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Proposed Cultural Awareness Schedule for 2000
CULTURAL ARTS SERIES 2008– 2009 (Schedule) A Classical Celebration! Oklahoma City Community College Artist Performance Date Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Tues. Sept. 16, 7:00 P.M. The Romeros – Guitar Quartet (Special venue; Westminster Presbyterian Church) Tues. Oct. 7, 7:00 P.M. Jerusalem Lyric Trio – Soprano, Flute, and Piano Tues. Nov. 18, 7:00 P.M. The Four Freshmen – Vocal Quartet Tues. Dec. 2, 7:00 P.M. The Texas Gypsies – Gypsy/Texas Swing Jazz Quintet Tues. Feb. 17, 7:00 P.M. Rosario Andino – Pianist Tues. Mar. 3, 7:00 P.M. Best of Broadway – Vocal Trio Tues. Apr. 14, 7:00 P.M. Brad Richter, Viktor Uzur – Guitar and Cello Thurs. May 7, 7:00 p.m. • Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Ensemble Lecture – TBA Performance – Tuesday, September 16, 2008, 7:00 p.m., Oklahoma City Community College Theatre. A diverse selection of musical delights. (Short) Lark Chamber Artists present a broad range of musical styles, embracing the traditional as well as adventuresome commissions and collaborations. (Medium) Lark Chamber Artists is a uniquely structured ensemble who present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. (Long) As an outgrowth of the world-renowned Lark Quartet, Lark Chamber Artists (LCA) is a uniquely structured ensemble featuring some of today's most active performers who have come together to present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. -
Southern Black Gospel Music: Qualitative Look at Quartet Sound
LIBERTY UNIVERSITY SOUTHERN BLACK GOSPEL MUSIC: QUALITATIVE LOOK AT QUARTET SOUND DURING THE GOSPEL ‘BOOM’ PERIOD OF 1940-1960 A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL OF MUSIC IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY BY BEATRICE IRENE PATE LYNCHBURG, V.A. April 2014 1 Abstract The purpose of this work is to identify features of southern black gospel music, and to highlight what makes the music unique. One goal is to present information about black gospel music and distinguishing the different definitions of gospel through various ages of gospel music. A historical accounting for the gospel music is necessary, to distinguish how the different definitions of gospel are from other forms of gospel music during different ages of gospel. The distinctions are important for understanding gospel music and the ‘Southern’ gospel music distinction. The quartet sound was the most popular form of music during the Golden Age of Gospel, a period in which there was significant growth of public consumption of Black gospel music, which was an explosion of black gospel culture, hence the term ‘gospel boom.’ The gospel boom period was from 1940 to 1960, right after the Great Depression, a period that also included World War II, and right before the Civil Rights Movement became a nationwide movement. This work will evaluate the quartet sound during the 1940’s, 50’s, and 60’s, which will provide a different definition for gospel music during that era. Using five black southern gospel quartets—The Dixie Hummingbirds, The Fairfield Four, The Golden Gate Quartet, The Soul Stirrers, and The Swan Silvertones—to define what southern black gospel music is, its components, and to identify important cultural elements of the music. -
Girl Talk: Feminist Phonocentrism As Act of Resistance in the Musical Hair
Articles Sarah Browne Girl talk Girl talk: Feminist phonocentrism as act of resistance in the musical Hair Sarah Browne University of Wolverhampton Sarah Browne is Head of the School of Performing Arts at the University of Wolverhampton. She has worked extensively as a conductor, arranger and music director. Her research interests include the politics of race and feminist approaches to musical theatre, American musicals of the 1960s, and stage-to-screen transitions of musicals. She has contributed to edited collections for Oxford University Press, Routledge, and Palgrave. Contact: The School of Performing Arts, The Performance Hub, Walsall Campus, University of Wolverhampton,Gorway Road, Walsall WS1 3BD, UK E-mail: [email protected] https://orcid.org/0000-0003-2002-9794 Abstract In response to Wollman’s assertion that ‘despite its left-leaning approach to the many social and political issues it tackles, Hair is jarringly old-fashioned in its depictions of women’, this article instead proposes that Hair’s sung moments function as acts of resistance against the hegemonic, patriarchal values of musical theatre in both form and content. By adopting Annette Schlichter’s proposition of a ‘feminist phonocentrism’ which positions the voice as a ‘metaphor of agency and