Lsevacations.Co.Uk

Total Page:16

File Type:pdf, Size:1020Kb

Lsevacations.Co.Uk LONDON ACCOMMODATION www.lsevacations.co.uk G S SO LEL HAH M J D E A F T BLOOMSBURY O RAY ON R B A S A C ’ F FARRINGDONARRINGDON N A O U S E IIN’ 0THT 0.25 mile 0.5 mile ’ K T W F 506 DF DWD D H R TA THAMPT EY L S T L A N R T B R B EEN T W A D E O ’S O R R T O C GUE B E ’ A R O T R S G A O F I E D D N N LAL I N T E N 2 L N A S N BRITISHBRITISH R Approximate scale E S D D H L H G G S R OW N G 0 S H MUSEUMMUSEUM T A I G T I O R U O K L D 1 A E CHANCERYCHANCERY R O N S L N GOOD M T S D O S T LANELANE E D Y ROW S T L N E E BERN Y ST A LE I C L G T F C W A H E N T ER EL Y R P O A400 S L B O R N H O L B SMI N ST S High HolbornR Residence H O O U I G H R N CHART D -ERHOUST ST E U H E FORDE B W ERS MS R D S C W R E AV RU A 4 0 A M A B N H H M P O R O T T O L R EAT O B A L B A L H L L O U N T GR N R P A B O KINGSW N R R N B R E E E W N S C H HOLBORNHOLBORN E E T E O W C V D T WMA L E R ST S H I I E T F N A R D T E T T O G D G F O T N A U S E X I R T O H L C W N E A E GrosvenorT House Studios R T N I Y E S N N F S M’S L E A R E S 4 0 BR F A A DR T C ’S L G S 4 T V D I N H I S R A O BUIL 0 0 Y R D T A N O S A E O X F T G 4 Y L S R O TOTTENHAMTOTTENHAM URY A E I S N CITYCITY L A K D G E N’S S S L E K O L H I G Y E L COURTCOURT RDRD H S T R T E S D N FI THAMESTHAMES C POLAND ST W A I BER C N T R E L B AI E E N R LAN P I R R O LINKLINK W WARD T A N N H B U E S E E I L D N R A DEAN D A4200 A N E GREEK ST B E A U T A B G Y ST T L WIC E W D E E ILD U E T W S 4 T R S Q ST L NS L CAR D L R 0 T E E O I G T O ROYALROYAL O K ST S ST N T 0 P F UR ST RTS T G COURTSCOURTS E T S T EB F F L W L G O U D G H ST A N AT E DR O A S LLSESE OFOF JUSTICEJUSTICE H H I N ST E L U I L H 2 U ICK C O B R T W O S S S T Y S E VE 0 LEET R W LA F F L T M S B T S T R E T C NE 1 S R BROADW O I A X T H I R A C R D T I SHEL E T Y I E R R D L A N S D C S T W I S W G G ROYALROYAL L E S R D S E E T E E A L T O E OPERAOPERA L COVENTCOVENT L D T TUD OR S T N V R TREE A N T S N G I A N E A HOUSEHOUSE T GARDENGAR DEN S R E D N M AV G T A Y A L QUEEN VICTORIA ST MP O T S LA PLE A V R L O T L R T CCOVENTOVENT K N E S U O C E F S O B L A S R T LEICESTERLEICES S TER GARDENGARDEN T TEMPLETEMPLE S S S T E E ’ A I E P L E E 4 KING T V L W L SQUARESQUARE T A M P 1 T N BEDFO E W S IE T E 2 1 I 0 T R F L I R E 3 H SOMERSETSOMERSET A B A T N 0 T S A SAV H IT HEN L K M E N T N HOUSEHOUSE M B A N BBLACKFRIARSLACKFRIARS S R E E D I A BLA C AI O O R LEICESTERLEICESTER A RD ST 4 Y T O M I C A ST V PICCADILLYPICCADILLY M SQUARESQUARE M BLACKFRIARSBLACKFRIARS C H CIRCUSCIRCUS B MILLENNIUMMILLENNIUM K W A201 T A A F 4 2 0 1 E Y A PIERPIER R S D M S L T IA WILLIAM IV ST N P HAMES T A E ER T A RS R S T RIV NorthumberlandR S HouseY R E R T T O L NATIONALNATIONAL V M S BRI G K DAM A O A T T P S E GALLERYGALLERY A A S E N N O 3 L PICCADILLYN R H T V D Y O E N T J I B 0 L SAVOYSAVOY GE B L A C RM T S I L M 1 N CCHARINGHARING J E TRAFALGARTRAFALGAR E PIERPIER R T ’ R K I S SQUARESQUARE S CROSSCROSS D ’S S N S T E T C O C S G N D JAM K S E T A U T PUR UAR E O S S T SQ B R H G NOR R A TH M FESTIVALFESTIVAL P E IE S U MBEEMBANKMENTMBANKMENT P T A4 ERLA E NATIONALNATIONAL U N RE EEMBANKMENTMBANKMENT