victoria Sant in thanking the Gallery staff and volunteers celebrated his technical abilities and was accompanied by who, enabled by support from the federal government, the first comprehensive publication on his work. individuals, foundations, and corporations, work to fulfill Artists pursuing various agendas have transformed the the promise Andrew Mellon made to his country. disposable daily paper into compelling works of art, and Shock of the News shaped our understanding of modern artists’ responses to the newspaper. Although a handful of recent exhibitions have explored the topic, this was the first to offer a systematic examination of the newspaper as Earl A. Powell III both a material and subject in modern and contemporary art over the course of a century. The Gallery is able to produce these exhibitions through the efforts of many departments. The presentation of its collection depends on the vital work of its conservators. The Gallery is fortunate to have forty-two paintings by Gilbert Stuart, who was declared the “Father of American Portraiture” by his contemporaries. Fifteen Federal-era paintings by the American master, including the Gallery’s portraits of and John Adams, are

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 Robert Seldon Duncanson, Still Life with Fruit and Nuts, Gift of Ann and Mark Kington/The Kington Foundation and the Avalon Fund

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COLLECTING

paintings Often described as the first African American artist to achieve an international reputation, Duncanson enjoyed Still Life with Fruit and Nuts, a rare painting by African considerable success exhibiting his landscapes abroad. His American artist Robert Seldon Duncanson, entered the as a still-life painter has become apparent collection during the fiscal year. Widely recognized during only recently. Signed and dated 1848, Still Life with Fruit his lifetime for pastoral landscapes of American, Canadian, and Nuts is a particularly fine example of Duncanson’s and European scenery, Duncanson produced a small group work and is the first painting by the artist to enter the of still-life paintings (fewer than a dozen are known) dur- collection. Through the generosity of Ann and Mark ing the 1840s. Spare, elegant, and meticulously painted, Kington/The Kington Foundation and the Avalon Fund, these works reflect the tradition of American still-life Duncanson’s masterful still-life painting now hangs in the painting initiated by Charles Willson Peale. Classically American galleries not far from Cole’s Voyage of Life. composed with fruit arranged in a tabletop pyramid, the Three paintings by key nineteenth-century art- painting includes remarkable passages juxtaposing the ists entered the collection as gifts from Mr. and Mrs. smooth surfaces of beautifully rendered fruit with the Paul Mellon. Gathering Autumn Flowers, 1894/1895, by textured shells of scattered nuts. William Merritt Chase is the first of the artist’s celebrated Self-taught and living in Cincinnati when he created his Shinnecock landscapes to join the collection. Beginning still-life paintings, Duncanson exhibited several of these in 1891 and continuing through 1902, Chase and his works at the annual Michigan State Fair. During one such family spent summers on eastern Long Island. Gathering exhibition, a critic for the Free Press wrote, “the Autumn Flowers, featuring the artist’s daughters at play paintings of fruit, etc. by Duncanson are beautiful, and as on Shinnecock’s grassy dunes, is an ideal complement to they deserve, have elicited universal admiration.” the Gallery’s A Friendly Call, 1895, Chase’s remarkable The artist’s turn from still-life subjects to landscapes painting of his wife receiving a visitor in the studio of their conveying religious and moral messages may have been Shinnecock home. inspired by the exhibition in Cincinnati of Thomas Cole’s A second Long Island painting by Winslow Homer also celebrated series The Voyage of Life. Cole’s allegorical paint- entered the collection as a gift from Mr. and Mrs. Paul ings were purchased by a private collector in Cincinnati, Mellon. In July 1874, Homer traveled to East Hampton where they remained until acquired by the Gallery in where he completed a number of studies recording the 1971. Exposure to Cole’s paintings marked a turning leisure activities of fashionable young women at the beach, point in Duncanson’s career. Soon he began creating land- including East Hampton Beach, Long Island. scapes that incorporated signature elements from Cole Eastman Johnson’s Lambs, Nantucket, an oil study of a and carried moral messages. single female figure (perhaps his wife Elizabeth and her

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In Thomas de Keyser’s Portrait of a Gentleman Wearing a Fancy Ruff, 1627, an octagonal portrait on copper of an unknown gentleman in a fashionable lace collar, the sitter looks directly at the viewer with a poignant expression. The copper support provides a smooth surface for De Keyser’s detailed renderings of facial features and ward- robe, while its octagonal shape enhances the artist’s bold characterization of the sitter’s commanding presence. The first work by De Keyser to enter the collection, the portrait was generously donated to the Gallery through The Lee and Juliet Folger Fund. Two remarkable Dutch paintings, Jan van der Heyden’s View Down a Dutch Canal, c. 1670, and Aelbert Cuyp’s A Pier Overlooking Dordrecht, early 1640s, were given from the collection of George M. and Linda H. Kaufman. The Van der Heyden painting is an excellent example of the artist’s detailed rendering of the urban landscape. He had a remarkable ability to capture the flow and feeling of Amsterdam, both its inspiring buildings and its tree-lined canals. Cuyp’s painting, on the other hand, captures the changing atmospheric effects along the inland waterways near Dordrecht. Here, a group of travelers on a rough- hewn pier await a small boat that will them across the river. Both works are welcome additions to the ever- growing Dutch collection.

 Thomas de Keyser, Portrait of a Gentleman Wearing a Fancy Ruff, The Lee and Juliet Folger Fund pet lamb) also dates from 1874. Johnson owned a home and studio on Nantucket where he spent summers and where, later in the decade, he would begin his famous series of paintings inspired by the island’s annual cranberry har- vest. These paintings enhance the Gallery’s presentation of works by three of the most important artists working in America during the late nineteenth century. Four exceptional Northern paintings were added to the permanent collection, thanks to the contin- ued largess of several donors. Anthonij de Bordes and His Valet, c. 1648, by Michiel Sweerts, generously given by Arthur and Arlene Elkind, with additional funds given in honor of Derald Ruttenberg’s grandchildren, and the New Century Fund, depicts the successful cloth mer- chant as though he has just returned from a ride in the Roman campagna at the end of the day. Still dressed in his riding clothes, De Bordes gazes at the viewer while his servant removes one of his dust-covered boots. Through the arched gate, an idyllic evening landscape contains a specific reference to : a bird atop the obelisk is an allusion to the dove of the Pamphilj family, which may serve to indicate that both sitter and painter moved in  Alexandre-François Desportes, Still Life with Dressed Game, high Roman circles. Meat, and Fruit, Chester Dale Fund

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Alexandre-François Desportes’ Still Life with Dressed Théodore Rousseau, Charles-François Daubigny, and Game, Meat, and Fruit, 1734, was acquired through the Camille Corot. Sunset at Scheveningen joins Jacob Maris’ Chester Dale Fund. The eighteenth-century still life consti- View of the Mill and Bridge on the Noordwest Buitensingel tutes a striking example of the “buffet” picture, combining in The Hague, 1873, as a second major Hague School exquisite examples of cutlery, kitchenware, and silver service painting, helping to expand the Gallery’s nineteenth- with an abundance of food implying the setting of a noble century collection beyond its French confines. household. Desportes turns unusual attention to aspects Two large panel paintings by the father of art history, such as the individual encasings of sculpted lard enveloping Giorgio Vasari, were given to the Gallery by each dressed fowl and the bare, pimpled skin, webbed feet, collector Damon Mezzacappa. Saint Mark and Saint Luke and curving claws of the pheasants. The artist transforms are the first paintings by Vasari to enter the collection, the rack of lamb and entrails hanging on hooks to dry into joining a page from his Libro de’ Disegni and first editions an interplay between the translucence of flesh and solidity of the Lives. Part of a dismantled chapel complex for the of white bone. The bulbous pears at the front of the picture, Vatican that was commissioned by in 1570, which seem to firmly situate the image within a Northern the panels will receive conservation treatment and new aesthetic, and the luminous oranges in the background frames before they go on view. complete the ensemble. The artist’s careful delineation of This year brought several important acquisitions in the contrasting (potentially distasteful) subject matter forces area of . At its annual meeting, the Collectors the spectator to acknowledge the sheer artistic prowess with Committee acquired Étude, 1969, an oil painting by which this virtuoso negotiates the relationship between French-Hungarian artist Simon Hantaï made with his beautiful and bizarre. signature method of pliage (folding) that adds great Desportes’ career immediately precedes that of Jean strength to the Gallery’s nascent collection of postwar Siméon Chardin, whose still-life paintings and genre scenes European art. are great strengths of the Gallery’s collection. Desportes’ Other significant acquisitions include William Bailey’s still-life painting also complements the Gallery’s portrait painting Scuro, 2003, purchased through the of the Chevalier de Behringen by Jean-Baptiste Oudry. Charina Endowment Fund; Constellation, Milky Way, In addition to displaying these painters’ skill in rendering 1970, a double-tondo work by Leon Polk Smith, given by texture and color, these works also announce their nobility the artist’s foundation; and Coherence, 1966, by Paul Reed, in referring to the traditional leisure pursuit of the landed the gift of Bill McGillicuddy. gentry, the hunt. Hendrik Willem Mesdag’s Sunset at Scheveningen: A of Fishing Vessels at Anchor, 1894, is a spectacular example of the artist’s oeuvre, acquired through support of funds given by Paul Mellon and Frank Anderson Trapp. Influenced by the dramatic marine paintings of Gustave Courbet in particular, Mesdag devoted most of his career to depicting the sea, which brought him recognition and provided an inexhaustible source of inspiration. The paint- ing of a fleet of thirteen bomschuiten, or flat-bottomed fish- ing boats, is unlined, with Mesdag’s expressive brushwork and rich, atmospheric colors perfectly preserved. The artist most likely worked from sketches made outdoors to create this luminous painting, as he did for many of his other works in oil and watercolor. Known as the painter of the North Sea, Mesdag serves as a significant link between the Hague School and the French landscape painters of the nineteenth century. Building on the achievements in landscape painting of Dutch seventeenth-century masters, Hague School painters were inspired by the Barbizon school in , a movement that reoriented the focus of land- scape painting away from the Roman campagna to the richness and variety of their native land. Mesdag was himself a major collector of French Barbizon paintings,  Simon Hantaï, Étude, Gift of the Collectors Committee building one of the great private collections of work by

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 Giovanni Benedetto Castiglione, The Adoration of the fellow artist Jan van den Enden, were living in Rome. Shepherds, Woodner Collection, Gift of Dian Woodner No drawing has previously been convincingly attributed to Sweerts, but this one shares important traits with his painted portraits that support the attribution. Acquired Drawings through the New Century Fund, the drawing is one of the most impressive portrait drawings in the collection. Among important gifts of drawings this Other significant purchases include a charming composi- year, one of the most intriguing, given by Ladislaus and tional study for Rest on the Flight into Egypt by the German Beatrix von Hoffmann, was a double-sided sheet with painter Hans Rottenhammer, in which the influence two finely-wrought pen sketches of Rome reminiscent of of his extended sojourn in is clearly apparent; drawings by Peter Breughel, but probably made by another an unusually large and compelling red chalk portrait Netherlander in 1553. Three outstanding Italian drawings of about 1777 by Daniel Chodowiecki, depicting his came to the Gallery as the gift of former curator David E. son Heinrich; a delightful rendering of an elegant lady Rust: a bas-relief-like Battle Scene drawn in white gouache playing a lutelike cittern by Nathaniel Dance; and a fine on blue paper by the Bolognese master Biagio Pupini; a genre scene depicting a couple visiting the cottage of a notable study of Women and Children at a Fountain by young peasant woman, designed by the printmaker and Pirro Ligorio, on a mount indicating that it once belonged draftsman -François Sergent and purchased as to Giorgio Vasari; and a dynamic drawing by Guercino of the gift of Ivan and Winifred Phillips. Hercules Slaying the Hydra from about 1618, which bears Three major nineteenth-century works were pur- powerful witness to the artist’s early prowess as a drafts- chased this year. The gouache panorama Balaklava, man. Another extraordinary gift, from Dian Woodner, 1857, by Italian vedutist Carlo Bossoli, romanticizes was the large and handsome Adoration of the Shepherds this part of the Balkans with its exaggerated heights of by Giovanni Benedetto Castiglione, a magisterial example the mountains, precipitous depths into the valleys, and of the artist’s bold and innovative work with oil on paper. broad expanse of the distant vista, all seen in a beauti- Among the outstanding purchases of old master draw- fully crystalline light and depicted in a richly nuanced ings was a swagger portrait by the Flemish painter Michael palette. Purchased through the Florian Carr Fund, Sweerts, made about 1651 when both he and the sitter, this drawing is certainly the artist’s masterpiece and

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is now one of the most splendid nineteenth-century The finest twentieth-century drawings this year came landscape drawings in the Gallery’s collection. James in Ruth Cole Kainen’s bequest: thirty-eight drawings by McNeill Whistler’s exquisite The Palace; white and pink, eighteen modern artists, including a classic drip work by 1879/1880, captures the Palazzo da Mosto on Venice’s Jackson Pollock, as well as outstanding examples by such Grand Canal in dashes of bright powdery color, which major American and German figures as Arshile Gorky, enliven the scene with impressionist movement. Thomas Ernst Ludwig Kirchner, Willem de Kooning, Egon Moran’s superb Mountain of the Holy Cross, 1890, the Schiele, and David Smith. The Kirchner group alone, Gallery’s first watercolor by this master of the American comprising seventeen magnificent drawings and water- landscape, was acquired with support from the Avalon colors, transforms the Gallery’s holdings by this leading Fund, Florian Carr Fund, Barbara and Jack Kay Fund, German Expressionist artist. a gift of Max and Heidi Berry and Veverka Family Also noteworthy are two early beautiful pastels, circa Foundation Fund. 1948, by Roy Lichtenstein, a gift from his sister, Renée Augmenting the Gallery’s collection of nineteenth- Tolcott, and Charles Alston’s imposing Mother and Child, century watercolors were an airy alpine landscape by 1950, a gift in honor of curator Ruth Fine, who retired Carl Wagner and a highly detailed watercolor of a in January, from her friends at the Gallery and Billy E. cavalryman on horseback by Édouard Detaille, both Hodges. Mr. Hodges additionally donated three outstand- purchased as gifts of Alexander and Judith Laughlin. ing early drawings by Norman Lewis, all from 1954. Two A view of a sunlit mountain valley by Jacob Alt was important ink drawings on vellum, created in 1974 and purchased as the gift of David and Joan Maxwell, while 1982 by Agnes Denes, were a gift from John Hallmark a loosely brushed, light-filled harbor scene by Eugène Neff, and Nancy Spero’s Lullaby (Celebrants), 1999, was Isabey was purchased as a gift from Helen Porter and a gift from the Gallery Girls. Christo generously donated James Dyke and an elegant still life by Peter De Wint two preparatory collages from 2010 for his upcoming Over was given in memory of Andrew Wyld by Roy Davis and the River project in Colorado. Cecily Langdale.

 James McNeil Whistler, The Palace; white and pink, Paul Mellon Fund and Patrons’ Permanent Fund

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Leo Steinberg; the anonymous donation of a deluxe copy of the Missal published for Passau in 1505, featuring two full-page woodcuts by Hans Burgkmair, one an extremely early example of color printing, the other colored by hand; and a bound proof set of twenty etchings and aqua- tints in Thomas Girtin’s Picturesque Views of , 1803, from the estate of great book collector Arthur Vershbow. Two important Renaissance works purchased this year were Urs Graf’s Standard Bearer for the Canton of Bern, 1521, a famous but rare example of white-line woodcut; and Speculum Romanae Magnificentiae [The Mirror of Roman Magnificence], published by the French expatriate Antoino Lafreri between 1544 and 1572. Assembled sets of engraved views of the city’s ancient and modern monu- ments, the earliest views of this kind, the Speculum con- firmed Rome’s place at the center of European culture. In 2000 the Gallery acquired a volume of the Speculum consisting of fifty-five plates from the series. This year it acquired this second volume that adds fifty-two more plates, especially strong in views of the new architecture of . Most remarkably, the subjects, number- ing, and binding prove that the new plates are a second part of the same original set as the Gallery’s first volume. Notable other acquisitions of old master prints and books are Hieronymus and Daniel Hopfer’s Emperor Charles V, 1520, in the only known impression with contemporary coloring, purchased as a gift of Ladislaus and Beatrix von Hoffman; Daniel Hopfer’s Burchardus’  Thomas Moran, Mountain of the Holy Cross, Avalon Fund, Chronicon Abbatis Urspergen, 1515; the first original Florian Carr Fund, Barbara and Jack Kay Fund, Gift of Max and etched iron plate by Hopfer to come to America, pur- Heidi Berry and Veverka Family Foundation Fund chased with the Ruth and Jacob Kainen Memorial Fund; Jean Morin’s etching Christ Dying on the Cross, c. 1650, purchased as the gift of an anonymous donor; a pair Prints and Illustrated Books of woodcuts created by John , 1750, after two of William Hogarth’s designs for the Four Stages of Cruelty, Jacob and Ruth Cole Kainen were among the most purchased as a gift of Matthew and Ann Nimetz; and important friends and benefactors of the Gallery. an unfinished proof of Max Klinger’s Eine Mutter, 1882, Between their first gift in 1974 and Mrs. Kainen’s death purchased as a gift of Marion Deshmukh. in 2009, the Kainens generously donated more than In the area of modern prints, the Gallery acquired 750 prints, as well as 550 drawings and six paintings Andy ’s Flash—November 22, 1963, 1968, a set from their celebrated collection. The additional 781 that includes a portfolio cover, eleven screenprints, and works that came to the Gallery from the estate of Mrs. eleven pages of text, revisiting the events surrounding Kainen this year are outstanding in number, quality, President John F. Kennedy’s assassination. and rarity, and especially strong in the areas of her most Ten multiples by Joseph Beuys, 1967–1985, were a passionate interest and discrimination: prints by the gift from Merrill and Dalia Berman, whose donations Northern Mannerists, featuring the virtuoso engravings have substantially enriched the Gallery’s representation of Hendrik Goltzius and his followers, as well as pow- of this influential German artist. Christopher Cordes erful etchings, lithographs, and woodcuts by the revo- strengthened holdings by Al Taylor, donating ten prints lutionary artists of early twentieth-century , from 1988–1990. Kathan Brown made a major gift of above all Kirchner. In combination with the Kainens’ 161 prints and two portfolios by twenty-eight artists previous gifts, this bequest makes the Gallery a major associated with Crown Point Press in San Francisco. repository of these works of art. Her donations since 1991 now number 1,600 works by Other significant gifts to the Gallery included 165 postwar and twenty-first-century artists, an astonishing prints from the estate of the distinguished art historian number by any measure.

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P hotographs

This year the Gallery acquired a remarkable 408 photo- graphs, largely through gifts, but also with funds provided by donors. Foremost among these was the addition of 169 photographs by the distinguished American photogra- pher Robert Adams, acquired with funds from the Pepita Milmore Memorial Fund and the Ahmanson Foundation, as well as a gift from Robert and Kerstin Adams. These photographs, which span Adams’ entire career from the 1960s to the present, were carefully selected by the photog- rapher to complement his works already in the collection and to represent his most important accomplishments. A passionate observer of this country’s changing landscape, Adams made this group available to the Gallery because he believes “these photographs can tell Americans something they might want to know about their country” and because he wants them in the nation’s capital. Other notable purchases include William Bell’s Looking South into the Grand Cañon, Colorado River, Sheavwitz Crossing, 1872, acquired with the Eugene L. and Marie- Louise Garbáty Fund and thirty exceptional photographs made in Burma in 1855 by the nineteenth-century British photographer Captain Linnaeus Tripe, made possible  Robert Adams, Colorado Springs, Colorado, Pepita Milmore through donations from Edward J. Lenkin, Diana and Memorial Fund and Gift of Robert and Kerstin Adams Mallory Walker, and Stephen G. Stein. Commissioned by the Governor General of India Lord Dalhousie to provide information about the architecture, defenses, and land- graphs, as well as Susan and Peter MacGill’s donation of scape of Burma, Tripe succeeded in creating some of the twenty-four photographs by Richard Benson—the first most aesthetically and technically masterful photographs by the artist to enter the collection—of the Robert Gould of the nineteenth century. Shaw Memorial, 1973. In addition, the Robert and Joyce Several important twentieth-century photographs Menschel Family Foundation donated fifteen photographs were acquired with funds from the Alfred H. Moses by Berenice Abbott, made between 1935 and 1938, and and Fern M. Schad Fund, including an exceptional Heather and Tony Podesta donated several contemporary daguerreotype by , Kara, 2007, of his friend photographs, including two works by James Casebere and fellow artist Kara Walker; a joyous cyanotype by from 1991 to 2003, three by Francesca Woodman from Christian Marclay, Allover (A Gospel Reunion), 2009; seven 1976 to 1978, four by Nikki Lee from 1998 to 2001, and ambrotypes by Myra Greene, Untitled, 2006–2007; nine five by Ann Hamilton from 1984 to 1987. works from Moyra Davey’s 1990 Copperhead series; and Idris Khan’s Houses of Parliament, 2012. Other notable twentieth-century photographs were acquired with the Charina Fund, including three photographs by Emmet The Gallery acquired its first sculptures by the renowned Gowin of his wife, Edith. The Collectors Committee made Danish neoclassical artist Bertel Thorvaldsen. The early possible the acquisition of Robert Heinecken’s Untitled nineteenth-century busts portray three daughters of Newswomen, Suite B, 1984. Richard Bingham, second earl of Lucan, who was among Among the most notable gifts were sixty-seven photo- Thorvaldsen’s most important patrons. The busts had graphs by Milton Rogovin, made between the 1950s and been in the Bingham family for nearly a century, adding the early 2000s, donated by Dr. J. Patrick and Patricia to their significance. Thorvaldsen’s genius in balancing A. Kennedy. These gifts complement earlier donations the animate and inanimate is shown at its in his of Rogovin’s photographs, allowing the Gallery to rep- portrayal of the young women’s features, which are chis- resent several of his series in much greater depth. Other eled into marble as perfect as porcelain. Thorvaldsen’s significant donations include Gary S. Davis’ gift of forty style inspired many American nineteenth-century photographs by Allen Ginsberg, made from 1953 to 1987, sculptors, including Thomas Crawford, who worked in which complement his earlier gifts of the poet’s photo- Thorvaldsen’s studio in Rome and later created the figure

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 Bertel Thorvaldsen, Possibly Lady Louisa Bingham, gifted by ARCO; and Robert Indiana’s colorful AMOR, Lady Elizabeth Vernon, née Bingham, Possibly Lady Georgiana 1998–2006, a gift of Simon and Gillian Salama-Caro. Bingham, Patrons’ Permanent Fund Rare Books and Images

Freedom atop the United States Capitol. The acquisition Support from endowments and generous donations was made possible by the Patrons’ Permanent Fund. enabled the Library to obtain 100 titles for the rare book An exquisite Flemish Renaissance alabaster relief, collection. Acquisitions strengthened core subject areas possibly from the circle of the royal sculptor Jean Mone, in French, Italian, and Northern European art, and of the Adoration of the Shepherds was purchased with the added important works on emblems, artistic anatomy, Eugene L. and Marie-Louise Garbáty Fund. With its and festival architecture. sophisticated transitions in depth and perspective, the The David K. E. Bruce Fund made possible the acquisi- is the most complete surviving evidence of a tion of ninety-one titles published between 1541 and 2011, lost composition attributed to , which is known including Die Kunstismen—Les ismes de l’art—The isms through a fragmentary drawing attributed to Raphael of art (, 1925), a seminal text on the major mod- or his circle in the Art Institute of . The relief ern art movements of the first quarter of the twentieth shows how ideals were assimilated century. Contributions by major artists such as editors El in northern European art and extends the Gallery’s small Lissitzky and Hans Arp, , , but exceptionally fine collection of alabaster sculptures Robert Delaunay, , Man Ray, Laszlo from around 1400 with continuity and logic through the Moholy-Nagy, and Pablo Picasso provide definitive source mid-sixteenth century. material on the European avant-garde. Purchased with the Patrons’ Permanent Fund and The Philip Conisbee Fund supported the purchase of the Edward E. MacCrone Fund, Barry Le Va’s Equal a first edition of Les monumens de la France (Paris, 1816– Quantities: Placed or Dropped In, Out, and On in Relation 1836) by writer, soldier, and archaeologist Alexandre to Specific Boundaries, 1967, is an important early work of de Laborde. Published in two large folio volumes, this scatter art. Other notable gifts of sculptures include Ursula work contains more than 250 etched plates, arranged von Rydingsvard’s impressive Five Cones, 1990–1992, the chronologically, depicting the chief historical monuments gift of Joel and Sherry Mallin; Lichtenstein’s whimsical of France—from ancient sites (tumuli and standing stones, Warrior, 1951, a gift of Renée Tolcott, the artist’s sister; Roman constructions) to chateaus of the seventeenth- Dewain Valentine’s luminous Blue Rose Circle, 1978, century—in their early nineteenth-century condition.

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 Salomon Kleiner, Das prächtige Rath Hauss der views of Venice by Carlo Naya, 1875; the interior of Ripon Stadt Augspurg, Grega and Leo A. Daly III Fund for Cathedral, 1896; the Cloisters of the cathedral at Monreale Architectural Books by Joseph Cundall, 1870; and Karel Sourek’s survey of Gothic sculpture in St. Vitus Cathedral, Prague, 1944. Among the individual photographs are stereo Holdings for the study of European art were enriched daguerreotypes of the Crystal Palace Exposition, 1851, thanks to the J. Paul Getty Fund in honor of Franklin D. and a sculpture hall at the Exposition Universelle in Murphy. Among the eight titles acquired is a first edition Paris, 1855; a set of forty stereograph cards of the 1862 of Tabulae anatomicae a celeberrimo pictore Petro Berrettino International Exposition in ; a group of photo- Cortonesi (Rome, 1741), featuring an engraved title plate graphs by Robert Bracklow of buildings in New York and twenty-seven full-page engravings of anatomical City, 1887–1892; views of Indian architecture by Samuel plates based on drawings by Pietro da Cortona. Bourne, c. 1870; a pair of albumen prints of Union The Grega and Leo A. Daly III Fund for Architectural College, Schenectady, c. 1868; and a group of photo- Books supported the purchase of four titles including graphs documenting Frank Lloyd Wright’s Imperial two eighteenth-century works bound as one, sumptu- Hotel in Tokyo, c. 1965. ously illustrated by more than twenty engravings after The artists’ portraits collection was enhanced with drawings by Salomon Kleiner. Das prächtige Rath Hauss a self-portrait by Jessie Tarbox Beals at the St. Louis der Stadt Augspurg (, 1732) portrays in meticu- World’s Fair, 1904; Gertrude Vanderbilt Whitney with lous detail the exterior and interior spaces of Augsburg’s her model of the Christopher Columbus Monument seventeenth-century town hall. Representation exacte du for Huelva, Spain, c. 1920, by Bert Underwood; Dan Chateau de Chasse de S.A. Sme. Monseigneur, l’Eveque de Budnik’s portrait of Willem de Kooning, 1967; and Ernst Bamberg, nomé Marquardsbourg ou Seehof, accompagné de Hass’ photograph of Lee Krasner, c. 1975. The depart- son beau jardin, en six differentes vuës et plans (Augsburg, ment continues to document world expositions with the 1731) presents the only known detailed views of the pal- acquisition of capturing views of London, 1862; ace and gardens, which epitomize patron Lothar Franz , 1876; , 1885; Paris, 1889; , 1894; and von Schönborn’s taste for the French Rococo style. Amsterdam, 1895. The Library’s image collections were enriched with many notable additions. Among the albums are a folio of carbon prints by Adolphe Braun & Cie of French portraiture assembled for the 1878 Exposition Universelle;

19 Colorful Realm: Japanese Bird-and-Flower Paintings by Ito Jakuchu (1716–1800)

COLLECTING

 Antico: The Golden Age of Renaissance Bronzes

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EXHIBITING

During fiscal year 2012 the Gallery’s special exhibition pedestals were fitted with micro-climate cases to meet program included twenty-three exhibitions. Six exhibitions the individual needs of the precious bronze surfaces. continued from the previous year: In the Tower: Nam June Illustrated text panels described Antico’s complex casting Paik; Italian Master Drawings from the Wolfgang Ratjen techniques for statuettes and his methods of patination, Collection, 1525–1835; The Gothic Spirit of John Taylor gilding, and silvering. A brochure on works in the perma- Arms; A New Look: Samuel F. B. Morse’s “Gallery of the nent collection that relate to Antico and his patron Isabella ;” The Invention of Glory: Alfonso V and the Pastrana d’Este and a fully illustrated catalogue accompanied the Tapestries; and Warhol: Headlines. exhibition, which was named Best Small Exhibition by the The year began with a celebration of the centenary of association of American Curators. the birth of photographer Harry Callahan (1912–1999), In the Tower: Mel Bochner was the first in the Gallery’s whose highly experimental, visually daring, and elegant series of exhibitions devoted to contemporary art to fea- photographs made him one of the most innovative artists ture the work of a living artist. The focus was Bochner’s of the twentieth century. Harry Callahan at 100 explored Thesaurus series, a theme developed by the artist during all facets of Callahan’s work, from its genesis in the early the 1960s and reprised in the last decade. The exhibition 1940s in Detroit and its flowering in Chicago in the late presented forty-two works from the last forty-five years, 1940s and 1950s, to its maturation in Providence and including new and unseen works from his studio that pro- Atlanta from the 1960s through the 1990s. The exhibition vided a compelling view of the young as well as the mature featured a magnificent gift from the Callahan family of artist. An illustrated brochure accompanied the exhibition. forty-five photographs by the artist. Picasso’s Drawings, 1890–1921: Reinventing Tradition Antico: The Golden Age of Renaissance Bronzes was presented the dazzling development of the artist as a the first monographic exhibition in the United States draftsman during the first thirty years of his career, from devoted to the Italian sculptor and goldsmith, Pier Jacopo the precocious academic exercises of his youth to his radi- Bonacolsi, known as Antico (1455–1528). The exhibi- cal innovations of and collage. A diverse selection tion included more than three-quarters of the sculptor’s of works on paper was arranged chronologically, from early known medals, reliefs, busts, and statuettes. As part of academic studies and life drawings to preparatory drawings the exhibition project, Gallery conservators undertook a for paintings, major independent and finished drawings technical study of Antico’s innovative casting and finishing made for sale, and portraits of family and friends in all techniques that shed new light on his workshop practices. media. The exhibition included many of Pablo Picasso’s The exhibition, installed in two intimate galleries in the finest drawings, watercolors, and pastels, borrowed from East Building, included a pair of neoclassical bronze cases American and European public and private collections. retrofitted with LED lighting and glass. Wall cases and A fully illustrated catalogue accompanied the exhibition.

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 In the Tower: Mel Bochner  Picasso’s Drawings, 1890–1921: Reinventing Tradition

The Baroque Genius of Giovanni Benedetto Castiglione life renderings of the Governors of the Kloveniersdoelen included eighty works, the majority of which came from by Govaert Flink and Bartholomeus van der Helst. These the Gallery’s rich holdings of the artist’s prints and draw- exceptional works, on view adjacent to the Dutch portrait ings. Organized according to recurrent themes in his galleries in the West Building for five years, immor- work—biblical journeys, the memory of the antique, the talize the civic pride of the men who governed the Flight into Egypt, religious nocturnes, and fantastic physi- Kloveniersdoelen, the building where one of Amsterdam’s ognomy—the exhibition also explored his innovations in three militia companies held its meetings. The exhibition technique. Castiglione’s works and comparative examples was funded by a generous gift from the Hata Foundation, were shown side by side, underscoring the serial aspect of and the fully illustrated brochure was funded through the his creativity. generosity of Mrs. Henry H. Weldon. Civic Pride: Group Portraits from Amsterdam comprises This year, the Gallery displayed one of Japan’s most cel- two long-term loans from the Amsterdam Museum and ebrated cultural treasures, Colorful Realm of Living Beings Rijksmuseum, Amsterdam, and features two larger-than- by Itō Jakuchū, in its entirety for the first time outside of

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the West Building were completely reconfigured in an understated manner to create a contemplative atmo- sphere. Specially designed LED lighting components, photomurals, and illustrated texts highlighted Jakuchū’s astonishingly imaginative techniques, unprecedented in Japanese art. For reasons of conservation, the scrolls were exhibited for only four weeks, yet attracted more than 235,000 visitors. A fully illustrated catalogue accompa- nied the exhibition. I Spy: Photography and the Theater of the Street, 1938– 2010 looked at the ways in which photographers have intentionally limited the manner in which they made pic- tures of the city in order to allow chance and serendipity to play a role in their art. The exhibition included street photographs by some of the genre’s greatest innovators: Walker Evans (1903–1975), Callahan, Robert Frank (b.

 I Spy: Photography and the Theater of the Street, 1938–2010 1924), Bruce Davidson (b. 1933), Philip-Lorca diCorcia (b. 1951), and Beat Streuli (b. 1957). A large film projec- tion of a work by Streuli was installed on a wall in the Japan. This thirty-scroll set of bird-and-flower paintings spine of the ground floor, which effectively replicated the on silk was the centerpiece of Colorful Realm: Japanese street experience for the visitor. Arranged both chrono- Bird-and-Flower Paintings by Itō Jakuchū (1716–1800), logically and monographically, the exhibition presented an exhibition which coincided with the centennial of nearly ninety works. An interactive electronic brochure, Japan’s gift of 3,000 cherry trees to the nation’s capital. downloadable from the Gallery’s website, featured twenty- In 1765 Jakuchū donated Colorful Realm and Śākyamuni two photographs, excerpts from the video and digital Triptych to Shōkokuji Monastery, Kyoto, where they were still sequence, and audio clips from interviews with two displayed in a large temple room during Buddhist ritu- of the artists. als. In 1889 Colorful Realm was donated to the Imperial Joan Miró: The Ladder of Escape revealed the politi- Household. Since then, it has been shown together with cally engaged side of Joan Miró (1893–1983) through the triptych only once. To convey the original religious some 120 paintings and works on paper that spanned his context, the Gallery installed the scrolls with the triptych, which belongs to the Jōtenkaku Museum at Shōkokuji  Joan Miró: The Ladder of Escape Monastery. For the exhibition, the Central Galleries of

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entire career. Through one of the most turbulent periods  George Bellows in European history that included two world wars, the Spanish Civil War, and the decades-long dictatorship of Francisco Franco, Miró maintained a fierce devotion to Robert Peckham (1785–1877) in 2009. Along with this his native Catalonia in northern Spain. Miró developed important painting, eight of the most vibrant and arresting a visual language that reflected his vision and energy in a of Peckham’s portraits of children from four museums and variety of styles across many media. A critical work in the several private collections were exhibited together for the exhibition was The Farm, 1921–1922, a painting Miró first time. The exhibition also featured a rare nineteenth- regarded as a key work in his career that combines memo- century rocking horse similar to the one depicted in The ries of his home in Mont-roig with elements of cubism, Hobby Horse. Related works from the permanent col- abstraction, and primitivism. Ernest Hemingway pur- lection were included in an adjacent gallery. A brochure chased The Farm shortly after it was painted, and in 1987, published on the Gallery’s website contained an essay on Mary Hemingway donated it as a gift to the Gallery. Ten Peckham’s career, a catalogue of the works on view, and a of Miró’s lyrical constellation series works were installed chronology of all known paintings by the artist. on a specially constructed, gentle-curving wall painted The first comprehensive exhibition of the career of midnight blue. A series of forty lithographs were juxta- George Bellows (1882–1925) in more than three decades posed with one large-scale triptych, making an interesting premiered at the Gallery this fiscal year. Bellows painted the contrast in scale. A fully illustrated catalogue and film world around him. He was also an accomplished graphic accompanied the exhibition. Made possible by The HRH artist whose illustrations and lithographs addressed a wide Foundation, the thirty-minute film was produced by the array of social, religious, and political subjects. Including Gallery, narrated by Ed Harris, and shown at the Gallery some 130 paintings, drawings, and lithographs, George and on PBS television stations. With original footage shot Bellows presented his full range of remarkable artistic in and at the Miró family farm in the Catalonian achievement thematically and chronologically throughout countryside, it chronicled the artist’s longing for escape nine rooms in the West Building. A fully illustrated cata- from the chaos of war into pure creativity. logue, an audio-tour, and a thirty-minute film produced Another Gallery-owned work formed the centerpiece by the Gallery accompanied the exhibition. Narrated by of the exhibition Deacon Peckham’s “Hobby Horse.” When Ethan Hawke with original footage shot in New York The Hobby Horse, c. 1840, was given to the Gallery in and Maine, the film captured the breadth of Bellows’ 1955 by Colonel Edgar William and Bernice Chrysler interests, from the rapidly growing modern city to the rug- Garbisch, the artist’s identity was unknown. Decades of ged beauty of the Maine seacoast. Made possible by The research by Gallery staff led to a formal attribution to HRH Foundation, the film was screened at the Gallery

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and on public television stations, and copies were donated proposals for stage sets; an eighteenth-century sketch by to public libraries. the official draftsman to the first British diplomatic mis- The Gallery’s Tower exhibitions continued with In the sion to ; and a trio of sensitive watercolors by John Tower: Barnett Newman, the fifth in a series focusing on Singer Sargent. the developments in art since the mid-twentieth century. The first monographic exhibition devoted to Dutch Drawn largely from the Gallery’s holdings, the exhibi- artist Willem van Aelst (1627–1683), Elegance and tion focused attention on Newman’s breakthrough in Refinement: The Still-Life Paintings of Willem van Aelst the mid-1940s and on the most ambitious work of his featured twenty-eight paintings by this remarkable artist, as maturity, The Stations of the Cross, which was the generous well as his only known drawing. One of the most famous gift of Robert and Jane Meyerhoff. An illustrated brochure still-life painters of his day, Van Aelst was known for his accompanied the exhibition along with archival footage of exquisite rendering of fruits, luxurious fabrics, and spoils the artist commenting on his work on the occasion of its of the hunt. Through conservation efforts in conjunc- initial display in 1966. tion with the exhibition, a work formerly attributed to Paying tribute to the remarkable collector Joseph Van Aelst’s contemporary Willem Kalf was re-attributed F. McCrindle (1923–2008), The McCrindle Gift: A to Van Aelst. Elegance and Refinement was displayed in Distinguished Collection of Drawings and Watercolors high- the Main Floor Dutch galleries and the adjacent Dutch lighted seventy-one old master and modern drawings Cabinet galleries. The exhibition, accompanied by the that are part of McCrindle’s extensive gift to the Gallery. first comprehensive publication on Van Aelst’s work, was The selection of seventy-one works on paper spanning generously supported by The Exhibition Circle. the sixteenth through the twentieth century offered Shock of the News examined modern artists’ responses an overview of McCrindle’s main collecting interests. to the newspaper and offered a systematic examination of Among the drawings on view were mythological and bib- the newspaper as both a material and subject in modern lical narratives; an intriguing animal study reflecting the and contemporary art over the course of a century. The heightened interest in natural history at the turn of the exhibition included sixty-five collages, paintings, drawings, seventeenth century; an exuberant design for a baroque sculptures, artists’ newspapers, prints, and photographs altarpiece; exquisitely rendered landscapes; imaginative by European and American artists, from F. T. Marinetti and Picasso to the Guerrilla Girls and Robert Gober. The

 Elegance and Refinement: The Still-Life Paintings of exhibition challenged visitors’ preconceptions about the Willem van Aelst newspaper, as well as their ideas about art and museums. In a rare instance, visitors were encouraged not only to touch,

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same subjects—friends, family, and themselves—numer- ous times over days, months, or years to create compelling portrait studies that investigate the many facets of personal and social identity. Drawn largely from the Gallery’s collec- tion, the exhibition also used critical loans to present more fully the serial form of portraiture. Several works were shown in unconventional groupings—photographs by Lee Friedlander were arranged in a diamond shape while Nicholas Nixon’s series of annual portraits of the Brown sisters were placed in a grid that left space for future works, underscoring the ongoing nature of the project. An inter- active digital brochure downloadable from the Gallery’s website focused on seven of the artists, including and Nikki S. Lee. The first exhibition in the United States to focus on Augsburg’s artistic achievements in the late fifteenth and early sixteenth centuries, Imperial Augsburg: Renaissance Prints and Drawings, 1475–1540 emphasized rich and varied works on paper, paying particular attention to inno- vative printmaking techniques as well as the fundamental role of imperial patronage. While focusing on prints, draw- ings, and illustrated books, the exhibition also included medals and one etched set of armor. Of the 103 works presented, 86 were from the Gallery’s collection, with addi- tional loans from public and private collections. The last major exhibition on this subject was mounted more than three decades ago in Augsburg, one of Germany’s oldest cities and an artistic center. A fully illustrated catalogue accompanied the exhibition. The Gallery administered the loan of 755 works of art to 201 sites during fiscal year 2012. Among some of the most notable loans were those celebrating the artist Mark Rothko. Twenty-two paintings were lent to a retro- spective survey of Rothko at the Portland Art Museum, Oregon; twenty-four paintings, five watercolors, and a drawing were lent to Mark Rothko in the 1940s: The Critical Decade at the Columbia Museum of Art; and two paintings were lent to The Last Days of Pompeii: Decadence, Apocalypse, and Resurrection at the Getty Villa, Pacific Palisades.

 Shock of the News Works from the Gallery’s collection were featured in numerous exhibitions, both domestically and inter- nationally. van Rijn’s Self-Portrait, Philemon but to take a work of art from the exhibition—a sheet and Baucis, and A Young Man Seated at a Table (pos- from a stack of identical offset prints by Felix Gonzalez- sibly Govaert Flinck) were lent to Rembrandt in America Torres containing excerpts from articles published in the at the North Carolina Museum of Art, the Cleveland New York Times. A fully illustrated catalogue accompanied Museum of Art, and the Minneapolis Institute of Arts. the exhibition. James McNeill Whistler’s Mother of Pearl and Silver: The The practice of making multiple portraits of the same Andalusian, John Singer Sargent’s Mary Crowninshield subjects to produce revealing and provocative photo- Endicott Chamberlain (Mrs. Joseph Chamberlain), and graphs was explored in The Serial Portrait: Photography George Bellows’ Davey were lent to the Crystal and Identity in the Last One Hundred Years. Arranged Bridges Museum of American Art, Bentonville. David both chronologically and thematically, the exhibition fea- Smith’s Circle III was lent to Cubes and Anarchy: Geometry tured 153 works by twenty artists who photographed the in David Smith at the Whitney Museum of American Art.

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Benjamin West’s The Battle of La Hogue was lent to the  Imperial Augsburg: Renaissance Prints and Drawings, Yale Center for British Art, New Haven, for an exhibition 1475–1540 and research project devoted to studying the Gallery’s version and a second version owned by Yale. Several works by were lent including Girl with Seven prints were lent to : Variations at the the Red Hat to Johannes Vermeer and the Delft School at Phillips Collection, Washington, DC. Nine drawings, the Scuderie del Quirinale, Rome; A Lady Writing to including works by , , Paul Communication: Visualizing the Human Connection in Cézanne, and , were lent to : the Age of Vermeer at the Kyoto Municipal Museum of Masterworks on Paper at the Albertina Museum, . Art, the Miyagi Museum of Art, and the Bunkamura One painting and eight prints were lent to Edouard Museum of Art; and Woman Holding a Balance to Vuillard: A Painter and His Muses at the Jewish Museum, Masterpiece of the Month at the Detroit Institute of Arts. New York. Albrecht Dürer’s Madonna and Child [obverse] Fifty nineteenth-century French paintings, including was lent to Der frühe Dürer (The Early Dürer) at the The Dancer by Auguste Renoir, The Railway by Edouard Germanisches Nationalmuseum, Nuremberg. Raphael’s Manet, and Boy in a Red Waistcoat by Cézanne, contin- Bindo Altoviti was lent to Late Raphael at the Museo ued to tour as part of Impressionist and Post-Impressionist Nacional del Prado, . Joseph Mallord William Masterpieces from the National Gallery of Art at the Kyoto Turner’s Keelmen Heaving in Coals by Moonlight was lent Municipal Museum of Art. to Turner Inspired: In the Light of Claude at the National Gallery, London. ’s Baby (Cradle) was lent to Vienna: Art & Design—Klimt, Schiele, Hoffmann, Loos at the National Gallery of Victoria, Melbourne.

29 Participants in the High School Summer Institute add finishing touches to mobiles, inspired by Joan Miró, before installation at Northwest One Neighborhood Library.

EDUCATING

 Painting conservator Ann Hoenigswald speaks to teachers about discoveries made during the recent treatment of Edouard Manet’s Old Musician.

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EDUCATING

To broaden the Gallery’s reach both on-site and online, lecture programs and three video podcasts, posted on the the education division led several significant initiatives this Gallery’s website, are now available through iTunes and year. The Gallery is now featured on Google Art Project, ArtBabble, formats that allowed the museum to reach a database of high-resolution images and text, to which more than two million virtual visitors. we have submitted 180 objects from the collection. The Programmatic highlights included a demonstration of Gallery’s first mobile application was loaded onto twenty ’ seventeenth-century painting techniques iPod Touch devices, loaned to the public free of charge. by George Washington University Professor Emeritus The app contains audio, text, and images for 130 objects William Woodward and a series of sketching programs in the West Building, 50 of which were specifically selected for adults inspired by the loan of Samuel F. B. Morse’s The for kids. Following extensive surveys, it will be tailored Gallery of the Louvre. Three public symposia were offered to user preferences and released more widely. Ultimately, in conjunction with the Morse, George Bellows, and Joan visitors will be able to download the application onto their Miró exhibitions. A fourth symposium, held in response own mobile devices while at the Gallery. to the re-installation of the French galleries, featured a This year, the education department spearheaded roundtable discussion of international museum scholars and helped shape explanatory wall texts for the newly on issues related to the installation of nineteenth-century re-installed French galleries, a first for the permanent col- French collections. lection, and collaborated with French painting curators to The internship and fellowship program supported develop audio guide commentaries. a national and international group of graduate-level Other significant “firsts” included a live webcast of a students; seven academic-year and fourteen summer conversation between art historian and Emory Professor participants were placed in Gallery departments. Michael Harris and collectors of African American art As the High School Seminar celebrated its twentieth Darrell Walker and Elliot Perry and an interactive Web year, a survey of former participants showed the program’s feature that invited the public to create haiku inspired lasting impact on career choices, personal growth, and by the scrolls in Colorful Realm: Japanese Bird-and-Flower museum-going practices. High School Summer Institute Paintings by Itō Jakuchū (1716–1800). By the close of participants, working with artist Kevin Reese and inspired the month-long exhibition, we had received more than a by the work of Miró and Alexander Calder, created a series thousand poems posted from computers at the Gallery or of mobiles now installed at Northwest One, a Washington, from online visitors in forty-two states, seventeen foreign DC public library. countries, and five continents. The division authored Web Students in Teen Studio workshops considered Hudson tours on frames and on photographer David Seymour. River School paintings, Giotto’s Madonna and Child, and Eighty-five podcasts of new and re-mastered archival Giovanni Battista Tiepolo’s Queen Zenobia Addressing Her

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Steel Corporation, the Gottesman Fund in memory of Milton M. Gottesman, and Toshiba. Additional assistance came from the Embassy of the Czech Republic, the Billy Rose Foundation, the University of , and the Randy Hostetler Living Room Music Fund. Highlights included a performance in the East Building Atrium of Modest Mussorgsky’s Pictures at an Exhibition by the National Gallery of Art Orchestra and Saint Petersburg (Russia) Symphony Orchestra, a broadcast concert featuring “From the Top” on National Public Radio, a “Beethoven’s Birthday Concert” featuring pianist Menahem Pressler, and a weekend of French music in the East Garden Court celebrating the reopening of the nineteenth-century French galleries. Exhibitions acknowledged in concert included Italian

 Before drawing David Smith’s Voltri VII in their sketchbooks, Master Drawings from the Wolfgang Ratjen Collection, Art Around the Corner students trace its outline in the air. 1525–1835 (Italian arias); The Gothic Spirit of John Taylor Arms (American music inspired by architecture); Warhol: Headlines (the Gallery’s New Music Ensemble, Verdehr Soldiers before making their own monotype prints, works Trio, and Dean & Britta performing music by composers on panel in egg tempera and gold leaf, and sketches from who were influenced by the artist); Antico: The Golden Age a live model. Studio components of these workshops were of Renaissance Bronzes (Duo Asteria playing and singing conducted in the Education Studio, a space that has trans- Renaissance music); Picasso’s Drawings, 1890–1921: formed programming to emphasize artistic process as well Reinventing Tradition (Phillips Camerata playing chamber as careful looking and critical thinking. music written between 1890 and 1921); Colorful Realm Art Around the Corner immersed fourth and fifth ( Japanese music); George Bellows (pianist Leslie Amper graders in an “Artful Thinking Boot Camp” to consider playing music that Emma Bellows might have played); and how artists tell stories. Of the hundreds of family pro- Joan Miró: The Ladder of Escape (the Gallery’s Orchestra, grams offered, several included a focus on Edgar Degas soprano de Rothschild, Cuarteto Quiroga, jazz where participants made sculptures using wire armatures. pianist Ignasi Terraza, and the New York Opera Society Through programs such as these, the Gallery reached performing music by Catalan composers). almost 800,000 visitors. The Gallery celebrated Women’s History Month with With a new ordering and inventory control system, the concerts by sopranos Carmen Balthrop, whose program loan program served more than one million users, offer- included the world premiere of A Modern Woman’s Life ing more than 120 teaching packets, CDs, and DVDs and by Robert Greenleaf, and Jessica Jones, who sang and more than 500 online resources. Public television songs by Lori Laitman and other women composers. broadcasts of resources reached another thirty-five mil- Gallery concerts were the subject of twelve reviews and lion viewers. thirteen photo previews in Washington-area media. The Web team moved from publishing to the educa- The film department continued to present a wide tion division and focused on the redesign of the Gallery’s range of moving image art from experimental video and website. With a content management system now in documentary, to retrospectives devoted to major artist place, population of the site has begun. Collection and filmmakers. Area premieres of independent features were exhibition information has been integrated, and other interspersed throughout the season. In all, more than 500 areas will follow. screenings took place during the year; film scholars intro- duced many events. The recent addition of digital cinema Concerts and Films technology at the Gallery permitted formats from archi- val thirty-five millimeter prints to the latest D-cinema The Gallery presented forty-nine concerts during its releases. The Gallery’s continuing membership in the seventieth season of weekly concerts, supported by funds International Federation of Film Archives made it possible bequeathed to the Gallery by William Nelson Cromwell to borrow rare prints from film vaults around the world. and F. Lammot Belin, with generous additional support The 2012 season included a series devoted to the from the Embassy of Brazil, the Royal Norwegian French cinéma fantastique, one of the early movements that Embassy, the Richard B. and Sarah J. Marsten Charitable inspired the surrealists. The relationship between French Remainder Unitrust, the Institut Ramon Llull, Nippon cinema and American production studios during the early

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twentieth century was explored in the program Paris to Resources for Scholarly Research Fort Lee: French Filmmakers and the American Industry, while portrayals of Spain were discussed by a panel of The Library added 5,791 books and 1,215 auction scholars in the series Seeking Spain in the Cinema. catalogues to its holdings. Reference librarians welcomed Poetic filmmaking traditions in Ukraine and the more than 3,200 visitors; provided 970 orientations to visionary tendency in contemporary American avant- staff, CASVA fellows, and local university classes and garde filmmaking were brought to light in special series. researchers; and answered more than 23,680 queries. In another ongoing project, sixteen-millimeter prints of More than 3,000 digital scans from rare materials were films by were screened throughout the provided to staff, CASVA fellows, scholars in London, course of the exhibition Warhol: Headlines. Continuing Germany, and , as well as the Hillwood Museum, regard for the major international film artists of the mid- the National Numismatics Collection, and the Ringling twentieth century was demonstrated in several major Museum of Art. retrospectives: Robert Bresson; Maurice Tourneur: 1930s; Through its interlibrary loan program, the Library The Tales of Jan Švankmajer; Peter Greenaway on Painting; shared 6,457 titles with university and museum libraries in Michelangelo Antonioni Centenary; Aleksei Guerman: War the United States and Canada as well as with institutions and Remembrance; and Miloš Forman: Lives of an Artist. in Scotland, Wales, the Netherlands, Israel, Australia, and Independent American film artists David Gatten, Fred New Zealand. Worden, Lynn Sachs, Mark Street, Liza Johnson, Amie The department of image collections acquired more Siegel, Bill Morrison, and Ernie Gehr discussed their work than 65,000 images, including 47,623 photographs, nega- in the recurring programs known as “American Originals tives, transparencies, and images in microform; eleven Now.” Miró contemporaries Pere Portabella and Segundo CD-ROMs; seventeen rare photographic albums; 330 de Chomón and the important documentary work of the cartes de visite; and more than 19,000 digital files. The Checkerboard Foundation were honored, as were land- department’s holdings total more than thirteen million mark anniversaries of films including writer-filmmaker images, making it one of the world’s largest art and archi- John Berger’s Ways of Seeing. The annual preservation tecture image repositories. Image specialists answered festival From Vault to Screen attracted full houses to many 1,462 reference inquiries and provided 343 orientations in screenings, as did the series Japanese Divas and the presen- addition to assisting staff and CASVA fellows. tation of the new Japanese film Hanezu, organized with In addition to Gallery staff, several individuals made support from the Japan Foundation in conjunction with significant donations. William Craft Brumfield con- the exhibition Colorful Realm. tinued to add images of Russian architecture; James Ackerman deposited photographs of drawings; Wolfgang Wolters added negatives and pho-

 Hanezu, 2011, Directed by Naomi Kawase, tographs of Italian sculpture; David Applegate and Courtesy of Memento Films Hans Lemke donated digital files of Cuban architecture; Norman Sasowsky provided a photographic archive of Reginald Marsh prints; and Sharon Pollice, George West, and Charles B. Wood III enhanced the collection of rare photographs. Architectural historian James Goode and photographer Bruce White continued to document historic residences in the Washington, DC area. With the support of the Kiplinger Foundation and Mr. and Mrs. B. Francis Saul II, interior and exterior photography and floor plans are in preparation. The Gallery Archives vigorously pursued projects to prepare historical materials for use in an increasingly digital environment, while continuing to provide services for researchers. The Gallery’s digital archival repository was reorganized for improved management and secu- rity. Extensive digital photographs of Gallery exhibitions, events, people, and scenes, as well as contractor images and video of the East Building Exterior Stone Repair Project were added to the repository. A multi-year project to digitize historical photographic images and archival

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documents also continued. Approximately 10,000 photo- Gallery opening. Also released this year were the Polish graphic images, 7,400 pages of press releases, and 35,000 edition of National Gallery of Art: Master Paintings from pages of past exhibition files on microfilm were converted the Collection (joining the English, Russian, and Italian to digital form. versions) and the long-awaited reprint of the first three Thirty-three oral history interviews were conducted to volumes of Artists’ Pigments. capture insights and recollections of a retiring generation Printed brochures were prepared for four exhibitions of Gallery staff. Transcripts of legacy interviews were edit- and digital brochures were created for three, includ- ed and prepared for Web access. Archives staff responded ing Deacon Peckham’s “Hobby Horse,” the Gallery’s first to more than 300 substantive research inquiries. mobile application, available free of charge from iTunes. Supported by Kress Foundation grants, the Kress The digital brochures for “Hobby Horse,” I Spy, and The History and Conservation Database Project successfully Serial Portrait may be downloaded from the Gallery’s completed its first phase of building a document-based website as PDF files with interactive features. database capturing granular information on the history The publishing office furthered plans for the online of the Kress Collection at the Gallery. A two-year grant version of Dutch Paintings of the Seventeenth Century— to plan for digitization of Kress archives and conservation a project that will serve as a platform for future online records was approved by the foundation. systematic catalogues as well as a model workspace on The Rosenwald Project continued to improve access the website for students and scholars alike. The Gallery’s to research materials relating to Lessing Rosenwald and technical requirements for this project were featured his collection at the Gallery and the . prominently in the Getty’s 2012 interim report on The European Print Study Room in the East Building OSCI. Recent activities have included the preparation hosted more than 1,095 visitors. Thirty-seven classes of preliminary visual directions for the Web pages and from seven universities and eight schools were taught, workshop sessions focused on the site’s interactive fea- using the Gallery’s original prints, drawings, and rare tures. Meanwhile four other systematic catalogues are in illustrated books. There were eighteen lectures for spe- various stages of preparation. cial groups, and ten tours for Gallery docents, interns, and new staff. The American Print Study Room in the Imaging and Visual Services West Building hosted more than 849 visitors, including students in thirty-two classes from nine universities and The division of imaging and visual services relocated to eleven schools. In addition, there were fourteen lectures new photography studios, offices, and production areas for special groups and six tours for Gallery docents, in the West Building. In the painting studio, a motor- interns, and new staff. ized easel was installed to allow for the capture of images from paintings in precise sections with accuracy within Publications five hundredths of an inch. These image sections, once combined digitally, produce an extremely high-resolution In addition to maintaining its traditional focus on the art image with extraordinary detail, down to a small brush- of the printed book and materials, the publishing office stroke or hairline crack. A select group of these images, made important steps into digital publishing in 2012. currently available via the Google Art project, will be These efforts included furthering its design and strat- featured on the Gallery’s new public website. egy for the Getty-funded Online Scholarly Catalogue The Rapid Capture image project added 18,300 images, Initiative (OSCI), creating the Gallery’s first online completing all European prints and American drawings exhibition brochures, and successfully launching its first and bringing the total to nearly 50,000 images. application on iTunes. During the fiscal year, the division created high-resolution, Eight book-length volumes were produced in fiscal year color-accurate master digital files for 169 new acquisi- 2012, including seven exhibition catalogues. Notable tions. The division provided technical imaging in support among them are George Bellows, produced in a large of 174 conservation treatments, uploaded 9,675 images edition for both the trade and touring venues, and to the Web and TMS, and supported twenty temporary Colorful Realm: Japanese Bird-and-Flower Paintings by exhibitions with an additional 485 images. Itō Jakuchū, the demand for which was unprecedented The division completed digital photography for both in and outside the Gallery during the month-long nine master digital images for works on the Collection exhibition. Short excerpts from Colorful Realm are avail- Highlights list, provided publication-quality images for able online as part of a Web feature. Color, Line, Light: nine upcoming exhibitions, completed photography for French Drawings, Watercolors, and Pastels from Delacroix the systematic catalogue Italian Paintings of the Thirteenth to Signac was published in both French and English edi- and Fourteenth Centuries, and provided images for two tions for the opening in Giverny, well in advance of the issues of the NGA Bulletin.