self-representation [...] thereby allowing for an authentic self-presence’, the analysis presented illustrates a rejection of historical discourses that persistently link the female voice to an absence of social and cultural authority. With specific reference to songs from the score and their interpretations, this article celebrates ‘girl talk’ forming at the margins. Keywords Hair girl groups feminist phonocentrism gender African American In her 2014 article, entitled ‘Busted for Her Beauty: Hair’s Female Characters’, Elizabeth Wollman observes the musical’s ‘landmark status’ but questions its ‘jarringly old- fashioned approach in its depictions of women’, branding it as nothing short of ‘sexism’ (Wollman 2014: 1). -
Sammy Strain Story, Part 4: Little Anthony & the Imperials
The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103). -
Bass Passion Office Is Asking for the Public’S Help in Identifying Any Possible Victims of Alleged Child Molester Kenneth Davidson, 65, of Redwood Valley
Community RELIGION sports digest Saturday Faith community news ...................................Page 3 .............Page 6 Aug. 4, 2007 INSIDE Mendocino County’s Obituaries The Ukiah local newspaper ..........Page 2 Sunday: Clouds, then sunshine; cooler 7 58551 69301 0 Monday: Clouds, then sunshine 50 cents tax included DAILY JOURNAL ukiahdailyjournal.com 14 pages, Volume 149 Number 117 email: [email protected] Defendant told police he ‘felt threatened’ By BEN BROWN attacked him moments before. first-degree murder in Syfert’s death. D.J. Miller interviewed Flitcroft The Daily Journal Flitcroft fired seven times into the “I think I felt threatened,” he said hours after the shooting took place In a videotaped interview with MURDER TRIAL group, killing his girlfriend, Brittany on the video. “I felt I needed to do during Syfert’s birthday party in police, Caleb Flitcroft said he fired Syfert, who would have turned 20 something.” Potter Valley. into a group of people at his girl- of 2005, because he felt threatened two days later, and wounding one Mendocino County Sheriff’s friend’s birthday party in November by three men who he said had other man. Flitcroft is charged with Detective James Schnitzes and Lt. See TRIAL, Page 14 Public help ‘The defining moment of my fishing came when I joined the Mendo Bassers. Everyone there wants you to succeed. The simpler you can keep it, the better off you’ll be.’ sought in DAN KORNEGAY child sexual assault case The Daily Journal The Mendocino County Sheriff’s Bass passion Office is asking for the public’s help in identifying any possible victims of alleged child molester Kenneth Davidson, 65, of Redwood Valley. -
Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer. -
The Four Freshmen...ON the ROAD!
Volume 22, No.4 October, November, December 2008 Brian Eichenberger "AND SO IT'S OVER" Lead Voice Borrowing on that great closer of the Freshmen, the curtain came down on the 60th anni- versary celebration in Indianapolis on August 23rd. Closing on the 21st edition of the Four Freshmen Society's annual get-together was indeed a bittersweet moment for the conven- tion planning committee which had worked for the past two and a half years to organize the event, attended by nearly 600 "guests" from 36 states and nine countries. On behalf of the planning committee, we hope everyone in attendance had a great experi- ence, and we're sorry for those of you who couldn't be here. From all reports, the hotel accomodations, the food, the 113 Club (music mart, silent auction, FF gallery, etc), the tour, the overflow Wannabee sessions, Fresh Talk, and especially the music did not disappoint. For all of that and the new and renewed friendships of the legions of Freshmen fans, we are most thankful. Curtis Calderon And, of course who will ever forget the presence and performances of Freshmen Bob Flani- 2nd Voice gan, Ross Barbour, Bob Ferreira, Brian Eichenberger, Vince Johnson, Curtis Calderon, Ray Brown, Rod Henley, Kirk Marcy, and Greg Stegeman. Mrs. Don Barbour also joined in the anniversary festivities. In the event that anyone missed the opportunity to purchase some of the extra registration "goodies", we have a few of each of the following for sale. Commemorative poster (14" x 20") $5 each or 3 for $10 plus $3 shipping CD Holder $5 each plus $3 shipping Commemorative Logo Lapel Pin $10 each plus $2 shipping COMBINATION OF ABOVE PRODUCT TOTAL PLUS $5 SHIPPING All proceeds, of course, will go to the Four Freshmen Society. -
Songs by Artist
DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
The Four Freshmen Group Bios
