Announcements

Jewish Studies, University of Minnesota. The third issue of the CORD Newslet- Edited by Elizabeth Burtner Because of the unusual scope of the ter will be published April 1982. Please conference and the scholars working in send material by March 1 to Nancy M. Contributors include: Nancy M. Boden- Jewish dance living throughout the U.S., Bodenstein, Editor, 60 Blaney Street, stein, Margaret Thompson Drewal, Elsie outside funding is being sought. Registra- Swampscott, MA 01907. N.M.B. I. Dunin, Ninoska A. Gomez, Camille tion forms, stating the fee of $30 for the Hardy, Judith Brin Ingber, Valentino two-day conference, giving highlights of Dance Research Annual XIII, Inven- Litvinoff, SelmaL. Odom,Naima Prevots, the conference, and listing housing tory of Fifteenth Century Bassedanze, Patricia A. Rowe, Nancy L. Ruyter, accommodation near the J.C.C. have been Balli and Balletti in Italian Dance Manuals Gretchen Schneider, Trudy Scott, Susan sent out to all CORD members. was scheduled for publication by end of W. Stinson. Susan White. News releases: For further information, contact Alice 1981 for distribution to 1980-81 CORD OSU College of Arts, Department of members. The two-volume publication Dance; UI Center for the Arts News Ser- Bloch, Dance Director, Jewish Community Center of Greater Minneapolis, 4330 of selected papers from the Hawaii Con- vice; UM School of Music; US Depart- ference entitled Dance as Cultural Heri- ment of Education, NIE. Cedar Lake Road South, St. Louis Park, Minnesota 55416 (612) 377-8330. J.B.I. tage: Selected Papers from the ADG/ CORD Conference 1978 is progressing. CORD 1981-82 members are scheduled CORD News Publications to receive the first volume, DRA XIV, before end of 1982. (From CORD Edi- Conferences This volume of Dance Research Journal, torial Board Report, Summer 1981.) Among the plans for the Eighth Inter- 14/1&2 (Double Issue), marks the con- P.A.R. national CORD Conference is the re- clusion of the editorship of Dianne L. consideration of the once-postponed Woodruff. She has served in this capacity meeting, "Festivals: Celebration in beginning with the publication of 10/2, Dance," planned for Trinidad, summer of Spring-Summer 1978, succeeding Eliza- Members - Professional 1982. As this issue of the Journal goes beth Burtner, first editor of the Journal. Activities to press, the feasibility of Trinidad as Under Woodruff and a staff comprised of the place for the conference is being three section editors (Book Review, Odette Blum, OSU Department of Dance, investigated by a committee composed Research Materials and Announcements), has been granted a research leave for of Pearl Primus, Sondra H. Fraleigh, eleven Associate Editors with expertise in winter quarter 1982 to work on the Annette Macdonald, Nancy L. Ruyter, special areas, and four Research Materials Ghanaian dance materials gathered and Trudy Scott. A decision will have Contributors, the Journal has developed during a leave of absence grant on Ghana been made at the November 1981 meet- professionally in content and format. The in 1975. DNB Extension, OSU ings of the Board of Directors. backlog of articles has grown, its publication date is regular, out-of-house display Further information about the 1982 Margaret Thompson Drewal was ads and open classified listings have invited by the Nigerian government to conference will be sent from New York increased significantly and have contri- office. E.B. participate in a seminar on Ere Ibeji: buted to its financial support. The edi- Twin Memorial Sculptures Among the torial home of the Journal has been A CORD Regional Dance Conference, Yoruba held at the National Museum, York Univeristy's Dance Department in Lagos, in April 1981. "Dancing into Marriage: Jewish Wedding the Faculty of Fine Arts where support Dances" will take place on June 27 and With Henry Drewal, Associate Pro- 28, 1982 in Minneapolis, Minnesota at services have included a graduate assistant- fessor of Art History, Cleveland State the Jewish Community Center. A unique ship and a stipend toward printing costs. University, and John Pemberton, Crosby feature of the conference is its nonuni- CORD is grateful to York for its interest Professor of Religion, Amherst College, versity community affiliation, a first in and support of the Journal. Massachusetts, she was recently awarded among CORD dance regionals. The search for an editor for Dance an NEH Basic Research Grant for an inter- Video and photography of