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Appomattox Court House
GPO 1979 281-357/43 Repiint 1979 Here on April 9, 1865, Gen. Robert E. Lee surren cause. Nor could Lee, in conscience, disband his FOR YOUR SAFETY Appomattox dered the Confederacy's largest and most success army to allow the survivors to carry on guerrilla ful field army to Lt. Gen. Ulysses S. Grant. The warfare. Early on Palm Sunday, April 9, the Con Please do not pet or feed the animals in the park. Court House surrender of the rest of the Confederate com federates ran head-on into the blue-coated infantry Structures, plants, and animals may all pose a mands followed within weeks. and were stopped. Grant had closed the gate. danger to the unwary. Be careful. "There is nothing left for me to do but to go and Lee's ragged and starving army had begun its long see General Grant," Lee concluded, "and I would march to Appomattox on Passion Sunday, April 2, ADMINISTRATION rather die a thousand deaths." when Grant's Federal armies finally cracked the Appomattox Court House National Historical Park Richmond and Petersburg defense lines after 10 The two generals met in the home of Wilmer is administered by the National Park Service, U.S. months of siege. The march had been an exhaust McLean at Appomattox Court House. Lee's face Department of the Interior. A superintendent, ing one, filled with frustration and lost hopes. revealed nothing of his feelings and Grant could whose address is Box 218, Appomattox, VA 24522, Deprived of their supply depots and rapidly losing not decide whether the Confederate commander is in immediate charge. -
Appomattox Court House Is on the Crest of a 770-Foot High Ridge
NFS Form 1MOO OWB No. 1024-O01S United States Department of the Interior National Park Service I 9 /98g National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in Guidelines for Completing National Register Forms (National Register Bulletin 16). Complete each item by marking "x" in the appropriate box or by entering the requested information. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, styles, materials, and areas of significance, enter only the categories and subcategories listed in the instructions. For additional space use continuation sheets (Form 10-900a). Type all entries. 1. Name of Property historic name APPnMATTnY rnriPT unn^F other names/site number APPOM ATTnY ^HITBT HHTTC;P MATTDMAT HISTOPICAT. PARK 2. Location , : _ | not for publication street & nurnberAPPOMATTOX COUPT" HOUSE NATIONAL HISTO RICAL PAR city, town APPOMATTOX v| vicinity code " ~ "* state TrrnrrxTTA code CH county APPnMATTnY Q I T_ zip code 2^579 3. Classification Ownership of Property Category of Property Number of Resources within Property a private n building(s) Contributing Noncontributing public-local B district 31 3 buildings 1 1 public-State site Q sites f_xl public-Federal 1 1 structure lit 1 fl structures CH object 1 objects Name of related multiple property listing: Number of contributing resources previously None_________ listed in the National Register 0_____ 4. State/Federal Agency Certification Asjhe designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this Sd nomination I I request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
STONEWALL JACKSON in FAYETTE COUNTY
STONEWALL JACKSON in FAYETTE COUNTY Larry Spurgeon1 (2019) ***** … the history of Jackson’s boyhood has become “an oft told tale,” so much so that one’s natural inclination is to pass over this period in silence. Yet under the circumstances this should not be done, for it is due Jackson’s memory, as well as his admirers, that the facts, as far as known, of that part of his life be at least accurately if but briefly narrated. Thomas Jackson Arnold2 __________ Thomas Jonathan “Stonewall” Jackson is one of the most iconic figures in American history. While most research has understandably focused on the Civil War, his early life in western Virginia, now West Virginia, has been the subject of some fascination. We are drawn to stories about someone who rises from humble circumstances to the pinnacle of success. A consensus narrative about his childhood evolved over time, an “oft told tale,” to be sure, but one that has gaps, errors, and even myths. An excerpt from the historical marker at Westlake Cemetery in Ansted, Fayette County, West Virginia, where Jackson’s mother Julia is buried, is a good example: On November 4, 1830, Julia Jackson married Blake G. Woodson, a man fifteen years her senior, who in 1831 became the court clerk of newly created Fayette County. Mired in poverty despite his position, he resented his stepchildren. When Julia Woodson’s health began to fail in 1831, she sent her children to live with relatives, and Thomas J. Jackson moved to Jackson’s Mill in Lewis County. He returned here once, in autumn 1831, to see his mother shortly before she died. -