The Four Freshmen group bios BOB FERREIRA auditioned for The Four Freshmen in 1992 for bass voice and percussion,while a music student at Central Washington University. The group asked Ferreira to join, presenting him with a difficult decision of whether or not to leave his academics behind in lieu of a career in entertainment. Bob is still pleased with his decision and has not looked back since. H enjoys being part of such an iconic musical legacy having performed in fifty states, ten countries, and on nine Freshmen recordings. When not on the road with The Four Freshmen, Ferreira occasionally freelances as a drummer in Las Vegas. TOMMY BOYNTON is the newest member of The Four Freshmen, singing 1st tenor and playing bass. Growing up in Aurora, Co., his musical journey began in the 3rd grade, singing in a children’s chorus, and studying piano and drums. Tommy’s love for music lead him to Phil Mattson’s prestigious School for Music Vocations in Creston, Iowa. He then graduated from the New England Conservatory in Boston, MA, where he studied with Dominique Eade and Ran Blake. Boynton continued to share his love and passion for music by returning to SMV to teach. Tommy has shared the stage with several Grammy nominated musicians, including jazz pianist Fred Hersch, and critically acclaimed jazz vocalist Kate McGarry. While on the road, he does miss his kitties, Alice and Little Brother, more than anything. STEIN MALVEY sings the 2nd tenor and plays guitar with The Four Freshmen. He began his musical journey at age four, studying piano at St. -
The Phenomenological Experience of Singing in Vocal Harmony With
A Phenomenological Experience of Singing Vocal Harmony With Another Person A Thesis Submitted to the Faculty of Drexel University by Krista F. Winter in partial fulfillment of the requirements for the degree of Masters of Creative Arts in Therapy May 2009 © Copyright 2009 Krista F. Winter. All Rights Reserved ii Acknowledgments To my dad for being my biggest fan, I miss you. To mom, for constant support, telephone calls, and the gift of faith you have passed on to me. For prayers and patience. For being someone that I aspire to be. To my family, for your love and strength. For prayers, African safaris, skype calls and text messages. For family traditions, new and old. For putting up with your little sister and for being proud of your little sister. I appreciate you beyond words. To my friends, for your time, listening ears, and words of encouragement. For moments of laughter, sushi and box seats at the Kimmel, popcorn, and prayers. As always, your love, your patience and your grace are life-giving and unparalleled. To Paul Nolan, for your excitement and personal interest in this topic. For your advisement, motivation during challenging times, honesty, and support. I appreciate your investment of time, patience through my doubts, and cheers for my progress. To Dr. Sherry Goodill, for supporting me on my thesis committee. For your insight, suggestions, and guidance throughout all aspects of my growth as a clinician and researcher. I appreciate your encouragement and excitement for the finished product. To Sr. Donna Marie Beck, for taking an unexpected opportunity and fully committing. -
AQA Music a Level Area of Study 4: Music for Theatre
AQA Music A Level Area of Study 4: Music for Theatre NAME: TEACHER: 1 Contents Page Contents Page number What we are studying 3 Timeline 4 Kurt Weill 5 The Threepenny Opera 6 Rise and Fall of Mahagonny 9 Richard Rodgers 10 Oklahoma! 11 Carousel 15 Stephen Sondheim 16 Sweeney Todd 17 Into The Woods 21 Claude-Michel Schonberg 22 Miss Saigon 23 Les Miserables 26 Jason Robert Brown 27 The Last Five Years 28 Parade 31 Essay Questions and unfamiliar listening tests 32 Vocabulary specific to this unit 33 2 One essay question will be set on this topic. You will choose between answering an essay on Music for Theatre or on Jazz. You will need to answer listening questions and shorter essay questions on both topics, so you must study both. You will be studying these named artists and these suggested pieces from the board: Artists Pieces (Suggested listening) Kurt Weill Rise and Fall of the City of Mahagonny: - ‘Alabama Song’ - ‘Havana Song’ The Threepenny Opera: - ‘Ballad of Mack the Knife’ - ‘Jealousy Duet’ - ‘Pirate Jenny’ Richard Rogers Oklahoma!: - ‘Oh, What a Beautiful Mornin’’ - ‘Lonely Room’ - ‘Oklahoma’ Carousel: - ‘Louise’s Ballet: Pas de deux’ - ‘What’s the Use of Wond’rin?’ Stephen Sondheim Sweeney Todd: - ‘Prelude’ - ‘Green Finch and Linnet Bird’ - ‘A Little Priest’ - ‘My Friends’ Into The Woods: - ‘On the Steps of the Palace’ - ‘Agony’ - ‘Giants in the Sky’ - ‘Last Midnight’ Claude-Michel Miss Saigon: Schönberg - ‘I’d Give My Life for You’ - ‘Bui Doi’ - ‘I Still Believe’ Les Miserables: - ‘One Day More’ - ‘Bring Him Home’ Jason