Jewish Research Journal continues as this issue disciplinary study entitled "Human wedding dances, an art exhibit in the of the Journal goes to press. Two qualifi- Creativity and Cultural Dynamics in an Center's art gallery, and a display of wed- cations for the position are required. First, African Society: Art and Religion of the ding ritual objects will enhance the con- the candidate must have editorial exper- Yoruba." Fieldwork for this project will ference. tise; second, the ideal candidate should be carried out in 1981-82. Scholars from throughout U.S. and have the help of an office support system Her book on the Gelede dance mas- Israel have been approached for input and with access to volunteer assistance. All querade among the western Yoruba encouraged to respond. A bibliography CORD members have received a com- (with Henry Drewal) is being published on Jewish wedding dances and publica- munique concerning the position. For by Indiana University Press. M.T.D. tion of papers is projected. further information contact a member Those on the planning committee of the Ad Hoc Search Committee: Judith Elsie I. Dunin attended a dance work- include Judith Brin Ingber, Chair, CORD Brin Ingber, 2526 Kipling Avenue South, shop in Ohrid, Macedonia at which she board member and researcher on Jewish St. Louis Park, MN 55416; Patricia A. assisted as an interpreter for the Radost dance who is also Chair of the Dance Rowe, Chair, Dance and Education Ansemble from Seattle, Washington. Committee at the Minneapolis J.C.C.; Department, New York Univeristy, 35 They were on tour in the Balkan countries. Professor Riv Ellen Prell, anthropologist West 4th Street, Room 675, New York, After her stay in Ohrid, she spent the in Jewish studies, University of Minne- NY 10003; Jill Drayson Sweet, Depart- ment of Sociology, Anthropology, and remaining time of her annual two-months sota; Rabbi Moshe Silberschein; and stay in Yugoslavia in the Dubrovnik area Associate Professor Jonathan Paradise, Social Work, Skidmore College, Saratoga Springs, New York 12866. E.B. doing follow-up research. Her work is on

Dance Research Journal 14/1 &2 (1981-82) 111

Downloaded from https://www.cambridge.org/core. IP address: 170.106.35.76, on 29 Sep 2021 at 17:46:56, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0149767700013188 the comparative study of dance changes During the summer of 1981, Nancy Francisco Ballet in the 1940s; and his among the South Slavs in California and Ruyter visited libraries and met with company in Salt Lake City, University the South Slavs on the South Adriatic dance scholars in Finland, Sweden, Den- Theatre Ballet, 1953-63, renamed Utah Coast. [See her article in this issue mark, Netherlands, Austria and Yugoslavia Civic Ballet in 1964, finally emerging as "Change in South Slav/American Dance."] collecting material for her work, Annual Ballet West in 1968. E.I.D. International Bibliography of Dance The management of Ballet West, History: The Western Tradition. [See presently under the artistic direction of The Washington Post published Judith Part 1 of the Bibliography in DRJ 12/2 Bruce Marks, is now in the process of Lynne Hanna's 19V2 inch article arguing Spring-Summer 1980, pp. 23-31.] depositing their records at the University for government funding of the arts In addition, she led a group of students of Utah. Although the specific content (October 10/20/81). She discussed the on a 3-week folklore study tour in and scope of their archival material is not importance of the arts in communicat- Yugoslavia where they attended an Inter- yet known, the collection will include ing ideas, feelings, values, and identity national Folk Festival in Zagreb and a films, photographs and press scrapbooks. as well as creating economic opportuni- course in Yugoslavian folk dance on Krk When complete, these collections and ties. Hanna pointed out the danger of Island off the Adriatic Coast. N.R. their registers will be a valuable source the marketplace concept in arts financ- of information concerning ballet's estab- ing and the relevance of marginal, avant- Gretchen Schneider presented a slide lishment in the western United States. garde, and folk arts to the elite arts. lecture-performance entitled, "Minuets, S.W. The White House telephoned Hanna; Martha Washington Tea Parties, and Frank Hodsoll, Reagan's choice for the Landings of the Forefathers: Colonial head of NEA, requested a copy of her Revival Style and Meanings in Social Symposium