The Kennett Region, a “Hotbed of Abolition”
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Autobiography of Andrew Dickson White</H1>
Autobiography of Andrew Dickson White Autobiography of Andrew Dickson White Scanned by Charles Keller with OmniPage Professional OCR software Autobiography of Andrew Dickson White Volume II Scanned by Charles Keller with OmniPage Professional OCR software donated by Caere Corporation, 1-800-535-7226. Contact Mike Lough AUTOBIOGRAPHY OF ANDREW DICKSON WHITE WITH PORTRAITS VOLUME I page 1 / 895 NEW YORK THE CENTURY CO. 1905 Copyright, 1904, 1905, by THE CENTURY CO. ---- Published March, 1905 THE DE VINNE PRESS TO MY OLD STUDENTS THIS RECORD OF MY LIFE IS INSCRIBED WITH MOST KINDLY RECOLLECTIONS AND BEST WISHES TABLE OF CONTENTS PART I--ENVIRONMENT AND EDUCATION CHAPTER I. BOYHOOD IN CENTRAL NEW YORK--1832-1850 The ``Military Tract'' of New York. A settlement on the headwaters of the Susquehanna. Arrival of my grandfathers and page 2 / 895 grandmothers. Growth of the new settlement. First recollections of it. General character of my environment. My father and mother. Cortland Academy. Its twofold effect upon me. First schooling. Methods in primary studies. Physical education. Removal to Syracuse. The Syracuse Academy. Joseph Allen and Professor Root; their influence; moral side of the education thus obtained. General education outside the school. Removal to a ``classical school''; a catastrophe. James W. Hoyt and his influence. My early love for classical studies. Discovery of Scott's novels. ``The Gallery of British Artists.'' Effect of sundry conventions, public meetings, and lectures. Am sent to Geneva College; treatment of faculty by students. A ``Second Adventist'' meeting; Howell and Clark; my first meeting with Judge Folger. Philosophy of student dissipation at that place and time. -
The Legacy of Henry Wadsworth Longfellow
Maine History Volume 27 Number 4 Article 4 4-1-1988 The Legacy of Henry Wadsworth Longfellow Daniel Aaron Harvard University Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the Modern Literature Commons, and the United States History Commons Recommended Citation Aaron, Daniel. "The Legacy of Henry Wadsworth Longfellow." Maine History 27, 4 (1988): 42-67. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol27/iss4/4 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. DANIEL AARON THE LEGACY OF HENRY WADSWORTH LONGFELLOW Once upon a time (and it wasn’t so long ago), the so-called “household” or “Fire-Side” poets pretty much made up what Barrett Wendell of Harvard University called “the literature of America.” Wendell devoted almost half of his still readable survey, published in 1900, to New England writers. Some of them would shortly be demoted by a new generation of critics, but at the moment, they still constituted “American literature” in the popular mind. The “Boston constellation” — that was Henry James’s term for them — had watched the country coalesce from a shaky union of states into a transcontinental nation. They had lived through the crisis of civil war and survived, loved, and honored. Multitudes recognized their bearded benevolent faces; generations of school children memorized and recited stanzas of their iconic poems. Among these hallowed men of letters, Longfellow was the most popular, the most beloved, the most revered. -
Congressional Record-House. March 23
2204 CONGRESSIONAL RECORD-HOUSE. MARCH 23, }Oncerning the coinage of gold and silver, with a view of submitting over the railroad or public highways leading to the said bridge; and it shall enjoy the rights and privileges of other post-roadS in the United StateR. some remarks. SEc. 3. That if said bridge shall be made with unbroken and continuous spans, EXECUTIVE SESSION. the spans thereof shall notoe less than three hundred feet in length in the clear, Mr. BAYARD. May I ask the Chair before the question is put on and the main span shall be over the main channel of the river. Tlie lowest part of the superstructure of said bridge shall be at least fifty feet above extreme high the motion for an executive