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Young String Performers in Concert
Biographies performer in Ottawa’s hugely successful International Chamber Music Festival, the National Arts Centre’s Music for a Sunday Afternoon, the Almonte in Concert Series and the Music and Yolanda Bruno was born in Canada and began playing the violin at the age of 5. Twice Beyond Festival. Judith has worked for the National Arts Centre’s English Theatre, most winner of the Canadian Music Competition, she has been a finalist at the Stulberg International recently as piano coach for The Unanswered Question. String Competition and was winner of the McGill Concerto Competition in 2011 and of the 2012 As an accompanist Judith has collaborated with many of Canada’s leading artists, among Cavatina Intercollegiate String Quartet Competition in London with the Hieronymous Quartet. them Alan Monk, Theodore Baerg, Tracy Dahl, Eilana Lapalainen, Martin Foster and Gerald Yolanda has won numerous awards and scholarships and has played with Pinchas Zukerman Danovitch. and the National Arts Centre Orchestra, Thirteen Strings Chamber Ensemble and McGill Symphony Orchestra. The Grand ensemble à corde du Conservatoire de musique du Québec in Gatineau was Yolanda has performed across Canada and in Holland, Italy, France, Germany and the UK. nd She has worked with members of the Alban Berg Quartet and Guaneri String Quartet and has created this academic year as a required weekly ensemble class for string students in 2 cycle performed with Antonio Lysy, Chris Constanza (St. Lawrence String Quartet), Philip Dukes and higher at the Conservatory. The ensemble is under the tutelage of Joan Milkson; the (Nash Ensemble), and Menahem Pressler (Beaux Arts Trio). -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Myscena.Org Sm26-3 EN P02 ADS Classica Sm23-5 BI Pxx 2020-11-03 8:23 AM Page 1
SUBSCRIBE @ mySCENA.org sm26-3_EN_p02_ADS_classica_sm23-5_BI_pXX 2020-11-03 8:23 AM Page 1 From Beethoven to Bowie encore edition December 12 to 20 2020 indoor 15 concerts festivalclassica.com sm26-3_EN_p03_ADS_Ofra_LMMC_sm23-5_BI_pXX 2020-11-03 1:18 AM Page 1 e/th 129 saison/season 2020 /2021 Automne / Fall BLAKE POULIOT 15 nov. 2020 / Nov.ANNULÉ 15, 2020 violon / violin CANCELLED NEW ORFORD STRING QUARTET 6 déc. 2020 / Dec. 6, 2020 avec / with JAMES EHNES violon et alto / violin and viola CHARLES RICHARD HAMELIN Blake Pouliot James Ehnes Charles Richard Hamelin ©Jeff Fasano ©Benjamin Ealovega ©Elizabeth Delage piano COMPLET SOLD OUT LMMC 1980, rue Sherbrooke O. , Bureau 260 , Montréal H3H 1E8 514 932-6796 www.lmmc.ca [email protected] New Orford String Quartet©Sian Richards sm26-3_EN_p04_ADS_udm_OCM_effendi_sm23-5_BI_pXX 2020-11-03 8:28 AM Page 1 SEASON PRESENTER ORCHESTRE CLASSIQUE DE MONTRÉAL IN THE ABSENCE OF A LIVE CONCERT, GET THE LATEST 2019-2020 ALBUMS QUEBEC PREMIER FROM THE EFFENDI COLLECTION CHAMBER OPERA FOR OPTIMAL HOME LISTENING effendirecords.com NOV 20 & 21, 2020, 7:30 PM RAFAEL ZALDIVAR GENTIANE MG TRIO YVES LÉVEILLÉ HANDEL’S CONSECRATIONS WONDERLAND PHARE MESSIAH DEC 8, 2020, 7:30 PM Online broadcast: $15 SIMON LEGAULT AUGUSTE QUARTET SUPER NOVA 4 LIMINAL SPACES EXALTA CALMA 514 487-5190 | ORCHESTRE.CA THE FACULTY IS HERE FOR YOUR GOALS. musique.umontreal.ca sm26-3_EN_p05_ADS_LSM_subs_sm23-5_BI_pXX 2020-11-03 2:32 PM Page 1 ABONNEZ-VOUS! SUBSCRIBE NOW! Included English Translation Supplément de traduction française inclus -
MBTS 2018 Programme