book, To Dance is Human. Rituals," for The Henry Francis du Pont Movement: Expression and Psychological Hanna is serving on the Montgomery Winterthur Museum's "Conference on the Well-Being was the title of a symposium County Council, Maryland, Task Force Colonial Revival in America," November offered during the XVIII Interamerican on the Performing Arts. E.B. 13-14, 1981. Participating with Ms. Congress of Psychology which took place Schneider for this two-day event were June 20—26 in Santo Domingo, Domini- Valentina Litvinoff, member of the Catherine Turocy and her partner Roger can Republic. The invited speakers were faculty of the Omega Institute held at Ben- Tolle of the New York Baroque Dance Dr. Judith Lynne Hanna, University of nington College summer 1981, taught Company, and James Richman, harpsi- Maryland, who spoke on "Identity, two courses: 1) "Dynamics of Move- chordist. The program was an explora- Defiance and Race Relations: Children's ment: Alexander Technique in Synthesis tion of Ms. Schneider's interest in per- Spontaneous Dance"; Dr. Ninoska Gomez with Ideokinesis" and 2) "Laboratory formance practice in the nineteenth- and Dr. Diane Carriere, University of in Choreography." Other summer activi- century and her current research on Montreal who presented their joint work ties included a seminar led by her on nineteenth-century views of eighteenth- on dancing in everyday life through their "Movement as Stimulus for Creativity" century dances. Ms. Schneider's paper on study of "Free Dancers in Discotheques"; for the International Women's Writing this subject will be published in a book of and Dr. Erma Dosamantes Alperson, Guild on Skidmore campus, the second the conference subjects. The program is UCLA, who was unable to attend but occasion of her work with IWWG. V.L. also available for dance audiences. G.S. sent copies of her paper on the profession of Dance Therapy. Gomez and Carriere Vera Maletic, Assistant Professor OSU, Lucy Venable attended the Third also gave two movement workshops, has prepared a work plan for a projected Annual Dance Medicine Symposium in one on "Dancing Our Daily Rituals" Ph.D. in Dance; developed a syllabus for Cincinnati, April 30—May 1; with Odette and another on "Movement and Expres- Effort II and Space Harmony II; outlined Blum served on the Professional Advisory sion," as well as a 30-minute dance per- several new courses: "Survey of Research Committee of the DNB which met in formance of their most recent choreo- Methods in Dance," "Descriptions of New York for a day in December and in graphic work. These events attracted a Choreographic Style," "Philosophy and June; served on the DNB Board of great deal of interest as witnessed by the Aesthetics of Dance," and "Video and Examiners which certifies Labanotators numerous participants. Psychology stu- Cine Dance." She contributed to the and on the DNB Long Range Planning dents and practitioners from Latin Ameri- Laban Theory and Research Conference Committee. She taught an Alexander can countries seem to be increasingly in Amherst, Massachusetts, June 12—14, class for Paul Linden's Movement Aware- focusing on aesthetic activities and move- 1981 sponsored by the Laban/Bartenieff ness class in Physical Education and a ment as a way of uncovering people's Institute of Movement Studies and the guest class for the dance majors at the psychological realities. N.A.G. Five College Dance Department of Hamp- Ft. Hayes Career Center for high school shire College; and to the ICKL Confer- students in Columbus. ence (OSU), August 13-24, with a DNB Extension, OSU presentation, "Observational Recordings Work in Progress used for the Comparative Analysis of Libraries Naima Prevots and Kayla Kazahn Zalk Style of Twyla Tharp and Dan Wagoner are collaborating on a book entitled Choreography." DNB Extension, OSU University of Utah's Marriott Library Rudolf Laban: Roots, Trunk and Branches has acquired two manuscript collections (projected publication, late 1982). The William Malm, professor of musicology of significance to American dance history book studies the influences that shaped and director of the Stearns Collection of researchers: the papers of William F. Laban's development as an artist and Musical Instruments, lectured on Japanese Christensen and the records of Ballet theoretician, places him in the context music at Virginia Union University, West. of his time, and looks at the current Richmond, July 10;at Harvard University, The