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Pacific Southern Chapter the COLLEGE MUSIC SOCIETY
Pacific Southern Chapter THE COLLEGE MUSIC SOCIETY 20th Regional Conference March 17–18, 2006 California State University – Los Angeles Los Angeles, California Pacific Southern Chapter THE COLLEGE MUSIC SOCIETY ACKNOWLEDGEMENTS The CMS Pacific Southern Chapter gratefully acknowledges all of those who have worked tirelessly to make this conference such a tremendous success: David Connors, Chair, Cal State L.A. Department of Music John M. Kennedy, Director, Cal State L.A. New Music Ensemble and Program co-chair Cathy Benedict, Program co-chair CMS Pacific Southern Chapter Executive Board President: Jeffrey Benedict (California State University - Los Angeles) Vice-President: Cathy Benedict (New York University) Treasurer: William Belan (California State University - Los Angeles) Secretary: Elizabeth Sellers (California State University - Northridge) CMS Pacific Southern Chapter Conference Committee John Kennedy Cathy Kassell Benedict Jeff Benedict March 17, 2006 Dear CMS Colleagues: On behalf of my colleagues at the California State University, Los Angeles, I would like to welcome you to the 2006 College Music Society Southern Pacific Chapter Conference. As always, we have an exciting slate of performances and presentations, and I am sure it will prove to be an intellectually stimulating event for all of us. I look forward to the free exchange of ideas that has become the hallmark of our chapter conferences. I would especially like to welcome Dr. Andrew Meade, who has graciously accepted our invitation to be the keynote speaker. Again, welcome, and I hope that you all have a fabulous conference her at Cal State L.A. Jeff Benedict CMS Pacific-Southern Chapter President 2006 Conference Host S TEINWAY IS THE OFFICIAL PIANO of THE COLLEGE MUSIC SOCIETY’S NATIONAL CONFERENCE New from2 Forthcoming! BEYOND TALENT RESEARCHING THE SONG Creating a Successful Career in Music A Lexicon ANGELA MYLES BEECHING SHIRLEE EMMONS and WILBUR WATKINS LEWIS, Jr. -
5060113445643.Pdf
YEVGENY ZEMTSOV Instrumental and Chamber Music String Quartet (1962, rev. 2004) 19:19 1 I Lento – Allegro agitato – Lento doloroso – 9:07 2 II Allegro molto – 6:14 3 III Allegro agitato – Lento maestoso 3:58 4 Ballada for violin and piano (1959, rev. 2015) 5:46 Violin Sonata No. 1, in memoriam Sergei Prokofiev (1961, rev. 2001) 17:17 5 I Moderato 6:59 6 II Lento cantabile 4:35 7 III Allegro vivo 5:43 Three Inventions for piano (1965, rev. 2005) 6:25 8 No. 1 Fughetta (Allegro) 1:56 9 No. 2 Intermezzo (Adagio molto capriccioso) 3:11 10 No. 3 Toccatina (Presto) 1:18 11 Ohnemass for piano (2004) 3:43 Five Japanese Poems for soprano, two violins and cello (1987, rev. 2005) 8:47 Poetry by Matsuo Bashō (1644–94) and Ryota Oshima (1718–87); Russian translations by Vera Markova (1907–95) 12 No. 1 How silent is the garden (Bashō) 1:20 13 No. 2 On the naked branch of a tree sits a raven (Bashō) 1:40 14 No. 3 Shudder, o hill! (Bashō) 0:36 15 No. 4 O, this path through the undergrowth (Bashō) 3:00 16 No. 5 All is filled with silver moonlight (Oshima) 2:11 2 ASTOR PIAZZOLLA Cuatro Estaciones Porteñas (‘Four Seasons of Buenos Aires’; 1965–69) 16:08 arr. Yevgeny Zemtsov for string quartet (2003–16) 17 I Verano Porteño (‘Buenos Aires Summer’; 1965) 4:28 18 II Invierno Porteño (‘Buenos Aires Winter’; 1969) 2:48 19 III Primavera Porteña (‘Buenos Aires Spring’; 1970) 4:44 20 IV Otoño Porteño (‘Buenos Aires Autumn’; 1970) 4:08 21 Le grand Tango (1982) 11:32 arr. -
Young String Performers in Concert
