Source: BARB/RSMB BARB Quarterly Reach Report- Quarter 3 2012
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MCPS TV Fpvs
MCPS Broadcast Blanket Distribution - TV FPV Rates paid July 2014 Non Peak Non Peak Progs Progs P(ence) P(ence) Peak FPV Non Peak (covered (covered Manufact Period Rate (per Rate (per (per FPV (per by by Source/S urer Source Link (YYMMYYM weighted weighted weighted weighted blanket blanket Licensee Channel Name hort Code udc Number Type code M) second) second) minute) minute) licence) licence) AATW Ltd Channel AKA CHNAKA S1759 287294 208 qbc 13091312 0.015 0.009 Y Y BBC BBC 1 BBCTVD Z0003 5258 201 qdw 14011403 75.452 37.726 45.2712 22.6356 Y Y BBC BBC 2 BBC2 Z0004 316168 201 qdx 14011403 17.879 8.939 10.7274 5.3634 Y Y BBC BBC ALBA BBCALB Z0008 232662 201 qe2 14011403 6.48 3.24 3.888 1.944 Y Y BBC BBC HD BBCHD Z0010 232654 201 qe4 14011403 6.095 3.047 3.657 1.8282 Y Y BBC BBC Interactive BBCINT AN120 251209 201 qbk 14011403 6.854 4.1124 Y Y BBC BBC News BBC NE Z0007 127284 201 qe1 14011403 8.193 4.096 4.9158 2.4576 Y Y BBC BBC Parliament BBCPAR Z0009 316176 201 qe3 14011403 13.414 6.707 8.0484 4.0242 Y Y BBC BBC Side Agreement for S4C BBCS4C Z0222 316184 201 qip 14011403 7.747 4.6482 Y Y BBC BBC3 BBC3 Z0001 126187 201 qdu 14011403 15.677 7.838 9.4062 4.7028 Y Y BBC BBC4 BBC4 Z0002 158776 201 qdv 14011403 9.205 4.602 5.523 2.7612 Y Y BBC CBBC CBBC Z0005 165235 201 qdy 14011403 8.96 4.48 5.376 2.688 Y Y BBC Cbeebies CBEEBI Z0006 285496 201 qdz 14011403 12.457 6.228 7.4742 3.7368 Y Y BBC Worldwide BBC Entertainment Africa BBCENA Z0296 286601 201 qk2 14011403 5.556 2.778 3.3336 1.6668 N Y BBC Worldwide BBC Entertainment Nordic BBCENN Z0300 -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
A Channel Guide
Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto -
Foreign Satellite & Satellite Systems Europe Africa & Middle East Asia
Foreign Satellite & Satellite Systems Europe Africa & Middle East Albania, Austria, Belarus, Belgium, Bosnia & Algeria, Angola, Benin, Burkina Faso, Cameroon, Herzegonia, Bulgaria, Croatia, Czech Republic, Congo Brazzaville, Congo Kinshasa, Egypt, France, Germany, Gibraltar, Greece, Hungary, Ethiopia, Gabon, Ghana, Ivory Coast, Kenya, Iceland, Ireland, Italy, Luxembourg, Macedonia, Libya, Mali, Mauritania, Mauritius, Morocco, Moldova, Montenegro, The Netherlands, Norway, Mozambique, Namibia, Niger, Nigeria, Senegal, Poland, Portugal, Romania, Russia, Serbia, Somalia, South Africa, Sudan, Tanzania, Tunisia, Slovakia, Slovenia, Spain, Sweden, Switzerland, Uganda, Western Sahara, Zambia. Armenia, Ukraine, United Kingdom. Azerbaijan, Bahrain, Cyprus, Georgia, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Oman, Palestine, Qatar, Saudi Arabia, Syria, Turkey, United Arab Emirates, Yemen. Asia & Pacific North & South America Afghanistan, Bangladesh, Bhutan, Cambodia, Canada, Costa Rica, Cuba, Dominican Republic, China, Hong Kong, India, Japan, Kazakhstan, Honduras, Jamaica, Mexico, Puerto Rico, United Kyrgyzstan, Laos, Macau, Maldives, Myanmar, States of America. Argentina, Bolivia, Brazil, Nepal, Pakistan, Phillipines, South Korea, Chile, Columbia, Ecuador, Paraguay, Peru, Sri Lanka, Taiwan, Tajikistan, Thailand, Uruguay, Venezuela. Uzbekistan, Vietnam. Australia, French Polynesia, New Zealand. EUROPE Albania Austria Belarus Belgium Bosnia & Herzegovina Bulgaria Croatia Czech Republic France Germany Gibraltar Greece Hungary Iceland Ireland Italy -
The Cable Network in an Era of Digital Media: Bravo and the Constraints of Consumer Citizenship
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses Fall August 2014 The Cable Network in an Era of Digital Media: Bravo and the Constraints of Consumer Citizenship Alison D. Brzenchek University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Cultural History Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, History of Science, Technology, and Medicine Commons, and the Political Economy Commons Recommended Citation Brzenchek, Alison D., "The Cable Network in an Era of Digital Media: Bravo and the Constraints of Consumer Citizenship" (2014). Doctoral Dissertations. 55. https://doi.org/10.7275/bjgn-vg94 https://scholarworks.umass.edu/dissertations_2/55 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE CABLE NETWORK IN AN ERA OF DIGITAL MEDIA: BRAVO AND THE CONSTRAINTS OF CONSUMER CITIZENSHIP A Dissertation Presented by ALISON D. BRZENCHEK Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2014 Department -
995 Final COMMISSION STAFF WORKING DOCUMENT