session, whether any understanding is water mark, as understood at the point of location, and the bridge shall be at right reached as to the time of voting on the tariff-commission billY angles to, and ita piers parallel with, the current of the river: Provi/Ud, That The PRESIDENT pro tempore. No, sir; objection was made to if the same shall be constructed as a. draw-bridge, the draw or pivot shall be at or near that shore nearest the channel of the river where, in the opinion of the any understanding. The bill remains the unfinished business for Secretary of War, a passage through the draw at that point can be consistently to-morrow, the Senator from New York [Mr. MILLER] having the maintained; if not so constructed, then the pier to be in the main channel, and the floor upon it. -
Donald N. Ferguson, Musician-Scholar and the Elements of Musical Expression
Minnesota Musicians of the Cultured Generation Donald N. Ferguson, Musician-Scholar and the Elements of Musical Expression 1) Early Years 3 2) First Years in Minneapolis 13 3) A Leader among Music Teachers 17 4) The Quest Begins in Earnest 21 5) The Quest Deepens 26 6) Sudden Illumination 28 7) Fruits of a Sabbatical Year 33 8) The Bach Society 38 9) Retirement 45 10) List of works 48 11) Footnotes 53 As a supplement to this text, Dr. Laudon"s article "The Elements ofExpression in Music, A Psychological View" can be consulted in The International Review ofthe Aesthetics and Sociology ofMusic, IRASM 37 (2006) 2, 123-133 Robert Tallant Laudon Professor Emeritus of Musicology University of Minnesota 924 - 18th Ave. SE Minneapolis, Minnesota (612) 331-2710 [email protected] 2003 Donald N. Ferguson Ferguson around the time ofhis London residence A charcoal sketch by an unknown artists in possession ofthe Ferguson family Donald N. j:;crQusonc.. Ferguson around 1950 Courtesy of University ofMinnesota Archives Photo by the photographer and Curator ofPhotos, Museum of Modem Art New York City Donald N. Ferguson Donald N. Ferguson, Musician-Scholar and the Elements ofMusical Expression Sometime in the late 1940s, after the war, the Bureau of Concerts and Lectures began a unique series which brought a series of master pianists of the world to the University of Minnesota-each of these, a specialist: Rubenstein for Chopin, Arrau for Beethoven, and Tureck for Bach among others. While Rosalyn Tureck was in town, she gave a master class in the auditorium of Scott Hall. -
Maine State Legislature
MAINE STATE LEGISLATURE The following document is provided by the LAW AND LEGISLATIVE DIGITAL LIBRARY at the Maine State Law and Legislative Reference Library http://legislature.maine.gov/lawlib Reproduced from scanned originals with text recognition applied (searchable text may contain some errors and/or omissions) DOC'UMENTS PRINTED BY ORDER OF THE LEGISLATURE OF THE ST ATE OF MAINE. 1863. AUGUSTA: STEVENS & SAYWARD, PRINTERS TO THE STATE. 1863. SECOND ANNUAL REPORT OF THE STATE LIBRARIAN TO THE LEGISLATURE o:F MAINE, WITH A LIST ·OF NEW BOOKS, FoR THE YEAR 1862. ' ' Published agreeably to an act approved March 13, 1861. AUGUSTA: STEVENS & SAYWkRD, PRINTERS TO TIIE STATE. 1863. TRUSTEES OF THE STATE LIBRARY. Hon. ABNER COBURN, Governor. JOHN J. PERRY, Oxford. CHARLES HOLDEN, Portland. JAMES BELL, Skowhegan. RAYMOND S. RICH, Thorndike. HORACE B. PRESCOTT, New Sharon. EBEN WOODBURY, Houlton. Joint Standing Cornmittee of the Legislature, f01· 1863. Messrs. Noah Woods, Gardiner, 1 John A. Peters, Bangor, Edwin R. Wiggin, Saco, of the Senate. Messrs. Edward H. Butler, Hallowell, John E. J<'oss, Charleston, George W. Hathaway, Skowhegan, Benjamin W. Donnell, Newcastle, Asher Davis, Solon, of the House. REPORT. To the Legislat'Ure of JJfoine : IN compliance with the 5th section of chapter 25 of the Puhlie Laws of 1861, I submit the following REPORT: The amount placed at the disposal of the Librarian, as by appro priation made at the last sesAion of the Legislature, was $500.00; which, with the unexpended balance of the previous year, amounted, in all, to $522.23. The expenditures during the year, for the purchase of books and pamphlets for the Library, have been $525.64. -