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CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS

The Center for Advanced Study in the Visual Arts, by Bryan J. Wolf of Stanford University on the topic founded in 1979, sponsors the study of the visual arts “Between the Lines: Philip Guston and ‘Bad Painting.’” in each of its four program areas: fellowships, research, Professor Wolf also led an incontro to discuss the work publications, and scholarly meetings. of Martin Puryear. During its thirty-second academic year, the Center wel- Marc Fumaroli (Collège de France) and Jacqueline comed fellows from Brazil, Canada, France, Germany, Italy, Lichtenstein (Université Paris-Sorbonne), the Center’s Israel, Poland, the United Kingdom, and the United States. joint Edmond J. Safra visiting professors, conducted a The topics of their research ranged from the study of three-day colloquy for emerging scholars and curators on names and art in medieval Italy to cosmopolitanism in the the subject of “The Academy of Painting and Sculpture Sino-Mongol City, from pigments in Renaissance Venice in the Ancien Régime: New Perspectives.” to South Indian mural paintings, and from Enlightenment The sixty-first A. W. Mellon Lectures in the Fine Spain’s Islamic craft heritage to rock-and-roll film musi- Arts were delivered by Craig Clunas of the University cals. Three fellows dedicated their research to the art, of Oxford on the topic “Chinese Painting and Its architecture, and cultural heritage of China. Audiences.” ’s and Kirk Varnedoe’s A. W. The centenary of Japan’s gift of cherry trees to the Mellon Lectures were made available as Gallery pod- nation’s capital led to a rich and international celebration of casts. Edited and fully illustrated versions of the Mellon Japanese art and culture in the program of special meetings. Lectures continue to be published in the Bollingen The Center worked together with the Freer and Sackler Series by Princeton University Press, according to the Galleries to organize a series of public and scholarly events original wishes of Paul and Mary Mellon. around the exhibition Colorful Realm: Japanese Bird-and- The Center’s ongoing research projects provide pri- Flower Paintings by Itō Jakuchū (1716–1800). The Center mary research materials for the field. Under the direction also organized a Robert H. Smith Study Day in conjunc- of Dean Elizabeth Cropper, the first volume in the tion with the Gallery’s exhibition Antico: The Golden Age Malvasia project, which will make available an English of Renaissance Bronzes. A planning retreat was held for the translation and new critical edition of Carlo Cesare National Committee for the History of Art, and CASVA Malvasia’s Felsina pittrice (, 1678), is in produc- and the Gallery hosted four panel sessions, under the title tion with Harvey Miller for Brepols. Professor Lorenzo “Remembering the Middle Ages in Early Modern Italy,” Pericolo (University of Warwick) serves as editor of during the annual meeting of the Renaissance Society of the critical edition. Associate Dean Therese O’Malley America. The Center also cosponsored, with University of is directing the construction of a database of images, Maryland, the forty-second Middle Atlantic Symposium people, places, texts, and terms that expands upon her in the History of Art. book Keywords in American Landscape Design (2010). In the program of publications, volume seventy-six Associate Dean Peter Lukehart and his team have been appeared in the series Studies in the History of Art. developing a geotagging feature that will allow place Orsanmichele and the History and Preservation of the Civic names mentioned in the Accademia di San Luca data- Monument was edited by Carl Brandon Strehlke and sup- base (www.nga.gov/casva/accademia) to link to historic ported with funds provided by the Andrew W. Mellon maps of Rome dating to the sixteenth and seventeenth Foundation. The essays included in the volume originated centuries. Both initiatives reflect the Center’s exploration at a two-part international symposium held in Washington of digital humanities resources and depend upon the and in Florence, organized in conjunction with the loan to expertise of a research associate specializing in digital the Gallery of three great sculptural commissions for the technologies for the history of art, supported by a grant exhibition Monumental Sculpture from Renaissance Florence: from Robert H. Smith. Ghiberti, Nanni di Banco, and Verrocchio at Orsanmichele. For more on the Center’s programs, see the archive This year’s biennial Wyeth lecture, supported by the of annual reports available online at www.nga.gov/ Wyeth Foundation for American Art, was presented resources/casva.shtm.

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Photographer Greg Williams in the division of imaging and visual services uses its state-of-the-art painting easel to photograph Giovanni Battista Tiepolo’s Bacchus and Ariadne.

38

PRESERVING

 Painting conservator Joanna Dunn removes varnish from Luke White, while Leisher Fellow Ana Alba examines Robert Liston, as part of a grant from the Bank of America Art Conservation Project to conserve fifteen Gilbert Stuart paintings.

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PRESERVING

This year saw the long-awaited move into completely rede- American Modernism, while working with catalogue signed conservation studios and laboratories. For the first authors to resolve questions of facture and condition. time, conservators for both old master and modern paintings Paper conservators completed twenty-seven major treat- share the same studio. Object and paper conservators have ments, 259 minor treatments, and 1,025 examinations of larger treatment areas. New laboratories for scientific imaging prints and drawings for exhibition, loan, acquisition, and and X-ray fluorescence better facilitate collaboration between collection maintenance. Notable treatments included the scientists, conservators, and photographers in the division of consolidation of flaking paint in Edward Steichen’s Oochen imaging and visual services. series. Conservators removed old paper remnants, reduced The painting conservation department completed stains, and repaired thinned areas on Albrecht Dürer’s twenty-eight major treatments, more than sixty minor double-sided ink drawing An Oriental Ruler Seated on His treatments, and numerous major, minor, and infrared Throne. In Lodovico Carracci’s The Martyrdom of Saint reflectography examinations, in addition to the examina- Lawrence, conservators temporarily removed small paper tion of more than 600 paintings in preparation for loans overlays with alternate compositions and reassembled the or Gallery exhibitions. A generous grant from the Bank of collage so that the pieces could be lifted to reveal the design America Charitable Foundation resulted in the treatment below. The exhibition Imperial Augsburg: Renaissance of eight paintings by Gilbert Stuart. Prints and Drawings, 1475–1540 prompted treatment of Notable painting conservation treatments this year several early sixteenth-century German prints. included Giotto’s Madonna and Child, George Bellow’s Matting-framing specialists matted 732 prints, draw- Little Girl in White (Queenie Burnett), John Trumbull’s ings, and photographs, framed and unframed 1,227 Patrick Tracy, ’s The Finding of Moses, works of art, constructed ninety-nine mounts for exhibi- Fernand Léger’s Animated Landscape, and Paul Cézanne’s tions, built or altered 193 frames, and prepared sixty-nine The Gardener Vallier. In addition, two new acquisitions, special storage housings. A particularly tricky framing Michael Sweerts’ Anthonij de Bordes and His Valet and involved Rosa Bonheur’s charcoal drawing The Legend Thomas de Keyser’s Portrait of a Gentleman Wearing a of the Wolves, adhered along its perimeter to an original, Fancy Ruff, were treated. but severely warped, paperboard. Framing specialists The department’s work on the Gallery’s systematic constructed a curved mount to support the distorted catalogue continues. Three conservators are preparing board and prevent it from flexing. To display Lesley Dill’s and editing technical entries for five volumes devoted sculpture Poem Dress of Circulation, magnets were used to to thirteenth- and fourteenth-century Italian paintings, attach the paper dress to the gallery wall. A unique Mylar sixteenth-century Italian paintings, Dutch and Flemish housing was devised to hold the 100 small pillboxes in paintings, nineteenth-century French paintings, and Andy Warhol’s Portraits of the Artists.

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examinations of sculpture in preparation for acquisition, loan, and exhibition. One of the many challenging treat- ments was the stabilization and support of the weak- ened original suspension strings of Alexander Calder’s Cascading Flowers. After ten years of exhibition in the Sculpture Garden, Lucas Samaras’ Chair Transformation Number 20B was completely re-patinated, returning the sculpture to the appearance intended by the artist. Surface grime and discolored overpaint were removed and losses were filled and inpainted on the fifteenth-century Florentine, polychrome sculpture Saint John the Baptist. ’s ten-by-seventeen-foot mosaic continued to engage conservators as each individual panel was treat- ed after being de-installed from its former Georgetown garden wall location. Additional treatments in progress include José de Rivera’s painted aluminum sculpture Black, Yellow, Red; three miniature wax portraits depict- ing scenes from the Passion of Christ; ’s Figure Decorative; and the late fifteenth-century painted and gilded wood sculpture The Holy Kinship. Object conservators contributed to the exhibition cata-

 Object conservators Katy May and Abigail Mack complete a logue and collaborated on wall texts, public lectures, and a re-patination treatment of Lucas Samaras’ Chair Transformation featured website for Antico: The Golden Age of Renaissance Number 20B. Bronzes. Technical investigation of serial bronze casting in nineteenth-century France, in particular Théodore Gericault’s Flayed Horse I, II, and III, complemented The photograph conservation department continues research of Renaissance bronzes funded by the Smith its collaboration with the Gallery’s scientific research and Family Foundation. photographs departments and colleagues at partner insti- The loans and exhibitions conservators worked on tutions on a comprehensive investigation of the technical seventeen major exhibitions, completing more than 1,682 history, chemistry, materials characterization, connois- incoming and outgoing condition reports, and constructed seurship, preservation, and conservation of platinum and twenty-six micro-climate and water-proof packages for palladium photographs. Japine: William Willis’ Proprietary outgoing loans. Frame conservators completed more than Paper was co-authored with colleagues at the Metropolitan 220 minor treatments and eleven major treatments. Museum of Art and presented at the 2012 annual meeting The exhibition program posed new and interesting of the American Institute for Conservation, illuminating a challenges for the conservators. Colorful Realm: Japanese long-forgotten class of platinum prints favored by leading Bird-and-Flower Paintings by Itō Jakuchū (1716–1800) photographers of the early twentieth century. A techni- required extensive collaboration between the exhibition cal investigation of waxed paper negatives began for the conservator and the Gallery’s facilities maintenance upcoming exhibition Captain Linnaeus Tripe: Photographer engineers to create a custom environment for the deli- of India and Burma, 1854–1860. cate scrolls. Masterpieces of American Furniture from the The department completed forty-five major treatments, Kaufman Collection, 1700–1830; Warhol: Headlines; Joan 168 minor treatments, and 755 examinations for exhibi- Miró: The Ladder of Escape; and Color, Line, and Light: tions, loans, acquisitions, and donor development. The French Drawings, Watercolors, and Pastels from Delacroix majority of conservation treatment was in preparation for to Signac all required lengthy participation at lender the exhibitions I Spy: Photography and the Theater of the homes and partner venues. Street, 1938–2010; Modern Lab: Material Interventions; The outgoing loan program continued to challenge con- and The Serial Portrait: Photography and Identity in the Last servators to innovate. To provide a controlled environment One Hundred Years. Among the conservation challenges for the delicate recto/verso panel of Dürer’s Madonna and was Ilse Bing’s Self-Portrait, a complex collage of silver Child, conservators devised a new system for creating a gelatin photographs, electrostatic prints, black paper, metal micro-climate package within the frame. wire, mirrors, and a clock in an acrylic box frame. Frame conservators worked on several special projects Object conservators completed seventeen major including the re-sizing of the Dutch seventeenth-century treatments, ninety-one minor treatments, and 829 ripple-mold frame for Willem van de Velde’s Marine.

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Twenty-three frames were treated for the re-installation grant from the National Science Foundation. Using these of the French galleries, and twenty-five frames were con- methods, scientists determined that Lorenzo Monaco structed, painted, and installed for a loan of Mark Rothko selectively used egg yolk tempera in his manuscripts, as paintings. The senior frame conservator assisted in the well as more frequently used binders. treatment of twenty-four frames for an Allentown Art A major research project into consolidating adhesives Museum event commemorating Samuel H. Kress. began, aimed at understanding the chemical and mechan- The textile conservator continued to support the instal- ical properties of synthetic adhesives commonly used by lation and de-installation of the exhibition The Invention conservators, and developing new and stable alternative of Glory: Afonso V and the Pastrana Tapestries at the formulations. This international project occurs in col- Meadows Museum, Dallas, and the San Diego Museum laboration with other museums, universities, research of Art. Eighty-four major and minor treatments, examina- laboratories, and the chemical industry. tions, and exhibition condition reports were completed. Reverse-engineering studies, performed in collaboration As part of an off-site storage project, the Gallery’s registrar with photograph conservators, deduced the chemical com- and textile conservation department prepared tapestries position of historic commercial platinum photographic including Variation sur “Aubette” by Jean Arp, Coquarlequin paper. Techniques are in development for comparing and after Jean Lurçat, Scarlet Yantra by Jack Youngerman, as standardizing analyses of photographic materials across well as nineteenth- and twentieth-century silk velvets from cultural heritage institutions. the Widener Collection. New analytical techniques for the characterization of Scientists analyzed the material composition of works in metalpoint drawings are being studied in preparation collaboration with conservators, often in association with for the exhibition Drawing with Silver and Gold: Five ongoing treatments. Studies included works by Giovanni Centuries of Metalpoints. Battista Tiepolo, Giorgio Vasari, Leonardo da Vinci, Several research projects continued including those on Richard Diebenkorn, Barnett Newman, and Jan van Eyck, gels for conservation treatments and reactions occurring as well as the Mazarin tapestry. at the wet-dry interface in paper, particularly the effects This year, technical research resulted in the reattribu- of antioxidants. tion of a major work to Willem van Aelst. Analysis of Dürer’s Madonna and Child contributed to a reevaluation  Object conservator Alisa Vignalo uses steam to remove a of the varied styles of his early work. protective facing on the surface of a panel from Marc Chagall’s Research into developing remote sensing imaging cam- monumental wall mosaic. eras for study of works of art continued, aided by a major

43 Section 0

44 NATIONAL GALLERY OF ART

2012 REVIEW

45 treasurer’s report

In fiscal year 2012, the National Gallery of Art strengthened its financial position during a period of volatility in the U.S. and international economies. This was achieved through conservative manage- ment of its funds, favorable performance of the invested portfolio, and continued strong support from Congress and the Administration. The federal commitment to operate and maintain the Gallery originates in the 1937 Joint Resolution of Congress that accepted Andrew W. Mellon’s unprecedented gift to the nation of his art collection, the funds needed to construct the West Building, and an endowment fund. The Joint Resolution pledged that the United States would provide funds for the upkeep, administrative expenses, and costs of opera- tions, including the protection and care of the works of art given to the nation, so that the Gallery would at all times be properly maintained and remain open to the public free of charge. The Gallery receives annual federal appropriations to support core programs and renovations of its buildings as part of the budget approved annually by Congress and signed by the President. This is supplemented with income from endowments as well as gifts and grants designated by donors for other specific purposes. Endowment support for current expenditures is computed under the Gallery’s spend- ing policy and is appropriated for use based on underlying donor-imposed restrictions. The Gallery is a nonprofit organization exempt from federal income taxes under the provisions of Section 501(c)(3) of the Internal Revenue Code. operating results In fiscal year 2012, the Gallery reported a net operating surplus of $2.1 million compared to a $1.4 million operating surplus in the prior year. This $0.7 million increase consists of an increase in operating support and revenue of $4.4 million, offset by an increase in operat- ing expenses of $3.7 million as described below.

FY 2012 OPERATING  Operating Support and Revenue SUPPORT AND REVENUE Fiscal year 2012 operating support and ($147,380; amounts in thousands) revenue totaled $147.4 million, an increase of Federal appropriation, $4.4 million or 3.1 percent over the prior year. $110,546 Increases in federal support for operations ($2.5 Gifts and grants, million), endowment spending for current $10,392 operations ($2.0 million), and gifts and grants Gallery shops sales, net  and other income, $10,017 for operating purposes ($1.7 million), were Endowment spending for offset by a decrease of $1.8 million from current operations, $16,425 Gallery shops sales and other income.

Operating Expenses Operating expenses in fiscal 2012 totaled $145.3 million, an increase of $3.7 million or 2.6 percent over the prior year. This increase is mainly due to the Gallery’s special exhibitions, in particular, Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū (1716–1800), and Joan Miró: The Ladder of Escape.

NON-OPERATING RESULTS Total non-operating activity in fiscal 2012 resulted in an in- crease in net assets of $102.7 million compared to a $24.3 million increase in net assets the prior year. This $78.4 million change consists of an $80.6 million increase in non-operating support and revenue offset by a $2.2 million increase in non-operating expenses as described below.

Non-operating Support and Revenue Non-operating support, including federal support for building renovations, and endowments, gifts, and grants designated for renovations and art acquisitions totaled $124.6 million, an increase of $80.6 million over the prior year.

46 NATIONAL GALLERY OF ART

The most significant factor in this increase is a $92.9 million increase in investment returns in excess of the amount designated for operations compared to the prior year. In fiscal year 2012, investments generated $81.6 million in excess of the amount designated for operations compared to a loss of $11.3 million in fiscal year 2011. In fiscal year 2012, the Gallery’s diversified investment portfolio participated in a significant recovery in the public equity markets and ended the fiscal year with a 16.7 percent total return compared to a 1.2 percent return in the prior year. The portfolio achieved strong positive returns in all asset classes and benefitted most from an impressive 33.8 percent return on its U.S. equity holdings during the fiscal year. Gifts and grants designated for non-operating activities increased by $20.1 million over the prior year. This increase is primarily the result of successful fundraising initiatives for capital improvements to the East Building. Partly offsetting these increases, federal support for building renovations in fiscal 2012 declined by $32.4 million compared to the prior year. This reduction is due to one-time funding for the repair of the marble façade of the Gallery’s East Building, which was fully appropriated by Congress in fiscal years 2010 and 2011.

Non-operating Expenses Non-operating expenses totaled $21.8 million, reflecting a small increase of $2.2 million over the prior year due to art purchases, depreciation, and other non-operating expenses.

FINANCIAL POSITION The Gallery’s financial position improved in fiscal year 2012 with net assets increasing by $104.8 million or 11.9 percent to $988.3 million.

COMPOSITION OF ASSETS Assets AT SEPTEMBER 30, 2012 Assets grew to $1.07 billion in fiscal year 2012, ($1,065,075; amounts in thousands) an increase of $99.8 million over the prior year. Investments and trusts Strong investment performance contributed held by others $700,579 $79.6 million of this increase. Property, plant, Property, plant, and  and equipment grew by $42.0 million due equipment, net, $266,545 largely to construction costs incurred for repairs Cash and cash  equivalents, $73,476 to the East Building façade. This repair project Pledges, accounts receivable, began in fiscal year 2010 and is expected to and other assets, $24,475 be completed in the spring of 2014. Pledges, accounts receivable, and other assets increased by $11.5 million primarily as a result of new pledges for capital improvements to the East Building. Cash decreased by $33.3 million as construction progressed on the East Building marble façade repair. The value of the Gallery’s art collection is not included as an asset in its statement of financial position in conformance with accounting policies generally followed by art museums.

Liabilities Liabilities were reduced to $76.7 million in fiscal 2012, a $5.0 million decrease from the prior year. This was the result of a $7.9 million decrease in contractual obligations for art acquisitions as they were paid and was offset by a $2.9 million increase in other liabilities.

AUDITOR’S REPORT AND FINANCIAL STATEMENTS Summarized financial information is shown on the following pages. The Gallery’s complete fiscal year 2012 audited financial statements, related notes, and the auditor’s report thereon can be found on the Gallery’s website at www.nga.gov. The Gallery’s external auditors rendered an unqualified opinion on the Gallery’s fiscal year 2012 financial statements and did not identify any material weaknesses, significant deficiencies, or areas of non-compliance with laws and regulations.

47 FINANCIAL STATEMENTS

Summarized STATEMENTS OF ACTIVITIES Years ended September 30, 2012 and 2011 (in thousands)

OPERATING 2012 2011 Support and revenue: Federal appropriations $ 110,546 $ 108,050 Gifts and grants 10,392 8,693 Gallery shops sales, net and other income 10,017 11,832 Spending policy appropriated for operations 16,425 14,368 Total support and revenue 147,380 142,943

expenses: Collections 45,217 44,492 Special exhibitions 19,220 17,320 Education, Gallery shops, and public programs 38,397 37,990 Editorial and photography 6,358 6,307 General and administrative 31,652 30,975 Development 4,451 4,475 Total expenses 145,295 141,559 Change in net assets from operating activities 2,085 1,384

NON-OPERATING Federal appropriations 17,874 50,261 Non-operating gifts and grants 25,127 4,978 Investment return less amounts appropriated for operations 81,559 (11,318) Acquisitions of works of art (8,467) (7,873) Depreciation and other non-operating expenses (13,360) (11,789) Increase in net assets from non-operating activities 102,733 24,259 Increase in net assets 104,818 25,643 Net assets at beginning of year 883,523 857,880 Net assets at end of year $ 988,341 $ 883,523

48 NATIONAL GALLERY OF ART

summarized STATEMENTS OF FINANCIAL POSITION September 30, 2012 and 2011 (in thousands)

ASSETS 2012 2011 Cash and cash equivalents $ 73,476 $ 106,726 Pledges, accounts receivable, and other assets 24,475 12,936 Investments and trusts held by others 700,579 620,997 Property, plant, and equipment, net 266,545 224,578 Total assets $ 1,065,075 $ 965,237

LIABILITIES AND NET ASSETS Liabilities: Environmental liability $ 21,025 $ 19,989 Contractual obligations – 7,874 Other liabilities 55,709 53,851 Total liabilities 76,734 81,714

Net assets: Unrestricted 426,038 336,245 Temporarily restricted 192,468 182,941 Permanently restricted 369,835 364,337 Total net assets 988,341 883,523

Total liabilities and net assets $ 1,065,075 $ 965,237

49 ACQUISITIONS

PAINTINGS Kupferman, Moshe, Israeli, 1926–2003 >Mirror Piece, 1975, flask, 2011.147.1, 3, 6, Alt, Jakob, German, 1789–1872 >Untitled, 1980, oil on canvas, 2012.76.5, Gift of Merrill C. and Dalia S. Berman >A Seated Man Contemplating a Sunlit Gift of a Private Donor , c. 1825, watercolor over Bailey, William, American, born 1930 Flemish 16th Century, Possibly circle of Mountain Valley graphite, 2012.60.1, Joan and David >Piano Scuro, 2003, oil on linen, 2012.29.1, Lichtenstein, Roy, American, 1923–1997 Jean Mone, French, c. 1485/1490–c. 1549 Maxwell Fund Charina Endowment Fund >Entablature, 1974, oil on canvas, >Adoration of the Shepherds with Donor, c. Chase, William Merritt, American, 2012.84.1, Collection of Robert and Jane 1540/1550, alabaster, 2012.21.1, Eugene Balla, Giacomo, Italian, 1871–1958 1849–1916 Meyerhoff L. and Marie-Louise Garbáty Fund >“AVANTI AVANTI A TUTTO , 1924, pen and brown ink, >Gathering Autumn Flowers, 1894/1895, McNeil, George, American, 1908–1995 Indiana, Robert, American, born 1928 VAPORE ” colored pencil, and graphite on a oil on canvas, 2012.89.1, Collection of >Everyman Number 2, 1984, oil and >AMOR, conceived 1998, executed 2006, telegraph form, 2012.55.1, William B. Mr. and Mrs. Paul Mellon collage on canvas, 2012.92.567, Gift of 2012.27.1, Gift of Simon and Gillian O’Neal Fund Cuyp, Aelbert, Dutch, 1620–1691 Ruth Cole Kainen Salama-Caro in memory of Ruth Beeh, René, German, 1886–1922 >A Pier Overlooking Dordrecht, early 1640s, Mesdag, Hendrik Willem, Dutch, Klausner oil on panel, 2012.73.1, Gift of George 1831–1915 Le Va, Barry, American, born 1941 >Dead Scottish Soldiers on the Battlefield near Ypres, 1916, watercolor with pen M. and Linda H. Kaufman >Sunset at Scheveningen: A Fleet of Fishing >Equal Quantities: Placed or Dropped In, and black ink, 2012.81.1, Ruth and Desportes, Alexandre-François, French, Vessels at Anchor, 1894, oil on canvas, Out, and On in Relation to Specific Jacob Kainen Memorial Fund 1661–1743 2012.48.1, Paul Mellon Fund and the Boundaries, 1967, gray felt, aluminum >Still Life with Dressed Game, Meat, and Frank Anderson Trapp Fund lengths, and steel ball bearings, Beuys, Joseph, German, 1921–1986 , 1976, oil paint and Fruit, 1734, oil on canvas, 2012.11.1, Modersohn-Becker, Paula, German, 2012.49.1, Patrons’ Permanent Fund >Painting Version 1–90 butter on paper with hole, 2011.147.7, Chester Dale Fund 1876–1907 and Edward E. MacCrone Fund Gift of Merrill C. and Dalia S. Berman Duncanson, Robert Seldon, American, >Old Factory, 1900, oil on canvas, Lichtenstein, Roy, American, 1923–1997 1821–1872 2012.92.112, Gift of Ruth Cole Kainen >The Warrior, 1951, mixed media, Bossoli, Carlo, Italian, 1815–1884 , 1857, gouache with >Still Life with Fruit and Nuts, 1848, oil Redon, Odilon, French, 1840–1916 2011.133.2, Gift of Renée Tolcott in >Balaklava watercolor, 2011.141.1, Florian Carr Fund on board, 2011.98.1, Gift of Ann and >Village by the Sea in Brittany, c. 1880, oil honor of her brother, Roy Lichtenstein Mark Kington/The Kington Foundation on cardboard on hardboard, 2012.89.7, Price, Kenneth, American, 1935–2012 Boudin, Eugène, French, 1824–1898 and the Avalon Fund Collection of Mr. and Mrs. Paul Mellon >Toots, 2002, acrylic on fired ceramic, >Crinoline sur la Plage de Trouville, c. 1865, watercolor, 2012.89.5, Collection of Hantaï, Simon, French, born Hungary, Reed, Paul, American, born 1919 2012.76.6, Gift of a Private Donor Mr. and Mrs. Paul Mellon 1922–2008 >Coherence, 1966, acrylic on canvas, Rodin, Auguste, French, 1840–1917 >Étude, 1969, oil on canvas, 2012.20.1, 2011.131.1, Gift of Bill McGillicuddy >Hand of God, model before 1898, Boys, Thomas Shotter, British, 1803–1874 Gift of the Collectors Committee in memory of Thomas W. Reed and cast date unknown, plaster, 2011.100.1, >A River and Cottage with White Paling, Hayter, Stanley William, British, Robert A. Reed Gift of Iris & B. Gerald Cantor 1833, watercolor over graphite with gouache and scratching out, 2012.35.1, 1901–1988 Seurat, Georges, French, 1859–1891 Rydingsvard, Ursula von, American, William B. O’Neal Fund >Abstraction, 1944, enamel on board >Seascape (Gravelines), 1890, oil on panel, born Germany, 1942 >Ultra Marine, 1952, oil on canvas 2012.89.8, Collection of Mr. and Mrs. >Five Cones, 1990–1992, cedar and Castiglione, Giovanni Benedetto, Italian, >Silken Sea, 1965, oil on canvas, Paul Mellon graphite, 2011.154.1, Gift of Sherry 1609 or before–1664 2012.92.503–505, Gift of Ruth Cole , Smith, Leon Polk, American, 1906–1996 and Joel Mallin >The Adoration of the Shepherds Kainen 1650/1655, oil paint, 2012.7.1, Woodner >Constellation Milky Way, 1970, acrylic on Thorvaldsen, Bertel, Danish, 1770–1844 Collection, Gift of Dian Woodner Heyden, Jan van der, Dutch, 1637–1712 canvas, 2012.26.1, Gift of the Leon Polk >Lady Elizabeth Vernon, née Bingham, >View Down a Dutch Canal, c. 1670, oil on Smith Foundation model 1816 and/or 1817/1818, Chodowiecki, Daniel Nikolaus, German, panel, 2012.73.2, Gift of George M. and 1726–1801 Sweerts, Michael, Flemish, 1618–1664 carved c. 1821 Linda H. Kaufman >Anthonij de Bordes and His Valet, c. 1648, >Possibly Lady Louisa Bingham, model >The Artist’s Son, Heinrich Isaak , c. 1777, red chalk, Homer, Winslow, American, 1836–1910 oil on canvas, 2012.13.1, Gift from the 1816 and/or 1817/1818, carved Chodowiecki 2011.129.3, Ailsa Mellon Bruce Fund >East Hampton Beach, Long Island, 1874, Collection of Dr. Arthur and Mrs. Arlene c. 1821/1824 oil on canvas, 2012.89.2, Collection of Elkind, Fund given in honor of Derald >Possibly Lady Georgiana Bingham, model Christo, American, born Bulgaria, 1935 Mr. and Mrs. Paul Mellon Ruttenberg’s Grandchildren, and New 1816 and/or 1817/1818, carved >Over the River, Project for Arkansas River, c. 1821/1824, marble, 2011.101.1–3, Johnson, Eastman, American, 1824–1906 Century Fund State of Colorado, 2010, collage with Patrons’ Permanent Fund graphite, enamel paint, wax crayon, >Lambs, Nantucket, 1874, oil on board, Vasari, Giorgio, Italian, 1511–1574 photograph by Wolfgang Volz, 2012.89.3, Collection of Mr. and Mrs. >Saint Mark, 1570–1571 Valentine, Dewain, American, born 1936 topographic map, fabric sample, and Paul Mellon >Saint Luke, 1570–1571, oil on panel, >Blue Rose Circle, 1978, cast polyester resin, 2011.148.3, Gift of ARCO masking tape Keyser, Thomas de, Dutch, 2012.79.1, 2, Gift of Damon Mezzacappa >Over the River, Project for Arkansas River, 1596/1597–1667 in Loving Memory of Elizabeth DRawings , 2010, collage with Mezzacappa State of Colorado >Portrait of a Gentleman Wearing a Fancy graphite, enamel paint, wax crayon, Ruff, 1627, oil on copper, 2012.12.1, Alston, Charles, American, 1907–1977 photograph by Wolfgang Volz, The Lee and Juliet Folger Fund SCULPTURES >Mother and Child, 1950, pastel and ink topographic map, fabric sample, Kirchner, Ernst Ludwig, German, and masking tape, 2011.132.1, 2, Beuys, Joseph, German, 1921–1986 on two sheets of joined onion skin 1880–1938 Gift of the artist >Rose for Direct Democracy, 1973, paper, 2012.17.1, Gift in honor of Ruth >Liegende Kuh, 1928, oil on canvas, graduated glass cylinder with certificate Fine from her friends at the National 2012.92.111, Gift of Ruth Cole Kainen >Intuition, 1968, graphite drawing on Gallery of Art and Billy E. Hodges wooden box

50 NATIONAL GALLERY OF ART

Dance-Holland, Nathaniel, British, Gramatté, Walter, German, 1897–1929 >Nude, pen and ink Meidner, Ludwig, German, 1884–1966 1735–1811 >Woman at a Window, 1922, watercolor >Elba Landscape near , c. 1907, >The Move, 1915, pen and black ink with >An Elegant Lady Playing a Cittern, over graphite crayon black wash over graphite, 2012.92.114, c. 1780, graphite, 2011.113.1, William B. >Self-Portrait in Front of Stairs, 1922, >Taunus Landscape, c. 1907, graphite Gift of Ruth Cole Kainen O’Neal Fund watercolor over graphite, 2012.92.767, >Houses in Dresden with Promenading Meyerheim, Paul, German, 1842–1915 768, Gift of Ruth Cole Kainen De Wint, Peter, British, 1784–1849 Figures, 1909, charcoal >A Left Hand Holding a Staff and a Right >Still Life, watercolor and graphite, Guercino, Italian, 1591–1666 >Goatherd with Goats, 1910, graphite and Hand Holding a Glove and Riding Crop(?), 2011.150.1, Gift of Roy and >Hercules Slaying the Hydra, c. 1618, pen and ink graphite with brown wash, 2011.135.1, Cecily Langdale Davis, in memory pen and brown ink with brown wash, >Two Bathers on the Fehmarne Coast, 1912, Gift of C. G. Boerner of Andrew Wyld 2012.88.1, Gift of David E. Rust black wash Moran, Thomas, American, 1837–1926 >Ski Jumper, c. 1936, watercolor with Denes, Agnes, American, born 1938 Hammersley, Frederick, American, graphite >Mountain of the Holy Cross, 1890, , 1974, pen and black ink on 1919–2009 watercolor and gouache over graphite, >Arthropoid >Self Portrait in the Studio, 1923, black vellum, 2011.136.1, Gift of John Hallmark >Sir, 1975, graphite, 2012.34.1, Gift of chalk, 2012.92.20, 21, 37, 113, 117–119, 2012.28.1, Avalon Fund, Florian Carr Neff in honor of the artist Mr. and Mrs. Barry A. Berkus 121, 122, 257, 258, 667–673, 751, Gift of Fund, Barbara and Jack Kay Fund, Gift , 1982, pen of Max and Heidi Berry and Veverka >The Magic Mountain Hayter, Stanley William, British, Ruth Cole Kainen and black ink on vellum, 2011.136.2, Family Foundation Fund 1901–1988 Gift of John Hallmark Neff in memory Kooning, Willem de, American, born >Construction IV, acrylic and watercolor Morgner, Wilhelm, German, 1891–1917 of J. Carter Brown and Gaillard (Gil) The Netherlands, 1904–1997 >Untitled, 1980, acrylic >Hölzfaller (recto); A Horse (verso), 1913, F. Ravenel >Untitled, 1976, brush and oil paints >Untitled, 1985, acrylic, 2012.92.506–508, on newsprint, 2012.92.116, Gift of Ruth watercolor with pen and black ink Detaille, Jean-Baptiste-Édouard, French, Gift of Ruth Cole Kainen Cole Kainen (recto); pen and black ink (verso), 1848–1912 2012.81.2.a, b, Ruth and Jacob Kainen Homer, Winslow, American, 1836–1910 , 1885, gouache, Kremen, Irwin, American, born 1925 Memorial Fund >Chasseur à Cheval >Three Fisher Girls, Tynemout, 1881, 2012.66.1, Alexander M. and Judith W. >La Bruyère IV (for ), 1976, watercolor over graphite, 2012.89.4, Munch, Edvard, Norwegian, 1863–1944 Laughlin Fund collage of various papers Collection of Mr. and Mrs. Paul Mellon , 1920–1923, >La Bruyère VI (for ), >Interior with Two Figures Dietzsch, Johann Christoph, German, pen and black ink Huth, Robert (Willy), German, 1890–1977 1976, collage of various papers, 1710–1769 , 1894, pen and >Mountain Landscape with a Village, 1921, 2011.116.1, 2, Gift of the artist >In the Land of Crystals , 1750s(?), black brown ink on card, 2012.3.4, 5, Gift of >A Waterfall by Rock Cliffs watercolor and gouache over graphite, chalk with gray wash, 2012.69.2, Ailsa Lang the Elder, Hans Kaspar, Swiss, The Epstein Family Collection 2012.92.501, Gift of Ruth Cole Kainen Mellon Bruce Fund 1571–1645 Naigeon, Jean-Claude, French, Isabey, Eugène, French, 1803–1886 >William Tell Refusing to Honor Governor Dirk, Nathaniel, American, 1896–1961 1753–1832 >Sailboats in a Sunlit Harbor (recto); Gessler’s Hat, 1620s(?), pen and black ink , 1948, watercolor, >Flying over Manhattan A Town Wharf with Boats (verso), with gray and yellow wash over graphite, >Timoleon Thanked by the Citizens of 2011.115.1, Gift of Professor John , c. 1790, black chalk on pale 1830s, watercolor (recto); graphite 2012.37.1, Ailsa Mellon Bruce Fund Syracuse Andrew Bernstein green paper, 2012.62.1, Ailsa Mellon (verso), 2012.63.1.a, b, Helen Porter Leachman, Kristen, American, born 1966 Bruce Fund Ermels, Johann Franciscus, German, and James T. Dyke Fund >March, 1998, graphite, 2012.76.3, Gift of 1621–1693 Nathe, Christoph, German, 1753–1806 Italian 17th century a Private Donor , , c. 1790, >Antique Ruins along a Mountain Coast >A Group of Angels in Glory (after Luca >A Road through a Country Village 1670s, pen and brown ink with Lewis, Norman, American, 1909–1979 watercolor over graphite, 2011.128.1, Cambiaso), 1607, pen and brown ink, gray wash, 2012.69.1, Ailsa Mellon >Leaf Forms #4, c. 1954, pen and black ink Ailsa Mellon Bruce Fund pricked for transfer, 2012.61.2, Ailsa Bruce Fund >Untitled, 1954, pen and black ink Mellon Bruce Fund Netherlandish 16th Century >Its Turn Came, 1954, oil paint and pen Felixmüller, Conrad, German, 1897–1977 Kainen, Jacob, American, 1909–2001 and black ink, 2012.6.1–3, Gift of >View of the Janiculum Hill Seen from the , pen and black ink, 2012.92.34, (recto); >Arbeiter >Reclining Woman, 1966, black felt-tip Billy E. Hodges Tiber The Church of S. Gregorio Gift of Ruth Cole Kainen (verso), 1553, pen on paper printed with text Magno on the Celian Hill Lichtenstein, Roy, American, 1923–1997 pen and brown ink over black chalk Gaskell, Anna, American, born 1969 >Seated Woman, 1967, graphite, >Untitled (Six Figures), 1948, pastel (recto and verso), 2011.117.1.a, b, Gift >Untitled #26, 1998–1999, pen and black 2012.92.509, 510, Gift of Ruth Cole >Charger, 1948, pastel, 2011.133.1, 3, Gift of Ladislaus and Beatrix von Hoffmann ink, 2011.144.6, Gift of the Heather and Kainen of Renée Tolcott in honor of her brother, Tony Podesta Collection Philip I, Michael, 1600–1699 Kirchner, Ernst Ludwig, German, Roy Lichtenstein (after Geist, August Christian, German, 1880–1938 >Mercury Carrying Psyche MacDonald, Kevin John, American, Giambologna), 1652, pen and brown 1835–1868 >Self-Portrait, 1928, brush and ink with born 1946 ink with gray wash, 2012.92.778, Gift >Ariccia Seen from across a Valley, 1866, watercolor over black crayon >Rooftops, 1982, graphite, colored pencil, of Ruth Cole Kainen watercolor over graphite heightened >Erna Bathing in a Tub, 1912/1913, pen and pastel, 2012.92.775, Gift of Ruth with white, on brown paper, 2011.129.1, and ink over wash and colored crayon Cole Kainen Picasso, Pablo, Spanish, 1881–1973 Ailsa Mellon Bruce Fund >Two Nudes in a Forest, 1925, crayon >Glass, Ace of Clubs, and Sliced Pear, 1914, , 1910, black crayon on Mazzi, Vincenzo, Italian, active collage, charcoal, and gouache, Goltzius, Hendrik, Dutch, 1558–1617 >Fränzi Reclining yellow paper 1748–1790 2012.89.6, Collection of Mr. and Mrs. >Ignis, c. 1588, pen and black ink with >A Prison Interior with a Monumental Paul Mellon gray wash and white heightening on >Nude with a Mirror, Standing before , 1908/1910, black wash Staircase, 1770s, pen and brown ink , graphite, 2012.92.22, pink prepared paper, 2012.92.8, Gift of a Washstand >Reclining Woman , 1910, graphite over graphite, 2011.122.1, William B. Gift of Ruth Cole Kainen Ruth Cole Kainen >Dodo Seated , 1910, watercolor O’Neal Fund >Two Nudes in a Forest Pollock, Jackson, American, 1912–1956 Gorky, Arshile, American, born Armenia, , >Fränzi and Marcella in the Studio McLane, Kelly, American, born 1968 >Untitled, 1951, ink on Japanese paper, 1904–1948 c. 1910, chalk >Bad Things Happen to Rich People Too, 2012.92.123, Gift of Ruth Cole Kainen >Study for Nightime, Enigma and Nostalgia, >Two Dancers, 1913, pen and black ink 2002, graphite and pastel, 2012.76.4, 1934, pen and black ink, 2012.92.502, on brown paper Gift of a Private Donor Gift of Ruth Cole Kainen >Nude on the Beach, 1910, blue crayon >Girl before a Mirror, graphite

51 AUCQ ISITIONS

Price, Kenneth, American, 1935–2012 Sweerts, Michael, Flemish, 1618–1664 >Untitled, 2009, color aquatint with >Portrait (Noël Edwards), 1935, >Killer Smoke, 2004, watercolor and pen >Jan van den Enden, c. 1651, black chalk, softground etching engraving [proof] and black ink over graphite, 2012.76.1, 2012.58.1, New Century Fund >Untitled, 2009, color aquatint, >Belfry Steps, 1935, engraving Gift of a Private Donor Tasca, Lombardo Luigi, Italian, active 2011.119.1–5, Gift of Kathan Brown >Young Mother, 1936, engraving , 1936, Pupini, Biagio, Italian, active 1511–1551 1813–1814 Altenbourg, Gerhard, German, >Study of a Girl’s Head engraving [proof] >Battle Scene (recto); Study for Figure of >A Monumental Vaulted Hall with a 1926–1989 , 1936, engraving Fame (verso), brown wash with white Smoking Altar, 1813/1814, pen and >Lobpreis: Von Wunderung Erfüllt, 1970, >Ling of Lingard , 1937, engraving gouache over black chalk on blue black ink with gray wash over graphite, color woodcut, 2012.92.153, Gift of Ruth >Girl on Stairs , 1937, engraving paper (recto); pen and brown ink and 2011.122.2, William B. O’Neal Fund Cole Kainen >The Letter brown wash with black chalk and >Italian Bride, 1937, engraving Tavella, Carlo , Italian, 1668–1738 Altomonte, Andreas, Austrian, white heightening (verso), 2012.88.2, >Girl by a Gate, 1938, engraving >The Rest on the Flight into Egypt, c. 1720, 1699–1780 Gift of David E. Rust [artist’s proof] pen and brown ink with brown wash, >The Sacrifice of Isaac (after David Teniers >Woman Digging, 1938, engraving Rieter, Heinrich, Swiss, 1751–1818 heightened with white, 2012.57.1, the Younger), etching, 2011.139.106, [artist’s proof, touched with charcoal] , c. 1800, Ailsa Mellon Bruce Fund >Forest Treetops Struck by Light Gift of the Estate of Leo Steinberg >Girl Brushing Her Hair, 1938, etching black and white chalk with stumping Thomas, Alma, American, 1891–1978 Amman, Jost, Swiss, 1539–1591 >29th of September 1938, 1938, engraving on blue paper, 2012.86.1, Ailsa Mellon >Untitled, 1971, acrylic over graphite, >The Holy Trinity, 1579, etching, >Easter Sunday, 1940, engraving Bruce Fund 2012.92.511, Gift of Ruth Cole Kainen 2012.92.156, Gift of Ruth Cole Kainen >Widow, 1944, engraving touched with Rottenhammer, Hans, German, black chalk [proof] Veith, Philipp, German, 1768–1837 Andersson, Mamma, Swedish, born 1962 1564–1625 >Widow, 1944, engraving [artist’s proof] >The Ruins of the Monastery of Oybin in >Abandoned, 2008, color spitbite and , pen and >Four Friends, 1946, engraving [artist’s >Rest on the Flight into Egypt the Zittau Mountains, 1792, watercolor sugarlift aquatints with aquatint and brown ink with brown wash over proof] with gouache and pen and black ink softground etching black chalk, 2011.123.1, William B. >Choristers of Canterbury, 1948, engraving over graphite, 2011.129.2, Ailsa Mellon >Room under the Influence, 2008, color O’Neal Fund , 1948, engraving Bruce Fund spitbite aquatint with aquatint and >Mason of Canterbury [artist’s proof, touched with black chalk], Santilari, Josep, Spanish, born 1959 softground etching Wagner, Carl, German, 1796–1867 2012.5.1–31, Gift from Clare Calder and >Orchids, 2010, graphite, 2012.32.1, >Stump Up, 2008, color spitbite and >A Meadow with a Shepherd and Goats at her sister Rachel Austin Gift of Jill Newhouse, Artur Ramon, the Edge of a Forest, 1861, brush and sugarlift aquatints with aquatint, and Josep Santilari Balechou, Jean-Joseph, French, brown ink over black chalk on two joined 2011.119.6–8, Gift of Kathan Brown 1716–1764 Santilari, Pere, Spanish, born 1959 sheets of sketchbook paper, 2011.135.2, Angolo del Moro, Battista, Italian, >Auguste III. Roi de Pologne (after >Still Life, 2011, graphite, 2012.32.2, Gift of C. G. Boerner c. 1515–1573 Hyacinthe Rigaud), 1750, engraving, Gift of Jill Newhouse, Artur Ramon, >The Castle of Bürglen with the beyond, >The Entombment, etching, 2012.92.516, 2012.59.1, Ailsa Mellon Bruce Fund and Pere Santilari 1862, watercolor over graphite, Gift of Ruth Cole Kainen 2011.138.1, Alexander M. and Judith W. Barlach, Ernst, German, 1870–1938 Schelfhout, Lodewijk, Dutch, 1881–1943 Appian, Adolphe, French, 1818–1898 Laughlin Fund >Wandernder Tod (Wandering Death), >Self Portrait, 1907, pen and black ink, >A Fisherman in a Wooded Pond at 1923, lithograph, 2012.92.157, Gift of 2012.64.2, Vincent J. Buonanno Fund Walkowitz, Abraham, American, Evening, 1887, etching with monotype Ruth Cole Kainen 1880–1965 Schiele, Egon, Austrian, 1890–1918 wiping, 2012.67.2, Ailsa Mellon , 1901, pen and Barry, Robert, American, born 1936 >Mountain Torrent, 1917, black chalk >Old Man with a Cane Bruce Fund black ink over graphite, 2012.92.512, >One Billion Colored Dots, 2008, twenty- >Seated Nude, 1918, graphite, 2012.92.115, Arntz, Gerd, German, 1900–1988 Gift of Ruth Cole Kainen five bound volumes with color offset 126, Gift of Ruth Cole Kainen >Kasernenbesetzung, 1931, linocut, lithographs (each volume comprised of Whistler, James McNeil, American, 2012.92.154, Gift of Ruth Cole Kainen Schwitters, Kurt, German, 1887–1948 2,000 pages and featuring 40,000 dots), 1834–1903 >Constructive Composition, 1923, collage, Auer, Kaspar, German, 1795–1821 2012.33.1–25, Gift of the Artist >The Palace; white and pink, 1879/1880, 2012.92.127, Gift of Ruth Cole Kainen >Bayerische Landschaft, lithograph, pastel and black chalk, 2012.72.1, Bary, Hendrick, Dutch, c. 1640–1707 2012.92.155, Gift of Ruth Cole Kainen Sergent, Antoine-François, French, Paul Mellon Fund and Patrons’ >Girl in a Plumed Hat (after Gerard 1751–1847 Permanent Fund Austin, Robert Sargent, British, ter Borch the Younger), engraving, >Elegant Couple Lunching in a Country 1895–1973 2011.139.40, Gift of the Estate of Zeller, Daniel, American, born 1965 Cottage, 1778, pen and black and gray >The Cathedral, Palma, 1927, etching Leo Steinberg , 2000, graphite, ink with gray wash, 2012.78.1, Purchased >Intermediate Zone printed in brown 2012.76.7, Gift of a Private Donor Bauknecht, Phillip, German, 1884–1933 as a Gift from Ivan and Winifred Phillips >The Cathedral, Palma, 1927, etching, , c. 1920, woodcut, in Honor of Margaret Morgan Grasselli Zick, Januarius, German, 1730–1797 touched with white chalk [artist’s proof] >Ziegenbock 2012.92.158, Gift of Ruth Cole Kainen , 1772, Shurtleff, Roswell Morse, American, >The Lamentation (STATIO XIII) >Highbridge, 1927, engraving pen and brush in black and grey wash Baumeister, Willi, German, 1889–1955 1838–1915 >Portrait of a Lady, 1929, engraving with white heightening on blue paper, , 1954, color screen print >June, c. 1910, watercolor, 2011.115.2, >Woman Sleeping, 1931, engraving >My Kine 2012.36.1, Ailsa Mellon Bruce Fund , 1954, screenprint Gift of Professor John Andrew Bernstein touched with black and white >Dancer II chalk [proof] >Red Frieze, 1952–1954, screenprint Simmons, Gary, American, born 1964 PRINTS AND ILLUSTRATED >Woman Sleeping, 1931, engraving >Apollo II, 1922, lithograph , 2000, slate paint and >The Porch is on Fire BOOKS >Woman Sleeping, 1931, engraving >Metamorphoses, 1947, lithograph, chalk, 2012.76.2, Gift of a Private Donor >Wood Carriers, 1931, engraving 2012.92.159–163, Gift of Ruth Smith, David, American, 1906–1965 Abts, Tomma, German, born 1967 >Man with a Scythe, 1932, engraving Cole Kainen >Untitled, 1957, brush and black ink, >Untitled, 2009, color softground etching >Mask, 1933, engraving Bechtle, Robert, American, born 1932 2012.92.33, Gift of Ruth Cole Kainen with aquatint >Litany, 1934, engraving touched with >20th Street Capri, 2002, color direct charcoal [proof] Spero, Nancy, American, 1926–2009 >Untitled, 2009, color sugarlift and spitbite gravure with spitbite aquatint and aquatints with etching paper , 1934, engraving >Lullaby (Celebrants), 1999, relief printing, >Litany softground etching , 1934, collage, and paint on three sheets of >Untitled, 2009, color aquatint, etching, >Winter Landscape, Norfolk >20th Street VW, 2007, color direct engraving joined Japanese paper, 2011.126.1, and drypoint gravure with spitbite aquatint Purchased as the Gift of the Gallery Girls

