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August 1, 2021
Our Lady of the Angels & Our Lady of the Valley Parishes Rev. Scott A. Gratton, Administrator: Rev. John R. Carroll, Visiting Priest: (Deployed) (617)699-5425 Email: [email protected] Mr. Josh Perry, Diocesan Administrator: Elizabeth Stuart, Parish Secretary: (802)448-3515 (513)238-4854 – cell Email: [email protected] Email: [email protected] Our Lady of the Angels St. Anthony Parish Office Information: St. Elizabeth 221 Church Street 43 Hebard Hill Road 169 S. Main Street P O Box 63 P O Box 428 Rochester, VT 05767 Bethel, VT 05032 Randolph VT 05060 Office:(802)728-5251 Email: [email protected] Eighteenth Sunday of Ordinary Time Confessions Sat.: 3:00– 3:45 PM St. E., Rochester Sun.: 8:00—8:45 AM OLA, Randolph & After the 11:00 AM Mass, St. A., Bethel Or by Appointment Adoration of the Bl. Sacrament Sat.: 3:00—4:00 PM, St. E. Mon.: 7:00—8:00 AM, St. A. Tues.: 5:15—6:15 PM, St. A. Wed.: 4:00-5:00 PM, St. E 5:00 –6:00 PM, OLA Thurs: 8:30—9:30 AM, OLA Fri: 8:30-9:30 AM, OLA Weekend Masses 2:00-3:00 PM, St. A. Sat.: 4:00 PM St. E., Rochester Sun.: 9:00 AM OLA, Randolph 11:00 AM St. A., Bethel www.ourladyvt.org 18th Sunday of Ordinary Time 1 August 2021 Remember your loved ones in the Holy Mass GARDENING ASSISTANCE NEEDED: – they will be forever grateful to you! CALLING ALL GARDENERS, or anyone that can help pull weeds, rake beds or otherwise be of help – on Saturday, July 31st – come and work THIS WEEKEND: at St. -
The Letters of Vincent Van Gogh
THE LETTERS OF VINCENT VAN GOGH ‘Van Gogh’s letters… are one of the greatest joys of modern literature, not only for the inherent beauty of the prose and the sharpness of the observations but also for their portrait of the artist as a man wholly and selessly devoted to the work he had to set himself to’ - Washington Post ‘Fascinating… letter after letter sizzles with colorful, exacting descriptions … This absorbing collection elaborates yet another side of this beuiling and brilliant artist’ - The New York Times Book Review ‘Ronald de Leeuw’s magnicent achievement here is to make the letters accessible in English to general readers rather than art historians, in a new translation so excellent I found myself reading even the well-known letters as if for the rst time… It will be surprising if a more impressive volume of letters appears this year’ — Observer ‘Any selection of Van Gogh’s letters is bound to be full of marvellous things, and this is no exception’ — Sunday Telegraph ‘With this new translation of Van Gogh’s letters, his literary brilliance and his statement of what amounts to prophetic art theories will remain as a force in literary and art history’ — Philadelphia Inquirer ‘De Leeuw’s collection is likely to remain the denitive volume for many years, both for the excellent selection and for the accurate translation’ - The Times Literary Supplement ‘Vincent’s letters are a journal, a meditative autobiography… You are able to take in Vincent’s extraordinary literary qualities … Unputdownable’ - Daily Telegraph ABOUT THE AUTHOR, EDITOR AND TRANSLATOR VINCENT WILLEM VAN GOGH was born in Holland in 1853. -
The Holy See
The Holy See HOLY MASS ON THE OCCASION OF THE HOLY FATHER'S 85TH BIRTHDAY HOMILY OF HIS HOLINESS BENEDICT XVI Pauline Chapel Monday, 16 April 2012 Your Eminences, Dear Brothers in the Episcopate and in the Priesthood, Dear Brothers and Sisters, On the day of my birth and of my Baptism, 16 April, the Church’s liturgy has set three signposts which show me where the road leads and help me to find it. In the first place, it is the Memorial of St Bernadette Soubirous, the seer of Lourdes; then there is one of the most unusual Saints in the Church’s history, Benedict Joseph Labre; and then, above all, this day is immersed in the Paschal Mystery, in the Mystery of the Cross and the Resurrection. In the year of my birth this was expressed in a special way: it was Holy Saturday, the day of the silence of God, of his apparent absence, of God’s death, but also the day on which the Resurrection was proclaimed. We all know and love Bernadette Soubirous, the simple girl from the south, from the Pyrenees. Bernadette grew up in the France of the 18th-century Enlightenment in a poverty which it is hard to imagine. The prison that had been evacuated because it was too insanitary, became — after some hesitation — the family home in which she spent her childhood. There was no access to education, only some catechism in preparation for First Communion. Yet this simple girl, who retained a pure and honest heart, had a heart that saw, that was able to see the Mother of the Lord and the Lord’s beauty and goodness was reflected in her. -
Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh. -
The Forgotten Ubiquity of the Zouaves