PIERPIER F KF UA N D THEATRETHEATRE T N S SQ AV PIERPIER S I O E E LL D E U A RI R R T L A HU L H P I O L N D W L F O GERF F AR A L A A L R M L H OT S R PALL M A ADMIRALTYADMIRALTY T E L A K A OR 32 I O BR D T M H 1 R S S BUILDINGBUILDING H I D S T W RT T DG ROYALROYAL E E E RD H U 1 E IT C R T 12 O FESTIVALFESTIVAL E C I 2 WH D V HALLHALL 3 E www.giveway.co.ukwww.giveway.co.uk 22008008 Tel:Tel: 08000800 019019 0027.0027. HORSE GUARD V S A L AVENUE E TMTM OSOS data.data. PU100040256.PU100040256. CrownCrown 2008.2008. B Grosvenor House Studios High Holborn Residence Northumberland House 141-143 Drury Lane 178 High Holborn Edward VII Rooms London WC2B 5TB London WC1V 7AA Northumberland Avenue London WC2N 5BY Tel: +44 (0)20 7107 5950 Tel: +44(0)20 7107 5737 Tel: +44 (0)20 7107 5600 [email protected] [email protected] [email protected] The nearest underground stations are The nearest underground stations are The nearest underground stations are Covent Garden (Piccadilly Line) and Tottenham Court Road (Northern and Charing Cross (Northern and Bakerloo Holborn (Piccadilly and Central Lines) Central Lines) and Covent Garden Lines) and Embankment (Circle and (Piccadilly Line) District Line) From Victoria: 11 From Tottenham Court Road: 55, 98, 19 From Kings Cross/St Pancras: 91 From Waterloo: 68, 243, 59 From Victoria: 8, 38 From Victoria: 11, 24 From Kings Cross/St Pancras: 91 From Waterloo: 1 From Euston Square: 88 From Paddington: 23 From Fenchurch Street: 25 From Clapham Junction: 87 (or any bus to Trafalgar Square) The nearest train station is Charing Cross The nearest train station is Charing Cross The nearest train station is Charing Cross For more transport information visit www.tfl.gov.uk or call 020 7222 1234 www.lsevacations.co.uk.
Recommended publications
  • London Cries & Public Edifices
    >m ^Victoria %S COLLECTION OF VICTORIAN BOOKS AT BRIGHAM YOUNG UNIVERSITY Victorian 914.21 L533L 1851 3 1197 22902 7856 A,AA A ,' s 7rs a' lEn! 31113 rf K* I 'r X ^i W\lf' ^ J.eU ^W^3 mmm y<i mm§ ft Hftij •: :ii v^ ANDON431IE GRMMT am &U<2<3Slg,SORS TT© KEWBgRy A.KfD HARRIS *S) A SORNER OF1 3-AjWTT PAUL'S 6HUR6H-TARD, LONDON UPB Tfffi TOWfiR QT LONDON. A POTS & KETTLES TO MERaBELLOWiS TO MEND. POTS AND KETTLES TO MEND !—COPPER OR BRASS TO MEND ! The Tinker is swinging his fire-pot to make it burn, having placed his soldering-iron in it, and is proceeding to some corner or post, there to repair the saucepan he carries.—We commence with the most in- teresting edifice in our capital, THE TOWER OF LONDON; the fortress, the palace, and prison, in which so many events, connected with the history of our country, have transpired. The building with four towers in the centre is said to have been erected by William the Conqueror, and is the oldest part of the fortress. The small bell- tower in the front of our picture is that of the church of St. Peter's, (the tower being a parish itself,) on the Tower Green, erected in the reign of Edward I. Our view is taken from Tower Hill, near which was the scaffold on which so many have fallen. To the left of the picture stood the grand storehouse of William III., destroyed by fire, Nov. 1841. The Regalia is deposited here, and exhibited to the public, as is also the Horse Armoury.
