Martin Scorsese's the Blues Kicks Off Pbs Fall Season
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Nomination Press Release
Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Nashville • ABC • ABC Studios Connie Britton as Rayna James Breaking Bad • AMC • Sony Pictures Television Scandal • ABC • ABC Studios Bryan Cranston as Walter White Kerry Washington as Olivia Pope Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Outstanding Lead Actor In A Homeland • Showtime • Showtime Presents, Miniseries Or A Movie Teakwood Lane Productions, Cherry Pie Behind The Candelabra • HBO • Jerry Productions, Keshet, Fox 21 Weintraub Productions in association with Damian Lewis as Nicholas Brody HBO Films House Of Cards • Netflix • Michael Douglas as Liberace Donen/Fincher/Roth and Trigger Street Behind The Candelabra • HBO • Jerry Productions, Inc. in association with Media Weintraub Productions in association with Rights Capital for Netflix HBO Films Kevin Spacey as Francis Underwood Matt Damon as Scott Thorson Mad Men • AMC • Lionsgate Television The Girl • HBO • Warner Bros. Jon Hamm as Don Draper Entertainment, GmbH/Moonlighting and BBC in association with HBO Films and Wall to The Newsroom • HBO • HBO Entertainment Wall Media Jeff Daniels as Will McAvoy Toby Jones as Alfred Hitchcock Parade's End • HBO • A Mammoth Screen Production, Trademark Films, BBC Outstanding Lead Actress In A Worldwide and Lookout Point in association Drama Series with HBO Miniseries and the BBC Benedict Cumberbatch as Christopher Tietjens Bates Motel • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin -
Hamptons Doc Fest 2020 Congratulations on 13 Years of Championing Documentary Films!
Art: Nofa Aji Zatmiko ALL DOCS ALL DAY DOCS ALL ALL OPENING NIGHT FILM: MLK/FBI Hamptons Doc Fest DECEMBER 4–13, 2020 www.hamptonsdocfest.com is a year we will long Wiseman and his newest film, City Hall. 2020 rememberWELCOME or want LETTER to He stands as one of the documentary forget. Deprived of a movie theater’s giants that every aspiring filmmaker magic we struggled to take the virtual learns from, that Wiseman way of plunge. Ultimately, we decided on yes observing life unfold. Our Award films we can to bring you our 13th festival capture the essence of Art & Music, in these overwhelming times. We Human Rights, and the Environment. programmed 35 great documentary Our Opening night film reveals a hidden films to watch in the warmth and chapter in Martin Luther King’s world. comfort of your home over 10 days. No New this year, you’ll hear and see UP worries about weather, parking, ticket CLOSE video clips presented by the lines, where to catch a snack between Directors of each film. My thanks to an films. You can schedule your own day extraordinary team, and to our Artistic the way you like it. Consider it not Director, Karen Arikian. Lastly, you will only a festival experience but a virtual find all the information and help you’ll festival experiment. need to watch films on your television, When Covid hit, Hamptons Doc Fest tablet or computer. So click on and went into overdrive. We were forced step into the big virtual world wherever to cancel our Docs Equinox Spring you are. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Documentary/Nonfiction Program Adam Ruins Everything Adam Ruins Guns November 27, 2018 Adam Conover takes aim at both sides of the gun debate by explaining why an assault weapons ban would be ineffective at stopping gun violence, outlining how the Second Amendment has been twisted to benefit the NRA, and revealing that liberal and conservative gun policies have impacted people of color. Tim Wilkime, Directed by America To Me Listen To The Poem! September 30, 2018 Spring semester brings fresh challenges. Jada clashes with junior Diane over her new film. Brendan recalls a racially charged basketball past. Tiara and the cheerleading squad go for the gold. Charles’ poetry slam team faces an epic challenge. Steve James, Directed by American Dream/American Knightmare December 21, 2018 Documentary that delves into the life and exploits of the iconic Death Row Records co-founder Suge Knight, and the era in gangsta rap he presided over. Through a series of face-to-face interviewers, Knight