Recital Dance Names - Tights - Shoes - Hairstyles

Total Page:16

File Type:pdf, Size:1020Kb

Recital Dance Names - Tights - Shoes - Hairstyles Recital Dance Names - Tights - Shoes - Hairstyles Class Day-Time-Type Teacher Name of Dance Tights Shoes Hairstyles MON-3:30 B/T Combo Jennifer Dig a Little Deeper Bloch Light Tan Black Tap High Curly Pony Tail - No Bangs MON-3:30 Ballet I Lori Skater's Waltz Bloch Pink Bloch Pink Ballet Bun - No Bangs MON-3:30 Jazz I-B Alexis I Do Bloch Light Tan Bloch Tan Slip-On Jazz High Culy Pony Tail - No Bangs MON-3:30 Lyrical II+ Erin City of Stars No Tights Bloch Tan Slip-On Jazz Low Pony Tail - No Bangs MON-3:45 Pre-Ballet Brandi 16 Going On 17 Bloch Pink Bloch Pink Ballet Bun - No Bangs MON-4:30 Jazz I Lori All The Way Up Bloch Light Tan Bloch Tan Slip-On Jazz High Pony Tail - No Bangs MON-4:30 Lyrical I Jennifer Echoes of Love Bloch Light Tan Bloch Tan Slip-On Jazz Bun - No Bangs MON-5:30 B/T Combo Brandi Shake Rattle and Roll Bloch Light Tan Black Tap High Pony Tail - No Bangs MON-5:30 Jazz II Erin A Little Party Bloch Light Tan Bloch Tan Slip-On Jazz Low Pony Tail - No Bangs MON-5:30 Lyrical I-B Jennifer Near Me Now Bloch Light Tan Footless Capezio Nude FootUndeez Bun - No Bangs MON-6:30 Jazz I Alexis Something To Dance For Bloch Light Tan Bloch Tan Slip-On Jazz High Curly Pony Tail - No Bangs MON-7:30 Adv Tap Erin We Will Rock You No Tights Black Tap Low Pony Tail - No Bangs MON-7:30 Beg HH Alexis Sit Still Look Pretty No Tights Converse Black High Top Sneakers 1/2 Up 1/2 Down TUES-9:00 Adult Tap Nicky No See Nicky See Nicky See Nicky TUES-10:00 B/T Combo Nicky Through Your Eyes Bloch Pink Bloch Pink Ballet Bun - No Bangs TUES-10:30 B/T Combo Brandi Back In Baby's Arms Bloch Pink Bloch Pink Ballet Bun - No Bangs TUES-3:30 B/T Combo Sophia Lollipop Bloch Light Tan Black Tap 1/2 Up 1/2 Down TUES-3:30 Ballet I Lori Annen Polka Bloch Pink Bloch Pink Ballet Bun - No Bangs TUES-3:30 Jazz I Erin Footloose Bloch Light Tan Bloch Tan Slip-On Jazz High Curly Pony Tail - No Bangs TUES-4:30 Jazz I Lori Peanut Butter Jelly Time Bloch Light Tan Bloch Tan Slip-On Jazz High Pony Tail - No Bangs TUES-4:30 Pre-HH Sophia What U Workin' With Bloch Light Tan Converse Black High Top Sneakers 1/2 Up 1/2 Down TUES-5:00 Tap I-B Erin Sing Bloch Light Tan Black Tap Bun - No Bangs TUES-5:15 Beg HH Sophia Fireball No Tights Converse Black High Top Sneakers 1/2 Up 1/2 Down - Curly TUES-6:00 Jazz I-B Erin Sing With a Swing Bloch Light Tan Bloch Tan Slip-On Jazz Bun - No Bangs TUES-6:15 Tap I Sophia Freeze Frame Bloch Light Tan Black Tap High Curly Pony Tail - No Bangs TUES-6:30 Ballet I-B Johana Coppelia Waltz Bloch Pink Bloch Pink Canvas Ballet Bun - No Bangs TUES-6:30 Int HH Ashley Pass the Torch No Tights Converse Black High Top Sneakers Two Pig Tails TUES-7:30 Bal II-B+/Pnt I Johana La Esmeralda Variation Bloch Pink Pink Pointe Bun - No Bangs WED-9:00 B/T Combo Brandi Tip Toe Through The Forest Bloch Pink Bloch Pink Ballet Bun - No Bangs WED-2:30 Ballet I