    [Show full text]
  • The Construction of Northumberland House and the Patronage of Its Original Builder, Lord Henry Howard, 1603–14
    The Antiquaries Journal, 90, 2010,pp1 of 60 r The Society of Antiquaries of London, 2010 doi:10.1017⁄s0003581510000016 THE CONSTRUCTION OF NORTHUMBERLAND HOUSE AND THE PATRONAGE OF ITS ORIGINAL BUILDER, LORD HENRY HOWARD, 1603–14 Manolo Guerci Manolo Guerci, Kent School of Architecture, University of Kent, Marlowe Building, Canterbury CT27NR, UK. E-mail: [email protected] This paper affords a complete analysis of the construction of the original Northampton (later Northumberland) House in the Strand (demolished in 1874), which has never been fully investigated. It begins with an examination of the little-known architectural patronage of its builder, Lord Henry Howard, 1st Earl of Northampton from 1603, one of the most interesting figures of the early Stuart era. With reference to the building of the contemporary Salisbury House by Sir Robert Cecil, 1st Earl of Salisbury, the only other Strand palace to be built in the early seventeenth century, textual and visual evidence are closely investigated. A rediscovered eleva- tional drawing of the original front of Northampton House is also discussed. By associating it with other sources, such as the first inventory of the house (transcribed in the Appendix), the inside and outside of Northampton House as Henry Howard left it in 1614 are re-configured for the first time. Northumberland House was the greatest representative of the old aristocratic mansions on the Strand – the almost uninterrupted series of waterfront palaces and large gardens that stretched from Westminster to the City of London, the political and economic centres of the country, respectively. Northumberland House was also the only one to have survived into the age of photography.
    [Show full text]
  • An Examination of the Artist's Depiction of the City and Its Gardens 1745-1756
    Durham E-Theses Public and private space in Canaletto's London: An examination of the artist's depiction of the city and its gardens 1745-1756 Hudson, Ferne Olivia How to cite: Hudson, Ferne Olivia (2000) Public and private space in Canaletto's London: An examination of the artist's depiction of the city and its gardens 1745-1756, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4252/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Public and Private Space in Canaletto's London. An Examination of the Artist's Depiction of the City and its Gardens 1745-1756. The copyright of this thesis rests with the author. No quotation from it should be published in any form, including Electronic and the Internet, without the author's prior written consent.
    [Show full text]
  • The Old War Office Building
    MINISTRY OF DEFENCE The Old War Office Building A history The Old War Office Building …a building full of history Foreword by the Rt. Hon Geoff Hoon MP, Secretary of State for Defence The Old War Office Building has been a Whitehall landmark for nearly a century. No-one can fail to be impressed by its imposing Edwardian Baroque exterior and splendidly restored rooms and stairways. With the long-overdue modernisation of the MOD Main Building, Defence Ministers and other members of the Defence Council – the Department’s senior committee – have moved temporarily to the Old War Office. To mark the occasion I have asked for this short booklet, describing the history of the Old War Office Building, to be published. The booklet also includes a brief history of the site on which the building now stands, and of other historic MOD headquarters buildings in Central London. People know about the work that our Armed Forces do around the world as a force for good. Less well known is the work that we do to preserve our heritage and to look after the historic buildings that we occupy. I hope that this publication will help to raise awareness of that. The Old War Office Building has had a fascinating past, as you will see. People working within its walls played a key role in two World Wars and in the Cold War that followed. The building is full of history. Lawrence of Arabia once worked here. I am now occupying the office which Churchill, Lloyd-George and Profumo once had.
