DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1965-1966, Tanglewood

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966, Tanglewood f SIXTH WEEK August 6, 7, 8, 1965 Bartok/ Concerto for Orchestra The Boston Symphony Boston Symphony Orchestra Erich Leinsdorf under Leinsdorf For his recording debut as conductor of the Boston Symphony, Leinsdorf chose Bartok's "Concerto for Orchestra" The resulting album was an enormous success, fie later turned to Prokofieff, and Dynagroove recordings such as that of the Fifth Symphony have since shown why the N. Y. Herald Tribune's critic wrote: "Leinsdorf is now in the midst of performing all the Prokofieff orchestral liter- ature... he is quite clearly just the man for the job'.' Listen to Erich Leinsdorf and the Boston Symphony exclusively on RCA Red Seal. PROKOFIEFF: SYMPHONY No. 5 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF RCA Victor (@)The most trusted name in sound "TBI Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1965 TWENTY-EIGHTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SIXTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1965 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abkam Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Francis W. Hatch Henry A. Laughlin Sidney R. Rabb John L. Thorndike Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. Blau Lawrence K. Miller Jesse L. Thomason Lenges Bull George E. Mole Robert K. Wheeler George W. Edman Whitney S. Stoddard H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Robert Minkler Lenox, John Pignatelli Lee, William O'Brien Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Rosario Mazzeo Harry J. Kraut Orchestra Personnel Manager Assistant to the Manager HBH^^HH There are four new Automatic Turntables. One of them, the LAB 80. .. is the first Automatic Transcription Turntable. tUe njlTTOO supported by the PIPES, DRUMS & DANCERS of the SCOTS GUARDS and ROYAL SCOTS GREYS TWO MILITARY BANDS of The ROYAL MARINES The COMMANDO MOTORCYCLE DISPLAY SQUAD SEE JAMES BOND'S 007 ASTON MARTIN CAR JN ACTION IN MOCK BATTLE WITH COMMANDO MOTORCYCLISTS. BOSTON GARDEN ARENA MADISON SQUARE GARDEN FOR FURTHER INFORMATION ON U.S. AND CANADIAN TOUR, WRITE COLUMBIA FESTIVALS, INC., CJ2 165 W. 57th ST., NEW YORK CITY 10019 2 — BOSTON SYMPHONY ORCHESTRA Friday Evening, August 6, at 8:00 JEAN MARTINON, Conductor WEBER Overture to "Der Freischiitz" # SCHUMANN Symphony No. 1, in B-flat major, Op. 38 I. Andante un poco maestoso; Allegro molto vivace II. Larghetto III. Scherzo: Molto vivace; Trio: Molto piu vivace; Trio II IV. Allegro animato e grazioso Intermission \ RAVEL "Le Tombeau de Couperin," Suite I. Prelude II. Forlane IIL Menuet IV. Rigaudon DEBUSSY *"La Mer" (The Sea) , Three Symphonic Sketches I. De l'aube a midi sur la mer (From Dawn to Noon on the Sea) II. Jeux de vagues (The Play of the Waves) III. Dialogue du vent et de la mer (Dialogue of the Wind and the Sea) BALDWIN PIANO : RCA VICTOR RECORDS — 3 — : RUDOLF SERKIN 20, 21, 22) is planned by Erich Leinsdorf an event of particular interest. Mr. Rudolf Serkin was born in 1903 in as Leinsdorf has stated Eger, Bohemia (Czechoslovakia), of an artistic point of view I feel that Russian parents. At four he snowed From the Lohengrin weekend is a true festival possibilities of becoming a child prodi- idea, something which one could not gy, but was taken to Vienna to study during the more rigid aspects with Richard Robert. At the age of schedule of a winter season but which lends itself twelve, he made his debut as soloist ideally to the more relaxed and experi- under the auspices of the Gesellschaft mental atmosphere of a summer festival." der Musikjreunde. For three years, from Tickets for the three t( Lohengrin' f the age of fourteen, he studied composi- concerts may still be obtained at the tion with Arnold Schonberg. He then season rate. began his active career as a concert pianist, giving solo recitals throughout Europe, and likewise touring with Adolf LEAVING TANGLEWOOD Busch in sonatas for violin and piano. Following each Boston Symphony Or- It with Adolf Busch (his destined was chestra concert Route 183 (West Street) father-in-law) that he made his first is one way (2 lanes) eastbound to Lenox appearance in America in 1935 at the beginning at the Tanglewood East Festival in Washington, D. C. Coolidge Drive. Patrons leaving the parking lots In and many times since, he has 1938, by the Main Drive or West Drive may played with the Boston Symphony Or- turn right or left. Turning left from in Boston and at Tanglewood. chestra the Main or West Drives enables the Serkin lives in Philadelphia Mr. now motorist to reach Route 41, the Massa- and teaches at the Curtis Institute of chusetts