Laura The Mozart Quartet in D Bloch Pink Bloch Pink Leather Split-Sole Ballet Bun - No Bangs WED-2:30 Pre-Ballet/Lyr Jennifer Journey to the Past Bloch Pink Bloch Pink Ballet Bun - No Bangs WED-3:30 B/T Combo Brandi Happy Tapping With Elmo Bloch Light Tan Black Tap Bun - No Bangs WED-3:30 Ballet I Jennifer Dance of the Rose Maidens Bloch Pink Bloch Pink Ballet Bun - No Bangs WED-3:30 Ballet I-B Laura Pas de Quatre Bloch Pink Bloch Pink Leather Split-Sole Ballet Bun - No Bangs WED-3:30 Beg Acro Alexis Gotta Be Me Bloch Light Tan Footless Capezio Nude FootUndeez High Curly Pony Tail - No Bangs WED-3:45 Pre-Jazz/Hop Erin I Go To Work Bloch Light Tan Bloch Tan Slip-On Jazz High Curly Pony Tail - No Bangs Recital Dance Names - Tights - Shoes - Hairstyles WED-4:30 Ballet II Laura Swan Lake Pas de Trois Bloch Pink Bloch Pink Leather Split-Sole Ballet Bun - No Bangs WED-4:30 J/T Combo Brandi Hit the Road Jack Bloch Light Tan Bloch Tan Slip-On Jazz High Pony Tail - No Bangs WED-4:30 T/J Combo Erin Cheeseburger in Paradise Bloch Light Tan Bloch Tan Slip-On Jazz Bun - No Bangs WED-4:30 Lyrical I Jennifer At the Beginning Bloch Light Tan Bloch Tan Slip-On Jazz Bun - No Bangs WED-5:30 Ballet I Jennifer Once Upon a December Bloch Pink Bloch Pink Ballet Bun - No Bangs WED-5:30 Beg HH Brandi Romeo No Tights Converse Black High Top Sneakers High Pony Tail - No Bangs WED-6:30 Ballet III Laura You Put a Spell On Me No Tights Bloch Pink Leather Split-Sole Ballet Bun - No Bangs WED-6:30 Lyrical I-B Jennifer Tears of an Angel Bloch Light Tan Footless Capezio Nude FootUndeez Bun - No Bangs WED-7:00 Tap III Erin Another Day of Sun Bloch Light Tan Black Tap Bun - No Bangs WED-7:30 Pointe I Laura Ballad of the Runaway Horse No Tights Pink Pointe Bun - No Bangs WED-8:30 Lyrical I-B Brandi Hold Onto Me Bloch Light Tan Bloch Tan Slip-On Jazz Bun - No Bangs THURS-3:30 B/T Combo Erin Barbie Girl Bloch Light Tan Black Tap High Culy Pony Tail THURS-3:30 Jazz I Sophia You Can't Stop The Beat Bloch Light Tan Bloch Tan Slip-On Jazz High Pony Tail - No Bangs THURS-3:30 Pre-Ballet/Lyr Jennifer Look Through My Eyes Bloch Pink Bloch Pink Ballet Bun - No Bangs THURS-4:30 B/L Combo Jennifer Butterfly Fly Away Bloch Pink Bloch Pink Ballet Bun - No Bangs THURS-4:30 Ballet I Nicky Light Up the World Bloch Pink Bloch Pink Ballet Bun - No Bangs THURS-4:30 Beg HH Sophia Cold Water No Tights Converse Black High Top Sneakers 2 Braids THURS-4:30 Lyrical I Vanessa Stand in the Light Bloch Light Tan Bloch Tan Slip-On Jazz Bun - No Bangs THURS-5:30 Ballet I Nicky A Dream Is A Wish Your Heart Makes Bloch Pink Bloch Pink Ballet Bun - No Bangs THURS-5:30 Ballet I-B Johana Waltz of the Hours Bloch Pink Bloch Pink Canvas Ballet Bun - No Bangs THURS-5:30 Jazz I-B+ Sophia HandClap Bloch Light Tan Bloch Tan Slip-On Jazz High Pony Tail - No Bangs THURS-5:30 Tap II+ Erin Na Na Na Bloch Light Tan Black Tap Bun - No Bangs THURS-6:30 Ballet I-B Erin Arabian Nights Bloch Pink Bloch Pink Ballet Bun - No Bangs THURS-6:30 Jazz I-B Vanessa