7 Pm Registration (Gold Coat Check) 10 Am
2010 CONFERENCE OF THE INTERNATIONAL SOCIETY FOR THE STUDY OF NARRATIVE 8-11 April, Cleveland, Ohio Draft Program, 3-26-10 All sessions at the Renaissance Cleveland Hotel, unless otherwise noted NB: program subject to change until it goes to press Thursday 8 April 8:30 am – 7 pm Registration (Gold Coat Check) 10 am – 5:30 pm Book Displays (George Bush and Foyer) 9:00-10:30 am Contemporary Narrative Theory I: Character, Narrator, Closure (Gold) Moderator: Gerald Prince, Univ. of Pennsylvania “Temperamental Character” Suzanne Keen, Washington and Lee Univ. “The Narrator Revisited: The Challenge of W. G. Sebald’s Austerlitz” Jakob Lothe, University of Oslo “Narrative, Narrativity and Closure: A Rhetorical Approach” Eyal Segal, Tel Aviv Univ. 10:45 – 12:15 pm Concurrent Sessions A1. Conceptual Blending I: Blending, Readers, and Textual Boundaries (Van Aken) Chair: Vera Tobin, Case Western Reserve Univ. “Metaphoric Blends and Cognitive Distance in a Framed Conjure Tale by (Cleveland’s Own!) Charles Chesnutt” Jennifer Harding, Washington and Jefferson Coll. “Blending and Text-Paratext Relations” Sarah Copland, Ohio State Univ. “Metalepsis as a Blending Phenomenon?” Monika Fludernik,Univ. of Freiburg A2. The Mid-Victorian Novel (Garfield) Chair: Janice Carlisle, Yale Univ. “On the Length of Barry Lyndon” Jami Bartlett, Univ. of California, Irvine “The Plot of Institutions: Trollope’s Barsetshire Novels” Matt Dubord, Univ. of California, Los Angeles “Getting David Copperfield: Humor and Sensus Communis in Novel Structure” Jesse Rosenthal, Johns Hopkins Univ. A3. Narratives of Truth and Reconciliation (Humphrey) Chair: James Weaver “Irreconcilable Differences?: Critical Empathy in Uwe Timm’s In My Brother’s Shadow” 1 | Page Leo Riegert, Jr., Kenyon Coll. -
Underground Railroad Byway Delaware
Harriet Tubman Underground Railroad Byway Delaware Chapter 3.0 Intrinsic Resource Assessment The following Intrinsic Resource Assessment chapter outlines the intrinsic resources found along the corridor. The National Scenic Byway Program defines an intrinsic resource as the cultural, historical, archeological, recreational, natural or scenic qualities or values along a roadway that are necessary for designation as a Scenic Byway. Intrinsic resources are features considered significant, exceptional and distinctive by a community and are recognized and expressed by that community in its comprehensive plan to be of local, regional, statewide or national significance and worthy of preservation and management (60 FR 26759). Nationally significant resources are those that tend to draw travelers or visitors from regions throughout the United States. National Scenic Byway CMP Point #2 An assessment of the intrinsic qualities and their context (the areas surrounding the intrinsic resources). The Harriet Tubman Underground Railroad Byway offers travelers a significant amount of Historical and Cultural resources; therefore, this CMP is focused mainly on these resource categories. The additional resource categories are not ignored in this CMP; they are however, not at the same level of significance or concentration along the corridor as the Historical and Cultural resources. The resources represented in the following chapter provide direct relationships to the corridor story and are therefore presented in this chapter. A map of the entire corridor with all of the intrinsic resources displayed can be found on Figure 6. Figures 7 through 10 provide detailed maps of the four (4) corridors segments, with the intrinsic resources highlighted. This Intrinsic Resource Assessment is organized in a manner that presents the Primary (or most significant resources) first, followed by the Secondary resources. -
William Cooper Nell. the Colored Patriots of the American Revolution