52 NATIONAL GALLERY OF ART

>20th and Mississippi—Night, 2002, color Blechen, Carl, German, 1798–1840 Bosse, Abraham, French, 1602–1676 >Les Noctambules, 1876/1877, etching direct gravure with spitbite aquatint >The Monastery in the Forest, 1823, >C’est le portrait de Guillery..., etching, and aquatint >Covered Car—Missouri Street, 2002, color etching, 2012.92.172, Gift of Ruth 2011.139.5, Gift of the Estate of >Un Vialle Maitresse, etching, 2012.92. softground etching with aquatint Cole Kainen Leo Steinberg 11–19, 49, Gift of Ruth Cole Kainen , 2007, color >Mississippi Street Intersection Bléry, Eugène, French, 1805–1887 Bracquemond, Félix, French, 1833–1914 Burchartz, Max, German, 1887–1961 softground etching with aquatint, >Le Charlemagne (forêt de fontainebleau), >The Goddess Discord (after Gustave >Raskolnikoff II, lithograph, 2012.92.178, 2011.119.9–13, Gift of Kathan Brown 1861, etching on chine collé Moreau), 1886, etching on parchment Gift of Ruth Cole Kainen Beckmann, Max, German, 1884–1950 , (after Gustave >Water Dock and Brambles at a Sluice >The Amorous Lion Burden, Chris, American, born 1946 , 1913, etching [proof] with 1843, etching [proof] on chine collé, Moreau), 1886, etching on parchment, >At the Piano >The Master Builder, 2000, portfolio of monotype wiping 2012.59.1, 3, Ailsa Mellon Bruce Fund 2011.139.10, 11, Gift of the Estate of thirteen photogravures with title page, , 1916, drypoint Leo Steinberg >Street Scene II Bleyl, Fritz, German, 1880–1966 2011.119.17, Gift of Kathan Brown >Beach, 1922, drypoint, 2012.92.164–166, , 1906, Brambilla, Ambrogio, Italian, active >Dammbauerboote auf der Elbe Burgkmair I, Hans, German, 1473–1531, Gift of Ruth Cole Kainen woodcut with artist’s original mount, c. 1579–1599 and Erhard Ratdolt (publisher) German, Beeh, René, German, 1886–1922 2012.92.173, Gift of Ruth Cole Kainen >Longitudinal View of Saint Peter’s, Rome 1447–1528 , 1921, (after Michelangelo), 1575/1590, >Man Leading a Little Girl Bloemaert, Abraham, Dutch, 1564–1651 >Missal for Passau, 1505, bound volume lithograph etching, 2011.139.55, Gift of the Estate >Juno, c. 1610, etching, 2012.92.120, with four woodcut illustrations, two , 1921, lithograph of Leo Steinberg >Six Diners at Table Gift of Ruth Cole Kainen full-page woodcuts by Burgkmair, one >Street Scene with Cripple and Praying Man, Brass, Hans, German, 1885–1959 Bockstiegel, Peter August, German, printed in color and one fully colored 1921, lithograph, 2012.92.167–169, Gift , 1922, etching, 1889–1951 >Untitled (Blatt VIII) by hand and printed on vellum, one of Ruth Cole Kainen 2012.92.176, Gift of Ruth Cole Kainen >Fruhling in Crossbauden, 1920, lithograph, half-page Dominical Calendar, and one Beham, Sebald, German, 1500–1550 2012.92.174, Gift of Ruth Cole Kainen Brauner, Victor, Romanian, 1903–1966 roundel printed in red and black, >The Virgin with a Parrot, engraving, , 1940, monotype with 2011.130.1, Anonymous Gift Bockstorfer, Christoph, German, >Frappe de l’echo 2012.92.546, Gift of Ruth Cole Kainen gouache on book page, 2012.92.177, 1490–1553 Busse, Georg Heinrich, German, Gift of Ruth Cole Kainen Bell, John, British, active 1750s >David Playing before Saul, etching, 1810–1868 >Cruelty in Perfection (after William 2012.92.547, Gift of Ruth Cole Kainen Brebiette, Pierre, French, 1598–c. 1650 >Veduta di Albe e Monte Velino negli Hogarth), 1750, woodcut Abruzzi, etching, 2012.92.179, Gift Boilly, Jules, French, 1796–1874 >The Virgin Bowing to Instruments of the >The Reward of Cruelty (after William Passion, etching, 2011.139.4, Gift of the of Ruth Cole Kainen Hogarth), 1750, woodcut, 2012.2.1, 2, >Apollo and the Muses (after Pierre Paul Estate of Leo Steinberg Campendonk, Heinrich, German, Purchased as the Gift of Matthew Prud’hon), 1851, lithograph, 2011.139.54, 1889–1957 and Ann Nimetz Gift of the Estate of Leo Steinberg Bruyn, Nicolaes de, Flemish, 1565/1571–1656 >Nude with Cat, 1912, woodcut, Boilly, Louis-Léopold, French, 1761–1845 Berchem, Nicolaes Pietersz, Dutch, >The Disciples on the Way to Emmaus (after 2012.92.180, Gift of Ruth Cole Kainen 1620–1683 >Self Portrait, 1832, lithograph, 2012.52.2, Gillis van Coninxloo III), engraving, Carquillat, François, French, 1802–1884 > , three etchings, Ailsa Mellon Bruce Fund The Set of the Sheep 2012.92.514, Gift of Ruth Cole Kainen >George Washington (after Allardet), 2011.139.168–170, Gift of the Estate Boissard, Robert, French, born 1570 Bryan, Edgar, American, born 1970 silk tapestry, 2012.10.2, Ailsa Mellon of Leo Steinberg >Mascarades recueillies et mises en taille > , 2008, color spitbite Bruce Fund douce... (after Jean-Jacques Boissard), Model Defending Jugs Betzler, Emil, German, 1892–1974 and sugarlift aquatints 1597, complete set of nine engravings, Castillo, José del, Spanish, 1737–1793 >At the Hairdresser’s, c. 1920, drypoint, > , 2008, color spitbite and 2011.139.112–120, Gift of the Estate Moonshine >The Supper at Emmaus (after Mateo 2012.92.170, Gift of Ruth Cole Kainen sugarlift aquatints of Leo Steinberg Cerezo the Younger), 1778, etching, Beuys, Joseph, German, 1921–1986 >The Surrealist, 2008, color spitbite 2012.53.1, Given by Adult Program and Boissieu, Jean-Jacques de, French, >Mönchengladbach Museum Catalogue, aquatint and softground etching, Foreign Language Docents in Memory 1967, offset in red on cardboard 1736–1810 2011.119.14–16, Gift of Kathan Brown of Laura Wyman box, felt stamped with oil paint, with >Six Landscapes, 1759, complete set Buhot, Félix-Hilaire, French, 1847–1898 Cazenave, Frédéric, French, exhibition catalogue of six etchings with drypoint printed >L’Église de Jobourg, 1887, softground active 1793–1843 , 1973, screenprint on in sepia, 2011.139.64–69, Gift of the >Earth Telephone etching and aquatint >L’Optique (after Louis-Léopold Boilly), felt board Estate of Leo Steinberg >The Cliff: Saint-Malo Bay, 1886/1890, c. 1793, etching and wash manner, > , 1974, offset print with Notice to Guests Bolswert, Boëtius Adams, Flemish, heliogravure, etching, drypoint, roulette, 2012.59.2, Ailsa Mellon Bruce Fund dollar bill in frame 1580–1633 and spitbite aquatint, and burnishing, Chéreau, Jacques, published by, French, >Food for Thought, 1977, offset print on >Moses and the Brazen Serpent (after Sir printed in black and gray-green on light active 18th century gray paper Peter Paul Rubens), engraving, green paper >Recueil des Differents Modes du Temps, >Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee, 1970, 2012.92.513, Gift of Ruth Cole Kainen >National Holiday on the Boulevard stamped with record 1720s(?), complete set of eight Bolt, Johann Friedrich, German, de Clichy, 1878, etching, drypoint, , 1985, screenprint on felt, engravings with etching, 2012.68.1–8, >Felt Postcard 1769–1836 aquatint, stop-out, foulbite, and 2011.147.2, 4, 5, 8, 10, Gift of Merrill C. Katharine Shepard and Ailsa Mellon >Heinrich Julius von Goldbeck, c. 1800, softground etching and Dalia S. Berman Bruce Funds stipple etching printed in red, >Frontispiece for “Zigzags d’un Curieux, Beyerlein, Kurt, German, born 1904 2011.134.1, Gift of Helmut H. and d’Octave Uzanne”, 1888, etching on Chiara, John, American, born 1971 >The Family, 1928, etching, 2012.92.171, Petra Rumbler Japanese paper >23rd at Carolina, 2006, photogravure Gift of Ruth Cole Kainen , etching on gampi paper chine collé Bormann, Emma, Austrian, 1887–1974 >Le Peintre de Marine >Spleen et Idéal, c. 1876, etching, drypoint, >24th at Carolina (Center Variation), Bie, Jacques de, Flemish, c. 1581–1640 >Landsberg, Bergstrasse, linocut, and foulbite 2006, photogravure on gampi paper >The Presentation in the Temple (after 2012.92.175, Gift of Ruth Cole Kainen , 1879, chine collé Maarten de Vos), engraving, >Marine: Souvenir of Medway Bos, Cornelis, Flemish, 1510–1566 etching, drypoint, aquatint, and roulette >24th at Carolina (Center), 2006, 2011.139.36, Gift of the Estate of >Christ Preaching to the Jews, engraving, , etching, drypoint, roulette, color photogravure on gampi paper Leo Steinberg >The Passage 2012.92.62, Gift of Ruth Cole Kainen aquatint, and softground etching chine collé printed in brown and black

53 AUCQ ISITIONS

>24th at Carolina (Left Variation), 2006, >At the Zoo, 1920, drypoint Dietrich, Christian Wilhelm Ernst, Engelbrecht, Christian, German, photogravure on gampi paper >Dancers, 1895, etching, softground German, 1712–1774 1672–1735, and Johann Andreas Pfeffel, chine collé etching, and roulette, 2012.92.24, 57, 58, >A Satyr Visiting a Peasant Family, German, 1674–1748 >24th at Carolina (Left), 2006, color 181, 182, 184, 186–188, 758, 759, Gift 1739, etching, 2012.19.2, Ailsa Mellon >Triumphal Arch for Lotharius II (after photogravure printed on gampi paper of Ruth Cole Kainen Bruce Fund Peter Schubert von Ehrenberg), 1725, chine collé , etching, 2012.92.185, etching and engraving Coypel, Antoine, French, 1661–1722, >The Muleteers’ Inn > , 2006, color Gift of Ruth Cole Kainen (after 24th at Carolina (Right) finished in engraving by Charles >Triumphal Arch for Friedrich IV photogravure on gampi paper Peter Schubert von Ehrenberg), 1725, Simonneau, French, 1645–1728 Dillis, Johann Georg von, German, chine collé, 2011.119.18–23, Gift of etching and engraving, 2011.139.108, >Christ as Man of Sorrows, 1692, etching 1759–1841 Kathan Brown 109, Gift of the Estate of Leo Steinberg with engraving, 2012.71.2, Ailsa Mellon >Study of Trees in the English Garden, Chifflart, François-Nicolas, French, Bruce Fund , 1794, etching Fantin-Latour, Henri, French, 1836–1904 1825–1901 , 1793, , Dalen the Younger, Cornelis van, Dutch, >Old Willow by a Stream >Le Mage Balthazar et Fatime , 1859, etching and etching, 2012.92.189, 190, Gift lithograph, 2011.139.12, Gift of >La France Libératrice 1638–1664 drypoint, with monotype wiping, of Ruth Cole Kainen the Estate of Leo Steinberg >Anna Maria van Schurman (after 2012.68.9, Ailsa Mellon Bruce Fund Cornelis Jonson van Ceulen), c. 1650, Dix, Otto, German, 1891–1969 Feininger, Lyonel, American, 1871–1956 Chodowiecki, Daniel Nikolaus, German, engraving, 2011.139.43, Gift of the >Cat, lithograph >Church and Village, 1918, woodcut 1726–1801 Estate of Leo Steinberg >Hafenarbeiter mit Kind II, >An der Eisenbahn, c. 1910, drypoint , color lithograph > (Leipzig, 1919), bound volume with >The Artist in His Mother’s Room, Danzig Daubigny, Charles-François, French, Dada 1774, etching and aquatint, 2012.65.1, , 1923, lithograph one woodcut by the artist, 2012.92.201, 1817–1878 >Paul Westheim Ailsa Mellon Bruce Fund >Southern Sailor, 1923, lithograph 202, 629, Gift of Ruth Cole Kainen >Saint Jerome, c. 1840, etching [proof] , lithograph Colescott, Robert, American, 1925–2009 on chine collé, 2011.139.30, Gift of the >Woman with Egret Feathers Felixmüller, Conrad, German, 1897–1977 >Zwei Kinder, 1966, lithograph >Pontchartrain [panel A–D], 1997, color Estate of Leo Steinberg >Max Liebermann, 1926, woodcut , 1920, etching sugarlift and spitbite aquatint with >Billardspieler >Kohlenbergarbeiter, 1920, color lithograph, de Cointet, Guy, American (born , 1922, drypoint etching and drypoint, 2011.119.24, >Crime of Passion 2012.92.203, 757, Gift of Ruth Cole Kainen France), 1934–1983 , 1922, drypoint 161–163, Gift of Kathan Brown >Technisches Personal >Untitled, 1973, portfolio of twelve >Soldier and Nun, 1924, etching, Flameng, Leopold, French, 1831–1911 Collaert, the Elder, Hans, Flemish, color screenprint drypoint, and aquatint, 2012.92.74, 75, >A Scene from the New Testament (after c. 1530–1581 >A Page from My Intimate Journal, 191–198, Gift of Ruth Cole Kainen Alexandre Bida), etching, 2011.139.71, >The Story of Mars and Venus (after Philip 1974, screenprint, 2011.144.3, 4, Gift of the Estate of Leo Steinberg Drebbel, Cornelis Jacobsz, Dutch, Galle), four engravings, 2012.92.548, 21–31, Gift of the Heather and Tony 1572–1633 Flötner, Peter, German, c. 1485–1546 643–645, Gift of Ruth Cole Kainen Podesta Collection >The Liberal Arts (after Hendrik Goltzius), >Decorative Panels, 1546, woodcut, Collignon, François, French, Demarteau the Elder, Gilles, French, four engravings, 2011.139.75–78, 2011.139.125, Gift of the Estate of c. 1609–1657 1722–1776 Gift of the Estate of Leo Steinberg Leo Steinberg >Veuë de temple de Soleil à Rome (after >Allegory of Painting with Three Cherubs Dressler, August Wilhelm, German, Fortuny y Carbó, Mariano, Spanish, Israël Silvestre), etching, 2011.139.6, (after François Boucher), crayon manner 1886–1970 1838–1874 Gift of the Estate of Leo Steinberg >Allegory of Music with Two Cherubs and >Tightrope Dancer, color etching >The Diplomat, c. 1867, etching and Doves (after François Boucher), crayon Coornhert, Dirck Volckertz, , c. 1914, lithograph aquatint, 2012.54.1, Given by Adult manner, 2011.152.1, 2, Ellwanger/ >Woman at a Window Netherlandish, 1522–1590 printed in brown, 2012.92.69, 199, Gift Program and Foreign Language Docents Mescha Collection >The Parable of the Unmerciful Servant of Ruth Cole Kainen in Memory of Laura Wyman (after Maerten van Heemskerck), 1554, Denon, Dominique Vivant, Baron, Ducq, Jan le, Dutch, 1636–1680 Francois, Jean-Charles, French, two engravings with etching French, 1747–1825 >The Disputed Meat, 1661, etching, 1717–1769 >Balaam and the Angel (after Maerten >Anne-Dorothée, Duchesse de Courlande, 2011.139.167, Gift of the Estate >A Seated Elderly Man Asleep (after van Heemskerck), 1554, etching 1790s, etching, 2012.71.3, Katharine of Leo Steinberg Nicholas Henry Jeaurat de Bertry), and engraving Shepard Fund c. 1758, crayon manner: softground Duplessis-Bertaux, Jean, French, >The Victories of Emperor Charles V Dente, Marco, Italian, c. 1493–1527 etching (and burnishing?) over etched (after Maerten van Heemskerck), 1555, 1750–1818 >The Skeletons (after Rosso Fiorentino), texture (and lavis?), 2012.15.1, Ailsa two engravings with etching [without , c. 1525, engraving >Commander Having His Boot Shined Mellon Bruce Fund text plates], 2011.139.24, 57, 85, 86, 105, 1798/1806, etching [proof] >The Skeletons (after Rosso Fiorentino), Gift of the Estate of Leo Steinberg , 1798/1806, etching [proof], Fries, Ernst, German, 1801–1833 c. 1525, engraving >Street Scene 2011.139.63, 174, Gift of the Estate >Der gesprengte Turm auf dem Heidelberger Corinth, Lovis, German, 1858–1925 >Saint Michael (after Raphael), c. 1520, of Leo Steinberg Schlosse, 1820, lithograph, 2012.92.204, >Tod und Künstler, 1920–1921, softground engraving, 2012.56.1–3, Ailsa Mellon Gift of Ruth Cole Kainen etching, etching, and drypoint on green Bruce Fund Dyck, van, Sir, Flemish, Japanese paper [proof] 1599–1641 Fries, Pia, Swiss, born 1955 Deny, Jeanne, French, born 1749 , 2007, color soap ground and >Walchensee with Jochberg, 1923, drypoint >Titian’s Mistress, etching >Falc >View of a Hilltown (after Jan van der spitbite aquatint with photogravure >Trees with the Sun ( in the >Anton Triest, 1632, etching Heyden), engraving, 2011.139.53, , 2007, color soap ground and Tiergarten), 1920/1921, drypoint and engraving >Pliss Gift of the Estate of Leo Steinberg spitbite aquatints with photogravure >The Bath House, 1920, lithograph >Anton Triest, 1632, etching and and aquatint >Self-Portrait, 1920/1921, softground Deplaces, Louis, French, 1682–1739 engraving, 2011.139.22, 23, 126, Gift etching >Poisson en habit de Païsan (after Antoine of the Estate of Leo Steinberg >Rake, 2007 color soap ground and Watteau), etching, 2011.139.9, Gift spitbite aquatints with photogravure >Bench in the Woods II, 1917, drypoint Eberz, Josef, German, 1880–1942 of the Estate of Leo Steinberg and roulette >Birch Trees in the Tiergarten, 1920/1921, , 1920, woodcut, >Woman with a Cat >Sulk, 2007, color soap ground and drypoint Dexel, Walter, German, 1890–1973 2012.92.200, Gift of Ruth Cole Kainen spitbite aquatints with photogravure, >Crucifixion, 1921/1922, drypoint >Sternenbrucke, 1919, woodcut, softground etching and roulette, >Grablegung, 1920/1921, drypoint 2012.92.183, Gift of Ruth Cole Kainen 2011.119.25–28, Gift of Kathan Brown >Self Portrait in a Straw Hat, Bust Length, 1913, drypoint

54 NATIONAL GALLERY OF ART

Galle, Philip, Flemish, 1537–1612 Gheyn II, Jacques de, Dutch, 1565–1629 Gothein, Werner, German, 1890–1968 Grossman, Rudolf, German, 1882–1941 >The Story of King Josiah (after >Banquet of the Gods at the Wedding of >Train Station, 1913, woodcut >Montmarte, 1913, etching, 2012.92.262, Maerten van Heemskerck), c 1569, Peleus and Thetis (after Crispen van den >Portrait of a Man, 1916, woodcut, Gift of Ruth Cole Kainen four engravings Broecke), 1589, engraving 2012.92.225, 226, Gift of Ruth Grosz, George, German, 1893–1959 > (after > (after Cole Kainen The Wretchedness of Wealth Return from the Flight into Egypt >Mondnacht, lithograph, 2012.92.263, Maerten van Heemskerck), 1563, I), c. 1592, engraving, Gotsch, Friedrich Karl, German, Gift of Ruth Cole Kainen four engravings 2012.92.515, 517, Gift of Ruth 1900–1984 > (after Cole Kainen Grundig, Lea, German, 1906–1977 The Eight Wonders of the World >The Marriage, 1922, woodcut, Maerten van Heemskerck), 1572, six >Gestapo in the House, 1934, drypoint, Gillray, James, British, 1757–1815 2012.92.227, Gift of Ruth Cole Kainen engravings, 2011.139.81–84, 87–96, 2012.92.264, Gift of Ruth Cole Kainen >The Union Club, 1801, etching and Gift of the Estate of Leo Steinberg Götz, Karl Otto, German, born 1914 engraving, hand-colored with watercolor Guérard, Henri-Charles, French, >Untitled, 1947, monotype, 2012.92.228, Gangolf, Paul, German, 1879–c. 1945 , 1792, 1846–1897 >French Liberty and British Slavery Gift of Ruth Cole Kainen >Petit Port, La Corniche, , etching etching, hand-colored with watercolor, >La Drague Dieppe, c. 1885, color etching >Flea Market, etching 2012.45.1, 2, Ailsa Mellon Bruce Fund Graf I, Urs, Swiss, c. 1485–1527/1529 and aquatint in blue and black, , c. 1914, woodcut >Standard Bearer for the Canton of Bern, 2012.10.3, Given in Memory of Martin >Lovers Girtin, Thomas, British, 1775–1802 , c. 1914, woodcut 1521, white-line woodcut, 2012.14.1, Atlas by his Friends >Seated Nude >A Selection of Twenty of the most , woodcut Pepita Milmore Memorial Fund >Marseille Picturesque Views in Paris, and its Environs, Haden, Francis Seymour, British, , 1929, linocut >Seated Woman (London, 1803), bound volume with Gramatté, Walter, German, 1897–1929 1818–1910 , lithograph >Suffering Ones twenty etchings before aquatint, a proof >Wozzeck, 1925, portfolio of twelve >Harry Kelly’s, Putney, 1865, etching , lithograph >Aufzug der Polizei von Bagdad set of twenty etchings with aquatint, etchings and title page with drypoint, 2011.139.27, Gift of the , 1922, portfolio of nine >Metropolis and one etching hand-colored by the >Sonia Friedman, 1920, linocut Estate of Leo Steinberg lithographs > , 1919, linocut artist, 2012.90.1, Gift of Arthur and Sidi Heckel Haer, Adolf de, German, 1892–1945 >Two Lions, lithograph > , 1919, Charlotte Vershbow Mit dem Selbstmord Spielen >Der Geile Tod, 1921, woodcut >Tightrope Walker, 1925, etching colored woodcut Goltzius, Hendrik, Dutch, 1558–1617 >Gesprach mit Fischen, 1920, woodcut, >Spieler, c. 1926, etching >Listen, 1919, woodcut > , 2012.92.265, 266, Gift of Ruth >Tom Mix I, 1920s, etching The Adoration of the Shepherds >Listening, 1920/1921, lithograph 1615, engraving Cole Kainen >Markt, 1928, etching >Self Portrait under Trees, 1921, , 1582, engraving, >Self Portrait, 1935, etching >Standing Halberdier color lithograph Haubenstricker, Paul, Austrian, 2011.139.14, 15, Gift of the Estate >Das Hindudorf, c. 1925, etching >Young Bride, 1923, color lithograph 1750–1793 of Leo Steinberg >Hyde-Park Reiter, 1931, etching >Self Portrait with Houses, 1923, >Oriental Heads, four etchings, , 1596, engraving >Uble Strasse, c. 1925, etching >Pietà color lithograph 2012.50.1–4, Purchased as a Gift of > , 1588, engraving >Don Quixote, woodcut Apollo >The Murderer, 1919, color lithograph Jimmy and Jessica Younger, Houston > , engraving >Porte d’Orleans, drypoint Allegory of War >Kaserne, 1916, drypoint Hausmann, Raoul, Austrian, 1886–1971 >The Disgracers (after Cornelis Cornelisz >Vintemille, etching >Heimkehr, 1920, drypoint >Clearing in the Woods, 1914, lithograph, van Haarlem), 1588, complete set of >Tom Mix, softground etching >Peter’s Head with Gun Wound in Forehead, 2012.92.267, Gift of Ruth Cole Kainen four engravings >Tom Mix II, softground etching 1918, drypoint > Hayter, Stanley William, British, >Tightrope Walker, lithograph on The Body of Christ Supported by Two >Robert in the Theater, 1918, drypoint , engraving 1901–1988 gray paper Angels >Scene in Cafe with Cripple, 1918, drypoint > , 1594, engraving >Sundance, engraving, softground >Tightrope Walker, lithograph with hand The Annunciation >Spain, 1926, etching > , 1593/1594, engraving etching, and scorper coloring on gray paper, 2012.92.67–68, Hans Bol >Woman, 1924, etching printed in brown > , 1593, engraving >Faust by the Sea (Faust’s Metamorphoses) 205–220, 620–622, 761–764, Gift of Ruth Pygmalion and >Head in Profile, 1923, etching > , engraving or Horizontal Bars, 1931/1932, engraving Cole Kainen Saint Mary Magdalen Penitent >Girl with a Necklace, 1923, etching >Titus Manlius Torquatus, engraving and mezzotint Gaudeck, Franz, German, 1889–1946 printed in blue-black >The Allegory of Fame and History, 1596, >Nu, 1933, engraving > , c. 1915, drypoint, >Girl with a Hand, 1923, etching Alte Gasse engraving >Pavane, 1935, engraving, softground 2012.92.221, Gift of Ruth Cole Kainen >My Mother, 1927, etching > , etching, and drypoint Mars and Venus Surprised by Vulcan >Tired Soldier, 1919, etching Gautier Dagoty, Jacques-Fabien, 1585, engraving >Combat, 1936, engraving and >Exhausted Man (Self Portrait), 1923, French, 1716–1785 > , softground etching Portrait of Theodore Cornhert color etching > (after 1590, engraving >Easter, 1936, engraving, scorper, Democritus in Meditation >Das Gesicht, 1924, portfolio of nine ), mezzotint > (after and softground etching Judith with the Head of Holofernes color etchings , 1746, color Bartholomaeus Spranger), engraving >Undersea, 1937, engraving and >L’Ange anatomique >Lenz, 1923, portfolio of twelve etchings mezzotint, 2012.92.44, 47, Gift of > (after Bartholomaeus softground etching Mars and Venus >Agony, 1920, color lithograph Ruth Cole Kainen Spranger), 1588, engraving, 2012.92.10, >Runner, 1939, engraving >Burial, 1916, color linocut on Japanese 51, 124, 125, 128–131, 550–557, 649, >L’Escoutay, 1951, engraving, softground Gessner, Richard, German, 1894–1989 paper, 2012.92.5, 6, 229–261, 624, 766, 765, Gift of Ruth Cole Kainen etching, and scorper >Essen Seen from the Krupphaus, Gift of Ruth Cole Kainen >Night and Day, 1952, engraving, 1920, drypoint Goltzius, Hendrik Workshop of, Dutch, Gramatté, Walter, German, 1897–1929, softground etching, and scorper >Gusspfanne, 1918, drypoint 17th century and Nikolai Gogol (author), Russian, >Night and Day, 1952, color engraving , 1920, etching and drypoint, > (after Hendrik >Stadt Ovid’s Metamorphoses 1809–1852 and softground etching, with stencil 2012.92.222–224, Gift of Ruth Goltzius), 1589–1615, thirty-three >Der Mantel, (, 1919), bound >Night and Day, 1952, engraving, Cole Kainen engravings, 2011.139.132–165, Gift volume with twelve lithographic softground etching, and scorper of the Estate of Leo Steinberg German 16th century illustrations, and one title vignette, >Night and Day, 1952, engraving >Moses and the Burning Bush, hand- Gornik, April, American, born 1953 2012.92.623, Gift of Ruth Cole Kainen >Night and Day, 1952, engraving, colored woodcut, 2012.92.545, > , 1998, color aquatint, Sky and Mirror Gros, Antoine-Jean, French, 1771–1835 softground etching, and scorper Gift of Ruth Cole Kainen 2011.119.29, Gift of Kathan Brown >Arabe du désert, 1817, lithograph, >Combat, 1953, engraving, softground 2012.67.1, Ailsa Mellon Bruce Fund etching, and scorper

55 AUCQ ISITIONS

>Combat, 1953, engraving, softground >Stylized Sailboats, 1915, woodcut on >The Bridge over the Waterfall (after Hüet, Jean-Baptiste, French, 1745–1811 etching, and scorper Japanese paper Jacques d’ Artois), 1648, etching, >The Flight into Egypt, 1798, etching, >Jeux d’Eaux, 1953, engraving and >Composition XXII, woodcut 2011.139.26, 25, 172, Gift of the 2012.59.4, Katharine Shepard Fund softground etching >Boats, 1915, woodcut on Japanese paper Estate of Leo Steinberg Hurlimann, Johann, Swiss, 1793–1850 > , 1958, etching and scorper , 1916, woodcut on Japanese La raie >Bridge Hollenberg, Felix, German, 1868–1945 >Sih-Chida and Mahchsi-Karehde (after > , 1958, etching paper, 2012.92.24, 270, 272–278, 754, Perseïdes >Bohrbutte at Nightfall, 1900, etching with Karl Bodmer), 1841, engraving and > , 1969-1970, softground Gift of Ruth Cole Kainen Expansion aquatint and roulette aquatint, hand-colored, probably by etching and etching Heilmann, Mary, American, born 1940 >Heath with a Weathered Pine and Bodmer, 2012.77.1, Donald and > , 1970, etching and Swimmers >Acid Line Up, 2006, color aquatint on a Path, c. 1895, etching with aquatint Nancy de Laski Fund softground etching gampi paper chine collé and roulette > , 1970, etching and aquatint Huth, Robert (Willy), German, 1890–1977 Eros >Clear Day, 2006, color spitbite and >Sandy Path with Distant Panorama, 1895, > , 1973, etching, softground >Artisten, 1923, lithograph, 2012.92.625, Albatross sugarlift aquatints on gampi paper etching with aquatint and roulette etching, burnisher, roulette, and scorper Gift of Ruth Cole Kainen chine collé >Foggy Landscape, 1919, drypoint , 1976, engraving, Illies, Karl Wilhelm Arthur, German, >Chinese Circus >Joaquin’s Close Out, 2006, color aquatint on Japanese paper, 2012.92.296–299, softground etching, roulette, 1870–1952 >Passage, 2006, color aquatint with drypoint Gift of Ruth Cole Kainen and scorper , 1900, etching >Pentimento, 1998, color aquatint on >Alstertal vor Wellingsbüttel , 1976, engraving, etching, Hooghe, Romeyn de, Dutch, 1645–1708 >Parachute gampi paper chine collé >Nasturtiums, 1896, color etching and softground etching >The Raising of Lazarus with Scenes from , 1896, >Undertow, 2006, color spitbite aquatint >Sickle Moon over a Cornfield , 1978, softground etching the Life of Christ, etching >Black Hole on gampi paper chine collé color etching and openbite etching >Law of War and Peace, c. 1670, etching, , 1898, color >Valentine, 2006, color aquatint with >Moonrise over the Elbe , 1979, etching and softground 2011.139.19, 20, Gift of the Estate of >Serre drypoint on gampi paper chine collé aquatint, 2012.92.292, 301–303, , 1979, Leo Steinberg Gift of Ruth Cole Kainen >Salt Wave (Death of Hektor) >Weather Report, 2006, color spitbite etching, softground etching, engraving, and sugarlift aquatints on gampi paper Hopfer, Daniel, German, c. 1470–1536 Inghirami, Francesco, Italian, 1772–1846 and deep etching chine collé, 2011.119.30–37, Gift of >The Virgin Mary Taking Leave of Christ, >Interno di una Carcere (after Lombardo , 1982, color engraving, >Apparition Kathan Brown c. 1520, etching, 2011.103.1, Ailsa Mellon Luigi Tasca), 1814, etching and aquatint, etching, and softground etching, roller Bruce Fund Heise, Wilhelm, German, born 1892 2012.51.2, Ailsa Mellon Bruce Fund blue and green in gradation >Three German Soldiers Armed with , c. 1925, lithograph on Italian 17th century >Le pendu, 1983, engraving, softground >Blühende Spireen Halberds, c. 1510, etched iron plate, Japanese paper etching, and scorper 2012.85.1, Ruth and Jacob Kainen >A Group of Angels in Glory (after Guido lithograph on >Fastnet, 1985, engraving, softground >Kleine Glockenblume, Memorial Fund Reni and Luca Cambiaso), 1607, etching, etching, and scorper Japanese paper, 2012.92.280, 281, 2012.61.3, Ailsa Mellon Bruce Fund Hopfer, Daniel, German, c. 1470–1536, , 1986, engraving, softground Gift of Ruth Cole Kainen >Le port and Burchardus Biberacensis, Provost Itten, Johannes, Swiss, 1888–1967 etching, and scorper Hirsch, Karl Jacob, German, 1892–1952 of Ursperg (author), German, died 1230 >Composition, 1919, lithograph, >Constellation, 1987, intaglio , 1923, etching and drypoint, 2012.92.304, Gift of Ruth Cole Kainen >Verspottung >Chronicon Abbatis Urspergen, (Augsburg, , 19871988, engraving, 2012.92.282, Gift of Ruth Cole Kainen >Downward 1515), bound volume with one white-line Jackson, John Baptist, English, softground etching, and scorper Hoehme, Gerhard, German, 1920–1989 woodcut illustration on title page, white- 1701–c. 1780 >Le Couple, 1952, engraving and >Untitled, 1956, color screenprint line woodcut initials throughout, and >Heroic Landscape with Fisherman, etching, 2012.92.4, 77–110, Gift of >Gegend mit 4 Punkten, 1960, color one printer’s device, 2012.25.1, William Cows, and Horsemen (after Marco Ricci), Ruth Cole Kainen etching and aquatint B. O’Neal Fund 1744, color woodcut Heckel, Erich, German, 1883–1970 , 1955, color screenprint >Untitled Hopfer, Daniel, German, c. 1470–1536, >Heroic Landscape with Cart and Goatherd, > , 1914, woodcut , 1959, color etching Sunrise >Das Kleine Netim and Hieronymus Hopfer, German, active with San Giorgio Maggiore in the , 1913, , 1961, color etching >Self Portrait with a Black Scarf >Handbewegung c. 1520–1550 or after Background (after Marco Ricci), 1744, lithograph and aquatint from two plates color woodcut >Emperor Charles V, 1520 (1521?), etching > , 1919, woodcut , 1962, etching printed in Asta Nielsen >Untitled with open biting and unique >Ulysses and Polyphemus (after Francesco > , 1913, drypoint, red-brown Street Underpass contemporary hand-coloring, 2011.102.1, Primaticcio), woodcut 132 2012.92.72, 268, 269, 271, Gift , 1963, collage and color >Die Zeitung Purchased as the Gift of Ladislaus and >Christ on the Mount of Olives (after of Ruth Cole Kainen etching over two pages of newsprint, Beatrix von Hoffmann Jacopo Bassano), 1743, chiaroscuro Hedouin, Edmond, French, 1820–1889 2012.92.70, 283–288, Gift of Ruth woodcut [proof] Hopfer, Hieronymus, German, active > (after Alexandre Bida), Cole Kainen >Christ on the Mount of Olives Saint Matthew c. 1520–1550 or after 1873, etching, 2011.139.70, Gift of the Hofer, Karl, German, 1878–1955 (after Jacopo Bassano), 1743, >Leopold Dick, etching, 2012.71.1, chiaroscuro woodcut Estate of Leo Steinberg >Der Blick, c. 1900, etching Purchased as a Gift of Dewayne and >Christ on the Mount of Olives Heemskerck van Beest, Jacoba van, >Einsamkeit, 1900, drypoint Faith Perry (after Jacopo Bassano), 1743, Dutch, 1876–1923 >Nächtliche Überfahrt, 1899, drypoint Houbraken, Jacobus, Dutch, 1698–1780 chiaroscuro woodcut >Fjord, 1916, woodcut on Japanese paper >Putzmacherin, 1925, drypoint on >Jan Six (after Jan Wandelaar), >The (Left Panel) (after Jacopo , 1914, woodcut, Japanese paper >Boat and Trees engraving, 2011.139.39, Gift of the ), 1741, chiaroscuro woodcut hand colored with watercolor, on >Sokotra, c. 1913, drypoint on buff paper, Estate of Leo Steinberg >The Crucifixion (Left Panel) (after Jacopo Japanese paper 2012.92.289–91, 293, 294, Gift of Ruth Tintoretto), 1741, chiaroscuro woodcut , c. 1915, woodcut on Japanese Cole Kainen Hoüel, Jean-Pierre-Louis-Laurent, >Tree >Descent from the Cross (after Rembrandt paper French, 1735–1813 Hoffmann, Eugen, German, 1892–1955 van Rijn), 1738, chiaroscuro woodcut , 1914/1915, color woodcut >Farmyard (after François Boucher), 1759, >Composition >Two Nudes, 1919, woodcut, 2012.92.295, >Dives and Lazarus (Left Panel) on Japanese paper etching, 2011.139.33, Gift of the Estate Gift of Ruth Cole Kainen (after Jacopo Bassano), 1743, , 1916, woodcut on Japanese of Leo Steinberg >Still Life Hollar, Wenceslaus, Bohemian, chiaroscuro woodcut paper 1607–1677 Hubbuch, Karl, German, 1891–1979 >The Finding of Moses (after Veronese), >Composition, 1921, linocut >Paedopaegnion (after Peeter van Avont), >Young Woman with Upraised Arm, 1741, chiaroscuro woodcut >Landscape with a Sun, c. 1915, color 1646, two etchings c. 1950, drypoint, 2012.92.300, Gift of >Massacre of the Innocents (after Jacopo woodcut on Japanese paper Ruth Cole Kainen Tintoretto), 1739, chiaroscuro woodcut

56 NATIONAL GALLERY OF ART

>Melchisedech Blessing Abraham Kaus, Max, German, 1891–1977, >Wife of Professor Schaxel, >Old Market in Dresden with Annual Fair, (after Francesco Bassano II), 1743, and Gustav Flaubert (author), French, 1917–1918, woodcut 1910, lithograph chiaroscuro woodcut 1821–1880 >Goats in a Mountain Wind, >Men Splashing in the Reeds, >The Mystic Marriage of Saint >Die Sage von Sankt Julian dem Gastfreien 1918, woodcut 1910, lithograph Catherine (after Veronese), 1740, (Weimar, 1918), bound volume with >Young Woman with Child and Cat, >Siesta, 1911/1912, lithograph chiaroscuro woodcut twelve lithographic illustrations tipped 1919, color woodcut >Nude Girl at her Toilette, 1912, lithograph >The Mystic Marriage of Saint in, 2012.92.630, Gift of Ruth Cole Kainen >The Married Couple Müller, 1919, >Danish Farm with Manor House, Catherine (after Veronese), 1740, Kilian, Lucas, German, 1579–1637 woodcut on rose paper 1912, lithograph chiaroscuro woodcut >The Holy Family and Two Angels, etching, >Peasant Dance, 1920, woodcut >Professor Dr. Graef, 1915, woodcut >The Presentation in the Temple (after 2012.92.538, Gift of Ruth Cole Kainen >Neben der Heerstrasse ( Jacket Cover), >Taunustannen, 1916, lithograph Veronese), 1739, chiaroscuro woodcut 1922, color woodcut >Rocky Stream, 1919, lithograph Kirchner, Ernst Ludwig, German, >The Presentation of the Virgin in the >Smoking Peasant, color woodcut >Nude Woman in a Room, 1921, 1880–1938 Temple (Left Panel) (after Titian), 1742, >Nude Girl on a Rug, 1924, woodcut lithograph , lithograph chiaroscuro woodcut >Botho Graef >Nude Women with Child in Forest, 1925, >Nude Girl at a Window, 1922, lithograph lithograph >Algernon (after Justus van Verus), >Boy with Cat, color woodcut >Head Study, 1926, lithograph , 1911, color woodcut chiaroscuro woodcut >English Step Dancers >Annette Kolb, 1926, woodcut >Nude Woman, 1927, color lithograph, , 1909, drypoint on >The Virgin and Child in the Clouds >Nude, Seated >River Landscape with Crane and Barges, 2012.92.1, 9, 36, 38, 43, 45, 46, 48, 71, oatmeal paper with Six Saints (after Titian), 1742, 1927, color woodcut 73, 133–143, 450–452, 674–744, Gift of , 1916, lithograph chiaroscuro woodcut >Young Girl with Doll >Two Heads, 1928, woodcut Ruth Cole Kainen , 1914, >The Visitation (after Annibale Carracci), >Street Scene with an Omnibus >Pianist and Singer, 1928, woodcut drypoint and etching Kirchner, Ernst Ludwig, German, 1735, chiaroscuro woodcut >Conversation, 1929, woodcut , 1880–1938, and Alfred Döblin (author), >Woman Meditating (after Parmigianino), >Seated Woman, Arranging Her Hair >Palucca, 1930, color woodcut 1909, etching German, 1878–1957 chiaroscuro woodcut >The Kiss, 1930, woodcut , >Das Stiftsfräulein und der Tod (Berlin, >Venus and Cupid with a Bow >Dr. Robert Binswanger (The Student) >Wild Cow and Herdsman, 1933, woodcut 1917–1918, woodcut 1913), bound volume with five woodcut (after Parmigianino), 1731, >Dancer Practicing, 1934, woodcut , 1923, woodcut on paper illustrations, 2012.92.39, Gift of Ruth chiaroscuro woodcut >The Visit >Woman in the Bathtub, 1936, woodcut printed yellow Cole Kainen >The Crucifixion (Center Panel) >Feelings, 1937, woodcut , 1914, lithograph (after Jacopo Tintoretto), 1741, >Lady in the Rain >Young Girl Drawing, 1906, etching Kirchner, Ernst Ludwig, German, 1880– printed in black chiaroscuro woodcut >Dreaming Girl, 1906, etching 1938, Jacob Bosshart (author), German, , 1904, >The Crucifixion (Right Panel) >Head Waiter in a Café >Sand Dredgers on the Elbe, 1906, etching 1862–1924, and Will Grohmann (author), color woodcut (after Jacopo Tintoretto), 1741, >Hippodrome, 1910, drypoint German, 1887–1968 , 1904, chiaroscuro woodcut >Chestnut Trees in Moonlight >Girl, with another Rubbing Her Belly, >Das Werk Ernst Ludwig Kirchner color woodcut >Dives and Lazarus (Right Panel) 1910, drypoint (Munich, 1926), bound volume with , 1910, color woodcut (after Jacopo Bassano), 1743, >Bathing Couple >Dancers in a Studio, 1911, drypoint three woodcut illustrations in blue , chiaroscuro woodcut >Women Bathers between White Stones >Harbor at Burgstaaken, 1913, etching >Kirchner Zeichnungen (Dresden, 1925), 1912, color woodcut >The Presentation of the Virgin in the >Couple in Front of a Carriage, bound volume with nineteen woodcut , 1918, woodcut Temple (Center Panel) (after Titian), 1742, >Alpine Pasture 1914, etching illustrations , 1933, color woodcut chiaroscuro woodcut >Doctor Bauer >The Seehorn, 1919, etching >Neben der Heerstrasse (Zurich and Leipzig, , 1933, >The Presentation of the Virgin in the >Poster for Berne Kunsthalle >Mountain Landscape with Little Mowers, 1923), bound volume with twenty-five color woodcut Temple (Right Panel) (after Titian), 1742, 1919, etching woodcut illustrations, including cover, , 1908, color chiaroscuro woodcut >Man Lying on a Beach >Goats and Clouds, 1919, etching dust jacket, and title, 2012.92.626–628, lithograph >Ulysses and Polyphemus (after Francesco >Heads of Two Girls, 1919, drypoint Gift of Ruth Cole Kainen , 1908/1909, lithograph Primaticcio), chiaroscuro woodcut >Bather >Two Peasant Heads, 1920, etching Kirchner, Ernst Ludwig, German, , 1909, color lithograph >Woman Standing Holding a Jar on the >Jockey and drypoint 1880–1938 and Georg Heym (author), , 1914, color lithograph Head (after Parmigianino), 1731, >Two Women >Woman at a Table in a Room (recto); German, 1887–1912 >Nude Girl Lying on a Sofa, 1905, woodcut chiaroscuro woodcut, 2012.92.61, 65, Nude Woman (verso), 1920, etching >Umbra Vitae [Kirchner’s own maquette >Woman Lying on a Sofa, 1926, woodcut 132, 518–532, 534–537, 662–666, 753, and drypoint with surface etching copy], (unpublished,1918/1922), bound , 1921, etching and drypoint 755, Gift of Ruth Cole Kainen >Dr. Bauer (recto); graphite drawing (verso) volume with one woodcut illustration on with yellow monotype printing >Women at a Table in a Room, cover, one woodcut illustration on upper Jackson, John Baptist, attributed to, , 1905, woodcut >The Finger Game 1920, etching with drypoint and and lower paste-downs, and forty-seven English, 1701–c. 1780 , 1905, woodcut >Reclining Nude Girl surface etching woodcut illustrations >Two Lovers (probably after Giovanni >Invitation Card to Exhibition of >Alpine Huts in Fog, 1920, etching >Umbra Vitae [the published edition], Battista Piazzetta), chiaroscuro woodcut, Künstlergruppe Brucke, 1906, woodcut >Peasant and Girl, 1921, color etching (Munich, 1924), bound volume with 2012.92.533, Gift of Ruth Cole Kainen printed in brown ink printed in black, red, and blue one woodcut illustration on cover, Jacque, Charles Émile, French, , 1906, woodcut >Nude Girl >The Wanderer, 1922, drypoint one woodcut illustration on upper and 1813–1894 , >Shed on the Bank of the Elbe >Young Woman with a Child, lower paste-downs, and forty-seven , c. 1906, woodcut >Shepherdess Releasing Sheep from a Barn 1923, drypoint woodcut illustrations, 2012.92.40, 41, 1880, etching with drypoint and roulette, , 1911, woodcut >Acrobatic Dance >The Painter, 1923, drypoint Gift of Ruth Cole Kainen , hand- 2012.19.1, Ailsa Mellon Bruce Fund >Little Variety Act with Singer >Girl with Flowers, 1923, etching colored woodcut Kirchner, Eugen, German, 1865–1938 Janssen, Horst, German, born 1929 >Cycle Race, 1926, drypoint [proof >River Bank at Elisabeth (Berlin), >November, 1896, 1896, etching >Edgar Allan Poe, color etching, touched with graphite] 1912–1913, woodcut and aquatint, 2012.92.307, Gift of 2012.92.305, Gift of Ruth Cole Kainen , >Mountain Stream with Bathers Ruth Cole Kainen >The Gull Hunter, 1913, woodcut 1934, etching Kaus, Max, German, 1891–1977 , 1914, woodcut >Street Scene after the Rain >From the Apocalypse, 1936, etching Kirkall, Elisha, English, c. 1682–1742 >Head of a Girl, 1924, etching, , 1915, woodcut >Woman’s Head with Veil >Mountain Slope with Goats, 1920, etching >Landscape, color mezzotint 2012.92.306, Gift of Ruth Cole Kainen , 1916, woodcut >The Composer Klemperer >Still Life, 1907, color lithograph >Heroic Stormy Landscape, color >Female Nude before a Cabinet, mezzotint, 2012.92.558, 559, Gift 1916, woodcut of Ruth Cole Kainen

57 AUCQ ISITIONS

Klauber, Joseph Sebastian, German, >Dead Oak Tree in Open Woodlands, Kretzschmar, Bernhard, German, Lebschée, Carl August, German, 1710–1768, and Johann Baptist Klauber, 1828/1835, etching 1889–1972 1800–1877 German, 1712–1787 >Foliage Study with Reed and Hops, >Steamship, 1920, etching >Landschaftstudien, 1829, portfolio >The Four Seasons (after Johann Wolfgang 1826/1828, etching >Meine Frau, 1920, etching of six lithographs Baumgartner), mid 18th century, >Foliage with Reeds, etching >Self Portrait, 1924, etching >Nachtstücke, 1832, portfolio of five complete set of four etchings with >Small Plant Study, 1826/1828, etching >Village Street, 1924, etching etchings, 2012.92.635, 636, Gift engraving and hand-coloring, >A Thicket; a Gnarled Willow Tree >Strassenbau, 1916, linocut, 2012.92. of Ruth Cole Kainen 2011.125.1–4, Ailsa Mellon Bruce Fund 337–340, 752, Gift of Ruth Cole Kainen at Left, 1820/1835, etching Legrand, Auguste-Claude-Simon, Klee, Paul, Swiss, 1879–1940 >Landscape with Nudes Boarding a Boat, Kubin, Alfred, Austrian, 1877–1959 French, 1765–1815 or after >Kleinwelt, 1914, etching 1799, etching >Der steinerne Fischer, 1920, lithograph, >Apothéose de Voltaire (after Robert- >Nicht Endend, 1929, etching, 2012.92.308, >Offering to Pan, 1808/1815, etching 2012.92.341, Gift of Ruth Cole Kainen Guillaume Dardel), color stipple 309, Gift of Ruth Cole Kainen >Bathing Maiden, 1796/1800, etching engraving, 2011.139.34, Gift of the Kurzweil, Max, Austrian, 1867–1916 >Straw-Thatched Hut with Landscape Estate of Leo Steinberg Kleinschmidt, Paul, German, 1883–1949 and Figures, 1807/1809, etching >The Cushion: The Artist’s Wife Seated , drypoint , 1903, woodcut, 2012.92.342, Lehmbruck, Wilhelm, German, >Bridge in >The Damned, 1798/1800, etching on a Sofa , 1919, drypoint Gift of Ruth Cole Kainen 1881–1919 >Untitled >49 Bläetter Groestentheils landschaftlichen , 1922, drypoint >Pigs Inhalts, 1796, portfolio of forty-nine La Rue, Louis-Felix de, French, >Standing Male Nude and Two Female , drypoint , etching >Corseted Woman at a Mirror etchings 1731–1765 Nudes , , 1913, drypoint, >Madchen bei der Toilette >12 Bläetter Groestentheils landschaftlichen >The March of Silenus, etching, >Kauernde II drypoint, 2012.92.310–314, Gift 2012.92.354–355, Gift of Ruth Inhalts, 1797, portfolio of twelve etchings 2011.139.62, Gift of the Estate of of Ruth Cole Kainen Cole Kainen >Landscape with a Man, etching Leo Steinberg Kliemann, Carl-Heinz, German, , Lens, Bernard, English, 1659–1725 >Arcadian Landscape with a Satyr Family Laage, Wilhelm, German, 1868–1930 born 1924 etching , (after Cornelis van >Landscape with Church, 1899, color >Bathers in a Landscape , color woodcut , etching, 2012.92.2, 7, Poelenburch), mezzotint, 2011.139.97, >An der Kuste >Deer Hunt woodcut , 1967, color woodcut 323–334, 633, 634, 769–771, Gift of Gift of the Estate of Leo Steinberg >Lavinio >Sonnenuntergang, 1918, woodcut, , 1947, woodcut, 2012.92. Ruth Cole Kainen >Self Portrait 2012.92.343–344, Gift of Ruth Leopold, Franz Joseph, German, 315–317, Gift of Ruth Cole Kainen Kolbe, Carl Wilhelm, German, Cole Kainen 1783–1832 Lapinski, Tadeusz, American, born 1928 1759–1835 after Salomon Gessner, Lafreri, Antonio (publisher), Italian, >Resting Travelers in a Mountainous , 1968, color lithograph, Swiss, 1730–1788, and Johann , 1806, >Exuberant 1512–1577; Nicolaus Beatrizet, French, Landscape (Second Version) 2012.92.647, Gift of Ruth Cole Kainen Heinrich Lips, Swiss, 1758–1817 lithograph, 2012.92.356, Gift of Ruth 1515–1565 or after; Étienne Dupérac, Cole Kainen Klinger, Max, German, 1857–1920 >Collection des Tableaux en Gouache et des French, c. 1525–1601/1604; Jacob Bos, , (Zurich, >Eine Mutter, 1882, etching on Japanese Dessins de Solomon Gessner Netherlandish, c. 1520–c. 1580; Pierre Lepautre, Jean, French, 1618–1682 1811), bound volume with twenty-five paper, 2012.80.1, Purchased as the Peret, French, 1555–1624; and other >Ornament with a Woman Turning etched illustrations and one engraved Gift of Marion Deshmukh engravers, Italian 16th century to Foliage, etching portrait on title, 2012.92.42, Gift of >Weiblicher Akt in Schabkunst, c. 1904, >Speculum Romanae Magnificentiae >Fame on a Trophy of Arms, etching, Ruth Cole Kainen mezzotint and etching (Rome, 1544–1572), folio of fifty-five 2011.139.121, 122, Gift of the Estate >Die Ferngeliebte, Erinnerung, 1892/1893, Kollwitz, Käthe, German, 1867–1945 etched and engraved illustrations, of Leo Steinberg etching with drypoint and mezzotint, , 2012.46.1, Purchased as the Gift of >Aus vielen Wunden blutest du, O Volk Leu, Thomas de, French, c. 1560–c. 1620 2012.92.318, 319, Gift of Ruth Cole 1896, etching and aquatint, 2011.139.31, The Ahmanson Foundation >Henri, duc de Bar, engraving Kainen Gift of the Estate of Leo Steinberg Lange, Otto, German, 1879–1944 >Bon de Broé, 1588, engraving 1934/1935, lithograph Klotz, Simon Petrus, German, 1776–1824 >Tod im Wasser, >Harbor Entrance at , c. 1920, >Anne, duc de Joyeuse, engraving, , 1925, lithograph, >Sibylle, lithograph, 2012.92.320, Gift of >Heimarbeit watercolor over monotype 2011.139.1–3, Gift of the Estate 2012.92.335, 336, Gift of Ruth Ruth Cole Kainen >View of Bonassola, in the Cinqueterre, of Leo Steinberg Cole Kainen c. 1925, watercolor and gouache Kobell, Ferdinand, German, 1740–1799 LeWitt, Sol, American, 1928–2007 Kooning, Willem de, American, born over monotype >Shepherds with Their Herd Fording a >Color & Black, 30 x 17/1–4, 1991, The Netherlands, 1904–1997 , 1914, linocut Stream, 1771, etching, 2012.38.1, Ailsa >On the Beach series of four color spitbite aquatints , 1971, , 1916, color woodcut Mellon Bruce Fund >Landscape at Stanton Street >Fischer II >Color & Black, 30 x 20/1–4, 1991, lithograph , 1916, color >The Flight into Egypt series of four color spitbite aquatints Kobell, Wilhelm von, German, , 1970, lithograph woodcut >Souvenir of Montauk >Color & Black, 40 x 40/1, 2, 4, 1991, 1766–1853 [proof], 2012.92.646, 760, Gift of Ruth , 1916, color >The Carrying of the Cross three color spitbite aquatints from a >Views of Munich and Its Surroundings, Cole Kainen woodcut series of four 1818, complete set of seven etchings, , 1917, color woodcut Kraus, Johann Ulrich, German, >Woman with Butter >Loops & Curves Gray/Red, 1999, color 2012.92.321, 745–750, Gift of Ruth , c. 1913, etching 1655–1719 >Harbor aquatint Cole Kainen , 1918, woodcut >Triumphal Arch for Henry II (after >Reclining Nude II >Not Straight Lines, 2003, portfolio of six , 1920, drypoint, 2012.92.345–353, Kokoschka, Oskar, Austrian, 1886–1980 Peter Schubert von Ehrenberg), 1725, >City etchings and title page, 2011.119.38–44, 756, Gift of Ruth Cole Kainen >Max Reinhardt, lithograph, 2012.92.322, etching with engraving 154–159, Gift of Kathan Brown Gift of Ruth Cole Kainen (after Peter Lautensack, Hans Sebald, German, >Triumphal Arch for Charles V Liebermann, Max, German, 1847–1935 Schubert von Ehrenberg), 1725, etching 1524–1561/1566 Kolbe, Carl Wilhelm, German, 1759–1835 >Jewish Quarter in Amsterdam, etching with engraving , etching, 2012.92.560, >The Cow in the Swamp, 1800/1803, >Steyr an der Enns >Self Portrait, lithograph Gift of Ruth Cole Kainen etching >Frontispiece with Triumphal Arch with >Kellergarten in Rosenheim, 1895, etching , 1705, etching >Landscape with Large Leaves and Satyrs, Christ and the Apostles Le Clerc, Sébastien the elder, French, >Judenstrasse in Amsterdam, 1906, etching and engraving, 2011.139.107, 110, 111, etching 1637–1714 >Die Netzeflickerinnen, 1894, etching Gift of the Estate of Leo Steinberg >A Large Oak in a Grove of Trees, c. 1800, >Figures à la Mode, 1685, four etchings, [proof with graphite rework] etching 2011.139.58–61, Gift of the Estate >An Expansive Oak Tree, 1825/1830, of Leo Steinberg etching

