Narasimha Temple at Puri
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The Temple Architecture in Odisha
ISSN 0970-8669 Odisha Review The Hindu temple architecture reflects a synthesis is concentrated in the city of Bhubaneswar where of arts, the ideals of religion, beliefs, values and there are over thirty of them. the way of life cherished under Hinduism. The temple is a place for pilgrimage. All the cosmic The main temples of this style consist of elements that create and celebrate life in Hindu the Lingaraja Temple at Bhubaneswar th pantheon are present in a Hindu temple from fire (11 century), the Jagannath temple at Puri th to water, from images of nature to deities, from (12 century) the Great Sun Temple at Konark the feminine to the masculine, from karma to (13th century), Rajarani Temple (10th century), artha. The form and meanings of architectural Mukteswar (10th Century), Parshuram Temple elements in a Hindu temple are designed to (8th Century) etc. function as the place where it is the link between The Kanlingan style consists of three man and the divine, to help his progress to spiritual distinct types of temples Rekha Deula, Pidha knowledge and truth, his liberation is called Deula and Khakhara Deula. The former two are Moksha. associated with Vishnu, Surya and Shiva temples The Temple Architecture in Odisha Sujata Routray The Indian temples are broadly divided while the third is mainly with Chamunda and Durga into Nagara, Vesara, Dravida and Gadag styles temples. The Rekha Deula and Khakhara Deula of architecture. However the temple architecture houses the sanctum sanctorum while the Pidha of Odisha corresponds to altogether a different Deula constitutes outer dancing and offering halls. -
Search a Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015
search A Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015 DDCE Education for All DDCE, UTKAL UNIVERSITY, BHUBANESWAR, INDIA Prof. S. P. Pani, Director,DDCE, Utkal University, Bhubaneswar. Dr. M. R. Behera Lecturer in Oriya, DDCE, Utkal University, Bhubaneswar. Dr. Sujit K. Acharya Lecturer in Business Administration DDCE, Utkal University, Bhubaneswar. Dr. P. P. Panigrahi Executive Editor Lecturer in English, DDCE, Utkal University, Bhubaneswar. ISSN 0974-5416 Copyright : © DDCE, Utkal University, Bhubaneswar Authors bear responsibility for the contents and views expressed by them. Directorate of Distance & Continuing Education, Utkal University does not bear any responsibility. Published by : Director, Directorate of Distance & Continuing Education, Utkal University, Vanivihar, Bhubaneswar – 751007. India. Reach us at E-mail : [email protected]. 91-674 –2376700/2376703(O) Type Setting & Printing: CAD 442, Saheed Nagar Bhubaneswar - 751 007 Ph.: 0674-2544631, 2547731 ii History is TRUTH and TRUTH is God. History is a search for the ultimate truth , an understanding which would end the search for any further explanation. Many of you may feel disturbed with such a content. In fact, many of you may feel this statement to be very subjective. Indeed you may opine that history is all about alternative explanations, choice of one explanation over the others with justification. In this short editorial an attempt is being made to explore, ‘History as Truth’. History like any other discipline can never be dealt in isolation; however, it may seem so. It is not even a distinct part of the whole, it is indeed the whole itself- both temporally and spatially. Why all search in history may be partial yet the partial search always can be of the whole only. -
Tourism Under RDC, CD, Cuttack ******* Tourism Under This Central Division Revolves Round the Cluster of Magnificent Temple Beaches, Wildlife Reserves and Monuments