    [Show full text]
  • Northbank Book
    STRANDS OF HISTORY Northbank Revealed Clive Aslet Strands of History Northbank Revealed by Clive Aslet First published in 2014 by Wild Research, 40 Great Smith Street, London SW1P 3BU www.wildsearch.org © Wild Research 2014 All rights reserved The Northbank BID West Wing, Somerset House, Strand, London WC2R 1LA www.thenorthbank.org ISBN 978-0-9576966-2-4 Printed in Poland by ? ‘Looking to Northumberland House, and turning your back upon Trafalgar Square, the Strand is perhaps the finest street in Europe, blending the architecture of many periods; and its river ways are a peculiar feature and rich with associations.’ Benjamin Disraeli, Tancred: or, The New Crusade, 1847 ‘I often shed tears in the motley Strand for fullness of joy at so much life... Have I not enough, without your mountains?’ Charles Lamb, turning down an invitation from William Wordsworth to visit him in the Lake District Contents Foreword 10 Chapter One: The River 14 Chapter Two: The Road 26 Chapter Three: Somerset House 40 Chapter Four: Trafalgar Square 50 Chapter Five: Structural Strand: Charing Cross Station and Victoria Embankment 58 Chapter Six: Serious Strand: The Law Courts 64 Chapter Seven: Playful Strand: Shopping, Hotels and Theatres 72 Chapter Eight: Crown Imperial: The Strand Improvement Scheme 82 Chapter Nine: Art Deco and Post War 94 Chapter Ten: The Future 100 Image Acknowledgements 108 Further Reading 110 About Wild Research 111 7 8 About the Author Acknowledgements Clive Aslet is an award-winning writer and Maecenas molestie eros at tempor malesuada. journalist, acknowledged as a leading authority Donec eu urna urna.
    [Show full text]
  • The Architectural Transformation of Northumberland House Under the 7Th Duke of Somerset and the 1St Duke and Duchess of Northumberland, 1748–86
    THE ARCHITECTURAL TRANSFORMATION OF NORTHUMBERLAND HOUSE UNDER THE 7TH DUKE OF SOMERSET AND THE 1ST DUKE AND DUCHESS OF NORTHUMBERLAND, 1748–86 Adriano Aymonino and Manolo Guerci Adriano Aymonino, Department of Art History and Heritage Studies, University of Buckingham, Yeomanry House, Hunter Street, Buckingham MK18 1EG, UK. Email: adriano.aymonino@ buckingham.ac.uk Manolo Guerci, Kent School of Architecture, University of Kent, Marlowe Building, Canterbury CT27NR, UK. Email: [email protected] The material contained in this file consists of two appendices that should be read in con- junction with the paper published by Adriano Aymonino and Manolo Guerci in volume 96 of the Antiquaries Journal (2016) under the title ‘The architectural transformation of Northumberland House under the 7th Duke of Somerset and the 1st Duke and Duchess of Northumberland, 1748–86’. The first appendix is a list of the craftsmen and builders who worked on Northumber- land House during this period and the second is a transcription of an unpublished inventory made in 1786 at the death of Sir Hugh Smithson (1712–86), 2nd Earl and later 1st Duke of Northumberland. Works referred to in the footnotes are listed in the bibliography at the end of this file, which also lists the published and unpublished sources referred to in the main paper, which can be found on Cambridge University Press’s online publishing platform, Cambridge Core: cambridge.org/core/; doi: 10.1017/s0003581516000676 APPENDIX 1 Craftsmen and builders employed at Northumberland House, 1748–58 Information on the craftsmen and builders employed at Northumberland House derives mostly from the detailed accounts dating from 1748 to 1767 of the 7th Duke of Somerset and Lord Northumberland with ‘Messrs.
