Boston Symphony Orchestra Concert Programs, Summer, 1969
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IS/SONY in High Gear W/Japanese Market on Eve Ur Inch Disks Bow
i sh Box Self Service Tape Guide (Turn The Page) ... IS/SONY In High Gear w/Japanese Market On Eve 2nd Spot In Global Disk Sales . The Split Look August 16, 1969 i Top 40 Radio ,;oldners Form ash.,mpany...EVR: )se To A Consumer Reality ... SSS Buys Ott Cash Box754 d Bird, Blue Cat Catalogs ... Mini Players, ur Inch Disks Bow On European Markets... Peter Sarstedt E WONDER: BIG STEVIE WONDER Intl Section Begins on Pg. 61 www.americanradiohistory.com The inevitable single from the group that brought you "Young Girl" and "WomanYVoman:' EC "This Girl Is Dir Ai STA BII aWoman Now7 hbAn. by Gary Puckett COiN and The Union Gap. DEE On Columbia Records* Di 3 II Lodz,' Tel: 11A fie 1%. i avb .» o www.americanradiohistory.com ///1\\ %b\\ ISM///1\\\ ///=1\\\ Min 111 111\ //Il11f\\ 11111111111111 1/11111 III111 MUSIC -RECORD WEEKLY ii INTERNATIONAL milli 1IUUIII MI/I/ MIII II MU/// MUMi M1111/// U1111D U IULI glia \\\1197 VOL. XXXI - Number 3/August 16, 1969 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone JUdson 6-2640 / Cable Address: Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Cash Box Assoc. Editor JOHN KLEIN BOB COHEN BRUCE HARRIS Self- Service EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA Tape Guide ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood Much of the confusion facing first - 8 -TRACK CARTRIDGES: Using the WOODY HARDING unit tape consumers lies in the area same speed and thickness of tape Art Director of purchaser education. -
The Iron Butterfly Free
FREE THE IRON BUTTERFLY PDF Chanda Hahn | 276 pages | 18 Apr 2012 | Createspace Independent Publishing Platform | 9781475070378 | English | United States Iron Butterfly Definition Iron Butterfly is an American rock band best known for the hit " In-A-Gadda-Da-Vida ", providing a dramatic sound that led The Iron Butterfly way towards The Iron Butterfly development of hard rock and heavy metal music. Formed in San Diego, Californiaamong band members who used to be "arch enemies", their heyday was the late s, but the band has been reincarnated with various members with varying levels of success, with no new recordings since Iron Butterfly was the first group to receive an In-House platinum album award from Atlantic Records. The band formed in in San Diego. The group were soon joined by vocalist and tambourine player Darryl DeLoach. Jerry Penrod replaced Willis after the band relocated to Los Angeles in the summer of Pinney eventually left to return to school. Bruce Morse then replaced The Iron Butterfly until Ron Bushy from a group called the Voxmen came aboard The Iron Butterfly Morse left due to a family emergency. In earlythe band's debut album Heavy The Iron Butterfly released after signing a deal with Atco Recordsan Atlantic Records subsidiary. The group was signed by Atlantic's Charles Greene, who was co-producer of Heavy. All but Ingle and Bushy left the band after completing the album in the late summer of The Iron Butterfly two remaining musicians, faced with the possibility of the record The Iron Butterfly being released, quickly found replacements in bassist Lee Dorman and year-old guitarist Erik Brann also known as "Erik Braunn" and "Erik Braun" and resumed touring. -
The BG News April 28, 1970
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-28-1970 The BG News April 28, 1970 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 28, 1970" (1970). BG News (Student Newspaper). 2452. https://scholarworks.bgsu.edu/bg-news/2452 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Bowling Green, Ohio Independent April 28, 1970 Student Voice ■me BG news Volume 54 Number 93 Nixon mum on aid to Cambodia area WASHINGTON (AP)-The White supply Cambodia with small arms for people with the Cambodian issue. House fended off yesterday questions on defensive weapons but no U.S. military Both Mansfield and Scott spoke out the dispatch of U.S. arms to beleaguered advisers. against sending any U.S. manpower to Cambodia and Americans to advise the "I am in no position to discuss with Cambodia, but Scott did not oppose Cambodian forces. you where the President stands in his weapons aid. Press secretary Ronald L. Ziegler told decision," Ziegler said. Sen. Robert P. Griffin of Michigan, newsmen he was not in a position now to The implication was that the the assistant Republican leader, says say when President Nixon would reach a President has come to no firm con- shipment of some U.S. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
