DOCSLIB.ORG

The Carroll News

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Carroll News John Carroll University Carroll Collected The aC rroll News Student 3-29-1963 The aC rroll News- Vol. 45, No. 10 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 45, No. 10" (1963). The Carroll News. 228. http://collected.jcu.edu/carrollnews/228 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. _News reveals contest plans The (;arroll Singers depart In honor of the advent of spring on campus, the Car­ roll News will ::>ponsor a box for spring tour kite contest on Sunday, Apr. NEWS 21. Cash prizes be award­ By FR.-L"lK R lLLENBRA...''m, JR. will University Heights 18, Ohio ed in three categories to This morning at exactly 8 a.m. the Carroll Glee Club winning entries. departed on their eighth annual Spring tour. The itiner~ry for the weekend includes an afternoon appearance at Samt All organization:; arc eligible to Vol. XLV, No. 10 ('nter kites for the affair. Ac­ St. Joseph's High School in South Bend, Indiana. cording to news editor Richard Also on the program IS a Cermak, chairrnnn of th,.. event, joint concet·t with the chorus at ca."h priZE'S of $.3 will be awarded .\Jverno College in Milwaukee on for the longest antl highest nying Saturday evenin~. and another on and most original kih>s. Official Sunday with the girls at Rosary r ule)) will be distr·ibutcd to the College in River Forest, illinois, ot·ganizations at n!'xt T uesday's concludes the trip. Union m('cting. Selections on this year's pro­ - - --- , gram include Mozart's "Ave __ V e r u m, ·· Handel's "Hallelujah Chorus from 'The Messiah,' " Wil­ liams' stately "Holy Lord of All,'' Sophs capture ! and the Negro spiritual "Ole Ark·s A-Movin' " arranged by Cain. highest honors The second half or the concert will feature "My Bonnie Lassie" as arranged by Ehret, Sullivan's at Stunt Night moving "The Lost Chord," Pur­ cell's '·Trumpet Song," and the Upperelass domination of old standard "Heart of My Stunt Night ended on Satur­ Heart." In addition to these selections, day, Mar. 16, when the the Glee Club will join with the ~ophomores captured first girls' choruses in Vincent You 4 place honors in a c lose con­ man's ''Fantasy." The evening Js lest with the juniors. The topped off with the very beauti­ Pictured above are Director ful "Alleluia" arranged by the Class of 1965 became t he Jock T. Hearns and the mem­ well-known Randall Thomson. fir~t s ophomore class to win bers of the Glee Club, who According to Mr. Jack T . t he trophy s ince t he compe­ Fr~shmen to swing I deported today for a Mid­ Hearns, the director, the two t ition began in 1939. west tour. girls' choruses are rated with the best in this part of lhe country. Compulsory convocations was the them!.' of thl.' winning skit, dirccll'd by Rtcha1·d C'ermak and at U Club concert W11liam WeJch. Al pha Sigma Gnu PR drill team takes second cnlll'd on S teve Allen. played byl Carl Sanislo. to conduct the as- By CHARLES SALE.M: scmbly like his l' how. The imita· The Four Freshmen, the popular Capitol recording in national meet at Illinois tion of the night time feature . d h 1 U · . · Cl b S · t\CIUih•tl <tn \ntcrvic" with Union shu·.-, w1l1 be feature at t e annua Ill\ ers1ty u pl'tng Company C of the 3rd Per::>hing Rifle Regiment at the prcsll\cnt Matt MncKcnncdy, act- I jazz concert. The concert will be held in the Gymnasium on University of lllinois was host Lo t he 15th Annual National cd by Hugh Large}-. und n guest Saturday night May 4. Invitational Meet Friday and Saturday, Mar. and nppcarance hy Jackie Gleason, I • Drill 8 9. :\Ticha<>l Fusciello Son~ by a In the past such names as concert appearances and record Out of the 63 participating drill teams, John Carroll's Com­ Soggy chef, Robert .Mahone), Dave Brubeck, Stan Kenton. sales unheard of over such a long pany M-1 of the Pershing Rifles placed seeond in the In­ enrl<'d the shO\\ . Duke Ellington, and Ahmad period of time. Secondly, the fantry Drill Regulation competition. Culture· at C.uTOIJ was explored Jamal have graced the Carroll Freshmen are adventurers, being by the juniors in n skit of three stngc. This year's selection of a one of the first