Tourism under RDC, CD, Cuttack ******* Tourism under this Central Division revolves round the cluster of magnificent temple beaches, wildlife reserves and monuments. Tourism specifically in Odisha is pilgrimage oriented. The famous car festival of Puri Jagannath Temple has got the world wide acclaim. It holds attraction of all domestic, national and international tourists, Sea Beaches like Puri, Konark, Astarang of Puri District, Digha, Talasari, Chandipur of Balasore, Siali of Jagatsinghpur District keeps the beholder at its clutch. Wild life reserves like Similipal of Mayurbhanj, Bhitarkanika of Kendrapara along with scenic beauty of nature makes one mesmerized and gives a feeling of oneness with nature, the part of cosmic power. BALASORE KHIRACHORA GOPINATH TEMPLE: Khirachora Gopinatha Temple is situated at Remuna. It is famous as Vaishnab shrine. Remuna is a Chunk of Brindaban in Orissa. It is a little town located 9 k.m east of Balasore. The name Remuna is resulting from the word Ramaniya which means very good looking. "Khirachora" in Odia means Stealer of Milk and Gopinatha means the Divine Consort of Gopis. The reference is to child Krishna's love for milk and milk products. (Khirachora Gopinath Temple) PANCHALINGESWAR TEMPLE: Panchalingeswar is located on a top of a hillock near the Nilagiri hill which is popular for its natural surroundings. The main attraction of this place is a temple having five lingas with a perennial stream, which is regularly washes the Shivalingas as it flows over them. So, to reach to the temple one has to lie flat on the rock parallel to the stream to touch and worship the lingas inside the water stream. -
Temples of Odisha- the Geometry of Plan Form
IJIRST –International Journal for Innovative Research in Science & Technology| Volume 2 | Issue 10 | March 2016 ISSN (online): 2349-6010 Temples of Odisha- the Geometry of Plan Form Rinku Parashar Dr Abir Bandyopadhyay Assistant Professor Professor & Head Department of Architecture Engineering Department of Architecture Engineering NIT, Raipur, 492010, India NIT, Raipur, 492010, India Abstract The Indian temple architecture depicts clearly their evolution, following the original ancient models, which were derived from religious consideration and this practice is further being followed, since many centuries. These temples are actually, the place of transcendence where man crosses over from world of illusion, to the world of truth. The main style of Hindu temple architecture in India had its modest beginning precisely from the Mauryan rule i.e 3rd century BC. The Indian Silpasastras recognize mainly three categories of the temple style, the Nagara, Dravida and Vesara, but there was also another style very prominent, known as the Kalinga style, which is very distinguished all over the world for their unique characteristics, that existed between 6th century A.D to 16th century A.D in Odisha. The aim of the paper is to describe the Kalinga style of architecture and the basic characteristics of the temples of this style, eventually concluding with interpretation of the plan forms of the temples, to be following a scientific and methodical path of evolution. Keywords: Evolution of Temple, Hindu temple, Kalinga architecture, Odishan style, plan from _______________________________________________________________________________________________________ I. INTRODUCTION The temple forms the focal point for all aspects of life in the Hindu community - religious, cultural, educational and social (Batchelor, 1997). -
Sri Jagannath Temple - a Study of Its Cosmic Symbolism
Orissa Review * June - 2006 Sri Jagannath Temple - A Study of its Cosmic Symbolism Sunil Kumar Patnaik The temple is a sacred place, a place for of educational and medical help, and above worship, a tirtha, a meeting of divine and all, as the center of: cultural activities, such as earthly life and a community center. Temple the arts, paintings and sculpture, apart from means body or embodiment. Temples enable architecture, music and dance and more devotee to sacred and blissful experience that significantly as symbol of political power. the yogi has attained thorough rigorous and It can well be glimpsed through the painstaking sadhans. These experiences are temple towns of India. The culture that often displayed on the temple walls. revolved the temples can be felt even today in The idea of temple originated centuries temple cities like Banaras, Ujain, ago in the universal ancient conception of god Kanchipuram, Tanjore, Madurai, Dwaraka, in human form. Such, form required a Tirupati, Rameswaram, or Puri, etc. Here the habitation; a shelter and this need resulted in a God is chalachala, the rituals, festivals, are structural shrine. It is often believed that the living today. The culture that once developed temple form is derived from the "vedic" alter with the community such as rituals and festivals the earliest known sacred structure (vedi), and the idea of pilgrims has thus, created which had the square as its essential form. Its network of temple-centers and sacred origin goes back to the pre-Christian era, and geography, continue to emphasize the its evolution into a monument of the great integrative role of the temple in the sub architectural merit is marked by conscious continent. -