EUROPEAN COMMISSION Brussels,23.9.2010 SEC(2010)995final COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod2007-2008 (PromotionofEuropeanandindependentaudiovisual works) COM(2010)450final EN EN COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod20072008 (PromotionofEuropeanandindependentaudiovisual works) EN 2 EN TABLE OF CONTENTS ApplicationofArticles 4and5ineachMemberState ..........................................................5 Introduction ................................................................................................................................5 1. ApplicationofArticles 4and5:generalremarks ...................................................5 1.1. MonitoringmethodsintheMemberStates ..................................................................6 1.2. Reasonsfornon-compliance ........................................................................................7 1.3. Measures plannedor adoptedtoremedycasesofnoncompliance .............................8 1.4. Conclusions -
EUROPEAN COMMISSION Brussels, 24.9.2012 SWD(2012) 269 Final
EUROPEAN COMMISSION Brussels, 24.9.2012 SWD(2012) 269 final COMMISSION STAFF WORKING DOCUMENT PROMOTION OF EUROPEAN WORKS IN EU SCHEDULED AND ON-DEMAND AUDIOVISUAL MEDIA SERVICES PART III ANNEX to PART II on the application of Articles 16 and 17 of Directive 2010/13/EU for the period 2009-2010 Accompanying the document First Report on the Application of Articles 13, 16 and 17 of Directive 2010/13/EU for the period 2009-2010 {COM(2012) 522 final} EN EN TABLE OF CONTENTS ANNEX 1: .............................................................................................................................. 3 PERFORMANCE INDICATORS.......................................................................................... 3 ANNEX 2: .............................................................................................................................. 6 CHARTS AND TABLES ON THE APPLICATION OF ARTICLES 16 AND 17 ................ 6 ANNEX 3: ............................................................................................................................ 12 LIST OF TELEVISION CHANNELS IN THE MEMBER STATES WHICH FAILED TO ACHIEVE THE MAJORITY PROPORTION REQUIRED BY ARTICLE 16 ................... 12 ANNEX 4: ............................................................................................................................ 24 LIST OF TELEVISION CHANNELS IN THE MEMBER STATES WHICH FAILED TO ACHIEVE THE MAJORITY PROPORTION REQUIRED BY ARTICLE 17 ................... 24 2 ANNEX 1: PERFORMANCE INDICATORS The following indicators -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
Quake III Arena This Page Intentionally Left Blank Focus on Mod Programming for Quake III Arena
Focus on Mod Programming for Quake III Arena This page intentionally left blank Focus on Mod Programming for Quake III Arena Shawn Holmes © 2002 by Premier Press, a division of Course Technology. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, elec- tronic or mechanical, including photocopying, recording, or by any information stor- age or retrieval system without written permission from Premier Press, except for the inclusion of brief quotations in a review. The Premier Press logo, top edge printing, and related trade dress are trade- marks of Premier Press, Inc. and may not be used without written permis- sion. All other trademarks are the property of their respective owners. Publisher: Stacy L. Hiquet Marketing Manager: Heather Hurley Managing Editor: Sandy Doell Acquisitions Editor: Emi Smith Series Editor: André LaMothe Project Editor: Estelle Manticas Editorial Assistant: Margaret Bauer Technical Reviewer: Robi Sen Technical Consultant: Jared Larson Copy Editor: Kate Welsh Interior Layout: Marian Hartsough Cover Design: Mike Tanamachi Indexer: Katherine Stimson Proofreader: Jennifer Davidson All trademarks are the property of their respective owners. Important: Premier Press cannot provide software support. Please contact the appro- priate software manufacturer’s technical support line or Web site for assistance. Premier Press and the author have attempted throughout this book to distinguish proprietary trademarks from descriptive terms by following the capitalization style used by the manufacturer. Information contained in this book has been obtained by Premier Press from sources believed to be reliable. However, because of the possibility of human or mechanical error by our sources, Premier Press, or others, the Publisher does not guarantee the accuracy, adequacy, or completeness of any information and is not responsible for any errors or omissions or the results obtained from use of such information. -
Payday Loans