vocal groups to '"gments. David Ht'l7. began lhe jazz-oriented vocal group adds a utilize the twelve tone concept in hO\\ as a folk singer with ballads new scope lo the musically their singing-giving them a dis­ of on the Can·oll ban<! and theology. flourlshmg series University tinctivcly modern approach. Club concerts that began four Add to this the fact that two !Vtiehacl lh~1·ald, a" ~ tl'(ll'fi best ac- years ago. of the members of t he quartet are tor honors, then poru·ayed the C .. l . _ not original members and the stnr in a parody o1 nomro and onst~ten t popu anty Freshmen "sound" has remained Juliet. !n the finul ~egmcnt •fim- The Four Freshmen arc umque the same. The sound includes . in ~cveral ways. They hnvr. been guitar bass drums mellophone, othy deBord and JUnJot· ch011Js Ico nsistently ·:on top" for over l~n lJ1Jm~t. tr~ mbone, ~~ played by I Tum to Pagt> S. Col. 1' yt-ar'S, en,Jo) Ill~ a populartty lll the mult..i-instrwnentalist mem- bers of the quartet. walking fad hits campus I N~ ~~~e~~:e~~ the Univer- • hik I sity Club co m m en ted, ''The variety in instrumentation and as unlon Sponsors e harmonies that the Freshmen use. plus the more humorous side Carroll student8 again take up the latest national fad of the Freshmen, solves the r•rob- . ' th . 50 ·1 h'k ·ponso ed b. th !em of boredom at a Freshmen tomorrov. "1 a campus -ml e 1 e s r :t e concert. There's never a dull mo- S tudent Union. The route to be taken was initially bla?.ed ment when the Freshmen a re on the stand." recently by t he Cle veland Club. I There is plenty of evidence of Pictured above is a section of the Pershing Rlfle drill team which recently placed second in a national drill meet. All those interested in the hike destination. but the longe:;t dis- vocal precision and s tarllingly arc to report to the front of the tance recorded was 25 miles. good humor on Capitol Records Drill team members under the This is the second time this Admmistt-ation Building a t 8 a.m. lsee "Road Show" with Stan direction of PR Lt. Thomas J . year tnat the PR's have repre­ Snturday. The hike will be along Kenton and ''The Four Freshmen Etowski faced contenders from sented the school ln drill com­ Routt' 8 to the outskirts of Akron in Pel'!;On"), and it ls this com- Pennsylvania Military College, petition. The first being the 1st and back Assem b l~v l bination of art and arUficc that University of Wisconsin, Purdue, Battalion meet at Youngstown, 'J has made the Frestunen favoTltes Loyola University of Chicago. where the freshman team took A coffee and first a id station in colle~c<; a ll over the counu·y. Marquette University. and Uni­ second place in their maiden trial. will be made available every 5 T ho Very Rev. Hugh E. versity of Pittsburgh. The illinois victory, according miles. A trophy will be awarded Dunn, S.J.. President of the Poll rati ngs First place was awarded to to PR Richard Forster, showed a to the wirurer's organization ·with l'nh'N·slty. wUl add:ro.'iS the One indication is the fact that Pennsylvania Military College marked improvement in perform­ his name inscribed on it. Exten- student body Jn a. spootn.l con- the group has consistenlly won VOC'atlon Monday, Apr. 1, at whose team has in the past won ance, gojng from second in local sive telt:'\'ision and newspaper :SO p.m. Importance ot the or come in second (to Laml)ert- th.e competition on numerous oc· competition to second in the na­ 1 coverage is planned. as~bly ls underliCored by Fr. Hendricks-Bavan) in all the casions. Judges during the two­ tion. The next meet will be the major polls (Downbeat. Met.ron­ day drill meet were representa­ 1st Regiment Drill .Meet, to b e About 15 Cleveland Club mem- Owan's postponement or an np- ome, and Playboy) over the past Lives from the five services, each held at the University of Ken­ beTs attempted the same route on pears.nce be.Core tbe Unton un- ten years. No other group can holding a company grade rank, tucky in ~arly May. They will be 8 80 Thursday, Mar. 21 S tarting at 3 tU Tuesday, Apr. • that the claim this. Tickets for the con- with the exception of the Army trying to repeat last year's per­ d.-1-te-s can cons l de r b1s al · bo t tw u.m.