Fireproof Bloch Light Tan Bloch Tan Slip-On Jazz High Pony Tail - No Bangs THURS-6:30 Tap I Nicky When I'm Gone Bloch Light Tan Black Tap High Pony Tail - No Bangs THURS-7:00 Beg Acro Jazz Sophia In the Stars No Tights Barefoot High Pony Tail - No Bangs THURS-7:30 Lyrical I-B Vanessa Burning House Bloch Light Tan Bloch Tan Slip-On Jazz Bun - No Bangs THURS-8:00 Beg HH Sophia Drake No Tights Converse Black High Top Sneakers 2 Braids FRI-4:30 Ballet I Laura Dance in the Black Forest Bloch Pink Bloch Pink Leather Split-Sole Ballet Bun - No Bangs FRI-4:30 Beg Acro Kimberly #thatPOWER Bloch Light Tan Bloch Tan Slip-On Jazz Low Pony Tail - No Bangs FRI-4:30 Jazz I Danielle Bailar Bloch Light Tan Bloch Tan Slip-On Jazz Low Pony Tail - No Bangs FRI-4:30 Pre-Jazz/HH/T Brandi Who Let The Dogs Out Bloch Light Tan Converse Black High Top Sneakers Pig Tails FRI-5:30 Ballet II Johana Classical Ballet - Suite Waltz Bloch Pink Bloch Pink Canvas Ballet Bun - No Bangs FRI-5:30 Ballet II-B Laura Paquita Bloch Pink Bloch Pink Leather Split-Sole Ballet Bun - No Bangs FRI-6:00 Int A Acro Jazz Kimberly Be Prepared Black "Seamless" Fishnets Bloch Black Slip-On Jazz High Pony Tail - No Bangs FRI-6:30 Pre-Pointe Johana La Bayadere Variation Bloch Pink Pink Pointe Bun - No Bangs FRI-7:00 Lyrical I Kimberly Run Bloch Light Tan Bloch Tan Slip-On Jazz Pony Tail - No Bangs Recital Dance Names - Tights - Shoes - Hairstyles SAT-9:00 B/T Combo Danielle Spoken Bloch Pink Bloch Pink Ballet Bun - No Bangs SAT-9:00 Ballet I Johana My Heart Will Go On Bloch Pink Bloch Pink Canvas Ballet Bun - No Bangs SAT-9:00 Beg Acro Jazz Michaela Watch Me Bloch Light Tan Bloch Tan Slip-On Jazz High Curly Pony Tail - No Bangs SAT-10:00 MT Roberta Heart Long White Knee Socks Any White Tennis Shoe High Pony Tail or Pigtails SAT-10:00 B/T Combo Brittni Into the Forest Bloch Pink Bloch Pink Ballet Bun - No Bangs SAT-10:00 Ballet I-B+ Johana Classical Ballet Variation Bloch Pink Bloch Pink Canvas Ballet Bun - No Bangs SAT-10:00 Jazz I Michaela Shake It Up Bloch Light Tan Bloch Tan Slip-On Jazz High Curly Pony Tail - No Bangs SAT-11:00 B/T Combo Danielle I'm Your's Bloch Pink Bloch Pink Ballet Bun - No Bangs SAT-11:00 Beg HH Kayley Can't Stop the Feeling No Tights Converse Black Low Top Sneakers 1/2 Up 1/2 Down SAT-12:00 Lyrical I Danielle Right Thing To Do Bloch Light Tan Footless Capezio Nude FootUndeez Low Pony Tail - No Bangs SAT-12:00 Tap I Brittni Boogie Woogie Bugle Boy Bloch Light Tan Black Tap Bun - No Bangs SAT-12:00 Ballet I-B Johana Don Quixote - Allegretto Bloch Pink Bloch Pink Canvas Ballet Bun - No Bangs SAT-1:00 Beg Acro Danielle Freedom No Tights Bloch Black Slip-On Jazz Low Pony Tail - No Bangs SUN-9:00 B/T Combo Holly The Glow Bloch Pink Bloch Pink Ballet Bun - No Bangs SUN-10:00 B/T Combo Holly We Rock Bloch Light Tan Black Tap Curly Pony Tail - No Bangs SUN-11:00 Pre-Ballet Holly Dreams Come True Bloch Pink Bloch Pink Ballet Bun - No Bangs SUN-12:00 Adv Cont/Mod LJ Colony No Tights Barefoot High Messy Bun.