Turnpike, New York Thruway, Music. school His summer music and or points south. Traffic leaving the festival at Marlboro, Vermont, is his South and Box Parking areas may pro- dearest project. ceed in either direction on Hawthorne Street. The Tanglewood parking attend- The performance of Wagner's Lohen- ants, Lenox, Stockbridge, and State grin at the three concerts of the final Police will render every assistance to week of the Berkshire Festival (August motorists who follow these directions. LI Distinctive Gifts Gracious Living for t for Gracious Giving II A complete source for China, Glass, Dinnerware, Clocks, Candles, Lamps 'Lighting Fixtures, Woodenware, Pewter, Brass & Copper, Weathervanes,- Hooked Bugs, Linens, Gourmet Cookware, Hardware, Franklin Stoves, <*&<0? Mechanical Banks, Pictures, Baskets, Exciting Imports,. Decorative Accessories, Fabrics, Wallpapers, Upholstered & Early American [Furniture, Museum Reproductions, Authentic Americana OPEN EVERY WR DAY ^S^Bls^l^^E* Recapture Yesteryear's Nostalgia at Seth & Jed's Country Store r# Herbs and Spices Import'd Delicacies Choice Cheeses m Old-Fashioned Gourmet Foods Jams and Jellies Candy Maple Products Apothecary Jars In the Big Red Barns on Stocioridge Road, Route 7 1 Mile North of Great Barrington liTe-w Exj.^1slxs.c<.*s -A-3an.exica.2a.s1. 2v4Ia.xlcetpla.ee Telephone: Gt. Sarr. 1500 G-2£E.A.I 7 B^JREKEfcTGraOW, MASS. Remember, you haven't seen the Berkshire! if you haven't seen JENIFER HOVSE! -*fTxM? Program U^otes Friday Evening, August 6 OVERTURE TO "DER FREISCHUTZ" By Carl Maria von Weber Born in Eutin in Oldenburg, November 18, 1786; died in London, June 5, 1826 "Der Freischutz, Romantic Opera in Three Acts," Text by Friedrich Kind, was first performed at the Schauspielhaus in Berlin, June 18, 1821. As early as 1810, Weber was attracted by an old folk tale in a collection called "Gespensterbuch" ("Ghost Book"). The story was called "Der Freischutz," it was related by August Apel, and concerned charmed bullets molded in the hour before midnight, when the molder was in peril of being claimed by the Devil. Weber long planned an opera on this material, in a day when hair-raising fantasy was much sought on the stage. In 1817, Fried- rich Kind took it in hand for him and quickly worked it into a libretto. The projected opera was first to be called "The Trial Shot" ("Der Probeschutz" ), changed to "The Hunter's Bride" ("Die Jdgersbraut"). It is believed that the last moment restoration of "Der Freischutz," the original title of the tale, was made at the suggestion of Count Bruhl, the Intendant of the Berlin Opera. Unlike the other titles, this one is virtually untranslatable. V At the Berkshire VAN CLIBURN Festival this season MALCOLM FRAGER these Artists CLAUDE FRANK EUGENE play ONLY ISTOMIN r RUDOLF SERKIN VITYA VRONSKY THE STMWAY and VICTOR BABIN IN MASSACHUSETTS AND NEW HAMPSHIREr NEW STEINWAY PIANOS ARE SOLD ONLY BY M. STEINERT & SONS ' 162 BOYLSTON I STREET, BOSTON • ALSO WORCESTER, SPRINGFIELD — 5 — . — . ; :; Composed and performed late in his career, "Der Freischutz" was Weber's first outstanding operatic success. Anticipation of this major attempt by the popular composer ran high in Berlin. Demonstrations at the perform- ance were excited and prolonged. "Der Freischutz," in effect a Singspiel with spoken German dialogue in treatment of a popular German folk legend, was soon taken to heart by German audiences. Detailed descriptions of the first performance of trDer Freischutz" are found in the biographies of Weber by his son, Baron Max Maria von Weber, and by Sir Julius Benedict, who was present as the young English pupil of the composer. Weber's remark in his diary is well known: "This evening Der Freischutz was given ... in the Schauspielhaus with incredible enthusiasm. Overture and Bridesmaids' Song encored; out of seventeen numbers, fourteen loudly applauded. All went excellently well. He was called before the curtain . verses and wreaths came flying soli deo gloria." Ernest Newman (in his Stories of the Great Operas) praises the overture as "one of the world's masterpieces in its genre," and one of the first instances where the overture is for the most part comprised of numbers from the opera itself. Only the horn quartet at the opening is not later to be heard on the stage. "Weber was not only a born musical dramatist but a very original and skilful orchestral colorist; and the overture to r Der Freischutz' has a depth and brilliance and variety of tone to which there was nothing to compare in any previous operatic overture." MARLBORO MUSIC FESTIVAL RUDOLF SERKIN, Artistic Director, presents Music from Marlboro A series of three concerts in Boston, New York, Philadelphia, Montreal and other Eastern cities.