29. Format.Hum
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347-4564; ISSN (E): 2321-8878 Vol. 6, Issue 7, Jul 2018, 227-238 © Impact Journals THE REFLECTION OF ARTISTIC EXCELLENCY OF ODIA PEOPLE THROUGH THEIR FAMOUS MONUMENTS Akhaya Kumar Mishra Lecturer, Department of History, Balugaon College, Balugaon, Odisha, India Received: 28 Jun 2018 Accepted: 18 Jul 2018 Published: 24 Jul 2018 ABSTRACT Known for its utkarsh in kala, i.e, excellent in art Odisha is considered as India’s one of the most hidden splendid cultural landscapes. Traditionally archaeology and monuments have been the prime motivation for a visitor to Odisha who usually returns with enchanting experience, enduring thoughts and lingering memories of an endearing and hospitable Odia people, their picturesque land and above all the magnificent monuments. For touristic interest, this ancient land of Odisha offers its rich and varied archaeological treasures and wealth of monuments in a pristine and fortunately intact form. The entire length and breadth of the state are dotted with a large number of standing monuments and archaeological sites which would be around 4000- in the figure. The range of monuments includes early Jaina caves and temples; Buddhist Viharas (Monasteries), chaityas (apsidal structures), stupas; Hindu temples; mosques; churches; ancient and medieval forts; palaces of erstwhile kings and the colonial architecture. The great tradition of monument building which is as old as the recorded history or even older, finds an echo in the religious and cultural life of the people till today. KEYWORDS : Archaeology, Monuments, Architecture, Sculpture, Gigantic INTRODUCTION Renowned for its artistic beauty, Odisha retains its distinct identity in the form of sculptural art, folk art, and performing art. -
Newsletter.Pdf
ODISHA UNRAVELLED 1 ODISHA UNRAVELLED JULY 2021 ISSUE 8 A Newsletter by Department of Tourism, Government of Odisha Mahendragiri, Gajapati COVID-19: Impact on the Throttle up for a Monsoon From Golden Triangle to State Tourism Sector Escapade Diamond Triangle Page : 07 Page : 12 Page : 18 2 ODISHA UNRAVELLED ROAD TO MAHENDRAGIRI EDITORIAL ODISHA TEAM UNRAVELLED A Newsletter by Department of Tourism, Vishal Kumar Dev, IAS Government of Odisha Principal Secretary to Government Sachin Ramchandra Jadhav, IAS Director & Additional Secretary to Government Content and Design Project Mangement Unit ODISHA UNRAVELLED 3 FOREWORD JYOTI PRAKASH PANIGRAHI Minister of State (IC) for Tourism and Odia Language, Literature & Culture he travel and tour- economy for the future. ism industry had started recuperat- With the daily case load ing from the first declining steadily, there is waveT of the pandemic when a reason to be optimistic. the lockdown during the Foreseeing an ease in Cov- summers and Cyclone Yaas id-19 restrictions, thanks to brought a major setback. the mass vaccination drive being efficiently conduct- After the unexpected chal- ed by the Government, Od- lenges posed by the second isha Tourism has initiated a wave of Covid-19, it’s a given phase wise strategic inoc- that everyone is hoping for ulation drive for the travel a quick revival of the sector. and tourism stakeholders of This crisis is a call to action the State to ensure Odisha for us to build a stronger is ready to receive guests and a more resilient tourism and tourists. 4 ODISHA UNRAVELLED EDITOR’S NOTE VISHAL DEV, IAS Prinicipal Secretary, Tourism, Sports & Youth Services s the pandemic able creation of new tourism continues to evolve, products like river cruise, De- we are drawing partment of Tourism is work- insights from the ing towards refurbishing the setbacksA to formulate our existing catamarans and op- strategy for the new normal. -
Cultural History of Odisha 2017