William Cooper Nell. The Colored Patriots of the American ... http://docsouth.unc.edu/neh/nell/nell.html About | Collections | Authors | Titles | Subjects | Geographic | K-12 | Facebook | Buy DocSouth Books The Colored Patriots of the American Revolution, With Sketches of Several Distinguished Colored Persons: To Which Is Added a Brief Survey of the Condition And Prospects of Colored Americans: Electronic Edition. Nell, William Cooper Funding from the National Endowment for the Humanities supported the electronic publication of this title. Text scanned (OCR) by Fiona Mills and Sarah Reuning Images scanned by Fiona Mills and Sarah Reuning Text encoded by Carlene Hempel and Natalia Smith First edition, 1999 ca. 800K Academic Affairs Library, UNC-CH University of North Carolina at Chapel Hill, 1999. © This work is the property of the University of North Carolina at Chapel Hill. It may be used freely by individuals for research, teaching and personal use as long as this statement of availability is included in the text. Call number E 269 N3 N4 (Winston-Salem State University) The electronic edition is a part of the UNC-CH digitization project, Documenting the American South. All footnotes are moved to the end of paragraphs in which the reference occurs. Any hyphens occurring in line breaks have been removed, and the trailing part of a word has been joined to the preceding line. All quotation marks, em dashes and ampersand have been transcribed as entity references. All double right and left quotation marks are encoded as " and " respectively. All single right and left quotation marks are encoded as ' and ' respectively. -
The Influence of American Literature Upon Modern Musical Composition
THE INFLUENCE OF AMERICAN LITERATURE UPON MODERN MUSICAL COMPOSITION BY FAY WOOD SWARTZ THESIS FOR THE DEGREE OF BACHELOR OF MUSIC IN MUSIC COLLEGE OF MUSIC UNIVERSITY OF ILLINOIS 1917 UNIVERSITY OF ILLINOIS June 1, 19(D7 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY _MISS FAY FOOr SWARTZ ENTITLED THE- .IK-FL-IJE.N.CE QF-AMERICl-I^. LI.TER1TIJE.E UP.OS :.1CDERK MUSICAL C,CMPCSITICN._.._.___ IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. DACKELOR OF I^SIC Approved: INTRODUCTION Of all the arts, there are surely no two more closely re- late! and inter-dependent than literature and music. To becoir.e only partially acquainted with Milton, Browning or Goethe and to note their allusions to music is to realize that they were deeply in- terested in that art. On the other hand, we co-uld hardly have been blessed with great oratorios, masses, operas, cantatas, and songs but for the literary texts upon which they are based. It is certain- ly true that the musician am the literate have always gone hand in hana. As a result, composers have, from the beginning used texts rrom German, English, Italian, French and other literatures as the basis of their inspiration for many fine operas, oratorios, masses, and orchestral works. It m.ay seerr to sere as though American liter- ature has had little influence upon musical composition, that texts from that source have not been found sufficiently worthy for adap- tation to musical settings. -
George Bancroft
PEOPLE MENTIONED IN CAPE COD PEOPLE OF CAPE COD: SECRETARY OF THE NAVY GEORGE BANCROFT “The critic’s joking comment that Bancroft wrote American history as if it were the history of the Kingdom of Heaven, had a trifle of truth in it.” — Russel Blaine Nye “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project People of Cape Cod: George Bancroft HDT WHAT? INDEX THE PEOPLE OF CAPE COD:GEORGE BANCROFT PEOPLE MENTIONED IN CAPE COD CAPE COD: Bancroft does not mention Champlain at all among the PEOPLE OF authorities for De Monts’ expedition, nor does he say that he ever CAPE COD visited the coast of New England.... Bancroft makes Champlain to have discovered more western rivers in Maine, not naming the Penobscot.... It is not generally remembered, if known, by the descendants of the Pilgrims, that when their forefathers were spending their first memorable winter in the New World, they had for CHAMPLAIN neighbors a colony of French no further off than Port Royal (Annapolis, Nova Scotia), three hundred miles distant (Prince seems to make it about five hundred miles); where, in spite of many vicissitudes, they had been for fifteen years. ... the trials which their successors and descendants endured at the hands of the English have furnished a theme for both the historian and poet. (See Bancroft’s History and Longfellow’s Evangeline.).... The very gravestones of those Frenchmen are probably older than the oldest English monument in New England north of the Elizabeth Islands, or perhaps anywhere in New England, for if there are any traces of Gosnold’s storehouse left, his strong works are gone. -