Recommended publications
  • Bloch Dance World Cup Finals 2016 Schedule Overview Saturday 25 June – Saturday 2 July
    Bloch Dance World Cup Finals 2016 Schedule Overview Saturday 25 June – Saturday 2 July Saturday - Morning 09:30 MiniSW - Mini Solo Jazz & Show Dance MiniSM - Mini Solo Modern & Contemporary Dance KDM - Children Duet/Trio Modern & Contemporary Dance PRIZE GIVING Saturday - Evening 19:00 KSV - Children Solo Song & Dance MiniSV - Mini Solo Song and Dance KDV - Children Duet/Trio Song & Dance MiniDV - Mini Duet/Trio Song & Dance KQV - Children Quartet/Quad Song & Dance MiniQV - Mini Quartet/Quad Song & Dance PRIZE GIVING Sunday - Morning 08:30 KST - Children Solo Tap MiniST - Mini Solo Tap KGT - Children Group Tap PRIZE GIVING KGV - Children Group Song & Dance MiniDT - Mini Duet/Trio Tap KQM - Children Quartet/Quad Modern Dance (any style) PRIZE GIVING Sunday - Afternoon 13:15 MiniGT - Mini Group Tap KQT - Children Quartet/Quad Tap MiniSA - Mini Solo Acro Dance PRIZE GIVING KSA - Children Solo Acro Dance MiniGV - Mini Group Song & Dance KDT - Children Duet/Trio Tap MiniQT - Mini Quartet/Quad Tap KSH - Children Solo Hip Hop & Street Dance PRIZE GIVING Bloch Dance World Cup Finals 2016 Schedule Overview Saturday 25 June – Saturday 2 July Sunday - Evening 18:30 KGM - Children Group Modern & Contemporary Dance KDH - Children Duet/Trio Hip Hop & Street Dance MiniGA - Mini Group Acro Dance KGH - Children Group Hip Hop & Street Dance KGA - Children Group Acro Dance PRIZE GIVING Monday - Morning 08:30 KDW - Children Duet/Trio Jazz & Show Dance MiniQM - Mini Quartet/Quad Modern (any style age appropriate) KSN - Children Solo National & Folklore Dance
    [Show full text]
  • Great Gig DANCE Co
    great gig DANCE co. 4200 Wade Green Road, Suite #128, Kennesaw GA 30144 • 770.218.2112 • www.greatgigdance.com INFORMATION & POLICIES (2021-2022) Season Our season lasts 40 weeks or 10 months (August 9, 2021 through June 4, 2022). We will be closed the week of Thanksgiving (November 21-28), two weeks during the Winter holidays (December 19-January 2) and one week during Spring Break (April 3-April 10). We will be open all other holidays, including all the Monday Holidays and other school breaks! We will close for inclement weather if necessary—please check our website and Facebook page or call us for updates on snow closings. Tuition and Fees 45-minute class $60 monthly 1-hour class $68 monthly 1-1/2 hour class $80 monthly • Each student registered for 2 or more classes will receive a 10% discount on their total tuition. • Additional family members will receive a 10% discount on their tuition (not in addition to the multi-class discount). • Tuition paid as one annual payment will receive an additional 10% discount. This payment must be made by September 15th. All tuition payments are non-refundable. • There is a $40 registration fee per season per family. This fee is non-refundable. • Tuition is due on the 15th of each month. • A $15 late fee will be charged for payments that are 1 week late. • A $25 fee will be charged for any checks with insufficient funds. • Tuition is a monthly fee and will not be pro-rated based on holidays or missed classes. Tuition is non- refundable.