MUSIC BY THE SEA AT B A M F I E L D2018 VANCOUVER ISLAND, BC CONCERT 1: SATURDAY, JULY 21 8:15 () .............. 2 CONCERT 2: SUNDAY, JULY 22 12:00 ......................... 4 CONCERT 3: SUNDAY, JULY 22 8:30 ............................... 5 CONCERT 4: MONDAY, JULY 23 8:30 ............................... 6 CONCERT 5: TUESDAY, JULY 24 8:30 ............................... 7 SPECIAL EVENT: WEDNESDAY, JULY 25 8:00 ............................. 11 CONCERT 6: THURSDAY, JULY 26 8:30 ............................. 12 CONCERT 7: FRIDAY, JULY 27 8:30 ............................. 13 CONCERT 8: SATURDAY, JULY 28 8:30 ............................. 14 CONCERT 9: SUNDAY, JULY 29 12:00 ........................ 16 CONCERT 10: SUNDAY, JULY 29 8:15 () ............. 17 ARTIST BIOGRAPHIES .................................................................................... 22 FELLOWSHIP MENTORING SCHOOL ........................................................... 35 MESSAGE FROM THE DIRECTOR ................................................................. 41 ACKNOWLEDGEMENTS ................................................................................. 42 ALL PROGRAMMING IS SUBJECT TO CHANGE MUSIC BY THE SEA 2018 1 CONCERT 1 CONCERT 1 continued Saturday, July 21st ~ 8:15 PM ree Fanfares, for horn in a distant rowboat C. Donison Holberg Suite, op. 40 Edvard Grieg and tuned ships horns (2015) (b. 1952) (1843-1907) 8:15 I. Call and response between distant rowboat and boats Praeludium. Allegro vivace (with cannon start) Sarabande. Andante 8:20 -
Dena Kay Jones Professor of Piano Department of Music College of Liberal Arts
Dena Kay Jones Professor of Piano Department of Music College of Liberal Arts 436 Fox Fine Arts Music Bldg. El Paso, Texas 79968 Work phone: (915) 747-6625 Email: [email protected] EDUCATION August 1997-August 2001 Doctor of Musical Arts (D.M.A.), University of Arizona, Tucson, Arizona Major: Piano Performance with a specialty in Spanish Piano Repertoire Minor: General Education Principal Teacher: Dr. Nohema Fernández Dissertation Title: The Piano Works of Joaquín Rodrigo: An Evaluation of Social Influences and Compositional Style Major Fields: Piano Performance, General Education of Music, Chamber Music Performance, Piano Literature, Piano Pedagogy, Collaborative Performance of Duo Instrument Repertoire and Art Song August 1993-May 1995 Master of Music, University of Illinois, Urbana-Champaign, Illinois Major: Piano Performance Principal Teacher: Professor Andrew DeGrado August 1989-May 1993 Bachelor of Music, University of Illinois, Urbana-Champaign, Illinois Major: Piano Performance Principal Teacher: Dr. William Heiles APPOINTMENTS Professor of Music, University of Texas at El Paso, El Paso, Texas (UTEP) September 1, 2018 - present Associate Professor of Music, University of Texas at El Paso, El Paso, Texas (UTEP) September 1, 2008 - present Assistant Professor of Music, University of Texas at El Paso, El Paso, Texas (UTEP) September 1, 2002 - August 31, 2008 PUBLICATIONS In Progress Sound Recording, Collaborative Pianist, Sultry & Eccentric, American Works for Horn, Tuba and Piano by James Grant, with Celeste Shearer, horn and Jim Shearer, tuba. Summit Records. Recorded May 26-28, 2018. Anticipated release: March 2019 Finding positive affirmation with the 2016 recording, "Haunted America Suite," Celeste and Jim Shearer, along with Dena Kay Jones, have formally formed The Great American Trio and recorded their second CD in August 2018, with an anticipated release through Summit Records in March 2019. -
The 2021 Guide