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic The forgotten ubiquity of the Zouaves Alexandria Times, April 8, 2021 Image: Children’s Zouave-inspired spelling game, late 1800s. Fort Ward Museum collection. Photo, Melanie Gonzalez, Fort Ward Museum. ith the160th anniversary of the Marshall House incident this year, many will reflect on the first Union and Confederate casualties of W the Civil War. While Colonel Ellsworth and James Jackson center the story, less focus is placed on the makeup of Colonel Ellsworth’s regiment, the 11th New York Infantry, known as the Fire Zouaves. Though Zouave units were used by both sides during the Civil War, they were not American in origin. Starting in the 1830s, the French Army created a class of infantry regiments based on the dress and fighting style of North African cultures, like the Zouaoua tribe in Algeria. Unmistakable in a uniform of baggy trousers, short open-front jacket, sash and fez, the Zouaves distinguished themselves with a fast, agile, almost theatrical fighting style that earned them many accolades. Zouave units were used sporadically in Britain, Poland, Spain and Brazil, fighting in local disputes as well as the first and second World Wars. The last Zouave unit was disbanded from the French Army after the Algerian War in 1962. The “Blue and Gray” has become synonymous with the Civil War and led to the marginalization of Zouaves in American culture. The Zouaves found prominence during the war after the death of Colonel Ellsworth, when commemorative objects such as pins, envelopes, poetry and ceramicware, exploded onto the market. -
Van Gogh Museum Journal 1995
Van Gogh Museum Journal 1995 bron Van Gogh Museum Journal 1995. Waanders, Zwolle 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199501_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 6 Director's Foreword The Van Gogh Museum shortly after its opening in 1973 For those of us who experienced the foundation of the Van Gogh Museum at first hand, it may come as a shock to discover that over 20 years have passed since Her Majesty Queen Juliana officially opened the Museum on 2 June 1973. For a younger generation, it is perhaps surprising to discover that the institution is in fact so young. Indeed, it is remarkable that in such a short period of time the Museum has been able to create its own specific niche in both the Dutch and international art worlds. This first issue of the Van Gogh Museum Journal marks the passage of the Rijksmuseum (National Museum) Vincent van Gogh to its new status as Stichting Van Gogh Museum (Foundation Van Gogh Museum). The publication is designed to both report on the Museum's activities and, more particularly, to be a motor and repository for the scholarship on the work of Van Gogh and aspects of the permanent collection in broader context. Besides articles on individual works or groups of objects from both the Van Gogh Museum's collection and the collection of the Museum Mesdag, the Journal will publish the acquisitions of the previous year. Scholars not only from the Museum but from all over the world are and will be invited to submit their contributions. -
Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America
Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America There are approximately 101,135sexual abuse claims filed. Of those claims, the Tort Claimants’ Committee estimates that there are approximately 83,807 unique claims if the amended and superseded and multiple claims filed on account of the same survivor are removed. The summary of sexual abuse claims below uses the set of 83,807 of claim for purposes of claims summary below.1 The Tort Claimants’ Committee has broken down the sexual abuse claims in various categories for the purpose of disclosing where and when the sexual abuse claims arose and the identity of certain of the parties that are implicated in the alleged sexual abuse. Attached hereto as Exhibit 1 is a chart that shows the sexual abuse claims broken down by the year in which they first arose. Please note that there approximately 10,500 claims did not provide a date for when the sexual abuse occurred. As a result, those claims have not been assigned a year in which the abuse first arose. Attached hereto as Exhibit 2 is a chart that shows the claims broken down by the state or jurisdiction in which they arose. Please note there are approximately 7,186 claims that did not provide a location of abuse. Those claims are reflected by YY or ZZ in the codes used to identify the applicable state or jurisdiction. Those claims have not been assigned a state or other jurisdiction. Attached hereto as Exhibit 3 is a chart that shows the claims broken down by the Local Council implicated in the sexual abuse. -
What Color Is the Sacred?