reveals exactly how it all happened and why it all fell apart. Antoine Fuqua, Directed by American Experience: The Circus October 08, 2018 - October 09, 2018 American Experience: The Circus explores the colorful history of this popular, influential and distinctly American form of entertainment, from the first one-ring show at the end of the 18th century to 1956, when the Ringling Bros. and Barnum & Bailey big top was pulled down for the last time. Sharon Grimberg, Directed by American Experience: The Eugenics Crusade October 16, 2018 American Experience: The Eugenics Crusade explores the unknown campaign to breed a “better” American race. -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Media Approved
Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts 12 Dogs of Christmas 2 PG FVLB 98.00 19/10/2012 DVD Revolution Entertainment Kieth Merrill No cut noted Slick Yes 19/10/2012 12 Dogs of Christmas,The G FVLB 103.00 19/10/2012 DVD Revolution Entertainment Kieth Merrill No cut noted Slick Yes 19/10/2012 12 Wishes of Christmas G FVLB 85.00 09/10/2012 DVD Madman Entertainment Peter Sullivan No cut noted Slick Yes 09/10/2012 16 Candles PG Coarse language FVLB 93.00 16/10/2012 Bluray Universal Pictures Video John Hughes No cut noted Awaiting POS No 19/10/2012 2 Broke Girls Season 1 Plus WB TV Sampler Disk M Violence and sexual references FVLB 517.00 02/10/2012 Bluray Warner Bros Video Various No cut noted Awaiting POS No 03/10/2012 2 or 3 Things I Know About Her M FVLB 84.00 09/10/2012 DVD Roadshow Entertainment Jean-Luc Godard No cut noted Slick Yes 09/10/2012 21 Jump Street - Complete Season One M Drug use and violence FVLB 581.00 11/10/2012 DVD Magna Home Entertainment Various No cut noted Slick Yes 11/10/2012 21 Jump Street - Complete Season Two M Drug use and violence FVLB 978.00 11/10/2012 DVD Magna Home Entertainment Various No cut noted Slick Yes 11/10/2012 21st Century War Machines PG Violence FVLB 235.00 16/10/2012 DVD Roadshow Entertainment Roger Owen No cut noted Slick Yes 16/10/2012 30 Rock Season 6 M Sexual references FVLB 453.00 25/10/2012 DVD Universal Pictures Video Tina Fey No cut noted Slick Yes 25/10/2012 2nd Slick Yes 25/10/2012 -
Torture from Afghanistan to Iraq: ‘A Playbook from the Dark Ages’
Click here for Full Issue of EIR Volume 35, Number 14, April 4, 2008 Torture from Afghanistan to Iraq: ‘A Playbook from the Dark Ages’ On March 8, President Bush, acting under the direct influence EIR’s Pentagon correspondent Carl Osgood and EIR Law of Vice President Cheney, vetoed the Intelligence Authoriza- Editor Edward Spannaus participated in that Feb. 29 telecon- tion bill, which would have banned torture by the CIA, or any ference, which was sponsored by Human Rights First. A few civilian agency. The vetoed bill prohibited any methods of in- days later, Spannaus interviewed filmmaker Alex Gibney. Ex- terrogation beyond those permitted by the Army Field Manual cerpts of that interview follow. on Intelligence Collection—which experienced military in- terrogators say is all that is needed, no matter what the cir- cumstances. Eight days earlier, a conference call urging the President Interview: Alex Gibney to sign the Intelligence Authorization bill, with its anti-torture provision, was held by two retired U.S. Army generals, Lt. Alex Gibney is the director and Gen. Harry Soyster (former director of the Defense Intelli- co-producer of “Taxi to the gence Agency), and Maj. Gen. William Nash (former U.S. Dark Side,” which won the commander in Bosnia-Herzegovina), who were joined by for- Academy Award for the Best mer National Security Advisor Robert McFarlane, and Alex Documentary Feature of 2007. Gibney, the Oscar-winning filmmaker of “Taxi to the Dark His previous credits include Side” (reviewed in the March 7 issue of EIR). “Enron: the Smartest Guys in General Soyster, the former DIA head, noted that he is the Room,” which was nomi- part of a group of 44 retired combat commanders who had nated for an Academy Award sent a letter to Congress urging passage of the Army Field for 2005. -
COURSE SCHEDULE Sfai San Francisco