FestivalsThe 2021 Guide April 2021 Editor’s Note Spring is in the air, vaccinations are in (many) arms, and our hardy crop of mountain, lakeside, and pastorally sited music-makers appear to be in major recovery mode from a very long, dark year. Our 2021 Festival Guide lists 100-plus entries, some still in the throes of program planning, others with their schedules nailed down, one or two strictly online, and most a combination of all of the above. We’ve asked each about their COVID-19 safety protocols, along with their usual dates, places, artists, and assorted platforms. Many are equipped to head outside: Aspen Music Festival, Tanglewood, and Caramoor Music Center already have outdoor venues. Those that don’t are finding them: Central City Opera Festival is taking Carousel and Rigoletto to a nearby Garden Center and staging Dido & Aeneas in its backyard; the Bay Chamber Concerts Screen Door Festival is headed to the Camden (ME) Amphitheater. Still others are busy constructing their own pavilions: “Glimmerglass on the Grass” is one, with 90-minute re- imagined performances of The Magic Flute, Il Trovatore, and the premiere of The Passion of Mary Cardwell Dawson. The Virginia Arts Festival has also built a new open-air facility called the Bank Street Stage, a large tent area with pod seating options. Repertoire range is as broad as ever, with the Cabrillo Festival priding itself on being “America’s longest-running festival of new orchestral music”; Bang on a Can will make as much avant-garde noise as humanly possible with its “Loud Weekend” at Mass MOCA and its composer trainings later in the summer. -
Fonds Alexander Brott (R12803) Page 1 Finding Aid No
Date: 2012-04-12 Alexander Brott fonds (R12803) / Fonds Alexander Brott (R12803) Page 1 Finding Aid No. R12803 / Instrument de recherche no R12803 Report: Y:\APP\Impromptu\Mikan\Reports\Description_Reports\finding_aids_&_subcontainers.imr MIKAN Container File/Item Cr. file/item Hierarchy Title, etc Date of/de Extent or Media / Dim. / Access # Contenant Dos./PièceDos./item cr. Hiérarchie Titre, etc création Support ou Média / Dim. / Accès 3985646 Series Correspondence [textual record, graphic 1931-2004 material] 4014008 1 1 File Lotte Brott [194-?]-1997 2 cm of textual records. / 90 S&C : File containing correspondence with Lotte Brott. Several letters also includes other family members. 3987168 1 2 File Boris Brott [ca. 1956]-1962 1.5 cm of textual records. / 90 S&C : File containing correspondence from Boris Brott. 4013971 1 3 File Boris Brott 1963-2004 1.5 cm of textual records. / 90 S&C : File containing correspondence from Boris Brott. 3986023 1 4 File Denis Brott 1962-1969 1.5 cm of textual records. / 90 S&C : File containing correspondence from Denis Brott. 3986031 1 5 File Denis Brott 1970-1996 1 cm of textual records. / 90 S&C : File containing correspondence from Denis Brott. 4064182 1 6 File Other family members 1935-1962 0.5 cm of textual records. / 90 S&C : File containing correspondence with his mother, Annie Fixman, and Aby Lenson and Saul Brott. 3986019 1 7 File Canadian League of Composers 1952-1956 1.5 cm of textual records. / 90 4002344 1 8 File Canadian League of Composers 1957-1990 1 cm of textual records. / 90 3988428 1 9 File Canadian Music Centre 1959-1963 2 cm of textual records. -
Ojai Music Festival
The 2019 Guide Festivals April 2019 Editor’s Note The 2019 Guide What’s your summer music craving—opera in the Swiss Alps? Perhaps it’s chamber music in a California vineyard or prepared piano at a Massachusetts modern art museum? Such is a sampling from the menu of options in our sixth annual Guide to Summer Festivals—at nearly 100 entries, it’s our largest yet, and certainly the most entertaining to peruse. Just a few highlights: A new production of the Mozart Requiem at the Aix-en-Provence Festival; the “Loud Weekend” at Bang on a Can’s annual Festival at Mass MOCA in the Berkshires; the world premiere of Poul Ruders’s The Thirteenth Child at Santa Fe Opera, where Festivals the stage is often open to a view of the sun setting amid the Jemez Mountain range; pianist Yuja Wang (Musical America’s 2017 Artist of the Year) performing in Croatia at the Dubrovnik Summer Festival; Fabio Luisi conducting Beethoven’s