What Color Is the Sacred? Michael Taussig If one of the most “sacred” aims that man can set for himself is to acquire as exact and intense an understanding of himself as possible, it seems desirable that each one, scrutinizing his memories with the greatest possible honesty, examine whether he can discover there some sign permitting him to discern the color for him of the very notion of the sacred. —michel leiris, “The Sacred in Everyday Life” (1938) 1. The Face of World History “Men in a state of nature,” writes Goethe, “uncivilized nations, and children, have a great fondness for colours in their utmost brightness.” The same applied to the people of southern Europe, especially the women with their bright colored bodices and ribbons. He recalled a German officer, re- turned from America, who had painted his face with vivid colors in the manner of the Indians, the effect of which “was not disagreeable.” On the other hand, in his northern Europe during the early nineteenth century, people of refinement had a disinclination to colors, the women wearing white, the men, black. And not only dress. Such people avoided vivid colors in the objects around them and seemed inclined, he wrote, to banish vivid colors from their presence altogether.1 I see him in my mind’s eye, this German mercenary, promenading through the streets of Frankfurt fresh from God knows what violence he inflicted out there in America with wild Indians, half-breeds, and crazed Europeans trading furs for whisky along with rings and mirrors, brightly colored greatcoats trimmed with lace, and, of course, paints for face and body, as much for the corpse as for the living. -
Gallery Texts Van Gogh En Japan
Gallery texts exhibition Van Gogh & Japan Inhoud Gallery texts exhibition Van Gogh & Japan ................................................................ 1 Inhoud......................................................................................................................... 1 Floor -1 ....................................................................................................................... 4 Introduction Van Gogh & Japan .............................................................................. 4 Painting: Vincent van Gogh, Flowering Plum Orchard (after Hiroshige), 1887 .... 4 Gallery text: Discovering Japanese prints ............................................................... 4 Colour woodcut: Utagawa Hiroshige, Ishiyakushi: The Yoshitsune Cherry Tree near the Noriyori Shrine, from the series Famous Places near the 53 Stations [Along the Tōkaidō], 1855 .................................................................................... 5 Colour woodcut: Togaku, Finches and Pomegranates, from the series Illustrations of Plants, Trees, Flowers and Birds .................................................. 5 Magazine in showcase: Cover of Paris Illustré, Le Japon, 1 May 1886 ............... 5 Gallery text: Japonisme in Paris .............................................................................. 5 Painting: Vincent van Gogh, In the Café: Agostina Segatori in Le Tambourin, 1887 .................................................................................................................... 6 Painting: -
St. Benedict Joseph Labre Roman Catholic Church 9440 118Th Street Richmond Hill, NY 11419
St. Benedict Joseph Labre Roman Catholic Church 9440 118th Street Richmond Hill, NY 11419 Rev. John Tino Administrator Rev. Philip J. Pizzo Pastor Emeritus (In Residence) Mr. Wilfredo Gonzalez, Faith Formation Coordinator Ms. Joan Overton, Director of Music Rectory office Phone : (718) 849-4048 - Fax : (718) 846-0732 Email : [email protected] Website: www. stbenedictjosephlabre.org Rectory Office Hours : Monday - Friday 9:30AM - 4:30 PM Eighteenth Sunday in Ordinary Time - August 5, 2018 SUNDAY MASSES: Saturday Evening at 5:00 PM MISAS DOMINICAL: Sábados 5:00 PM en Inglés; in English; Sunday at 10:00 AM in English and Domingos 10AM en Inglés y 11:30AM en español. 11 :30 AM in Spanish. MISAS SEMANALES: De Lunes a Sábado 9:00 AM en WEEKDAY MASSES: Monday through Saturday at Inglés. Primer Viernes y Tercer Jueves del mes se 9:00 AM in English. First Friday and Third Thursday celebra la misa en español a las 7:30 PM DIAS DE PRECEPTOS: Por favor vea el boletín. of the Month at 7:30 PM in Spanish. HOLY DAY MASSES: Please See Bulletin NOVENA A LA MEDALLA MILAGROSA MIRACULOUS MEDAL NOVENA Todos los lunes después de la Misa de las 9:00AM Every Monday after the 9:00 AM Mass. SAN BENITO JOSÉ LABRE Con Veneración de su reliquia todos los miércoles ST. BENEDICT JOSEPH LABRE In English with Veneration of his relic every después de la Misa de las 9:00 AM en ingles. Wednesday after the 9:00 AM Mass. In Spanish on cada primer viernes y tercer jueves del mes después de la Misa de las 7:30 PM en español the First Friday and Third Thursday of the month after the 7:30 PM Mass. -