58 NATIONAL GALLERY OF ART

>Die Netzeflickerinnen, 1894, etching, >It’s Not Easy Being Green, 2008, color McNeil, George, American, 1908–1995 Meyer, Johann Heinrich, Swiss, 2012.92.59, 60, 357, 358, 773, 774, drypoint with aquatint and etching >Sparklers, 1983, color lithograph, 1783–1832 Gift of Ruth Cole Kainen >New Growth, 2006, color drypoint 2012.92.776, Gift of Ruth Cole Kainen >Italian Landscape with a Pair of Shepherds, with etching etching, 2012.92.377, Gift of Ruth Leiberman, Max, German, 1847–1935, Meckseper, Friedrich, German, , 2006, Cole Kainen and Hermann Struck (author), German, >Walking Drawing (Drypoint) born 1936 color drypoint with etching on two 1876–1944 >Der Optiker, 1957, etching Middleton, Susan, American, born 1948 sheets of paper, 2011.119.45–52, >Die Kunst des Radierens, Ein Handbuch >Stone House, 1958, etching >Day Octopus, 2008, color photogravure 160, Gift of Kathan Brown von Herman Struck (Berlin, 1923), bound >Untitled, 1960, etching >Naupaka (Back), 2008, color volume with one etching, one etching Martinet, Francois-Nicolas, French, >Perpetuum Mobile, 1968, color etching photogravure with drypoint, one lithograph, and one born 1731 and aquatint >Naupaka (Front), 2008, color woodcut illustration, 2012.92.631, Gift >La simple Nature, etching, 2011.139.124, >Still Life with Spring, 1975, color etching photogravure of Ruth Cole Kainen Gift of the Estate of Leo Steinberg and aquatint, 2012.92.362–366, Gift of >Passenger Pigeon, 2008, photogravure Ruth Cole Kainen on gampi paper chine collé Lucas van Leyden, Netherlandish, Massard, Jean-Baptiste-Raphael-Urbain, , 2008, photogravure 1489/1494–1533 French, 1775–1843 Mehretu, Julie, American, born 1970 >Plain Rain Frog on gampi paper chine collé >The Surgeon, 1524, engraving, >Blind Homer (after Baron François >Circulation, 2005, color etching with , 2008, color photogravure, 2011.139.35, Gift of the Estate of Gerard), 1816, etching [proof], 2012.10.1, aquatint and engraving on gampi paper >Requiem 2011.119.58–63, Gift of Kathan Brown Leo Steinberg Ailsa Mellon Bruce Fund chine collé , 2005, color aquatint with Modersohn-Becker, Paula, German, Lüpertz, Markus, German, born 1941 Mataré, Ewald, German, 1887–1965 >Diffraction etching on gampi paper chine collé 1876–1907 >Maillol-Markus, c. 1980, etching >Standing Nude Woman with a Hand >Local Calm, 2005, color aquatint >Two Peasant Girls, c. 1900, etching and drypoint, 2012.92.359, Gift of Mirror, woodcut, 2012.92.27, Gift of with etching and engraving on gampi and roulette Ruth Cole Kainen Ruth Cole Kainen paper chine collé >Seated Old Woman, c. 1900, etching Malton, Thomas, British, 1748–1804 Matham, Jacob, Dutch, 1571–1631 >The Residual, 2007, color sugarlift and aquatint >The East Front of the Library of Trinity >The Three Graces (after Hendrik Goltzius), and spitbite aquatints with etching >Grove of Trees, c. 1902, etching and College, 1800, color aquatint and etching, engraving and drypoint roulette, 2012.92.378–380, Gift of Ruth 2011.118.1, Gift of Marion F. Houstoun in >Alliance of Venus with Bacchus and Ceres >Unclosed, 2007, color etching with Cole Kainen memory of John Midgley (after Hendrik Goltzius), engraving, spitbite aquatint and drypoint, Moholy-Nagy, László, American, born 2011.139.16, 17, Gift of the Estate of 2011.119.53–57, Gift of Kathan Brown Marc, Franz, German, 1880–1916 Hungary, 1895–1946 Leo Steinberg >Eidechsen, 1912, woodcut, 2012.92.360, Meid, Hans, German, 1883–1957 >Construction IX, 1922, color lithograph, >The Triumph of Neptune and Thetis Gift of Ruth Cole Kainen > , 1917, drypoint, 2012.92.367, 2012.92.145, Gift of Ruth Cole Kainen (after Bartholomaeus Spranger), 1614, Self Portrait Gift of Ruth Cole Kainen Marcenay de Ghuy, Antoine de, French, engraving Molitor, Martin von, Austrian, 1759–1812 1724–1811 >Apollo as Sol (after Cornelis Cornelisz van Meidner, Ludwig, German, 1884–1966 >Landscape with Broken Tree, etching, >Louis Hector, duc de Villars (after Haarlem), c. 1591, engraving >Septemberschrei (Berlin, 1920), bound 2012.92.777, Gift of Ruth Cole Kainen Hyacinthe Rigaud), 1778, etching volume with fourteen lithographic >Diana as Luna Accompanying a Young Molzahn, Johannes, German, 1892–1965 >Jeanne d’Arc: La Pucelle d’Orléans illustrations, 2012.44.1, William B. Man Serenading (after Hendrik Goltzius), >Holzschnitt, 1919, woodcut (after a painting attributed to Lucas O’Neal Fund 1615, engraving >Opus XXXIII, 1921, woodcut Cranach the Elder), 1769, etching , etching >Abraham Casting Out Hagar (after >Mother >Horizontales-Vogel-Wesen, 1920, woodcut with engraving , etching Abraham Bloemaert), 1603, engraving >Lady >Christoph Columbus–Ein Neuer Grosser >La Forêt, 1767, etching , drypoint >The Fall of Man (after Hendrik Goltzius), >J. B. Neumann Ocean-Vogel, 1921, woodcut >River Landscape with an Angler, 1773, , 1913, drypoint 1606, engraving >Strasse II >Ferntaster II, 1920, etching etching , drypoint >The Four Elements (after Hendrik >Berlin, Potsdamerstrasse >Meiner Frau, 1920, etching >Landscape with Cave Opening, Two Figures , etching Goltzius), 1588, engraving >Bildnis F. >Verwandlung, 1920, etching in a Forest, Riverbank with Rocks and a , etching >The Seven Virtues (after Hendrik >Pola >Ferntaster, 1925, etching House, Riverbank with Trees at Left, 1778, , etching Goltzius), 1588, engraving >Frl. Buchholz >Zeit-Taster. Eine Kleine Kollektion four etchings printed on a single sheet , 1920, drypoint >Venus and Cupid (after Hendrik Goltzius), >Frau Eugen Klopfer Utopisch-Phantastischer Maschinin und >Prince Eugene (after Jan Kupecy), 1773, , drypoint c. 1587, engraving, 2012.92.540–42, 561– >Wolf Przygode Apparate, 1921, portfolio of six etchings etching, 2011.139.28, 29, 127–129.a–d, , c. 1920, drypoint 563, 565, 566, Gift of Ruth Cole Kainen >Self Portrait and one color lithograph, 2012.92.381– 173, Gift of the Estate of Leo Steinberg , Matham, Jacob, attributed to, Dutch, >Self Portrait with Etching Needle 388, 637, Gift of Ruth Cole Kainen 1919, drypoint Marcks, Gerhard, German, 1889–1981 1571–1631 >Strasse im Wilmersdorf, drypoint, Monogrammist R. D. H., active >Self Portrait, woodcut, 2012.92.361, >The Vices (after Hendrik Goltzius), 2012.92.28–32, 52–54, 368–372, 18th century Gift of Ruth Cole Kainen c. 1587, two engravings, 2011.139.18, Gift of Ruth Cole Kainen >Interior of a Mausoleum Lit by Sunlight, Marioni, Tom, American, born 1937 104, Gift of the Estate of Leo Steinberg etching, 2012.68.12, Ailsa Mellon Melzer, Moriz, German, 1877–1966 >A Rose..., 2008, color drypoint with Matisse, Henri, French, 1869–1954 Bruce Fund etching >In a Meadow, c. 1905, color monotype >Seated Nude from the Back, 1914, Moreau, Pierre, French, died 1762 >Finger Lines (Blue), 1998, color >Two Female Nudes on a Sofa, color lithograph, 2012.92.144, Gift of Ruth , c. 1750, softground etching with aquatint monotype >Porch before a Circular Temple Cole Kainen etching and embossing >The Flight, c. 1912, color monotype Matta, Chilean, 1911–2002 >Ancient Forum Seen beneath an Arch, >Finger Lines (Grey), 1998, color >Woman Lying in a Landscape, 1911, , 1970, c. 1750, etching, 2012.68.10, 11, Ailsa softground etching with aquatint >Free Youth, Smog and Demagogue monotype, 2012.92.373–376, Gift of color lithograph, 2012.92.64, Gift of Ruth Mellon Bruce Fund and embossing Ruth Cole Kainen Cole Kainen >Finger Lines (Pink), 1998, color Mercati, Giovanni Battista, Italian, Morgner, Wilhelm, German, 1891–1917 drypoint with etching Mattheus, Georg, German, 1600–active 1637 >Farmyard with a Woman, 1912, woodcut >Finger Lines (Yellow), 1998, color active 1551–1572 >Dictio al plaza di Madama, etching, >Crucifixion with Horseback Rider, 1912, softground etching with aquatint >A Dromedary, woodcut, 2012.92.539, 2012.68.13, Ailsa Mellon Bruce Fund woodcut and embossing Gift of Ruth Cole Kainen >Lasttragerin, 1912, woodcut

59 AUCQ ISITIONS

>The Flagellation, 1913, woodcut Muller, Jan, Dutch, 1571–1628, Nevelson, Louise, American, 1900–1988 >Rainbow—Paragon Pink, 2008, spitbite >Crucifixion I, 1913, woodcut attributed to >In the Magic Garden, 1953–1955, aquatint with drypoint printed in green >Christus vor dem Hohen Rat, 1913, >Self Portrait of Hendrik Goltzius (after etching, engraving, and aquatint, on pink gampi paper chine collé woodcut Hendrik Goltzius), engraving, 2012.92.76, Gift of Ruth Cole Kainen >Rainbow—Pink Particles, 2008, drypoint 2012.92.564, Gift of Ruth Cole Kainen >Bearded Man, c. 1920, woodcut, Nolde, Emil, German, 1867–1956 printed in red on gampi paper chine 2012.92.389–395, Gift of Ruth Müller, Otto, German, 1874–1930 >Candle Dancer, 1913, color lithograph collé Cole Kainen >Dying Pierrot (Cover for the VII >Alice, 1907, lithograph touched >Rainbow—Purple Palms, 2008, spitbite aquatint with drypoint printed in blue Morin, Jean, French, c. 1600–1650 Jahresmappe, Die Brucke), 1912, woodcut, with gouache on yellow gampi paper chine collé >Christ Dying on the Cross (after Philippe 2012.92.399, Gift of Ruth Cole Kainen >Steamer, 1910, etching , 1906, woodcut >Rainbow—Red Cave, 2008, spitbite de Champaigne), c. 1650, etching from Muller-Kraus, Erich, German, 1911–1967 >Italian , 1906, etching and aquatint aquatint with flatbite etching and two plates on two joined sheets of >Figurine zur Zeit, 1943, color linocut >Nude , 1910, etching drypoint printed in red paper, 2011.140.1, Purchased as the Gift >Kriegsgespenst, 1944, color woodcut >Hamburg, Inner Harbor and aquatint >Rainbow—Turquoise Duo, 2008, spitbite of an Anonymous Donor >Revolution, 1932, linocut, 2012.92.400– , 1910, etching and aquatint with drypoint printed in blue on Muche, Georg, German, 1895–1987 402, Gift of Ruth Cole Kainen >Hamburg Pier aquatint gampi paper chine collé >Ypsilon 1, 1920, etching Munch, Edvard, Norwegian, 1863–1944 >Hamburg: Reihersteigdock, 1910, >Rainbow—Violet Narcissus, 2008, spitbite >Hand-Herz, 1921, etching >The Square in Berlin. Potsdamer Platz, etching and aquatint aquatint with drypoint printed in purple >Auf dem Tisch, 1923, etching, 1902, drypoint and open bite aquatint in , 1910, etching on gampi paper chine collé 2012.92.396–398, Gift of Ruth >Katharinenkirche brown ink and aquatint >Rainbow—Yellow Day Dreamer, 2008, Cole Kainen >Beach Landscape, 1902, etching in >Dr. Gustav Schiefler, 1911, lithograph, spitbite aquatint with drypoint printed in Müller, Friedrich, German, 1749–1825 brown ink 2012.92.147–149, 416–422, Gift of Ruth orange on yellow gampi paper chine collé >Landscape with Shepherds, etching >Man and Woman, 1905, two impressions Cole Kainen >Rincon Falls—Black Leaf, 2008, color >Attack by Night, etching, 2012.92.568– of a woodcut on brown paper [artist’s spitbite and sugarlift aquatints with Nordström, Jockum, Swedish, born 1963 569, Gift of Ruth Cole Kainen proof], 2012.3.1–3, Gift of The Epstein drypoint , 2008, color spitbite Family Collection >Back to the Land >Rincon Falls—Green Locks, 2008, color Muller, Jan, Dutch, 1571–1628 and sugarlift aquatints with aquatint and >Sturmnacht, 1909, woodcut in blue spitbite and sugarlift aquatints with >The Fight between Ulysses and Irus softground etching >Group of People in a Square, 1920, drypoint and softground etching (after Cornelis Cornelisz van Haarlem), , 2008, color spitbite and woodcut, 2012.92.146, 403, Gift of >House and Bugs >Rincon Falls—Grey Bathers, 2008, color 1589, engraving sugarlift aquatints with softground Ruth Cole Kainen spitbite aquatint with drypoint >Cleopatra (after Cornelis Cornelisz etching , 2008, color van Haarlem), c. 1592, engraving Münter, Gabriele, German, 1877–1962 >Rincon Falls—Red Light >Lick My Hand, 2008, color spitbite and spitbite aquatint with drypoint, >Arion on a Dolphin (after Cornelis >Mme. Vernot, 1906, color linocut, sugarlift aquatints with aquatint and 2011.119.67–84, Gift of Kathan Brown Cornelisz van Haarlem), c. 1590, 2012.92.404, Gift of Ruth Cole Kainen softground etching, 2011.119.64–66, Gift Oliveira, Nathan, American, 1928–2010 engraving Nägele, Reinhold, German, 1884–1972 of Kathan Brown >Bellona Leading the Armies of the Emperor >Angel Rocker, 2005, color sugarlift >12 Uhr, Mittag, 1919, etching, Oesterle, Wilhelm, German, 1876–1928 against the Turks (after Bartholomaus aquatint and drypoint 2012.92.405, Gift of Ruth Cole Kainen monotype Spranger), 1600, engraving >Dancing Nude, >Bird, 2007, color drypoint, sugarlift and Nahl, the Younger, Johannes August, >Female Nude, c. 1920, color monotype >Fortune Distributing Her Gifts spitbite aquatints with etching , 1922, drypoint (after Cornelis Cornelisz van Haarlem), German, 1752–1825 >Dancing >Cat Man, 1994, color drypoint , 1922, drypoint with 1590, engraving >Tomb of Madame Langhans, etching, >Refugee Family with aquatint 2012.92.406, Gift of Ruth Cole Kainen aquatint >Cain Killing Abel (after Cornelis Cornelisz >Figure I, 2007, color sugarlift aquatint , 1922, etching van Haarlem), c. 1589, engraving Nay, Ernst Wilhelm, German, 1902–1968 >Fisherman in a Harbor >Figure II, 2007, color sugarlift aquatint and aquatint >Cupid and Psyche (after Bartholomaeus >Untitled, color aquatint with drypoint on gampi chine collé >Funeral Scene, woodcut, 2012.92.23, Spranger), c. 1600, engraving >Seated Woman, 1949, color lithograph >Leopard Seeking its Shadow, 1998, color 423–427, Gift of Ruth Cole Kainen >Hagar in the Desert Consoled by an Angel, >Albaran, 1951, color lithograph softground etching with drypoint and c. 1591, engraving >Farblitho, 1952, color lithograph, Ofili, Chris, British, born 1968 spitbite aquatint >Cleopatra, c. 1592, engraving 2012.92.407–410, Gift of Ruth >Habio Green, 2009, color spitbite >Rocker, 2007, color sugarlift and spitbite >The Apotheosis of the Arts (after Cole Kainen aquatint with aquatint and drypoint aquatints with etching Bartholomaeus Spranger), 1597, , 2008, color spitbite , 2005, color sugarlift and Nesch, Rolf, Norwegian, 1893–1975 >Last Night, New Day >Standing Figure engraving and sugarlift aquatints with hardground spitbite aquatints with etching >Model, c. 1929, drypoint and etching , engraving, c. 1600 etching and drypoint >The Twin Runners, 2005, color sugarlift >Lot and His Daughters >Hamburg Harbor, etching, 2012.92.411, , 2008, spitbite and spitbite aquatints with etching, >Minerva and Mercury Arming Perseus 412, Gift of Ruth Cole Kainen >Rainbow—Blue Friends (after Bartholomaeus Spranger), 1604, aquatint with drypoint printed in blue 2011.119.85–93, Gift of Kathan Brown Netherlandish 16th Century engraving >Rainbow—Brown Bathers, 2008, spitbite Oppenheimer, Max, Austrian, 1885–1954 >The Surgeon (after Lucas van Leyden), >Prudence (after Adriaen de Vries), c. 1597, aquatint with drypoint printed in brown , 1911, drypoint engraving, 2011.139.175, Gift of >August Strindberg engraving on blue gampi paper chine collé , 1932, drypoint, the Estate of Leo Steinberg >Rose-Quartett >The Raising of Lazarus (after Abraham >Rainbow—Green Riann, 2008, spitbite 2012.92.428, 429, Gift of Ruth Cole Bloemaert), c. 1600, engraving Neureuther, Eugen Napoleon, German, aquatint with drypoint printed in green Kainen >The Rape of a Sabine Woman (after 1806–1882 on gampi paper chine collé Orlik, Emil, German, 1870–1932 Adriaen de Vries), c. 1598, engraving >Aschenputtel, 1847, etching >Rainbow—Grey Seale, 2008, spitbite >Max Klinger, 1902, etching and roulette >The Rest on the Flight into Egypt, and engraving aquatint with drypoint printed printed in orange [proof], 2012.65.3, 1593, engraving >Healthy Today, Dead Tomorrow, etching in graphite on blue gampi paper Ailsa Mellon Bruce Fund >Venus and Mercury (after Bartholomaeus [proof before letters] chine collé >The Small Storm, 1896, etching Spranger), c. 1600, engraving, 2012.92.3, >Das Wald Fraulein, 1845, etching, >Rainbow—Orange Ramo, 2008, spitbite , 1912, drypoint 49, 570–584, Gift of Ruth Cole Kainen 2012.92.413–415, Gift of Ruth aquatint with drypoint printed in orange >Egyptian Landscape and roulette Cole Kainen on blue gampi paper chine collé

60 NATIONAL GALLERY OF ART

>Evening in Fukagawa, c. 1900, color Penck, A. R., German, born 1939 Pontius, Paulus, Flemish, 1603–1658 Richter, Carl August, German, 1770– lithograph, 2012.92.430–432, Gift of Ruth >Deutsches Theater, c. 1975, etching >Olivares, “Ex Archetypo Velàzquez...” 1848, and Adrian Ludwig Richter, Cole Kainen and drypoint (after Sir Peter Paul Rubens), engraving German, 1803–1884 , drypoint, 2012.92.438–439, (after Sir Anthony Orozco, José Clemente, Mexican, >Untitled >Henricus Steenwyck >70 Mahlerische An- und Aussichten der Gift of Ruth Cole Kainen van Dyck), before 1641, engraving 1883–1949 Umgegend von Dresden in einem Kreise >Gaspar de Crayer (after Sir Anthony van von sechs bis acht Meilen, 1820, bound >Man with a Mask, lithograph, Pencz, Georg, German, c. 1500–1550 Dyck), engraving, 2011.139.45, 78, 80, volume with seventy etched illustrations, 2012.92.585, Gift of Ruth Cole Kainen >Tobias Burying One of the Children of Gift of the Estate of Leo Steinberg 2011.120.1, Gift of C. G. Boerner , 1543, engraving, 2011.139.13, Oudry, Jean-Baptiste, French, 1686–1755 Israel Gift of the Estate of Leo Steinberg Prestel, Johann Gottlieb, German, Richter, Gerhard, German, born 1932 >Hunting Scenes with Dogs, 1725, complete 1739–1808 , 1967, lithograph set of seven etchings, 2012.71.1–7, Perelle, Gabriel, French, 1603–1677 >Blattecke , 1968, lithograph, Katharine Shepard Fund >Travelers Approaching a Bridge, etching >View of the Grotto by Heilbrunn, near >Halfmannshof (after Schellinger), 1780s, 2012.92.443, 444, Gift of Ruth >Large Landscape with a Ruined Abbey, Outhwaite, Jean Jacques, French, 1815– aquatint printed in brown with white Cole Kainen etching, 2011.139.7, 123, Gift of the 1877 heightening, 2012.65.2, Ailsa Mellon Estate of Leo Steinberg Richter, Ludwig, German, 1803–1884 >Le Mare au diable (after Charles-François Bruce Fund , 1829, Daubigny), etching, 2011.139.171, Gift of Pfaff, Judy, American, born 1946 >View of the Castle of Olevano Procaccini, Camillo, Italian, 1561–1629 etching, 2012.92.445, Gift of Ruth the Estate of Leo Steinberg >Half a Dozen of the Other—Che Cosa , etching, 2012.92.588, Cole Kainen è Aqua e, 1991, color drypoint with >The Transfiguration Outlaw, Gay, American, born 1959 Gift of Ruth Cole Kainen spitbite and sugarlift aquatints and Roche, Pierre, French, 1855–1922 >First Painting/First Print, 2001, color softground etching Provisor, Janis, American, born 1946 , softground etching and aquatint, >Souhaits Souhaits au Gui Le Siecle Neuf , 2004, color spitbite and 1901, gypsograph printed in red, 2011.119.94, Gift of Kathan Brown >Half a Dozen of the Other—De Lumi e >Family Values Obra, 1991, color aquatint with sugarlift aquatints with etching and 2012.19.3, Given in Memory of Martin Palukst, Abraham, Lithuanian, 1895–1926 softground etching printed paper collage elements on Atlas by his Friends >Zehn Radierungen, 1924, portfolio of gampi paper chine collé >Half a Dozen of the Other—Del Flusso e Rogers, William, English, born ten etchings, 2012.92.638, Gift of Ruth , 1991, color drypoint with , 2004, color spitbite and Riflusso >Flower Power c. 1589/1604 Cole Kainen spitbite and sugarlift aquatints, sugarlift aquatints with drypoint and >Alfonso X, King of Castile, engraving, softground etching, and relief printing printed collage elements on gampi Paling, Richard, German, born 1901 2012.92.544, Gift of Ruth Cole Kainen >Young Girl with Her Hand on Her Head, >Half a Dozen of the Other—Del Fumio e paper chine collé Rohlfs, Christian, German, 1849–1938 c. 1925, drypoint Polvera, 1991, color drypoint with spitbite >Fly, 2004, color sugarlift and spitbite >Sailboats in a Harbor, 1905/1910, >Female Nude with a Braid, c. 1925, and sugarlift aquatints and relief printing aquatints with printed collage elements woodcut drypoint, 2012.92.433–434, Gift of Ruth >Half a Dozen of the Other—Delli Spiriti, on gampi paper chine collé , c. 1910, woodcut Cole Kainen 1991, drypoint with spitbite and sugarlift >Foreigner, 2004, color spitbite, >The Three Wise Men aquatints and softground etching soapground and sugarlift aquatints on >Walker, 1916/1917, woodcut Palmer, Frances Flora Bond, American, >Half a Dozen of the Other—Ogni Cosa Sò gampi paper chine collé, 2011.119.101– >Cat and Mouse, 1912/1913, linocut born , c. 1812–1876 Fa Ogni Cosa e, 1991, color drypoint with 104, Gift of Kathan Brown >Flood, c. 1918, woodcut, 2012.92.446– >A Midnight Race on the Mississippi, spitbite and sugarlift aquatints and 449, 453, Gift of Ruth Cole Kainen 1860, color lithograph with hand- Quaglio, Domenico, German, 1787–1837 softground etching, 2011.119.95–100, Roose, Wanda R., Russian, 1882–1956 coloring, 2012.16.1, Donald and Nancy >Inneres Einer Gotischen Kirche, 1817, Gift of Kathan Brown , 1909, etching, 2012.92.454, de Laski Fund two-toned lithograph, 2012.92.440, >Farmland Picasso, Pablo, Spanish, 1881–1973 Gift of Ruth Cole Kainen Gift of Ruth Cole Kainen Panneels, Willem, Flemish, c. 1600– >Le Déjeuner sur l’herbe, d’après Manet II, Ruscha, Ed, American, born 1937 probably 1632 Radziwill, Franz, German, born 1895 1962, color linocut >City Space, 2006, color aquatint with >Jupiter and Antiope (after Sir Peter Paul >Haus und Boot, 1922, drypoint >Le Déjeuner sur l’herbe, d’après Manet II, sugarlift etching Rubens), etching, 2011.139.21, Gift of >Ostfriesisches Haus, 1922, drypoint, 1962, linocut , 2006, photogravure the Estate of Leo Steinberg 2012.92.441, 442, Gift of Ruth >Desert Gravure , >Le Déjeuner sur l’herbe, d’après Manet II Cole Kainen >Public Market, 2006, sugarlift aquatint Pape, Helga, German, active 1960 1962, color linocut [working proof], with etching on gampi paper chine collé Reinhart, Johann Christian, German, >Two Apples, 1973, color aquatint, 2011.69.1–3, Gift of Catherine Woodard >Your Space #1, 2006, sugarlift aquatint 1761–1847 2012.92.435, Gift of Ruth Cole Kainen and Nelson Blitz Jr. with etching >Ancient Oak Trees by a Watermill, Passe I, Crispijn van de, Dutch, >Drinker Caressing a Reclining Woman, >Your Space #2, 2006, color aquatint 1788, etching, 2011.153.1, Ailsa Mellon c. 1565–1637 1938, etching and engraving, with etching Bruce Fund >The Seven Maccabean Brothers Killed 2011.139.56, Gift of the Estate of >Your Space Gravure, 2006, photogravure by Antiochus (after Maarten de Vos), Leo Steinberg Rembrandt van Rijn, Dutch, 1606–1669 with color aquatint and etching on 1591, engraving Pichler, Johann Peter, Austrian, >A Bald Man in Profile (The Artist’s gampi paper chine collé >Eleazar Burned by Antiochus (after 1765–1807 Father?), 1630, etching, 2011.114.1, >Your Space on Building, 2006, color Maarten de Vos), 1591, engraving, >Two Views of a Cave, mezzotint Purchased as the Gift of Mathew and aquatint with etching, 2011.119.105–111, 2011.139.130, 131, Gift of the Estate >Two Views of a Cave, mezzotint, Ann Nimetz Gift of Kathan Brown , of Leo Steinberg 2012.92.639–640, Gift of Ruth >The Star of the Kings: A Night Piece Sabatelli I, Luigi, Italian, 1772–1850 c. 1651, etching, 2012.92.589, Gift of Pecham, Georg, German, c. 1568–1604 Cole Kainen >The Four Horsemen of the Apocalypse, Ruth Cole Kainen >Hercules and Antheus, etching, Pinelli, Bartolomeo, Italian, 1781–1835 c. 1809, etching, 2011.124.1, Ailsa Mellon 2012.92.586, Gift of Ruth Cole Kainen >La Befana, Costume in Roma, il mese de Reni, Guido, Italian, 1575–1642 Bruce Fund >Angels in Glory (after Luca Cambiaso), Pechstein, Max, German, 1881–1955 Gennaio, Rome 1821, 1821, etching, Sadeler I, Jan, Flemish, c. 1527–1581 1607, etching, 2012.61.1, Ailsa Mellon >Young Girl, etching 2012.92.587, Gift of Ruth Cole Kainen >The Coronation of the Virgin (after Bruce Fund >Dancer, color lithograph, 2012.92.436, Pitteri, Marco Alvise, Italian, 1702–1786 Maarten de Vos), 1576, engraving, 437, Gift of Ruth Cole Kainen >A Gentleman Pilgrim with a Rosary (after 2011.139.50, Gift of the Estate of Giovanni Battista Piazzetta), 1740s, Leo Steinberg engraving with etching, 2012.82.1, Ailsa Mellon Bruce Fund

61 AUCQ ISITIONS

Sadeler I, Jan, Flemish, 1550–1600 and >Vanitas, Vanitatum et Omnia Vanitas (after Segantini, Gottardo, Italian, 1882–1974 Stasik, Andrew, American, born 1932 Johannes Wierix, Flemish, c. 1549–1615 Abraham Bloemaert) engraving >Primavera sulle Alpi (after Giovanni >Intaglio #9, 1969, color etching and >The Story of Moses (after Maarten van >Sine Cerere et Baccho Friget Venus (after Segantini), 1910s, etching, 2012.56.4, aquatint Cleef), 1585, six engravings, Abraham Bloemaert), engraving Ailsa Mellon Bruce Fund >Poet’s Dream, 1971, color lithograph with 2011.139.98–103, Gift of the Estate screenprint on plexiglass, 2012.92.654, >Homage Paid to Ceres (after Hendrik Seiwert, Franz Wilhelm, German, of Leo Steinberg 655, Gift of Ruth Cole Kainen Goltzius), 1596, engraving 1894–1933 (after Maarten >The Story of Moses >Homage Paid to Venus and Cupid (after >Revolution, No. IV [Rufe], woodcut Steinhardt, Jakob, Israeli, 1887–1968 van Cleef), 1585, complete set of Hendrik Goltzius), 1596, engraving >Ihr Menschen Vereinigt Euch, woodcut, >Pogrom, 1913, drypoint, 2012.92.474, eight engravings, 2012.91.1–8, Gift >Homage Paid to Bacchus (after Hendrik 2012.92.26, 642, Gift of Ruth Cole Kainen Gift of Ruth Cole Kainen of Charles Hack Goltzius), 1596, engraving Shieh, Wilson, Chinese, born 1970 Steir, Pat, American, born 1940 >The Four Elements as Mythological Figures >Evening (after Hendrik Goltzius), (after Dirk Barendsz), c. 1587, complete engraving >Baby, 2005, color direct gravure with >Alphabet: Grisaille, 2007, color aquatint aquatint, spitbite aquatint and gampi , 2007, color aquatint set of four engravings, 2012.92.591, >Night (after Hendrik Goltzius), engraving, >Alphabet: Primary 656–658, Gift of Ruth Cole Kainen 2012.92.55, 56, 63, 595–608, 652, 653, paper chine collé with etching >Mother, 2005, color direct gravure >Alphabet: Secondary, 2007, color aquatint Sadeler II, Aegidius, Flemish, Gift of Ruth Cole Kainen with aquatint, spitbite and water with drypoint and etching, 2011.119.123– c. 1570–1629 Schad, Christian, German, 1894–1982 bite aquatints 125, Gift of Kathan Brown (after >Virgin and Child in a Landscape >Interieur, c. 1916, drypoint, 2012.92.455, >Swimmer, 2005, color softground Albrecht Dürer), engraving Struck, Hermann, German, 1876–1944 Gift of Ruth Cole Kainen etching with aquatint and gampi paper (after Pieter >Portrait of a Man, etching >Rocky Landscape in Bohemia Schelfhout, Lodewijk, Dutch, 1881–1943 chine collé Stevens), engraving, 2011.139.51, 52, >Kopf eines alten Juden, 1902, etching >Tête de Christ, 1913, drypoint, 2012.64.1, >The Lovers, 2005, color softground Gift of the Estate of Leo Steinberg >Jude aus Warschau, 1908, etching, Vincent J. Buonanno Fund etching with aquatint and gampi paper , 1614, engraving 2012.92.475, 480, 481, Gift of Ruth >The Emperor Mathias chine collé (after Schiele, Egon, Austrian, 1890–1918 Cole Kainen >Hercules Spinning and Omphale >Three Angels, 2005, color direct gravure Bartholomaeus Spranger), engraving >Doctor Roessler, drypoint, 2012.92.456, with aquatint, spitbite aquatint and Stuck, Franz von, German, 1863–1928 (after Gift of Ruth Cole Kainen >Wisdom Conquering Ignorance gampi paper chine collé, 2011.119.112– >Trout Pond, etching, 2012.92.482, Gift Bartholomaeus Spranger), engraving Schindler, Osmar, German, 1869–1927 116, Gift of Kathan Brown of Ruth Cole Kainen >Bartholomaeus Spranger and his Late Wife >DNMP7HP (Demeter), lithograph, Suyderhoff, Jonas, Dutch, c. 1613–1686 Christina Muller, c. 1600, engraving Sichem I, Christoffel van, Dutch, 2012.92.457, Gift of Ruth Cole Kainen >Jan Hoornbeeck (after Frans Hals), [artist’s proof] c. 1546–1624 Schlenzig, Eva Marie, German, etching, 2011.139.44, Gift of the Estate >Bartholomaeus Spranger and his Late Wife >Judith with the Head of Holofernes (after active 1946 of Leo Steinberg Christina Muller, c. 1600, engraving Hendrik Goltzius), woodcut, 2012.92.648, >The Outing, lithograph >Fall of the Damned (after Sir Peter Paul >Judith with the Head of Holofernes (after Gift of Ruth Cole Kainen >The Outing, lithograph, 2012.92.458, Rubens), 1642, engraving, 2012.92.609, Hans von Aachen), engraving Sillman, Amy, American, born 1956 459, Gift of Ruth Cole Kainen Gift of Ruth Cole Kainen >Allegory of the Marriage of Emperor >N & V, 2007, color softground etching Ferdinand II and Eleanor Gonzaga, Schmidt-Rottluff, Karl, German, with aquatint Swanenburgh, Willem, Dutch, engraving, 2012.92.66, 590, 592–594, 1884–1976 >O & N, 2007, color sugarlift and spitbite 1581/1582–1612 650, 651, 656–658, Gift of Ruth >Nude, 1909, woodcut aquatints with softground >Thronus Iustitiae (after Joachim Cole Kainen >Strasse mit Burg, 1926, color woodcut >R & E, 2007, color softground etching Anthonisz Wtewael), 1606, five >Woman with Unbound Hair, 1913, engravings, 2012.92.610–615, Gift Saenredam, Jan Pietersz, Dutch, with aquatint lithograph of Ruth Cole Kainen 1565–1607 >S & E, 2007, color sugarlift and spitbite >Trees, 1912, lithograph >Venus and Cupid (after Hendrik Goltzius), aquatints with softground etching, Swanevelt, Herman van, Dutch, >Woman’s Head, 1907, lithograph 1596, engraving 2011.119.117–120, Gift of Kathan Brown c. 1600–1655 >Two Nudes on a Rug, 1911, woodcut >Juno (after Hendrik Goltzius), 1596, Slevogt, Max, German, 1868–1932 >The Repentant Magdalene in a Landscape, >Boat on a Lake, 1913, woodcut engraving >Self Portrait Sketching, 1911, etching etching >Bildnis, G, 1913, woodcut >Pallas (Minerva) (after Hendrik Goltzius), with drypoint >Saints Paul and Anthony by the Entrance >Women at the Table, 1914, woodcut 1596, engraving >Camel Rider, 1924, lithograph, to the Cave, etching, 2011.139.37, 38, Gift >The Sun, 1914, woodcut >The Annunciation to the Shepherds (after 2012.92.478, 479, Gift of Ruth of the Estate of Leo Steinberg >Cow Pasture, 1917, woodcut Abraham Bloemaert), 1599, engraving Cole Kainen Sweelinck, Gerrit Pietersz, Dutch, >W.R. Valentiner I, 1923, woodcut >Artist Painting a Nude Woman: Allegory 1566–1645 or before >Landscape with Sun and Bare Trees, Smith, Eddy, German, 1895–1957 of Visual Perception (after Hendrik 1920, drypoint >Hunter, 1923, engraving >John the Baptist, Preaching, 1593, etching, Goltzius), 1616, engraving 2012.92.543, Gift of Ruth Cole Kainen >Girl in the Forest, 1920, drypoint, >Carnage, 1923, engraving, 2012.92.476, >Morning (after Hendrik Goltzius), 2012.92.150, 151, 460–470, 641, Gift 477, Gift of Ruth Cole Kainen Taylor, Al, American, 1948–1999 engraving of Ruth Cole Kainen >Untitled (Double Spiral), 1988, aquatint >Midday (after Hendrik Goltzius), Smith, Kiki, American, born 1954 and etching engraving Schreyer, Lothar, German, 1886–1966 >Home, 2006, color spitbite aquatint with >Untitled (Large Map), 1988, drypoint, >Allegory of the Flourishing State (after >Farbform 2 aus Bühnenwerk etching and drypoint on gampi paper etching, and aquatint Abraham Bloemaert), 1599, engraving “Kindersterben”, 1921, lithograph, chine collé >Untitled (Large Tape), 1988, aquatint >Neptune and Amphitrite (after Hendrik 2012.92.471, Gift of Ruth Cole Kainen >Still, 2006, color spitbite aquatint with and etching Goltzius), engraving etching on gampi paper chine collé, Schumacher, Emil, German, 1912–1999 >Untitled (Small Holes), 1988, drypoint >The Prophet Elijah with the Widow of 2011.119.121, 122, Gift of Kathan Brown >Untitled, 1959, etching and drypoint, and aquatint Zarephath (after Abraham Bloemaert), Spranger, Bartholomaeus, Flemish, 2012.92.472, Gift of Ruth Cole Kainen >Untitled (Small Tape), 1988, aquatint 1604, engraving 1546–1611 Seewald, Richard, German, born 1889 and etching >Salome Dancing Before Herod (after Karel >Saint Sebastian Bound to a Tree, etching, >Tu hai portato il signore del mundo, 1921, >Guard, 1988, drypoint, etching and van Mander I), engraving 2012.92.152, Gift of Ruth Cole Kainen lithograph, 2012.92.473, Gift of Ruth aquatint >The Samaritan Woman at the Well (after Cole Kainen >Coathanger III, 1990, color lithograph Hendrik Goltzius), engraving on tan paper

62 NATIONAL GALLERY OF ART

>Untitled (Planes), 1990, lithograph >Naked III, 2004, color softground Visscher, Cornelis, Dutch, 1629–1662 Wildermann, Hans, German, born 1884 >Dixie, 1990, lithograph etching with hand staining and dyed >Gellius de Bouma, 1656, etching >Requiem, etching and aquatint, >Pet Stains, 1990, lithograph, 2012.4.1–10, string chine collé on Japanese paper and engraving, 2011.139.42, Gift of 2012.92.496, Gift of Ruth Cole Kainen the Estate of Leo Steinberg Gift of Christopher Cordes >Naked IV, 2004, color etching with Wiley, William T., American, born 1937 drypoint and hand staining on black Thévenin, Charles, French, 1764–1838 Vivant Denon, Dominique, Baron, >Billboards, 2006, etching on gampi paper gampi paper >Prise de la Bastille, le 14 Juillet 1789, French, 1747–1825 chine collé , 2004, color softground etching c. 1793, etching [proof], 2011.127.1, >Naked V >Woman Painter at Easel, etching, >Charmin Billy, 2006, color photogravure, with hand staining on Japanese paper Ailsa Mellon Bruce Fund 2011.139.8, Gift of the Estate of softground etching, and spitbite aquatint >Naked VI, 2004, color softground Leo Steinberg , 2006, Thiebaud, Wayne, American, born 1920 >Charmin Billy Monoland etching with hand staining and blue photogravure with hand-coloring >Beach Dogs, 2006, drypoint on gampi gampi paper collage on Japanese paper Vorst, Joseph Paul, American, 1897–1947 paper chine collé >Blacksmith, 1941, lithograph >Cripples Frightened by Cosmic Downsizing >Naked VII, 2004, color etching with (After Brueghel), 1996, color aquatint with >Cakes and Pies, 2006, color direct gravure >Dry River Run, 1939, lithograph hand staining on Japanese paper etching and drypoint >Cupcakes and Donuts, 2006, color direct >Good Lord Give Me Peace, c. 1940, >Naked VIII, 2004, color etching , 2006, spitbite aquatint on gravure lithograph, 2012.92.493–495, Gift >Equestrian with drypoint and hand staining on gampi paper chine collé >Dark Cakes and Pies, 2006, direct gravure of Ruth Cole Kainen Japanese paper , 2006, spitebite aquatint on gampi paper chine collé >Michel & Doc >Naked IX, 2004, color softground Wang, Ming, American, born 1921 on gampi paper chine collé >Dark Cupcakes and Donuts, 2006, direct etching with hand staining and gampi >Song of Circles, 1976, color screenprint, , 2006, color gravure on gampi paper chine collé >Michel & Doc Go Green paper chine collé on Japanese paper 2012.92.659, Gift of Ruth Cole Kainen spitbite aquatint on gampi paper >Seven Dogs, 2006, drypoint on gampi , 2004, color softground etching >Naked X Warhol, Andy, American, 1928–1987 chine collé paper chine collé with drypoint and hand staining on , 1968, >Rex & Bill, 2006, softground etching >Tide Figures, 2006, color drypoint with >Flash—November 22, 1963 Japanese paper, 2011.119.133–142, on gampi paper chine collé etching on gampi paper chine collé, portfolio of eleven color screenprints, Gift of Kathan Brown , 2006, color spitbite 2011.119.126–132, Gift of Kathan Brown eleven text pages, and colophon page, >Shadow of the Whip Uhden, Maria, German, 1892–1918 2012.31.1–11, Gift of the Collectors aquatint and softground etching on Thiemann, Carl, German, 1881–1966 >Burning House, woodcut Committee gampi paper chine collé >Alt Prag, abbruch der Josefstatter-Strasse, , 1918, woodcut, , 2006, color >Woman Bathing , , Dutch, >The Rex & Bill Story 1906, color linocut 2012.92.35, 490, Gift of Ruth Cole Kainen softground etching with photogravure 1609/1610–1690 >Bergkirchen bei Dachau, 1909, on gampi paper chine collé Ulrich, Heinrich, German, c. 1572–1621 >Village on a Hill, etching color linocut >Uninvolving Chance and to See What Was >Aiolos, engraving, 2012.92.617, Gift of >Watermill at the Foot of a Hill, etching >View into a Valley, 1916, color There, 1996, aquatint with etching Ruth Cole Kainen >Wooden and a Stone Bridge, etching, linocut, 2012.92.483–485, Gift of Ruth and drypoint, 2011.119.143–153, Gift 2011.139.47–49, Gift of the Estate Cole Kainen Ury, Lesser, German, 1861–1931 of Kathan Brown of Leo Steinberg >Landscape with Tall Birches before a Tiepolo, Giovanni Domenico, Italian, Wols, German, 1913–1951 Wooded Hill, lithograph Waterloo, Anthonie, Dutch, 1609/1610– 1727–1804 >Cityscape, 1950, color etching, >Bauer in der Scheune, 1921, drypoint, 1690, and Johannes Ruischer, Dutch, >Old Man in Profile, etching, 2012.92.616, 2012.92.497, Gift of Ruth Cole Kainen 2012.92.491, 492, Gift of Ruth Gift of Ruth Cole Kainen 1625–1675 Cole Kainen >Hamlet in a Valley, etching, 2011.139.46, Wunderlich, Paul, German, born 1927 Tischler, Heinrich, Polish, 1892–1938 , 1967/1968, Velde II, Jan van de, Dutch, 1593–1641 Gift of the Estate of Leo Steinberg >Stuhl-Metamorphose >Houses, drypoint , etching and engraving, color etching, 2012.92.498, Gift of >Ignis (after Willem Buytewech), 1622, >The Sluice >Einsame, 1914, etching, 2012.92.486, 487, Ruth Cole Kainen etching, 2011.139.166, Gift of the Estate 2012.92.50, Gift of Ruth Cole Kainen Gift of Ruth Cole Kainen of Leo Steinberg Wayne, June, American, 1918–2011 Wüsten, Johannes, German, 1896–1943 Topp, Arnold, German, 1887–1945 , 1928, engraving, 2012.92.499, Vermeulen, Cornelis, Flemish, >Squall at Ten, 1975, lithograph, >Totentanz >Abstract Composition, 1918, linocut Gift of Ruth Cole Kainen 1644–1708/1709 2011.148.2, Gift of ARCO >Abstract Composition, 1920, woodcut, Zille, Heinrich, German, 1858–1929 2012.92.488, 489, Gift of Ruth >Catherine d’Arragon (Catherine of Aragon) Weiss, Bartholomäus Ignaz, German, (after Adriaen van der Werff), 1697/1713, , c. 1902, etching, Cole Kainen 1740–1814 >Wood Carrier engraving, 2011.139.41, Gift of the >Half-Length Figure of a Woman Looking 2012.92.500, Gift of Ruth Cole Kainen Treu, Martin, German, active 1540–1543 Estate of Leo Steinberg Sideward, etching >Bagpipe Players, c. 1540, engraving PHOTOGRAPHS Vignon, Claude, French, 1593–1670 >Half-Length Figure Reading, etching, >Dancing Couple, Facing Left, c. 1540, , 2011.121.1, 2, Gift of Andrée and engraving >The Bodies of Saints Peter and Paul 1620, etching Jonathan Bober Abbott, Berenice, American, 1898–1991 >Embracing Couple, c. 1540, engraving, , >Water Front, From Roof of Irving Trust Co. 2011.139.72–74, Gift of the Estate of >The Martyrdom of Saint Lawrence Wells, James Lesesne, American, etching, 2012.92.618, 619, Gift of 1902–1993 Building, Manhattan, 1938 Leo Steinberg > Ruth Cole Kainen >Burning Bush, 1961, woodcut Central Park Plaza: Hotel Sherry Troger, Paul, Austrian, 1698–1762 Netherland (Center), Hotel Savoy Plaza Villon, Jacques, French, 1875–1963 >Orpheus and the Sirens, 1983, color >David with the Head of Goliath, 1720s, (Right), Manhattan, Angle: From 58th , 1907, woodcut, 2012.92.660, 661, Gift etching, 2011.129.4, Ailsa Mellon >Minne Reclining in a Rocking Chair Street and Fifth Avenue, Manhattan, 1937 etching, softground etching, and of Ruth Cole Kainen Bruce Fund >Facade: 180 West 58th Street, Manhattan, aquatint on old blue-gray oatmeal paper Wicar, Jean-Baptiste Joseph, French, 1938 Tuttle, Richard, American, born 1941 [artist’s proof] 1762–1834 > >Naked I, 2004, color softground etching Under Riverside Drive Viaduct, at 125th >Minne Reclining in a Rocking Chair, 1907, >Self Portrait, 1797, etching, 2012.51.1, , 1937 with foulbiting and hand staining on Street and 12th Avenue, Manhattan etching, softground etching, and Katharine Shepard Fund >Oliver Street, Numbers 13 1/2–29, Japanese paper aquatint, 2012.67.3, 4, Ailsa Mellon Wierix, Hieronymus, Flemish, , 1937 >Naked II, 2004, color etching with Manhattan Bruce Fund > foulbiting and hand staining on c. 1553–1619 Willow Street #104, Brooklyn, New , 1936 Japanese paper >The Holy Kinship (after Denys Calvaert), York before 1611, engraving, 2011.139.32, >Firehouse 52: Spuyten Duyvil, Riverdale Gift of the Estate of Leo Steinberg Avenue at 245th Street, Bronx, 1937

63 AUCQ ISITIONS

>Sutton Place: Anne Morgan’s Town House >Near Interstate 10, east edge of Redlands, >Clatsop Beach, Oregon, 1999 >Cottonwoods, southeast of Longmont, on Corner, Northeast Corner of East 57th California, 1982 >Clatsop Beach, Oregon, 1999 Colorado, 1992 Street, Manhattan, 1936 >Arriba, Colorado, 1966 >Clatsop Beach, Oregon, 1999 >A dying farm community, edge >Wrought Iron Ornament, 112 and 114 >Colorado, c. 1973 >Clatsop Beach, Oregon, 1999 of Briggsdale, Colorado, 1983 West Eleventh Street, Manhattan, 1937 >Jefferson County, Colorado, 1970 >Winter, northwest across dunes and tidal >Burning oil sludge, Boulder County, >Fifth Avenue No. 8 (Marble House), >Denver, Colorado, 1981 marsh inside the South Jetty, Clatsop Colorado, 1974 Manhattan, 1938 >Denver, Colorado, 1981 County, Oregon, 1990 >El Paso County Fairgrounds, Calhan, >Fifth Avenue Theater Interior: Drinking >Denver, Colorado, 1981 >Winter, northwest across dunes and tidal Colorado, 1968 Fountain Behind Scenes, 1185 Broadway, >Housing adjacent to an elevated freeway, marsh inside the South Jetty, Clatsop >Kerstin’s grandfather, almost blind, Manhattan, 1938 Denver, Colorado, 1974 County, Oregon, 1990 walking towards his house in Öglunda, >Chelsea Hotel, West 23rd Street Between >Northglenn, Colorado, 1973 >Denver, Colorado, 1981 Sweden, 1968 7th and 8th Avenues, Manhattan, 1936 >Northglenn, Colorado, 1974 >Denver, Colorado, 1981 >The morada door, along the Purgatory >East Broadway #294, Manhattan, 1937 >Housing adjacent to an elevated freeway, >Lakewood, Colorado, 1973–1974 River, 1970s >Broadway and Broome Street, Manhattan, Adams County, Colorado, 1973 >A matinee at a theater in a mall in >A locally quarried and cut grave marker 1935 >Lakewood, Colorado, 1974 Lakewood, Colorado, 1973–1974 of red sandstone, 1970s >Mori’s Restaurant, 144 Bleecker Street, >Lakewood, Colorado, c. 1973 >Columbia County, Oregon, 2003 >An irrigation canal, Larimer County, Manhattan, 1935, gelatin silver prints, >Lakewood, Colorado, 1973 >Denver, Colorado, 1980 Colorado, 1995 2011.106.1–15, Gift of the Robert and >Longmont, Colorado, 1973 >Denver, Colorado, 1980 >Kerstin enjoying the wind, east of Keota, Joyce Menschel Family Foundation >Boulder County, Colorado, 1983 >Denver, Colorado, 1980 Colorado, 1969 > > , 1978 > , 1969 Adams, Robert, American, born 1937 On the Pawnee Grasslands, Near Laporte, Colorado Farmyard, South of Arriba, Colorado , c. 1984 > > , 1969 >Rialto, California, 1982 Colorado Garden of the Gods, El Paso County, Ranch, northeast of Keota, Colorado > , 1977 > , 2000s >Arvada, Colorado, 1974 North of Purcell on the Pawnee Grasslands, Colorado Nehalem Bay State Park , 1981 > , 1980s > , 2000s >Southeast from Cape Disappointment, in Colorado Central Denver Nehalem Bay State Park > > > , 2000s Washington, across the Columbia River to Remains of a eucalyptus wind break among South from Rocky Flats, Jefferson County, Nehalem Bay State Park , 1982 , 1979 > , 2000s, gelatin Oregon, 1990 citrus groves, Redlands, California Colorado Nehalem Bay State Park > , 1968 > , 1970 silver prints, 2012.70.24–169, Pepita >Nebraska State Highway 2, Box Butte Buffalo for sale, Pinon, California Boys in a pickup, Simla, Colorado > , 1973 > , 1965 Milmore Memorial Fund and Gift County, Nebraska, 1978 Longmont, Colorado Movie theater, Otis, Colorado > > , 1983 of Robert and Kerstin Adams >From Lookout Mountain, at Buffalo Bill’s Pikes Peak, from the prairie, Cottonwood, Longmont, Colorado , c. 1968 > grave, Jefferson County, Colorado, 1970 Colorado Northeast from Flagstaff Mountain, American 19th Century > , 1975, gelatin >From Lookout Mountain, at Buffalo Bill’s Concrete and ice, Missouri River, Clay Boulder County, Colorado >Grace Woodhouse Roosevelt, c. 1890, , 1977 silver prints grave, smog, Jefferson County, Colorado, County, South Dakota gelatin silver print, 2011.142.1, Gift > , > 1970 Clearcut, Clatsop County, Oregon Memorial, the war in Iraq, 2007, Astoria, of Olga S. Toulmin 1999–2003 , 2007, six gelatin silver prints >Along Interstate 25, north edge of Denver, Oregon >Portrait Album, 1860s–1870s, bound > > , 2003 Colorado, 1973 On Humbug Mountain, Clatsop County, Pine Valley, Oregon volume containing forty-eight tintypes, , 1999–2003 > , 2003 >Basement for a tract house, Colorado Oregon Pine Valley, Oregon 2012.1.1, Gift of Charles Isaacs and > , > , 2003 Springs, Colorado, 1969 Near Halfway, Baker County, Oregon Pine Valley, Oregon Gregory Leroy 1999–2003 > , c. 1976 >Eroding edge of abandoned citrus growing Boulder County, Colorado >Portrait of a Girl, 1860s, hand-painted > , > , 1973–1974 estate, East Highlands, California, 1982 Near Halfway, Baker County, Oregon Untitled salted paper print, 2012.1.2, Gift 1999–2003 > , c. 1973 >Untitled, 1983 Untitled of Charles Isaacs and Carol Nigro > , 1999–2003 > >The Pawnee Grasslands, Colorado, 1983 Clatsop County, Oregon Abandoned car, Carbon County, >Portrait of Two Illinois Cavalrymen, > , 1968 , 1978 >Storm over Pawnee National Grasslands, Tract home, Security, Colorado Wyoming 1860s, tintype, 2012.40.1, Robert > , 1999–2003 > Colorado, 1982 Near Halfway, Oregon Grand , Mesa County, Menschel and the Vital Projects Fund > , , 1978 >Supermarket, Denver, 1973 Sand Creek near Denver, Colorado Colorado >Portrait of a Father and Daughter with 1985–1987 > , >Colorado Springs, c. 1968 Trailer house, Colorado Springs, Colorado Horse and Dog, c. 1845, daguerreotype, > , 2001 1968–1971 >Green Mountain, Jefferson County, Clatsop County, Oregon 2012.40.2, Robert Menschel and the Vital > , 1969 > , c. 1984 Colorado, 1970 Colorado Springs, Colorado The Pawnee Grasslands, Colorado Projects Fund > , 1999–2002 > , 1999 >Abandoned windbreaks, west of Fontana, Clearcut, Coos County, Oregon Clearcut, Coos County, Oregon >Portrait of a Soldier, 1860s, tintype, > , 1999–2002 > , 1999–2002 California, 1983 Clearcut, Coos County, Oregon Untitled 2012.40.3, Robert Menschel and the Vital > > >Above Boulder, Colorado, c. 1981 A second growth stump on top of a first Grand Junction, Mesa County, Projects Fund , 1999, , 1978 >Weld County, Colorado, 1976 growth stump, Coos County, Oregon Colorado gelatin silver prints > American 20th Century >Longmont, Colorado, 1980 Monument to striking miners and their > , 2004, >Untitled (Charles Appel’s Snapshot Album), >Windbreak on a farm being destroyed for Questions for an Overcast Day families killed in 1914 by the state militia, thirty-three gelatin silver prints , 1973–1974 1907–1915, bound album of 255 development, Longmont, Colorado, 1982 Ludlow, Colorado > > photographs with one colored postcard >Longmont, Colorado, 1973 Clearcut, Humbug Mountain, Clatsop Summer, early morning; an immigrant , 1999–2003 , 1965 and various newspaper clippings, >Kerstin, Weld County, Colorado, 1984 County, Oregon cemetery, north of Bethune, Colorado > > 2011.105.1, Gift of Roger and Chris Taylor >Firebreak above East Highlands, California, Kerstin, old growth stump from early Catholic church, winter, Ramah, , 1966 1982, gelatin silver prints, 2012.70.1–23, cutting, surrounded by the remains Colorado Barnard, George N., American, > The Ahmanson Foundation and Gift of of recently cut small trees, on Humbug Catholic church, summer, Ramah, 1819–1902 , , 1965 Robert and Kerstin Adams Mountain, Clatsop County, Oregon Colorado >Rebel Works in front of Atlanta, Ga, No. 4, 1999–2001 > >Defoliated and bulldozed orchard, Highland, Kerstin and Mrs. Leslie Ross, on the Ross 1864, albumen print, 2012.83.1, Robert , 1999–2002 , 1973 California, 1983 >Oregon farm, near Peetz, Colorado Menschel and the Vital Projects Fund > , 1999–2002 > , 1965 >Grand Terrace, California, 1982 Oregon A store in Elizabeth, Colorado Bell, William, American, born England, > , 1999–2002 > , 1968 >Redlands, California, 1982 Oregon Öglunda, Sweden 1830–1910 >Longmont, Colorado, 1973 >Broken cottonwood, east of Longmont, >Next to Interstate 10 interchange at San >Looking South into the Grand Cañon, >A farm pond about to be destroyed by Colorado, 1984 Bernardino, California, 1982 Colorado River, Sheavwitz Crossing, 1872, > >Santa Ana Wash, San Bernardino County, earth moving machinery, Northglenn, Tree line, farm being cleared for albumen print, 2011.99.1, Eugene L. and , 1973 , 1982 California, 1982 Colorado development, Longmont, Colorado Marie-Louise Garbáty Fund

