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Newsletter 09/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/07 DIGITAL EDITION Nr. 206 - April 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/07 (Nr. 206) April 2007 editorial Hallo Laserdisc- und DVD-Fans, und Fach. Wie versprochen gibt es dar- diesem Editorial auch gar nicht weiter liebe Filmfreunde! in unsere Reportage vom Widescreen aufhalten. Viel Spaß und bis zum näch- Es hat mal wieder ein paar Tage länger Weekend in Bradford. Also Lesestoff sten Mal! gedauert, aber nun haben wir Ausgabe satt. Und damit Sie auch gleich damit 206 unseres Newsletters unter Dach beginnen können, wollen wir Sie mit Ihr LASER HOTLINE Team LASER HOTLINE Seite 2 Newsletter 09/07 (Nr. 206) April 2007 US-Debüt der umtriebigen Pang-Brüder, die alle Register ihres Könnens ziehen, um im Stil von „Amityville Horror“ ein mit einem Fluch belegtes Haus zu Leben zu erwecken. Inhalt Roy und Denise Solomon ziehen mit ihrer Teenager-Tochter Jess und ihrem kleinen Sohn Ben in ein entlegenes Farmhaus in einem Sonnenblumenfeld in North Dakota. Dass sich dort womöglich übernatürliche Dinge abspielen könnten, bleibt von den Erwachsenen unbemerkt. Aber Ben und kurz darauf Jess spüren bald, dass nicht alles mit rechten Dingen zugeht. Weil ihr die Eltern nicht glauben wollen, recherchiert Jess auf eigene Faust und erfährt, dass sich in ihrem neuen Zuhause sechs Jahre zuvor ein bestialischer Mord abgespielt hat. Kritik Für sein amerikanisches Debüt hat sich das umtriebige Brüderpaar Danny und Oxide Pang („The Eye“) eine Variante von „Amityville Horror“ ausgesucht, um eine amerikanische Durchschnittsfamilie nach allen Regeln der Kunst mit übernatürlichem Terror zu überziehen. -
Jill Huettich
HEALTH & WELLNESS • HOROSCOPES • YOGA • PERSONAL ENLIGHTENMENT FREE A Mind, Body & Soul Connection LOVE ATOS Productions Issue 38 January • February 2008 PAGE TWO JANUARY • FEBRUARY 2008 THE JOURNEY THE JOURNEY JANUARY • FEBRUARY 2008 PAGE THREE INSIDE! City Of Unlimited Love 6 9557 Tamarin Court • Mentor, Ohio 44060 Dr. Steven Post Interviewed 440-223-1392 E-mail: [email protected] How To Attract A Quality Relationship 8 Publisher - Clyde Chafer By Sandra Anne Taylor Editor - Lisa Ann Pinkerton To Michael, With Love 10 Proofreader - Katie Krancevic By Psalm Isadora Advertising Advertising Manager - Clyde Chafer - 440-223-1392 True Love’s Unconditional 12 Account Executive - Desiree McKenzie - 216-401-7150 By Dr. Norm Williams Feature Writers - Aimée Cartier, Jill Huettich, Psalm We’re Not In Kansas Anymore 14 Isadora, Janee Kuta-Iliano, Arielle Jacobs, Julie Mills, By Willowbrie Liaya Aneb Nua, Shakthi Paramasivam, Lisa Ann Pinkerton, Roger Sams, Eva Starr, Sandra Anne Taylor, The Greatest Love Affair 16 Dr. Norm Williams & Willowbrie By Eva Starr Layout - Bill Wahl 440-552-8622 HEALTH & NUTRITION The Cover: Divine Partnership: Energy of Creation Do What You Love And Love What You Do 17 Acrylic on canvas by Eva M. Sakmar-Sullivan By Janee Kuta-Iliano Pittsburgh artist Eva Sakmar-Sullivan began drawing and painting at a very young age, but Insights Into The Field Of didn’t pursue a career in art until her adult life. This month’s cover, Divine Partnership: Energy of Creation celebrates male and female energy in a balanced union. The figures are Animal Communication 20 receiving their life-force from the Creator. -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
THE SUMMIT a Chronicle of Stones
THE SUMMIT A Chronicle of Stones (TSURUGIDAKE: TEN NO KI) A Toei/Fuji TV Production Director: Daisaku Kimura Cast: Tadanobu Asano (“Mongol” “Invisible Waves” “Kabei - Our Mother”) Teruyuki Kagawa (“Tokyo Sonata” “Tokyo!”) Toru Nakamura (“2009 Lost Memories” “Purple Butterfly”) Ryuhei Matsuda (“Gohatto -Taboo-“ “Nightmare Detective”) Aoi Miyazaki (“Atsuhime” (TV) “Nana” “Heavenly Forest”) Koji Yakusho (“Babel” “Silk” “Memoirs of a Geisha”) In 1907, a band of men challenged Japan’s last unconquered mountain, in order to complete a map of their nation. Mt. Tsurugidake - Located in Tateyama mountain range in the Northern Alps in Toyama Prefecture, Mt. Tsurugidake stands 2999m above sea level. Tsurugidake is renowned as a difficult mountain and since the beginning of historical records, it has been designated as the “god” for those engaged in mountain asceticism-shamanism and sometimes referred as “needle mountain” or “mountain of death” for its inaccessibility. Neither for fame, nor for profit, the men staked their lives on an impossible mission, for nothing more than a map. This true story gives us a frank view of the noble spirit of devotion and royal spirit, gradually becoming lost to the society of today. “This work is certainly not a film about the mountains: rather, it is a tale of human emotions and feelings and a film about life, set against the background of the mountains.” －Dir. Daisaku Kimura To realistically depict the noble existence of the climbers, Daisaku Kimura, a veteran cinematographer who filmed “Mount Hakkoda” (1977) “Virus: Day of Resurrection (Fukkatsu no Hi)” (1980) and “Poppoya-Railroad Man” (1999) challenged the shooting together with the hand-picked staff and cast set off like a group of mountaineers to challenge the beautiful yet cruel Mt. -