Load more

Recommended publications
  • ARSC Journal, Spring 1992 69 Sound Recording Reviews
    SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
    [Show full text]
  • Csoa-Announces-November-2020
    For Immediate Release: Press Contacts: October 22, 2020 Eileen Chambers 312-294-3092 Dana Navarro 312-294-3090 CHICAGO SYMPHONY ORCHESTRA ASSOCIATION ANNOUNCES NOVEMBER 2020 DIGITAL PROGRAMS Highlights include Two New Episodes of CSO Sessions, Free Thanksgiving Day Digital Premiere of CSO/Solti Beethoven Fifth Symphony Archival Broadcast, Veteran’s Day Tribute Program from CSO Trumpet John Hagstrom, and More CSO Sessions Episode 7 features Former Solti Conducting Apprentice Erina Yashima Leading Stravinsky’s The Soldier’s Tale with Actor James Earl Jones II New On-Demand Recital from Symphony Center Presents features Pianist Jorge Federico Osorio NOVEMBER 5-29 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) announces details for its November 2020 digital programs that provide audiences both locally and around the world a way to connect with the Chicago Symphony Orchestra online. Highlights include the premiere of two new episodes in the CSO Sessions series, two archival CSO television broadcast programs, a new piano recital from Symphony Center Presents and a Veteran’s Day digital premiere of a tribute to veterans that highlights the trumpet’s key role in military and orchestral music. Programs will be available via CSOtv, the new video portal for free and premium on-demand videos. A chronological list of November 2020 digital programs is available here. CSO Sessions The new digital series of on-demand, high-definition video recordings of chamber music and chamber orchestra concerts feature performances by Chicago Symphony Orchestra musicians filmed in Orchestra Hall at Symphony Center. Programs for the CSO Sessions series are developed with artistic guidance from Music Director Riccardo Muti.
    [Show full text]
  • MARIA REJANE REINALDO Currículo Lattes/ Link
    MARIA REJANE REINALDO Currículo Lattes/ link: https://wwws.cnpq.br/cvlattesweb/PKG_MENU.menu?f_cod=4B595CBEB08B30A3FC29AB790629C8E2 FOTO: DEIVYSON TEIXEIRA. O POVO (palco do Teatro da Boca Rica) Conselheira de Política Municipal de Cultura de Fortaleza – 2015 a 2018 Fortaleza/CE, março 2019 APRESENTAÇÃO Atuação: Campo artístico, cultural e acadêmico, como atriz/diretora / professora universitária, pesquisadora / gestora / curadora/ parecerista/ assessora/ consultora, desde 1976. PESQUISA DOUTORADO ARTES CÊNICAS DA UFBA: FLORESTA AMAZÔNICA, VENEZUELA, ITÁLIA, FRANÇA, RORAIMA - EM BUSCA