2017 OBJECTIVE ULTURAL ISTORY OF DISHA IAS C H O www.historyofodisha.in | www.objectiveias.in Cultural History of Odisha 2017 2 Cultural History of Odisha 2017 Contents 1. Cultural Significane of Somovamsi Rule 2. Cultural Significane of Ganga Rule 3. Growth of Temple Architecture 4. Society During Bhaumakaras 5. Religious Life During Bhaumakaras 6. Society During Samovamsis and Ganga Period 7. Cult of Jagannatha 8. Sri Chaitanya Faith 9. Pancha Sakhas and Bhakti Movement 10. Social and Religious Like During Medieval Period 3 Cultural History of Odisha 2017 4 Cultural History of Odisha 2017 Cultural significance of the Somavamsi rule The cultural contribution of the Somavamsis is significant in many ways. The Somavamsis accepted the Varnashrama dharma i.e., traditional division of the society into four Varnas (Brahmana, Kshatriya, Vaishya and Sudra), and gave the highest status to the Brahmanas. By performing Vedic sacrifices and facilitating the migration of Brahrnanas from northern India through generous offer of land grants the Somavamsi rulers promoted the Brahminisation of the socio-religious life of Odisha as well as the assimilation of the north Indian Sanskritic culture into the Odishan culture. Women enjoyed respectable status in the Somavamsi society. Some of the Somavamsi queens performed important works like the construction of temples. The Queen Kolavatidevi, the mother of Udyota Keshari constructed the Brahmeswar temple at Bhubaneswar. Nevertheless, the status of women appears to have degenerated during this period. The Devadasi practice (the practice of dedicating maidens to the temples) and prostitution were prevalent during this period. The last Somavamsi king, Karnadeva married a dancing girl, named Karpurasri who was born of a Mahari or Devadasi. -
16 Photographic Exhibition Temples of India Benoy .Pdf
Mahabodhi Temple, Bodhgaya, mid-5th cent. Parinirvana Temple, Kushinagara, Uttar Pradesh. Gilded statue of the Parinirvana, Kushinagara Temple, Uttar Pradesh. Buddhist Temple, 5th cent., Sanchi, Madhya Pradesh World Heritage Site. Apsidal Durga Temple, 8th century, Aihole, Karnataka. The Virupaksha Temple, 8th cent., Pattadakkal, Karnataka. World Heritage Site. Pancharatha, 7th cent., Mamallapuram, Tamil Nadu. World Heritage Site Shore Temple, 7th cent., Mamallapuram, Tamil Nadu. World Heritage Site. Kailashnatha Temple, 8th cent., Tamil Nadu. Martand Sun Temple, 8th cent., Kashmir. Shiva Temple, 8th cent., Pandarethan, Srinagar, Kashmir. Narayan Nag Temples, 7th – 12th cent., Wangath, Kashmir. Vattuvankovil, Kalugumalai, 8th cent., Tamil Nadu. The temple is cut out of a hill. Rock-cut Temple, 8th cent., Masrur, Himachal Pradesh. Kailashanatha Temple, 8th cent., Ellora, Maharashtra. Kailashanatha Temple, 8th cent., Ellora, Maharashtra Somnath Temple, ancient temple reconstructed in 1951, Junagarh, Gujarat. Shiva on Façade, Somnath Temple, ancient temple reconstructed in 1951, Junagarh, Gujarat. Chaurasi Temples, Bharmaur, 7th -10th cent., Himachal Pradesh. Gangotri Temple, Uttarakhand. Kedarnath Shiva Temple, Uttarakhand. Vijayalaya Cholisvara, Narthamalai, 9th cent., Tamil Nadu. Airateshvara Temple, Darasuram, 12th cent., Tamil Nadu. Mooverkoil, 10th cent., Kodambulur, Tamil Nadu. Shiva, high on the façade, Mooverkoil, Kodambulur, Tamil Nadu. Brhadisvara Temple, end-10th cent., Thanjavur, Tamil Nadu. Brhadisvara Temple, Gangaikondacholapuram, 11th cent., Tamil Nadu. Jagannath Temple, Puri, Orissa, 12th cent., Orissa. Konark Sun Temple, 13th cent., Orissa. Rajarani Temple, Bhubaneshwar, 11th cent., Orissa. Lingaraja Temple, Bhubaneshwar, 12th cent., Orissa. Kandariya Mahadeva Temple, 11th cent., Khajuraho, Madhya Pradesh. Vishwanatha Temple, 11th cent., Khajuraho, Madhya Pradesh. Lakshmana Temple, 10th cent., Khajuraho, Madhya Pradesh. Sumtsek, 11th -12th cent., Alchi, Ladakh, Jammu & Kashmir. -
Evolution of Kalingan Style of Temple
P: ISSN NO.: 2394-0344 RNI No.UPBIL/2016/67980 VOL-1* ISSUE-12* March- 2017 E: ISSN NO.: 2455-0817 Remarking An Analisation Evolution of Kalingan Style of Temple - A Study Abstract According to the architectural classification Indian Hindu temple is divided into three different style which is known as Nagara, Dravida and Vesara. Besides that the land of Odisha has its different form of architecture made special appearance which is generally called Kalingan th th type of architecture. It was flourished from 8 century AD to 13 century AD. The land Odisha is known for its temple architecture which is different from other style of temple in India. The Odishan temples are in