COURSE SCHEDULE sfai san francisco. art. institute. Fall 2012 www.sfai.edu since 1871. TABLE OF CONTENTS Photo by Tim Sullivan Letter From the President 2 Academic Policy 19 Academic Calendar 3 Undergraduate Curriculum 21 Programs of Study 4 Courses that Fulfill the Critical Studies, 31 Urban Studies, Studies in Global Cultures, Richard Diebenkorn Teaching Fellowship: 7 and Off-Campus Study Requirements Judie Bamber Minor Programs 33 Faculty Reading Recommendations 8 Graduate Curriculum 36 Pathways to Study 9 Course Schedule 43 Academic Resources and Workshops 11 Course Descriptions 55 Registration 12 Contact Information and Campus Maps 97 Tuition and Fees 16 COVER ART Cristina Guerreiro MFA, Painting Transition, 2010 Acrylic, collage, and screen print on canvas 24’ x 30’ TABLE OF CONTENTS | 1 LETTER FROM THE PRESIDENT Dear Students, It is my pleasure to welcome you (and welcome you back) for the new school year. As always, faculty and staff have worked hard to develop courses and programs that will excite and challenge you; that take on current, resonant topics in art and culture; and that will enhance the technical and conceptual underpinnings of your work. Among the number of noteworthy developments in SFAI’s programs for this academic year are two I would highlight. First, the Institute will begin offering Minors at the undergraduate level. This new structure opens up further opportunities for exploration across departments, and speaks to our commitment to interdisciplinary (yet in-depth) study. Second, the school has reconfigured the undergraduate First Year Program to strengthen students’ ties to SFAI’s creative and intellectual community, as well as the broader artistic and cultural resources of the Bay Area. -
The Travelin' Grampa
The Travelin’ Grampa Touring the U.S.A. without an automobile Focus on safe, fast, convenient, comfortable, cheap travel, via public transit. Music Festivals Supplement Vol. 10, No. 7, July 2017 Photo credit: Red Frog Events, Firefly Music Festival. Firefly Music Festival 2017 in Dover, Delaware, reached by DART #301 bus, is said to have attracted 90,000 fans. It’s time again to ride a bus, or train, to a music festival Dozens of multi-day music festivals beckon during summer 2017. Ranging from psychedelically spotlighted rock music events, where performers and audience both jump around and wave their hands into the air, to those where the audience sits quietly as a full-fledged symphony orchestra plays classical music, many, if not most, of them are readily reachable by public transportation. The following pages of this special Music Festival Supplement focus on popular jazz, rock and classical music festivals and how to get to them via public transportation. Getting particular attention is the Firefly Music Festival, a four-day rock music fest in Dover, Delaware, attended by Grampa, who rode there by SEPTA train and DART First State bus. Photo credit: Town of Vail, Colorado. Telluride Chamber Music Festival symphony orchestra performance at Sheridan Opera House, Telluride, Colo. 1 . The Travelin’ Grampa Music Festivals Supplement . Here are a few Summer 17 classical music festivals: Telluride Chamber Music Festival, Sheridan Opera House Telluride, Colo., Aug. 10-13, has since 1973 specialized in presenting high quality small-ensemble performances of classical music of such composers as Brahms, Dvořák and Mozart. Galloping Goose Transit, a free bus system, services riders in the Town of Telluride and adjoining San Miguel County communities. -
A Film Music Documentary
VULTURE PROUDLY SUPPORTS DOC NYC 2016 AMERICA’s lARGEST DOCUMENTARY FESTIVAL Welcome 4 Staff & Sponsors 8 Galas 12 Special Events 15 Visionaries Tribute 18 Viewfinders 20 Metropolis 24 American Perspectives 29 International Perspectives 33 True Crime 36 DEVOURING TV AND FILM. Science Nonfiction 38 Art & Design 40 @DOCNYCfest ALL DAY. EVERY DAY. Wild Life 43 Modern Family 44 Behind the Scenes 46 Schedule 51 Jock Docs 55 Fight the Power 58 Sonic Cinema 60 Shorts 63 DOC NYC U 68 Docs Redux 71 Short List 73 DOC NYC Pro 83 Film Index 100 Map, Pass and Ticket Information 102 #DOCNYC WELCOME WELCOME LET THE DOCS BEGIN! DOC NYC, America’s Largest Documentary hoarders and obsessives, among other Festival, has returned with another eight days fascinating subjects. of the newest and best nonfiction programming to entertain, illuminate