Johannes Spitler, a Virginia Furniture Decorator at the Turn of the 19Th Century by Chris Shelton*
Johannes Spitler, a Virginia Furniture Decorator at the Turn of the 19th Century by Chris Shelton* Abstract: This paper highlights the usefulness of objective technical information obtained by conservators in expanding the understanding of American folk art objects, particularly painted furniture. This topic is presented through the research on the materials and methods used by Johannes Spitler, an German-American furniture decorator active in the Shenandoah Valley of Virginia. A tall case clock and a recently acquired blanket chest both painted by Spitler were examined and treated in the furniture conservation laboratory of the Colonial Williamsburg Foundation. These objects are presently on display in the new exhibition areas at the Abby Aldrich Rockefeller Folk Art Center in Williamsburg. Introduction: With the inception of American folk art as a collected art form in the 1920’s, collectors sought to acquire objects which satisfied the aesthetics of both the art connoisseur and the antiquarian. Painted objects in particular have been approached with a curious mix of fine arts aesthetics and a love of patina. Along with this folk art aesthetic collectors have been driven by many preconceived notions of the nature and importance of folk art. Chief among these is the romantic association of folk art with the new American democracy, that is, “the art of a sovereign, if uncultivated, folk living on an expanding frontier, cut off from the ancient traditions of race, religion and class.”1 These earlier values have shaped many major collections but are now being reevaluated by curators, folk lorists, and historians. In a 1986 conference on folk art, John Michael Vlach presented the situation found in many museum collections today: Generally folk art has been pursued as a set of things,.. -
A Ceremonial Desk by Robert Walker, Virginia Cabinetmaker by Sumpter Priddy
A Ceremonial Desk by Robert Walker, Virginia Cabinetmaker by Sumpter Priddy Fig. 1: Desk, attributed to the shop of Robert Walker, King George County, Virginia ca. 1750. Walnut primary; yellow pine secondary. H. 44, W. 43˙, D. 23˙ in. The desk originally had a bookcase, which is now missing. 2009 Antiques & Fine Art 159 his commanding desk is among the most significant discoveries in Southern furniture to come to 1 T light in recent decades. The desk’s remarkable iconography — including hairy paw feet, knees carved with lions’ heads, and the bust of a Roman statesman raised in relief on its prospect door — is rare in colonial America (Figs. 1–1b). Two of these elements appear in tandem on only one other piece of colonial furniture, a ceremo- nial armchair used by Virginia’s Royal Governors at the Capitol in Williamsburg 2 (Fig. 2). Not surprisingly, an intriguing trail of evidence suggests that this desk was owned by Virginia’s Royal Governor Thomas Lee (ca. 1690–1750), the master of Stratford, in Westmoreland County, Virginia, and kinsman of Robert E. Lee, the celebrated general of the Confederate forces during the American Civil War. The desk is attributed with certainty to the Scottish émigré cabinetmaker Robert Walker (1710–1777) of King George County, Fig. 1b: Detail of one Virginia. Robert and his older brother, William of the legs of figure 1. (ca.1705–1750), a talented house joiner, found themselves in great demand among the wealth- iest families in the colony and often worked in tandem building and furnishing houses. Extensive research undertaken by Robert Leath, Director of Collections for the Museum of Early Southern Decorative Arts, in Winston-Salem, North Carolina, has uncovered strong documentary evidence related to the Walkers, their patrons, and their furniture, 3 and has effected a re-evaluation of baroque and rococo style in the early Chesapeake. -