DAS MULHERES GUERREIRAS, AS AMAZONAS. PESQUISA: PRÊMIO BOLSA FUNARTE 2010. MINISTÉRIO DA CULTURA/ FUNARTE. TRABALHANDO COMO ATRIZ NO FILME “OS ANSEIOS DAS CUNHÃS”, DA AMAZONENSE REGINA MELO, PROJETO AGRACIADO COM O PRÊMIO DE CINEMA DO MINISTÉRIO CULTURA - CARMEM SANTOS. AMAZÔNIA. FILMAGEM DE “OS ANSEIOS DAS CUNHÃS” DE REGINA MELO. PRÊMIO DE CINEMA DO MINISTÉRIO DA CULTURA “CARMEM SANTOS”. FORMAÇÃO Doutora em Artes Cênicas-Teatro no Programa de Pós-Graduação em Artes Cênicas da Universidade Federal da Bahia - UFBA (2015), com a Tese: PENTESILEIA, RAINHA DAS AMAZONAS. Travessias de uma Personagem. O Projeto de pesquisa Pentesileia foi ganhador do Prêmio BOLSA PESQUISA FUNARTE 2010 (Ministério da Cultura/ Funarte) e do Programa de Intercâmbio e Difusão Cultural 2010 (FUNARTE/Ministério da Cultura). Mestre em Sociologia onde pesquisou relações sociais construídas e construtoras do PROCESSO CRIATIVO EM GRUPOS TEATRAIS GRUPO TEATRO PIOLLIN (PB) - UFC (2003); Bacharel
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1969
    TANGLEWOQ ik O^r '^0k^s^\^^ , { >^ V BOSTON SYMPHONY ORCHESTRA 7 :ICH LEINSDORF Music Director v- '^vy^. 'vt 4j>*l li'?^ BERKSHIRE FESTimL Sometimes when a man has worked very hard and succeeded, he enjoys ordering things just because they're expensive. -''«4^. ^*fc.-' ri** ^itim YEARS OLD Johnnie Walker Black Label Scotch 12 YEAR OLD BLENDED SCOTCttJ^KY, 86.8 PROOF. IMPORTED BY SOMERSET IMMI^HtD., N.Y,, N.Y. vsPTm' CL'iPCLViay/^le i^ ^c^o<ym wia//idi ^yymxz'TtceA Btethoven Iwko^Swu SYMPHONY N0.4/LEONORE OVERTURE No. 2 IHI BOSTON SYMPHONY/ERICH LEINSDORF ^?^. PROKOFIEFF ^^I^M S^MPW Ifl. 7 ^^F^n Mn«( from ^^^^^^Hr ^^^^H ^^gpHH CORIOllN ROMEO AND ^k^^v -^^H \mi mnwi JULIET ^^k, <vT 4^R|| ^^^. ^^sifi ^RL'S^ BOSTON ^^T ^'%- flRK HiiHr n [[i^DORF, SYMPHONY ^^Lr- ..v^i^^^ ^^^^^^^^^B ^E^Hb # ERICH ^^B JH^^E^ LEINSDORF ^^PHj^^H|^ Conduclor 9SH|^V^^^^^K^^^^Bs . ^k }iiiMomi T^lH^B ^ Bfc/---^— LM/LSC-2969 LM/LSC-2994 LM/LSC-3006 Haydn BRHHins: svmPHonv no. 4 , ^ Symphony No. 93 ^m BOSTon svmPHonv orchestrii Symphony No. 96 ("Miracle") ERICH lEinSDORF ^t Boston Symphony Erich Leinsdorf, Conductor &L '^mlocmt(J§rc^f.i/m LSC-3030 LM/LSC-3010 Invite Erich Leinsdorf and the Boston Symphony Orchestra to your home ... transform a memory to a permanent possession! ncii RTA Distributors, Inc. (Exclusive Wholesale Distributor) • RTA Building • Albany, New York 12204 The gentle taste of Fundadoi^ PP^^^ ^ ^^^ ^^Y ^^ li^^ ^^ ^^^ ^^^^ISlA J'^^^^^T drinker. You raise the snifter to your lips. You have barely lived, yet life— :^"» you feel—has already passed you by.