Load more

Recommended publications
  • Proposed Cultural Awareness Schedule for 2000
    CULTURAL ARTS SERIES 2008– 2009 (Schedule) A Classical Celebration! Oklahoma City Community College Artist Performance Date Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Tues. Sept. 16, 7:00 P.M. The Romeros – Guitar Quartet (Special venue; Westminster Presbyterian Church) Tues. Oct. 7, 7:00 P.M. Jerusalem Lyric Trio – Soprano, Flute, and Piano Tues. Nov. 18, 7:00 P.M. The Four Freshmen – Vocal Quartet Tues. Dec. 2, 7:00 P.M. The Texas Gypsies – Gypsy/Texas Swing Jazz Quintet Tues. Feb. 17, 7:00 P.M. Rosario Andino – Pianist Tues. Mar. 3, 7:00 P.M. Best of Broadway – Vocal Trio Tues. Apr. 14, 7:00 P.M. Brad Richter, Viktor Uzur – Guitar and Cello Thurs. May 7, 7:00 p.m. • Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Ensemble Lecture – TBA Performance – Tuesday, September 16, 2008, 7:00 p.m., Oklahoma City Community College Theatre. A diverse selection of musical delights. (Short) Lark Chamber Artists present a broad range of musical styles, embracing the traditional as well as adventuresome commissions and collaborations. (Medium) Lark Chamber Artists is a uniquely structured ensemble who present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. (Long) As an outgrowth of the world-renowned Lark Quartet, Lark Chamber Artists (LCA) is a uniquely structured ensemble featuring some of today's most active performers who have come together to present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming.
    [Show full text]
  • The Four Freshmen...ON the ROAD!
    Volume 22, No.4 October, November, December 2008 Brian Eichenberger "AND SO IT'S OVER" Lead Voice Borrowing on that great closer of the Freshmen, the curtain came down on the 60th anni- versary celebration in Indianapolis on August 23rd. Closing on the 21st edition of the Four Freshmen Society's annual get-together was indeed a bittersweet moment for the conven- tion planning committee which had worked for the past two and a half years to organize the event, attended by nearly 600 "guests" from 36 states and nine countries. On behalf of the planning committee, we hope everyone in attendance had a great experi- ence, and we're sorry for those of you who couldn't be here. From all reports, the hotel accomodations, the food, the 113 Club (music mart, silent auction, FF gallery, etc), the tour, the overflow Wannabee sessions, Fresh Talk, and especially the music did not disappoint. For all of that and the new and renewed friendships of the legions of Freshmen fans, we are most thankful. Curtis Calderon And, of course who will ever forget the presence and performances of Freshmen Bob Flani- 2nd Voice gan, Ross Barbour, Bob Ferreira, Brian Eichenberger, Vince Johnson, Curtis Calderon, Ray Brown, Rod Henley, Kirk Marcy, and Greg Stegeman. Mrs. Don Barbour also joined in the anniversary festivities. In the event that anyone missed the opportunity to purchase some of the extra registration "goodies", we have a few of each of the following for sale. Commemorative poster (14" x 20") $5 each or 3 for $10 plus $3 shipping CD Holder $5 each plus $3 shipping Commemorative Logo Lapel Pin $10 each plus $2 shipping COMBINATION OF ABOVE PRODUCT TOTAL PLUS $5 SHIPPING All proceeds, of course, will go to the Four Freshmen Society.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Toreador 1958 12 11
    Four Freshmen Will Present Concert Tonight The rise of the Four Freshmen, quartet literally ''sang for their succession of fast moving single trumpet player and Albers plays Tickets will be on sale in the who will stage a concert in the suppers" to stay in school. releases and top selling albums. trumpet and mello-phone. Union lobby today for 50 cents Ross Barbour handles all the Lubbock Municipal Alclitorium at Various appearances around the THREE MEMBERS OF the for students with I.D. cards, facul- introductions and Don Barbour ty and staff. 8 tonight. has been quick and speedway city convinced them original four still remain, Bob and Albers are featured solo-wise. TICKETS are also being sold to phenomenal. that they hid something different Flanigan, Don and Ross Barbour. THE PROGRAM will last about Lubbockites, Reese Air Force As a vocal group they began as and g- of in musical entertain- The newest member of the group, an hour and a half and will con- Base personnel and high school m Ken Alberts replaced Ken Errair sist of such tunes as "Somebody students for $1.50. Remaining Loves Me," "Holiday," "Easy tickets will sell from the box of- REFLaING 1(1 change .1) it with the Freshmen in April, 1956 The Four Freshmen Concert Each member of the quartet is Street," "Mr. B's Blues," "Some- fice at the Auditorium. will be in the Lubbock Munici- unusual style, the struggling an accomplished instrumentalist. times I'm Happy," "Malaya." Students must present their I.D. pal Auditorium and not In the auditioned before -Stan Kenton Besides simply vocalizing, they "Graduation Day," "Poinciana." cards at the door with tickets.