Sixth Symphony in Tuscany, at the Chigiana International Festival; the Pacifica Quartet in a Napa Valley winery at Music in the Vineyards; Handel’s Ariodante at the Drottningholms Slottsteater in Switzerland. Opera in the Ozarks, in Eureka Springs, AR, has Mark Adamo’s Little Women on the docket; while the Mark Morris Dance Group will premiere a new work set to Erik Satie’s Sports et divertissements at Mostly Mozart in New York. Also, as proof that there is no spot on earth too remote for live music of any sort to thrive, the 22nd annual Orcas Island Chamber Music Festival, in the San Juan Islands off the coast of Washington, will present Susan Graham in recital while the Miró Quartet will give the world premiere of Pulitzer Prize-winning composer Kevin Puts’s latest opus. -
The Programming of Orchestral Music by Canadian Composers, 1980-2005
The Programming of Orchestral Music by Canadian Composers, 1980‐2005 by Robert John Fraser B.Mus. (Music Ed.), Brandon University, 1990 Licentiate in Music, McGill University, 1990 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Musicology with Performance School of Music, Faculty of Fine Arts © 2008 by Robert John Fraser University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ISBN:978-0-494-47348-1 ii The Programming of Orchestral Music by Canadian Composers, 1980‐2005 by Robert John Fraser B.Mus. (Music Ed.), Brandon University, 1990 Licentiate in Music, McGill University, 1990 Supervisory Committee Dr. Susan Lewis Hammond, Supervisor School of Music, Faculty of Fine Arts Christopher Butterfield School of Music, Faculty of Fine Arts Dr. Jennifer Wise, Outside Member Department of Theatre, Faculty of Fine Arts iii Supervisory Committee Dr. Susan Lewis Hammond, Supervisor School of Music, Faculty of Fine Arts Christopher Butterfield School of Music, Faculty of Fine Arts Dr. Jennifer Wise, Outside Member Department of Theatre, Faculty of Fine Arts Abstract This thesis catalogues performances of orchestral music written by Canadian composers, performed between 1980 and 2005 by six Canadian professional symphony orchestras (Victoria, Calgary, Winnipeg, London, Toronto and Montreal). This catalogue, referred to as the Main Repertoire Table (MRT), lists 1574 performances. Using the results of the MRT, I identify 63 composers who have contributed five or more works to the repertoire, and 44 composers who have had at least ten performances. -
Ummer >Oc Maureen Forrester Orford String Quartet
nn Arbor 'ummerer '>oc estitial THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN presents Maureen Forrester Contralto and Orford String Quartet ANDREW DAWES, Violinist TERENCE HELMER, Violinist KENNETH PERKINS, Violinist DENIS BROTT, Cellist Sunday Afternoon, July 14, 1985, at 4:00 Rackham Auditorium, Ann Arbor, Michigan PROGRAM Quartet No. 8 in C minor, Op. 110 .............................. Shostakovich Largo Allegro molto Allegretto Largo Largo Songs of Contemplation ...................................... Alexander Brott Strangers Yet (Richard Monckton Milnes [Lord Houghton]) Let All Things Grieve (Anonymous) Cradle Song (Alfred Lord Tennyson) The Sun's Shame (Dante Gabriel Rossetti) Maureen Forrester and the Quartet II Tramonto (The Sunset) .......................................... Respighi Miss Forrester and the Quartet INTERMISSION Quartet in C major, Op. 59, No. 3 ................................. Beethoven Introduzione, allegro vivace Andante con moto quasi allegretto Menuetto: grazioso Allegro molto Tlie Orford String Quartet is generously supported by the Canada Council, the Touring Office of the Canada Council, the Ontario Arts Council, and the Department of External Affairs of Canada. Songs of Contemplation Songs of Contemplation is a cycle of four songs written for strings and voice, based on the lyrical poetry of a period generally referred to as Victorian. In it, I have tried to capture the subjec tive temper of the age, the contemplation, the self-indulgence in the assessment of values, the im pulse, and -