Biographies performer in Ottawa’s hugely successful International Chamber Music Festival, the National Arts Centre’s Music for a Sunday Afternoon, the Almonte in Concert Series and the Music and Yolanda Bruno was born in Canada and began playing the violin at the age of 5. Twice Beyond Festival. Judith has worked for the National Arts Centre’s English Theatre, most winner of the Canadian Music Competition, she has been a finalist at the Stulberg International recently as piano coach for The Unanswered Question. String Competition and was winner of the McGill Concerto Competition in 2011 and of the 2012 As an accompanist Judith has collaborated with many of Canada’s leading artists, among Cavatina Intercollegiate String Quartet Competition in London with the Hieronymous Quartet. them Alan Monk, Theodore Baerg, Tracy Dahl, Eilana Lapalainen, Martin Foster and Gerald Yolanda has won numerous awards and scholarships and has played with Pinchas Zukerman Danovitch. and the National Arts Centre Orchestra, Thirteen Strings Chamber Ensemble and McGill Symphony Orchestra. The Grand ensemble à corde du Conservatoire de musique du Québec in Gatineau was Yolanda has performed across Canada and in Holland, Italy, France, Germany and the UK. nd She has worked with members of the Alban Berg Quartet and Guaneri String Quartet and has created this academic year as a required weekly ensemble class for string students in 2 cycle performed with Antonio Lysy, Chris Constanza (St. Lawrence String Quartet), Philip Dukes and higher at the Conservatory. The ensemble is under the tutelage of Joan Milkson; the (Nash Ensemble), and Menahem Pressler (Beaux Arts Trio). -
Changing Cultural Paradigms in Choral Programming
Changing Cultural Paradigms in Choral Programming Ciara Anwen Cheli Advisor: Lisa Evelyn Graham, Music Wellesley College May 2020 Submitted in Partial Fulfillment of the Prerequisite for Honors in Music © Ciara Cheli, 2020 Cheli 2 Table of Contents Acknowledgements .......................................................................................................................... 3 Introduction ..................................................................................................................................... 4 Part One: Reflecting on Our Past ................................................................................................... 7 Chapter One: An Overview of Choral Programming and Historical Trends ........................................... 7 Chapter Two: Modernism and a Choral Identity Crisis ......................................................................... 10 Chapter Three: Historical Perspectives on Concert Programming and Repertoire .............................. 15 Part Two: Looking To Our Future ................................................................................................ 19 Chapter One: Changing Cultures, Changing Choirs ............................................................................. 19 Chapter Two: Representation Matters .................................................................................................... 20 Chapter Three: Culturally Responsive Programming in the 21st Century .............................................. 24 Chapter Four: -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Steinway Society 17-18 Program
PROGRAM Piano Concerts January 2018–May 2018 Steinway Society The Bay Area Seong-Jin Cho ATOS Trio Yeol Eum Son Gabriela Martinez Anna Fedorova Music You Love. Artists You’ll Cherish. www.steinwaysociety.com Kenny Broberg Steinway Society - The Bay Area Letter from the President Depends Upon Your Support Dear Patron, Steinway Society – The Bay Area is led by volunteers who love piano and In his book, What Makes It Great: Short Masterpieces, classical music, and we are always looking for like-minded people. Here Great Composers, conductor Rob Kapilow asks what are a few ways you can help bring international concert pianists, in- makes a piece of classical