64 N ATionAL GALLERY OF ART

Benson, Richard, American, born 1943 >Bill Reck in his coldwater flat..., 1953, Gowin, Emmet, American, born 1941 McClintock, Heather, American >Robert Gould Shaw Memorial, 1973, gelatin silver print, printed 1984–1997 >Edith, Danville, Virginia, 1963, gelatin >Alema Rose, Aler IDP Camp, Uganda, twenty-four inkjet prints, printed c. 2008, >Rick McBride’s glasses nose beard..., 1985, silver print, printed 1980s 2006, chromogenic print, 2011.143.1, 2011.109.1.1–24, Gift of Susan and gelatin silver print >Edith, Newtown, Pennsylvania, 1998, Gift of Heather McClintock Peter MacGill gelatin silver print >Bill Burroughs and Jack Kerouac locked Misrach, Richard, American, born 1949 > , 2002, inkjet print, Casebere, James, American, born 1953 in Mortal Combat..., 1953, gelatin silver Edith and Moth Flight >Untitled 166–02 (Bruce’s), 2002, 2012.24.1–3, Charina Endowment Fund >Spiral Staircase, 2002–2003, chromogenic print, printed 1984–1997 chromogenic print, 2011.112.1, Gift print >Shig Murao, up late night reading..., 1985 Greene, Myra, American, born 1975 of Bruce and Sharyn Charnas > , 1991, gelatin silver print, >Willem De Kooning in his studio..., 1985 , 2006 Venice Ghetto >Untitled [Ref. #20] Nixon, Nicholas, American, born 1947 2011.144.1–2, Gift of the Heather and >Harry Smith, hermetic film-maker..., 1985 > , 2006 Untitled [Ref. #56] >The Brown Sisters, 2011, gelatin silver Tony Podesta Collection >Gregory Corso serious, straightforward..., > , 2006 Untitled [Ref. #60] print, 2011.104.1, Robert Menschel and 1985, gelatin silver prints > , 2006 Close, Chuck, American, born 1940 Untitled [Ref. #63] the Vital Projects Fund >Gary Snyder with Parka, Kausani..., 1962, > , 2007 >Kara, 2007, daguerreotype, 2011.110.1, Untitled [Ref. #72] gelatin silver print, printed 1984–1997 > , 2007 Pardington, Fiona, New Zealander, Alfred H. Moses and Fern M. Schad Fund Untitled [Ref. #75] >Olga Rudge at Ezra Pound Centenary >Untitled [Ref. #77], 2007, ambrotypes, born 1961 Curran, Darryl, American, born 1935 Conference..., 1985 2012.23.1–7, Alfred H. Moses and Fern >Portrait of a Life-Cast of Guidon, >L.A. Series #14, 1969, gelatin silver print, >Russian poet Yevgeny Yevtushenko..., 1986, M. Schad Fund Madagascar, 2010 Plexiglas, masonite, and wood, gelatin silver prints >Gall’s Bust IV, A Study in Winter, 2010, Hamilton, Ann, American, born 1956 2012.41.4, Charina Endowment Fund >Kodak-Retina snapshot by William inkjet prints, 2012.8.1–2, Robert , 1984 , 1953 >body object series #1, chair Menschel and the Vital Projects Fund Danh, Binh, American, born Burroughs... > , >body object series #2, stool, 1984 Vietnam, 1977 Summer 1965, 8 day backpack climbing... Rogovin, Milton, American, 1909–2011 1965, gelatin silver prints, printed >body object series #3, shoe, 1984 >Ghost of Tuol Sleng Genocide Museum #1, >Untitled (Appalachia series), 1962–1971 1984–1997 >body object series #4, cloth, 1985 2007, daguerreotype, 2012.43.1, Alfred >Untitled (Storefront Churches series), > , 1988 >body object series #6, seed suit, 1987, H. Moses and Fern M. Schad Fund Robert Frank at his kitchen table... 1958–1961 > , 1988 gelatin silver prints, printed 1991, Ai Wei Wei... >Untitled (Storefront Churches series), Davey, Moyra, Canadian, born 1958 > 2011.144.7–11, Gift of the Heather and Juanita Lieberman had met Peter 1958–1961 >Copperhead #44, 1990 , 1985, gelatin silver prints Tony Podesta Collection Orlovsky... >Untitled (Storefront Churches series), >Copperhead #40, 1990 > , 1955 Heinecken, Robert, American, Peter Orlovsky in my room... 1958–1961 >Copperhead #22, 1990 > 1931–2006 Gregory Corso on Boulevard Pasteur >Untitled (Storefront Churches series), >Copperhead #95, 1990 , 1961 Ta n g i e r... >Sammy Davis Jr. Caressing Montgomery 1958–1961 >Copperhead #50, 1990 > , 1994, inkjet Jack Kerouac 1953 Seen through Clift on a Ladder Proof #1 >Untitled (Storefront Churches series), >Copperhead #4, 1990 , 1953, gelatin silver prints, print, 2011.107.1, Anonymous Gift window... 1958–1961 >Copperhead #77, 1990 printed 1984–1997 > , 1984, four Untitled Newswomen, Suite B >Untitled (Storefront Churches series), >Copperhead #32, 1990 > , 1986, dye diffusion transfer prints, Peter Orlovsky & Robert Frank... 1958–1961 >Copperhead #36, 1990, chromogenic gelatin silver print 2011.137.1.1–4, Gift of the Collectors >First Timothy (Storefront Churches series), prints, printed 2010–2011, > , Committee Joanne Kyger (Snyder) & Gary Snyder... 1958–1961 2012.9.1–9, Alfred H. Moses and 1963, gelatin silver print, printed Khan, Idris, British, born 1978 >Untitled (Storefront Churches series), Fern M. Schad Fund 1984–1997 >Houses of Parliament, 2012, gelatin 1958–1961 > , Eliasson, Olafur, Danish, born 1967 William S. Burroughs, before entering car... silver print, 2012.30.1, Alfred H. >Dick Hughes, Shenango Ingot Molds 1985, gelatin silver print >Untitled, 1998 Moses and Fern M. Schad Fund (Working People series), 1983 > , 1953 >Untitled, 1998 Jack Kerouac passing corner bar... >Dick Hughes, Shenango Ingot Molds > Lee, Nikki S., Korean, born 1970 >Untitled, 1998, chromogenic prints, Jack Kerouac, Villa Mouneria Garden (Working People series), 1987 , 1957, gelatin silver prints, >The Hip Hop Project (2), 2001 2011.144.32–34, Gift of the Heather Wall, Tangier... >Shenango Ingot Molds (Working People printed 1984–1997 >The Hispanic Project (2), 1998 and Tony Podesta Collection series), 1978–1981 >Richard Avedon, his studio..., 1984, gelatin >The Hispanic Project (25), 1998 Frank, Robert, American, born >Shenango Ingot Molds (Working People silver print >The Hispanic Project (6), 1998, , 1924 series), 1978–1981 >My father Louis Ginsberg ..., 1976, gelatin chromogenic prints, 2011.144.12–15, >Memorial Sketchbook Celebrating the Life of >Where’re You Walk (Storefront Churches silver print, printed 1984–1997 Gift of the Heather and Tony Podesta Pablo Frank (1951–1994), n.d., album series), 1958–1961 >Dorothy Norman (b. 1903–), Collection of color photocopies, 2011.111.1, Gift >Untitled (Storefront Churches series), , 1987, gelatin silver print LeWitt, Sol, American, 1928–2007 from the Estate of Kazuko Oshima ... 1958–1961 > , Peter Orlovsky age 21 with our first car... >Windows, 1980, chromogenic prints, >Untitled (Appalachia series), 1962–1971 Gaskell, Anna, American, born 1969 1955, gelatin silver print, printed 1990 2011.148.1, Gift of ARCO >Untitled (Appalachia series), 1962–1971 >Untitled #6 (Wonder Series), 1996, >Peter Orlovsky legs crossed..., 1961 Maisel, David, American, born 1961 >Untitled (Appalachia series), 1962–1971 chromogenic print, 2011.144.5, Gift of >Dr. Timothy Leary meeting Neal >History’s Shadow GM12, 2010 >Happiness Is (Lower West Side series), 1973 the Heather and Tony Podesta Collection Cassady..., 1964 >History’s Shadow GM16, 2010, inkjet >Mrs. Lopez and Six Confirmation Girls >Lafcadio & Peter Orlovsky at kitchen Ginsberg, Allen, American, 1926–1997 prints, 2012.43.2–3, Alfred H. Moses (Lower West Side series), 1985 table..., 1956 >Out my New York kitchen window..., 1987, and Fern M. Schad Fund >Untitled (Storefront Churches series), > gelatin silver print A modest portrait, Allen Ginsberg and 1958–1961 , 1961 Marclay, Christian, American, born 1955 >Al Sublette, & Peter Orlovsky as I first Gregory Corso... >Dick Hughes, Shenango Ingot Molds > >Allover (A Gospel Reunion), 2009, knew him, 1955 S.F., 1955 William S. Burroughs serious, sad lover’s (Working People series), 1978–1981 , 1953 cyanotype, 2012.22.1, Alfred H. Moses >Peter Orlovsky’s clear inquiring eye..., 1961 eyes... >Dick Hughes, Shenango Ingot Molds > and Fern M. Schad Fund >Tangier 1961 Lance Hendrickson showed Gregory Corso looking out his attic-room (Working People series), 1978–1981 , 1957 up..., 1961, gelatin silver prints, printed skylight... Marville, Charles, French, 1813–1879 >Appalachia (Working People series), 1981 > , 1964, 1984–1997 Korean War Vet Ken Babbs... >The Virtues Crushing the Vices, Strasbourg >Appalachia (Working People series), 1981 gelatin silver prints, printed 1984–1997, >Sandro Chia & William S. Burroughs..., Cathedral, 1853, salted paper print, >Mrs. Lopez and Six Confirmation Girls 2011.146.1–40, Gift of Gary S. Davis 1985, gelatin silver print 2011.108.1, Robert and Paula (Lower West Side series), 1974 Hershkowitz in memory of Sam Wagstaff >Untitled (Lower West Side series), 1985

65 AUCQ ISITIONS

>Untitled (Storefront Churches series), >Laying-on of Hands (Storefront Churches >Faces #3, 1998, chromogenic prints, >Portrait of a Man, c. 1862–1864, 1958–1960 series), 1958–1960 2011.144.17, 35–45, Gift of the Heather albumen prints, 2012.83.2–3, Robert >Untitled (Storefront Churches series), >James Mathis, Amherst Foundry (Working and Tony Podesta Collection Menschel and the Vital Projects Fund 1958–1961 , 1987, gelatin silver prints, People series) Tripe, Linnaeus, British, 1822–1902 Willis, John, American > 2011.145.1–67, Gift of Dr. J. Patrick and Samuel P. “Pee Wee” West (Lower West >No. 109. Rangoon. North Entrance >Tony Telling Hard Stories of Raising , 1974 Patricia A. Kennedy Side series) to the Shwe Dagon Pagoda. Children While Being Out of Work, > Samuel P. “Pee Wee” West (Lower West Rossell, Daniela, Mexican, born 1973 >No. 94. Amerapoora. Pyathat of Kyoung. 2003, gelatin silver print, 2011.149.1, , 1985 Side series) >Third World Blondes Have More Money >No. 93. [Maha Too Lo Bounghian Kyaung]. Gift of Elijah Willis > Samuel P. “Pee Wee” West (Lower West (Raquel 20 Animales), 2002, chromogenic >No. 55. Amerapoora. Toung-lay-tiy Kyoung. , 1992 Woodman, Francesca, American, Side series) print, 2011.144.16, Gift of the Heather >No. 69. Amerapoora. Ooh-nein Gate of > 1958–1981 Samuel P. “Pee Wee” West (Lower West and Tony Podesta Collection the City. , 2002 >House #3, Providence, Rhode Island, 1976 Side series) >No. 30. Tsagain Myo [Sagaing]. Ruined > Rubincam, Harry C., American, >From Angel Series, Rome, 1977–1978 Puerto Rican Couple with Nine Children Tazaung. , 1973 1871–1940 >Self-deceit #1, Rome, 1978, gelatin silver (Lower West Side series) >No. 32. Tsagain Myo [Sagaing]. Doorway > , 1986 >The Circus, 1905, platinum print, prints, 2011.144.18–20, Gift of the Untitled (Lower West Side series) of a small Pagoda. > , 1992 2012.39.1, William and Sarah Heather and Tony Podesta Collection Untitled (Lower West Side series) >No. 34. Tsagain Myo [Sagaing]. View > , 2002 Walton Fund Untitled (Lower West Side series) near the River., 1855, salted paper prints, > Robert “Chino” Montalvo (Lower West Side Ruwedel, Mark, American, born 1954 2012.87.1–7, Steven G. Stein Fund , 1984 series) >Dusk #5 (Antelope Valley #63B), 2007 >No. 100. Rangoon. Patent slip. > Robert “Chino” Montalvo and Baby (Lower >Dusk #6 (Antelope Valley #65), 2007 >No. 106. Rangoon. View near the Lake. , 1992 West Side series) >Dusk #21 (Antelope Valley #230), 2008 >No. 119. Rangoon. Mission House > Robert “Chino” Montalvo and Son (Lower >Dusk #46 (Antelope Valley), 2010 at Kemindine. , 2002 West Side series) >Dusk #51 (Salton City), 2010 >No. 83. Amerapoora. Maha-oung-meeay- > Robert “Chino” Montalvo as a Baby (Lower >Canadian Pacific #3, 2000 liy-mhan Kyoung. , 1973 West Side series) >Death Valley #1, 1995 >No. 96. Mengoon [Mingun]. Ruined Griffins. > , 1973 Untitled (Lower West Side series) >Mohave and Milltown #3, 2004 >No. 76. Amerapoora. Sindu Shwe > , 1971 Untitled (Lower West Side series) >Nevada Central #4, 1999 koo Pagoda. > Galilee Baptist Church (Storefront Churches >Oregon California and Eastern #1, 1998 >No. 81. Amerapoora. My-an-dyk Kyoung. , 1958–1960 series) >Silver Peak #1, 1999 >No. 24. Pugahm Myo [Pagan]. Entrance > , 1960 Untitled (Storefront Churches series) >Utah Southern Extension #4, 2001, gelatin to the Shwe Zeegong Pagoda. > , 1962–1971 Untitled (Appalachia series) silver prints, 2012.47.1–12, Alfred H. >No. 25. Pugahm Myo [Pagan]. Carved > , 1981 Appalachia (Working People series) Moses and Fern M. Schad Fund doorway., 1855, salted paper prints, > , 1981 Appalachia (Working People series) Stoddard, Seneca Ray, American, 2012.87.8–16, Diana and Mallory > , 1981 Appalachia (Working People series) 1843–1917 Walker Fund >Jimmy Webster with His Father, Vern >Ausable Chasm, c. 1880, albumen >No. 105. Rangoon. View of the Cantonment. , 1973 Webster (Lower West Side series) print, 2012.18.1, Veverka Family >No. 115. Rangoon. Rear View of the [Shwe > , Jimmy Webster (Lower West Side series) Foundation Fund Dagon] Pagoda. 1985 >Marion River at Bassett’s Camp, c. 1876– >No. 88. Amerapoora. Doorway of Pyathat. > , Jimmy Webster (Lower West Side series) 1891, albumen print, 2012.18.2, Robert >No. 87. [Maha-too-lo-Bounghian Kyoung]. 1992 Menschel and the Vital Projects Fund >No. 59. Amerapoora. S. Ditch of the >Jimmy Webster (Lower West Side series), >Cascade Lakes, Adirondacks, c. 1888, City Wall. 2002 albumen print, 2012.83.4, Diana >No. 62. Amerapoora. Magwe Wundouk > Doris McKinney, Republic Steel (Working and Mallory Walker Fund and Veverka Kyoung. , 1978 People series) Family Foundation Fund >No. 63. Amerapoora. Pyee-dyk kyoung. > Doris McKinney, Republic Steel (Working >No. 67. Amerapoora. Ouk Kyoung. [Maha , 1978 Stone, Michael, American, born 1945 People series) Aungmye Bonzan at Ava]. > >Untitled, 1968, Kodalith film, Plexiglas, Doris McKinney at Home, Republic Steel >No. 21. Pugahm Myo [Pagan]. East facade , 1978 mirror, and wood, 2012.41.1–3, Charina (Working People series) of Damayangyee Pagoda. [Dhamma-yan- > Endowment Fund Doris McKinney with Her Two Sons, gyi Temple]. , 1987 Republic Steel (Working People series) Sutcliffe, Frank Meadow, British, >No. 38. Amerapoora. Portico of the Residency. > , Leroy, Atlas Steel (Working People series) 1853–1941 >No. 39. Amerapoora. West Gate of the 1978 >In Puris Naturalibus (Natives, Whitby), Residency Enclosure. > Hubert Morrison with Family, Atlas Steel 1880s, carbon print, 2012.42.1, Robert >No. 40. Amerapoora. Barracks of the , 1978 (Working People series) Menschel and the Vital Projects Fund Burmese Guard. >Hubert Morrison with His Wife and Tandberg, Vibeke, Norwegian, >No. 42. Amerapoora. Mygabhoodee-tee Cat, Atlas Steel (Working People series), born 1967 Kyoung from E. 1978–1979 >Faces #1, 1998 >No. 48. Amerapoora. View amongst the >Hubert Morrison with His Wife and Dog, >Faces #8, 1998 Pagodas near the Statue [of Gautama]. Atlas Steel (Working People series), 1987 >Faces #4, 1998 >No. 6. Thayet Myo. Pagoda on the S. of >James Mathis, Amherst Foundry (Working >Faces #9, 1998 Cantonment., 1855, salted paper prints, People series), 1979 >Faces #10, 1998 2012.87.17–30, Edward J. Lenkin Fund >James Mathis, Amherst Foundry (Working >Faces #6, 1998 People series), 1979 Warren, George K., American, 1824 >Faces #12, 1998 >Mother Tokio on Pulpit (Storefront or 1834–1884 >Faces #5, 1998 Churches series), 1958–1960 >Theodore Ferris, c. 1869 >Faces #2, 1998 >Untitled (Lower West Side series), 1973 >Faces #11, 1998 >Faces #7, 1998

66 CHANGES OF ATTRIBUTION

The following changes of attribution are 2009.70.124 1991.150.73 the result of scholarly research utilizing Egyptian Stage Design The Adoration of the Shepherds the latest art historical investigations and Old: Giovanni Galliari, undated Old: Attributed to Giuseppe Passeri scientific examinations. It is the policy of New: Pietro Gonzaga, 1800/1810 New: Giuseppe Passeri the National Gallery of Art to publish these changes regularly. The following 2009.70.25 2009.70.188 changes of attribution were proposed by A Stage Set with a Statue and a Palace in the Underworld Gallery curators and approved by the Old: German 18th Century, 18th century Old: Bartolomeo Pinelli, undated Gallery’s Board of Trustees during fiscal New: Daniel Marot the Younger, 1730s (?) New: Roman 18th/19th Century, year 2012. Each list is arranged in 1790/1820 alphabetical order according to former 2010.93.18 attribution. Changes of title and/or date Salome with the Head of St. John the Baptist 2009.70.194 are included if they were a part of the Old: Anonymous Italian, undated A Baldachin with a Painting of the attribution change. New: Northern Italian 16th Century, Annunciation c. 1580 Old: Andrea Pozzo, undated DRAWINGS New: Circle of Andrea Pozzo, 1710/1735 2009.70.21 2009.70.164 Christ Appearing to the Four Marys Head of a Man 2009.70.203 Old: Bartolomeo Biscaino, undated Old: Jacob Matham, undated Neptune New: Ercole Procaccini il Giovane, c. 1650 New: Italian or French 16th/17th Century, Old: Hans Rottenhammer, undated late 16th or early 17th Century New: Italian 17th Century, 1620/1650 2009.70.12 Saint Bernard of Clairvaux with the 2009.70.170 2009.70.211 Instruments of the Passion A Boy with Flowing Hair A Dog Old: Abraham Bloemaert, undated Old: Giuseppe Maria Mitelli, undated Old: Herman Saftleven, undated New: Pieter de Jode I, c. 1625 New: Italian 17th or 18th Century, c. 1700 New: Cornelis Saftleven, 1660s

2010.93.14 2009.70.173 2009.70.212 The Flaying of Marsyas Landscape with a Natural Arch Saint Andrew Old: Bernardino Campi, undated Old: Isaac de Moucheron, undated Old: Elisabetta Sirani, undated New: Parmigianino, 1526/1530 New: Abraham Genoels II, c. 1718 New: Bolognese 17th Century, 1625/1650

SCULPTURE 2010.93.17 2009.70.26 A Battle on a Bridge A Skinned Rat 1937.1.130 Old: Attributed to Parmigianino, undated Old: Belisario Corenzio, undated Saint John the Baptist New: Giovanni Balducci, c. 1600 New: Italian 16th/17th Century, possibly Old: Benedetto da Maiano, c. 1480 Florentine or Roman, late 16th or early New: Florentine 15th Century, Probably 2009.70.113 17th Century after a model by Desiderio da Settignano, A Male Nude Seen from behind c. 1490 Old: William Etty, undated 2009.70.184 New: French 18th Century, mid 18th An Italian Coast Scene century Old: William Pars, undated New: John ‘Warwick’ Smith, possibly 2009.70.13.a, b 1776/1781 A Young Benedictine Monk Kneeling; A Young Priest Kneeling Old: French 19th Century, 19th century New: Jean Leonard Lugardon, after 1824

67 EXHIBITIONS AND LOANS

During the fiscal year, 257 lenders from Diocese of Sigüenza-Guadalajara, and Organized by the National Gallery of Art Network Corporation, Tokyo, Japan fifteen countries and twenty-nine states Church of Our Lady of the Assumption Jonathan Bober, curator Sponsored by The Terra Foundation for of Pastrana American Art loaned 1,157 works to twenty-three >Civic Pride: Group Portraits from exhibitions. The Gallery also worked on Generously supported by the Henry >Warhol: Headlines Amsterdam Luce Foundation another thirty-six projects scheduled Continued from the previous fiscal year 10 March 2012–11 March 2017 Made possible by the Cordover Family to open in the next five years, and to 2 January 2012 Organized by the National Gallery of Art Foundation, with additional support administered the tour of seven exhibitions. Organized by the National Gallery of Arthur Wheelock, curator provided by The Mr. and Mrs. Raymond United States Government Indemnity was Art in association with The Andy Warhol Made possible by the Hata Foundation J. Horowitz Foundation for the Arts secured for eight exhibitions on view in Museum, Pittsburgh; the Galleria Also supported, in part, by public funds Supported by an indemnity from the fiscal year 2012, resulting in a savings of nazionale d’arte moderna, Rome; and from the Netherlands Cultural Services Federal Council on the Arts and the the Museum für Moderne Kunst, and through the generosity of Mrs. $2,494,258 in insurance premiums. Humanities Frankfurt Henry H. Weldon >In the Tower: Molly Donovan, curator >In the Tower: Barnett Newman Continued from the previous fiscal year Sponsored by The Terra Foundation for >Colorful Realm: Japanese Bird-and-Flower 10 June 2012–24 February 2013 to 2 October 2011 American Art Paintings by Itō Jakuchū (1716–1800) Organized by the National Gallery of Art Organized by the National Gallery of Art Made possible by The Exhibition Circle 30 March 2012–29 April 2012 Harry Cooper, curator Harry Cooper, curator of the National Gallery of Art Organized by the National Gallery of Made possible by The Exhibition Circle Made possible by The Exhibition Circle Supported by an indemnity from the Art, The Imperial Household Agency, and The Tower Project of the National of the National Gallery of Art Federal Council on the Arts and the and Nikkei, Inc., in association with the Gallery of Art Humanities Embassy of Japan >Italian Master Drawings from the Wolfgang Yukio Lippit, curator >The McCrindle Gift: A Distinguished Ratjen Collection, 1525–1835 >Harry Callahan at 100 Made possible through the generous Collection of Drawings and Watercolors Continued from the previous fiscal year 2 October 2011–4 March 2012 support of Toyota; Nikkei, Inc.; and 17 June 2012–25 November 2012 to 27 November 2011 Organized by the National Gallery of Art The Exhibition Circle of the National Organized by the National Gallery of Art Organized by the National Gallery of Art Sarah Greenough, curator Gallery of Art Margaret Morgan Grasselli, curator Margaret Morgan Grasselli, curator Made possible through the generous Additional sponsorship from Japan Made possible through the generous >The Gothic Spirit of John Taylor Arms support of the Trellis Fund provided by Daikin Industries, Ltd.; support of the Joseph F. McCrindle Foundation Continued from the previous fiscal year >Antico: The Golden Age of Renaissance Itoen, Ltd.; Mitsubishi Corporation; and to 27 November 2011 Panasonic Corporation Bronzes >Elegance and Refinement: The Still-Life Organized by the National Gallery of Art Supported by an indemnity from the 6 November 2011–8 April 2012 Charles Ritchie, curator Federal Council on the Arts and the Paintings of Willem van Aelst Organized by the National Gallery of Art 24 June 2012–14 October 2012 Humanities >A New Look: Samuel F. B. Morse’s “Gallery in association with The Frick Collection, Organized by the National Gallery of of the Louvre” New York >I Spy: Photography and the Theater of the Art, Washington, the Museum of Fine Continued from the previous fiscal year Eleonora Luciano, curator Street, 1938–2010 Arts, Houston, and the Sarah Campbell to 8 July 2012 Made possible by the generous support 22 April 2012–5 August 2012 Blaffer Foundation Nancy Anderson, curator of Robert H. and Clarice Smith Organized by the National Gallery of Art Arthur Wheelock, curator Made possible by the generous support Supported by an indemnity from the Sarah Greenough, curator Made possible by The Exhibition Circle of the Terra Foundation for American Art Federal Council on the Arts and the Made possible through the generous of the National Gallery of Art and organized in partnership with the Humanities support of The Ryna and Melvin Cohen Supported by an indemnity from the National Gallery of Art Part of ITALY@150, a series of activities Family Foundation and the Trellis Fund Federal Council on the Arts and the in Washington, DC, and throughout the In-kind support of the Optium™ Acrylic Humanities >The Invention of Glory: Afonso V and the United States that celebrated the 150th Glazing provided by Tru Vue Pastrana Tapestries anniversary of the unification of Italy and >Shock of the News 23 September 2012–27 January 2013 Continued from the previous fiscal year the long-lasting friendship between the >Joan Miró: The Ladder of Escape 6 May 2012–12 August 2012 Organized by the National Gallery of Art to 8 January 2012 two countries Organized by the National Gallery of Organized by Modern, London, in Judith Brodie, curator Art, Washington, and the Fundación >In the Tower: Mel Bochner collaboration with Fundació Joan Miró, Made possible through the generous Carlos de Amberes, Madrid, in 6 November 2011–8 April 2012 Barcelona, and in association with the support of The Leonard and Evelyn association with the Embassy of Spain, Organized by the National Gallery of Art National Gallery of Art Lauder Foundation the Spain-USA Foundation, and the James Meyer, curator Harry Cooper, curator Supported by an indemnity from the Embassy of Portugal and with the Made possible through the generous Made possible through the generous Federal Council on the Arts and the cooperation of the Embassy of Belgium support of Suzanne F. Cohen and The support of the Anna-Maria and Stephen Humanities and the Embassy of Morocco in Kraus Family Foundation Kellen Foundation Catalogue made possible, in part, Washington, DC, as well as the Diocese Additional support provided by Judith Additional support provided by Buffy by the H. Buck Charitable of Sigüenza-Guadalajara and Church Racht and Irving Stenn Jr., The and William Cafritz and exhibition Lead Trust Exhibition Circle, and The Tower Project sponsor in Washington and London, The of Our Lady of the Assumption of >The Serial Portrait: Photography and Pastrana, Spain Institut Ramon Llull >Picasso’s Drawings, 1890–1921: Reinventing Identity in the Last One Hundred Years Julia Burke, Susan Arensberg, and Supported by an indemnity from the Tradition 30 September 2012–31 December 2012 Mary Levkoff, curators Federal Council on the Arts and the 29 January 2012–6 May 2012 Organized by the National Gallery of Art Made possible through the generous Humanities Organized by the Frick Collection, New Sarah Kennel and Ksenya Gurshtein, support of the government of Spain; York and the National Gallery of Art >Deacon Peckham’s “Hobby Horse” curators the government of Portugal, Ministry of Andrew Robison, curator 27 May 2012–28 October 2012 Made possible through the generous Foreign Affairs, Instituto Camões; and Made possible through the generous Organized by the National Gallery of Art support of the Trellis Fund the government of Belgium, Ministry of support of The Hearst Foundation, Inc. Deborah Chotner, curator Foreign Affairs Also made possible by The Exhibition >Imperial Augsburg: Renaissance Prints and Conservation of the tapestries Circle of the National Gallery of Art >George Bellows Drawings, 1475–1540 undertaken at the initiative of the 10 June 2012–8 October 2012 30 September 2012–31 December 2012 Supported by an indemnity from the Spanish Fundación Carlos de Amberes, Organized by the National Gallery of Art Organized by the National Gallery of Art Federal Council on the Arts and the with support from the Belgian InBev- in association with The Metropolitan Gregory Jecmen, curator Humanities Baillet Latour Fund, and the following Museum of Art, New York, and the Royal Supported in part by a generous grant Spanish institutions: Fundación Caja >The Baroque Genius of Giovanni Benedetto Academy of Arts, London from the Thaw Charitable Trust Madrid, Region of Castilla-La Mancha, Castiglione Charles Brock, curator Provincial Council of Guadalajara, 29 January 2012–8 July 2012 Made possible by Nippon Television

68 NATIONAL GALLERY OF ART

LENDERS TO EXHIBITIONS Ken Hakuta Carlo Perrone Georges Pompidou; Musée Picasso; Mr. and Mrs. Ed and Betty Harris Heather and Tony Podesta Villeneuve d’Ascq; Musée d’Art Moderne Lille Métropole Private Collections Mr. and Mrs. Joseph A. Helman Sheila Potiker Mrs. Samuel Heyman Mrs. John Powers GERMANY William Acquavella Fred Hill Private Collection c/o Christie’s Aachen: Neue Galerie-Sammlung Ludwig Signor Luigi Agrati William J. Hokin Private Collection c/o Barbara Bedburg-Hau: Museum Schloss Moyland Paul Allen Christine Schuster Husser Gladstone Gallery Berlin: Bauhaus-Archiv; Berlinische Thomas W. Barwick Mr. Karl Jaeger Private Collection c/o Matthew Marks Galerie; Galerie und Buchhandlung für Mr. and Mrs. John Beck Mr. and Mrs. Morton L. Janklow Private Collection c/o Michael Kunstbücher Merrill C. Berman Altman Fine Art : Museum Ludwig Mr. and Mrs. Sonia and Paul Tudor Jones The Honorable Max N. Berry Private Collection c/o Pace/MacGill Dusseldorf: Kunstsammlung Nordrhein- Wendy Evans Joseph Mr. and Mrs. Leon D. Black Gallery Westfalen Connie Kaplan Neil Bluhm Private Collection c/o Pyms Gallery Essen: Museum Folkwang Essen Betsy Karel Barbara Bluhm-Kaul and Don Kaul Private Collection c/o Thomas Barwick Frankfurt: Städtische Galerie Liebieghaus; Kazumasa Katsuta Frankfurt am Main; Museum für Moderne Irving Blum Private Collector c/o John Coffey Ellsworth Kelly Kunst Jason Blum Ceil Pulitzer Dr. Pat Kennedy Hannover: Kurt und Ernst Schwitters Francesca Bochner Madeline and Bruce Ramer Stiftung Kent Killelea Mel Bochner Lucia Punyet Ramirez Neuss: Clemens-Sels Museum Alden and Mary Kimbrough Piera Bochner Carlos Ramos Stuttgart: Staatsgalerie Stuttgart Mr. and Mrs. Werner H. Kramarsky Pontus Bonnier Anita and Burton Reiner Jill and Peter Kraus ITALY Mr. and Mrs. David G. Booth Mary G. Roberts Mr. and Mrs. Ronald Krueck Florence: Museo Nazionale del Bargello Mr. and Mrs. Norman Braman Mr. and Mrs. Andrew Rose Mr. and Mrs. Daniel Kunin Modena: Galleria Estense Eli and Edythe L. Broad Charles B. Rosenblatt Laing Art Gallery : Galleria Civica d’Arte Moderna e Andrew M. Brown Barbara Ruben Mrs. Viktor Langen Contemporanea-Torino Walter and Mary Beth Buck Mr. and Mrs. Michael Sacks Mr. and Mrs. Lawrence J. Lasser Venice: Collezione Peggy Guggenheim; Harry Callahan John Schaeffer Galleria Giorgio Franchetti alla Ca’ d’Oro Leonard A. Lauder Constance R. Caplan Martin E. Segal Melva Bucksbaum and Raymond J. Learsy JAPAN Jean-Christophe Castelli Seikado Bunko Art Museum Mr. and Mrs. David Lenhardt Fukuoka: Fukuoka Art Museum Cristian Cirici Monsieur Siméon Mr. and Mrs. Melvin Lenkin Kyoto: Jotenkaku Museum Janet Cohen Charles Simonyi Aaron and Barbara Levine Kyoto City: Kawashima Selkon Steven Cohen Mrs. Robert H. Smith Dr. Hilda Lewis Textiles Co., Ltd. Suzanne Cohen Sheldon H. Solow David Lichtenstein Tokyo: Sannomaru Shozokan Museum Desmond Corcoran Mr. and Mrs. Jay Stein Mitchell Lichtenstein Dr. Ronald H. Cordover Mr. and Mrs. Michael Steinhardt LIECHTENSTEIN Jeffrey H. Loria Ian M. Cumming Irving Stenn Vaduz: Kunstmuseum Liechtenstein Mr. and Mrs. Peter MacGill Mrs. Paula Cussi Beatrice Stern Mr. and Mrs. Adrien Maeght NETHERLANDS Roy and Cecily Langdale Davis Donald Stone Robert D. and Nancy A. Magoon Amsterdam: Amsterdam Museum; Mrs. Kenneth Dayton Elizabeth Susman Rijksmuseum; Stedelijk Museum Lizbeth Marano James Dicke Mr. and Mrs. A. Alfred Taubman Janis Chan Marche SPAIN Joseph and Diana DiMenna Debbie Taylor Martin Margulies Barcelona: El Conventet Barcelona; Fred Dorfman Cy Twombly Buddy Mayer Fundació Joan Miró; Museo d’Historia Janet and Craig Duchossois Dean Valentine and Amy Adelson de Catalunya James W. and Frances G. McGlothlin Phillipe Durand-Ruel Ladislaus von Hoffmann Madrid: Museo Nacional Centro de Arte Mr. Michael A. Mennello Mr. and Mrs. James T. Dyke Mr. and Mrs. Anthony and Lulu Wang Reina Sofía; Museo Thyssen-Bornemisza Mr. and Mrs. Richard Menschel Jennifer and Tom Eddy Mr. and Mrs. Keith S. Wellin Oviedo: Masaveu Collection Ramon Serrate and Rosano Merino Stefan Edlis Mr. and Mrs. William A. Wheeler III Palma de Mallorca: Fundació Pilar i Beatrice Merz Joan Miró Eric and Liz Feder Mr. and Mrs. Erving Wolf Robert E. Meyerhoff Mr. and Mrs. Donald G. Fisher Andrea Woodner SWEDEN Dr. and Mrs. Kent Minichiello Hadley Martin Fisher Dian Woodner Stockholm: Moderna Museet Mr. and Mrs. Lowell Mintz Mr. and Mrs. Robert J. Fisher David F. Wright Emilio Fernández Miró SWITZERLAND Aaron I. Fleischman Mrs. Charles Wrightsman Joan Punyet Miro : Fondation Beyeler; Kunstmuseum Thomas Fodor Mr. and Mrs. Richard D. Zanuck Mr. and Mrs. Anthony Mitchell Basel, Kupferstichkabinett Robert Frank Mr. and Mrs. Leo E. Zickler Lucy Mitchell-Innes Bern: Zentrum Dr. Alvin Friedman-Kien Robert Morris Zurich: Kunsthaus Zürich; Galerie Larry Gagosian Public Collections Gmurzynska Helly Nahmad Matthew Gale Raymond D. Nasher AUSTRIA UNITED KINGDOM—ENGLAND Tony Ganz Hubert Neumann Vienna: Wien; London: The British Library; The British Dr. Fritz Gerber Diane Nixon Liechtenstein Museum Museum; National Portrait Gallery, Edoardo Gnemmi London; Tate; Victoria and Albert John O’Brien Robert Gober FRANCE Museum; Waddington Galleries; Wilson Daniel and Jane Och Centre for Photography Mr. and Mrs. Noam Gottesman Lyon: Musée des Beaux-Arts de Lyon Turlough O’Conor Paris: Alyan Group, Paris; Foundation Salisbury: Wilton House Richard and Mary L. Gray Mrs. Batscheva Ostrow Louis Vuitton Pour la Creation; Galerie Wolverhampton: Wolverhampton Art Esther Grether Dr. Med. Hubert Peeters Maeght, Paris; Galerie Rive Gauche; Gallery and Museums Charles N. Grichar Musée d’Orsay; Musée du Louvre; Ron Perelman Mr. and Mrs. Kenneth Griffin Musée national d’art moderne, Centre Sylvio Perlstein Agnes Gund

69 EH X IBItionS AND LOANS

UNITED STATES Maine Toledo: Charles Ethan Porter Portland: Portland Museum of Art Youngstown: The Butler Institute of >Cherries Alabama Rockland: The Farnsworth Art Museum American Art >Still Life with Bread and Wine Bottle Birmingham: Birmingham Museum of Art Frans Snyders Pennsylvania Maryland >Still Life of Fruit [A Swag of Autumnal Arizona Philadelphia: Museum of American Art Annapolis: Maryland Commission on Fruits] Tucson: University of Arizona Museum Artistic Property of the Pennsylvania Academy of the Fine of Art Arts; Philadelphia Museum of Art Philips Wouwerman Baltimore: The Baltimore Museum of Art; Pittsburgh: Carnegie Museum of Art >Riders and Horses Resting by a River Arkansas The Walters Art Museum Bentonville: Crystal Bridges Museum of Mr. Roger Arvid Anderson Massachusetts Rhode Island American Art Possibly Germain Pilon Amherst: Mead Art Museum, Amherst Providence: Museum of Art, Rhode Island School of Design >Veiled Mourner with Torch California College Andover: Addison Gallery of American Art Liane W. Atlas Los Angeles: Frederick R. Weisman Art South Carolina Camille Pissarro Foundation; The J. Paul Getty Museum; Boston: Boston Public Library; Museum of Greenville: Greenville County Museum Los Angeles County Museum of Art; Fine Arts, Boston of Art >Crépuscule The Museum of Contemporary Art, Duxbury: Art Complex Museum The Morris and Gwendolyn Cafritz Los Angeles Texas Harvard: Fruitlands Museum Foundation San Francisco: San Francisco Museum Austin: Harry Ransom Humanities Haverhill: Historic New England David Smith of Modern Art Research Center Northampton: Smith College Museum San Marino: The Huntington Library, >Cubi XI of Art Fort Worth: Kimbell Art Museum Art Collections, and Botanical Gardens : Museum of Fine Arts, Houston: The Museum of Fine Arts, Calder Foundation Santa Barbara: Santa Barbara Museum Springfield Houston Alexander Calder of Art Waltham: San Antonio: The Marion Koogler McNay >Aztec Josephine Baker Santa Monica: The Broad Art Foundation; Art Museum >Red Panel Wilson Centre for Photography Westminster: Forbush Memorial Library Worcester: Worcester Art Museum >1 Red, 4 Black plus X White Virginia > To m ’s Connecticut Lynchburg: Maier Museum of Art, Hartford: Wadsworth Atheneum Museum Michigan Randolph College >Cheval Rouge Detroit: The Detroit Institute of Arts >Cheval Rouge (maquette) of Art Norfolk: Chrysler Museum of Art >Tom’s (maquette) New Britain: New Britain Museum of Richmond: Virginia Museum of Fine Arts American Art Minnesota >Untitled Minneapolis: The Minneapolis Institute of Williamsburg: The Colonial Williamsburg New Haven: Yale Center for British Art; Arts; Walker Art Center Foundation The Catholic University of America, Art Gallery; Yale University, Oliveira Lima Library Beinecke Library Missouri Wisconsin Frans Post Kansas City: The Nelson-Atkins Museum : Milwaukee Art Museum Delaware >Brazilian Landscape, Probably Pernambuco of Art Wilmington: Delaware Art Museum St. Louis: Saint Louis Art Museum Collection of the Artist LENDERS OF WORKS Jasper Johns District of Columbia DISPLAYED WITH THE NGA Washington: The Corcoran Gallery of Nebraska >Between the Clock and the Bed Art; Georgetown University; Hirshhorn Lincoln: Sheldon Museum of Art, COLLECTION >Field Painting Museum and Sculpture Garden; The University of Nebraska-Lincoln >No Library of Congress; Smithsonian >Target Anonymous American Art Museum; Washington New Jersey >Dancers on a Plane National Cathedral Montclair: Montclair Art Museum Bernardo Bellotto >Pirna, The Fortress of Sonnenstein Collection of Florida New York Nicolaes Pietersz Berchem Foundation, Inc. St. Petersburg: Salvador Dalí Museum Brooklyn: Brooklyn Museum >An Italianate Landscape with Figures Helen Frankenthaler West Palm Beach: Norton Gallery and Buffalo: Albright-Knox Art Gallery Gerrit Adriaensz Berckheyde >Mountains and Sea School of Art New York: Akira Ikeda Gallery/New >The Grote or St. Bavokerk in Haarlem York; American Folk Art Museum; The Collection of Robert and Jane Sandro Botticelli Georgia Frick Collection; Fundación Cisneros, Meyerhoff Savannah: Telfair Museum of Art Collección Patricia Phelps de Cisneros; >Young Man Holding a Medallion Gagosian Gallery; Hispanic Society of Pieter Brueghel the Younger >Marquis de Portago (first version) Idaho America; L & M Arts, New York; Roy >The Wedding Party Cooper-Hewitt, National Design Boise: James Castle Collection and Lichtenstein Foundation; The Pierre Dirck van Delen Museum, Smithsonian Institution Archive, LP Matisse Foundation; The Metropolitan >Church Interior with Elegant Figures Museum of Art; The Morgan Library & Giovanni Domenico Tiepolo German 18th Century Illinois Museum; The ; >The Immaculate Conception Chicago: The ; Pace/MacGill Gallery; Harris T. Schrank >Pair of Female Figures Terra Foundation for American Art Fine Prints; Solomon R. Guggenheim Jacopo Palma il Giovane James Dicke Philip Pearlstein Mt. Vernon: Cedarhurst Center for the Museum; Spanierman Gallery; Stonecroft >Venus and Cupid at the Forge of Vulcan Arts, Mitchell Museum Associates, LLC; Anonymous Collector c/o Arshile Gorky >Two Nudes with Animal Marionettes Tanya Bonakdar Gallery; Two Palms Press, >Portrait of Master Bill Fioratti Collection Iowa Inc.; Ursus Books and Prints, Ltd.; Whitney Museum of American Art; David Zwirner >Self-Portrait Giovanni Minello Des Moines: Des Moines Art Center Jan Davidsz de Heem Rochester: Memorial Art Gallery of the >Bust of a Woman Iowa City: The University of Iowa Museum >Still Life with Fruit, Oysters, and Wine of Art University of Rochester Jan Lievens Glenstone Bruce Nauman Kansas North Carolina >Self-Portrait >Fifteen Pairs of Hands Lawrence: Spencer Museum of Art, Chapel Hill: Ackland Art Museum Edouard Manet The University of Kansas Charlotte: The Mint Museum >Spring George M. and Linda H. Kaufman Wichita: Wichita Art Museum Frans van Mieris Foundation Ohio >A Young Woman Feeding a Parrot Aelbert Cuyp Cleveland: The Cleveland Museum of Art Louisiana Jan Miense Molenaer >A Pier in Dordrecht Harbor Columbus: Columbus Museum of Art; New Orleans: New Orleans Museum Jan van der Heyden of Art The Ohio State University >A Lute Player >View Down a Dutch Canal

70 NATIONAL GALLERY OF ART

The Robert Lehrman Art Trust Frederick William MacMonnies Camille Pissarro Gustave Doré Joseph Cornell >Pan of Rohallion >A Peasant Girl in a Straw Hat >An Alpine Valley with Trees and Boulders >Varietes Apollinaris Paul Manship >Factory on the Oise at Pontoise >The Shades of French Soldiers from the Past >Briseis Claude Monet Exhort the Army to Victory on the The Library of Congress >Oriental Dancer: Vase >The Luncheon on the Grass Camille Pissarro Unknown Artist >Salome >Trees and Meadows at Eragny BELGIUM >Hubbard and Broekman Reproduction of a >Actaeon Maxime Lalanne Pascal Taksin Harpsichord >Atalanta Antwerp, Rubenshuis >Cliffs along the Normandy Coast >Flight of Europa Manoogian Collection Palazzo Rubens. The Master as Architect >Alpine Castle above a Wooded Lake >Flight of Night George Caleb Bingham 10 September 2011–11 December 2011 Albert Lebourg >Panther leaping at deer (Bronze Relief from >The Jolly Flatboatmen Sir >Harbor in Dordrecht the New York Century Association Flower Gabriel Hippolyte Lebas Musée du Louvre, Réunion des Musées >Isabella Brant Boxes) >Sunset in an Oriental Landscape Nationaux, Paris Edward McCartan Venetian 16th Century CANADA Maurice Denis >Nymph and Satyr >Design for a Fan: the Engagement Party of >Boy on a Dolphin Montreal, Montreal Museum of Fine Arts >Bacchus Yvonne Lerolle (recto) National Museum of Health and Elie Nadelman Lyonel Feininger Retrospective Jean Achille Benouville Medicine, Institute of Pathology >Classical Head 20 January 2012–13 May 2012 >Sunset from a Rocky Coastline Thomas Eakins >Head of a Girl Lyonel Feininger Jean-Paul Flandrin >Dr. John H. Brinton Augustus Saint-Gaudens >Zirchow VII >Sunlit Trees in a Valley near Lacoux >“The Puritan” (Deacon Samuel Chapin) >Storm Brewing* The Norton Simon Foundation, Le Cannet, Musée Bonnard Pasadena, California >Samuel Gray Ward >The Bicycle Race* >Robert Louis Stevenson (square format) Bonnard et ses amis. Vuillard, Monet, Auguste Renoir Ottawa, National Gallery of Canada >The Pont des Arts, Paris >Robert Louis Stevenson (horizontal format) Matisse >Victory/Peace Drawn to Art: French Artists and Art 12 May 2012–2 September 2012 Patsy Orlofsky Lovers in 18th-Century Rome Edouard Vuillard 21 October 2011–2 January 2012 Jim Dine NGA LOANS TO >Madame Bonnard Joseph-Marie Vien >Name Painting #1 TEMPORARY EXHIBITIONS >Saint Peter’s Basilica and the Papal Palace Lille, Palais des Beaux-Arts de Lille Candida and Rebecca Smith Boilly (1761–1845) David Smith The department of loans and the DENMARK 4 November 2011–6 February 2012 >Aggressive Character National Lending Service administered the loans of 755 works of art to 201 sites Charlottenlund, Ordrupgaard Louis-Léopold Boilly Robert H. Smith during fiscal year 2012. This number . Impressionist—With >The Card Sharp on the Boulevard Manner of Pugin includes the loan of 527 works to 116 Nerves on Edge Montpellier, Musée Fabre >Marble Octagonal Pedestal (2 Works) temporary exhibitions at 201 institutions 20 September 2012–27 January 2013 Caravage et le caravagisme européen and the extended loan of 220 Gallery Smithsonian American Art Museum Berthe Morisot 22 June 2012–14 October 2012 works to forty-one sites. Eight works Sir Anthony van Dyck >Hanging the Laundry out to Dry* >Marchesa Elena Grimaldi-Cattaneo from the Gallery’s collections were on short-term loan to the permanent Copenhagen, Ny Carlsberg Glyptotek >Saint Jerome and the Angel Mr. Jack Soultanian collections of five U.S. museums. Gauguin and Polynesia Paris, Musée d’Orsay Jean Penicaud II 24 September 2011–31 December 2011 Impressionism, Fashion, and Modernity *Works in National Lending Service >Cicero Circulated to: Seattle Art Museum 25 September 2012–20 January 2013 9 February 2012–29 April 2012 Mrs. Frederick M. Stafford AUSTRALIA Berthe Morisot >The Sisters >Landscape with Apollo and Mercury Brisbane, Gallery of Modern Art >The Bathers Claude Monet Matisse: Drawing Life >Père Paillard >Bazille and Camille (Study for “Déjeuner U.S. Department of the Interior, 3 December 2011–4 March 2012 >Self-Portrait Dedicated to Carrière National Park Service, Saint-Gaudens sur l’Herbe”) Henri Matisse National Historic Site, Cornish, New FRANCE Paris, Musée du Luxembourg Hampshire >Woman Seated in an Armchair Augustus Saint-Gaudens Giverny, Musée des impressionnismes Cézanne et Paris Melbourne, National Gallery of Victoria 10 October 2011–27 February 2012 >Study Head of a Black Soldier (6 works) Giverny >Preliminary Sketch for Shaw Memorial Vienna: Art & Design—Klimt, Schiele, Color, Line, Light: French Drawings, Paul Cézanne >Shaw Memorial Hoffmann, Loos Watercolors, and Pastels from Delacroix to >The Battle of Love* 18 June 2011–9 October 2011 >Early Study of the Allegorical Figure for the Signac Paris, Musée Marmottan Monet Shaw Memorial Gustav Klimt 27 July 2012–31 October 2012 Henri-Edmond Cross et le neo- >Baby (Cradle) Léon Augustin Lhermitte The White House impressionisme: de Seurat à Matisse >An Elderly Peasant Woman Paul Cézanne AUSTRIA 19 October 2011–19 February 2012 Charles Émile Jacque Circulated to: Musée Matisse, Le >Hamlet at Payannet, near Gardanne Vienna, Albertina (Hameau à Payannet près de Gardanne) >The Shepherdess Cateau-Cambrésis Alexandre Calame >House on a Hill Impressionism: Masterworks on Paper 10 Mar 2012–10 Jun 2012 9 February 2012–13 May 2012 >An Ancient Pine Forest with a Mountain >Still Life with Skull Henri Edmond Cross Edgar Degas Stream >Coast near Antibes* Agnes S. Wolf >Fallen Jockey (study for “Scene from the Eugène Isabey Edward Weston Steeplechase: The Fallen Jockey”) >Fishing Boats Tossed before a Storm Berthe Morisot, 1841–1895 >Shell I (Nautilus) >Two Studies of a Jockey Paul Huet 7 March 2012–1 July 2012 >The Curtain >Rock Cliffs along the Romanche Mr. and Mrs. Erving Wolf Berthe Morisot Horatio Greenough >Dancer Seen from Behind and Three >An Abbey by a Wooded Lake at Twilight Studies of Feet Théodore Chassériau >The Artist’s Sister at a Window >Portrait of George Washington >Hanging the Laundry out to Dry* Anna Hyatt Huntington >Dancers at the Old Opera House >Drover with Oxen Pulling a Cart Paul Cézanne >Yawning Panther >Auguste Ottin Gaston Lachaise >Mont Sainte-Victoire Seen beyond the Théodore Rousseau Wall of the Jas de Bouffan >Peacocks >Sunset from the Forest of Fontainebleau

71 EH X IBItionS AND LOANS

Paris, Musée national d’art moderne, Essen, Museum Folkwang Essen Hans Leonard Schäufelein Edgar Degas Centre Georges Pompidou The Ecstasy of Colour—Matisse, Derain, >Saint Benedict Reviving a Monk Killed >The Loge Yayoi Kusama Munch and Early German Expressionism by the Devil Henri de Toulouse-Lautrec 10 October 2011–9 January 2012 29 September 2012–20 January 2013 Wuppertal, Von der Heydt-Museum >A la Bastille ( Jeanne Wenz) Henri Matisse Yayoi Kusama Der Sturm—Aufbruch zur Moderne Renoir >Infinity Nets Yellow >Open Window, Collioure 11 March 2012–11 June 2012 14 September 2012–10 February 2013 Frankfurt, Städelsches Kunstinstitut Albert Gleizes Henri Matisse: Pair/Unpaired Auguste Renoir und Städtische Galerie >Football Players 7 March 2012–18 June 2012 >Head of a Dog Beckmann & America Circulated to: Statens Museum for Kunst HUNGARY >Picking Flowers 7 October 2011–8 January 2012 14 July 2012–28 October 2012 >The Blue River Budapest, Hungarian National Museum Henri Matisse >The Argonauts [left panel]* Perugia, Galleria Nazionale dell’Umbria >Palm Leaf, Tangier André Kertész >The Argonauts [middle panel]* 30 September 2011–31 December 2011 Luca Signorelli “de ingegno et spirito Paris, Réunion des Musées Nationaux >The Argonauts [right panel]* André Kertész pelegrino” and Galeries nationales du Grand Palais >Christ in Limbo* >Clock of the Académie Française 20 April 2012–26 August 2012 The Steins Collect: Matisse, Picasso, and >Falling Man* >“Buy,” Long Island University Luca Signorelli the Parisian Avant-Garde >Boulder, Colorado >Elizabeth and I >The Crucifixion 5 October 2011–16 January 2012 >Self-Portrait with Naila as Circus Performers >Self-Portrait in the Hotel Beaux-Arts >The Marriage of the Virgin Holding Masks and Reclining on a Sea Circulated to: The Metropolitan >Lion and Shadow Rimini, Castel Sismondo Museum of Art Monster >Skywriting Da Vermeer a Kandinsky. Capolavori dai >Jeno Kertész as Satyr 22 February 2012–3 June 2012 Frankfurt, Moderne Kunst musei del mondo a Rimini >Jeno Kertész as Icarus Pablo Picasso Warhol: Headlines 21 January 2012–3 June 2012 >Lady with a Fan* 11 February 2012–13 May 2012 >Blind Musician, Abony >Self-Portrait Annibale Carracci Circulated to: Galleria Nazionale GERMANY >West 134th Street, New York >Venus Adorned by the Graces d’Arte Moderna >Sleeping Boy Berlin, Staatliche Museen zu Berlin, Rome, Fondazione Roma Museo 11 June 2012–9 September 2012 >The Fairy Tale Preussischer Kulturbesitz Andy Warhol Georgia O’Keeffe retrospective >Street Scene, Budapest 4 October 2011–22 January 2012 The Portrait in Renaissance Italy: From >A Boy for Meg* >Village (Budafolk?) Circulated to: Kunsthalle der Hypo- to Bellini >New York Karlsruhe, Staatliche Kunsthalle Karlsruhe Kulturstiftung 25 August 2011–20 November 2011 >Communications Building, New York Circulated to: The Metropolitan Camille Corot World’s Fair 3 February 2012–13 May 2012 Museum of Art 28 September 2012–6 January 2013 >Wooden Horses Circulated to: Helsinki Art Museum 19 December 2011–18 March 2012 Jean-Baptiste-Camille Corot >Blvd de la Madeleine Tennis Palace Andrea del Castagno >The Artist’s Studio >Paris, “After School in the Tuileries” 7 June 2012–9 September 2012 >Portrait of a Man >Clump of Trees at Civita Castellana >Paris, “Alexander Calder” Georgia O’Keeffe Andrea del Verrocchio >The Island and Bridge of San Bartolomeo, >Jack-in-the-Pulpit No. IV Rome ITALY >Giuliano de’ Medici >Sky with Flat White Cloud Sandro Botticelli Munich, Bayerisches Florence, Palazzo Strozzi Rome, Scuderie del Quirinale Staatsgemäldesammlungen— >Giuliano de’ Medici Americani a Firenze: Sargent e gli Filippino Lippi e Sandro Botticelli nella Alte Pinakothek Leone Battista Alberti impressionisti del Nuovo Mondo Firenze del ‘400 >Self-Portrait Perugino—Raffaels Meister (Americans in Florence: Sargent and 5 October 2011–15 January 2012 the American Impressionists) Cristoforo di Geremia 12 October 2011–15 January 2012 Filippino Lippi 3 March 2012–15 July 2012 >Lodovico Scarampi (Mezzarota), died 1465, Pietro Perugino >Pietà (The Dead Christ Mourned by Patriarch of Aquileia 1444 [obverse] >Portrait of Lorenzo di Credi James McNeill Whistler Nicodemus and Two Angels) >George W. Vanderbilt* Cologne, Museum Ludwig Munich, Kunsthalle der Hypo-Kulturstiftung , Palazzo Ducale Johannes Vermeer and the Delft School 22 June 2012–30 September 2012 Dürer-Cranach-Holbein. Die Entdeckung Van Gogh and Gauguin’s Journey 26 September 2012–20 January 2013 Claes Oldenburg des Menschen: Das deutsche Porträt um (Van Gogh e il viaggio di Gauguin) Johannes Vermeer >U.S.A. Flag 1500 12 November 2011–1 May 2012 >Girl with the Red Hat 16 September 2011–15 January 2012 Mark Rothko Pieter de Hooch Cologne, Museum Schnütgen Bernhard Strigel >Untitled* >The Bedroom Glanz und Grösse des Mittelalters— >Hans Roth [obverse] >Woman and Child in a Courtyard Kölner Meisterwerke aus den grossen Milan, Museo Diocesano, Milano >Margarethe Vöhlin, Wife of Hans Roth Venice, Museo Correr Sammlungen der Welt [obverse] Oro dai Visconti agli Sforza. Smalti e Francesco Guardi, 1712—1763 4 November 2011–26 February 2012 Attributed to Hans Holbein the Younger oreficeria nel Ducato di Milano 30 September 2011–29 January 2012 28 September 2012–7 January 2013 Master of Saint Veronica >Portrait of a Young Man >The Crucifixion French 15th Century (setting western Francesco Guardi Munich, Pinakothek der Moderne European late 19th Century) >Grand Canal with the Rialto Bridge, Venice Cologne, Wallraf-Richartz-Museum Women: Picasso, Beckmann, de Kooning >Morse with the Trinity JAPAN 1912—Mission Moderne 30 March 2012–15 July 2012 31 August 2012–30 December 2012 Palazzo Reale, Milan Willem de Kooning Kyoto, Kyoto Municipal Museum of Art Paul Gauguin Cézanne: Les ateliers du Midi >Woman with a Hat Communication: Visualizing the Human >The Invocation* 20 October 2011–26 February 2012 Connection in the Age of Vermeer Nuremberg, Germanisches Paul Cézanne Dusseldorf, Museum kunst palast 25 June 2011–16 October 2011 Nationalmuseum >Vase of Flowers El Greco and Early German Expressionism Der frühe Dürer (The Early Dürer) Circulated to: The Miyagi Museum of Art Pavia, Scuderie del Castello Visconteo 28 April 2012–12 August 2012 23 May 2012–2 September 2012 27 October 2011–12 December 2011 El Greco (Domenikos Theotokopoulos) Albrecht Dürer Degas, Lautrec, Zando. Les folies de Circulated to: The Bunkamura Museum Montmarte >Laocoön >Madonna and Child [obverse] of Art 15 September 2011–18 December 2011 23 December 2011–14 March 2012