    [Show full text]
  • The Four Freshmen Group Bios
    The Four Freshmen group bios BOB FERREIRA auditioned for The Four Freshmen in 1992 for bass voice and percussion,while a music student at Central Washington University. The group asked Ferreira to join, presenting him with a difficult decision of whether or not to leave his academics behind in lieu of a career in entertainment. Bob is still pleased with his decision and has not looked back since. H enjoys being part of such an iconic musical legacy having performed in fifty states, ten countries, and on nine Freshmen recordings. When not on the road with The Four Freshmen, Ferreira occasionally freelances as a drummer in Las Vegas. TOMMY BOYNTON is the newest member of The Four Freshmen, singing 1st tenor and playing bass. Growing up in Aurora, Co., his musical journey began in the 3rd grade, singing in a children’s chorus, and studying piano and drums. Tommy’s love for music lead him to Phil Mattson’s prestigious School for Music Vocations in Creston, Iowa. He then graduated from the New England Conservatory in Boston, MA, where he studied with Dominique Eade and Ran Blake. Boynton continued to share his love and passion for music by returning to SMV to teach. Tommy has shared the stage with several Grammy nominated musicians, including jazz pianist Fred Hersch, and critically acclaimed jazz vocalist Kate McGarry. While on the road, he does miss his kitties, Alice and Little Brother, more than anything. STEIN MALVEY sings the 2nd tenor and plays guitar with The Four Freshmen. He began his musical journey at age four, studying piano at St.
    [Show full text]
  • Our Best to You Capitol Star Line (S)T-1801 Various Artists Released November, 1962
    Capitol Albums, 1801 to 1900 Our Best to You Capitol Star Line (S)T-1801 Various Artists Released November, 1962. Gold label Hits of Ella Mae Morse & Freddie Slack Capitol Star Line T-1802 Ella Mae Morse and Freddie Slack Released November, 1962. Gold label The All-Time Hits of Red Nichols Capitol Star Line (S)T-1803 Red Nichols and the Five Pennies Released November, 1962. Gold label An Evening with Romberg Capitol (S)W-1804 Carmen Dragon (Hollywood Bowl Pops Orchestra) Released November, 1962. An Evening with Cole Porter Capitol (S)W-1805 Carmen Dragon (Hollywood Bowl Pops Orchestra) Released November, 1962. The Soul of Country and Western Strings Capitol (S)T-1806 Billy Liebert Released November, 1962. Clair de Lune Capitol (S)W-1807 Stokowski, Pennario, Leinsdorf, Almeida, Dragon Released November, 1962. Capitol released this album in conjunction with a hardback book from Random House. Surfin’ Safari Capitol (D)T-1808 The Beach Boys Released October, 1962. Some early and later copies of this LP have a stereo front slick, although the LP is in Duophonic and the back slicks clearly state so. The New Frontier Capitol (S)T-1809 The Kingston Trio Released November, 1962. Big Bluegrass Special Capitol (S)T-1810 The Green River Boys & Glen Campbell Released November, 1962. My Baby Loves to Swing Capitol (S)T-1811 Vic Damone Released December, 1962. Themes of the Great Bands Capitol (S)T-1812 Glen Gray and the Casa Loma Orchestra Released January, 1963. Sounds of the Great Bands, Vol. 6 Memories Are Made of These Capitol (S)T-1813 George Chakiris Released December, 1962.
    [Show full text]
  • The Paper Airplanes of the Four Freshmen the Paper Airplanes Of
    The Paper Airplanes of The Four Freshmen By Mark (and Erin) Schlichting Established on September 20, 1948, the Four dissonance which has been coveted and imitated to this day due to its ability Freshmen began as an American vocal group that to tug at listeners’ heartstrings. The Four Freshmen sound has inspired the grew in popularity after being signed to Capitol likes of The Beach Boys, The Hi-Lo’s, The Manhattan Transfer, and The Records in 1956 by one of their high profile fans, Singers Unlimited, to name a few. The current Four Freshmen members Stan Kenton. Brothers Ross and Don Barbour, have maintained the vocal style of the who were freshmen at Butler University in 1948, original group and continue to be in added cousin Bob Flanigan and Hal Kratzsch demand world-wide. It is often said: “The (later Ken Albers) to the group. Well-known legendary sound of the Four Freshmen for their rich male vocal harmonies (originally is bigger and more significant than any rooted in Barbershop) they developed a vocal one of its members.” Thus, although the group’s personnel have continued to change through the years, the unique vocal harmonies have remained as vibrant and creative as they were from the beginning. While on the road, one of the favorite pastimes of Four Freshman Ross Barbour was to forage for any paper that might be THE FOUR FRESHMEN (1956) in the hotel room, and start making paper Left to Right: Ken Albers, Ross airplanes. He would create his own Barbour, Bob Flanigan, Don Barbour designs and decorate the planes with colored pencils and pens and, of course, test their “airworthiness” with the other Freshmen.