    [Show full text]
  • Universidade Federal Do Estado Do Rio De Janeiro Centro De Letras E Artes Programa De Pós-Graduação Em Música Mestrado Em Música
    UNIVERSIDADE FEDERAL DO ESTADO DO RIO DE JANEIRO CENTRO DE LETRAS E ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM MÚSICA MESTRADO EM MÚSICA “TARDE DE CHUVA”: A CONTRIBUIÇÃO INTERPRETATIVA DE PAULO MOURA PARA O SAXOFONE NO SAMBA-CHORO E NA GAFIEIRA, A PARTIR DA DÉCADA DE 70 DANIELA SPIELMANN RIO DE JANEIRO, 2008 “TARDE DE CHUVA”: A CONTRIBUIÇÃO INTERPRETATIVA DE PAULO MOURA PARA O SAXOFONE NO SAMBA-CHORO E NA GAFIEIRA, A PARTIR DA DÉCADA DE 70 por DANIELA SPIELMANN Dissertação submetida ao Programa de Pós- Graduação em Música do Centro de Letras e Artes da UNIRIO, como requisito parcial para obtenção do grau de Mestre, sob orientação do Professor Doutor Naílson Simões. Rio de Janeiro, 2008 Spielmann, Daniela S755 Tarde de chuva : a contribuição interpretativa de Paulo Moura para o saxo- fone no samba-choro e na gafieira, a partir da década de 70 / Daniela Spiel- mann, 2008. xiv, 165f. + CD-ROM. Orientador: Naílson Simões Dissertação (Mestrado em Música) – Universidade Federal do Estado Rio de Janeiro, Rio de Janeiro, 2008. 1. Moura, Paulo, 1932-. 2. Tarde de chuva (Música) – Análise, apreciação. 3. Música popular – Brasil. 4. Saxofone. 5. Samba-Choro. 6. Música de gafiei- ra. I. Simões, Naílson. II. Universidade Federal do Estado do Rio de Janeiro (2003-). Centro de Letras e Artes. Mestrado em Música. III. Título. CDD – 780.420981 Catalogado na fonte por Isabel Grau Autorizo a cópia da minha dissertação “’Tarde de Chuva’: A Contribuição Interpretativa de Paulo Moura para o saxofone no samba-choro e na gafieira, a partir da década de 70”, para fins didáticos ...........................................................................
    [Show full text]
  • 07 – Spinning the Record
    VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo.
    [Show full text]
  • 825646079278.Pdf
    CAMILLE SAINT-SAËNS 1835–1921 1 Introduction & Rondo capriccioso, Op.28 9.21 ERNEST CHAUSSON 1855–1899 2 Poème, Op.25 16.38 CAMILLE SAINT-SAËNS 3 Havanaise, Op.83 10.16 MAURICE RAVEL 1875–1937 4 Tzigane (Rapsodie de concert) 9.54 46.10 ITZHAK PERLMAN violin Orchestre de Paris/Jean Martinon 2 Itzhak Perlman Photo: © Gérard Neuvecelle 3 SAINT-SAËNS · CHAUSSON · RAVEL Over the years, Itzhak Perlman has regularly enriched his recorded catalogue with works by French composers. As early as 1968, he set down his first versions of Lalo’s Symphonie espagnole and Ravel’s Tzigane (for RCA), as well as of Franck’s Sonata (for Decca). He later revisited the Symphonie espagnole , this time coupling it with Berlioz’s Rêverie et Caprice (DG, 1980). Next came Chausson’s Concert (1982, CBS), Saint-Saëns’s Third Concerto (DG, 1983) and, a few years later, Debussy’s Sonata and Ravel’s Trio (1994, Decca). In 1974, under the baton of Jean Martinon, he recorded four concertante works inspired by “exotic” music, but reclothed in westernised garb. Combining the concertante genre with the theme of foreign travel became very fashionable in France back in 1834, the year in which Berlioz’s Harold en Italie received its premiere. It appeared to be a recipe for success and other composers, such as Lalo, D’Indy, Chabrier, Saint-Saëns, Debussy and Ravel were to try their hand at it. Certain (non-French) musicologists have noted, slightly tongue-in- cheek, that French composers showed a particular talent for conjuring the musical atmosphere of places they had never actually visited… The works on this album would appear to back up that claim.
    [Show full text]
  • CCMA Coleman Competition (1947-2015)
    THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors.