    [Show full text]
  • BSM Show Order Sheet
    Show 1 Artist (If Cover, put original Costume Show Song (Full Title) Hair Tights Style/Color Shoes Order Class artist then Description performed by) Red and black Tan slip-on jazz Incredibles Mash Incredibles 2 stretchy jumpsuit 1 Production Up Soundtrack with mask and High Ponytail NA shoes with boot covers gloves Creative Black sequin High bun with Light suntan footed 2 Movement "All Shook Up" Billy Joel leotard with glitter flower bow on right tights Pink ballet shoes (Friday) dot tulle tutu side High Ponytail- Pre-Ballet 1 Pink leotard and 3 Fly to your Heart Selena Gomez shorts with pink Flowers pinned on Light suntan footed Pink ballet shoes right side by hair tights (M2) tutu elastic Girls- Tan split sole Pre-Jazz 2/3 Teal unitard with High ponytail with Light suntan footed jazz shoes 4 Shining Star Jump5 (Monday) silver skirt teal headband tights Boys- Black slip-on jazz shoes Senior Hip Hop Madame Gandhi, Pink shirt and green Black hip hop 5 Future is Female High ponytail N/A Troupe Kesha, Cardi B leggings sneakers Creative pink polka dot High Ponytail with Light suntan footed 6 Lollipop The Chordettes hair bow on right Pink ballet shoes Movement costume tights (Tuesday) side Petite The Jackson 5, Red sequin High ponytail with Light suntan Tan split sole jazz 7 I Want You Back Performed by Performance spandex unitard bun wrap convertible shoes Team TWICE Pre-Tap 1 From the Princess Girls- Mint sequin High ponytail, Light suntan footed Girls-Black buckle/ 8 Dig A Little Deeper and the Frog leotard with mint flower clip pinned (Monday
    [Show full text]
  • A Comparative Mechanical Analysis of the Pointe Shoe Toe Box an in Vitro Study Bryan W
    0363-5465/98/2626-0555$02.00/0 THE AMERICAN JOURNAL OF SPORTS MEDICINE, Vol. 26, No. 4 © 1998 American Orthopaedic Society for Sports Medicine A Comparative Mechanical Analysis of the Pointe Shoe Toe Box An In Vitro Study Bryan W. Cunningham,* MSc, Andrea F. DiStefano,† PT, Natasha A. Kirjanov,‡ Stuart E. Levine,* MD, and Lew C. Schon,*§ MD From *The Orthopaedic Biomechanics Laboratory, Department of Orthopaedic Surgery, The Union Memorial Hospital, Baltimore, †Health South Spine Center, St. Joseph Hospital, Towson, and the ‡Ballet Theatre of Annapolis, Annapolis, Maryland ABSTRACT ical demands on the body while requiring the production of aesthetic and graceful movements. From the 1581 in- Dancing en pointe requires the ballerina to stand on troduction of ballet at the French Court (attributed to her toes, which are protected only by the pointe shoe Catherine de Medici), the popularization of this art form toe box. This protection diminishes when the toe box by Louis XIV, and the 1661 creation of the Academie loses its structural integrity. The objectives of this study Royale de Danse,2 the technique of ballet has become more were 1) to quantify the comparative structural static and fatigue properties of the pointe shoe toe box, and demanding, requiring refinement of the dancer’s strength, 2) to evaluate the preferred shoe characteristics as technique, and tools. This was highlighted by Marie determined by a survey of local dancers. Five different Taglioni, who, in 1832, was the first to dance en pointe. pointe shoes (Capezio, Freed, Gaynor Minden, Leo’s, This was originally done with soft satin slippers contain- and Grishko) were evaluated to quantify the static stiff- ing a leather sole.
    [Show full text]
  • 2015 Full Program (PDF)
    2015 Women in Dance Leadership Conference! ! October 29 - November 1, 2015! ! Manship Theatre, Baton Rouge, Louisiana, USA! ! Conference Director - Sandra Shih Parks WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "1 Women in Dance Leadership Conference ! Mission Statement ! ! To investigate, explore, and reflect on women’s leadership by representing innovative and multicultural dance work to celebrate, develop, and promote women’s leadership in dance making, dance related fields, and other! male-dominated professions.! Conference Overview! ! DATE MORNING AFTERNOON EVENING Thursday 10/29/2015 !Registration/Check In! !Reception! Opening Talk -! Kim Jones/Yin Mei Karole Armitage and guests Performance Friday 10/30/2015 Speech - Susan Foster! Panel Discussions! Selected ! ! Choreographers’ Speech - Ann Dils !Master Classes! Concert Paper Presentations Saturday 10/31/2015 Speech - Dima Ghawi! Panel Discussions! ODC Dance Company ! ! ! Performance Speech - Meredith Master Classes! Warner! ! ! Ambassadors of Women Master Classes in Dance Showcase Sunday 11/1/2015 Master Class THODOS Dance Chicago Performance ! ! ! ! WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "2 October 29th 2015! !Location 12 - 4 PM 4:30 PM - 6 PM 6 PM - 7:30 PM 8 PM - 9:30 PM !Main Theatre Kim Jones, Yin Mei ! and guests ! performance ! !Hartley/Vey ! Opening Talk by! !Studio Theatre Karole Armitage !Harley/Vey! !Workshop Theatre !Josef Sternberg ! Conference Room Jones Walker Foyer Registration! ! Conference Check In Reception Program Information!