Richard Parry
by Richard Parry THE BONNOT GANG The story of the French illegalists Other Rebel Press titles: Dynamite: A century of class violence in America, Louis Adamic Ego and its Own, The, Max Stirner On the Poverty of Student Life Paris: May 1968 Quiet Rumours, various Revolution of Everyday Life , The, Raoul Vaneigem Untying the Knot, Freeman and Levine THE BON NOT GANG by Richard Parry REBEL PRESS, 1987 Published by Rebel Press in 1987 © Richard Parry, 1986 Photographic work by Matthew Parry and Herve Brix ISBN 0 946061 04 1 Printed and typeset by Aldgate Press 84b Whitechapel High Street, London El 7QX Contents Preface5 One From illegality to illegalism Making virtue of necessity9 ii Saint Max15 Two A new beginning Libertad21 ii City of thieves28 iii State of emergency 30 Three The rebels i· Brussels33 ii Paris42 III Blood on the streets 44 iv Strike! 45 Four Anarchy in suburbia The move47 ii The Romainville commune 51 iii' Collapse of the Romainville commune 57 iv Paris again60 Five Bonnot I The 'Little Corporal' 64 ii In search of work65 III The illegalist66 IV Accidental death of an anarchist70 Six The gang forms A meeting of egoists 73 11 Science on the side of the Proletariat75 iii Looking for a target 76 Seven The birth of tragedy I The first ever hold-up by car 80 ii Crimedoesn't pay84 111 Jeux sans frontieres 88 iv Victor's dilemma89 Eight Kings of the road i Drivin' South 94 ii The left hand of darkness 97 iii Stalemate 99 Nine Calm before the storm 1 'Simentoff' 103 ii Of human bondage 104 iii Dieudonne in the hot seat 108 iv Garnier's challenge 109 Ten Kings of the road (part two) 1 Attack 113 ii State of siege 117 Eleven The Suretefights back To catch an anarchist 120 11 Hide and seek 123 iii Exit Jouin 126 Twelve Twilight of the idols The wrath of Guichard 129 11 Shoot-out at 'The Red Nest' 133 iii Obituaries 137 iv To the Nogent station 139 v The last battle 142 Thirteen In the belly of the beast 1 Limbo 147 ii Judgement 152 iii Execution 159 Fourteen The end of anarchism? 166 Epilogue 175 Map of Paris c. -
Vincent Van Gogh:The Flaming Soul
Vincent van Gogh:The Flaming Soul 投稿類別:英文寫作類 篇名: Vincent Van Gogh:The Flaming Soul 作者: 徐 彤。北一女中。高三仁班 (Hsu Tong。Taipei First Girls’ Senior High School。Class 3-Ren) 指導老師: 姜文娟 老師 Vincent van Gogh:The Flaming Soul Table of Contents I. Introduction -------------------------------------------------------------------------------------------- P.02 A. Motivation of the Study ----------------------------------------------------------------------- P.02 B. Purpose of the Study --------------------------------------------------------------------------- P.02 C. Scope & Methods of the Study --------------------------------------------------------------- P.02 II. Thesis -------------------------------------------------------------------------------------------------- P.02 A. Biography --------------------------------------------------------------------------------------- P.02 1. Early Life – Intellectual Formation (1853~1880) ---------------------------------- P.02 2. The Beginning in Holland (1880~1885) --------------------------------------------- P.02 3. Apprenticeship Years in Paris (1886~1888) ---------------------------------------- P.03 4. Artistic Breakthrough Period in Arles (1888~1889) ------------------------------- P.03 5. Final Years in Saint-Rémy & Auvers (1889~1890) -------------------------------- P.03 B. Artistic Influences from Predecessors ------------------------------------------------------ P.04 1. Baroque ----------------------------------------------------------------------------------- P.04 2. Ukiyo-e -----------------------------------------------------------------------------------