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ã Attribution Physical European 10 Ghent, Belgium INFNCommunications Office Italy Rome, 70, Caprettari dei Piazza E Communication of Science Francesca Scianitti The use of narration and art in the Public

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A way to go over this lack The public communication of science is aime to create” knowledge and build up a shared culture. The main difficulties in achieving these ob- 1.

- 1 Fig. u the of story sequential a on based was storyboard The Rome. in Festival music. live and readings of contribution knows that he is giving to the public a story with the in voice important a narrative structure, in which art is also an very far from a formal approach to science communication. When scientists are well conscious of their role in this context, their communication closer relationship with the public on their knowledge as an asset to be s interpret their own communication formats, which has become part and parcel of th conference the of frame the In years. ten last the in activities is no longer to feed up people w “co jectives are due to the fact that internal scientific credibility is normally independent perception of science, vated to really engage the public with science and as a who objective the of passage lic engagement with science and technology” has stands no that longer to communication be as conceived a top tists ety, not simply to also to enhance public awareness and appreciation of the goals and methods of scientific research The use of narration and art in the public communication of science PoS(EPS-HEP2019)444

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of innovative formats of public events, which du in

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Why using narratives and art to talk about science shows. shows. These have been designed since the years 2011 to communicate physics and ing ing of this experience, the INFN Communications Office is still on a way of

make: first of all, the target we want to reach, then the context where the communicationthe where context the then reach, to want we target the all, of first make: -

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Designing 1.2 1.1 have been have

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The INFN Communications Office started to use narratives and the artistic language to How can we design the structure of a conference Although 2. public event the the “Who, Where, What” choices. A theatre or a museum, for exa for choices scientific, where the event is inserted has to be investigated. This step has an influence on the different choices different the on influence an has step This investigated. be to has inserted is event the where to have we called synthetically be can aspects three These pass. to want we message the finally, and, realized is otherwise invisible connections in understanding, interest and in reality, offering the public the opportunity for greater narrative other hand, art is a proficient language to talk about human experiences and human senses: it can involve both sight and hearing in an unconventional and not pas together, narrative, and Art ideas. into insights parallel stimulating events has a purely empirical base, it finds a theoreticalfindsa itempiricalbase, purely a hasevents science education. According to Bruner’s thought connected with the process of meaning creation individual experiences experimenting with new formats, aiming at defining the best narrative structure, narrative best the defining at aiming formats, new with experimenting our with stories and contents share to Since 2011, number of events agreements with theaters and other venues, more sustainable under the the beginn INFN INFN families. The format is based still isn’t experience based the Although scientists. among dialogues on or monologues and animations, the intertwining among storytelling, performances, videos, on a rich literature of theoretical issues in science communica practices and experimentations, results in terms of public satisfaction are very encouraging. communicate science conference The use of narration and art in the public communication of science PoS(EPS-HEP2019)444

Maria

Higgs Higgs

F. Sci ani t t i more linear, morelinear, oard and the actress

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Petrin,

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scientific scientific storyb - designed sequence of scientificof sequence designed solution. This is not mandatory, mandatory, not is This solution. -

imated cartoons, and intertwines intertwines and cartoons, imated eplicas have r nd conductor a

ses, ses, at the Auditorium Parco at Musica,della the

: Discovery Machines. From the , known - was staged seven times in the years between between years the in times seven staged was yHmBs). well

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In In all these ca

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Right Right image to to and

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Italy. Italy. , with 7 replicas in Italy from 2016 to 2019, touching dif- Ralli one

structure structure show "Cosmic interpreted by the jazz pianist Umbertopianistjazz the interpretedby - of success

Luca

the first edition in Rome thematic animated cartoons: the dialogue the cartoons: animated thematic

drawings, readings and so on. However, improvisations by scientists

- case ts have not yet been made on this event and this will be a further step in gest ones, as Rome, Turin, Bergamo and Genoa, to very small towns in a three three the physicists Viviana Fafone, Fernando Ferroni, Antonio Masiero. Since have been have illustrator theaters.

Tale: events realized by the INFN Communications Office in recent years, “Cosmic

the conference fundamental fundamental role and necessar

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Afterwards, a narrative structure will be superposed to this skeleton, reflecting the standard

Quantitative assessmen Fig. 1 1 Fig. 2016 and 2019, reaching about 6000 people. for project (FCC) Collider Circular Future the about event institutional an New Physics”, to Boson audience an for Rome in Musica della Parco Auditorium the at staged was CERN, at collider future a BKx0qV https://youtu.be/ English: (in people 1200 of it implementing the public, which we believe is mainly due to the narrative structure and its linearity, which makes contents comprehensible at different levels of attitudes and knowledge. ideas sequential and main actors contributions Artistic Giulia ferent ferent towns, from the big the countryside produced by the host Cosmic In wellstoryboardaThe relieson music.readingspianojazzwithand Tale” narrative one, and from the intertwining of monologues or dialogues, images and videos, artistic performances like music, live and artists have a narrative linear narrative scheme commonly divided in divided commonly scheme narrative linear but it’s organize its contents in a linear sequence, whole story arises from the overlap of the two structures, the logic The use of narration and art in the public communication of science PoS(EPS-HEP2019)444

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the universe,

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and the audience was therefore olved around the Future Circular

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ant roles and rich contents to talk about talk to contents rich and roles ant the the contributions on the rails.

citizens public public event was the very technical subject, technical very the was event public

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2016 conference in Rome, which rev

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of Benni, the jazz musician Umberto Petrin and the Umberto Benni, Petrin jazz the musician

Week organize the storyboard in three acts, along the conventional structure consist- specific economist defined structure to support defined structure

to to a

ati and Bill Bryson), are superimposed to this structure. In this context, scientists image the

institutional institutional event, the framework of which had numerous constraints. The context

Stefano

had

An institutional framework for A well an new

and

a isible universe made of stars and particles, which we know in enough detail (fundamental (fundamental detail in enough we know which of stars particles, and made isible universe .