    [Show full text]
  • Romantic Ballet
    ROMANTIC BALLET FANNY ELLSLER, 1810 - 1884 SHE ARRIVED ON SCENE IN 1834, VIENNESE BY BIRTH, AND WAS A PASSIONATE DANCER. A RIVALRY BETWEEN TAGLIONI AND HER ENSUED. THE DIRECTOR OF THE PARIS OPERA DELIBERATELY INTRODUCED AND PROMOTED ELLSLER TO COMPETE WITH TAGLIONI. IT WAS GOOD BUSINESS TO PROMOTE RIVALRY. CLAQUES, OR PAID GROUPS WHO APPLAUDED FOR A PARTICULAR PERFORMER, CAME INTO VOGUE. ELLSLER’S MOST FAMOUS DANCE - LA CACHUCHA - A SPANISH CHARACTER NUMBER. IT BECAME AN OVERNIGHT CRAZE. FANNY ELLSLER TAGLIONI VS ELLSLER THE DIFFERENCE BETWEEN TALGIONI AND ELLSLER: A. TAGLIONI REPRESENTED SPIRITUALITY 1. NOT MUCH ACTING ABILITY B. ELLSLER EXPRESSED PHYSICAL PASSION 1. CONSIDERABLE ACTING ABILITY THE RIVALRY BETWEEN THE TWO DID NOT CONFINE ITSELF TO WORDS. THERE WAS ACTUAL PHYSICAL VIOLENCE IN THE AUDIENCE! GISELLE THE BALLET, GISELLE, PREMIERED AT THE PARIS OPERA IN JUNE 1841 WITH CARLOTTA GRISI AND LUCIEN PETIPA. GISELLE IS A ROMANTIC CLASSIC. GISELLE WAS DEVELOPED THROUGH THE PROCESS OF COLLABORATION. GISELLE HAS REMAINED IN THE REPERTORY OF COMPANIES ALL OVER THE WORLD SINCE ITS PREMIERE WHILE LA SYLPHIDE FADED AWAY AFTER A FEW YEARS. ONE OF THE MOST POPULAR BALLETS EVER CREATED, GISELLE STICKS CLOSE TO ITS PREMIER IN MUSIC AND CHOREOGRAPHIC OUTLINE. IT DEMANDS THE HIGHEST LEVEL OF TECHNICAL SKILL FROM THE BALLERINA. GISELLE COLLABORATORS THEOPHILE GAUTIER 1811-1872 A POET AND JOURNALIST HAD A DOUBLE INSPIRATION - A BOOK BY HEINRICH HEINE ABOUT GERMAN LITERATURE AND FOLK LEGENDS AND A POEM BY VICTOR HUGO-AND PLANNED A BALLET. VERNOY DE SAINTS-GEORGES, A THEATRICAL WRITER, WROTE THE SCENARIO. ADOLPH ADAM - COMPOSER. THE SCORE CONTAINS MELODIC THEMES OR LEITMOTIFS WHICH ADVANCE THE STORY AND ARE SUITABLE TO THE CHARACTERS.
    [Show full text]
  • Swan Lake Audience Guide
    February 16 - 25, 2018 Benedum Center for the Performing Arts, Pittsburgh Choreography: Marius Petipa and Lev Ivanov ​ ​ Staging: Terrence S. Orr Music: Peter Ilyich Tchaikovsky Swan Lake Sponsors: The Benter Foundation, The Pittsburgh Foundation, Eden Hall Foundation, ​ Anonymous Donor February 16 - 25, 2018 Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker Cover Photo: Duane Rieder Artist: Amanda Cochrane 1 3 The Setting and Characters 3 The Synopsis 5 About Swan Lake ​ 6 The Origins of the Swan Lake Story ​ ​ 6 Swan Lake Timeline ​ 7 The Music 8 The Choreography 9 The Dual Role of Odette + Odile 9 Acts 1 & 3 10 Spotlight on the Black Swan Pas de Deux 10 The Grand Pas Explained 11 What’s a fouette? 11 Acts 2 & 4 12 Dance of the Little Swans 13 The White Act 13 Costumes and Scenic Design 13 Costumes By the Numbers 14 The Tutus 14 A Few Costume Tidbits! 15 Did You Know? Before She was the Black Swan 16 Programs at the Theater 17 Accessibility 2 The Setting The ballet takes place in and near the European castle of Prince Siegfried, long ago.