    [Show full text]
  • 1 Music 262: Rock Music, History and Social Analysis, Beach Boys
    Music 262: Rock Music, History and Social Analysis, Beach Boys [Music Playing on Piano] [Brian Ward]: So we have this group from America that comes out of surf rock and they also borrow from some jazz vocal traditions and they really are America’s answer to The Beatles. Because they came around at the same time The Beatles hit the market. Both of these groups are symbiotic. They have this sympathetic relationship. They feed off of each other and they compete with each other, The Beatles and The Beach Boys. The result of that is all this great music. Let’s talk about The Beach Boys for a minute. It’s really a family affair. We have these brothers: Brian Wilson, Carl Wilson, Dennis Wilson. They have their cousin, Mike Love and their neighbor Alan Jardine who plays drums. Their songs are about the beach, paradise, cars, hot rods, California girls. So there’s this theme of California in all of their music and this lifestyle and that’s where they’re from. Their music is a combination of this jazz group called The Four Freshmen. It was a jazz vocal group that sang in really close four part harmony. Brian Wilson just loved this group and he pattern The Beach Boys’ vocal harmonies after this jazz group called The Four Freshmen. Another big part of their music is this surf style that was around them as they were developing as a band. So they adopted this surf style of rock n’ roll, of guitar driven instrumental rock. So you combine these two things, these beautiful four part harmonies with the surf rock and you get The Beach Boys.
    [Show full text]
  • DRAWN by ALLEGIANCE... by Doug Roberts ‘97
    The Newsletter of the Princeton Nassoons Alumni Association The Newsletter of theVolume Princeton 38, FallNassoons 2009 Alumni Association Volume 44, Fall 2011 DRAWN BY ALLEGIANCE... By Doug Roberts ‘97 Almost 150 Nassoons and their spouses, partners, and families Historian, Stephen Garrett '92—of Bill Soons '44, Dave Cist were “drawn by allegiance…” back to Princeton for the Nas- '42, Wat Stewart '45, and Dick Armstrong '46 discussing the soons 70th Reunion on April 1-2, 2011, where Song, Fun, and early years of the Nassoons, all of which provided a grand Cameraderie were enjoyed by all. The weekend actually be- introduction for what was an unforgettable day of singing. gan a little early for two groups of Nassoons—the Rich McGlynn '60—led 1954-1963 group, and a hearty bunch from Whether it was the crisp harmonies of the 1954-1963 Nas- the 1970s—who descended on Princeton a day early to enjoy soons’ set under the direction of Rich McGlynn, the inaugu- a mini-reunion and sing the favorites from their era. The ral performance of Kent Mullikin's 1960 Reunion Song by 1970's group (joined by "17th wheel," Yours Truly) actually the "Late 60s/Early 70s" group led by Bill Kaspers '70, the wandered up to Blair Arch to sing for a bit, and ended up be- upbeat arrangements by the 1970's 'Soons, the integration of ing the subject of a flashmob-like arch sing, where confused pop/rock influences with the 1980's group, the "Jamie Ran- undergraduates stopped to view the spectacle of a group of kin years” of the 1990s group, or the youthful exuberance guys ALMOST old enough to be their dads were singing un- on display from the 2001-2010 Nassoons, great music filled der an arch on a Thursday night for no apparent reason.