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Pieter de Hooch Edouard Manet MEXICO Madrid, Museo Nacional del Prado >Woman and Child in a Courtyard >The Railway Mexico City, Museo del Palacio de Late Raphael Johannes Vermeer >Oysters Bellas Artes 12 June 2012–16 September 2012 >A Lady Writing >A King Charles Spaniel Raphael >Cucumber with Leaves Bartolome Esteban Murillo Retrospective 15 September 2011–31 December 2011 >Bindo Altoviti Impressionist and Post-Impressionist >Plum Brandy Masterpieces from the National Gallery >The Boy with Soap Bubbles (L’enfant aux Bartolomé Esteban Murillo Madrid, Museo Thyssen-Bornemisza of Art bulles de savon) >Two Women at a Window Arquitecturas pintadas: del Renacimiento al >Masked Ball at the Opera* siglo XVIII 13 September 2011–27 November 2011 NETHERLANDS Auguste Renoir >Polichinelle 18 October 2011–22 January 2012 >The Dancer >Berthe Morisot Amsterdam, Rijksmuseum Fra Carnevale Gustave Courbet >Children Playing Ball (Enfants jouant Rembrandt & Degas >The Annunciation a la balle) >La Grotte de la Loue 28 June 2011–25 October 2011 Paul Cézanne >Oarsmen at Chatou Circulated to: The Metropolitan Edward Hopper—Retrospective >Madame Henriot >Still Life with Apples and Peaches Museum of Art 12 June 2012–16 September 2012 >The Artist’s Father, Reading “L’Événement” >The Artist’s Son Claude or “Coco” 22 February 2012–20 May 2012 Edward Hopper >Riverbank >Pont Neuf, Paris Edgar Degas >Evening Wind >Madame Monet and Her Son >Antony Valabrègue >The Engraver Joseph Tourny (Le graveur >American Landscape >Peaches on a Plate >Self-Portrait Joseph Tourny) >The Cat Boat >Dance in the Country >At the Water’s Edge* >Self-Portrait >Cape Cod Evening* >Boy in a Red Waistcoat >Gathering Fruit >Geraniums Amsterdam, Santander, Exhibition Hall, Fundación Botin >The Bath >The Bathers (Small Plate) Snapshot! Painter/Photographers from >In the Opera Box (No. 3) Camille Pissarro Bonnard to Vuillard Bartolomé Esteban Murillo (1617–1682). >Children Playing on the Beach* >The Cabbage Field (Le champ de choux) 14 October 2011–15 January 2012 Drawings >Sara Wearing a Bonnet and Coat >Vegetable Market at Pontoise (Marche aux Circulated to: The Phillips Collection 30 March 2012–27 May 2012 legumes a Pontoise) >Child in a Straw Hat 4 February 2012–6 May 2012 Bartolomé Esteban Murillo >Orchard in Bloom, Louveciennes >Little Girl in a Blue Armchair Circulated to: Indianapolis Museum >The Adoration of the Magi >Woman Bathing >Peasant Girl with a Straw Hat of Art Sevilla, Casa de la Provincia >Place du Carrousel, Paris 8 June 2012–9 September 2012 >Dr. Gachet (Man with a Pipe) Claude Monet Diego Rivera, Cubista de la Academia a Pierre Bonnard >Roses >Argenteuil la Vanguardia Period 1907–1921 >Farmhouse in Provence >The Artist’s Garden at Vétheuil >The Cab Horse 8 September 2011–30 October 2011 >Self-Portrait >The Cradle—Camille with the Artist’s Son Edouard Vuillard Diego Rivera Jean-Baptiste-Camille Corot Jean >Child Wearing a Red Scarf >Montserrat >Woman with a Parasol - Madame Monet >No. 9, Nature Morte Espagnole >The Eel Gatherers* POLAND and Her Son Paul Gauguin SWEDEN >Auti te Pape (Women at the River) >Sainte-Adresse Krakow, Muzeum Narodowe w Krakowie >Noa Noa (Fragrant, Fragrant) >The Japanese Footbridge Turner—Painter of Elements Stockholm, Moderna Museet Georges Seurat >Breton Girls Dancing, Pont-Aven 15 October 2011–8 January 2012 Turner, Monet, Twombly >Seascape at Port-en-Bessin, Normandy* Edgar Degas Circulated to: Turner Contemporary 8 October 2011–15 January 2012 >The Lighthouse at Honfleur >The Green Room (Le foyer de l’opera) 28 January 2012–22 April 2012 Circulated to: Staatsgalerie Stuttgart Frédéric Bazille >Madame Dietz-Monnin Joseph Mallord William Turner >Young Woman with Peonies 11 February 2012–28 May 2012 >After the Bath (La sortie du bain (Petite >The Evening of the Deluge Circulated to: Tate Liverpool planche) >The Ramparts at Aigues-Mortes* 22 June 2012–28 October 2012 >Dancers Backstage >Edmond Maître* PORTUGAL >Woman Ironing Eugène Boudin Claude Monet Lisbon, Fundaçäo Calouste Gulbenkian >Scene from the Steeplechase: The Fallen >Festival in the Harbor of Honfleur >Waterloo Bridge, London, at Sunset >Washerwoman near Trouville Temporary Exhibitions Gallery Jockey SWITZERLAND Charles-François Daubigny Gustave Caillebotte In the Presence of Things: Four Centuries of European Still Life >Washerwomen at the Oise River near >Skiffs* Basel, Fondation Beyeler 20 October 2011–8 January 2012 Valmondois Henri Fantin-Latour in Paris Edouard Manet Jules Dupré >Three Peaches on a Plate 2 October 2011–29 January 2012 >Flowers in a Crystal Vase >The Old Oak* Eva Gonzalès Max Ernst >Flowers in a Vase Paul Signac >Nanny and Child >A Moment of Calm >The Buoy (La bouée) Tokyo, Mitsubishi Ichigokan Museum SPAIN Alfred Sisley Pierre Bonnard 1867–1947 Jean-Siméon Chardin Barcelona, Fundació Joan Miró >Banks of the River (Les Bords de rivière) 8 September 2012–6 January 2013 29 January 2012–13 May 2012 >Boulevard Héloïse, Argenteuil Joan Miró: The Ladder of Escape Jean Siméon Chardin Pierre Bonnard Henri de Toulouse-Lautrec 15 October 2011–18 March 2012 >The Attentive >Two Dogs in a Deserted Street >Bust of Mlle. Marcelle Lender (Mlle. Joan Miró >Stairs in the Artist’s Garden* Marcelle Lender, en buste) Tokyo, The National Art Center >Head of a Catalan Peasant >Nude in an Interior >Carmen Gaudin Cézanne-Paris-Provence >The Farm >Work Table >Lady with a Dog* 28 March 2012–11 June 2012 Madrid, Instituto de Cultura, Fundación Basel, Kunstmuseum Basel, >Fashionable People at Les Ambassadeurs Paul Cézanne MAPFRE (Aux Ambassadeurs: Gens Chic) Kupferstichkabinett >The Gardener Vallier Berthe Morisot Ernst Ludwig Kirchner Renoir Between Bohemia and Bourgeoisie: >Still Life with Milk Jug and Fruit* 18 May 2012–26 August 2012 >The Sisters The Early Years >The Harbor at Lorient Ernst Ludwig Kirchner 1 April 2012–4 August 2012 >Young Woman with a Straw Hat* >Two Nudes [obverse] Auguste Renoir >Madame Monet and Her Son

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UNITED KINGDOM—ENGLAND UNITED STATES Washington, The Corcoran Gallery of Art Florida Richard Diebenkorn: The Ocean Park Series Aylesbury, Waddesdon Manor California Tampa, Tampa Museum of Art 3 July 2012–23 September 2012 Taking Time: Chardin’s “Boy building a Romare Bearden: Southern Recollections Pacific Palisades, The Getty Villa Richard Diebenkorn House of Cards” and Other Paintings 28 January 2012–6 May 2012 The Last Days of Pompeii: Decadence, >Ocean Park No. 87–1975 28 March 2012–15 July 2012 Circulated to: The Newark Museum Apocalypse, and Resurrection Jean Siméon Chardin Washington, National Museum of 23 May 2012–19 August 2012 12 September 2012–7 January 2013 >The House of Cards American History Romare Bearden Mark Rothko Liverpool, Tate Liverpool >Untitled (Seagram Mural sketch)* The Price of Freedom >Tomorrow I May Be Far Away 14 January 2009–31 January 2012 >The Family René Magritte: The Pleasure Principle >Untitled (Seagram Mural sketch)* Charles Peale Polk 24 June 2011–16 October 2011 Randolph Rogers Vero Beach, Vero Beach Museum of Art >General Washington at Princeton* Circulated to: Albertina >Nydia, the Blind Girl of Pompeii : Sources and Context 9 November 2011–29 February 2012 Santa Barbara, Santa Barbara Museum Washington, National Museum of Women 29 September 2012–2 January 2013 René Magritte of Art in the Arts Richard Hamilton >La condition humaine Picasso and Braque: The Cubist 25th Year Anniversary Exhibition >Interior >The Murderous Sky (Le ciel meurtrier) 15 September 2011–15 December 2012 Experiment, 1910–12 Illinois Georgia O’Keeffe London, Dulwich Picture Gallery 17 September 2011–8 January 2012 >Jack-in-Pulpit—No. 2 Chicago, The Art Institute of Chicago Presiding Genius: A Masterpiece a Month Pablo Picasso for a Very Special Year >Guitarist in an Armchair Washington, National Portrait Gallery, Light Years: Conceptual Art and the Photograph, 1965–1977 5 September 2011–3 October 2011 Washington Stanford, Iris & B. Gerald Cantor Center 3 December 2011–27 February 2012 for Visual Arts, Stanford University America’s Presidents Sol LeWitt >Mrs. Richard Brinsley Sheridan 16 December 2009–31 December 2011 Rodin and America: Influence and >The Area of Manhattan between the Chuck Close London, The National Gallery Adaptation 1876–1936 Chelsea Hotel, the Plaza Hotel, and the 5 October 2011–1 January 2012 >President Bill Clinton Leonardo da Vinci: Painter at the Court Gramercy Park Hotel of Milan Auguste Rodin >The Area of Manhattan between the 9 November 2011–5 February 2012 >The Evil Spirits 1812: A Nation Emerges McGraw-Hill Building, Columbus Circle, 15 June 2012–6 January 2013 Ambrogio de Predis >Mask of Katherine Seney Simpson and Tompkins Square Gilbert Stuart >Bianca Maria Sforza (Mrs. John W. Simpson) >The Area of Manhattan Between 117 Alfred Stieglitz >Commodore Thomas Macdonough Hester St. and the Three Galleries where >Rebecca Salsbury Strand >William Thornton* Sol LeWitt has had Exhibitions of His Turner Inspired: In the Light of Claude >Georgia O’Keeffe—Neck >Anna Maria Brodeau Thornton Work: The John Weber Gallery, 420 West 14 March 2012–5 June 2012 (Mrs. William Thornton)* Broadway, the Divan Gallery, the John Joseph Mallord William Turner Connecticut Washington, Smithsonian American Daniels Gallery >Keelmen Heaving in Coals by Moonlight Bas Jan Ader Hartford, Wadsworth Atheneum Museum Art Museum London, National Portrait Gallery of Art >Broken Fall (Geometric), Westkapelle, The Great American Hall of Wonders: Holland The First Actresses: Nell Gwyn to Sarah : Looking Beyond Art, Science, and Invention in the Gordon Matta-Clark Siddons 24 March 2012–22 July 2012 Nineteenth Century 20 October 2011–8 January 2012 Andrew Wyeth 15 July 2011–8 January 2012 >Conical Intersect Giuseppe Penone Thomas Gainsborough >Study for “April Wind” George Inness >Untitled >Mrs. Richard Brinsley Sheridan >The Lackawanna Valley New Britain, New Britain Museum of >Untitled American 19th Century London, Royal Academy of Arts American Art >Untitled Degas and the Ballet: Picturing Movement The Tides of Provincetown: Pivotal Years in >Man of Science* >Untitled 17 September 2011–11 December 2011 America’s Oldest Continuous Art Colony Rembrandt Peale Mel Bochner Edgar Degas 15 July 2011–16 October 2011 >Rubens Peale with a Geranium >Surface Dis/Tension >Before the Ballet Circulated to: Westmoreland Museum of Washington, The Phillips Collection Dennis Oppenheim >The Dance Lesson American Art Snapshot! Painter/Photographers from >Stage 1 and 2. Reading Position for 2nd 30 October 2011–22 January 2012 Degree Burn Long Island. N.Y. Material... London, Tate Bonnard to Vuillard Circulated to: Wichita Art Museum 4 February 2012–6 May 2012 Solar Energy. Skin Exposure Time. 5 Hours John Martin 5 February 2012–29 April 2012 Circulated to: Indianapolis Museum June 1970 21 September 2011–15 January 2012 Mark Rothko of Art Joseph Kosuth John Martin >No. 5* 8 June 2012–9 September 2012 >Art as Idea: Nothing >Joshua Commanding the Sun to Stand Still New Haven, Yale Center for British Art Pierre Bonnard upon Gibeon Roy Lichtenstein: A Retrospective Study of the Battle of La Hogue >The Cab Horse UNITED KINGDOM—SCOTLAND Edouard Vuillard 16 May 2012–3 September 2012 9 July 2012–2 September 2012 Roy Lichtenstein Edinburgh, Royal Scottish Academy Benjamin West >Child Wearing a Red Scarf >Place Vintimille >Cubist Still Life Building >The Battle of La Hogue >Look Mickey Expanding Horizons: Giovanni Battista District of Columbia Jasper Johns: Variations Lusieri and the Panoramic Landscape Maine 2 June 2012–9 September 2012 30 June 2012–28 October 2012 Washington, American University Museum Lewiston, Bates College Museum of Art Jasper Johns Giovanni Battista Lusieri at the Katzen Arts Center >The Critic Smiles Starstruck: The Fine Art of >The Bay of Naples with Mounts Vesuvius Revelation: Major Paintings of Jules Olitski >Bent Stencil Astrophotography and Somma 15 September 2012–16 December 2012 >Bent “U” 8 June 2012–15 December 2012 Jules Olitski >Leg and Chair Alfred Stieglitz >Unlocked* >Bent Blue >Equivalent, Set C2, No. 2 >Watchman >Equivalent >Blue [trial proof blue 1/2] >Song of the Sky

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Portland, Portland Museum of Art and bordered by black bands. Within each Cooperstown, Fenimore Art Museum, >Rosmersholm John Marin: Late Work square, bands in one of four directions, each New York State Historical Association >Solness le constructeur 23 June 2011–9 October 2011 with color ink washes superimposed. Artist and Visionary: William Matthew >Un Ennemi du peuple >Une répétition à L’Oeuvre, Program for Circulated to: Amon Carter Museum Williamstown, Sterling and Francine Clark Prior Revealed L’Oasis 4 November 2011–8 January 2012 Art Institute 26 May 2012–31 December 2012 William Matthew Prior Circulated to: Addison Gallery of Pissarro’s People New York, L&M Arts >Boy with Toy Horse and Wagon* American Art 12 June 2011–2 October 2011 Frank Stella: Black, Aluminum, and >Little Miss Fairfield* 27 January 2012–1 April 2012 Circulated to: California Palace of Copper Paintings >Child with Straw Hat* John Marin the Legion of Honor, The Fine Arts 12 April 2012–2 June 2012 >Grey Sea Museums of San Francisco New York, Acquavella Galleries, Inc. Frank Stella >The Written Sea 22 October 2011–22 January 2012 Georges Braque—Pioneer of Modernism >Marquis de Portago (first version) Camille Pissarro 12 October 2011–30 November 2011 New York, The Metropolitan Museum The Draw of the Normandy Coast >Two Women Chatting by the Sea, St. Georges Braque of Art 14 June 2012–2 September 2012 Thomas* >Harbor The Steins Collect: Matisse, Picasso, and Albert Marquet >The Gardener—Old Peasant with Cabbage >The Port of La Ciotat the Parisian Avant-Garde >Posters at Trouville Michigan New York, Bard Graduate Center: 22 February 2012–3 June 2012 Rockland, The Farnsworth Art Museum Decorative Arts, Design History, Material Pablo Picasso Detroit, The Detroit Institute of Arts Impressionist Summers: Frank W. Benson’s Culture >Lady with a Fan* Masterpiece of the Month North Haven Circus and the City Henri Matisse 1 August 2012–9 September 2012 16 June 2012–30 December 2012 13 September 2012–3 February 2013 >Postcard with a sketch of “The Painter’s Johannes Vermeer Frank Weston Benson Gilbert Stuart Family” >Woman Holding a Balance >Margaret (“Gretchen”) Strong >John Bill Ricketts* New York, The Museum of Modern Art Waterville, Colby College Museum of Art New Jersey New York, El Museo del Barrio De Kooning: A Retrospective American Modern: Documentary Newark, The Newark Museum Caribbean: Crossroads of the World 18 September 2011–9 January 2012 Photography by Abbott, Evans and Angels and Tomboys: Girlhood in 12 June 2012–6 January 2013 Willem de Kooning Bourke-White 19th-Century American Art Camille Pissarro >Untitled 9 July 2011–2 October 2011 12 September 2012–7 January 2013 >A Creek in St. Thomas (Virgin Islands)* New York, The Studio Museum in Harlem Walker Evans Erastus Salisbury Field New York, The Frick Collection Caribbean: Crossroads of the World >Breakfast Room, Belle Grove Plantation, >Mrs. Paul Smith Palmer and Her Twins* White Chapel, Louisiana Picasso’s Drawings, 1890–1921: 12 June 2012–6 January 2013 >Barber Shop Interior, Atlanta New Mexico Reinventing Tradition Henry Buquet 4 October 2011–8 January 2012 >The Empress Josephine >Minstrel Showbill Santa Fe, Georgia O’Keeffe Museum Berenice Abbott Circulated to: National Gallery of Art Romare Bearden (artist) and Derek From New York to Corrymore: Robert >Canyon, Broadway and Exchange Place 29 January 2012–6 May 2012 Walcott (poet) Henri and Ireland >Rockefeller Center Parking Space, 40 West >The Caribbean Poetry of Derek Walcott 23 September 2011–15 January 2012 Pablo Picasso 49th Street and the Art of Romare Bearden Circulated to: Everson Museum of Art >Self-Portrait >Pierrot and Harlequin (recto) Romare Bearden Massachusetts 11 February 2012–12 May 2012 >The Cup of Coffee >Untitled Robert Henri Boston, Museum of Fine Arts, Boston New York, Whitney Museum of >Catharine* Degas and the Nude Renoir, Impressionism, and Full-Length American Art 9 October 2011–5 February 2012 New York Painting Lyonel Feininger Retrospective Circulated to: Musée d’Orsay 7 February 2012–13 May 2012 Brooklyn, Brooklyn Museum 30 June 2011–16 October 2011 12 March 2012–1 July 2012 Auguste Renoir Circulated to: Montreal Museum of Youth and Beauty: Art of the American Edgar Degas >The Dancer Fine Arts Twenties >Woman Reading (Liseuse) 28 October 2011–29 January 2012 20 January 2012–13 May 2012 >Girl Drying Herself Antico: The Golden Age of Renaissance Lyonel Feininger Circulated to: Dallas Museum of Art Bronzes Cambridge, Harvard Art Museums 4 March 2012–27 May 2012 >Zirchow VII* 1 May 2012–29 July 2012 >Storm Brewing* Prints and the Pursuit of Knowledge in Circulated to: The Cleveland Museum Antico >The Bicycle Race* Early Modern Europe of Art >Gianfrancesco Gonzaga di Rodigo, 6 September 2011–11 December 2011 1 July 2012–16 September 2012 1445–1496, Lord of Bozzolo, Sabbioneta, Cubes and Anarchy: Geometry in Circulated to: Mary and Leigh Block Alfred Stieglitz and Viadana 1478 [obverse] Museum of Art, David Smith >Georgia O’Keeffe—Hands and Grapes >Diva Giulia [obverse] 6 October 2011–8 January 2012 17 January 2012–8 April 2012 >Georgia O’Keeffe >Antonia del Balzo, 1441–1538, Wife of Circulated to: The Ohio State University Solis >Rebecca Salsbury Strand Gianfrancesco Gonzaga di Rodigo 1479 28 January 2012–15 April 2012 >Astrologia (Astrology) >Rebecca Salsbury Strand [obverse] David Smith >Artihmetria (Arithmetic) >Frances O’Brien Mantuan 15th Century >Geometria (Geometry) >Jean Toomer >Gianfrancesco Gonzaga di Rodigo, >Circle III Martin Schongauer Ivan Le Lorraine Albright 1445–1496, Lord of Bozzolo, Sabbioneta, Purchase, Neuberger Museum of Art >Elephant >There Were No Flowers Tonight* and Viadana 1478 [obverse] American Vanguards: Graham, Davis, Augustin Hirschvogel Paul Strand New York, The Jewish Museum Gorky, de Kooning, and their Circle, >Self-Portrait >Rebecca 1927–1942 Edouard Vuillard: A Painter and His Muses >Driftwood [recto] 29 January 2012–28 April 2012 North Adams, Massachusetts Museum of 4 May 2012–23 September 2012 Circulated to: Amon Carter Museum Contemporary Art Buffalo, Albright-Knox Art Gallery Edouard Vuillard 9 June 2012–19 August 2012 Sol LeWitt: A Wall Drawing Retrospective Wish You Were Here: The Buffalo Avant- >La Vie muette 14 November 2008–14 November 2033 Garde in the 1970s >Ames solitaires Circulated to: Addison Gallery of Sol LeWitt 30 March 2012–8 July 2012 >Lisez la revue blanche; Un nuit d’Avril Ceos, American Art >Wall Drawing No. 681 C / A wall divided Alice Aycock L’image 21 September 2012–30 December 2012 vertically into four equal squares separated >Plan-Intersection of Underground Tunnels >Woman in a Striped Dress Arshile Gorky w/Shaft #4 [Five Concrete Walls, 1976] >Au-delà des forces humaines >Organization

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Roslyn Harbor, Nassau County Museum Oregon Winslow Homer Ivan Le Lorraine Albright of Art >Dad’s Coming! >There Were No Flowers Tonight* Portland, Portland Art Museum Marc Chagall retrospective >The Signal of Distress Paul Strand Mark Rothko 21 July 2012–4 November 2012 >Rebecca 18 February 2012–27 May 2012 Pittsburgh, Senator John Heinz Pittsburgh Marc Chagall Regional History Center >Driftwood [recto] Mark Rothko >Houses at Vitebsk >Untitled (Seagram Mural sketch)* Stars and Stripes: The Story of the Fort Worth, Amon Carter Museum >On the Sleigh >Untitled (Seagram Mural sketch)* American Flag John Marin: Late Work >The Finding of Moses >No. 3* 11 September 2011–15 June 2012 4 November 2011–8 January 2012 >Basket of Mushrooms >Phalanx of the Mind* Jasper Johns Circulated to: Addison Gallery of Syracuse, Everson Museum of Art >Aquatic Drama* >Flag American Art From New York to Corrymore: Robert >Hierarchical Birds* 27 January 2012–1 April 2012 South Carolina Henri and Ireland >Birth of Cephalopods* John Marin 11 February 2012–12 May 2012 >Untitled (three women and a child Columbia, Columbia Museum of Art >Grey Sea Robert Henri with mannequins)* Mark Rothko in the 1940s: The Critical >Cape Split, Sea >Catharine* >Untitled* Decade >Little Maple in a Swamp >Untitled* 14 September 2012–6 January 2013 >The Written Sea North Carolina >Nude* Mark Rothko >Untitled (three nudes)* Charlotte, Mint Museum Randolph >Untitled* American Vanguards: Graham, Davis, >Antigone* >No. 3* Gorky, de Kooning, and their Circle, Romare Bearden: Southern Recollections >Untitled* >Untitled* 1927–1942 2 September 2011–8 January 2012 >No. 18* >Sea Fantasy* 9 June 2012–19 August 2012 Circulated to: Tampa Museum of Art >No. 8* >Aquatic Drama* 28 January 2012–6 May 2012 >Untitled (Harvard Mural sketch)* Circulated to: Addison Gallery of >Personage Two* American Art Circulated to: The Newark Museum >Untitled* >Untitled* >Untitled (Seagram Mural sketch)* 21 September 2012–30 December 2012 23 May 2012–19 August 2012 >Hierarchical Birds* >Untitled* Arshile Gorky Romare Bearden >Untitled* >Head of Woman (Sonia Rothkowitz)* >Organization >The Family >Untitled* >Untitled (still life with pitcher)* Fort Worth, Kimbell Art Museum Raleigh, North Carolina Museum of Art >Untitled (man and two women in a pastoral setting)* Rembrandt in America Pennsylvania and his Followers in Rome >Sacrificial Moment* 9 October 2011–8 January 2012 30 October 2011–22 January 2012 Allentown, Allentown Art Museum >Untitled* Circulated to: The Cleveland Museum Shared Treasures: The Legacy of >Untitled* >Soldiers Playing Cards and Dice (The of Art Samuel Kress >The Omen of the Eagle* Cheats) 1 February 2012–15 May 2012 16 October 2011–15 January 2012 >Antigone* Circulated to: The Minneapolis Institute Francesco Guardi >Untitled* Fort Worth, Modern Art Museum of Arts >Capriccio of a Harbor >Untitled* of Fort Worth 24 June 2012–16 September 2012 Jean-Baptiste Joseph Pater >No. 18* Richard Diebenkorn: The Ocean Park Series Rembrandt van Rijn >Fête Champêtre >No. 10* 25 September 2011–22 January 2012 >Untitled* Circulated to: Orange County Museum >Philemon and Baucis Philadelphia, Philadelphia Museum of Art >Self-Portrait >No. 9* of Art >A Young Man Seated at a Table (possibly Rembrandt and the Face of Jesus >No. 8* 26 February 2012–27 May 2012 3 August 2011–30 October 2011 Govaert Flinck) >Untitled* Circulated to: The Corcoran Gallery Circulated to: The Detroit Institute Rembrandt van Rijn and Workshop >Untitled of Art of Arts >Untitled [recto] >An Old Lady with a Book 3 July 2012–23 September 2012 20 November 2011–12 February 2012 >Untitled Rembrandt Workshop (Probably Richard Diebenkorn Rembrandt van Rijn Constantijn van Renesse) Tennessee >Untitled No. 19 >The Descent from the Cross >Christ before Pilate: Large Plate >Ocean Park No. 87–1975 >Christ Preaching (La petite Tombe) Memphis, The Dixon Gallery and Gardens Ohio >Christ at Emmaus: the Larger Plate Jean-Louis Forain (1852–1931): Houston, The Museum of Fine Arts, Cincinnati, Taft Museum of Art La Comédie parisienne Houston George Inness in Italy Van Gogh. Up Close 26 June 2011–9 October 2011 Paris: Life & Luxury in the Eighteenth 7 October 2011–8 January 2012 26 January 2012–6 May 2012 Jean-Louis Forain Century 18 September 2011–1 January 2012 George Inness Circulated to: National Gallery >The Artist’s Wife Fishing of Canada Edme Bouchardon >View of the Tiber near Perugia Texas 25 May 2012–2 September 2012 >Cupid Columbus, The Ohio State University Vincent van Gogh Dallas, Dallas Museum of Art Jean-Marc Nattier Cubes and Anarchy: Geometry in David >Farmhouse in Provence Youth and Beauty: Art of the American >Joseph Bonnier de la Mosson Smith Twenties 28 January 2012–15 April 2012 Gauguin, Cezanne, Matisse: Visions 4 March 2012–27 May 2012 Elegance and Refinement: The Still Life David Smith of Arcadia Circulated to: The Cleveland Museum Paintings of Willem van Aelst >Circle III 3 June 2012–3 September 2012 of Art 11 March 2012–28 May 2012 1 July 2012–16 September 2012 Willem van Aelst Oklahoma Aristide Maillol >The Three Nymphs Alfred Stieglitz >Still Life with Dead Game Tulsa, Gilcrease Museum >Rebecca Salsbury Strand Perfectly American: The Art-Union and Shipwreck! Winslow Homer and “The >Rebecca Salsbury Strand its Artists Life Line” >Frances O’Brien 25 July 2011–10 October 2011 16 September 2012–31 December 2012 >Jean Toomer Fitz Henry Lane Claude-Joseph Vernet >Georgia O’Keeffe—Hands and Grapes >New York Harbor >The Shipwreck >Georgia O’Keeffe

76 NATIONAL GALLERY OF ART

Virginia FRANCE Office of Vice President of the Jasper Johns United States >Numerals, 0 through 9** Charlottesville, The Fralin Museum of Art, Paris, Musée du Louvre Dietz Edzard Sam Francis University of Virginia Art Museums Severo da Ravenna >Flowers in a Vase >White Line** Variety, Archeology, and Ornament: >The Christ Child** >Three Flowers in a Vase Mark Rothko Renaissance Architectural Prints from André Derain >The Party Column to Cornice IRELAND >Marie Harriman >No. 17 [or] No. 15 26 August 2011–18 December 2011 , United States Embassy Residence Karl Knaths >Red Band Master PS Gilbert Stuart >Marble Mantel Richard Diebenkorn >Entablatures from Santa Pudenziana and >Counsellor John Dunn Mark Rothko >Berkeley No. 52** the Arch of Camigliano, Rome Hans Hofmann >Entablature from the Basilica Ulpia, Rome ITALY >Untitled (two women at the window) >Entablature from the Church of Saint American 19th Century >Staccato in Blue** Florence, Casa Buonarroti Bibiana, Rome >The Start of the Hunt Ed Ruscha >Entablature from the Temple of Castor and after Michelangelo >The End of the Hunt >I Think I’ll...** Pollux, Rome >Damned Soul** John Wesley Jarvis Robert Mangold >Commodore John Rodgers >1/2 W Series (Medium Scale)** >Entablature from the Temple of UNITED KINGDOM—ENGLAND and Faustina, Rome John Vanderlyn >1/2 V Series (Medium Scale)** >Entablature from the Temple of Vespasian, London, United States Embassy >John Sudam >1/2 X Series (Medium Scale)** Rome Residence American 18th Century Ad Reinhardt Sir William Beechey >Attack on Bunker’s Hill, with the Burning >Untitled (Yellow and White)** Wisconsin >Lieutenant-General Sir Thomas Picton of Charles Town >Untitled (Red and Gray)** Milwaukee, Milwaukee Art Museum Francis Cotes A. Hashagen Susan Rothenberg Impressionism: Masterworks on Paper >Mrs. Thomas Horne >Ship “Arkansas” Leaving Havana >Butterfly** 14 October 2011–8 January 2012 Thomas Gainsborough John Neagle Louise Nevelson Circulated to: Albertina >William Yelverton Davenport >Colonel Augustus James Pleasonton >Model for “Sky Covenant”** Giorgio Morandi 9 February 2012–13 May 2012 Mark Rothko Residence of the Vice President of the Camille Pissarro >Orange and Tan** United States >Still Life** >Still Life** >Factory on the Oise at Pontoise >Untitled John Singer Sargent London, Wallace Collection Pat Steir >Miss Mathilde Townsend Sir Thomas Lawrence >After Winslow Homer I** Posters of Paris: Toulouse-Lautrec and His Auguste Renoir >Francis Charles Seymour-Conway, 3rd >Waterfall with Rose Petals** Contemporaries >Child with Blond Hair Marquess of Hertford 1 June 2012–9 September 2012 >Child with Brown Hair Secretary of Defense Henri Rivière UNITED STATES John Ferneley George Catlin >Les Revenants; La Pêche >Heaton Park Races >Prairie Dog Village Pierre Bonnard Alabama Style of Benjamin Marshall >Fort Union >Poster for “L’Estampe et l’affiche” Birmingham, Birmingham Museum of Art >Race Horse and Trainer Secretary of Education >Study for “France-Champagne” [recto] Walt Kuhn Anders Zorn Mark Rothko Félix Vallotton >Hugo Reisinger >Zinnias >Rural Scene >Book jacket for Badauderies parisiennes— Veronese Lydia Field Emmet >Untitled Les Rassemblements, physiologies de la rue >Saint Jerome in the Wilderness** >Olivia >The Pugilist West Bend, Museum of Wisconsin Art Montgomery, Montgomery Museum The White House >Woman Reading Against the Grain: Modernism in the of Fine Arts American 19th Century >Untitled (still life with vase and two statues) Midwest Mark Rothko >Abraham Lincoln Secretary of Energy 20 July 2011–2 October 2011 >Untitled >Chief Jumper of the Seminoles George Inness Ivan Le Lorraine Albright Winslow Homer >Lake Albano, Sunset California >There Were No Flowers Tonight* >Sunset Chinese Qing Dynasty Oakland, Oakland Museum George Catlin >Procession by a Lake EXTENDED LOANS FROM THE Mark Rothko >A Crow Chief at His Toilette after Jean-Baptiste Greuze NGA COLLECTION >Untitled >Cheyenne Village >Benjamin Franklin >A Small Cheyenne Village District of Columbia Administrator of the Environmental All works are part of the National Lending >Pawnee Indians Approaching Buffalo Protection Agency Service unless indicated by ** The Library of Congress >Game of the Arrow—Mandan I. Rice Pereira Carl Milles >A Foot War Party in Council—Mandan BELGIUM >An Ojibbeway Village of Skin Tents >Zenith >Head of Orpheus >Ball-Play Dance—Choctaw Julian Stanczak National Trust for Historic Preservation Brussels, United States Embassy >Buffalo Chase >Shimmer Residence, North Atlantic Treaty Bernard Hailstone >Buffalo Chase, with Accidents Mark Rothko Organization >David E. Finley >Catlin and Indian Attacking Buffalo >Untitled (two women before a cityscape) Gilbert Stuart U.S. Commission of Fine Arts >K’nisteneux Indians Attacking Two >George Pollock Alice Neel Grizzly Bears Secretary of Health and Human Services >Catherine Yates Pollock (Mrs. George >William Walton >Grassy Bluffs, Upper Missouri French 19th Century Pollock) Office of Senate Leadership, United >Camanchees Lancing a Buffalo Bull >Woman and Two Children in a Field Thomas Sully States Capitol >Mired Buffalo and Wolves Mark Rothko >Ann Biddle Hopkinson (Mrs. Francis Franklin C. Courter >Grizzly Bears Attacking Buffalo >Untitled Hopkinson) >Lincoln and His Son, Tad** Raoul Dufy Secretary of Homeland Security >Francis Hopkinson >The Basin at Deauville** George Ropes >The Leland Sisters Leon Polk Smith >Mount Vernon >Stretch of Black III Captain Edward H. Molyneux Edward Corbett >Artist on a Quay >Washington, D.C. November 1963 III

77 EH X IBItionS AND LOANS

Walt Kuhn Justice Stevens Illinois >Green Apples and Scoop Studio of Franz Xaver Winterhalter Mt. Vernon, Cedarhurst Center for the Erastus Salisbury Field >Queen Victoria Arts, Mitchell Museum >Leverett Pond C. Gregory Stapko after John Constable 1 June 2012–31 October 2012 >A View of Salisbury Cathedral** Secretary of Housing and Urban Thomas Eakins Alphonse Legros Development >The Chaperone Mark Rothko >Hampstead Heath >Untitled George Catlin Indiana >Untitled >Scene from the Lower Mississippi Indianapolis, Indianapolis Museum of Art Maurice Utrillo >Contemplation 1 September 2009–1 September 2014 >Street at Corté, Corsica >The Source Lawrence Weiner American 19th Century >Untitled (four figures in a plaza) >Many Things Placed Here & There To >Portland Harbor, Maine Attorney General of the United States Form a Place Capable of Sheltering Many Follower of Claude Lorrain Justice Sotomayor Other Things Put Here There Mark Rothko >Harbor at Sunset New York Edward Savage >Street Scene >George Washington >Untitled (subway) New York, The Metropolitan Museum French 19th Century >Untitled of Art >Race Course at Longchamps >Untitled (woman in subway)** 28 February 2008–31 December 2016 Francesco di Giorgio Martini Allen Tucker Maryland >Madison Square, Snow >God the Father Surrounded by Angels and Solomons, Annmarie Garden Sculpture Cherubim Secretary of Transportation Park & Arts Center >The Nativity Douglas Volk Jean Arp >Abraham Lincoln >Oriforme** LIBRARY LOANS Secretary of the Treasury James Rosati >Untitled** André Derain GERMANY >Road in Provence George Rickey >Abandoned House in Provence >Cluster of Four Cubes** Frankfurt, Museum fur Moderne Kunst Warhol: Headlines Henri Moret Pennsylvania >The Island of Raguenez, Brittany 11 February 2012–13 May 2012 Maurice Utrillo Doylestown, James A. Michener Art Circulated to: Galleria nazionale d’arte >The Pont Saint-Michel, Paris Museum moderna, Rome, Italy Edward Hicks 11 June 2012-9 September 2012 Chief of Staff, The White House >The Landing of Columbus Circulated to: Andy Warhol Museum, American 19th Century Joseph Goodhue Chandler Pittsburgh, PA >Abraham Lincoln >Girl with Kitten 14 October 2012-6 January 2013 Council of Economic Advisors, The Virginia Andy Warhol White House >“New Faces, New Forces.” Harper’s Henri-Joseph Harpignies Fairfax, George Mason University Bazaar, June 1963 (New York, 1963) >Landscape Lila Pell Katzen Auguste Renoir >Antecedent >Jeanne Samary Alfredo Halegua Captain Edward H. Molyneux >America >Chapel in Provence TEMPORARY LOANS TO Supreme Court of the United States MUSEUM COLLECTIONS Chief Justice John Roberts Gilbert Stuart *Works in National Lending Service >George Washington George Cuitt the Younger UNITED STATES >Easby Abbey, near Richmond Arkansas Justice Ginsburg Bentonville, Crystal Bridges Museum of Mark Rothko American Art >Untitled 10 June 2012–9 June 2013 >The Omen James McNeill Whistler Justice Kennedy >Mother of Pearl and Silver: The Andalusian Berthe Morisot John Singer Sargent >Girl in a Boat with Geese >Mary Crowninshield Endicott Chamberlain French 17th Century (Mrs. Joseph Chamberlain)* >Flowers in a Classical Vase George Bellows >Florence Davey Justice O’Connor George Catlin District of Columbia >Buffalo Chase, Sioux Indians, Upper Washington, National Portrait Gallery Missouri 4 July 2006–31 December 2014 >After the Buffalo Chase—Sioux >A Crow Village and the Salmon River Irving R. Wiles Mountains >Miss Julia Marlowe* >Two Blackfoot Warriors and a Woman >An Apachee Village

78 PUBLICATIONS AND MEDIA

During the fiscal year the Gallery pro- edited by Carl Brandon Strehlke fans, and the Twitter feed has more than >Nazi Loot in American Collections duced eight book-length publications (416 pages, 145 color, 176 b/w, 15,593 followers with 458 tweets in fiscal >Joan Miró Symposium including seven exhibition catalogues; hardcover edition only) Distributed by year 2012. Yale University Press Miró’s Studios: Reflecting His Roots, labels and wall texts for all fiscal year His References, and His Memories 2012 exhibitions; brochures formatted for Video Podcasts >Center 32 L’Oeuvre de guerre of Miró: print, Web, and mobile applications; Annual report, print and Web versions >American Originals Now: Jem Cohen: Constellation Series, Série Barcelona, printed or online materials for more than Curious Visions and Ceramics, 1940–1945 300 education projects; eighty-five online EXHIBITION BROCHURES >Itō Jakuchū’s “Colorful Realm,” Press “The Farm”: Primitivism and audio and four video presentations; recur- Transfiguration ring event calendars, newsletters, and Conference Highlights Perspective, Position, and Politics: periodicals; and several hundred pieces (printed, unless otherwise specified) >David McCullough, “Morse at the Louvre” Joan Miró of Gallery ephemera. >Civic Pride: Group Portraits from >Joan Miró: The Ladder of Escape Carob Link: A Promenade with Miró Amsterdam by Henriette de Bruyn Kops >“Multiverse,” Leo Villareal Installation >Introduction to a Painting: Edouard STAFF PUBLICATIONS >Deacon Peckham’s “Hobby Horse” by (September 8–December 6, 2008) Manet’s “The Railway” Deborah Chotner (digital, iPad App) >George Bellows, Part 1 >Rings: Five Passions in World Art, >Antico: The Golden Age of Renaissance >From the Library: Citizens of the Republic: >George Bellows, Part 2 A Preview of the Olympic Exhibition Bronzes Portraits from the Dutch Golden Age by Eleonora Luciano et al. Molli Kuenstner >Paris to Fort Lee: French Filmmakers >Celebrating the Reopening of (224 pages, 157 color, 6 b/w, hardcover and the American Industry the Nineteenth-Century French edition only) Copublished by Paul >From the Library: The Fleeting Structures Galleries Symposium Holberton Publishing of Early Modern Europe by Yuri Long >Ann Hamilton Reinstalling the Nineteenth-Century European Collection at the Metropolitan >In the Tower: Barnett Newman by Harry >The Collecting of African American Art >George Bellows VIII: Elliot Perry and Darrell Walker in Museum of Art Charles Brock et al. Cooper Conversation with Michael Harris Rethinking Nineteenth-Century Art (348 pages, 270 color, hardcover and >I Spy: Photography and the Theater of the History in France: The Musée d’Orsay softcover editions) Hardcover edition Street, 1938–2010 by Sarah Greenough >The Art of Boxing—George Bellows at Renovated copublished by DelMonico • Prestel the National Gallery of Art, Washington (digital) The Nineteenth Century According to >Colorful Realm: Japanese Bird-and-Flower >The Serial Portrait: Photography and Music Podcasts Albert Barnes Paintings by Itō Jakuchū by Identity in the Last One Hundred Years >Caravaggio: A Life Sacred and Profane Yukio Lippit Ksenya Gurshtein, Sarah Kennel, and >National Gallery of Art String Quartet, (240 pages, 200 color, hardcover edition Margaret Doyle (digital) Wind Quintet, and Piano Trio >Giovanni Benedetto Castiglione: Genius only) Copublished by the University of in Context Chicago Press >Antico in Context by Emily Pegues and >National Gallery of Art New Carla Brenner Music Ensemble >Samuel F. B. Morse’s “Gallery of the >Color, Line, Light: French Drawings, >Nordic Voices Louvre” in Focus Symposium Watercolors, and Pastels from Delacroix >In the Tower: Mel Bochner by the The Forest of the Old Masters: The to Signac departments of modern art and >Music to Honor the Chester Dale Collection Chiaroscuro of American Places Margaret Morgan Grasselli, Andrew exhibition programs >Music by Jewish Composers Painting and Technology: Samuel F. B. Robison, et al., with a foreword by Morse and the Visual Transmission Richard Brettell EXHIBITION FILMS >Music for the Holidays at the of Intelligence (180 pages, 150 color, hardcover and National Gallery softcover editions) English hardcover The Tradition of Paintings-within- Paintings edition copublished by DelMonico • Joan Miró: The Ladder of Escape Audio Podcasts Prestel; French softcover edition Narrated by Ed Harris “Gallery of the Louvre” and the Electric published by Musée des (30 minutes, color, captioned) >Introduction to the Exhibition Telegraph impressionnismes, Giverny Distributed by Microcinema Shock of the News Samuel F. B. Morse’s “Gallery of the Gilbert Stuart Louvre” as a Religious Painting >Imperial Augsburg: Renaissance Prints and George Bellows Drawings, 1475–1540 Narrated by Ethan Hawke Edo: Art in Japan, 1615–1868 American Artists and the Louvre Gregory Jecmen and Freyda Spira (30 minutes, color, captioned) Elegance and Refinement: The Still-Life Samuel Morse’s Louvre in Context (120 pages, 48 color, hardcover edition Distributed by Microcinema Paintings of Willem van Aelst Samuel F. B. Morse’s “Lectures on the only) Copublished by Lund Humphries Miró: Two Views Affinity of Painting with the Other Fine Sculpture of Angkor and Ancient Arts” and the Creation of “Gallery of >The McCrindle Gift: A Distinguished WEB PRODUCTIONS Collection of Drawings and Watercolors Cambodia: Millennium of Glory the Louvre” Margaret Morgan Grasselli and George Bellows: An Unfinished Life Thoughts on the Conservation Treatment of Morse’s “Gallery of the Arthur K. Wheelock Jr. The number of visitors to www.nga.gov in Édouard Vuillard (208 pages, 355 color, hardcover fiscal year 2012 was approximately Louvre” A Sense of Place—Cézanne in Provence edition only) 17,554,425 or 48,094 per day. The Gallery >Architecture and Art: Creating Community Warhol: Headlines >Shock of the News now has more than twenty-two newsletters that reach more than 155,795 subscribers; In the Tower: Mel Bochner >Itō Jakuchū’s Colorful Realm: Juxtaposition, Judith Brodie et al. Naturalism, and Ritual (168 pages, 102 color, 30 b/w, hardcover more than 2,942,736 newsletters have >An American Vision: Henry Francis du 解決當代中國藝術 edition only) Copublished by Lund been sent out to subscribers this fiscal Pont’s Winterthur Museum > Humphries year. The Gallery produced 103 audio and >Solving the East/West Conundrum in sixteen video podcasts, which equate to >PASSAGE 7: John Cage—incidents, texts, conversations, and music Modern Chinese Art 1,984,891.99 minutes and 23,171,043.61 CENTER FOR ADVANCED megabytes downloaded throughout the >Signs of the Artist: Signatures and Self- >Art on the Mall: The National Gallery of Art Sculpture Garden STUDY IN THE VISUAL ARTS fiscal year via the Gallery’s website. On Expression in American Paintings (CASVA) PUBLICATIONS ArtBabble, Gallery video received 784,911 >Exotic Beasts and Politics: The Menageries >David Finley, Andrew Mellon, and the page views. The Gallery’s Facebook pres- of Josephine Bonaparte, Lorenzo de’ Medici, Founding of the National Gallery >Orsanmichele and the History and ence has garnered more than 47,834 and Rudolph II >Garden of Illusions: The National Gallery Preservation of the Civic Monument of Art Sculpture Garden Studies in the History of Art, volume 76,

79 PUBLC I ATIONS AND MEDIA

>The Collecting of African American Art >A New Look: Samuel F. B. Morse’s “Gallery Exhibition >———, “Rothko’s Soup,” in Mark I: Introduction of the Louvre” Rothko: The Decisive Decade: 1940–1950 VII: David C. Driskell in Conversation >Antico: The Golden Age of (New York: Skira Rizzoli, 2012). >Americans Collect Italian with Ruth Fine Renaissance Bronzes Outstanding Small Exhibition Award, >Elizabeth Cropper, “The Fortuna critica VIII: Elliot Perry and Darrell >Art Theft and the Tate’s Stolen Turners Association of Art Museum Curators of Agnolo Bronzino,” in Bronzino: Artist Walker in Conversation with and Poet at the Court of the Medici/ Michael Harris >The Sydney J. Freedberg Lecture on Bronzino. Pittore e poeta alla corte dei >Side by Side: Cimabue and Giotto at 2011: Bernard Berenson and STAFF PUBLICATIONS Medici, eds. Carlo Falciani and Lorenzo Lotto Antonio Natali (Florence: Palazzo >Speech on the Dedication of the East 2004: The Third Italian Renaissance: Strozzi, 2010), 23–33. Building of the National Gallery of Art >Andaleeb Banta, “A Parmigianino Art of the Lombard Plain Drawing Rediscovered,” Master >———, “Reading Bronzino’s Florentine >Speech on the Dedication of the National 2002: The Turning Figure Drawings 50, no. 1 (2012): 49–58. Portraits,” in Bronzino: Artist and Poet at Gallery of Art 2001: Michelangelo and the Medici: the Court of the Medici/Bronzino. Pittore From Florentine Prodigy to >———, five entries in Capturing the >Vilhelm Hammershøi and His e poeta alla corte dei Medici, eds. Carlo Tuscan Icon Sublime: Italian Drawings of the Falciani and Antonio Natali (Florence: Contemporaries , ed. Suzanne 2000: The Fashioning of a Public Renaissance and Baroque Palazzo Strozzi, 2010), 245–255. >Elson Lecture: Kerry James Marshall: The Persona: Duchess Eleonora di Folds McCullagh (Chicago: Art Institute Importance of Being Figurative Toledo’s Ceremonial Dress and of Chicago, 2012). >———, entry on “Pygmalion and Her Portraits by Bronzino Galatea,” in Bronzino: Artist and Poet at >About Four Honest Outlaws >Barbara H. Berrie, “Rethinking the 1999: Art and Science in the Drawings History of Artists’ Pigments through the Court of the Medici/Bronzino. Pittore , eds. Carlo >Andrew W. Mellon: Collecting for the of Leonardo da Vinci Chemical Analysis,” e poeta alla corte dei Medici Annual Review Falciani and Antonio Natali (Florence: Nation 1998: A Carpaccio Masterpiece 5 (2012): 441–459, of Analytical Chemistry Palazzo Strozzi, 2010), 76–78. Rediscovered doi: 10.1146/annurev-anchem- >Mellon: A Life 1997: The Young Michelangelo 062011-143039. >———, “Storia e tradizione nella Felsina >Conversations with Artists: Joel Shapiro, di Carlo Cesare Malvasia,” >The Film-Makers’ Cooperative at Fifty >Jonathan Bober, entries on Camillo Pittrice Thoughts on the Organization of Form in in Crocevia e capitale della migrazione Modern Sculpture >Listen: Introduction to a Painting— Boccaccino, Cambiaso, and Paggi in artistica: forestieri a Bologna e bolognesi Edouard Manet’s “The Railway” Capturing the Sublime: Italian Drawings ed. Sabine >Nineteenth-Century Redux: A New Look , eds. nel mondo (secolo XVII), of the Renaissance and Baroque Frommel (Bologna: Bononia University at a Great Collection of French Paintings Exhibition Features Suzanne Folds McCullagh and Kate Press, 2012), 65–72. Tierney Powell (Chicago: Art Institute >Exhibiting Blackness: African Americans > Haiku Inspired by Itō Jakuchū’s “Colorful of Chicago, 2012). >Melanie E. Gifford, Susanna P. Griswold, and the American Art Museum (with selections Realm of Living Beings” and John K. Delaney, “ from the exhibition catalogue) >———, “ di Giulio Cesare The Apostle Paul >A Sense of Place—Norman Lewis in L’Ecce Homo by Rembrandt (and Workshop?) at Procaccini: L’invenzione di uno stile Harlem: “An Inquiry into the Laws of the National Gallery of Art, Washington: >About the Exhibition “Joan Miró: The tra modelli acquisti e innovazione,” in Nature” Ladder of Escape” Evolution and Alteration,” Techné 35 Giulio Cesare Procaccini. ‘Ecce Homo’: (2012): 30–35. >Conversations with Artists: Compositions l’annello mancante, eds. Giulio Bora and and Collaborations: The Arts of Lou Stovall PRINT AND MEDIA AWARDS Davide Dotti (Milan: Museo Diocesano, >Margaret Morgan Grasselli and Victor >Conversations with Artists: David C. 2012), 14–19. Koshkin-Youritzin, Vernet to Villon: Driskell and Frank Stewart >David Alan Brown, “Venezia: Canaletto Nineteenth-Century French Master

Print, Design Awards e i soui rivali,” in Drawings from the National Gallery of Art >Remembering and Forgetting: Imagery and Il vedutismo veneziano: (Norman, Okla.: Fred Jones Jr. Museum Its Role in the Slave Trade and Its >The Chester Dale Collection una nuova visione—Atti del Seminario, 27 of Art, University of Oklahoma, 2012). Abolition maggio 2011, Pinacoteca di Brera, Milan >Impressionist and Post-Impressionist (Milan: Fondazione Bracco, 2011), 22–37. >Ksenya Gurshtein, “OHO: Experimental >A Conversation with David C. Driskell Masterpieces from the National Gallery Microcosmos on the Edge of East and >Faya Causey, of Art Amber and the Ancient West,” in >Works on Paper by African Americans: Quarterly Film Calendar (Los Angeles: J. Paul Getty L’Internationale: Post-war > World The Growth of the National Gallery of Art AIGA 50 Winners 2012 Museum, 2012). Avant-gardes between 1956 and 1986 Collection (Zurich: JRP Ringier, 2012), 208–215. >———, review of >Edgar Degas Sculpture Rome: A Cultural, >———, “Komar and Melamid, >Pictures of Nothing: Abstract Art since Finalist, College Art Association’s Alfred , by Robert Visual, and Personal History ,” entry in the electronic Pollock H. Barr Jr. Award Hughes, TransState Washington Independent Review catalogue of the exhibition The Desire Part 1: Why Abstract Art? of Books (April 2012). Part 2: Survivals and Fresh Starts >Impressionist and Post-Impressionist for Freedom. Art in Europe since 1945 Part 3: Minimalism Masterpieces from the National Gallery >Oscar Chiantore, Rebecca Ploeger, (Verführung Freiheit, Kunst in Europa seit Part 4: After Minimalism of Art Tommaso Poli, and Barbara Ferriani, 1945) (Berlin: Deutsches Historisches Part 5: Satire, Irony, and Abstract Art Print’s Regional Design Annual Award “Materials and Techniques in the Museum and Sandstein Verlag, 2012). 2011 Pictorial Oeuvre of Lucio Fontana,” Part 6: Abstract Art Now >Joseph Hammond, “Negotiating 57, no. 2 Studies in Conservation Carmelite Identity: The Scuola dei Santi >The Pastrana Tapestries of King Afonso V >Italian Master Drawings from the (2012): 92–105. of Portugal: The Invention of Glory Wolfgang Ratjen Collection: 1525–1835 Alberto e Eliseo at Santa Maria dei >Warhol: Headlines >Carol Christensen, “Gauguin’s Brittany Carmini in Venice,” in Art and Identity: >The Image of the Black in Western Art, Association of American University Landscape: Compositional Visual Culture, Politics, and Religion Part II Presses Book, Jacket, and Journal Transformation and Intentional in the Middle Ages and the Renaissance, >Florence: Days of Destruction Show 2012 Ambiguity,” Painting Specialty Group eds. Sandra Cardarelli, Emily Jane Postprints (Philadelphia: American Anderson, and John Richards >Some Pages from Michelangelo’s Life Film Institute for Conservation, 2012). (Newcastle: Cambridge Scholars Publishing, 2012), 219–42. >Leonardo da Vinci: Artist of Sketchbooks >George Bellows >Annalisa , Francesco Tassone, and Notebooks Official Selection, 3rd Annual Portland Michele Mauri, Domenico Salerno, >———, “ and Representation >Antico: The Making of an Exhibition Maine Film Festival John K. Delaney, Michael R. Palmer, E. of the Archangel Raphael in Sixteenth- René de la Rie, and Ricardo Simonutti, Century Venice,” St Andrews Journal >Teaching Connoisseurship: Paul Sachs at >Joan Miró: The Ladder of Escape “Highly transparent nanocomposite 15 33rd Annual Telly Awards, Bronze Telly, of Art History and Museum Studies and Bernard Berenson films from water-based poly (2-ethyl-2- (2011): 79–88. in the category of Cultural Programs at Villa I Tatti oxazoline)/TiO2 dispersions,” RSC >John Oliver Hand, entry on 2 (2012): 6628–6636, doi: The >Harry Callahan at 100 >Gauguin: Maker of Myth Advances by the Master of Saint Special Jury Award, 45th Annual 10.1039/C2RA20571H. Crucifixion Veronica in >Conversations with Artists: Mel Bochner WorldFest, Houston Glanz und Grösse des >Harry Cooper, “On the Dot,” in Screening Showcase Selection, 30th Roy Mittelalters. Kölner Meisterwerke aus den >Morse at the Louvre (Chicago: (Cologne: International Festival of Films on Art, Lichtenstein: A Retrospective grossen Sammlungen der Welt Art Institute of Chicago, 2012). Museum Schnütgen, 2011), 440–443. >Warhol: Headlines Symposium Montreal

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>Lindsay Harris, “Photography of the >———, “Anthropomorphism: >———, “La decorazione secentesca ‘Primitive’ in Italy: Perceptions of the Notes from the Field,” Art Bulletin degli altari nella Collegiata di Peasantry at the Turn of the Twentieth (March 2012). Valmontone: nuovi documenti su A. Century,” Pozzo, C. Ferri, P. Lucatelli, G. Brandi, Journal of Modern Italian >Thomas O’Callaghan, “The Solemnity 17, no. 3 (2012): 310–330. A. Scilla a G. A. Carlone,” Studies of : Juan Laurent’s Vision Rivista d’Arte 2 (2012): 497–518. >Jennifer Henel, two entries in Vermeer. of Spain,” Washington, DC, Maryland, Il secolo d’oro dell’arte olandese (Milan: and Virginia Chapter of the Art >Anne Simmons, review of Defining Skira, 2012). Libraries Society of North America, Contemporary Art: 25 Years in 200 http://arlisdmv.org/2012/01/the- , by Daniel Birnbaum et >Henriette de Bruyn Kops, six entries Pivotal Artworks solemnity-of-shadows. al., in Choice: Current Reviews for Academic Vermeer. Il secolo d’oro dell’arte olandese 50, no. 3 (November 2012). (Milan: Skira, 2012). >Therese O’Malley, “Mildred Barnes Libraries Bliss’s Garden Library at Dumbarton >———, review of , >Molli Kuenstner, “Citizens of the Art in the Streets Oaks,” in organized by Jeffrey Deitch with Roger Republic: Portraits from the Dutch A Home of the Humanities: Gastman and Aaron Rose, Golden Age,” Washington, DC, The Collecting and Patronage of Mildred Choice: , ed. James N. Maryland, and Virginia Chapter of and Robert Woods Bliss Current Reviews for Academic Libraries Carder (Washington: Dumbarton Oaks, 49, no. 10 (June 2012). the Art Libraries Society of North Trustees for Harvard University, 2010), America, http://arlisdmv.org/2012/07/ >———, review of , 139–165. Graffiti and Street Art citizens-of-the-republic. by Anna Waclawek, Choice: Current >———, “Cultivated Lives, Cultivated 49, no. 7 >Roger Lawson, review of Reviews for Academic Libraries Carrère and Spaces: The Scientific Garden in (March 2012). Hastings: The Masterworks, by Laurie Philadelphia, 1740–1840,” in Knowing Ossman and Heather Ewing, ARLIS/ >Shelley Sturman and Daphne Barbour, , http://www.arlisna.org/ Nature: Art and Science in Philadelphia, “Degas as Sculptor,” in NA Reviews , ed. Amy R. W. Meyers Degas’s Dancers pubs/reviews/2012/03/ossman.pdf. 1740–1840 , (New Haven and London: Yale at the Barre: Point and Counterpoint (Washington: The Phillips Collection, >Alexandra Libby, five entries in University Press, 2011), 36–59. 2011), 57–70.