    [Show full text]
  • The Viewpointe May-June 2006 Single Pages.Indd
    Volume VIII Issue I Summer, 2006 ALEXANDRA ZAHARIAS, ARTISTIC DIRECTOR Board of Directors President Notes From the Artistic Director Interim Treasurer Greg Chastain Thank you, Thank you, Thank you! Thank you, Vice President Dennis Hollenkamp everyone, for a great year. It was a grand season of performances, culminating in the beautiful Secretary production of A Midsummer Night’s Dream & Paquita Michael Baron in March, which truly was a dream! It was a perfect Frank Buckley example of the dedicated work done by our dancers, Pat Catanzaro choreographers, and artistic staff. Our contributors Keith Cole Sally Duncan and corporate sponsors have increased dramatically Brad Jones this year, due in large part to our hard-working Jo Lucas fundraising committee, a determined marketing Laurie Murphy Laura Lee Robinson and communications endeavor, a dedicated board Alexandra Zaharias of directors, and our wonderful Friends of the Ballet. Their teamwork and tireless efforts have taken this Artistic Staff company to greater heights than ever before. Artistic Director Alexandra Zaharias Many thanks to the twenty-seven talented dancers of Alexandra Ballet who performed at all our venues Company Administrator CiCi Houston this season, including the Missouri Botanical Garden, Photo: Melba McCarver Saint Louis Galleria, Blanche M. Touhill Performing Ballet Mistresses Arts Center, Edison Theatre, the University Club in Norma Gabriel CiCi Houston Clayton, Anderson University in Indiana, and our very own studios. You have performed with grace and maturity far beyond your years, and each and every one of you deserves Friends of to feel proud of your performances this season. Alexandra Ballet The Friends is a group of I am especially grateful to the Artistic Staff, whose uncompromising standards raised individuals committed to the the level of ability of the entire company.
    [Show full text]
  • Review of Choreographing History, Edited by Susan Foster By
    Review of Choreographing History, edited by Susan Foster By: Ann Dils Dils, A. (1997) Review of Choreographing History, edited by Susan Foster, Dance Research Journal 29 (2), 110-113. Made available courtesy of University of Illinois Press: http://www.press.uillinois.edu/journals/drj.html ***Note: Figures may be missing from this format of the document CHOREOGRAPHING HISTORY edited by Susan Leigh Foster. Bloomington: Indiana University Press, 1995. xiii + 264 pp., illustrations, notes, bibliography, index. $29.95 clothbound. $14.95 paperbound. Choreographing History and Dance Historiography Choreographing History, a collection of essays edited and introduced by Susan Leigh Foster, explores the pitfalls and possibilities inherent in writing about the body and its cultural emanations. Since its publication in 1995, I have used essays from the book to help dance graduate students push their thinking beyond the studio and their own physical experience and to realize the varied resources, approaches, and theoretical positions possible in writing about the body. The collection contains some excellent movement description and also theoretical language so dense as to obscure any communication of ideas. I recently reread the book in search of information on dance historiography. There are few works on the methods, problems, and progress of historical writing in dance. Selma Jeanne Cohen's Next Week, Swan Lake is the best-known book, although the introductions to most histories and a few articles also explore the subject (1). Foster in her introduction and Susan Manning, Cynthia Novack, and Lena Hammergren in their contributed essays provide a substantial addition to this body of work. Foster begins her essay by exploring the problems movement poses for writing history.