THE TORONTO JAPANESE FILM FESTIVAL 2017 2017年トロント日本映画祭まもなく開催 May 2017 Vol.43 Issue 5 1 April 2017 2017年4月 Vol.43 Issue 4 5% Discount for JCCC Members
THE TORONTO JAPANESE FILM FESTIVAL 2017 2017年トロント日本映画祭まもなく開催 May 2017 Vol.43 Issue 5 1 April 2017 2017年4月 Vol.43 Issue 4 5% discount for JCCC members DAVID IKEDA Sales Representative 416-234-2424 www.ikedasells.com Sutton Group Old Mill Realty Inc., Brokerage For Experienced Professional Real Estate Services Beyond your Expectations Please call for a consultation - no obligation bonni maikawa sales representative www.bonnimaikawa.com 416 966 0300 2 Sutton Group Associatiates Realty Inc., Brokerage 2016 - 17 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2-7 JCCC Upcoming Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 8-9 Heritage News VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 9-11 Community News Directors Jonathan Carter Mark Hashimoto Kristin Kobayashi 11-12 Donations Keiichi Kubo Dereck Oikawa Chris Reid 13-16 日本語紙面 Cary Rothbart Ross Saito Nao Seko Peter Wakayama Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston May William Hatanaka Sid Ikeda Sat 6 JCCC Annual Bazaar Steve Oikawa Thu 11 The 4th Ishizue Awards Connie Sugiyama JCCC Foundation Chair Shari Hosaki PHOTOLAB II Exhibit Opening JCCC Staff Sat 13 JCCC Karaoke Club James Heron Karate Tournament Executive Director Thu 18 JCCC Movie Night [email protected] 416-441-2345 ext.224 "After the Storm" Kathy Tazumi Accounting/General Administration Manager Sat 20 JCCC Karaoke Club [email protected] 416-441-2345 ext.229 -
Video Deo Arrow Video Arrow Row Arrow Video Rrow Video Arrow Arrow Video Arrow Video Arrow Video Arrow Video Arrow Video Arrow V
VIDEO VIDEO Film historians David Bordwell and Kristin Thompson from the yellow jackets of the plethora of detective ARROW state VIDEOthat “a genre is easier to recognise than to novels that began to saturate the Italian market in the BLOOD AND BLACK GLOVES define”define”.. Rarely has this seemed more relevant than late 1920s, among them translations of the works of when referring to the giallo – a sensual, stylish and authors as diverse as Arthur Conan Doyle, Raymond Michael Mackenzie on the Giallo luridly violent body of Italian murder-mystery films Chandler and Agatha Christie. The giallo film is ARROW which, like the AmericanVIDEO films noir which preceded something altogether different and more narrowly them by a few decades, responded to a unique defined, emerging in the early 1960s and enjoying set of sociocultural upheavals and were therefore a brief spell of immense popularity in the early-to- influenced as much by the period in which they were mid 1970s. The conventions of these films have been VIDEO ARROWproduced as by generic conventions.VIDEO The Italians well-established elsewhere and are iconic enough have a specific term to describe this phenomenon: that even those without an intimate knowledge of filone , meaning ‘vein’ or ‘streamlet’. These faddish, the genre can recognise them: the black gloves, hat often highly derivative genres each tended to enjoy and trench coat that disguise the killer’s identity and VIDEO ARROWa brief spell of immense popularity andVIDEO prolificacy gender; the modern urban locales which provide a beforeore fading into obscurity as quickly as they backbackdrop to the carnage that unfolds; the ‘whodunit’ firstt appeared, their creative potential (and their investigative narratives with their high body counts audience’sience’sARROW appetite for more of the same) exhausted. -
FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An
FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An AMERICAN EMPIRICAL PICTURE by WES ANDERSON BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE DIRECTED BY ....................................................................... WES ANDERSON STORY BY .............................................................................. WES ANDERSON ................................................................................................. ROMAN COPPOLA ................................................................................................. JASON SCHWARTZMAN ................................................................................................. and KUNICHI NOMURA SCREENPLAY BY ................................................................. WES ANDERSON PRODUCED BY ...................................................................... WES ANDERSON ................................................................................................. SCOTT RUDIN ................................................................................................. STEVEN RALES ................................................................................................. and JEREMY DAWSON CO-PRODUCER .................................................................... -
Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth Is Organized by JETRO / UNIJAPAN with the Support from Agency for Cultural Affairs (Goverment of Japan)
JA P A N BOOTH 2 O 1 6 i n C A N N E S M a y 1 1 - 2 O, 2 O 1 6 Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth is Organized by JETRO / UNIJAPAN with the support from Agency for Cultural Affairs (Goverment of Japan). JETRO, or the Japan External Trade Organization, is a government-related organization that works to promote mutual trade and investment between Japan and the rest of the world. Originally established in 1958 to promote Japanese exports abroad, JETRO’s core focus in the 21st century has shifted toward promoting foreign direct investment into Japan and helping small to medium-sized Japanese firms maximize their global business potential. UNIJAPAN is a non-profit organization established in 1957 by the Japanese film industry under the auspice of the Government of Japan for the purpose of promoting Japanese cinema abroad. Initially named “Association for the Diffusion of Japanese Film Abroad” (UniJapan Film), in 2005 it joined hands with the organizer of Tokyo International Film Festival (TIFF), to form a combined, new organization. CONTENTS 1 Asmik Ace, Inc. 2 augment5 Inc. 3 CREi Inc. 4 Digital Frontier, Inc. 5 Gold View Co., Ltd 6 Hakuhodo DY music & pictures Inc. (former SHOWGATE Inc.) 7 nondelaico 8 Open Sesame Co., Ltd. 9 POLYGONMAGIC Inc. 10 Production I.G 1 1 SDP, Inc. 12 STUDIO4˚C Co., Ltd. 13 STUDIO WAVE INC. 14 TOHOKUSHINSHA FILM CORPORATION 15 Tokyo New Cinema, Inc. 16 TSUBURAYA PRODUCTIONS CO., LTD. 17 Village INC. CATEGORY …Action …Drama …Comedy …Horror / Suspense …Documentary …Animation …Other SCREENING SCHEDULE Title Day / Starting Time / Length of the Film / Place Asmik Ace, Inc. -
Linnea Quigley's
Linnea Quigley’s PARANORMAL TRUTH New TV Series 12 x 30min Linnea Quigley’s PARANORMAL TRUTH 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). CONTENTS 4 Synopsis 5 Narrator (Host) | Paranormal Investigator 6 | 17 Episodes 18 Producers 19 Executive Producers 20 Writers, Director, Producers 22 Equity SYNOPSIS Paranormal events and purported first century? Or is it just a way for desert in 1971. The truly intriguing phenomena that are described in filmmakers to make money from the combination of an abduction event popular culture, folk, and other audience? that would result in an apparent non-scientific bodies of knowledge, UFO crash near Edwards Air Force whose existence within these We follow that with the truths Base in California. The incident took contexts are described as beyond behind a man who was known as place only eighteen months before normal experience or scientific the wickedest man in the world one of the most active years for explanation. Linnea Quigley, Queen and the template for Ian Flemings’s UFO and occupant sightings in the of the scream queens, guides you character, Ernst Stavro Blofeld in United States in 1973. -
EU Page 01 COVER.Indd