and provoke audiences Building off our world premiere screening of in the greatest city in the world. Our seventh Making A Murderer last year, we’ve introduced edition features more than 250 films and panels, a new t rue CriMe section. Other fresh presented by over 300 filmmakers and thematic offerings include SceC i N e special guests! NONfiCtiON, engaging looks at the worlds of science and technology, and a rt & T HE C ITY OF N EW Y ORK , profiles of artists. These join popular O FFICE OF THE M AYOR This documentary feast takes place at our Design N EW Y ORK, NY 10007 familiar venues in Greenwich Village and returning sections: animal-focused THEl wi D Chelsea. The IFC Center, the SVA Theatre and life, unconventional MODerN faMilY Cinepolis Chelsea host our film screenings, while portraits, cinephile celebrations Behi ND the sCeNes, sports-themed JCO k DO s, November 10, 2016 Cinepolis Chelsea once again does double duty activism-oriented , music as the home of DOC NYC PrO, our panel f iGht the POwer and masterclass series for professional and doc strand Son iC CiNeMa and doc classic aspiring documentary filmmakers. -
National Endowment for the Arts Annual Report 1993
L T 1 TO THE CONGRESS OF THE UNITED STATES: It is my special pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1993. The National Endowment for the Arts has awarded over 100,000 grants since 1965 for arts projects that touch every community in the Nation. Through its grants to individual artists, the agency has helped to launch and sustain the voice and grace of a generation--such as the brilliance of Rita Dove, now the U.S. Poet Laureate, or the daring of dancer Arthur Mitchell. Through its grants to art organizations, it has helped invigorate community arts centers and museums, preserve our folk heritage, and advance the perform ing, literary, and visual arts. Since its inception, the Arts Endowment has believed that all children should have an education in the arts. Over the past few years, the agency has worked hard to include the arts in our national education reform movement. Today, the arts are helping to lead the way in renewing American schools. I have seen first-hand the success story of this small agency. In my home State of Arkansas, the National Endowment for the Arts worked in partnership with the State arts agency and the private sector to bring artists into our schools, to help cities revive downtown centers, and to support opera and jazz, literature and music. All across the United States, the Endowment invests in our cultural institutions and artists. People in communities small and large in every State have greater opportunities to participate and enjoy the arts. -
Ord 115759.Pdf
GBD:bje Juty 31, 1991 (qadmfees) I ORDINANCE 2 3 AN ORDINANCE relating to the Seattle Arts Festival commonly known as "Bumbershoot"; adding new sections to Ch. 17.40 of the Seattle Municipal Code to establish admission fees to such Festival, and qualifications for free Festival admission; authorizing the closure of the Seattle Center 5 grounds during said Festival; and repealing ordinance 112578. 6 7 BE IT ORDAINED BY THE CITY OF SEATTLE AS FOLLOWS: 8 Section 1. There is hereby added to the Seattle Municipal Code a new section, SMC 17.40.090,.as follows: 9 17.40.090 Bumbershoot Festival admission fees. 10 The Bumbershoot Festival Commission is hereby authorized II to charge and collect a fee for admission to the 1991, and 12 succeeding Bumbershoot Festivals, in the following respective 13 amounts: 14 A. For any non-disabled person thirteen (13) through 15 sixty-four (64) years of age whose admission ticket is at a Festival $7.00 16 purchased entry gate: B. For any non-disabled person thirteen (13) through 17 sixty-four (64) years of age whose admission ticket is 18 purchased at a location other than a Festival entry gate: 19 $6.00 20 C. For any non-disabled person four (4) through twelve 21 11 (12) years of age, or any non-disabled person sixty-five (65) 22 years of age or older, regardless of where such admission ticket is purchased: $1.00 23 D. For any person three (3) years of age or younger, 24 and for any person who is "disabled", as defined in Section 25 2, hereof: No Charge 26 27 28 -1- CS 19.2 I Sec.