Appomattox Court House National Historical Park 1 NATIONAL PARK SERVICE
® 008 ember 2 v No APPOMATTOX COURT HOUSE NATIONAL HISTORICAL PARK A Resource Assessment ® Center for State of the Parks ® More than a century ago, Congress established Yellowstone as the CONTENTS world’s first national park. That single act was the beginning of a remarkable and ongoing effort to protect this nation’s natural, historical, and cultural heritage. Today, Americans are learning that national park designation INTRODUCTION 1 alone cannot provide full resource protection. Many parks are compromised by development of adjacent lands, air and water pollu- KEY FINDINGS 6 tion, invasive plants and animals, and rapid increases in motorized recreation. Park officials often lack adequate information on the THE APPOMATTOX COURT status of and trends in conditions of critical resources. HOUSE NATIONAL HISTORICAL The National Parks Conservation Association initiated the State of the Parks program in 2000 to assess the condition of natural and PARK ASSESSMENT 9 cultural resources in the parks, and determine how well equipped the CULTURAL RESOURCES— National Park Service is to protect the parks—its stewardship capac- RECONSTRUCTED VILLAGE ity. The goal is to provide information that will help policymakers, the public, and the National Park Service improve conditions in KEEPS HISTORY ALIVE 9 national parks, celebrate successes as models for other parks, and NATURAL RESOURCES—YOUNG ensure a lasting legacy for future generations. PROGRAM MAKING STRIDES For more information about the methodology and research used in preparing this report and to learn more about the Center for State WITH FEW RESOURCES 17 of the Parks, visit www.npca.org/stateoftheparks or contact: NPCA, STEWARDSHIP CAPACITY 23 Center for State of the Parks, P.O. -
Uncovering the Identity of a Northern Shenandoah Valley Cabinetmaking Shop
A Southern Backcountry Mystery: Uncovering the Identity of a Northern Shenandoah Valley Cabinetmaking Shop by Patricia Long-Jarvis B.A. in Art History, December 1980, Scripps College A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts January 8, 2021 Thesis directed by Oscar P. Fitzgerald Adjunct Professional Lecturer of Decorative Arts & Design History i © Copyright 2020 by Patricia Long-Jarvis All rights reserved ii Dedication I wish to dedicate this thesis to my husband, Jim, our four children—James, Will, Garen, and Kendall—and my sister, Jennifer, for their unfailing support and belief in me. I am eternally grateful to Jim for his patience and providing the time and space away from our family while I researched the Newbrough & Hendricks story. Jim’s absolute love and unwavering confidence are why I completed this study. iii Acknowledgments The author wishes to thank the following individuals and institutions for their support and assistance in making this thesis a reality. My professor, mentor, and thesis advisor, Dr. Oscar P. Fitzgerald, who inspired my love for American furniture, and insisted from the beginning that I write a thesis versus taking a comprehensive exam. For the past three years, Oscar has patiently awaited the delivery of my thesis, and never lost his enthusiasm for the study. I will always be profoundly grateful for his wisdom, guidance, and confidence in me, and all I have learned from him as a teacher, scholar, and thesis advisor. -
Robert Beverley and the Furniture Ofblandfield, Essex County, Virginia, 1760-1800
Robert Beverley and the Furniture ofBlandfield, Essex County, Virginia, 1760-1800 Christopher Harvey Jones Submitted in partial fulfillment ofthe requirements for the degree Master ofArts in the History ofDecorative Arts Masters Program in the History ofDecorative Arts The Smithsonian Associates And Corcoran College ofArt + Design 2006 ©2006 Christopher Harvey Jones All Rights Reserved TABLE OF CONTENTS List of Illustrations 11 Acknowledgments IV Introduction 1 Chapter One - Robert Beverley -- Colonial Gentleman 5 Chapter Two - Choices and Constraints 19 Chapter Three - Blanc!field 28 Chapter Four - Conspicuous Consumption -- English Furniture at Blanetfield 42 . Chapter Five - American Pragmatist -- Virginia Furniture at Blanetfield 53 Conclusion - Robert Beverley -- American 69 Bibliography 72 Appendix One 77 Illustrations 80 TABLE OF CONTENTS List of Illustrations II Acknowledgments IV Introduction 1 Chapter One - Robert Beverley -- Colonial Gentleman 5 Chapter Two - Choices and Constraints 19 Chapter Three - Blanctfield 28 Chapter Four - Conspicuous Consumption -- English Furniture at Blan4field 42 . Chapter Five - American Pragmatist -- Virginia Furniture at Blan4field 53 Conclusion - Robert Beverley -- American 69 Bibliography 72 Appendix One 77 Illustrations 80 LIST OF ILLUSTRATIONS Figure One -- Essex County, Virginia, 1755, A New Map ofthe Most Inhabited Part of Virginia ...by Thomas Frye and Peter Jefferson, Detail, Library of Congress. Figure Two -- Blandfield, East (River) Front, Historic American Buildings Survey Photograph, Ca. 1983, Library of Congress. Figure Three -- Blandfie1d, West (Entry) Front, Historic American Buildings Survey Photograph, ca.1983, Library of Congress. Figure Four -- Conjectural Floor Plan, Blandfie1d, Essex County, Virginia. Figure Five -- Side Chair, Solid Splat, Mahogany (?) England, Ca. 1750 - 1775, Private Collection, Author Photograph. Figure Six -- Side Chair, Diamond Splat, Walnut, England, Ca. -
Appomattox Court House National Historical Park Long-Range Interpretive Plan Appomattox Court House National Historical Park Long-Range Interpretive Plan
National Park Service U.S. Department of the Interior Appomattox Court House National Historical Park Long-Range Interpretive Plan Appomattox Court House National Historical Park Long-Range Interpretive Plan November 2010 Prepared by: National Park Service Harpers Ferry Center – Interpretive Planning and the staff of Appomattox Court House National Historical Park U.S. Department of Interior Washington, D.C. Table of Contents Introduction Actions Planning Background 4-5 Organization 36 Park Creation 6-10 Spaces & Themes 37-47 Beyond the Core 48-50 Planning Foundation Outreach 51 Park Purpose & Significance 11 Use of Technology 55 Interpretive Themes 12-13 150th 56-60 Audience Experience Goals 14-15 Research, Collections & Library Needs 61 Existing Conditions Staffing & Training Needs 62 Implementation Charts 63-72 The Park in 2010 16 Current Audiences 17-21 Appendices Interpretive Facilities 22-25 Interpretive Media 26-27 Appendix 1: Tangibles & Intangibles 73 Personal Services 27-32 Appendix 2: Centennial Goals 74-75 Issues & Initiatives 33-34 Appendix 3: Holding the High Ground 76-77 Appendix 4: 2015 Time line 78 Appendix 5: Participants 79-80 Introduction Planning Background Appomattox Court House National Each year about 60,000 people use the The park’s General Management Plan Historical Park encompasses visitor center and view park exhibits. (GMP) is now in the final stages of approximately 1,800 acres of rolling About two-thirds of those who use the review and approval. The preferred hills in rural, central Virginia. The site visitor center also watch one of two, alternative calls for reconstruction of the includes the McLean House (surrender 15-minute audiovisual programs offered Clover Hill Tavern stable where a new site) and the village of Appomattox in a 70-seat theater (also not accessible). -
Foundation Document Appomattox Court House National Historical Park Virginia November 2015 Foundation Document Attachment 3
Attachment 3 NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Appomattox Court House National Historical Park Virginia November 2015 Foundation Document Attachment 3 Ap North p 656 To 60 om 24 at to Site of Lee’s x R Headquarters iv e r 0 0.5 Kilometer Sweeney Apple VILLAGE OF Prizery 0 0.5 Mile Tree 656 APPOMATTOX site COURT HOUSE (see map below Appomattox for detail) History Confederate Trail Cemetery Visitor Center Site of Grant’s Headquarters Raine Prince Edward North Carolina Monument Court House Monument Road To 460 and 24 Appomattox 627 B Attachment 3 Appomattox Court House National Historical Park Contents Mission of the National Park Service 1 Introduction 2 Part 1: Core Components 3 Brief Description of the Park 3 Park Purpose 5 Park Significance 6 Fundamental Resources and Values 7 Other Important Resources and Values 9 Related Resources 10 Interpretive Themes 11 Part 2: Dynamic Components 12 Special Mandates and Administrative Commitments 12 Assessment of Planning and Data Needs 12 Analysis of Fundamental Resources and Values 12 Analysis of Other Important Resources and Values 27 Identification of Key Issues and Associated Planning and Data Needs 29 Planning and Data Needs 31 Part 3: Contributors 36 Appomattox Court