    [Show full text]
  • Anton Nikolaev and Nick Glaser
    Tensorflow2.0 Question Answering Anton Nikolaev, Nick Glaser ICS 661 - Final Report 1. Introduction applicable, sections from Wikipedia articles Natural language processing (NLP) containing the answer. In contrast to some is one of the domains where the emergence other QA datasets, NQ also provides of deep learning (DL) has had the largest answer candidates for each question as well impact, improving performance across as a context level indicator. The candidates almost the entire spectrum of NLP. contain the indices representing the One of the kinds of problems that are respective start and end tokens for each currently being solved by DL researchers answer. The context indicator is a binary are reading comprehension/ question value that signals whether a given answering (QA) problems. For our project, candidate answer is also contained within we joined a kaggle competition based on a another candidate (nested) or whether it is novel QA dataset provided by Google the only candidate containing the specific Research titled Natural Questions (NQ). Our passage (top-level). This additional goal was to evaluate the performance of information can help improve model some of the current state-of-the-art NLP accuracy after the training stage, but is not architectures on this dataset. traditionally used during training itself. Overall, the entire dataset contains 2. Problem and Dataset about 300,000 training examples as well as The goal of the QA task is just under 8000 test examples that are essentially two-fold: the algorithm is ultimately used to evaluate our model’s provided with a text passage and a performance on kaggle.
    [Show full text]
  • Robert Adam's London Frances Sands
    Robert Adam’s London Frances Sands Produced in conjunction with an exhibition of the same title at Sir John Soane’s Museum (30 November 2016 – 11 March 2017) With thanks to Colin Thom for consultation and peer review Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 462 2 ISBN 978 1 78491 463 9 (e-Pdf) Text and images © Sir John Soane’s Museum, 2016, unless otherwise indicated Cover: Adam office, design for the ceiling for the glass drawing room at Northumberland House, 1770. SM Adam volume 11/33. Photograph: Geremy Butler All rights reserved. No part of this book may be reproduced, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com Contents List of Figures .................................................................................................................. iii Foreword ..........................................................................................................................vii Map of London ...............................................................................................................viii Key to Map .....................................................................................................................xvii Introduction ......................................................................................................................1
    [Show full text]
  • The Caped Collector Kerrianne Stone
    The caped collector Kerrianne Stone Albums of prints are among the and the Percys. Jane Seymour, Northumberland and in 1751 took highlights of the Baillieu Library Henry VIII’s third wife, who died her surname, in 1766 being made the Print Collection, so I was aware that providing Henry’s only male heir, first duke of Northumberland for his the library’s nine albums of prints was her ancestral aunt. The Percy services to the crown.7 by the Sadeler dynasty of engravers name, which traces its lineage back Together the duke and duchess of once belonged to the first duchess of to the Norman Conquest, is known Northumberland enlisted the great Northumberland.1 But the magnitude rather for its connection to the 18th-century neoclassical architect of the duchess’s persona and her notorious Gunpowder Plot of 1605. Robert Adam, who spent many importance as a collector were only Thomas Percy was one of the chief years transforming their ancestral made real to me when I took up the conspirators, along with Guy Fawkes, houses into contemporary feats of Harold Wright and Sarah & William in the attempt to blow up the British high art and taste. Northumberland Holmes Scholarship last year, to study parliament. The plot is rumoured House accommodated the duchess’s prints at the British Museum. to have been hatched at the family ‘Musaeum’, an expansive collection The story of Elizabeth Seymour estate, Syon House, the location of of pictures, objects and specimens, Percy Northumberland (1716–1776) the ninth earl of Northumberland’s which she spent her life assembling.8 is astonishing: enjoying an illustrious armoury.6 Thus the first duchess of This grand house near Trafalgar pedigree, in the sphere of collectors Northumberland was a woman with Square was demolished in 1874 and museums she was a champion of both nobility and gunpowder in her to make way for Northumberland the Enlightenment.