L'època Més Prolífica De La Història De La Música
L'època més prolífica de la història de la música IES Antoni Cumella 2n Bax. B 17-1-11 AGRAÏMENTS Primer de tot voldria agrair al meu tutor del treball, que amb la seva inestimable ajuda deixant- me llibres i aconsellant-me com fer bé les coses, ha fet possible que la realització d’aquest treball sigui la millor possible. A la meva professora de llatí, la Roser, que va col·laborar voluntàriament ha corregir-me tot el treball sense cap obligació alguna i que segurament sinó fos per ella el treball no hagués quedat tan bé. A la meva família que m’ha estat recolzant durant la realització del treball (i que m’ha deixat durant tots aquests anys poder gastar-me els diners en música), i en especial a la meva germana, a la que he tingut que fer fora de la seva habitació moltes vegades per poder posar- me al ordinador a fer el treball. També menció especial per al meu pare i al meu tiet que m’han aconsellat molts dels grups que avui dia són els meus preferits, i segurament sense ells no hagués conegut mai per al meu compte, ni hagués pogut realitzar aquest treball. I per últim els vull agrair aquest treball als meus amics, que gràcies als seus ànims la paraula rendir-se no existia en el meu vocabulari. ÍNDEX -Introducció. 4 - El sostre del Beat al 1967. 10 - Cap al Vantguardisme. 16 - 1969: Underground, Vantguardisme i música progressiva. 21 - Consideracions al voltant d’una evolució. 26 - El naixement d’una dècada. -
Lydia Tang Thesis.Pdf
THE MULTI-FACETED ARTISTRY OF VIOLIST EMANUEL VARDI BY LYDIA M. TANG THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Rudolf Haken, Chair Associate Professor Katherine Syer, Director of Research Associate Professor Scott Schwartz Professor Stephen Taylor Clinical Assistant Professor Elizabeth Freivogel Abstract As a pioneer viola virtuoso of the 20th century, Emanuel “Manny” Vardi (c. 1915-2011) is most widely recognized as the first violist to record all of Paganini’s Caprices. As a passionate advocate for the viola as a solo instrument, Vardi premiered and championed now-standard repertoire, elevated the technique of violists by his virtuosic example, and inspired composers to write more demanding new repertoire for the instrument. However, the details of his long and diverse career have never to date been explored in depth or in a comprehensive manner. This thesis presents the first full biographical narrative of Vardi’s life: highlighting his work with the NBC Symphony under Arturo Toscanini, his activities as a soloist for the United States Navy Band during World War II, his compositional output, visual artwork, an analysis of his playing and teaching techniques, as well as his performing and recording legacies in classical, jazz, and popular music. Appendices include a chronology of his life, discography, lists of compositions written by and for Vardi, registered copyrights, and a list of interviews conducted by the author with family members, former students, and colleagues. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966, Tanglewood