Vermeer. Il secolo d’oro dell’arte olandese >Lorenzo Pericolo, (Milan: Skira, 2012). Caravaggio and >Helen Tangires, “Lessons from Europe: Pictorial Narrative: Dislocating the Istoria Public Market Reform in the United >Suzanne Quillen Lomax, Beth A. Price, (London: in Early Modern Painting States during the Progressive Era, Ryan Grieb, Charles Davis, Boris Harvey Miller, 2011). 1894–1922,” in Pretzel, and Marcello Picollo, “Raman Fer ciutat a través dels >Thomas Primeau and Kimberly , eds. Revealed: A Shared Internet Resource mercats Europa, segles XIX i XX Schenck, “Matisse’s Drawings and Manuel Guàrdia and José Luis Oyón for the Cultural Heritage Community,” Prints: Materials and Techniques,” (Barcelona: Museu d’historia de

Paintings Specialty Group Postprints in (South Barcelona and Ajuntament de 23 (Philadelphia: American Institute for Matisse Drawing Life Brisbane: Queensland Art Gallery/ Barcelona, Institut de Cultura, 2010), Conservation, 2011). Gallery of Modern Art, 2011). 435–468. >Alison Luchs, “‘Così si specchi’: >Paola Ricciardi, John K. Delaney, >———, “Provisioning Everyday Meals: Speculations on Medici Patronage Michelle Facini, Jason G. Zeibel, Wholesale Produce Markets and and Purposes for Desiderio’s Louvre Marcello Picollo, Suzanne Quillen the Ethics of Food Distribution,” in Tondo,” in Desiderio da Settignano: Lomax, and Murray H. Loew, “Near , eds. Time for Food: Everyday Food and convegno 9–11 maggio 2007 Infrared Reflectance Imaging Beatrice Paolozzi Strozzi, Joseph Changing Meal Habits in a Global Spectroscopy to Map Paint Binders , ed. Patricia Lysaght, 18th Connors, Alessandro Nova, and Perspective on Illuminated Manuscripts,” Conference of the International Gerhard Wolf (Venice, 2011), 1–16. In Situ Angewandte Chemie International Edition Commission For Ethnological Food >———, “The Renaissance Portrait from 51, no. 23 (2012): 5607–5610. Research (Åbo: Åbo Akademi Donatello to Bellini: Objects and University Press, 2012), 305–318. >Paola Ricciardi, Michelle Facini, Installation in the Bode Museum and and John K. Delaney, “Painting and >M. von der Goltz, R. Proctor, J. Whitten, the Metropolitan Museum of Art,” Illumination in Early Renaissance L. Mayer, G. Myers, Ann Hoenigswald, 24, Newsletter of the Italian Art Society Florence: the Techniques of Lorenzo and Michael Swicklik, “Varnishing no. 1 (Winter 2012): 2–4. Monaco and His Workshop,” in The as a Part of the Conservation of Easel >Eleonora Luciano, “A More ‘Modern’ Renaissance Workshop: The Materials Paintings,” in Conservation of Easel Ghiberti: The Saint Matthew for and Techniques of Renaissance Art. Paintings (London: Routledge, 2012). Orsanmichele,” in (London: British Orsanmichele and 10–11 May 2012 >Arthur K. Wheelock Jr., Museum, 2012). Vermeer. Il secolo the History and Preservation of the Civic (Milan: Skira, 2012). , ed. Carl B. Strehlke d’oro dell’arte olandese Monument >Andrew Robison, “Marco Ricci: (Washington: National Gallery of Art, >———, “An Art Historian’s Journey Fortifications Overlooking a Broad Center for Advanced Study in the and Rembrandt’s forgotten Portrait of River Landscape,” in Drawn to Visual Arts, 2012): 214–242. a Bearded Old Man wearing a Beret Excellence: Renaissance to Romantic revisited,” in >Christopher McGlinchey, Rebecca Een Kroniek voor Jeroen Drawings from a Private Collection , eds. Jaap van der Veen and Friso Ploeger, Annalisa Colombo, Ricardo (Northampton, Mass.: Smith College Giltaij Lammertse (Nijmegen: The Rembrandt Simonutti, Michael R. Palmer, Oscar Museum of Art, 2012). House Museum, 2012), 13–20. Chiantore, Robert Proctor, Bertrand >Guendalina Serafinelli, “La decorazione Lavédrine, and E. René de la Rie, >Arthur K. Wheelock Jr. and Walter pittorica di Giacinto Brandi nella cripta “Lining and Consolidating Adhesives: Liedtke, entry in del duomo di Sant’Erasmo in Gaeta,” Vermeer. Il secolo d’oro Some New Developments and Areas (Milan: Skira, 2012). 27 (2011): 132–141. dell’arte olandese of Future Research,” in Arte/Documento Symposium >Nancy H. Yeide, “The Spirit of France: >———, “Giacinto Brandi, San Pietro,” 2011 Adhesives and Consolidants for The 1940–1946 exhibition of French in Conservation: Research and applications, Opere d’arte dalle Collezioni di Ascoli art in the United States,” (Ottawa: Burlington October 17–21, 2011 Piceno. La Pinacoteca Civica e il Museo 154, no. 1313 (August 2012): Canadian Conservation Institute, Magazine Diocesano: scoperte, ricerche e nuove 564–569. 2011), 1–20. proposte, ed. Stefano Papetti (Rome, 2012), 174–175, 359. >James Meyer, “The Painting Factory: A Roundtable Discussion,” in The >———, “, Il Sogno Painting Factory, ed. Jeffrey Deitch (Los di San Giuseppe,” in Roma al Tempo di Angeles: Museum of Contemporary Caravaggio: 1600–1630, ed. Rossella Art, 2012). Vodret (Rome, 2011), 30–31.

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Staff as of 30 September 2012 Design Assistants EUROPEAN PAINTINGS Associate Curators Andrew W. Mellon Postdoctoral Andrea D’Amato Molly Donovan Curatorial Fellow OFFICE OF THE DIRECTOR Jon Frederick French Paintings James Meyer Ksenya Gurshtein Design Coordinator Curator and Head of Department Research Associate Exhibition Research Assistant Director Deborah Clark-Kirkpatrick Mary Morton Jennifer Roberts Lindsay Harris Earl A. Powell III Production Coordinators Associate Curator Curatorial Assistants Summer Interns Chief of Staff & Executive Linda Daniel Kimberly A. Jones Kerry Rose Katie Addleman Assistant John Olson Assistant Curator Paige Rozanski Audrey Sands Angela M. LoRé Nathan Peek Yuriko Jackall Graduate Intern Volunteer Intern Staff Assistants Photographer Curatorial Assistant Davida Fernández-Barkan Clarisse Fava-Piz Celina B. Emery Rob Shelley Michelle Bird Melissa B. Goodman PRINTS AND DRAWINGS CURATORIAL RECORDS Head of Graphics Italian and Spanish Paintings Andrew W. Mellon Senior AND FILES Internal Auditor Barbara Keyes Curator of Prints and Drawings Larry L. Lewis Curator and Head of Department Head of Department Graphic Design/Silkscreen David Alan Brown Andrew Robison Nancy H. Yeide Auditor Production Office Manager Orin Wolf Lisa Farrell Associate Curator Associate Susanne L. Cook Glenn Perry Gretchen Hirschauer Anne L. Halpern S PECIAL PROJECTS Jeffrey Wilson Curatorial Assistant Curatorial Assistant Kress Collection Congressional Liaison Officer Stefan Wood David Essex Monica Alvano Project Research Assistant and Director of Special Projects Fulvia Zaninelli Head of Exhibits Shop Samuel H. Kress Foundation Joseph F. McCrindle Foundation Delia Gerace Scott Randy Payne Graduate Curatorial Intern Interpretive Art Museum Fellow REGISTRATION AND LOANS Special Projects Associate Felix Monguilot Benzal Austèja Mackelaitè Exhibits Shop Specialists Chief Registrar Beth Fernandes Richard Bruce Northern Renaissance Paintings Old Master Prints Sally Freitag Special Projects Assistant Lester Dumont Curator and Head of Department Sarah Bohannan George McDonald Curator and Head of Department Registrar for Exhibitions Robert Motley John Oliver Hand Jonathan Bober Michelle Fondas EXHIBITIONS Andrew Watt Associate Curator Collections Information Northern Baroque Paintings Chief of Exhibitions Head of Lighting Shop Gregory Jecmen Systems Coordinator Curator and Head of Department D. Dodge Thompson Robert Johnson Assistant Curator Susan Finkel Arthur K. Wheelock Jr. Exhibition Officers Lighting Shop Specialist Ginger Hammer Collections Information Jennifer F. Cipriano Juan Garedo Curatorial Associate Systems Assistant Naomi R. Remes Jennifer Henel Old Master Drawings Elizabeth Concha Ann. B. Robertson Head of Paint Shop Curator and Head of Department Exhibitions Research Assistant Registrar for Loans Dennis Bult Margaret Morgan Grasselli Assistants for Exhibition Henriette Rahusen Judith Cline Administration Painters/Finishers Associate Curator Volunteer Intern and Curatorial Assistant Registrar for Loans Allison Keilman Wilber Bonilla Stacey Sell Research Assistant Shannon Schuler Nina O’Neil Derrick Duarte Alexandra Libby Assistant Curator Senior Loan Officer Office Manager/Assistant Andaleeb Banta OFFICE OF THE Kress Curatorial Research Lisa MacDougall to the Chief of Exhibitions DEPUTY DIRECTOR Assistant Volunteer Interns Wendy Battaglino Loan Officer Rachel Pollack Marie Ladino Andrea Romeo Jain Exhibition Programs Deputy Director and Volunteer Intern Lara Langer Chief Curator Sophia Lee Associate Registrar for Head of Department Modern Prints and Drawings Exhibitions Susan MacMillan Arensberg Franklin Kelly SCULPTURE AND DECORATIVE Curator and Head of Department Melissa Stegeman Administrator for Policy Associate Curators ARTS Judith Brodie Associate Registrar for Margaret Doyle and Programs Curator and Head of Department Associate Curators Collections Lynn Matheny Elizabeth Driscoll Pochter Mary L. Levkoff Carlotta Owens Lehua Fisher Administrative Assistants Film and Video Productions Curator of Early Charles Ritchie Assistant Registrar Carroll Moore Nancy M. Deiss Kerry Rose Wallin European Sculpture Assistant Curator Holly Garner-Ponce Alison Luchs Assistant Producers Amy Johnston Office Manager David Hammer AMERICAN AND BRITISH Associate Curator Andrew W. Mellon Postdoctoral Carol Nesemann Elizabeth Laitman Hughes PAINTINGS Eleonora Luciano Curatorial Fellow Art Services Manager Curator and Head of Department Staff Assistant Curatorial Assistant Adam Greenhalgh Daniel Shay Nancy K. Anderson Caroline Reitz Emily Pegues Graduate Intern Senior Art Services Specialists Associate Curator DEG SI N AND INSTALLATION Robert H. Smith Research Davida Fernández-Barkan James Clark Charles Brock Curator Joan Ganzevoort Senior Curator and Chief PHOTOGRAPHS of Design Assistant Curator Carolyn H. Miner Andrew Krieger Deborah Chotner Senior Curator of Photographs Daniel Randall Mark Leithauser Volunteer and Head of Department David Smith Curatorial Assistant Debra Pincus Deputy Chief and Head Sarah Greenough William Whitaker Nicole Stribling of Exhibition Production Volunteer Associate Curators Art Services Specialists Gordon Anson Volunteer Lisa Gastrell Sarah Kennel Francis Adams Ellen Layman Office Manager Intern Diane Waggoner Carson Murdach Carol Koelemay Graduate Intern Masha Stoyanova Assistant Curator Lewis Schlitt Architects/Designers Zoë Carbarnes Samels Andrea Nelson MODERN ART Art Services Technician Jamé Anderson Curatorial Assistant Goven Martinez Donna Kirk Curator and Head of Department Harry Cooper Maryanna Ramirez

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EDUT CA ION Senior Educator and Manager Assistant Editor Technical Services Image Specialist for Northern of Teacher Programs Caroline Weaver European Art Division Head Julie A. Springer Technical Services Librarian Molli E. Kuenstner Lynn Pearson Russell Budget Coordinator Anna M. Rachwald Museum Educator, Teacher Jamie Lowe Circulation Desk Technician Administrator Programs Acquisitions Assistants Carrie A. Scharf Permissions Manager Kim Hodges Zev Slurzberg David Diaz Sara Sanders-Buell Amanda Kim Staff Assistant Adult Programs Senior Educator and Manager Debra K. Massey Senior Book Designer Mary Lazarenko of High School Programs Department Head Bradley Ireland Jeffrey Leone Student Assistant Elisa Patterson Wilford Scott Eden Orelove Graphic Designer Acquisitions Student Assistant Museum Educator, High School Lecturers Rio DeNaro Sarah Hemmings Programs CONSERVATION Eric Denker Cataloguers Lorena Baines Assistant Production Manager Chief of Conservation David Gariff John P. Heins John Long Mervin Richard Sally Shelburne Museum Educator, School Tour Bary Johnson Lecturer and Media Specialist and Docent Programs Production Assistant J. Bryan Lane Conservation Administrator Adam Davies Deirdre Palmer Mariah Shay Cathy F. Quinn Michael Skalka Paula L. Zech Lecturer and Manager, Adult Senior Educator and Manager Program Assistant Conservation Program Assistants Program Docents of School Tour and Docent Mari Pappas Cataloguing Assistant Emma Kirks Diane Arkin Programs Gretchen Berkman Michelle LeBleu Elizabeth Diament Rothko Project Nicola Wood Adult Programs Tour Scheduler Cataloguing Student Assistant Senior Educator and Manager, Project Manager C. Arlette Raspberry Vada Komistra Painting Conservation Art Around the Corner Laili Nasr Manager, Art Information Sara Lesk Associate Manager Bindery Assistant Head of Department Dianne Stephens Jane E. Higgins Sarah Fisher Museum Educator, Art Around Mary Lee Corlett Supervisor, Art Information the Corner Summer Intern Reader Services Senior Conservator of Modern Volunteer Operations Painting Julie Carmean Elisabeth Rivard Head of Reader Services Marta Horgan Jay Krueger Education Assistant, Art Around Lamia Doumato Staff Assistant DIVISION OF IMAGING Senior Conservators the Corner Reference Librarian Katherine Gottschalk AND VISUAL SERVICES Carol Christensen Chelsea Morrocco John Hagood Chief, Division of Imaging Ann Hoenigswald Academic Programs School Tour Scheduler and Visual Services Reference Assistant Catherine Metzger Jennifer Cross Department Head Alan Newman George (Ted) T. Dalziel Jr. Michael Swicklik Elizabeth Walmsley Faya Causey Senior Educator and Manager Interlibrary Loan Technician of Family & Teen Programs Digital Imaging Services Administrator Thomas F. J. McGill Jr. Conservation Technician Nathalie Ryan Department Head Ali Peil Douglas Lachance Peter Dueker Interlibrary Loan Assistant Coordinator of Teen Programs Program Assistant Faye Karas Charles E. Culpeper Sarah Diallo Coordinator of Visual Services Ben Masri-Cohen Advanced Training Fellow Barbara Bernard Circulation Technicians Coordinator of Family Julia Burdajewicz Audio Visual Production Tina Habash Workshops Permissions Coordinator Specialist Yuri Long William R. Leisher Memorial Emily Lazaro Barbara Goldstein Wood Laura Kinneberg Rodrick McElveen Fellow Coordinator of Multiple-Visit Image Permissions, NGA John Shinn Anna Alba Program Administrator for Family Programs Collections Internships and Fellowships Vertical Files Librarian Paula Lynn Peter Huestis Paper Conservation Mattie M. Schloetzer Anne Simmons Head of Department Graduate Intern Digital Imaging Cataloguer Serials Technicians Education Publications Kimberly Schenck Gwendolyn Fernandez Kate Mayo Tammy Hamilton and Resources Bruce B. Hebblethwaite Senior Conservator Department Head & Deputy Web Team Photographic Services Marian Dirda Student Assistants Division Head Web Manager Department Head Conservator Barbara Moore John Gordy Lorene Emerson Meghan Krueger Zachary Newton Michelle Facini Senior Publications Manager Web Producers Color Scientist Coordinator of Preservation Donna Mann Carolyn Campbell Ken Fleisher Department of Image Services Guillermo Saénz Collections Senior Writer Photographers Hugh Phibbs Suzanne Sarraf Chief, Library Image Collections Carla Brenner Ric Blanc Exhibition Specialists—Matting Lee Ewing Gregory P. J. Most Writer/Editor FILM PROGRAMS and Framing Lea Ingold Jennifer Riddell Deputy Chief and Image Caroline Danforth Head of Department Greg Williams Margaret Parsons Specialist for Architecture Shan Linde Program Assistant Tricia Zigmund Andrea R. Gibbs Jenny Ritchie Melanie Spears Harper Assistant Head of Department Visual Information Specialists Joanna Raczynska Image Specialist for Modern Conservation Technician Head, Education Resources Debbie Adenan and Contemporary Art Michelle Stein Leo J. Kasun Doris Alston PUBLISHING OFFICE Meg Melvin Christina Moore Andrew W. Mellon Advanced Media Projects Coordinator Editor in Chief John Schwartz Image Specialist for American Training Fellow Susanna Fields-Kuehl Judy Metro and British Art Im Chan Secretary Supervisor, Program Shipping Andrew L. Thomas Deputy Publisher and Geneva Rosenboro Photograph Conservation Technician Production Manager Image Specialist for Italian Art Roland Young Chris Vogel LIBRARY Melissa Beck Lemke Head of Department Constance McCabe Manager, Resources Operations, Design Manager Executive Librarian Image Specialist for Special and Affiliate Loan Coordinator Wendy Schleicher Neal T. Turtell Projects Senior Conservator Frances Duhart Lisa M. Coldiron Sarah S. Wagner Managing Editor of CASVA Administrative Librarian Program Shipping Technician Publications Roger C. Lawson Image Specialist for French Art Conservator Michael G. Bryant Alisha Chipman Cynthia Ware Library Systems Manager Nicholas A. Martin Teacher, School, and Family Senior Editors Karen P. Cassedy Image Specialist for Spanish Art Object Conservation Programs Tam Curry Bryfogle Staff Assistant Thomas A. O’Callaghan Jr. Head of Department Department Head Ulrike Mills Kate M. Allen Shelley Sturman Heidi Hinish Julie Warnement

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Senior Conservators Hayley Plack Paul Mellon Fellows Supply Technicians (Property) Senior Architect/Senior Program Daphne Barbour Bailey Skiles Meredith Gamer Kevin Grays Manager Judy L. Ozone Courtney Tompkins Joshua O’Driscoll Nathan Howell Carl M. Campioli Sarah Williams Conservator Samuel H. Kress Fellow Supply Technicians (Supply) Fire Protection Engineer/ Katherine May Research Staff Susanna Berger Katrina Pierce Program Manager Kathryn Barush Robert Wilson Research Conservator, Robert H. Ulrick Vilmenay Joseph Hammond Wyeth Fellow Smith Bronze Study Project Architects/Program Managers Alexandra Hoare Jessica L. Horton Support Services Specialist Dylan Smith (Transportation) William H. Cross Jr. Emily Pugh Ittleson Fellow Elvis Hill Michael Gavula Conservation Technician Jessica N. Richardson Yanfei Zhu Mira Patel Guendalina Serafinelli Transportation Assistants Architects/Project Managers Andrew W. Mellon Fellow Bruce D. Condit Andrew W. Mellon Advanced Dora Barksdale Members, Center for Advanced Fredo Rivera Denise Lind Training Fellow Allen Billingslea Study in the Visual Arts, Twenty-Four-Month Chester Dale Christopher Ruffing Marie Stewart Motor Vehicle Operator Academic Year 2011–2012 Fellow Frank Armstrong Construction Project Manager Textile Conservation Samuel H. Kress Professor Marius Bratsberg-Hauknes Juan Radulovic Julian Gardner Warehouse and Distribution Head of Department Twelve-Month Chester Dale Construction Field Julia Burke Andrew W. Mellon Professor Fellow Support Services Supervisor Representative Carmen C. Bambach Maggie Taft Robert Bevard Michelle Gilbert Scientific Research Department Edmond J. Safra Visiting Robert H. and Clarice Smith Lead Materials Handler Head of Department Interior Designer Professors Fellow Lemuel Jamison Susan A. Ritterpusch E. René de la Rie Marc Fumaroli Noa Turel Support Services Specialist Senior Conservation Scientist Jacqueline Lichtenstein Program Analyst Ailsa Mellon Bruce Predoctoral Anthony Sean Hilliard Lauren Huh Barbara H. Berrie Paul Mellon Senior Fellows Fellowships for Travel Abroad for Materials Handler Senior Imaging Scientist Sonya S. Lee Historians of American Art Staff Assistant Rickie Lee Younce John K. Delaney Maria Cristina Wolff de Carvalho Laura Turner Igoe Hillary Lord Erin Leary Samuel H. Kress Senior Fellows Mail and Records Management Research Conservator Erica North Morawski EQUAL EMPLOYMENT for Paintings Technology Estelle Lingo Support Services Supervisor OPPORTUNITY E. Melanie Gifford Amy Powell OFFICE OF THE Angela Dory Equal Employment Opportunity Organic Chemist Ailsa Mellon Bruce Senior ADMINISTRATOR Support Services Specialists Officer Suzanne Quillen Lomax Fellows Felton Byrd Kelly Goode David E. James Bryan Durham Conservation Scientists Administrator Staff Assistant Jennifer Purtle Anthony Proctor Lisha Deming Glinsman Darrell R. Willson Shelley Baltzer Christopher Maines Paul Mellon Visiting Senior Mail Clerks Deputy Administrator FACILITIES MANAGEMENT Kathryn Morales Fellows Francis Moffatt John Robbins Michael R. Palmer Nicholas Adams Towanda Nathan Chief Michael Gaudio David Samec Charles E. Culpeper Advanced Deputy Administrator for Catherine Maumi Audio Visual Services Training Fellow Capital Projects Office Manager Patrizia Tosini Rebecca Ploeger Susan Wertheim Supervisory Audio Visual Michelle Byers Ailsa Mellon Bruce Visiting Specialist George Washington University, Executive Assistant Staff Assistants Senior Fellows Victoria Toye National Science Foundation Erin Fisher Linda Hilliard Cecilia Frosinini Fellow Audio Visual Program Specialist Nicole Williams Louisa C. Matthew Assistant to the Administrator Kathryn Dooley for Budget Analysis Chris Bodily Tran Ky Phuong Sustainability Samuel H. Kress/Andrew W. Monika Schmitter Andrew McCoy Audio Visual Systems Specialist Mellon Fellow Brian Dooda Energy Manager A. W. Mellon Postdoctoral Budget Analyst Marie Didier David Matthews Fellows Jill Dunham Radio Production Specialist Facilities Scientist Marden Fitzpatrick Nichols CAD Team John Conway Loans and Exhibitions Cecily Grzywacz Conservation Łukasz Stanek Martin Livezey Maintenance Technician Timothy Spencer Frank Tutko Senior Conservator PREDO CToraL FELLOWS Engineering Michael Pierce IN RESIDENCE Staff Assistant (CASVA Housing) Motion Picture Projectionist Deputy Chief Tamara Fink Conservator David E. Finley Fellow Jeannie Bernhards William Burns Bethann Heinbaugh Benjamin Anderson ADMINISTRATIVE SERVICES Printing and Duplicating Engineer James Cromwell Head of Frame Conservation Paul Mellon Fellow Chief Printing Services Supervisor Stephan Wilcox Jennifer M. S. Stager Cathy Yates Dionne Page Engineering Technicians Bryan Allen Conservator of Frames Samuel H. Kress Fellow Deputy Chief Printing Services Specialist Gary Ilko Richard Ford Jason Di Resta Thomas Valentine Frank Schiavone Michael Ottmers Wyeth Fellow CENTER FOR ADVANCED Administrative Officer Copier Equipment Operator Daniel Warrenfeltz Dana E. Byrd Scott Stephens James Morris STUDY IN VISUAL ART Building Automation System Ittleson Fellow Program Specialist (Travel Manager Telecommunications Anna Seastrand Coordinator) Brian McGivney Dean Supervisory Telecommunications Andrew W. Mellon Fellow Joy Borja Elizabeth Cropper Specialists Assistant Building Automation Di Yin Lu Program Specialist Minnie Barbour Systems Manager Associate Deans (Administration) Michael Smith Peter M. Lukehart Twenty-Four-Month Chester Mark Ranze Dale Fellow Bonnie Hodgkins Therese O’Malley Telecommunications Specialists Facilities Services Razan Francis Administrative Assistant Barbara McNair Center Administrator Christy Williams Deputy Chief Helen Tangires PREDO CToraL FELLOWS Brion Shearin Dan Hamm NOT IN RESIDENCE Juanita Walker Assistant Administrator for Supply, Property, and Program Specialist Budget and Accounting David E. Finley Fellows Transportation Management ARCHITECTURE AND Vasily Lazarenko Bryant L. Johnson Emmelyn Butterfield-Rosen Support Services Supervisor ENGINEERING Assistant Special Projects Nathaniel B. Jones Ricardo Martinez Program Staff Senior Engineer/Senior Program Coordinator Susan Cohn Manager William Cabeza Elizabeth Kielpinski Alison Hunt

84 NATIONAL GALLERY OF ART

Special Projects Workers Painters HORTICULTURAL SERVICES Purchasing Agents Commanders Anthony Givens Victor Bercian Gregory Champlin Quellan Josey Chief Andre Gordon Craig Cruikshank James Wortham Quinyardo McClain Antonio Williamson James Miller Cynthia Kaufmann Staff Assistant Jeroboam Powell Troy Patterson Deputy Chief Patricia Barber Lieutenants Work Control Center Julianna Goodman Timothy Fortt Facilities Services Manager Mason Shop Horticulturists PROTECTION SERVICES Patricia Hassell John Haughey Supervisor David Eimers Chief Dennis Hill Gino Ricci Work Control Coordinators Solomon Foster James J. Lucey Joseph Hudson Taniesha Kelly Mason Leaders David Gentilcore Identification Office David Lee John Todd Tony Lowe Kimberley Mead Brannock Reilly Lawrence Marshall Patrick Verdin Jeff Nagle Vernon Morton Building Services Vladimir Solomykov Masons Gardener Leader Dexter Moten Investigations General Foreman Robert Brinkley Anthony Ferrell James Murphy Enis Pinar Charles Boone Dennis Colella Keith Thalhamer Gardeners Daniel Depaz Technical Services Supervisor Marlene Tucker Supervisors Charles Bauduy Conrad Solomon Angelo Catucci Sylvia Dorsey Wayne Buckner Charles Sydnor Sheila Wright Deborah Hamilton Alessandra Hayes Senior Electronics Technician James Ware Angela Lee Brian Johnson William Shaw Sergeants Ronald Bond Leaders Shaun Kelsey Building Operations Electronics Technicians Wesley Branon Calvin Anderson Chris Myers Deputy Chief Ty Cullins Alphonso Brown III Gerald Carthorne Devin Sampson Rodney Stringer Glenn Hnatt Joseph Callahan Devigar Dozier Willie Townes Louis Wagner Jr. Jerry Doss Sr. Sheldon Malloy Assistant Manager Volunteers Alonzo Fountain Darlene Middleton Noel Ashton Alexander Botts Administration and Visitor Thomas Gorman Custodians and Laborers Supervisory Engineering Martha Davidson Services Carolyn Groce Maurice Anderson Technician Mazer Deputy Chief Harry Groce Kenneth Betts Larry Smith Dorothea Sutton Elizabeth Thomas James Hairston Jacqueline Campbell Franklin Jess Controls Supervisor Program Analyst Paul Cotton PERSONNEL Lee Jones Anthony Brooks Cheryl Miller Warren Crumity Personnel Officer John Rogers Jerry Dobbs Controls Technicians Douglas Goodell Program Specialist Raymond Tyndle Oliver Fowler Eugene Givens Andrea Bajrami Deputy Personnel Officer Eugenio Velazquez Carolyn Harvey Wayne Valentine Meredith Weiser Supply Technician Willie Wright Brock Hawkins Supervisors Michelle Cameron Gallery Protection Officers II Alice Holloman Personnel Systems Specialists David Gali Wayne Alexander Brenda Hudson Michele Caputo Office Assistants Jeff Gandee Calvin Allen Craig Jenkins Darryl Cherry Jesus Jimenez James Hamilton Roger Allen Sharon Jenkins Zoya Mussienko Personnel Management Irene Anderson-Thomas Michon Jenkins-Savoy Leaders Specialist Philip Arnett Teresa Lee Artemas Edwards Special Projects and Terrence Snyder Leonard Bashful Dominique Littlejohn James Gant Information Technology Joseph Beidle Paul Marshall Germaine Nelson Senior Staffing Specialist IT Specialist Wiziri Belcher Gail Maxfield Mark Teed Rick Decuir Patrick Parrett Charles Berkley Jr. Linda Mitchell A/C Equipment Mechanics Staffing Specialists Jeffrey Blaher Gwendolyn Nathan Risk Management Seong An Kathy Sutton Davis Vander Blount Darryel Parker Ryan Brown Laura Donahue Deputy Chief Howard Boddie Sr. (Union Alexander Payne Gregory Curry Philip Goldsmith Representative) Tony Reese Gallery Representatives Roger Dunning Occupational Safety and John Boone Jr. Leora Richardson Luis Baquedano Jason Johnson Health Manager Brian Bowman Crystal Robinson Erin Cutler Sahlu Teklesadik Linda Schilder Neil Braithwaite Cassandra Smith Sarah Montgomery Justin Trilli Roy Brown Jr. Charles Sprouse Fire Protection Specialist Jeremy Wojciechowski Human Resources Specialist Vincent Brown Angeline Sutton Nathaniel Stroman Miriam Berman George Burgess Bridgette Thomas Pipefitter Timothy Parker Human Resources Assistants Operations Darwin Capers Annette Brown Slats Carter Building Maintenance Deputy Chief Insulators Jamaal Carrington Edward Chapman Deputy Chief James Deal Robert Rule Darnell Cooper Craig MacFarlane Training Officer Dwayne Queen Major Venus Cristwell Judith Frank Production Center Foreman Maintenance Workers Larry Kaylor Dominic Dangerfield Charlie DiPasquale Training Specialists Larita Dodson Earl Ashford Captains Bryce Myers Robert Edwards Victor Jamison Cleven Brown Carpenter Shop Mendi Cogle Wingfield Edward Foster Wilbert Thompson Karen Perry Supervisor Ronald Winston Tameka Gaines Alvin Adams PROCUREMENT AND Security Driver Robert Gayleard Electric Shop CONTRACTS Carlos Dubose William Gill Wood Crafter Leader Robert Goolsby Supervisor Chief Senior Security Command Carl Sturm Kaisha Harper Anthony Pizzo Rodney C. Cartwright Center Operators Wood Crafters Peter Henderson Jr. Deputy Chief Deriek Hairston Lynn C. Edwards Leader Yvette Herbert Henrietta Brox-Campbell David Weston Jr. William Ferguson Jr. Daniel Smith Jimmie Hines Jose Guerra Electricians Contracting Officers Security Command Center Donna Hinton Allan Scheufele Troy Cahill Denise Gilson Operators Mildred Holeman Christopher Fioravanti Dean Koepp Winston Franklin III David Jackson Paint Shop Curtis Headlee David Reindl Barbara Height John Eric Jackson Supervisor Timothy Maxwell Geoffrey Spotts James Townsend Eugene Johnson Paul Zappulla Richard Thomson Laverne Whitted Eliot Jones Attorney Advisor Felisha Jones Paint Leader Ethan S. Premysler John Jones Frank Conto Veronica Jones Aaron Kinchen

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Anthony Kittoe Stephen Dobbs Damien Toler Chelsea Burgess Accountants Albert Lawrence Antonio Dorsey James Turner Jr. Stefanie Clark William French Clifton Leach James Doye Thomas Tyson Pamela Coleman Ruth Lewis John Legrand Alexander Duboise Jr. William Walker Jr. Denis Donovan Franklin Lewis Patrick Dumsch Michael Walters Nanci Fox Accounting Technicians Joe Lewis Altwann Edwards Ricardo Watson Lara Ghelerter Richard Eckert David Logan Brigitte Fitzhugh Michael Webster Sophia Keith Nicole Glaude Richard Lydick Raynard Forte II Raymond White Bonnie McBride Kevin C. Oberman Augustine Maldonado David Fortunoff Verda Whitlow Thomas Mertens Brenda M. Stevenson Rodney Mathew Baron Foxworth Agnes Whittle Todd Osborn Stephanie L. Thorpe Isaac Mathis III Olympia Frazier Barry Williams Kim Peacock Valerie M. Wright Oumar Mbodj Russell Gaskins Jr. Mildred Shivers Lee Williams Payroll William McLaughlin Ardella Gill Stephen Williams Socrates Tiglao Willie Miller Lita Goings Vincent Williams Timothy Turner Payroll Personnel Specialist Wayne Morris Jr. Debra Graham Phillip Williamson Rosemary Wilkerson Emma G. Moses Darrin Moyer John Gray Andre Wilson Melissa Winter Payroll Technician Jacob Neal Pamela Green Chantay Wilson Jamesse Wyche Margaret Myers Beverly North Richard Green Warren Woodson Merchandise Stock Clerks Reppard Powers III Paul Gresham Anthony Wright Terry Gibson DATA PROCESSING Chris Privott Kaprii Hargrove Kenneth Wright Jr. Aaron Seaboch Chief Information Officer Jerry Reaves Dorothy Harper Patricia Wright Linda K. Stone Marcus Reeves Burley Harris Denise Young Operations Supervisor Lonnie Robertson Jamal Hassan Stephen Richardson Deputy Chief Information Officer RETAIL OPERATIONS Gregory Swift Linda Roché Kelly Hendley Lead Materials Handler Loretta Roy John Hendrix Jr. Chief Marvin M. Walton Manager, User Services John Smith Keith Hightower David A. Krol Susan Farr Timothy Smith Thomas Hill Materials Handlers Deputy Chief/Operations Chris Usher Johanna Speight Lemuel Hillian Mioril Andoque Manager Michael Strong Fred Holmes Jr. James B. Everett IT Project Manager Karen Boyd Altina Sumter Priscilla Hopkins Michael Nichols Laszlo Zeke Edward Thomas Ina Hunter Office Administration/Office Manager, Internet and Reginald Thornton Robert Hyer Manager OFFICE OF Application Development Joselito Tungcod David Jakes Laura A. Fitzgerald THE TREASURER David Beaudet Larry Turner David Johnson Staff Assistants Gregory Tyson Domario Johnson Information Systems Security Miriam Dameron Andre Vaughn Ottis Johnson Jr. Treasurer Officer Adam Prescott Quinton Waldon Sherice Johnson William W. McClure Nabil Ghadiali Blease Washington Wayman Johnson Service Contract Manager Deputy Treasurer Manager, Network Engineering Gregory Watson Nathnial Kefale Sr. Anne Valentine Diane C. Mullis Katherine Green Harold Williams Gabriel Kelley Visual Information Specialist Executive Assistant Lynn Williams Stephen King Manager, Intranet Development Noriko Bell Judy Shindel Mitchell Wright Jr. Shane Kraeger Neal Johnson James Yancey Tameka Kyles Book Buyers Chief of Investments and Cash Philip Young Jr. Christopher Leonard Dennis E. Callaghan Management OFFICE OF THE SECRETARY Michael Lewis Donald L. Henderson AND GENERAL COUNSEL Senior Gallery Protection George-Ann Tobin Robert Lewis Officers and Trainers Buyers Chief Planning and Budget Tyrone Lewis Yamashita Johnson Janet B. Kerger Officer Secretary and General Counsel Dominick Little Joe Peterson Nancy A. Sanders James Gaglione Elizabeth A. Croog Lionel Livingston Rachael Valentino Gallery Protection Officers Joseph Loy Financial Manager Deputy Secretary and Deputy Anani Abalo Cory Lydick Systems Manager Larry M. Green General Counsel Rukan Ahmed G. Lee Cathey Nancy Robinson Breuer Larry Macalino Senior Budget Analyst Aaron Alexander Ramesh Malhotra Systems Analyst/Programmer Vicki Zobisch Cundiff Senior Associate General Frank Armstrong Jr. Charles Manuel III Alexander Bloshteyn Counsel Kodjo Assogba Staff Assistant Tamara Matthews Julian F. Saenz Gwendolyn Bell Joseph McClain Visual Presentation Manager Eileen Ng Jules Bell Therese Stripling Associate General Counsels Sharisa McKenzie Senior Manager—Financial Gary Bland Carolyn G. McKee Toi-Lynn McKenzie Visual Presentation Technicians Systems, Reporting and Analysis J. D. Blue Isabelle Raval Henry McKinnon Jr. Melissa Cherry Kathryn Boyd Lawrence Meyers Mary Tewalt Legal, Administrative and Assistant to the Treasurer for David Bradley Sr. Denise Milburn Governance Specialist Store Manager Risk Management and Special Steve Brock Gerald Mills Joanna Gatta Jacqueline Brown Margaret Nelson Nancy G. Vibert Projects Joshua Brown Willie Norman Assistant Store Managers Nancy Hoffmann Staff Assistants Carol A. Christ Benjamin Burgess Randy Otis Frenzetta Coward Financial Manager Hilary Evans Bianca Burgos Roy Ottley Kelly Song Guziewski Kelly Liller Otis Butler Joyce Palmer Coy K. Mayle Jr. GALLERY ARCHIVES Richard Byrd Theodore Panglao Naomi Morgulis Financial Systems Manager Jacqueline Cameron Marian Parker Carol Ann Proietti Chief David Carder Vincentius Payan Category Specialists Maygene F. Daniels Marian Carter Mary Heiss GENERAL ACCOUNTING Ronald Piekarski Senior Archivist and Oral Jesus Castro-Alvarez Lisa P. Morgart Comptroller Pamela Pitts Historian Paul Cawley Carey Porter Jr. Mary Powell David J. Rada Christopher Siron Anne G. Ritchie Marcella Champion Willie Pugh Deputy Comptroller Archivist David Clark Michael Robinson Lead Cashiers Myles Burgess Thomasine Cloude Michael Simpson Charlene Conlon Michele Willens Accounts Receivable Manager Walter Colbert Willie Sims Linda Peterson Archives Technicians Ivy Cooper Charles Smith Steve Arisumi Cashiers Julie Blake Erik Crago Alexander Stephens Maria Aragon Retail System and Accounts Jean Henry Larry Dailey Kevin Taylor Victoria Arizu Payable Manager Janice Reyes Derwin Davis Bawasin Tchalim Pamela Baxter-Simms Michael Chapman Leroy Davis Jermaine Thomas Kress Project Archivist Joseph Brichacek Matthew DiYanni Luke Thompson Lauren Algee Tania Brown

86 NATIONAL GALLERY OF ART

OFFICE OF DEVELOPMENT Deputy Corporate Relations Music Program Specialists Marilyn Horwood Laura Symcak AND EXTERNAL AFFAIRS Officer Danielle DeSwert Hahn Merry Hunt Victor Tang Cristina Del Sesto Michael Jacko Michaela Johnson Shu ChenTasi Cynthia Juvan-Dormont Senior Officer for Corporate Carolyn Thayer Executive Officer, Development Assistant to the Music Evelyn Katz Relations Diedre Tillery and External Affairs Officer Department Nancy Keefe Jeanette C. Beers Paula Tosini Joseph J. Krakora Bruno Nasta Carolyn Kelloff Diane Tucker Deputy to the Executive Officer, Special Assistant to the Chief Concert Aides Marney Kennedy Susan Van Development and External Affairs Development and Corporate Vrejoohie Armenian Carol King Suzanne Vegh Ellen Bryant Relations Officer Mary Carter Ilze King Joy Vige Charlotte Daimler Cathy Kazmierczak Anne Klein Eleanor Wang Development and External Michelle Koerner Josephine Wang Affairs Associate Corporate Relations Associate Caroline Brantley Audrey Kramer Maria Elena Weissman Larissa Trociuk VOLUNTEERS Andrea Kraus Margaret Wesbecher Development and External Corporate Relations Assistant Bonhee Ku Sue White Affairs Assistant Brittany Bordeaux Naomi Kulakow Sue Wickwire Malcolm Dilley DOCENTS Olga Kushnir Brooke Wilding PRESS AND PUBLIC Ann Allen JoAnne Lanouette Marjorie Williams Intern INFORMATION Lee Allen Julien LeBourgeios Michael Winer Hanah Lee Chief Press and Public Joan Barkin Anne-Marie Lee Maria Wood DEVELOPMENT Information Officer Sharon Baum Rosalie Lesser Constance Wynn Deborah Ziska Carol Bellonby Susan Lewis Lois Young Chief Development and Paula Litvak Deputy Press and Public Valerie Bernat Joan Zeizel Corporate Relations Officer Jean Loper Information Officer Elizabeth Billings Kathryn Zoeller Christine Myers Dianne Maffia Anabeth Guthrie Susan Bollendorf Gianna Zucchi Deputy Chief Development Marlene Bolze Barbra Mann Officer Senior Publicist Irene Bortolussi Anne Marie Marenburg ART INFORMATION Kay Casstevens Sara Beth Walsh Marina Bradfield Patricia Martin VOLUNTEERS Jill Brett Luba Marx Claire Ackerman Senior Development Officer Publicist Maureen Fallon Bridgeland Marylin Mathis Liane Atlas for Major Gifts Sarah Holley Gail Briggs Patricia Mattimore Rosalie Baker Cathryn Dickert Scoville Web Designer/Systems Florence Brodkey Ursula McKinney Jay Ball Senior Development Officer Developer Ana Maria Brown Patricia McMurray Sonali Ballal for Major Gifts and Foundation Dwayne Franklin Debra Brown Irma J. McNelia Valerie Ballard Giving Calendar/Newsletter Managing Donita Buffalo Amy Meadows Barbara Behr Patricia A. Donovan Editor and Financial Manager Richard Burke Linda Meer Anika Belinfanti Karen Campbell Sandra Mitchell Catherine (Kittie) Beyer Senior Development Officer Laurie Tylec Valerie Carleton Sally Molenkamp Nonja Bisgard for Annual Giving Program Assistant Jane Casazza Nan Morrison Jesse Bisogni Rebecca C. Oliver Miriam Grotte Leonard Coburn Joan Morton Barbara Bluestone Development Officer for Executive Assistant to the Chief Carol Cochran Joan Mulcahy Janet Boccia Planned Giving of Press and Public Information Douglas Cooperman Laurie Nakamoto B. J. Boudreau Giselle Larroque Obermeier Domini LeNoir Theresa Daly Caryn Nesmith Denise Boxberger Akemi Nishida Development Officer for Annual Gerard de la Cruz Greta Brown Interns Olga Nosova Giving Bela Demeter Amy Bruins Isabella Bulkeley Nur Nossuli Kathryn A. Heaberg Rickey de Rivera Elizabeth Buchanek Olivia Oramas Joan Dickey Mary Catherine O’Connell Arthur Bugler Jr. Development Associate for Catherine Ross Anna Dixon Mariko Oka Josephine (Jody) Cabezas Research and Information Sarah Smith Sandra Dugoff Yasuko Okuno Nancy Cammack Kristi Maiselman Alexssa Todd Helga Ehudin Mary O’Neill Marian (Ann) Carroll Gail Ostergaard Development Associate for SPECIAL EVENTS Alice Ellington Colleen Casey Patty Owens Major Gifts Marilyn Farrington Joan Chapin Chief of Protocol and Special Hedwig Pasolini Kelsey Horowitz Sharon Feldman Evelyn Childs Events Victoria Feldman Deborah Pietras Catherine Clark Development Associate for Carol W. Kelley Paula Ferdinand Karen Piper Kimball Clark Reports and Record Integrity Deputy Chief of Protocol and Brooke Fink Ann Marie Plubell Nancy Clarke Julie Dansereau-Tackett Special Events Harriet Finkelstein Jane Pomeroy Simone Clarke Development Associate Bethann Siegel Sandra Fischer Nancy Porter Lynn Cleary for Stewardship and Virginia Flavin Linda Powell Pat Clopper Executive Assistant Howard Fogt Ludmila Pruner Carolyn Codamo Communications Alice Kim Kamal Zargar Stephanie Frasher Maria Amelia Ramaciotti Marlene Conner Senior Event Planner Barbara Freeman Patricia Ramirez-Gomez Janet Cooper Development Associate for Maria E. A. Tousimis Phyllis Freirich Pickett Randolph Marcia Corey Annual Giving Carla Freyvogel Lucia Jean Reynolds Dina Cotlier Event Planner Abby Bauman Maureen Gevlin Janet Roberson Megan E. Courtney Robert Marn Development Assistant for Thomas Gilday Eileen Romano Michelle Crockett Operations Staff Assistant Joan Gottfried Susan Rudy Sherry Cross Wayne Henson Resa Erickson Gail Gregory Sheila Ruffine Michael Crowley Laura Hagood Cathy Ryan Elaine Dawes Invitations and Protocol Development Assistant for Alyson Hardy Lois Sacks Sue Degnan Margaretta Andrews Annual Giving Joyce Harmon Angelika Sasin Joanne DeSiato Julia Mullenger Stephanie Ross Mary Harms Joyce Schwartz Therese desRosiers Development Assistant for Major Intern Melissa Harris Nancy Searles Verda Deutscher Gifts Lee Wacker Jan Haugen Steven Selden Ruth Dinbergs Sarah Kaplan Anne Haynes Katy Senkus Alexander Dobert MUSIC Shannon Hobbs Judy Shulman Janet Donaldson Intern Head of Department Nira Hodos Ruth Sickel Clare Donelan Mary Morgan Radcliff Stephen Ackert Sally Hoffmann Trudi Small Kim Doyle Marie-France Smith CORPORATE RELATIONS Patty Hohwiesner Shirley Edelman George Holliday Celia Steingold Estelle Eisendrath Chief Development and Adriana Hopper Christine Stinson Jinny Eury Corporate Relations Officer Marta Horgan Elizabeth Sullivan Hilary Evans Christine Myers Sandy Horowitz Traer Sunley Rose Evans

87 S TAFF LIST

Susana (Susi) Fainbraun Geraldine (Geri) Markle Jeanette Van Wormer Gloria Fastrup Rikki Marshall Ward Van Wormer Judith Feldman Harriett Mathews Suzanne Vaughn Maureen Ferguson LeeAnn Matthews Gene Venzke Ileana Fernandez Roy Matthews Terrance (Terry) Versailles Barbara Fisher John McCaffrey Ellen Villa Marjorie Fisher Joan McCormick Mary Waggoner Marcy Ford Carolyn McDevitt Frances M. Walls Sue Fretts Margaret McDonald Harry Walsh Alan Friedman Kerrie Messelbeck Moon-Shia Wang Marguerite Fry Barbara Meyers Diane Wapner Pamela Fry Elaine Miller Michael Weaver Betty Sue (Suzi) Gallagher Lynn Mills Virginia Weschler Chhanda Ganguly Dale Moran Joan Wessel Maria Garcia-Borreguero Barbara Morris Mary Westfall John Garneski Yolanda Morris Elizabeth (Penny) White Agnes Gavin Carolyn Morse Eleanor Williams Joyce Gentile Elizabeth (Betty) Mullen Sally Wise Jean Gerhardt Diane Munro Lindsey Withem Martin Gerstell Susan Murphee Maria Ilena Wood Jaclyn K. Gibson Luzie Nahr Gerry Wyche Bernard (Benny) James Glenn Gabriele Nanda Vinnie Zagurski Annette Goldschmidt Terry Neves Gretchen Goodrich Sherry Nevins LIBRARY VOLUNTEERS Barbara Goodwin Mary Niebuhr Judith Bernanke Lucille (Lucy) Gordon Joan Novell Pat Clopper Helen Grayson Lola Olabode Charlotte Donvito Edward Greenberg Jinx (Frances) Oliver Sarah Schell Lois Gregg Patricia Orr Lura Young Helena Gunnarsson Carol O’Shaughnessy Harvey Hale Arnold Palley Mary Hanrahan Susan (Suzi) Pease Tawney Harding Camille Pellegrino Betty Hatch Stephen Pelszynski Jean Hay Anthony (Tony) Piantes Jo Ann Hearld Karin Regan Maria Higgins Mary L. Regan Barbara Hodges Betty Richardson Celia Hoke Gail Ridgway Jean Holder Arlene Ring Leonard Holder Alix Robinson Mark Huey Dorothy Robinson Gail Huh Martha Rogers Carol Huls Wynefred Rogerson Irene Jacoby John Thomas Rooney Joan Janshego Eugene (Gene) Rosenfeld Betsy Jenkins Shirley Rosenfeld Agnes Johnson Carol Russell Carolyn Johnson Audri Schiller Marilyn (Lyn) Jonnes Kalina Schneider Paula Kahn Susan (Sue) Schneider Nancy Kane Roberta Schneidman Jill Kasle Sonja Schulken Melissa Kass Marilyn Schwaner Henrietta (Henri) Keller Suzanne Scott Stephen Klatsky Frances (Fran) Short Bonnie Kleinhans Audrey Shuckburgh Christie Kramer Margaret Sickels Elaine Krassner Iris Silverman Sally Kreisburg Nancy Silverman Ruth Kurzbauer Esther Slaff Adel Labib Jane Smith Eileen LaFleur Ann Snuggs Stephen Lake Carol Snyder Julie Lantz Claire Southerlin Mary Lawler Joan Steigelman Marion H. Lebanik Adele Stevens Allen M. Lewin Donna St. John Lisa Lewis Joan Steigelman Guenter Lewy Mary Kay Stoufer Ilse Lewy Linda Sundberg Heather Li Michelle Sutton Marlane Liddell Bonnie Sweet Susan Lightsey James (McKim) Symington Karen Livornese Ann Szabo Jamie Lookabaugh June Tancredi Garbine Lopez Victor Tang Mary Ann Lucey Ragan Tate Marion Macdonald James Robert (Jim) Thurston Theresa Maciejewski Joan Timberlake Cynthia (Cindy) Major Marylee Tinsley Iris Mann Alicia Tisnado Donald Markle Barbara Twigg