    [Show full text]
  • Trafalgar Square Conservation Area Audit 2 Trafalgar Square Conservation Area Audit 3 CONTENTS
    TRAFALGAR 18 CONSERVATION AREA AUDIT AREA CONSERVATION SQUARE This conservation area audit is accurate as of the time of publication, February 2003. Until this audit is next revised, amendments to the statutory list made after 19 February 2003 will not be represented on the maps at Figure 7. For up to date information about the listing status of buildings in the Trafalgar Square Conservation Area please contact the Council’s South area planning team on 020 7641 2681. This Report is based on a draft prepared by Conservation, Architecture & Planning. Development Planning Services, Department of Planning and City Development City Hall, 64 Victoria Street, London SW1E 6QP www.westminster.gov.uk Document ID No: 1130 PREFACE Since the designation of the first conservation areas in 1967 the City Council has undertaken a comprehensive programme of conservation area designation, extensions and policy development. There area now 53 conservation areas in Westminster, covering 76% of the City. These conservation areas are the subject of detailed policies in the Unitary Development Plan and in Supplementary Planning Guidance. In addition to the basic activity of designation and the formulation of general policy, the City Council is required to undertake conservation area appraisals and to devise local policies in order to protect the unique character of each area. Although this process was first undertaken with the various designation reports, more recent national guidance (as found in Planning Policy Guidance Note 15 and the English Heritage Conservation Area Practice and Conservation Area Appraisal documents) requires detailed appraisals of each conservation area in the form of formally approved and published documents.
    [Show full text]
  • Report Case Study 25
    RCEWA Case 8 (2014-15): A marble statue of Aphrodite Expert adviser’s statement Reviewing Committee Secretary’s note: Please note that any illustrations referred to have not been reproduced on the Arts Council England website EXECUTIVE SUMMARY 1. Brief Description of item(s) What is it? Roman adaptation of a late fifth-century BC, Greek statue, probably representing the goddess Aphrodite. What is it made of? Marble What are its measurements? Height: 203.2 cm Who is the artist/maker and what are their dates? Unknown sculptor from the early first century AD What date is the item? Roman Imperial, early first century AD, based on a Greek original of about 430-420 B.C. What condition is it in? The statue is extremely well preserved: the forearms and attributes are the only major restorations. It has recently been cleaned, probably in preparation for its sale. 2. Context Provenance Cardinals Paolo Emilio Cesi (1481-1537) and Federico Cesi (1500-1565), garden of the Palazzo Cesi on the Janiculum, Rome, acquired prior to 1550 Robert and James Adam (1728-1792 and 1732-1794), Rome and London (Christie’s, London, March 1st, 1773, lot 51 (Antique Statues in Marble, p.15) Sir Hugh Percy, 1st Duke of Northumberland (1714-1786), Syon House, Middlesex, acquired from the above; by descent to the present owner until the present day, Syon House, Middlesex Key literary and exhibition references Ulisse Aldroandi, ‘Tutte le statue antiche, che in Roma in diversi luoghi, e case particolari si veggono’, p. 124, in Lucio Mauro, Le antichità della città di Roma, Venice, 1562 Giovanni Battista de Cavalieri (Cavalleriis), Antiquarum statuarum Urbis Romae, Rome, 1585, pi.
    [Show full text]
  • The Northumberland Manuscript
    The Northumberland Manuscript A collection of 16th century manuscripts predating 1597 that once contained the manuscripts of two Shakespeare plays together with writings by Francis Bacon. Author: Peter Dawkins The Northumberland Manuscript1 is a collection of manuscripts, penned in Elizabethan script, that once contained two Shakespeare plays (Richard II and Richard III) as well as a play by Nashe (The Isle of Dogs) and an unknown play, Asmund and Cornelia, all bound with philosophical and poetical writings known to be by Francis Bacon, and a contents page that not only links Francis Bacon with William Shakespeare’s name but also appears to indicate that Bacon is the actual author of Richard II and Richard III, using the name of “William Shakespeare”. This name written on the contents page is the first known use of the name ‘William Shakespeare’ in connection with any Shakespeare play. The collection, which consists of a parchment folder containing several manuscripts of 16th- century works stitched together, was discovered in 1867 in an old black box of papers at Northumberland House, Charing Cross, London, by a Mr. John Bruce. In 1870 it was edited and a few pages of it were printed by James Spedding. It was more fully examined and reproduced in facsimile with a transcription in modern script by Frank J. Burgoyne, the Lambeth Librarian, in 1904.2 The cover page, which acts as a contents page, is written on mostly in one hand, with additional words and phrases by one or two other persons, whilst the collection itself is in two or more handwritings, clearly done by scribes.
    [Show full text]