f SIXTH WEEK August 6, 7, 8, 1965 Bartok/ Concerto for Orchestra The Boston Symphony Boston Symphony Orchestra Erich Leinsdorf under Leinsdorf For his recording debut as conductor of the Boston Symphony, Leinsdorf chose Bartok's "Concerto for Orchestra" The resulting album was an enormous success, fie later turned to Prokofieff, and Dynagroove recordings such as that of the Fifth Symphony have since shown why the N. Y. Herald Tribune's critic wrote: "Leinsdorf is now in the midst of performing all the Prokofieff orchestral liter- ature... he is quite clearly just the man for the job'.' Listen to Erich Leinsdorf and the Boston Symphony exclusively on RCA Red Seal. PROKOFIEFF: SYMPHONY No. 5 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF RCA Victor (@)The most trusted name in sound "TBI Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1965 TWENTY-EIGHTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SIXTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1965 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abkam Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Francis W. Hatch Henry A. Laughlin Sidney R. Rabb John L. Thorndike Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. Blau Lawrence K. Miller Jesse L. Thomason Lenges Bull George E. -
Abram Loft Collection
ABRAM LOFT COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gail E. Lowther, Fall 2019 1 The Fine Arts Quartet (Leonard Sorkin, Abram Loft, Gerald Stanick, and George Sopkin). Photograph from publicity flyer distributed by Colbert Artists Management, from Abram Loft Collection, Box 38, Folder 3, Sleeve 1. Photograph from unidentified event, from Abram Loft Collection, Box 38, Folder 1, Sleeve 4. 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 8 INVENTORY Sub-Group I: Papers Series 1: Publicity and press materials Sub-series A: Concert programs . 16 Sub-series B: Press clippings . 20 Series 2: Fine Arts Quartet papers Sub-series A: Papers . 30 Sub-series B: Itineraries, calendars, contract, and programs . 33 Sub-series C: Financial records . 44 Sub-series D: Program notes . 49 Sub-series E: Proposals, projects, and scripts . 57 Series 3: Eastman School of Music papers . 65 Series 4: Professional papers . 70 Series 5: Personal papers . 81 Series 6: Lecture and pedagogical material . 82 Series 7: Writing and research Sub-series A: Writing (music) . 86 Sub-series B: Card files . 109 Sub-series C: Writing (other interests) . 110 3 Series 8: Correspondence Sub-series A: Correspondence pertaining to the Fine Arts Quartet . 116 Sub-series B: Professional correspondence . 118 Sub-series C: Personal correspondence . 125 Series 9: Iconography . 126 Sub-Group II: Printed Music Series 1: Chamber music . 130 Series 2: Performance parts . 132 Series 3: Solo music . 143 Series 4: Consort music . 145 Sub-Group III: Audio-Visual Materials Series 1: 5” and 7” audio reels . -
Iron Butterfly 2 Originals of Iron Butterfly Mp3, Flac, Wma
Iron Butterfly 2 Originals Of Iron Butterfly mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 2 Originals Of Iron Butterfly Country: UK Released: 1975 Style: Psychedelic Rock MP3 version RAR size: 1910 mb FLAC version RAR size: 1313 mb WMA version RAR size: 1583 mb Rating: 4.8 Votes: 844 Other Formats: AA WAV XM FLAC AC3 AIFF WMA Tracklist Hide Credits Ball In The Time Of Our Lives A1 4:46 Written-By – Doug Ingle, Ron Bushy Soul Expierence A2 2:50 Written-By – Ingle*, Brann*, Dorman*, Bushy* Lonely Boy A3 5:05 Written-By – Doug Ingle Real Fright A4 2:40 Written-By – Ingle*, Brann*, Bushy* In The Crowds A5 2:12 Written-By – Doug Ingle, Lee Dorman It Must Be Love B1 4:23 Written-By – Doug Ingle Her Favorite Style B2 3:11 Written-By – Doug Ingle Filled With Fear B3 3:23 Written-By – Doug Ingle Belda-Beast B4 5:46 Written-By – Erik Brann Metamorphosis C1 Free Flight 0:40 C2 New Day 3:08 Shady Lady C3 3:50 Lyrics By – Robert Woods Edmonson C4 Best Years Of Our Life 3:55 Slower Than Guns C5 3:37 Lyrics By – Robert Woods Edmonson C6 Stone Believer 5:20 Soldier In Our Town D1 3:10 Lyrics By – Robert Woods Edmonson Easy Rider (Let The Wind Pay The Way) D2 3:06 Lyrics By – Robert Woods Edmonson D3 Butterfly Bleu 14:03 Companies, etc. Distributed By – WEA Records Ltd. Phonographic Copyright (p) – Atlantic Recording Corporation Pressed By – CBS Pressing Plant, Aston Clinton Printed By – Shorewood Packaging Recorded At – Gold Star Studios Recorded At – The Hit Factory Recorded At – American Recording Co. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