, Fernando Ferroni, Antonio Zoccoli, Sergio Bertolucci, Guido Tonelli, Michelangelo 2.3 2.2 care of all these aspects required the use of a rigid narrative writer VIRGO collaborations and to and collaborations VIRGO

- onstraint to take in consideration in designing th designing in consideration in take to onstraint Visual and artistic narratives, made of videos, cartoons, jazz piano music and readings (extracts readings and music piano jazz cartoons, videos, of made narratives, artistic and Visual Three cartoons on Space, Time and Gravity represent the skeleton of Cosmic Tale's narrative

Staged at the Auditorium Parco della Musica in Rome in 2016, "Discovery Machines" is an scientist

CERN

The contributions of jazz music and literature, with readings of extracts from and Borges Queneau, helped to give rhythm and underline the passages in the story translated into English for at Taking and Gianotti Mangano known composed of a minimal part of conference attendees and a relevant part made of general public. The The public. general of made part relevant a and attendees conference of part minimal a of composed c first which did not really fit with a target made second of A importantnonexperts. constraint was given relev with all speakers, as involved people of number the by example of was that of the FCC Collider project at CERN. The event was offered to out improvisation being prevented. sert anecdotes or new ideas, but they know that everything relies on a narrative structure, a well defined sequence that has to be respected LIGO restoring from Dino Buzz experts in cosmology, high about a dark universe that we do not know (with particular attention to dark matter), to study which study matter),to dark particularattentionto (with know not do we thatuniverse dark a about the scientific community designs and carries out highly performing and challenging experiments and detectors (with partic obscure main this on light shed to comes that new something by given is situation resolving the nally, part of the universe. The discovery of gravitational waves, in particular, (with a m us and a subsequent simple question: where are we in space and how do we get to know the universe? the know to get we do how and space in we are where question: simple subsequent a and us Our knowledge is based on astronomical, cosmological and particle physics observations that de- a scribe v issues in this first act are the Standard Model and the Higgs Boson’s discovery). This comforting Physics in questions are there "crisis": the by followed is statement structure and help help and structure premi The solution. a and crisis a premise, a of ing The use of narration and art in the public communication of science PoS(EPS-HEP2019)444

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that of the direct detection detection direct the of that

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In In greement with the three scientists, in order to guarantee the the quality of their experience. The first simple feedback

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from three different points of view (space satellites, terrestrial terrestrial satellites, (space view of points different three from scientists who told the same story story same the told who scientists

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produced by some theaters. This is also due to an undoubted growing interest about - were were the scientists Fulvio Ricci (INFN), Paolo public and giving rise to unexpected insights on abstract concepts of physics and physics of concepts abstract on insights unexpected to rise giving and public

story is interpreted by three scientists scientists bythree interpreted is story Talking

impact impact on the public,

s. The s. Lights and Waves Rhapsody Waves and Lights Next step: evaluation and quality in science communicationpublic eventsthrough 2.4 “ Rhapsody" interferometers,

ional monologue.The story was written in a

When conceived appropriately and evaluated in its impact on the audience, this kind of scien- More recently, the MoreINFN recently, and the AgencyItalian (ASI) Space experimented with a new format 3. The improvementqualityTheof practices throughevaluationidentify nextsteptoourbest thebewill wave Fig. 3 3 Fig. scientist neutron star obtained coalescence, with the choral of contribution gravitational detectors: different way to involve the public and strengthen events the attending people of number large the by given is experiences our in far so record could we and a high specific interest has been recorded in the case of the "Cosmic which has been self years. recent in cosmology and physics to related topics in

tific tific narratives can open unprecedented synthesis windows between science and art, increasing the the of engagement discoveries. in succeeds research way the emot famousmusicians:jazzDanilo MicheleRea, Rabbia, PaoloDamiani. Main ofactors Waves ImmacolataDonnarumma role, role, giving rhythm to the speech and underlining suspensions and climaxes, taking sometimes the scene to create a suitable environment for the public perception of ideas, as if the music staged its own an absolute formal propriety of contents, and then integrated to adhere to a unique coherent style. The personal interpretation from the protagonists of the discovery based on monologues given by three stars neutron of coalescence the of detectors). wave gravitational and telescopes The use of narration and art in the public communication of science PoS(EPS-HEP2019)444

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HEP 2017, Euro- with -

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launching an idea of research as a societal effort and a common capital. A further step will be be will step further A capital. common a and effort societal a as research of idea an launching - [2] [3] [1] [4] References A quantitative assessment is required in order to implement the conformity of our interventions

INFN resear INFN capacity building in the public are among the main objectives of INFN Third Mission, also taking into account ethical aspects such as the respect for dive re the the growing alignment of INFN public actions engagement and message with the strategic goals of The use of narration and art in the public communication of science encouraging and science citizens for opportunities Creating public. the on benefits expected the with