19 January 2018 Page 1 of 11
Radio 3 Listings for 13 – 19 January 2018 Page 1 of 11 SATURDAY 13 JANUARY 2018 5:01 AM final oratorio is a work of huge emotive power, a summation of Bach, Johann Sebastian [1685-1750] a lifetime's composing for the stage, and considered by many to SAT 01:00 Through the Night (b09l26nw) Aria 'Wie furchtsam' from Cantata 'Allein zu dir, Herr Jesu be his masterpiece in a genre he had developed further than any Orchestra della Svizzera Italiana Christ', BWV 33 other composer. Catriona Young presents a concert by the Orchestra della Maria Sanner (contralto), Les Ambassadeurs, Alexis Kossenko Svizzera Italiana, conducted by Maxim Emelyanychev, of (director) 10.20am Haydn, Ravel and Mozart SONGS OF TRAVEL 5:13 AM VAUGHAN WILLIAMS: 1:01 AM Max Bruch (1838-1920) Songs of Travel Haydn, Joseph (1732-1809) Romance for viola and orchestra, Op 85 Six Studies in English Folk Song Symphony No 95 in C minor, Hob I:95 Adrien Boisseau (viola); Polish Sinfonia luventus Orchestra; The Sky above the Roof Orchestra della Svizzera Italiana, Maxim Emelyanychev José Maria Florêncio (conductor) Orpheus with his Lute (conductor) Silent Noon 5:24 AM The Winter’s Willow 1:22 AM Haydn, Joseph (1732-1809) Romance Ravel, Maurice (1875-1937) Sonata in B flat major, H.16.41 Rhosymedre – arr. R. Morrison Le Tombeau de Couperin Marc-André Hamelin (piano) Four Hymns Orchestra della Svizzera Italiana, Maxim Emelyanychev James Gilchrist (tenor); Philip Dukes (viola); Anna Tilbrook (conductor) 5:35 AM (piano) Gershwin, George [1898-1937] Chandos CHAN10969 (CD) 1:40 AM Lullaby Mozart, Wolfgang Amadeus (1756-1791) New Stenhammar String Quartet SYMPHONIC POEMS Piano Concerto No 9 in E flat, K271, 'Jeunehomme' CAMILLE SAINT-SAËNS: Maxim Emelyanychev (piano/conductor), Orchestra della 5:44 AM Phaéton – Symphonic Poem, No. -
The Proliferation of String Quartets in Canada 1991-2014
The Proliferation of String Quartets in Canada 1991-2014 by Min-Jeong Koh A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Min-Jeong Koh 2014 The Proliferation of String Quartets in Canada 1991-2014 Min-Jeong Koh Doctor of Musical Arts Faculty of Music University of Toronto 2014 Abstract This paper examines the proliferation of string quartets in Canada between 1991 and 2014. The year 1991 is a pivotal one: it was the end of a Golden Age of string quartet performance in Canada with the conclusion of the activities of the Orford, Vághy, and Purcell Quartets. It marked, also, the beginning of a New Golden Age of string quartet performance in Canada. Similar to their predecessors, the quartets of this new era have different levels of international success, but one could call it a New Golden Age from the sheer number of professional ensembles active in Canada from 1991 onward. The thesis begins with biographies of leading ensembles of this period: the Alcan, Arthur Leblanc, Claudel-Canimex, St. Lawrence, Lafayette, Penderecki, Molinari, Bozzini, Borealis, Tokai, Silverbirch, Cecilia, Afiara, and the New Orford Quartets. The fourth chapter researches the opportunities available to string quartets in Canada, including the Banff International String Quartet Competition. To supplement the biographies and to gain additional insight on the available resources, eight quartet players participated in interviews. Findings emphasize the need to create more support for Canadian musicians, including both professional ensembles and also young aspiring quartet ensembles, to stay in Canada.