Trends in Advertising Activity - Payday Loans December 2013 Contents • Key Facts • Viewing Trends • Advertising Activity • Annex 1 – Methodology 1 Key Facts Source: BARB/Infosys+/Nielsen Media Note: Figures have been rounded for illustrative purposes – please refer to the ‘Advertising Activity’ section for detailed analyses 2 Key Facts - Viewing 2012 Total TV Comm.TV Comm: Non-comm 2008 2012 Adults 4.3 2.8 Adults 66:34 66:34 commercial ABC1 Adults 3.5 2.2 - ABC1 Adults 63:37 61:39 C2DE Adults 5.2 3.6 C2DE Adults 68:32 70:30 4-15 2.4 1.7 4-15 74:26 73:27 Hours of viewing/day Hours 10-15 2.4 1.8 10-15 75:25 75:25 Commercial: Non Viewing by daypart Commercial channel viewing by channel group • Around two-thirds of commercial channel viewing takes place pre- • Terrestrial channels account for almost two-fifths of adult viewing - 2100 across the adults demographic groups – this has remained this has been in decline as viewing to Portfolio channels has stable over time. ABC1 Adult viewing tends to be higher later in the increased to around a quarter of viewing. evening than Adults/C2DE Adults. • Among children, the share of viewing represented by the Terrestrial • Around four-fifths of Children’s viewing takes place pre-2100, falling channels falls to around a quarter and viewing to the Portfolio to around three-quarters among older children – this has also channels accounts for around 15% of viewing. Children’s channels remained stable over the analysis period account for almost a third of viewing amongst 4-15 year olds and a • In 2012, viewing to commercial channels peaked between 2100- fifth of viewing among 10-15 year olds. -
Children's and Young People's Exposure to Alcohol Advertising
Children’s and young people’s exposure to alcohol advertising Children’s and young people’s exposure to alcohol advertising 2007 to 2011 Research Document Publication date: 24 May 2013 Children’s and young people’s exposure to alcohol advertising Contents Section Page 1 Summary 2 2 Data & methodology 9 3 The changing context: viewing trends and advertising activity 16 4 Changes in the amount of alcohol advertising seen by children and young people 39 5 Comparative analysis 57 Annex Page 1 Additional analysis 63 2 Most watched programmes amongst child audiences 74 1 Children’s and young people’s exposure to alcohol advertising Section 1 1 Summary 1.1 Introduction This report sets out the findings of analysis examining trends in young people’s exposure to television advertising of alcoholic products between 2007 and 2011. The analysis looks at trends among children aged 4-15 (including sub-groups of 4-9 and 10-15 year olds) and adults aged 16-24 (including the sub-group 16-17 year olds1). The report looks at how the amount of advertising seen by these demographic groups has changed and considers this in the context of changes in viewing habits and the volume of advertising shown on commercial television channels. 1.2 Background There have long been concerns about the possible effects on children’s attitude towards alcohol that exposure to alcohol advertising might have. In 1999, these led the then television regulator, the Independent Television Commission, to require that alcohol advertising be excluded from programmes deemed likely to be of ‘particular appeal’ to children. -
Detailed Data for United Kingdom
PART I - Detailed data for United Kingdom Channel identification 2009 2010 Broadcaster Channel EW IP RW EW IP RW (%TQT) (%TQT) (%IP) (%TQT) (%TQT) (%IP) Example A Channel 65.0% 22.2% 85.0% Example Another Channel 84.3% EX EX 51.0% NC NC Broadcasting (Gaia) 100% Babes 40.9% 40.9% 100.0% 46.4% 46.4% 100.0% Sci Fi Channel Europ 13th Street Universa 12.9% 0.0% 0.0% 5.5% 0.0% 100.0% Sparrowhawk Internat 13th Street Universa 12.9% 0.0% 0.0% 12.0% 0.0% 0.0% Viasat Broadcasting 3+ 18.8% 12.0% 100.0% 13.1% 10.7% 100.0% Viasat Broadcasting 3+ (Baltics) 80.6% 80.6% 100.0% 14.1% 14.1% 100.0% Viasat Broadcasting 3+ (Estonia) 84.2% 84.2% 100.0% 24.7% 24.7% 100.0% Box TV Ltd 4 Music 40.0% 31.3% 80.0% 52.5% 33.0% 90.9% Channel5 Broadcasti 5 USA 9.1% 9.1% 0.0% 0.0% 0.0% 0.0% Channel5 Broadcasti 5* (TLCS) 51.7% 49.9% 97.6% 45.6% 45.3% 93.8% Playboy TV UK/Benelu Adult Channel 2 NC NC NC Turner Broadcasting Adult Swim 0.0% 0.0% 0.0% Playboy TV UK/Benelu Adult xxx Mums 83.3% 83.3% 92.5% 79.8% 79.8% 79.5% Arsenal Holdings Plc AH 100.0% 100.0% 100.0% 100.0% 100.0% 100.0% Ahlulbayt TV net Ltd Ahlulbayt 29.9% 12.4% 100.0% 51.6% 10.3% 100.0% AIT International AIT Int 10.5% 7.2% 22.0% 38.0% 19.5% 45.0% Daar Communications AIT Movistar NC NC NC West Studio Limited Al Fayhaa 0.0% 0.0% 0.0% Al Jazeera Internati Al Jazeera 33.7% 25.8% 100.0% 30.5% 23.8% 100.0% UKTV Alibi 67.5% 19.8% 12.7% 49.8% 7.7% 18.4% Broadcasting (Gaia) Amateur Babes 100.0% 100.0% 100.0% 100.0% 100.0% 100.0% Discovery Communicat Animal Planet (Europ 77.3% 15.7% 42.2% 68.1% 8.7% 50.5% Discovery