    [Show full text]
  • HISTORY of BARBERSHOP Compiled by David Wright Lesson 6: TRANSFORMATION
    HISTORY OF BARBERSHOP compiled by David Wright Lesson 6: TRANSFORMATION Smooth harmony groups of the 1950's. Some of the old professional quartet men from the early 1900s later formed studio back up groups like the Revelers as the thirties style came into vogue. These groups evolved and adopted the harmonies of the era, and through the forties developed a style which can be viewed as a first cousin of the barbershop style. These smooth singing groups are typified by the arranging of Gene Puerling and his quartet, the Hi Lo's. This style achieved its zenith in popularity in the '50s with another group, the Four Freshmen, who had begun singing together as young boys, harmonizing in the barbershop style. Other groups that would spring forth: The Four Coins ("Shangri-La"), The Ames Brothers ("Sentimental Me"), The Modernaires ("The Lamplighter's Serenade"), The Four Aces ("Love Is A Many Splendored Thing"), The Four Lads ("Standing On The Corner"), The Brothers Four ("Green Fields"), The Kingston Trio ("Tom Dooley"), The Andrews Sisters ("In Apple Blossom Time"), The King Sisters ("Imagination"), and The Chordettes ("Mr. Sandman"). Gospel quartet style. Another type of singing which has as its foundation the old quartet style is the gospel quartet, both white and black. In the country churches and backwoods of the United States there developed in the '30's and '40's a gospel quartet tradition which reached fruition in the fifties as a professional style. Probably the first and most of the early white gospel quartets was the Blackwood Brothers Quartet. These quartets stayed with traditional harmonies, for the most part, and the songs they wrote have all the harmonic content typical of the barbershop style.
    [Show full text]
  • The Four Freshmen Press
    THE FOUR FRESHMEN TOMMY BOYNTON singing 1st tenor and playing bass. Growing up in Aurora, Co., his musical journey began in the 3rd grade, singing in a children’s chorus, and studying piano and drums. Tommy’s love for music lead him to Phil Mattson’s prestigious School for Music Vocations in Creston, Iowa. He then graduated from the New England Conservatory in Boston, MA, where he studied with Dominique Eade and Ran Blake. Boynton continued to share his love and passion for music by returning to SMV to teach. Tommy has shared the stage with several GrammyThe nominated Four musicians, Freshmen including jazz pianist Fred Hersch, and critically acclaimed jazz vocalist Kate McGarry. While on the road, he does miss his kitties, Alice and Little Brother, more than anything. Stein Malvey sings the 2nd tenor and plays guitar with The Four Freshmen. Growing up in Northfield, Minnesota, he began his musical journey at age four, studying piano. Growing restless with classical repertoire, he discovered guitar at age 12, and fell in love. Just two years later he was playing guitar professionally. Stein graduated with a Bachelor of Music degree in guitar performance from Lawrence University Conservatory of Music. Stein spent years in both the New York and Minneapolis music scenes, recording and touring with groups in many genres: rock, pop, r&b, soul, funk, jazz, country, and avant- garde. When he isn’t touring with The Four Freshmen, Stein lives in Los Angeles. Born in 1992, Jon Gaines was introduced to the world of music at the age of 5 when he began taking piano lessons from his grandmother in his hometown, Derry NH.
    [Show full text]
  • 4Freshmenbookletweb.Pdf
    Program booklet2013Futura.indd 1 11/8/2013 8:12:23 AM o many music enthusiasts, The Four TFreshmen need no introduction. Starting as college students in 1948, the young group won fame with their renditions of “Graduation Day,” “Poinciana,” “Day by Day” and “It’s a Blue World.” Stan Kenton played a major role in advancing the early career of The Four Freshmen, and their unique sound strongly influenced other vocal groups, such as Manhattan Transfer, Take 6 and the Beach Boys. Now, more than 65 years later, the names and faces have changed a few times, but the harmony and legendary sound of The Four Freshmen continue to fascinate audiences worldwide. Today’s Four Freshmen ensemble is considered by many to be the greatest jazz vocal group of all time. The current quartet consists of highly educated, musically diverse young men who provide their own accompaniment. They not only preserve The Freshmen sound, they enhance it with their youth, vitality and talent, giving new treatments to the Great American Songbook. They continue to tour worldwide with sold-out audiences, sharing their unique brand of magnetism, stage presence and approach to The Four Freshmen standards. Program booklet2013Futura.indd 2 11/8/2013 8:12:23 AM Bob Ferreira ob Ferreira began playing drums Band singing in high school, and it wasn’t long before music went from hobby to passion. He joined The Four Freshmen in August, 1992 after being recommended to audition by his music teacher and former Freshmen member, Kirk Marcy. Although Bob grew up in an age where hard rock, ‘80s pop and heavy metal ruled the airwaves, he never forgot his early inspirations.
    [Show full text]