music great. His answer: school educational experiences, master classes, and student performance memorable melody, rich harmonies, addictive opportunities to our community. rhythm, influence on other composers, and the work’s role in one’s life. Buy a Season or Series-4 Subscription Your subscription provides extended support while giving you the gift of Steinway Society is honored to present great music, works created beautiful music. over the centuries, performed by international artists who grace these works with sublime interpretation and dramatic virtuosity. Become a Donor Ticket sales cover only about 60% of our costs. Your gifts are crucial for Our season’s second half features six artists judged “best” by everything we do, and are greatly appreciated. Please consider a legacy prestigious international competitions, by key critics and by gift such as a recital series in your name that will help continue bringing enthusiastic audiences. In January 2018, Cliburn Silver Medalist magnificent classical music to future generations. -
Myscena.Org Sm26-3 EN P02 ADS Classica Sm23-5 BI Pxx 2020-11-03 8:23 AM Page 1
SUBSCRIBE @ mySCENA.org sm26-3_EN_p02_ADS_classica_sm23-5_BI_pXX 2020-11-03 8:23 AM Page 1 From Beethoven to Bowie encore edition December 12 to 20 2020 indoor 15 concerts festivalclassica.com sm26-3_EN_p03_ADS_Ofra_LMMC_sm23-5_BI_pXX 2020-11-03 1:18 AM Page 1 e/th 129 saison/season 2020 /2021 Automne / Fall BLAKE POULIOT 15 nov. 2020 / Nov.ANNULÉ 15, 2020 violon / violin CANCELLED NEW ORFORD STRING QUARTET 6 déc. 2020 / Dec. 6, 2020 avec / with JAMES EHNES violon et alto / violin and viola CHARLES RICHARD HAMELIN Blake Pouliot James Ehnes Charles Richard Hamelin ©Jeff Fasano ©Benjamin Ealovega ©Elizabeth Delage piano COMPLET SOLD OUT LMMC 1980, rue Sherbrooke O. , Bureau 260 , Montréal H3H 1E8 514 932-6796 www.lmmc.ca [email protected] New Orford String Quartet©Sian Richards sm26-3_EN_p04_ADS_udm_OCM_effendi_sm23-5_BI_pXX 2020-11-03 8:28 AM Page 1 SEASON PRESENTER ORCHESTRE CLASSIQUE DE MONTRÉAL IN THE ABSENCE OF A LIVE CONCERT, GET THE LATEST 2019-2020 ALBUMS QUEBEC PREMIER FROM THE EFFENDI COLLECTION CHAMBER OPERA FOR OPTIMAL HOME LISTENING effendirecords.com NOV 20 & 21, 2020, 7:30 PM RAFAEL ZALDIVAR GENTIANE MG TRIO YVES LÉVEILLÉ HANDEL’S CONSECRATIONS WONDERLAND PHARE MESSIAH DEC 8, 2020, 7:30 PM Online broadcast: $15 SIMON LEGAULT AUGUSTE QUARTET SUPER NOVA 4 LIMINAL SPACES EXALTA CALMA 514 487-5190 | ORCHESTRE.CA THE FACULTY IS HERE FOR YOUR GOALS. musique.umontreal.ca sm26-3_EN_p05_ADS_LSM_subs_sm23-5_BI_pXX 2020-11-03 2:32 PM Page 1 ABONNEZ-VOUS! SUBSCRIBE NOW! Included English Translation Supplément de traduction française inclus -
Anna Fedorova Piano Sinfonieorchester St
SERGEI RACHMANINOFF Piano Concerto No.1 Preludes Rhapsody on a CHANNEL CLASSICS Theme of Paganini CCS 42620 Anna Fedorova piano Sinfonieorchester St. Gallen Modestas Pitrenas conductor 1 Anna Fedorova Anna Fedorova is one of the world’s premier Philharmonie Orchestra and St. Gallen Orchestra. pianists. From an early age, she demonstrated an During the season 2015-2016 Anna was the innate musical maturity and astounding technical artist-in-residence in Edesche Concert Hall in Ede, abilities. Her live recording of Rachmaninoff’s The Netherlands. In 2017 she became the artistic 2nd Piano Concerto has over 23 million hits on director and co-founder of the International Cham- YouTube, which makes it the most watched classi- ber Music Festival Ede, which has resulted in two cal concerto. This recording is highly acclaimed successful festivals to date. by critics and renowned musicians. She regularly Highlights of 2019 included engagements with performs at the world’s most prestigious concert the Philharmonia Orchestra and Utah Symphony halls such as the Royal