    [Show full text]
  • Lynn Freeman Olson Collection Cassette
    LYNN FREEMAN OLSON COLLECTION CASSETTE RECORDINGS LIST Beethoven 9 Symphonien Ouverturen (6 tape boxed set)- Karajan Berliner Philharmonikar Vivaldi: Two Concertos for Two Violins / Two Sonatas for Two Violins and Continuo - Aston Magna Vivaldi: Concerti E Sinfonie - I Solisti Veneti/Claudio Scimone Mahler: Symphony No. 10 - Philadelphia Orchestra / James Levine (2 cassettes) Mahler: Symphony So, 1 - London Philharmonic - Klaus Tennstedt Debussy: 3 Nocturnes Ravel: Pavane & Bolero - Moscow Radio Large Symphony Orchestra / Yevgeni Svetlanov Debussy: La Mer, Nocturnes - Cleveland Orchestra/ Lorin Maazel Rachmaninoff: Symphony No. 2 - Royal Philharmonic Orchestra / Yuri Temirkanov Rachmaninoff: Symphony Mo. 3 Shostakovich: Symphony No. 6 - London Symphony Orchestra / Andre Previn Rachmaninoff: Second Piano Concerto - Balakirev Islamey, Julius Katchen - London Symphony Orchestra / Sir Georg Solti Rachmaninoff: Piano Concerto No. 3 - Vladimir Ashkenazy - The London Symphony / Anatola Fistoulari Rachmaninoff: Piano Concertos 2 & 4 -Vladimir Ashkenazy - Concertgebouw Orchestra / Bernard Haitink Shostakovich: Symphony No. 11 ("1905") - Houston Symphony Orchestra / Leopold Stokowski Shostakovich: Symphony No. 6 / The Age of Gold (Ballet Suite) - Chicago Symphony / Leopold Stokowski Shostakovich: Symphony No. 7 ("Leningrad") - Bournemouth Symphony Orchestra / Paavo Berglund Shostakovich: Symphony No. 10 e minor Op, 93 - Austrian Broadcast Symphony Orchestra / Milan Horvat (2 cassette set) LYNN FREEMAN OLSON REFERENCE COLLECTION OF RECORDED SOUND
    [Show full text]
  • A Brilhante Carreira Do Maestro Mais Cobiçado Do Brasil
    Os melhores CDs do mês • Notas sonoras • Jordi Savall Uma odisseia mahleriana com Gergiev, Nagano, Chailly... CONCERTOGuia mensal de música clássica Abril 2010 Roberto Minczuk A brilhante carreira do maestro mais cobiçado do Brasil ROTEIRO MUSICAL LIVROS • CDs • DVDs VIDAS MUSICAIS Padre José Maurício PALCO Denise de Freitas ATRÁS DA PAUTA por Júlio Medaglia R$ 9,90 MINHA MÚSICA Telê Ancona Lopez XIV FESTIVAL AMAZONAS DE ÓPERA ISSN 1413-2052 - ANO XV Nº 160 1413-2052 ISSN ENTREVISTA COM PAULO SZOT TEMPORADAS 2010 Após premiado sucesso na Broadway, Dell‘Arte, Petrobras Sinfônica, barítono brasileiro estreia no Met Orquestra Sinfônica Brasileira, Ospa Prezado Leitor, Em março passado, a Orquestra Sinfônica Brasileira organizou uma coletiva de imprensa no luxuoso Copacabana Palace, no Rio de Janeiro, para divulgar a sua programação de 2010. Será uma temporada especial, em que a OSB comemorará os seus 70 anos. Ainda estão na memória as difi culdades que essa orquestra enfrentou em passado recente. Tanto maior a satisfação e alegria em ver a situação em que a OSB se encontra no ano desse seu importante aniversário: setor administrativo harmonizado, situação fi nanceira equilibrada e uma verba de R$ 30 milhões anuais que, se ainda não confi gura uma condição ideal, ultrapassa em muito a realidade de suas congêneres brasileiras (à exceção da Osesp). E a temporada refl ete isso, com grandes concertos que certamente marcarão a efeméride, como você poderá ler na página 14. Um dos grandes responsáveis pela reviravolta vivida pela Orquestra Sinfônica Brasileira é o maestro Roberto Minczuk, que desde 2005 responde por sua direção artística e regência titular.