House National Historical Park 36 NPS Northeast Regional Office 36 Other NPS Staff 36 Appendixes 37 Appendix A: Enabling Legislation and Legislative Acts for Appomattox Court House National Historical Park 37 Appendix B: Full Site And Legislative History Of Appomattox Court House National Historical Park 43 Appendix C: Inventory of Administrative Commitments 52 Appendix D: Past and Ongoing Park Planning and Data Collection Efforts 53 Foundation Document Attachment 3 Attachment 3 Appomattox Court House National Historical Park Mission of the National Park Service The National Park Service (NPS) preserves unimpaired the natural and cultural resources and values of the national park system for the enjoyment, education, and inspiration of this and future generations. -
Appomattox County Comprehensive Plan
appomattox county comprehensive plan a guidebook for elected officials, government staff, civic groups, and concerned citizens of appomattox county adopted: june 20, 2016 1 APPOMATTOX COUNTY BOARD OF SUPERVISORS Samuel E. Carter, Chairman Sara E. Carter, Vice-Chairman William H. Hogan Chad E. Millner Bryan A. Moody Susan M. Adams., County Administrator PAMPLIN TOWN COUNCIL William R. Horton, Mayor Robert G. Mitchell, Vice-Mayor Wiley Baldwin Andrew Daniels Ronald Franklin Sarah Hamlett Noreen Murray Paulie W. Johnson, Town Clerk-Treasurer JOINT APPOMATTOX PLANNING COMMISSION George Almond, Chairman Steve Conner, Vice-Chairman Earl Dickerson Sara Carter Josh Mills Kevin O’Brien Susan Hudson STAFF Johnnie Roark, Director of Community Development Assistance provided by Region 2000 Local Government Council 2 Table of Contents Introduction ................................................................................................................................... 6 Planning Horizon ......................................................................................................................... 6 Planning History .......................................................................................................................... 6 Authority to Plan ......................................................................................................................... 7 Community History .................................................................................................................. 8 Chapter 1 Goals and -
College of Arts and Letters Maj
COLLEGE OF ARTS AND LETTERS MAJ. YEAR TITLE BUSINESS CITY STATE Art 2007 Clerk USCG Alexandria VA Communication 2014 Film Specialist University of Texas at Austin Austin TX Communication 2014 Graduate Student Syracuse University Winchester VA Communication 2014 Marketing Coordinater Monarch Mortgage Virginia Beach VA Communication 2014 Production Instructor School of Creative and Performing Arts Lorton VA Communication 2013 Graphics & Promotions Coordinator Ocean Breeze Waterpark Virginia Beach VA Communication 2013 Sales Associate Tumi Washington DC Communication 2013 Recriter Aerotek Norfolk VA Communication 2013 Operations Administration The Franklin Johnston Group Chesapeake VA Communication 2013 Social Media Specialist Dominion Enterprises Newport News VA Communication 2013 Realtor Rose & Womble Realty Chesapeake VA Communication 2013 Legal Assistant Harry R. Purkey, Jr. P.C. Virginia Beach VA Communication 2012 Public Relations Asst Account Executive BCF Virginia Beach VA Communication 2012 Event Designer Amphora Catering Annandale VA Communication 2012 Assistant Manager Mark's Bar-B-Que Zone LLC Marion VA Communication 2012 Assignment Editor WTVR-TV Richmond VA Communication 2012 Team Leader Neebo Bookstores at John Tyler Community College Virginia Beach VA Communication 2012 Marketing and Communiactions Coordinator The Pacific Club Wahiawa HI Communication 2012 Leadership Consultant Omicron Delta Kappa Lexington VA Communication 2011 Regional Vice President Specialists On Call, Inc. Ocean City MD Communication 2011 Administrative Assistant Eagle Haven Golf Course Virginia Beach VA Communication 2011 Account Manager Bizport Laguna Niguel CA Communication 2011 Human Resources Officer U.S. Army Apo AP Communication 2011 REALTOR Long & Foster Real Estate Inc. Franklin VA Communication 2011 Marketing Communications Specialist Crawford Group Campbell CA Communication 2011 Social Media Specialist Meridian Group Virginia Beach VA Communication 2011 Assoc.