Concertgebouw Amster- Orchestra, Tangos with Marcelo Nisinman in the dam, the New York Carnegie Hall, Paris Théâtre Concertgebouw Amsterdam, tours in Japan and des Champs-Elysées, the Palacio de Bellas Artes Brasil with the State Symphony Capella of Russia in Mexico City, the Zurich Tonhalle, the Warsaw and the Boston Philharmonic Youth Orchestra Philharmonic, Bunka Kaikan in Tokyo, Sage respectively, and the Sintra Festival in Portugal. Gateshead in Newcastle, Cadogan Hall in London Anna graduated from the Lysenko School of and many others. Music in Kyiv, where she studied with Borys Fedorov, Anna’s engagements included appearances and the Accademia Pianistica in Imola, where she at the Bergen Festival in Norway, Annecy Music studied with Leonid Margarius. -
De Negen Symfonieën in De Grote Zaal
HET CONCERTGEBOUW Seizoen 2020-2021 Series Eigen Programmering ‘Voor mij stijgt Mozart boven alles uit’ mitsuko uchida ‘Het Concertgebouw is ‘Kamermuziek spelen is voor een goed onderhouden mij als chocoladetaart eten’ Stradivarius’ alexandre tharaud jaap van zweden ‘Muziek is een hogere ‘Ik wilde de muziek beter begrijpen, openbaring dan alle daarom ben ik gaan dirigeren’ wijsheid en filosofie’ gustavo gimeno ludwig van beethoven 4 5 Inhoud Voorwoord Inhoud Helden VOORWOORD 5 Een fascinatie voor helden is van alle tijden. Of het nu wereldberoemde helden zijn of onbekende WELKOM 6 helden, ze roepen onze bewondering op. Het Concertgebouw is bij uitstek een ‘huis’ dat helden BEETHOVEN 2020 8 huisvest. Zowel voor als achter de schermen. Elke dag weer leveren musici sublieme prestaties op onze podia. In de mooiste akoestiek ter wereld voeren zij muziek uit van de allergrootste componisten CONCERTKALENDER inclusief keuzeserie 10 uit heden en verleden. En dat is mede mogelijk dankzij onze eigen helden: de medewerkers die ervoor SERIES GROTE ZAAL zorgen dat alles rondom de concerten op rolletjes verloopt. Wereldberoemde Symfonieorkesten 60 Grote Solisten 62 Dé held onder de componisten is ongetwijfeld Ludwig van Beethoven. In 2020 vieren we zijn Nieuwe Wereldsterren 64 Onsterfelijke Noten 66 tweehonderdvijftigste geboortejaar. Dat doen we met een uitvoering van al zijn symfonieën binnen Klassieke Meesterwerken 68 één week. Vijf daarin gespecialiseerde orkesten spelen ze op instrumenten uit zijn tijd. In de Kleine Zaal klinken Beethovens strijkkwartetten en zijn viool-, cello- en pianosonates. SERIES KLEINE ZAAL Strijkkwartetten 72 Beethoven 2020 inspireerde ons op zoek te gaan naar andere helden in ons programma. Grote sterren Strijkkwartetten op woensdag 74 als Cecilia Bartoli, Yuja Wang en Emmanuel Pahud bijvoorbeeld. -
MBTS 2018 Programme
MUSIC BY THE SEA AT B A M F I E L D2018 VANCOUVER ISLAND, BC CONCERT 1: SATURDAY, JULY 21 8:15 () .............. 2 CONCERT 2: SUNDAY, JULY 22 12:00 ......................... 4 CONCERT 3: SUNDAY, JULY 22 8:30 ............................... 5 CONCERT 4: MONDAY, JULY 23 8:30 ............................... 6 CONCERT 5: TUESDAY, JULY 24 8:30 ............................... 7 SPECIAL EVENT: WEDNESDAY, JULY 25 8:00 ............................. 11 CONCERT 6: THURSDAY, JULY 26 8:30 ............................. 12 CONCERT 7: FRIDAY, JULY 27 8:30 ............................. 13 CONCERT 8: SATURDAY, JULY 28 8:30 ............................. 14 CONCERT 9: SUNDAY, JULY 29 12:00 ........................ 16 CONCERT 10: SUNDAY, JULY 29 8:15 () ............. 17 ARTIST BIOGRAPHIES .................................................................................... 22 FELLOWSHIP MENTORING SCHOOL ........................................................... 35 MESSAGE FROM THE DIRECTOR ................................................................. 41 ACKNOWLEDGEMENTS ................................................................................. 42 ALL PROGRAMMING IS SUBJECT TO CHANGE MUSIC BY THE SEA 2018 1 CONCERT 1 CONCERT 1 continued Saturday, July 21st ~ 8:15 PM ree Fanfares, for horn in a distant rowboat C. Donison Holberg Suite, op. 40 Edvard Grieg and tuned ships horns (2015) (b. 1952) (1843-1907) 8:15 I. Call and response between distant rowboat and boats Praeludium. Allegro vivace (with cannon start) Sarabande. Andante 8:20 -