    [Show full text]
  • Swan-Lake-Study-Guide-2017-18.Pdf
    Swan Lake Study Guide 2017---18-18 Presented By the Department of Community Engagement Table of Contents The Quintessential Ballet 3 Milwaukee Ballet’s Swan Lake 4 Choreographic Birds of a Feather – Petipa, Ivanov & Pink 5 Did You Know? – Matthew Bourne 14 Behind the Music – Pyotr Tchaikovsky 15 Appendix A: Being A Good Audience Member 16 Sources and Special Thanks 17 2 The Quintessential Ballet Welcome to the Study Guide for Swan Lake , perhaps the world’s most widely recognized ballet aside from The Nutcracker . It has been called the “quintessential ballet” (quintessential means the purest and most perfect or the embodiment of, in this case, ballet!) and is often the show that pops into people’s minds when the word ballet is mentioned. Since its premiere in Moscow, Russia, it has been presented in over 150 versions by more than 100 companies in at least 25 different countries. That’s a lot of swans! Swan Lake didn’t start out successfully – which is surprising, considering its fame today. It premiered on February 20, 1877, and although Tchaikovsky’s spectacular music was used from the beginning, the choreography, originally done by Julius Reisinger, was less than stellar. A critic who was at the performance wrote, "Mr. Reisinger’s dances are weak in the extreme.... Incoherent waving of the legs that continued through the course of four hours - is this not torture? The corps de ballet stamp up and down in the same place, waving their arms like a windmill’s vanes - and the soloists jump about the stage in gymnastic steps." Ouch! Unfortunately Reisinger failed to mesh his choreography with the psychological, beautiful music Tchaikovsky created.
    [Show full text]
  • A Romantic Tutu Inspired by the Costumes of the Pas De Quatre Ballet of 1845
    Allycia Coolidge wearing a romantic tutu inspired by the costumes of the Pas de Quatre ballet of 1845. Photograph by Joanna Lupker. MAKING HISTORY: A ROMANTIC TUTU By Allycia Coolidge & In our Making History project, we chose to analyze and recreate a Romantic Joanna Lupker tutu inspired by the Pas de Quatre ballet. This ballet was first performed in BDes Fashion Students London, England during the Romantic era on July 12, 1845 and choreographed by Jules Perrot. This ballet featured four prima ballerinas of the Romantic era: January 20, 2017 Lucile Grahn, Taglioni, Carlotta, and Fanny Cerrito. They were icons of the time and often appeared in each other’s benefit performances, but this was the first performance to showcase all four leading female dancers in a single ballet. Prior to the Romantic period, female dancers wore heavy constrictive dresses resembling court fashion that weighed them down and limited their ability to dance. The key change in ballet costuming was the rise of skirt hems, which was seen as quite scandalous at the time (Mida 37). The changes allowed ballerinas to show off their much improved and intricate footwork. This new shortened ballet skirt fell to just below the knee. The Romantic tutu endures as a classic costume of ballet that continues to be featured in performances of major dance companies around the world. Each element of the costume emphasizes the femininity of the dancer. 1 When this ballet was presented in 1845, the bodices of the costumes were constructed very similarly to those seen in regular clothing. Like the corsets of the time, they were tight (Bicat), with low cut necklines to put the dancer’s long necks on display (Victoria and Albert Museum).
    [Show full text]
  • Since Ballet Terms Can Often Be Tricky to Pronounce, I Have Included the Word Translations in Brackets to Help You Say the Terms
    Since ballet terms can often be tricky to pronounce, I have included the word translations in brackets to help you say the terms. A Adage, Adagio (a-DAHZH) At ease or at leisure. Adage is incorporated into ballet classes and most classical pas de deux combinations. It is a series of slow, graceful exercises during the centre practice which is generally focused on line, balance and fluidity. It takes lots of practice to gain the stability and control whilst still having a sense of fluid movement. En L'Air (ahn lehr) In the air. This ballet term is generally associated with ballet movements that are in the air. For example, tour en l'air which is a high turning jump mainly for the male dancers. It indicates that for ballet exercises like rond de jambe and adage the leg should be lifted off the floor, such as rond de jambe en l'air. Allégro ([a-lay-GROH) Bright and brisk movements. This ballet term is associated to all jumps in ballet. So, whether it is petite allégro, or grand allégro a dancer will aim to show a sense of ballon and spring in the elevation. Arabesque (a-ra-BESK) This is one of the basic poses in ballet. The position of an arabesque shows one leg as the supporting leg and the other extended behind you. The arms can be held in various positions to show a first, second, or third arabesque. An arabesque is like a tendu derriere but lifted en l'air. The aim is to lift the leg without showing too much adjustment in the body, such as pitching forward.
    [Show full text]