T" ^ffmm^i •"! FIRST WEEK July 2, 3, 4, 1966 BERKSHIRE FESTIVAL The Boston Symphony under Leinsdorf This recording of Prokof/'eff's Sixth Symphon y is a perfect example of the insight and drama with which the Boston Symphony Orchestra, under Leinsdorf, has invested the many Prokofieff masterpieces already recorded by them. Another striking example of their contemporary understanding is their powerful performance of Mahler's Sixth Symphon y, recorded for the first time in stereo, which takes its place among their cherished recordings of this master's First and Fifth Sympho- t£*"*i nies. Equally treasurable are their shimmering Firebird Mahler: S>mphon> So. 6 and glittering Le Cog d'Or. In D ynagroove sound. Boston Svmpbom Orchestra Erich Leinsdorf Bit Tjfhimy Orchestra/ Erich Lemdnrf Rimaky-Koraakoff/"LE GOQ D OR SUITE Stravinsky /"FIREBIRD" SUITE rca Victor® ^SJThe most trusted name m sound ~t BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF, Music Director RICHARD Burgin, Associate Conductor Berkshire Festival, Season 1966 TWENTY-NINTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS FIRST WEEK Historical and descriptive notes by John N. Burk Assisted by DONALD T. GAMMONS Copyright, 1966 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks John L. Thorndike Philip K. Allen Francis W. Hatch Henry A. Laughlin Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. -
Brevard Live June 2018
Brevard Live June 2018 - 1 2 - Brevard Live June 2018 Brevard Live June 2018 - 3 4 - Brevard Live June 2018 Brevard Live June 2018 - 5 6 - Brevard Live June 2018 Content June 2018 FEATURES KELMARIE SANDBARPALOOZA No matter where or what song she is Columns Now in its 13th year the Sandbarpalooza singing KelMarie is happy to be able is the biggest music event you will find to concentrate on her career. If the past CD Review in Cocoa Beach during the month of couple of years are any indication, 19 by Rob Pedrick June. The party starts at 11 am and goes you’ll be hearing a lot from and about all day all night until 1:30 am with the this lifelong “overnight” success Charles Van Riper most popular bands performing on stage. Page 16 22 Political Satire Page 11 Syria for dummies SOUNDS OF NEBULA MIKE ZITO Currently Sounds of Nebula do not have Calendars Texas bandleader Mike Zito has rocked a record company, but that doesn’t mean Live Entertainment, as hard as anyone. Yet his lifelong fasci- they are not busy recording - and film- 25 Concerts, Festivals nation with the blues has always reeled ing. These ladies have multiple videos him back in. He’s on tour to promote his on the world wide web for you to find For The Birds newest release, First Class Life. and admire. 32 by Matt Bretz Page 11 Page 35 Spotlight On IRON BUTTERFLY JAM NIGHT 35 by Matt Bretz In-A-Gadda-Da-Vida dropped in 1968 Have you been to one of the many jam and is considered to be the first heavy nights lately? If not, you really should! The Dope Doctor metal album. -
The History of CBS New York Television Studios: 1937-1965
1 The History of CBS New York Television Studios: 1937-1965 By Bobby Ellerbee and Eyes of a Generation.com Preface and Acknowledgements This is the first known chronological listing that details the CBS television studios in New York City. Included in this exclusive presentation by and for Eyes of a Generation, are the outside performance theaters and their conversion dates to CBS Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the efforts at CBS to pioneer the new medium. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me, as this is an ongoing project. (Second Revision: June, 2021). Eyes of a Generation would like to offer a huge thanks to the many past and present CBS people that helped, but most especially to television historian and author David Schwartz (GSN), and Gady Reinhold (CBS 1966 to 2019), for their first-hand knowledge, photos and help. Among the distinguished CBS veterans providing background information are Dr. Joe Flaherty, George Sunga, Dave Dorsett, Allan Brown, Locke Wallace, Rick Scheckman, Jim Hergenrather, Craig Wilson and Bruce Martin.