Christensen collection includes developments of his work. The Roots July 17; and at UCLA, August 28. scrapbooks of newsclippings, programs, section deals with Laban's ideas in three September 24—26, he directed a con- records and photographs covering Mr. major periods of development: his early ference on music instrument cataloging at Christensen's vaudeville tours (1928— background in Hungary and Paris, his the Wenner-Gren Foundation in New 33); his ballet company in Portland, Ore- years in Zurich and his emerging artistic York. UM School of Music gon, the William F. Christensen Ballet maturity, his work in Germany and (1934-39); his years with the San mature years as an artist. Laban's roots

112 Dance Research Journal 14/1&2 (1981-82)

have four major areas of conceptual link- Charles Scribner's Sons announces dance of the non-western world, ritual age with the avant-garde of Europe plans to publish the first comprehensive and recreational dance, and more. Entries 1909-29 and are discussed as four major multi-volume reference work on dance, will be arranged alphabetically and will themes in his work. Trunk, the second The International Encyclopedia of range from brief definitions to compre- part, includes an artistic chronology and Dance. The work will be produced under hensive essays on historical subjects and interrelationships with theoretical con- the auspices of the Dance Perspectives thematic motifs. Articles will be accom- structs. Branches has its focus on current Foundation, an organization devoted to panied by an extensive list of references developments such as the movement the encouragement of dance scholarship. which will include bibliographies., as well choir, therapy, and the work of Irmgard The Research Materials Program of the as non-book sources such as films, record- Bartenieff. N.P. National Endowment for the Humanities, ings, and notated scores. Detailed chrono- an independent federal agency, has logies will be given wherever relevant Trudy Scott is a candidate in the Ph.D. awarded the Dance Perspectives Founda- and the encyclopedia will be extensively program in Performance Studies, New tion a grant for the editorial preparation illustrated. York University. The area of her disserta- of the work which is intended to meet tion is "Orientalism: the Influence of the research, study, and reference needs Clarification: The bibliography on Asian Culture on American Dance of the of the serious student, the scholar, and Jewish dance mentioned on page 59 of Nineteenth Century." T.S. the general reader. the 13/2 Spring DRJ was prepared by Selma Jeanne Cohen, former editor of Jill Gellerman and Judith Brin Ingber Susan W. Stinson, Dance Division, from sources on Jewish dance found in University of North Carolina at Greens- Dance Perspectives and one of the major forces in the establishment of dance several collections of the New York boro, is currently engaged in research on Public Library, holdings of the YIVO the "Implications and Limitations of Pia- scholarship in the United States, is editor of the project. Discussing the project, Institute for Jewish Research and from getian Theory for the Teaching of Dance." scholars engaged in Jewish dance research. She will present a paper on this subject at Dr. Cohen said, "The encyclopedia will bring together for the first time a vast Published in the spring Jewish Folklore the international conference on Dance and Ethnology Newsletter, it bears no and the Child in Stockholm, Sweden, mid- quantity of information, logically organ- ized and easily accessible. Much of this connection with the Jewish dance August 1982. Still in progress is a book bibliography in preparation at the Dance on dance in pre-school. S.W.S. information has hitherto been scattered, difficult to find, or known only to a few Collection of the New York City Public Roland John Wiley, associate profes- specialists." Library. This was initiated by the late sor of music history/musicology, Univer- The International Encyclopedia of Fred Berk who completed most of the sity of Michigan, is on sabbatical leave Dance will comprise four volumes plus an task of assembling and codifying informa- during the 1981-82 academic year, index volume, projected for publication tion from the New York Public Library's completing his book on Tchaikovsky and in 1984. International in scope, it will Dictionary Catalog of the Dance Collec- Petipa. UM School of Music cover western theatrical dance, theatrical tion. J.B.I.