Number Composer Arranger Title Publisher Instrumentation Inventory 504 Don't Sit Under the Apple Tree MS 9 651 Carols for Choirs
number composer arranger title publisher instrumentation inventory 504 Don't sit under the apple tree MS 9 Oxford 651 Carols for choirs 3. The Oxford Book - SATB 13 University Press Oxford 650 Carols for choirs 1,The Oxford Book - SATB 140 University Press Paulus 957 Pilgrims' Hymn (from the Church Opera The Three Hermits) Publications SATB a cappella 56 SP101 Jenson Distinctive 647h Dale Warland Christmas editions, Vol. II Publications 419- accompaniment 57 23054/Vol II s 73 Adamo, Mark Supreme Virtue, No. 10 MS - 1 copy only Double choir 1 906 Aguiar, Ernani Psalm 150 (Salmo 150) earthsongs SATB a cappella 54 983 Albright, William Chichester Mass (Agnus Dei, Gloria, Kyrie, Sanctus) Editions Peters SATB 43 Walton Music Corporation WGK-111; AB 26 Alfven, Hugo Maiden is in a Ring, A (Och jungfrun hon gar I ringen) SATB a cappella 37 Carl Gehrmans Musikforlag. Stockholm 55 Alfven, Hugo Aftonen Walton Music 51 Augsburg 382 Alwes, Chester Let all the people praise thee SATB 8 Publishing 358 Anonymous Verbum caro: dies est laetitiae MS 44 357 Anonymous Nova, nova MS 46 399 Anonymous Ave maria (Gregorian chant) MS SATB 17 Boosey & SATB, 172 Argento, Dominick I Hate and I Love 51 Hawkes percussion SATB, Boosey & 847 Argento, Dominick Toccata of Galuppi's, A harpsichord, 41 Hawkes string quartet Boosey & 239 Argento, Dominick Peter Quince at the clavier SATB, piano 40 Hawkes Boosey & 480 Argento, Dominick Gloria (from The Masque of Angels) SATB 96 Hawkes Boosey & SSA Harp and 63 Argento, Dominick Tria Carmina Paschalia Hawkes B.H. Bk. 21 Guitar -
Brochure 2006
I±∏IMA∏E MUSIC D I± A SPEC∏ACULA‰ ± SE∏∏I±G Opening Night at the Charles W. Stockey Centre for the Performing Arts, the Festival of the Sound’s new home on the Parry Sound waterfront. SOU 1-866-364-0061 Festival of the Sound of πhe Box Office/Information If you receive more than one copy of this brochure, kindly pass one on to a friend. FESTIVAL OF THE SOUND P.O. Box 750 o≠πario sou≠d, parry Parry Sound, Ontario 21 ~ july augusπ 13, 2006 P2A 2Z1 james campbell, james arπisπic directo® charles w. sπockey ce≠πre fo® πhe performi≠g arπs arπs performi≠g πhe fo® ce≠πre sπockey charles w. FES∏IVAL fesπival of πhe sou≠d july 21 ~ augusπ 13, 2006 DIREC∏OR’S MESSAGE CO±∏E±∏S parry sou≠d, o≠πario summer 2006 Box Office/ 8 Information 1-866-364-0061 06 4 Festival Highlights Dear Friends, the 300th birthday of Denis Brott’s cello, made 10 12 4 Festival Musicians & Ensembles Mailing Festival of the Sound, Box 750, Composers’ anniversaries can be a programmer’s 50 years before Mozart was born! Address Parry Sound, ON P2A 2Z1 7 Festival Special Events dream, and this year we have three very different Time and again you ask for opportunities to Box Office 8 Opening Weekend: July 21 ~ 23 Festival Office, composers marking important years. W.A.Mozart interact more closely with the music and musicians. Address 42 James Street, Parry Sound, ON 9 Week One: July 24 ~ 30 Phone 705-746-2410 is 250 years old this year, Dimitri Shostakovich Join us for Interlude and Overture and note our new 12 Week Two: July 31 ~ August 6 is 100, and it has been 150 years since the death of Music Scores for Adults and live onstage chats with 14 Week Three: August 7 ~ 13 Fax 705-746-5639 Robert Schumann.