Harriet Tubman: Conductor on the Underground Railroad
BIOGRAPHY from Harriet Tubman CONDUCTOR ON THE UNDERGROUND RAILROAD by Ann Petry How much should a person sacrifi ce for freedom? QuickTalk How important is a person’s individual freedom to a healthy society? Discuss with a partner how individual freedom shapes American society. Harriet Tubman (c. 1945) by William H. Johnson. Oil on paperboard, sheet. 29 ⁄" x 23 ⁄" (73.5 cm x 59.3 cm). 496 Unit 2 • Collection 5 SKILLS FOCUS Literary Skills Understand characteristics Reader/Writer of biography; understand coherence. Reading Skills Notebook Identify the main idea; identify supporting sentences. Use your RWN to complete the activities for this selection. Vocabulary Biography and Coherence A biography is the story of fugitives (FYOO juh tihvz) n.: people fl eeing someone’s life written by another person. We “meet” the people in from danger or oppression. Traveling by a biography the same way we get to know people in our own lives. night, the fugitives escaped to the North. We observe their actions and motivations, learn their values, and incomprehensible (ihn kahm prih HEHN see how they interact with others. Soon, we feel we know them. suh buhl) adj.: impossible to understand. A good biography has coherence—all the details come The code that Harriet Tubman used was together in a way that makes the biography easy to understand. incomprehensible to slave owners. In nonfi ction a text is coherent if the important details support the incentive (ihn SEHN tihv) n.: reason to do main idea and connect to one another in a clear order. something; motivation. The incentive of a warm house and good food kept the Literary Perspectives Apply the literary perspective described fugitives going. -
Researching the Underground Railroad in Delaware
Researching the Underground Railroad in Delaware A Select Descriptive Bibliography of African American Fugitive Narratives by Peter T. Dalleo Sponsored by The Underground Railroad Coalition of Delaware & The City of Wilmington James M. Baker, Mayor Peter D. Besecker, Director, Department of Planning June 2008 City of Wilmington Louis L. Redding City/County Building 800 N. French Street Wilmington, Delaware 19801 www.WilmingtonDE.gov John W. Tillman served as a Private in Co. C, 127th Regiment, U.S. Colored Infantry. Image courtesy of Delaware Historical Society On the cover: Historic Map Digital Globe: From the Environmental Systems Research Institute (ESRI) ArcGIS Explorer Resource Center. Authored using “The World on Mercator’s Projection” from the David Rumsey Historical Map Collection. The original map was published in 1812 and drawn by L. Hebert Neele under the direction of John Pinkerton. Acknowledgments Solomon Bayley, Freedom Seeker on the Delmarva Peninsula, 1799 I would like to thank the Underground Railroad Coalition for inspiring me to follow through on some of my research ideas and encouraging me to produce something tangible that others might use; the Camden Historical Society (CHS) for providing a forum at which to present my thoughts about research and sources about Delaware’s Underground Railroad, which led to the development of this booklet; and finally, the City of Wilmington’s Planning Department for its tremendous assistance, without which this booklet would not have been printed. Foremost among the specific individuals to whom I wish to express my gratitude are Debra Campagnari Martin for her dual role as coordinator of both this phase of the Underground Railroad Coalition’s undertakings and of the Wilmington’s Planning Department efforts to produce this booklet.