a continuous succession which is spreading over long period from 6th th century to 15 century AD. The foundation of the Odishan temple style were probably laid around 6th century AD. The temples are indicates its development upto the period of its early maturity around 950 AD. The architectural features, the kalingan temple have grouped under three different features. These are the Rekhadeula, Pidhadeula and Khakharadeula respectively. The Kalingan temple architecture is a constitute of the Nagara substyle of the Northern India, Dravida sub style of South India and some of the feature of Vesara style has been adopted in the Kalingan type of temples. The construction of temple building was in Odishan land was continuing for nearly one thousand years i.e. from 6th C. AD to 16th C. AD. The temple construction activities in Odisha was continuing without any distraction by the change of dynasties. -
A Study on Ananta Vasudev Temple in Bhubaneswar Anasuya Swain
ISSN 0970-8669 Odisha Review Ganga Temple Architecture: A Study on Ananta Vasudev Temple in Bhubaneswar Anasuya Swain hubaneswar, the capital of Odisha is find early 6-7th century temples to later 13-14th Bassociated with a cluster of magnificent century temple. The building activity was in full temples. Its proud sculptural and architectural swing under the Ganga. During this period one heritage coupled with its sanctity as Ekamra important Bishnu temple named Ananta Basudev Kshetra, one of the 5 great religious centers in temple was built. Odisha since early medieval days attracts Features of Ganga temple: The temples thousands of visitors from all corners of the world of this period contain four features- throughout the year. It is important Saiva kshetra · Main temple of India, its sacredness has been described in the · Mukhasala medieval texts like Ekamra Chandrika, Kapila · Natamandap Samhita and Swarnadri-mahodaya. Bhubaneswar is easy accessible, which is 438 K.M from south · Bhoga mandapa west of Kolkata and on the main railway line to Main temple or the sanctuary is meant Chennai. The airport was also situated in this town for a glimpse of the deity and ritual worship. through which international contact could be Generally the sanctuary is the rekha deula. Rekha possible tourist bungalow, hotels; dharmasalas deula has its four features- provide accommodation to the visitors. Here we · Pista · Bada · Gandi · Mastaka Pista It is not found before the Ganga period. It became prominent in the Ganga period. Sometimes it became terraced platform. Bada Bada consists of Pabhaga, jungha and baranda. But it is developed into 5 divisions in 26 APRIL-MAY - 2020 Odisha Review ISSN 0970-8669 this period. -
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Orissa Review July - 2008 The Four Dhams Jitendra Narayan Patnaik "Dham" means "Abode". There are four dhams Sankaracharya came to Badri and restored the in four directions of India which are believed to ancient Badrinath idol from the Narad Kund and be the abodes of Hindu gods, and the holiest consecrated it in a cave near Tapt Kund. The places of pilgrimage. The four dhams at the four present temple was built by the Garhwal rulers. corners of India symbolize the essential unity of Tapt Kund, the hot water spring with natural India's spiritual traditions and values. To the north curative properties believed to be the abode of is Badrinath, to the west Dwarka, to the south Lord Agni, faces the shrine. The pilgrims take a Rameshwaram and to the east is Puri. Each of holy dip in the Tapt Kund before entering the the four dhams is a citadel of ancient temples and temple. The temple remains closed from October religious monuments, with one most significant to April due to the winter snow, when temple as its distinguishing landmark. temperatures fall to sub-zero degrees. BADRINATH There are four other shrines (dedicated to Badrinath is at a height of 10,400 feet Lord Vishnu) near Badrinath shrine. They are above sea-level in the Garhwal Mountains, a part Yogadhyan Badri, Bhavishya Badri, Bridha Badri of the larger Himalayas, in the state of Uttaranchal. and Adi Badri. Not far from the Badrinath temple Built in early ninth century AD, the Badrinath is the Hemkund Lake. According to legends, temple is one of the most revered Hindu shrines Guru Govind Singh, the tenth Guru of the Sikhs, of India.