88 GIFTS/DONORS

The support of the federal government Robert and Paula Hershkowitz Nancy K. Anderson Anna-Maria and Stephen Kellen and private sector enables the Gallery in memory of Sam Wagstaff David Applegate Foundation to fulfill its mission to collect, exhibit, Billy E. Hodges Samuel H. Kress Foundation interpret, and preserve works of art at Dr. William Craft Brumfield the highest possible standard. While Marion F. Houstoun in memory of John Ruth Fine Robert H. Smith Family Foundation Midgley the federal government provides an Hans Lemke annual appropriation for the Gallery’s Charles Isaacs $100,000–$249,999 operation and maintenance, works of Thomas A. O’Callaghan Ruth Cole Kainen † Anonymous art in the collection, the two buildings, Sharon Pollice Dr. J. Patrick and Patricia A. Kennedy The Ahmanson Foundation and the sculpture garden are made Norman Sasowsky possible through private gifts, as are Ann and Mark Kington/The Kington Marshall B. Coyne Foundation, Inc. numerous educational and scholarly Foundation George West The Charles Engelhard Foundation programs. The Gallery extends its Irwin Kremen Dr. Wolfgang Wolters gratitude to both the federal govern- Hata Stichting Gregory Leroy Charles B. Wood III ment and the many generous donors The Hearst Foundation, Inc. listed here who made gifts during fiscal Susan and Peter MacGill Estate of Lore Heinemann year 2012. These private contributions Sherry and Joel Mallin CORPORATE GIFTS have allowed the Gallery to enhance Ann and Mark Kington/The Kington its art collections, build its library Heather McClintock Foundation The Gallery is grateful to the following holdings, present special exhibitions, Bill McGillicuddy in memory of Thomas national and international corporations, The Leonard and Evelyn Lauder undertake conservation and research, W. Reed and Robert A. Reed foundations, and diplomatic communi- Foundation offer comprehensive educational initia- Mr. † and Mrs. Paul Mellon tives, and pursue scholarly endeavors. ties whose generous support allowed us Diane A. Nixon Thanks to the ongoing commitment of Robert and Joyce Menschel Family to make possible special exhibitions and Sharon and John D. Rockefeller IV its supporters and the federal govern- Foundation related programs of the highest quality in fiscal year 2012: Mr. and Mrs. Robert M. Rosenthal ment, the Gallery continues to serve Damon Mezzacappa in loving In memory of Melvin R. Seiden the American people. memory of Elizabeth Mezzacappa Airbus Robert H. † and Clarice Smith Jane Tarleton Smith Moore † Altria Group, Inc. Trellis Fund John Hallmark Neff in memory GIFTS TO THE NATIONAL Bank of America GALLERY OF ART of J. Carter Brown and Gaillard (Gil) F. The Walton Family Foundation, Inc. Ravenel, and in honor of Agnes Denes Bank of America Foundation Ruth S. Willoughby Foundation (October 1, 2011–September 30, 2012) Jill Newhouse Booz Allen Hamilton Dian Woodner Carol Nigro Embassy of Belgium GIFTS OF ART Heather and Tony Podesta Collection Nikkei Inc. $50,000–$99,999 Artur Ramon Nippon Television Network Max and Heidi † Berry The Gallery’s collection is the result of Toyota Motor Corporation private generosity. Unlike other national Helmut H. and Petra Rumbler Vincent and Linda Buonnano museums throughout the world, the David E. Rust † Estate of Gordon Carter Gallery receives no government funds Simon and Gillian Salama-Caro in INDIVIDUAL AND Charina Endowment Fund for the acquisition of art. Works of art memory of Ruth Klausner were added to the Gallery’s collection in FOUNDATION GIFTS The Ryna and Melvin Cohen Family fiscal year 2012 through the generosity Josep Santilari Foundation and Marcella and Neil of the friends listed here. Pere Santilari Gifts of $1,000 or more for art acquisi- Cohen tion, special exhibitions, education, The Leon Polk Smith Foundation Cordover Family Foundation outreach, conservation, research initia- Anonymous (2) Grega and Leo A. Daly III Fund for Mary and Dan Solomon tives, and unrestricted support were Robert and Kerstin Adams Architectural Books Estate of Leo Steinberg received from the following generous Robert Barry donors during fiscal year 2012: Mr. and Mrs. Robert J. Fisher Renée Tolcott in honor of her brother, Mr. † and Mrs. Barry A. Berkus Roy Lichtenstein Jo Ann and Julian Ganz, Jr. $1,000,000 or more Merrill C. and Dalia S. Berman Olga S. Toulmin Carla Hahn Estate of Mrs. Charles (Florian) Carr Professor John Andrew Bernstein Arthur † and Charlotte Vershbow The Mr. and Mrs. Raymond J. Horowitz Greg and Candy Fazakerley Foundation for the Arts Andrée and Jonathan Bober Ladislaus and Beatrix von Hoffmann The Lee and Juliet Folger Fund Institut Ramon Llull C. G. Boerner Elijah Willis The Andrew W. Mellon Foundation Robert and Arlene Kogod Kathan Brown Dian Woodner Clare Calder and her sister Rachel Austin Victoria and Roger Sant Edward J. Lenkin and Roselin Atzwanger The Callahan Family The Henry Luce Foundation LIBRARY GIFTS Iris and B. Gerald † Cantor $500,000–$999,999 Virginia Cretella Mars Robert and Mercedes Eichholz Robert Menschel and the Vital Bruce and Sharyn Charnas The following individuals and institutions Foundation Projects Fund Christo made significant gifts to the Library Joseph F. McCrindle Foundation Park Foundation Christopher David Cordes and its Image Collections Department in fiscal year 2012: The Honorable Alfred H. Moses and Estate of Lila Q. Perkins Gary S. Davis Ms. Fern M. Schad Mr. and Mrs. Albert H. Small Roy and Cecily Langdale Davis, in Library memory of Andrew Wyld Thaw Charitable Trust Marcella Brenner Revocable Trust and $250,000–$499,999 Dr. Arthur and Mrs. Arlene Elkind Andrea Woodner the Morris Louis Art Trust E. Rhodes and Leona B. Carpenter Ellwanger/Mescha Collection Ruth Fine Foundation Wyeth Foundation for American Art The Epstein Family Collection Christine Kermaire Helen Porter and James T. Dyke The Lee and Juliet Folger Fund Chris With The HRH Foundation $25,000–$49,999 Asian Cultural Council Charles Hack Image Collections Gail and Benjamin Jacobs The Bauman Family Foundation Dr. James Ackerman Barbara and Jack Kay

89 G/DIFTS ONORS

Embassy of Brazil Mr. James I. McLaren and Ms. Lawton and Peter Haas Fund Sylvia Greenberg Buffy and William Cafritz W. Fitt Mr. and Mrs. Frederic C. Hamilton Gail and Benjamin Jacobs Merritt Porter Dyke National Gallery of Art Adult Program Mr. and Mrs. Richard C. Hedreen Mr. and Mrs. Reuben Jeffery III Docents, in honor of Laura Wyman Jo Carole and Ronald S. Lauder Mr. and Mrs. J. Tomlinson Hill III Barbara and Jack Kay Royal Netherlands Embassy R. K. Mellon Family Foundation Robert and Arlene Kogod Thomas G. Klarner Matthew and Ann Nimetz Mr. Stephen G. Stein Kathy Korn and Roger Pegorsch Robert and Arlene Kogod Ms. Margaret B. Parsons Diana Walker Kyle J. and Sharon S. Krause Lt. Col. and Mrs. William K. Konze Dewayne and Faith Perry William and Sarah Walton Lorie Peters Lauthier Jo Carole and Ronald S. Lauder Billy Rose Foundation Julia M. Wilkinson Robert † and Mary Looker Dr. and Mrs. LaSalle D. Leffall Jr. Mr. B. Francis Saul II Estate of Frances C. Winston Chris and Lois Madison Melvin and Thelma Lenkin Jean Schepers Joan and David Maxwell The Jacqueline Badger Mars 2001 Cathryn Dickert Scoville and Thomas Charitable Lead Trust $10,000–$24,999 Scoville The Honorable Bonnie McElveen-Hunter The Annenberg Foundation Virginia Cretella Mars Richard and Judith Smooke Mr. and Mrs. Edwin Van R. Milbury Carolyn S. Brody Edward and Dale Mathias The Sorel Organization Mary V. Mochary Corinne H. Buck Charitable Lead Trust Mrs. G. William Miller Mr. and Mrs. Roger D. Stone H. Tony & Marti Oppenheimer and The The Richard Diebenkorn Foundation Oppenheimer Brothers Foundation James H. and Moshovitis Mr. and Mrs. William Edwin Warren The Max and Victoria Dreyfus John and Mary Pappajohn Mrs. Pat Munroe The J. and H. Weldon Foundation, Inc. Foundation Mr. and Mrs. David B. Partridge Jackie and Wes Peebles Jimmy and Jessica Younger Henry and Alice H. Greenwald Sally Engelhard Pingree Irene Pollin Mark and Carol Hyman Fund Heather and Tony Podesta Prince Charitable Trusts Johnson Family Foundation COLLECTORS COMMITTEE Cynthia Hazen Polsky and Leon Polsky Sharon and John D. Rockefeller IV Mrs. George M. Kaufman OF THE NATIONAL GALLERY Prince Charitable Trusts Vicki and Roger Sant Alexander M. and Judith W. Laughlin OF ART Mr. and Mrs. Mitchell P. Rales Mr. and Mrs. B. Francis Saul II Royal Norwegian Embassy Anita and Burton Reiner Admiral and Mrs. Tazewell Shepard Jr. The Collectors Committee serves a vital Ivan E. and Winifred Phillips role in broadening the scope of the Sharon and John D. Rockefeller IV Leonard and Elaine Silverstein Terra Foundation for American Art Gallery’s modern collection. Committee Michele Rollins and Monique Rollins Clarice Smith Veverka Family Foundation members provide invaluable support with Mary Beth and Don Roth Michelle Smith their annual gifts of $15,000, $30,000, and Ladislaus and Beatrix von Hoffmann more for the acquisition of modern art. Mr. and Mrs. C. Arthur Rutter III Mr. Benjamin F. Stapleton III Matthew A. Weatherbie Vicki and Roger Sant William and Sarah Walton Mrs. Robert M. Weidenhammer Co-chairs Louisa Stude Sarofim David Warnock and Deidre Bosley Barry Berkus † Mr. and Mrs. Andrew Saul Diane Wilsey $1,000–$9,999 Denise Saul Jon and Mary Shirley James and Christine Young Anonymous (2) Mr. and Mrs. Albert H. Small American Institute for Conservation Members Michelle Smith THE CIRCLE OF THE NATIONAL Mr. Andrew Athy Jr. Howard and Roberta Ahmanson Mr. and Mrs. Michael H. Steinhardt GALLERY OF ART Banks Family Foundation Mrs. Anthony Ames Roselyne Chroman Swig Judith Brodie Ann and Steven Ames Leopoldo Villareal The Gallery extends thanks to contribu- The Gladys Krieble Delmas Foundation William and Christine Aylward tors to The Circle for their generous Mr. and Mrs. Wallace S. Wilson annual gifts of $1,000, $2,500, $5,000, Marion Deshmukh Anne T. and Robert M. Bass $10,000, or more, which provide unre- George W. Elliott Barry † and Jo Berkus stricted funding for a range of activities THE EXHIBITION CIRCLE Mr. and Mrs. Vicki and Rob Frazer Luther W. Brady throughout the Gallery. OF THE NATIONAL GALLERY Mr. Bert Freidus Eli and Edythe Broad OF ART Co-chairs Gamblin Artists Colors Co. Barbara Murphy Bryant Gregory W. Fazakerley Professor Joseph L. Gastwirth Mary Beth and Walter H. Buck The Gallery wishes to thank the mem- Diana C. Prince Ann and Gordon Getty Foundation Mr. and Mrs. Calvin Cafritz bers of The Exhibition Circle for their generous support at the level of $20,000 Mrs. Martha Gil Montero and Mr. Joseph Dr. and Mrs. Paul Carter or more, which provides funding for Patron ($10,000 and above) A. Page Joseph Cohen special exhibitions each year. Anonymous Michael A. Glass Mr. and Mrs. Michael M. Connors Miss Gillian Attfield Anonymous (2) The Gottesman Fund in memory of Edwin L. Cox Terri and Tom Barry Milton M. Gottesman Mr. and Mrs. Frederick W. Beinecke Brian and Paula Ballo Dailey Mr. and Mrs. Lawrence N. Brandt Harman Cain Family Foundation Ronald M. Bradley and Danielle Kazmier Mrs. John R. Donnell Ruth Buchanan Melvin Henderson-Rubio The Clark Charitable Foundation and A. Barney A. Ebsworth Mr. and Mrs. Landon V. Butler Jr. Estate of Susan M. Hilles James & Alice B. Clark Mrs. Donald G. Fisher Russell and Anne Byers The Jeffrey Horvitz Foundation Ron and Barbara Cordover Mr. and Mrs. Hadley Martin Fisher Mr. and Mrs. Carter Cafritz The Randy Hostetler Living Room Lavinia M. Currier Aaron I. Fleischman, Lin Lougheed Jane Rosenthal Cafritz Music Fund Grega and Leo A. Daly III Funger Foundation, Norma Lee and Giuseppe and Mercedes Cecchi Henry B. and Jessie W. Keiser Dr. and Mrs. Ronald I. Dozoretz Foundation, Inc. Morton Funger Bonnie and Louis Cohen/Rubenstein Robert W. Duemling † and Louisa C. Jo Ann and Julian Ganz, Jr. Charitable Foundation Jack Kilgore Duemling Mr. and Mrs. Carl S. Gewirz Marshall B. Coyne Foundation, Inc. The Kiplinger Foundation Irwin and Ginny Edlavitch Mr. and Mrs. Robert Goergen Lisa and Porter Dawson Morris Louis Conservation Fund Dr. Mark Epstein and Amoretta Hoeber Lenore and Bernard Greenberg The Roger S. Firestone Foundation Edward E. MacCrone Charitable Trust The Honorable and Mrs. Melvyn J. Estrin Peggy and Richard Greenfield Nancy M. Folger and Sidney L. Werkman George Preston Marshall Foundation The Lee and Juliet Folger Fund Agnes Gund John C. and Elizabeth E. Fontaine Stephen A. Martin Monica Lind Greenberg

90 NATIONAL GALLERY OF ART

Betsy and Pete Forster Andrew Brown Dr. Richard A. Simms Steven B. and Katrina H. Gewirz Mrs. Marina Kellen French Frances Ann Bufalo Mr. and Mrs. John V. Thomas Nancy Glassman Jo Ann and Julian Ganz, Jr. Mr. and Mrs. Richard I. Burnham Company Cheryl Opacinch Gorelick Mr. and Mrs. Gordon P. Getty Ellen MacNeille Charles J. M. Zell Partners, LTD Christina G. Grady and Thomas R. Mr. and Mrs. Henry H. Goldberg Robin Rowan Clarke and Thomas Donald and Barbara Zucker Family Gibian Mrs. Barbara K. Gordon Crawford Clarke Foundation Richard and Mary Gray Patrick W. and Sheila Proby Gross Judy and Richard Cohen Harry Grubert Mr. and Mrs. Newman T. Halvorson Jr. Mr. Gregory Connors Supporting Members ($2,500–$4,999) J. Hearld Mr. and Mrs. Frederic C. Hamilton T. A. Cox Anonymous (6) Mrs. Helen D. Hellmuth The Heinz Family Philanthropies Andrea B. Currier Dr. and Mrs. David S. Alberts Helen Lee Henderson Mr. and Mrs. Joseph W. Henderson III Hester Diamond Robert N. Alfandre Patti and Mitchell D. Herman Mr. Clark F. Hoyt and Ms. Linda Kauss Dr. Joseph P. DiGangi Ruth and Sam Alward Mr. and Mrs. Robert N. Herman J. W. Kaempfer Mr. and Mrs. Richard England Mrs. John H. Ariail Jr. Julio E. Heurtematte Jr. Linda H. Kaufman Lionel C. Epstein and Elizabeth P. Joseph Asin and Beryl Gilmore Maria C. Higgins Streicher Mrs. Stephen M. Kellen Agatha and Laurence Aurbach John and Dori Holaday Elinor K. Farquhar Ann and Mark Kington Mr. and Mrs. Geoffrey B. Baker John K. Hoskinson and Ana I. Fábregas Robert and Betsy Feinberg Mr. Robert L. Kirk Mr. and Mrs. James R. Beers Margaret S. Hunter Mr. and Mrs. Alan H. Fleischmann Lee G. Kirstein Marguerite H. Benson Lorna Jaffe David and Jackie Fowler Chill and Barbara Langhorne Mr. and Mrs. Douglas J. Besharov Lois U. and Dr. Dirk C. Jecklin Gerry and Lynne Gabrys, Guest Services, Mr. and Mrs. Arthur A. Birney Mr. James A. Johnson Jr. and Mr. Frank The Leonard and Evelyn Lauder Inc. Foundation Mr. and Mrs. James I. Black III L. Spencer Dale and Suzi Gallagher Judith and Alexander Laughlin Mr. and Mrs. Robert O. Blake Mrs. Ford A. Kalil Professor Joseph L. Gastwirth The Lemon Foundation Susan Bloom Drs. Jay and Lynn Katzen The Honorable Joseph and Alma Tom and Barbara Boggs Margot Kelly Edward J. Lenkin and Roselin Atzwanger Gildenhorn Jean Ramsay Bower Mr. and Mrs. David T. Kenney The Honorable and Mrs. Frederic V. Mr. and Mrs. Ian Glenday Malek Joan and Jack Bray Robin and Carol King Dr. Margaret A. Goodman Mr. and Mrs. Richard E. Marriott Fleur S. Bresler Michael Klein and Joan Fabry Mr. and Mrs. Temple Grassi Joan and David Maxwell Marc H. and Vivian S. Brodsky Patricia and John Koskinen Lenore and Bernard Greenberg Mr. and Mrs. Thomas F. McLarty III Miss Anna Brooke Nick and Mary Lynn Kotz Mr. and Mrs. Andrew S. Gundlach Diane A. Nixon Mr. and Mrs. Daniel J. Callahan III Maria and Stephen Lans Anne Hale Johnson The George L. Ohrstrom Jr. Foundation Mr. and Mrs. Henry C. Cashen II Mrs. Anthony A. Lapham The Fannie and Stephen Kahn Alan and Marsha Paller Charitable Foundation Mrs. Aldus H. Chapin Gigi and Arthur Lazarus Jr. John and Mary Pappajohn Betsy Scott Kleeblatt The Honorable John E. Chapoton and Leon Levy Foundation Mrs. Chapoton Dr. James D. Parker LaSalle D. Leffall III Robert Liberatore Mrs. Robert H. Charles Phil and Jania Peter Larry and Dee Levinson Jerome and June Libin Annetta J. Coffelt Dr. and Mrs. Jerold Principato Ms. Toby Devan Lewis Meredith and Cornelia Long Robert M. Coffelt Jr. Mr. and Mrs. Thomas D. Rutherfoord Jr. Jack and Betty Lou Ludwick Eugene and Carol Ludwig Joan Danziger Ellen and Gerry Sigal Mr. Forrest E. Mars Jr. Dr. and Mrs. Michael Maccoby The Charles Delmar Foundation Clarice Smith Tom and Charlene Marsh Family Bruce and Virginia MacLaury Robert and Judith Snyder, Andrew and Foundation Mr. and Mrs. H. Richard Dietrich III Mr. and Mrs. Worth D. MacMurray Molly Snyder, Robert and Jil Granader Robin B. Martin Dean and Margarita Dilley The Honorable John D. Macomber and Mrs. Frederick M. Stafford Mrs. James R. McAlee † Edith R. Dixon Mrs. Macomber † Mr. Paul G. Stern Mr. Robert B. Menschel The William H. Donner Foundation Mrs. James T. Magee Dr. and Mrs. Barry S. Strauch Eleanor Merrill Jonathan C. Drimmer and Ilana Marcus Mr. and Mrs. John G. Malcolm Drimmer Eugene V. Thaw Robert E. Meyerhoff and Rheda Becker Anne and John Marion Mr. and Mrs. Douglas D. Drysdale Anne and Peter Thomas Jim and Tracy Millar Jennifer L. Marshall and Neal H. Flieger Mr. and Mrs. Raymond DuBois Mallory and Diana Walker A. Fenner Milton Tim and Jane Matz Mr. and Mrs. Merritt P. Dyke Marvin F. Weissberg and Judith Morris Frederick W. and Linda K. Moncrief Mayo Charitable Foundation Ms. Joan M. Eckert Frederica Wheeler and Charles E. Joan and Dan Mulcahy Susan McCabe Johnson Elizabeth W. Edgeworth The Honorable and Mrs. William A. Nitze April McClain-Delaney and John Mr. and Mrs. John C. Whitehead Sue and Chuck Edson Delaney Mr. and Mrs. Gerald Petitt Ken and Dorothy Woodcock Marjorie and Anthony Elson Darina and Allan McKelvie The Honorable Stephen W. Porter and Judy and Leo Zickler Mrs. Susan Porter Mr. and Mrs. Edward L. Emes Jr. Irma Jean and John F. McNelia Mrs. J. L. Quillen Harold and Louise Engle Laurel and Robert Mendelsohn, MD Sustaining Members ($5,000–$9,999) Grace Ritzenberg Sarah C. Espstein and Joseph P. Junkin Richard and Ronay Menschel Anonymous (2) A. Ritzenberg Tania and Thomas M. Evans Jr. Anne L. Metcalf Ms. Debbie K. Alex and Mr. David Harris Jacqueline Rizik Tony and Kathryn Everett Iris and Lawrence Miller Carolyn Small Alper Mr. David Rockefeller Frank and Mary Fahrenkopf Dr. Allen and Myra Mondzac Aileen Athy Mrs. Stanley J. Sarnoff Barbara G. Fleischman Mr. and Mrs. Sean F. Mullins Mr. Andrew Athy Jr. Mr. and Mrs. B. Hagen Saville Mr. and Mrs. James C. Free Catherine Murray Ms. Merribel S. Ayres Mr. Christopher M. Schroeder and Ms. Peter A. and Barbara W. Freeman Michael and Sharon Nemeroff Gay and Tony Barclay Alexandra H. Coburn Mr. and Mrs. David Morgan Frost Nespola Charitable Foundation Miriam and Eliezer Benbassat Mr. and Mrs. Charles C. Shelleman Jr. Anne and Paul Gambal Mr. and Mrs. Lawrence C. Nussdorf Mrs. Lynn Kass Berger † Frederick I. Ordway III

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Suzy and Bob Pence Midori and William Atkins Elizabeth and Ben Brown Mr. Bosworth Dewey and Ms. Liz Barratt- Jack and Donna Pflieger Mrs. Martin Atlas Ira Don Brown Brown Whayne and Ursula Quin Anne-Lise Auclair-Jones and Hal Jones Richard G. Brown Sally and Edison Dick Earl and Carol Ravenal Mrs. Hannah L. Aurbach Joseph M. Bryan Jr. Mr. and Mrs. James F. Dicke II Lola C. Reinsch and J. Almont Pierce Marilyn and David Austern Mr. and Mrs. John G. Buchanan III John and Anne Dickerson Dr. and Mrs. F. Turner Reuter Mr. and Mrs. Kevin Baine Mr. and Mrs. John L. Buchanan Carole Dickert-Scherr and Jacob Scherr Douglas and Katherine Rigler D. James and Emily Lind Baker Elizabeth Buchbinder Phyllis G. Diebenkorn Mr. and Mrs. Bruce Ross-Larson Colonel Owen C. Baker and Barbara Debbie and Jerry Buckley Michael and Betsy Dingman Roberta O. Roumel Baker Sam and Susan Buffone Ms. Martha Dippell and Mr. Daniel Korengold Jim Rowe and Lisa Adams Marion and Frederic L. Ballard Jr. Janet C. Bullinger Ms. Doris L. Dixon James J. Sandman and Elizabeth D. Mr. and Mrs. Michael Baly III Frances and Leonard Burka Mr. and Mrs. William B. Dockser Mullin Erin Barnes and Randall Brater Mary C. Burrus Richard and Ellen Sandor Mary and Ed Bartlett Mollie Dougherty and Tanguy de C. and Dwight L. Bush Carbonnieres Mr. and Mrs. Bruce W. Sanford Dr. W. Baruch Susan L. and Dixon M. Butler Mr. and Mrs. Paul C. Dougherty Susan Small Savitsky and Gerald Savitsky Mr. and Mrs. Maxwell Barus Catherine Cabaniss Robert and Kitty Dove Jean Schepers Ramona and Lee Bass William E. Cain and Barbara Harman Mr. and Mrs. Ryan Drant Mr. and Ms. John Scott Patricia Bauman and The Honorable The Honorable John Thiers Calkins John and Joanna Driggs Mr. and Mrs. Anthony F. Shelley John Landrum Bryant Nora L. Cameron Dr. Luz Lopez Driscoll Judith and Jerry Shulman Mr. and Mrs. Richard S. Beatty Jerry and Dorothy Canter Mr. and Mrs. Larry D. Droppa Dr. and Mrs. Hugh Sickel John and Priscilla Becker Samuel Carabetta and Richard Molinaroli John and Beth Dugan Mr. and Mrs. Robert Bland Smith Jr. Mr. and Mrs. William Becker Vincent Careatti Sandra Dugoff and Richard Geltman Barbara Spangenberg Richard Ben-Veniste and Donna Marie Grell Leigh Carter Jennifer A. Duncan and Rick Bach Peter and Jennie Stathis Grace and Morton Bender Ms. Eugenia Bent Castleman Mr. and Mrs. H. Stewart Dunn Jr. Bill and Susan Sweeney Mrs. W. Tapley Bennett Carroll J. Cavanagh and Candida N. Mrs. Diana B. Dunnan Mr. and Mrs. Edward Symes III Smith Suzanne Reynolds Bennison Virginia Dwan Mr. Akio Tagawa and Ms. Yui Suzuki Mr. and Mrs. J. Pat Cave Elizabeth R. Benson Becky and Alan Dye Mr. and Mrs. A. Alfred Taubman Mr. Steve Champlin and Ms. Mary Beth Anne Searle Bent E & B Family Trust Drs. Lillian and Leonard Taylor Cahill Mr. Philip Duval Berlin Mr. and Mrs. LeRoy Eakin III Mr. and Mrs. Mark Tercek F. Randall Chanler Mrs. Ellen R. Berlow Franklin Eck and Bailey Morris-Eck Emily and Antoine van Agtmael Mrs. Mary L. Chapman Elizabeth G. Berry Philip and Shirley Edelman Victoria and Michael Vergason Dr. and Mrs. Kenneth Chase Max N. Berry Daniel and Marina Ein Mr. and Mrs. G. Duane Vieth Mr. and Mrs. Craig Chason Robert Hunt Berry Estelle S. Eisendrath Emily and Stephen Ward Mr. and Mrs. G. M. Chester Jr. Judah Best and Emily Sopensky Julian and Elizabeth Eisenstein Bridgette and Dennis Weitzel Mrs. Pierre Paul Childs Mark Betts and Shelley Slade Ms. Catherine B. Elwell Allan Wendt and Que D. Ngyuyen Drs. Thomas and Judith Chused Mr. and Mrs. Albert J. Beveridge III Anne L. Emmet Professor John Wilmerding Kate Clark and Miles Carlisle Gene Bialek and Arlene Brown Pat and Lenore England Vickie and Ken Wilson Mr. Harris Clay Mr. and Mrs. Mark Bierbower Lindsay Kunder Coates Mr. Xavier Fco. Equihua, Federal Alan F. Wohlstetter Strategies Group, Inc. Lili and Jon Billings Mrs. David A. Cofrin Wolfensohn Family Foundation Jacqueline and Christian P. Erdman Elaine and Richard Binder Suzanne F. Cohen Alan and Irene Wurtzel Sibyl and Richard Erdman Richard and Suzanne Bissell Colb Family Lenore G. Zinn Mrs. John G. Esswein Ms. Elizabeth S. Bizic Mark Colley and Deborah Harsch Sally † and Tersh Boasberg Mrs. John Dwight Evans Jr. Contributing Members ($1,000–$2,499) Beth and Terry Collins Mr. and Mrs. George T. Boggs Andrea Evers and Brian Aitken Anonymous (8) Jeremiah C. Collins Count and Countess Peder Bonde Mr. and Mrs. Rodney E. Eyster Iris Aberbach Jay and Margaret Costan Kathy Borrus Mr. and Mrs. Reed M. Fawell IV Mr. and Mrs. Dana T. Ackerly II Mr. and Mrs. John Courtright Mr. and Mrs. Joshua S. Bourne Jean Taylor Federico Mr. and Mrs. Timothy D. Adams Warren and Claire Cox Susan Boyd Mr. and Mrs. Glenn A. Ferguson Adrienne Adels and Errol Adels Mr. and Mrs. Robert H. Craft Nancy Bradley Mrs. James J. Ferguson Jr. Mr. and Mrs. Mario A. Aguilar Teresa Yancey Crane Nomita von Barby Brady Ms. Ruth E. Fine Amy Alberson Dr. Nancy B. Cummings † Charles and Maureen Brain Mr. and Mrs. Thomas A. Fink Jim and Lynn Alexander The Honorable and Mrs. Walter L. Cutler Mr. and Mrs. Robert S. Brandt Ms. Gail S. Fleder Mrs. John Alison Kenneth and Marcia Dam Mr. and Mrs. Raymond E. Brann Jr. Charles and Lisa Claudy Fleischman Drs. Katherine Alley and Richard Flax Peggy and Richard M. Danziger Vivian and Bob Braunohler Mr. and Mrs. Robert T. Foley Dr. and Mrs. Melvin G. Alper Mrs. Stuart C. Davidson Rita Braver and Robert Barnett John and Eleanor Forrer Dr. and Mrs. Clement C. Alpert Philip and Sara Davis Edith H. Brewster SaraJane Foster William B. and Sunny Jung Alsup Moira and Thomas Dawson Mr. and Mrs. John DeQ. Briggs III Florence Bryan Fowlkes Mr. and Mrs. Harvey Applebaum Stephen and Sara Day Mrs. Harry Lott Brock Ann H. Franke and Daniel J. Alpert Judy Areen and Richard Cooper The Honorable and Mrs. Whitney Robert D. Broeksmit and Susan G. Debevoise Mrs. Megan McNelia Frantz and Mr. Alexandra Armstrong and Jerry McCoy Mark Alexander Frantz Bollendorf Frauke de Looper Linda Arret Frank and Judy Franz Jere and Bonnie Broh-Kahn Joy Alexandra de Ménil and Laird Scott Allie and Ellen Ash Oakley and Sydney Brooks Townsend Reed Maryann and Al Friedman Lila Oliver Asher Dr. Peter F. Bross and Dr. Lisa Rarick Cristina Del Sesto Mr. and Mrs. N. Rickard Frisbie Ann M. Askew Mr. and Mrs. Andrew Brown James T. Fuller III and Catherine T. Porter

92 NATIONAL GALLERY OF ART

Bob and Megan Gabriel Anita Herrick Mr. and Mrs. James L. Koltes Mr. and Mrs. John F. Mars Ms. Bonnie L. Gallagher Fred and Christy Hertz Matt Korn and Cindy Miller Frank C. Marshall Ms. Susan Gallagher and Mr. Michael Mr. and Mrs. Frank J. Hevrdejs Stephen P. Koster Lydia and Michael Marshall Williams Joe Higdon and Ellen Sudow Fund Audrey and Kenneth Kramer Christine M. Martin David L. Gardner and Pete Williams James H. Higgins Christie Kramer and Charles Kirby Mr. and Mrs. I. Guyman Martin III Renée and Steve Gardner Ms. Janine M. Higgins Mr. and Mrs. M. Kipp Kranbuhl Mr. C. Raymond Marvin Ms. Mary Cox Garner Richard deCourcy and Pamela Hinds Mel and Andrea Kraus Charles T. Matheson Epstein Becker & Green/The Honorable Robert and Nancy Hinton Mr. David A. Krol The Pierre and Tana Matisse Foundation Stuart M. Gerson J. Catherine Hirsch and James K. White Mr. Eugene F. Krueger II Roy and LeeAnn Matthews Mr. and Mrs. Michael K. Gewirz Ms. Nancy Hirshbein and Mr. Robert Edith and John Kuhnle Mrs. Lynette von Fischer Matz Mr. and Mrs. Lawrence B. Gibbs Roche Deborah C. C. and Gary M. LaCroix Jacquelyn G. Mayfield and Joseph B. Mrs. Barbara J. Gibby Lisina M. Hoch The Honorable Philip Lader and Mrs. Patuleia Mr. and Mrs. Kenneth W. Gideon Ingola and John Hodges Lader Michael and Hannah Mazer Mr. and Mrs. Jackson B. Gilbert Christian and Nora Hohenlohe Eugene I. Lambert and Janet Verner Edward and Tessa McBride Mr. John R. Gill III Wallace and Wilhelmina Holladay Platt Pat and Jim † McCarrick Gardner and Stevie Gillespie Elizabeth C. Holleman David A. Lamdin Camilla McCaslin L. S. T. Gimbel Mr. and Mrs. James K. Holman Sheela K. Lampietti and François M. J. Mr. Dennis K. McClellan and Mr. Steven Lampietti Lorna Jury Gladstone Donna Holverson E. Deggendorf Mr. and Mrs. Christopher Landau Marilyn and Michael Glosserman Amanda and Carter Hood Mr. Mark S. McConnell and Mrs. Leslie Mr. and Mrs. Richard Landfield Delagran Gene and Patricia Godley Mr. and Mrs. Stephen A. Hopkins Bill and Marilyn Lane Cathy and Scot McCulloch Patricia and Kenneth Golding William L. Hopkins and Richard B. Mr. and Mrs. Joseph Goldstein Anderson Bruce and Leslie Lane Mr. and Mrs. Gregory K. McGillivary Mary Anne Goley Mr. Roger Horchow Jean and John Lange John and Martha McGrane Barbara Gordon and Stephen Cannon Charles Horn and Jane Luxton W. David Lawson Mr. and Mrs. John A. McGraw Jr. The Honorable Bart Gordon and Leslie Sari Hornstein Mr. and Mrs. Mark P. Lay Ms. Kaitlin E. McKelvie and Mr. Sam Backfield Gordon Mr. and Mrs. Outerbridge Horsey Ellen and Paul Lazar Elizabeth Marsteller Gordon Robin and Barbara Lee Roderick R. McKelvie and Claire M. Mr. and Mrs. Timothy Howard McCarthy Mr. and Mrs. John C. Gore Virginia Lee James and Rosemarie Howe Ms. Katherine McLeod J. Gottfried Mr. and Mrs. Lewis Leibowitz Mary L. Howell Caroline and Hollis McLoughlin Mr. Chris Gottscho Jacqueline and Marc Leland Foundation Philip and Fiona Huber Mr. and Mrs. James C. Meade Mary and Kingdon Gould Emily Lenzner and Peter Cherukuri Mr. and Mrs. Richard Miller Huber Jr. Amy and Marc Meadows Nancy and Tony Gould Mr. and Mrs. Terry Lenzner Betty Hudson and Boyd Matson Rona and Allan Mendelsohn Kathleen and Austin Graff Ms. Elissa A. Leonard Robert and Elizabeth Huffman David and Anne Menotti Alexandra and John Graubert Herb and Dianne Lerner Mr. Breckenridge Ingles Mr. and Mrs. David A. Metzner Tom and Pam Green Jennifer L. Levin John Peters Irelan Dr. Salma G. Mikhail Donna Greenfield and Burkey Belser Richard H. Levy and Lorraine Gallard Dr. Melda Isaac Maxine Whalen Millar Nelse L. Greenway Allen Lewin Shirley Jacobs LTC. Dennis F. Miller, RET and Judge Dee Ann Gretz Joan and Garry Jewett Mrs. Carolyn G. Leis Christine O. C. Miller George and Christina Griffin The Honorable R. Tenney Johnson Mr. and Mrs. Clayton W. Lewis Edward and Noël Miller Elisabeth Griffith Barbara J. Jones Jeanne G. Lewis Mr. and Mrs. Karl S. Miller Mr. Vincent J. Griski and Mr. Cameron Boisfeuillet and Barbara Jones Mr. and Mrs. John Van Dusen Lewis Mark Miller W. Knight Beverly and Peter Jost Willee and H. Finlay Lewis James K. and Jane S. Mitchell Nina B. Griswold S. Kann Sons Co. Foundation Beth and Daryl Libow Myra and Toby Moffett Marion Guggenheim Jeffrey M. Kaplan Donald V. Lincoln Marilyn and John Montgomery Anjali and Arun Gupta Julius and Ann Kaplan Francine Schear Linde Mr. and Mrs. Robert L. Moore Jr. Perry Guy Keiko and Steven Kaplan Mr. and Mrs. Russell C. Lindner Mr. and Mrs. F. Joseph Moravec Corbin and Pamela Gwaltney Mrs. Laura Cox Kaplan Ms. Sara Datema Lipscomb Mr. and Mrs. David B. Morgan Mrs. May Y. Gwinn Mr. and Mrs. Peter E. Kaplan Jr. Bill and Elizabeth Livingston Mr. Harry C. Morgan Dr. Joyce S. Hagel-Silverman and Mr. David Lloyd, Realtor Charles Silverman Sally B. Kaplan Dr. and Mrs. David A. Morowitz Janet and Wingate Lloyd Jill and Ridgway Hall Mr. and Mrs. Russell Katz Mr. and Mrs. Grant E. Morris Bonnie and Ham Loeb Dr. Leda McIntyre Hall Mrs. Cyrus Katzen Pearl and Seymour Moskowitz Joe and Pat Lonardo Brook Halvorson Dr. and Mrs. Terrence Keaney Mr. and Mrs. John L. Motley III Dr. and Mrs. George P. Lupton James and Kristina Hamilton Mr. and Mrs. Robert Taylor Scott Keith Jr. James J. and Susan D. Murphy Jed and Blythe Gail and John Harmon Mr. and Mrs. David E. Kendall Georgia and John Nassikas Jane MacLeish Douglas and Marion Hart J. Keith Kennedy Jane and Marc Nathanson John and Susan B. Magee Andrea Hatfield and Buck O’Leary Mrs. Roger G. Kennedy Sanford and Jo Anne Nelson John and Susan Magill Larry Hawk Mr. James Kiernan III and Mrs. Andrea Sherry and Louis Nevins Kiernan Wendy W. Makins Mrs. Mr. and Mrs. Robert B. Newlin Paul W. Killian Paul Malamud, in memory of Ann and Mr. and Mrs. Robert C. Nicholas III Lenore Hecht Foundation, Inc. Bernard Malamud William and Ilze King Dane A. Nichols Mrs. Sheryl Heckler Mr. and Mrs. Peter L. Malkin Lila W. Kirkland Henry E. † and Mary Ann Nichols Cynthia Helms David and Cynthia Manke Mr. Robert H. Knox Ms. Jeanette T. Nichols Stephen and Sally Herman Phillip and Barbra Mann Mr. Michael Kolakowski Akemi Nishida and S. Paul Selavko Ms. Judith F. Hernstadt Mr. and Mrs. Jan W. Mares

93 G/DIFTS ONORS

Mr. Paul K. Nitze Sylvia Ripley and Christopher Addison Hedrick Smith and Susan Zox-Smith Professor John S. Walker Mr. and Mrs. James T. Norman Mr. and Mrs. David B. Ritchey Mr. and Mrs. Matthew C. Smith Dr. and Mrs. Ken Walker Floyd L. Norton and Kathleen F. Beth and Robin Roberts Mr. and Mrs. T. Eugene Smith Bill and Irene Wallert Patterson W. Robertson Elaine Snider Barbara B. and Harold G. Walsh Jeffrey Nuechterlein William W. Robertson Jr., MD, and Karel Katie and Dick Snowdon Mr. and Mrs. John W. Warner IV JoAnn K. And Charles K. Nulsen III Dierks Robertson Devereux and James Socas Mrs. Nell Weidenhammer Mr. and Mrs. Hubert K. O’Bannon Jane Washburn Robinson Janet W. Solinger Virginia A. Weil Mr. and Mrs. John Oberdorfer Mr. and Mrs. Robert W. Robinson Jr. Dr. Abigail R. Spangler Mrs. Eric W. Weinmann Giselle Larroque Obermeier and George A. Roche Anne and Joan Steigelman Amy Weiss and Peter J. Kadzik Stephen J. Obermeier Linda and Richard Roeckelein Christine J. and Robert L. Steiner Georgia E. Welles Roger H. Ogden Wynefred W. Rogerson Joanne M. Sten Susanne and W. Harrison Wellford Mr. and Mrs. Christopher F. Ohrstrom Felix and Elizabeth Rohatyn Foundation The Honorable Malcolm Sterrett and Robert and Kathy Wenger Nancy Bradford Ordway Mr. and Mrs. Frederick S. Rolandi Mrs. Sterrett Ms. Elizabeth Werner and Mr. Carl Orentreich Family Foundation Mr. and Mrs. Dugan Romano Mr. and Mrs. Edward R. Stettinius Kravitz Mr. and Mrs. David Osnos Dr. Gregory C. Romanow and Dr. Gena Mr. and Mrs. Guy Steuart Joan S. Wessel John Otsuki and Loretta Yenson L. Romanow Mr. and Mrs. Guy T. Steuart III Eileen Shields West Patty and Carroll Owens Bill and Shirley Rooker George and Elizabeth Stevens Ms. Leslie B. Westreich Dr. John and Katherine Pan Mrs. Milton M. Rose Whitney Stewart Ms. Dorothy B. Wexler Mr. and Mrs. Nicholas C. Pappas Mr. and Mrs. James S. Rosebush Mr. and Mrs. Richard P. Stifel Jr. Mr. and Mrs. George Y. Wheeler Professor and Mrs. Robert E. Park Christy Halvorson Ross and Garth Ross Dr. Linda K. Stillman Mr. and Mrs. Jeff White Mr. and Mrs. Dennis I. Paul Helen G. Ross Mr. and Mrs. Robert D. Stillman Mr. and Mrs. Jon M. Wickwire Judge and Mrs. Michael T. Paul Mr. and Mrs. Eigil D. Rothe Mrs. Walter J. Stoessel Jr. Mr. and Mrs. Charles C. Wilkes Mr. and Mrs. Malcolm E. Peabody Mrs. Jacqueline Roundtree and Mr. Mr. and Mrs. Mark W. Storch Mr. and Mrs. Stephen H. Willard Leslie H. Ryce The Honorable Marcus Peacock and The Richard † and Pamela Storch Suzanne and Dick Willett Honorable Donna R. McLean David and Carolyn Ruben Lou M. Stovall and Di B. Stovall Williams Family Foundation of Georgia, Stanley and JoAnn Pearlman Sheldon Ruben Leila and Mickey Straus Inc. Mr. and Mrs. Ronald H. Peele Jr. Dr. and Mrs. J. R. Rudzki Amy and Peter Sturtevant Edwin and Kathe Williamson H. O. Peet Foundation Paul S. Russell, MD Mr. and Mrs. Brendan V. Sullivan Jr. Donald M. † and Susan N. Wilson Jean Perin Ms. Hattie Ruttenberg and Mr. Jonathan Kevin R. and Mary Beth Sullivan Mr. and Mrs. David L. Winstead Bruce C. and Pamela L. Perkins Molot Michele and Walter Sutton Louisa Woodville and Nigel Ogilvie Dr. and Mrs. Michael J. Petite Mrs. Victor Sadd Elizabeth and Alain Taghipour Mr. Steven J. Wunder Malcolm and Margaret Pfunder Louise and Arnold Sagalyn Jake and Carrington Tarr Mavis Wylie Mr. and Mrs. Devereaux J. Phelps Diane Salisbury, Exhibits Development Group Topsy Taylor Robert and Linda Yahn Franklin C. Phifer Betty H. Sams Mrs. Waverly Taylor Dr. and Mrs. Bing Yao Pinnacle West Capital Corporation Savitt Family Fund of Tides Foundation Dr. and Mrs. Stanley Tempchin Penny and David Yao Alan and Joan Platt Mrs. Amy Savopoulos Mr. and Mrs. Harry Teter Jr. Mr. Brian Young and Ms. Katherine Smith Liz and Greg Platts Mr. and Mrs. J. Andrew Scallan II Dr. Timothy R. Thomas Lois and Ira Young Mr. Joseph Plocek and Mr. Val Holley Alison Schafer Mr. and Mrs. Robert H. Thompson Ms. Konstantina A. Zaras Dr. and Mrs. Alan G. Pocinki Ms. Frances Way Schafer and Mr. William William R. and Norma K. Tiefel Mr. and Mrs. Anthony Zelano Sydney M. Polakoff and Carolyn Schafer Margot and Paul Zimmerman Goldman Rachel Tillman and Ron Del Sesto Jr. John and Edith Schafer Dario and Gió Zucchi Professor Annette Polan Margaret L. Tomlinson Mr. and Mrs. Peter C. Schaumber Warren and Janice Poland Lalie and Michael Tongour Bob and Patricia Schieffer THE TOWER PROJECT OF THE Helen Porter and James T. Dyke Jessica and Henry Townsend Gail Schneider NATIONAL GALLERY OF ART The Honorable Trevor Potter and Mr. Rebecca Trafton Dana Scott Westring Jill A. Schuker The Honorable Russell E. Train † and Alan E. and Marianne Schwartz Mrs. Train The Gallery extends thanks to the Jeff and Elizabeth Powell members of The Tower Project for their Joanne E. Powell Dr. and Mrs. Andrew Schwartz William E. Trueheart and Carol A. Word generous support at the level of $2,500 Judy Lynn Prince Rhea S. Schwartz and Paul Martin Wolff Beth and Sanford Ungar or more which provides funding for modern and contemporary exhibitions Quatt Associates, Inc. Mr. Frederic W. Scott Jr. Jennifer C. Urquhart and Michael W. Edwards in the Tower Gallery. Dr. and Mrs. Charles E. Rackley Ann and Tom Scully Mr. and Mrs. Semih Ustun Ms. Jane E. Ramsey Joan Searby Mrs. Joy Ammerman Mr. and Mrs. Walter H. Vandaele Mr. and Mrs. Raymond Rasenberger Linda and Stanley Sher Susan Bennett and Alberto Bouroncle Jane Stuart Vander Poel and Edoardo Mrs. Stephen F. Sherwin Thomas and Alison Cassels Mary Tinsley Raul and Alan Charles Raul Lenzetti Mary Shockey Comet Ping Pong The Law Offices of James S. Ray, PLLC The Honorable Margaret Vanderhye and Cynthia T. Redick and Robert Brent Joan and Ev Shorey Robert Vanderhye Paula J. Cooper and Jack Macrae Mrs. John M. Reed Dr. Irwin Shuman and Mrs. Elaine O. Mr. and Mrs. George D. Vassiliou Brian and Paula Ballo Dailey Feidelman Mr. and Mrs. Robert P. Reznick Mr. and Mrs. Michael E. Vaughn Cybele K. Daley and James Pasco Barry and Beth Simon Mr. Donald H. Richardson † Melanne and Philip Verveer Dr. Joseph P. DiGangi J. L. H. Simonds H. Richardson and M. Challinor Martha and Robert Vicas Neil and Izette Folger Charles J. Simpson and Pamela Ken and Marilou Hakuta Mr. and Mrs. John D. Richardson Raymont-Simpson Emily and Frank Vogl John K. Hoskinson and Ana I. Fábregas Ms. Cary Ridder and Mr. David Dr. and Mrs. Lawrence Singer Barbara S. Wahl and Charles D. Ossola Alberswerth Linda H. Kaufman Mr. A. W. Smith Jr. and Ms. Marcia W. Ms. Cynthia C. Walden Marie W. Ridder Marsh The Honorable Jenonne Walker Thomas G. Klarner

94 NATIONAL GALLERY OF ART

Lorie Peters Lauthier Dr. Lois de Ménil and Dr. Georges de Kasper Jean Schepers in memory of W. James A. and Marsha Perry Mateyka Ménil Jak Katalan Robertson Schepers and E. Beeson Bruce Schepers Maxwell Fund in the Charlottesville Area Cristina Del Sesto Gift of Kaufman Americana Foundation Community Foundation Mr. Harry DeMott and Dr. Samantha in honor of George M. † and Linda H. Deanna J. Schupbach, PhD John and Alma Paty Aldred Kaufman Charles and Helen Schwab Ms. Hilary C. Richardson Mr. and Mrs. James F. Dicke II Ina † and Jack Kay Joyce Pomeroy Schwartz Monique Rollins Dr. J. Robert DiFulgo Judith Keenan Deborah and Edward Shein Dawn and Frank Saul Dr. Joseph P. DiGangi Ellsworth Kelly Ruth and Hugh Sickel Susan Small Savitsky and Gerald Savitsky Patricia A. Donovan Mr. Thomas G. Klarner Gerald and Ellen Sigal Judith Seligson and Allan Greenberg Robert W. † and Louisa C. Duemling Thomas and Kathleen Koepsell Iris Silverman Paul So Merritt P. Dyke Robert and Arlene Kogod Albert and Shirley Small Kathryn Stewart Mr. Barney A. Ebsworth Alice S. and William K. Konze Robert H. † and Clarice Smith Henry L. Thaggert III Joan M. Eckert Julie LaFave Mrs. Rudolf Sobernheim Mr. and Mrs. George R. Webb Jr. Jean Efron Evelyn † and Leonard Lauder Stephen G. Stein Robert † and Mercedes Eichholz Jo Carole and Ronald S. Lauder Ruth Carter Stevenson Mr. and Mrs. Gerry Elliott Alexander M. and Judith W. Laughlin Mrs. Walter J. Stoessel Jr. THE LEGACY CIRCLE Virginia F. Harrison Elliott † and George The Honorable and Mrs. Marc E. Leland Donald D. Stone Legacy Circle members are those who W. Elliott Simon and Bonnie Levin Robert T. and Bonnie Sweet have decided to include the Gallery in Mr. A. Thompson Ellwanger III and Mr. Donald V. Lincoln Stanley and Barbara Tempchin their estate plans through various means. Gregory E. Mescha † Francine Schear Linde in honor of her Ann Van Devanter Townsend and Lewis Ms. Jane Engle parents, Herbert and Blanche Schear Raynham Townsend † Anonymous (42) The Epstein Family Collection Robert † and Mary Looker Jack and Margrit Vanderryn The Adels Family Dr. K. Bolling Farmer Angela M. LoRé in memory of her André-François H. Villeneuve Seena and Joseph Aisner, MD Lee and Ann Fensterstock parents, Charles and Alice LoRé Dorothy and Herbert † Vogel Carolyn Small Alper Aaron I. Fleischman Jack and Betty Lou Ludwick Bettye S. Walker Dennis Alter Peter T. Foley Susan and Peter MacGill Ambassador Jenonne Walker Lynn K. Altman Family Trust Douglas and Pamela Fowler Joan and David Maxwell Mrs. Robert M. Weidenhammer M. Francis Anders Barbara W. Freeman Sameeran Yonan McAlee † E. Allan Wendt and Que Dan Nguyen Mrs. Martin Atlas Howard and Shirlee Friedenberg Mr. Harvey Shipley Miller and Mr. J. Elizabeth A. White Ann M. and Thomas W. Barwick Randall Plummer Maryann and Alvin Friedman John C. Whitehead Mr. L. Graeme Bell III Kent and Marcia Minichiello David Morgan Frost Malcolm Wiener Professor John Andrew Bernstein Lucy G. Moorhead Morton and Norma Lee Funger Professor John Wilmerding The Honorable Max N. Berry and Mrs. Jo Ann and Julian Ganz, Jr. Diane L. Morris Berry † Christopher and Beverly With in Memory William H. Gerdts and Abigail Booth Ann Mosca of Karl and Gerda With Robert Hunt Berry in memory of R. Gerdts The Honorable Alfred H. Moses and Andrea Woodner K. Mellon, Ormond E. Hunt, and Paul Fern M. Schad Mellon Mr. and Mrs. Carl S. Gewirz David F. Wright in memory of my good Jeffrey Hugh Newman The Honorable and Mrs. William Mr. and Mrs. William T. Gibb friend, John Taylor Arms IV McCormick Blair Jr. Milly and Arne Glimcher Diane A. Nixon Judy and Leo Zickler Ambassador and Mrs. Donald Blinken in Mary Anne Goley Stephen and Claudine Ostrow Charles S. and Elynne B. Zucker memory of Maurice H. Blinken Dr. Margaret A. Goodman Mary and John Pappajohn † Deceased Jay Bowyer and Christopher Greer Cheryl O. Gorelick Elisa M. Patterson Kathryn Brooke Joyce Z. Greenberg in memory of her Ivan E. and Winifred Phillips Every effort has been made to create a Andrew Brown husband, Jacob Greenberg Judith D. Pomeranz complete and accurate list of contribu- Ruth H. Buchanan Sarah Greenough Helen Porter and James T. Dyke tors. Due to limited space, gifts under $1,000 are not listed. Frances Ann Bufalo The Grinstein Family Richard and Jeanne Press Vincent J. Buonanno Harry Grubert Judy Lynn Prince Gifts to the Gallery may be made in Gilbert Butler Agnes Gund Francis H. Rasmus the form of cash, securities, or real and Mr. and Mrs. W. Russell G. Byers Jr. Helena Gunnarsson Carol Bird Ravenal, PhD personal property, and may be directed toward specific programs or be unre- Norman and Carolyn K. Carr The Stephen Hahn Family Collection Anita and Burton Reiner stricted. Some donors make outright Faya Causey Denise Hale Mr. † and Mrs. George W. Riesz gifts, while others elect to make deferred Dr. Gerald Cerny John C. Harbert, MD The Rizik Family gifts to help provide for the future. All gifts and bequests are deductible, within Chuck L. Chandler Richard C. and Elizabeth A. Hedreen Alix I. Robinson † the limits prescribed by law, for appli- Bruce and Sharyn Charnas Helen Lee Henderson Mary and David † Robinson cable federal tax purposes. For further A. James Clark and Alice B. Clark Judith F. Hernstadt Andrew Robison information, please call the development office at (202) 842-6372. Ted Cooper Maria C. Higgins David Rockefeller T. A. Cox William L. Hopkins and Richard B. Sharon Percy Rockefeller Ian and Annette Cumming Anderson Diane Rosacker Ted Dalziel Jeffrey E. Horvitz Trina and Lee G. Rubenstein Joan Danziger Arthur C. G. Hyland Gwendolyn Russell Roy and Cecily Langdale Davis Earle Hyman in memory of Rolf Sirnes The Honorable Arnold A. and Joan Shirley Ross Davis Ira and Virginia † Jackson Saltzman Virginia L. Dean Mr. James A. Johnson Jr. Mrs. Stanley J. Sarnoff Alexandra D. de Borchgrave Paul M. Kanev Douglas Schaller Betsy Karel

95 Copyright ©2013 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington www.nga.gov

ISBN 978-0-89468-382-4

Photograph of the Chief Justice of the United States: Steve Petteway, Collection of the Supreme Court of the United States

Photographs by Rob Shelley: front cover, inside front cover, pages 20–21, 22, 24, 25, 26, 27, 28, 29

Photographs by Dennis Brack, Black Star: pages 2–3, 8–9, 40, 44–45

Photographs by Mira Patel: pages 42, 43

Film still courtesy of Memento Films: page 35

Photographs by Tricia Zigmund: pages 38–39

Works of art in the collection of the National Gallery of Art have been photographed by the division of imaging and visual services.

Design: Pentagram

96 NATIONAL GALLERY OF ART Washington, DC

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