Dance Research Journal 14/1&2 (1981-82) 113

Downloaded from https://www.cambridge.org/core. IP address: 170.106.35.76, on 29 Sep 2021 at 17:46:56, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0149767700013188 Theses-in-Progress, York University Program and modern dancer Lan-lan Accreditation for Dance 1981-82 King. Through three visits to China, King has established cordial ties with the All The National Association of Schools of Katie Adelman: The Critical Writings of China Dancer's Association and the Dance (NASD) charter membership Cyril Beaumont (topic); Betty Bourne: Ministry of Culture. It is through her meeting was held in Rosslyn, Virginia, Ashton's "The Dream": An Analogy with efforts that the UI has the only U.S. November 7-8, 1981. The underlying Shakespeare's A Midsummer Night's organization for dance exchanges between theme of the meeting was accreditation Dream (title), Susan Foote: Lady Lilly the two countries. King founded the of dance programs in schools, colleges, Grove Frazer, author of Dancing (1895) U.S.—China Dance Exchange Program to and universities. The accrediting agent is for the Badminton Library (topic); further understanding between the the NASD with a handbook which incor- Laurinda Hartt: Bob Fosse and Dance in peoples of the United States and China. porates the constitution, bylaws, code of Film: The evolution of a Choreographic The program's practical goal is to develop ethics, rules of procedure and standards Film Style (title); Rosemary Jeanes: exchanges in all aspects of dance, includ- for accreditation. In addition, there is a Tradition and Learning in Odissi Dance of ing performances, teaching and educa- set of procedures for making application India: An Interpretation of Guru-shishya tional materials. for accredited institutional membership. parampara (title); Laurel Quinlan: The The Dance Exchange Program is sharing Both documents had been previously Dance Writings of Edwin Denby (topic); Madame Xu's visit with academic institu- discussed, subjected to a period of study, Ellen Shifrin: The Iconography of Tradi- tions and professional ballet companies comment and revision after which copies tional French-Canadian Social Dance throughout the United States. This in- were distributed to heads of dance pro- (title); Libby Smigel: A Reinterpretation cludes ballet companies in San Francisco, grams in schools, colleges and universities. of ancient Greek dance terminology and Los Angeles, Des Moines, dance programs Membership in NASD is possible only its application to the chorus of Aris- at midwestern and southern colleges/ by the accrediting process. Institutions tophanes' Thesmophoriazusai (title); universities, activities in New York spon- agreeing to undertake charter member- Janet Wason: Reconstruction of a late sored by the Asia Society, and a weekend ship as of December 10, 1981, were: 16th c. Milanese court dance by Cesare of lectures and performances at the Boston Alvin Alley American Dance Center, Negri, "II Torneo Amoroso" from Le Museum of Arts. American Ballet Center - Joffrey Ballet Gratie d'Amore (1602) (topic). School, Arizona State University, Brock- This nationwide itinerary arranged by port State College (NY), California the U.S.—China Dance Exchange Program State University (Long Beach), Colorado Author's Query: For a study of the is sponsored by grants from the North- dancer, Maud Allan (1873-1956) I State University (Fort Collins), Dance west Area Foundation, Iowa Electric Notation Bureau, Dance Theatre of Har- would appreciate any information on her Light and Power Company, Pan American life. I am especially interested in locating lem, Inc., Florida State University, James Airways, Deere and Company, the Madison University, Martha Graham her papers and any surviving colleagues, Gardner and Florence Call Cowles friends or relatives. Carol Bishop, 32 School of Contemporary Dance, Inc., Foundation, First National Bank of Iowa Merce Cunningham Studio, New York Columbine Ave., Toronto, Ontario, City and Florence Ingham of Des Moines. M4L 1P3. University, Nikolais/Louis Dance Theatre UI Center for the Arts News Service Lab, The Ohio State University, Ohio University, San Francisco Ballet School, During the next three years the College School of the Hartford Ballet, School of Arts in Education of Fine and Applied Arts at the University the Pennsylvania Ballet, Southern Metho- of Illinois will be producing a series of dist University, Temple University, University Projects video-lectures, entitled "An Introduction Towson State University (MD), Univer- to Dance as Art, History and Literature." The University of Iowa Dance Program sities of California (Los Angeles and These programs, designed to be used Santa Barbara), Universities of Colorado was host to guest lecturer and teacher, alone or as supplementary material for Madame Xu Shu-ying, August 26— (Boulder), Illinois, Maryland, Miami, existing