JACKSONVILLE FALL performing arts preview columbia restaurant | al letson for npr american idol | unearth interview | love brigade at the cummer free weekly guide to entertainment and more | september 27-october 3, 2007 | www.eujacksonville.com 2 september 27-october 3, 2007 | entertaining u newspaper table of contents Cover Photo Courtesy of FCCJ Artist Series for the Alvin Ailey American Dance Theater. Photo by Andrew Eccles feature Fall 07 Performing Arts Preview ............................................................................PAGES 14-27 Musicals .......................................................................................................PAGES 14-15 Stage Plays ...................................................................................................PAGES 15-17 Dance ...........................................................................................................PAGES 18-19 Classical .......................................................................................................PAGES 21-22 Jazz & Big Band ....................................................................................................PAGE 23 Family Shows ...............................................................................................PAGES 24-26 Alt-Theatre ....................................................................................................PAGES 26-27 movies Movies in Theaters this Week ..................................................................................PAGES 6-11 The Kingdom -
Hirokazu Kore-Eda: Die Gefühlte Realität SOSHITE CHICHI NI NARU (WIE DER VATER, SO DER SOHN) VATER, Dreharbeiten Zu SOSHITE CHICHI NI NARU (WIE DER
Hirokazu Kore-eda: Die gefühlte Realität SOSHITE CHICHI NI NARU (WIE DER VATER, SO DER SOHN) VATER, SOSHITE CHICHI NI NARU (WIE DER Dreharbeiten zu Es ist eine merkwürdige Idylle, in die SHOPLIFTERS – Nestwärme dieses Refugiums nistet durchaus eine FAMILIENBANDE (MANBIKI KAZOKU, 2018) seine Zu- Bedrohung des Kindeswohls. Nobuyo und Osamu ver- schauer einführt. Die Familie Shibata lebt in heiterer bindet ein düsteres Geheimnis, dessen Aufklärung sie Verwahrlosung. Offiziell gemeldet ist an ihrem Wohnort erlösen könnte. Ihr Sohn Shota, der nun reif genug ist, nur Hatsue, deren Rente die schmale ökonomische sich aus der Amoral zu befreien, muss den Verlust der Grundlage der Gemeinschaft bildet, die sie zuweilen Geborgenheit verwinden. Der unbestechliche Humanist aber auch gern in einer Pachinko-Halle verjubelt. Die Kore-eda fällt keine Urteile, sondern hält die Verhältnis- Mutter Nobuyo hat einen schlecht bezahlten Job in ei- se bis zum Ende in der Schwebe. Seine Figuren gehen ner Wäscherei, der Vater Osamu verdingt sich als Tage- ihm dabei nicht verloren. Ihre Beweggründe mögen löhner und Aki verdient ein Zubrot in einer Peepshow. vieldeutig sein, seine Sympathie ist es nicht. Mensch- Die Haupteinnahmequelle dieses kleinen Clans aber lichkeit offenbart sich bei diesem Regisseur in den un- sind Ladendiebstähle, an denen bald auch der Neuan- erwarteten Situationen und stets ist sie komplexer, als kömmling Juri mitwirkt, ein Mädchen aus der Nachbar- man auf Anhieb denkt. schaft, das von seiner Mutter in die Winterkälte ausge- In SHOPLIFTERS, für den er in Cannes wohlverdient setzt wurde. Trotz der prekären Verhältnisse wird man die Goldene Palme erhielt, zieht der Regisseur eine Hirokazu Kore-eda den Verdacht nicht los, dass die kriminelle Energie der Zwischenbilanz seines bisherigen Schaffens. -
Connection Nippon
2.– 6.MAI 2012 NIPPON CONNECTION JAPANISCHES FILMFESTIVAL FRANKFURT AM M AIN xxxx_nippon_connection_M+K_ad_alt 14/3/12 12:26 Page 1 1 Page 12:26 14/3/12 xxxx_nippon_connection_M+K_ad_alt SIE WOLLEN DIE DIE WOLLEN SIE ORIGINALSCHAUPLÄTZE SEHEN? SEHEN? ORIGINALSCHAUPLÄTZE Tradition und Hightech – beidem fühlen wir uns uns wir fühlen beidem – Hightech und radition T verpflichtet. An Bord modernster Flugzeuge finden finden Flugzeuge modernster Bord An verpflichtet. Sie die sprichwör tlich japanische Gastfreundschaft. eundschaft. Gastfr japanische tlich sprichwör die Sie JAL fliegt täglich nonstop mit B777-300 zwischen zwischen B777-300 mit nonstop täglich fliegt JAL Frankfurt und Tokyo. Und mit dem ‘ oneworld® ® world one ‘ dem mit Und Tokyo. und Frankfurt Yokoso! Visit Japan Tarif’ sind 39 Destinationen in in Destinationen 39 sind Tarif’ Japan isit V okoso! Y Japan kostengünstig zu erreichen. reichen. er zu kostengünstig Japan Auskünfte zu Sonderangeboten und Informationen Informationen und Sonderangeboten zu Auskünfte im Reisebüro oder unter 069-13 60 150. 150. 60 069-13 unter oder Reisebüro im www.de.jal.com .de.jal.com www YOUKOSO! WIR BEGRÜSSEN SIE HERZLICH ZUM 12. JAPANISCHEN YOUKOSO! FILMFESTIVAL NIPPON CONNECTION! Ein Festival ist immer nur so spannend wie seine A film festival is only as good as the films it presents. Filme. Das produktive Kino Japans bietet glückli- Fortunately Japanese cinema is not only productive cherweise eine reiche Fundgrube – und noch mehr but also offers rich quality. And more than that, it of- als das. Es ist stets auch eine Herausforderung. fers a great challenge: even mainstream titles tend Selbst im Mainstream-Bereich verweigert es sich to defy simple genre categorization.