    [Show full text]
  • New Resume Ate Fim De 9, Completo
    I. Personal Data CAIO PAGANO BIRTH DATE: 5/14/1940 CITIZENSHIP: American/ Italian/Brazilian II. FORMAL SCHOOLING AND TRAINING A/ K-12 Dante Alighieri School in São Paulo, Brazil concluded 1957. B/ Higher Education 1- Masters in Law, College of Law, University of São Paulo 1965. 2- Doctorate in Music, Catholic University of America, Washington D.C., U.S.A., 1984. C/ Music Education Magda Tagliaferro School of Piano, with teacher Lina Pires de Campos, São Paulo, Brazil, 1948-1958. Private teaching: Magda Tagliaferro, São Paulo 1948-1958. Mozarteum Academy Buenos Aires, Argentina, teacher Moises Makaroff May-August, 1961. École Magda Tagliaferro: Magda Tagliaferro, 1958, Paris, France. Mozarteum Academy, Salzburg, Austria, teacher Magda Tagliaferro, 1958. Professor Sequeira Costa, Lisbon, Portugal, August- December, 1964. !Professor Helena Costa Oporto, Portugal, January- !September, 1965. 1 Summer Camp Cascais, Portugal, teachers Karl Engel and Sandor Vegh, 1965-1966. Hochschule für Musik Hannover, Germany, teacher Karl Engel, 1966-1968. !Hochschule für Musik Hamburg, Germany, teacher Conrad !Hansen, 1968-1970 Harpsichord Studies, Pro-Arte, São Paulo, Brazil, teacher Stanislav Heller, 1964. Theory & Harmony, teachers O. Lacerda and Caldeira Filho, São Paulo, Brazil, 1952-1957. Form and Analysis, São Paulo, Brazil, teacher Camargo Guarnieri 1958. 2 1. Full-Time Professorships .1 Piano Professor in Music seminars at Pro-Arte; São Paulo, Brazil, 1963. .2 Piano Professor at the University of São Paulo, Brazil Department of Music, 1970-1984. .3 Visiting Professor at Texas Christian University, Fort Worth, TX, U.S.A., 1984-1986. Second term 1989/1990. .4 Professor at Arizona State University, Tempe AZ, U.S.A., 1986-present; since 1999, Regents’ Professor; in 2010 !selected Professor of the Year .5 Artistic Director at Centre for Studies of the Arts, Belgais, Portugal, 2001-2002.
    [Show full text]
  • CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Q4 2017
    CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Q4 2017 PROGRAM #: CSO 17-40 RELEASE DATE: October 1, 2017 CSO Resound Showcase Schoenberg: Kol Nidre (Alberto Mizrahi, narrator; Chicago Symphony Chorus) Shostakovich: Suite on Verses of Michelangelo Buonarroti, Op. 145a (Ildar Abdrazakov, bass) Bates: Anthology of Fantastic Zoology Berlioz: Lelio: Fantasy on Shakespeare’s The Tempest (Chicago Symphony Chorus) PROGRAM #: CSO 17-41 RELEASE DATE: October 8, 2017 Riccardo Muti conducts Italian Opera Masterworks Verdi: Overture to Nabucco (Chicago Symphony Chorus) Verdi: Gli arredi festivi from Nabucco (Chicago Symphony Chorus) Verdi: Va, pensiero from Nabucco (Chicago Symphony Chorus) Verdi: Vedi! Le fosche notturne from Il trovatore (Chicago Symphony Chorus) Verdi: Patria oppressa! From Macbeth (Chicago Symphony Chorus) Verdi: Overture to I vespri siciliani Puccini: Intermezzo from Manon Lescaut Mascagni: Intermezzo from Cavalleria rusticana Boito: Prologue to Mefistofele (Riccardo Zanellato, bass; Chicago Symphony Chorus; Chicago Children’s Choir) Beethoven: Symphony No. 8 in F Major, Op. 93 PROGRAM #: CSO 17-42 RELEASE DATE: October 15, 2017 Riccardo Muti conducts Brahms Beethoven: Violin Concerto in D Major, Op. 61 (Julia Fischer, violin) Brahms: Serenade No. 1 in D Major, Op. 11 Prokofiev: Symphony No. 1 in D Major, Op. 25 (Classical) PROGRAM #: CSO 17-43 RELEASE DATE: October 22, 2017 Daniil Trifonov and Semyon Bychkov play Rachmaninov Rachmaninov: Piano Concerto No. 1 (Daniil Trifonov, piano) Shostakovich: Symphony No. 8 in C Minor, Op. 65 Borodin: In the Steppes of Central Asia (Tugan Sokhiev, conductor) PROGRAM #: CSO 17-44 RELEASE DATE: October 29, 2017 Donald Runnicles conducts the “Enigma” Variations Britten: Sinfonia da requiem, Op.
    [Show full text]