Dance History courses, combine Michigan, Oregon, Washington, Wiscon- October 30. Madame Xu is considered the rare photographs and film clips to illus- foremost scholar and teacher of folk sin (Madison), Western Michigan Univer- trate vivid presentations by experts in sity and Wichita State University. dance in the People's Republic of China, the dance field. has been a pioneer of dance education Program No. 7, Ruth St. Denis: There are three divisions of member- in China, is associate dean and founding Matriarch of Modern Dance, is currently ship in NASD and the above listed insti- member of the College of Beijing Dance available to rent for classroom usage. It tutions are placed in one of them: Division Academy — the first Chinese institute of is written and performed by Suzanne I, dance programs in nondegree granting higher education in dance. Her visit to Shelton, author of the critical biography schools (may offer a professional certifi- the United States is the first by an aca- of St. Denis, Divine Dancer (Doubleday cate or diploma); and Divisions II and demic dance authority from China. 1981). Her lively commentary is enhanced III, dance programs in degree-granting During her stay at the UI, she partici- by nearly 200 photographs as well as institutions. pated in early attempts to notate Chinese film excerpts of St. Denis performing folk dance, in cooperation with UI Incense, Rhada, Gregorian Chant and faculty and the Dance Notation Bureau. Tillers of the Soil. For additional information, contact: Mme Xu was accompanied by Kao Tu This fifty-eight minute, color program and Hu Ertung, two prominent young Samuel Hope, Executive Director, Joint is available on video cassette in either Commission on Dance and Theater professional dancers, from the Beijing three-quarter or half-inch format. A study Dance Academy. Both are remaining with Accreditation, 11250 Roger Bacon Drive, guide, complete with bibliography and No. 5, Reston, Virginia 22090. E.B. the UI Dance Program throughout the suggested research questions, accompanies 1981-82 academic year to share their the cassette. Rental fee is $20.00, exlu- expertise and to study American modern sive of shipping. For reservations or dance. more information, write: Office of Special The visit of Madame Xu and her col- Projects, College of Fine and Applied leagues was arranged by the U.S.—China Arts, 608 East Lorado Taft Drive, Dance Exchange Program at the UI, Champaign, Illinois 61820. C.H. co-directed by Judith Allen of the Dance

114 Dance Research Journal 14/1&2 (1981-82)

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SPECIAL PROGRAMS STANFORD MA PROGRAM IN EDUCATION — EMPHASIS DANCE Elliot Eisner, renowned specialist in art education, will join the dance faculty (Inga Weiss, Susie Cashion, Kathleen Hill, Juan Valenzuela, Jancy Limpert, Diane Freccero, and Steve Rockwell) in advising the MA program. Prerequisite to the Program is a BA in Dance, or the equivalent. Students are encouraged to enter the program in the fall. For information write: Susie Cashion, Roble Gym/Dance, Stanford University, Stanford, CA 94305. BARBARA METTLER. Intensive Summer Courses. July 7-August 11. Tucson Creative Dance Center. 3131 N. Cherry Av, Tucson, AZ 85719. STUDY ABROAD YUGOSLAVIA: Folk Festival, Dance Course and more. Approximate dates and cost: 7/22 - 8/12, $2400. Three units. Contact: Nancy Ruyter, PE Dept., CSUN Northridge, CA 91330. CONFERENCES/WORKSHOPS Dance and the Media Arts, June 1 - 19,1982. Video dance, Computer-Dance, Lighting, Technique, Composition, Jazz and Ballet. Guest Artist/Teachers. Dept of Dance, Arizona State U, Tempe, AZ 85287. Dominican College & Dance Through Time present an HISTORICAL DANCE WORKSHOP July 25 - 31, 1982, San Francisco, CA (415) 453-2989 BOOKS & PERIODICALS RARE GIFT IDEA Special Japanese paper hand bound edition of Eleanor King's KAGURA ($10.00) and BUGAKU ($7.50) from Mime, Mask and Marionette Journal Vol. 2 #'s 1-2 & 3-4, 1980, courtesy of Marcel Dekker, Inc. KAGURA, 6x9, 81pp, brush and ink illustrations. BUGAKU, 6 x 9, 33 pp, brush and ink illustrations. Post paid. The set $15.00 from Eleanor King, 875 Don Diego, Santa Fe, NM 87501 THE NATURE OF DANCE AS A CREATIVE ART ACTIVITY by Barbara Mettler. Basic concepts clarifying the meaning of dance as the language of movement and as the primary, central art. Mettler Studios, Inc., 3131 N. Cherry Av, Tucson, AZ 85719 Buy newest ISRAEL DANCE ANNUAL. Photos, articles on all aspects of Israeli dance 1980/81. Send $6.50 to Emmett Publishing, 2861 Burnham Blvd. Minn, MN 55416 POSITIONS Full-time dance position emphasizing research, humanities/social science aspects. Contact: Frances Bowden, Dance Dept, Temple Univ, Phila, PA 19122. Application deadline Feb. 1, 1982. Position contingent upon univ funding. Temple U is an equal opportunity/affirmative action employer.

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