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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
615. Miyazaki Fumiko and Duncan Williams
Japanese Journal of Religious Studies 2001 28/3–4 The Intersection of the Local and the Translocal at a Sacred Site The Case of Osorezan in Tokugawa Japan MIYAZAKI Fumiko and Duncan WILLIAMS Osorezan is often portrayed today as a remote place in the Shimokita Peninsula, a borderland between this world and the other world, where female mediums called itako communicate with the dead. This article is an attempt to sketch the historical development of Osorezan with evidence from local archives, travel records, temple collections, and inscriptions from stone monuments. With newly available local historical data, despite what temple pamphlets claim, we will establish that the cult of Jizõ (and the death-associated rituals associated with the bodhisattva) was a late Tokugawa-period development and that the female mediums who have made the site so famous only began their communications with the dead at the mountain in the twentieth century. Indeed, what the historical evi- dence suggests is that Osorezan was a complex site that developed late for a major pilgrimage destination, in which the other-worldly concern with the dead (through the worship of Jizõ) was only one aspect of the Osorezan cult. Major patrons of Osorezan in the Tokugawa period prayed for the success of their commercial enterprises there and local people viewed the site primarily as a place of hot spring cures. This article will examine the his- tory of Osorezan from its emergence as a local religious site during the mid- seventeenth until the end of the Tokugawa period, when it became a pilgrimage destination known throughout Japan. -
MAKING CODE ZERO Part 2
October 2018 Issue 23 PLUS MAKING CODE ZERO part 2 Includes material PLAY BLACKPOOL not in the video Report from the show! event... CONTENTS 32. RECREATED SPECTRUM Is it any good? 24. MIND YOUR LANGUAGE 18. Play Blackpool 2018 Micro-Prolog. The recent retro event. FEATURES GAME REVIEWS 4 News from 1987 DNA Warrior 6 Find out what was happening back in 1987. Bobby Carrot 7 14 Making Code Zero Devils of the Deep 8 Full development diary part 2. Spawn of Evil 9 18 Play Blackpool Report from the recent show. Hibernated 1 10 24 Mind Your Language Time Scanner 12 More programming languages. Maziacs 20 32 Recreated ZX Spectrum Bluetooth keyboard tested. Gift of the Gods 22 36 Grumpy Ogre Ah Diddums 30 Retro adventuring. Snake Escape 31 38 My Life In Adventures A personal story. Bionic Ninja 32 42 16/48 Magazine And more... Series looking at this tape based mag. And more…. Page 2 www.thespectrumshow.co.uk EDITORIAL Welcome to issue 23 and thank you for taking the time to download and read it. Those following my exploits with blown up Spectrums will be pleased to I’ll publish the ones I can, and provide hear they are now back with me answers where fit. Let’s try to get thanks to the great service from Mu- enough just for one issue at least, that tant Caterpillar Games. (see P29) means about five. There is your chal- Those who saw the review of the TZX All machines are now back in their lenge. Duino in episode 76, and my subse- cases and working fine ready for some quent tweet will know I found that this The old school magazines had many filming for the next few episodes. -
Investigating Radical Contradictions of Original Lovemaps: Therapeutic Implications
INVESTIGATING RADICAL CONTRADICTIONS OF ORIGINAL LOVEMAPS: THERAPEUTIC IMPLICATIONS by TRACY MELANIE LAKE submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject PSYCHOLOGY at the UNIVERSITY OF SOUTH AFRICA PROMOTER: DR I FERNS AUGUST 2006 ACKNOWLEDGEMENTS I extend my deepest thanks and appreciation to the following people, each one instrumental, in his or her own way, for making this project richer. Dr Ilse Ferns, again, my promoter and guide. For your valuable recognition and encouragement, and your special belief in that which I envisioned. My friend, fellow psychotherapist, and researcher, Leanne. For ideas shared, hatched, and reared in a spirit of honesty and ongoing self-inquiry. Let this always be so. To my ‘critical crew’, Johan Roelofse, Michelle Grönum, Jutta Eggers and Casper Human. Critics on request, colleagues at one time, peers always. To Terence Denton. For having spontaneously refined your own understanding of these ideas, long before I would find them, and for being so willing to share. The seven people who shared with me their memories, experiences, and reflections of loves lived, lost, and longed for. Your stories, meanings, and answers have been added to mine. Years of psychotherapy practice at university, state, and military hospitals developed the author’s interest in the presentation of love relationship problems. Mood and anxiety disorders, as the most prevalent pathologies, were often co-morbid with or secondary to partner relationship issues. Most vexing for clients was a situation of repeated dysfunctional partner selections in which similar problems arose each time. This incubated the idea of a process, probably outside of awareness, that functioned to perpetuate self-defeating partner selection patterns. -
Frankfurt 2019
A& A N N A G U R G U Í L I T EGR A R Y A G E N C Y FRANKFURT 2019 CHILDREN’S TITLES CHRONICLE BOOKS More board book fun from the #1 New York Times CRANE TRUCK’S OPPOSITES by bestseller! SEPTEMBER Sherri Duskey Rinker 2019 A concept book from the #1 New York Times bestselling Goodnight, Goodnight Construction Site series by Sherri Duskey Rinker! Crane Truck's Opposites: Goodnight, Goodnight, Construction Site introduces the concept of opposites in board book form to youngest readers. Little construction fans will love learning early concepts by watching Crane Truck as he works from DAY to NIGHT on jobs both BIG and SMALL, with help from his friend Excavator. • This concept-driven board book features characters from the bestselling Goodnight, Goodnight Construction Site and Mighty, Mighty Construction Site series • Construction vehicles are a favorite topic among little readers • Touches upon themes of shared work and the value of friendship, while teaching the concept of opposites Review of previous book: Goodnight, Goodnight Construction Site Perfect for little hands, this adorable board book introduces favorite machines to readers ages 5 to 6 years old. "A lovely book that ties the Christmas message of friendship and generosity to the satisfaction of a job well-done." —Kirkus Reviews It's all in a day's work for the trucks of the bestselling Goodnight, Goodnight, "Children will love shouting out the names of the vehicles and the parts they are gifted, as well as Construction Site. guessing what they're creating. It's perfect for one-on-one -
Idalia; Or, the Adventuress
IDALIA; OR, THE ADVENTURESS. IN THREE ACTS. GEORGE ROBERTS, (Member of the Dramatic Authors' Society) AUTHOR OF Lady Audley's Secret, Under the Rose, Three Furies, Forty Winks, Cousin Tom, Ample Apology, &c, &c. THOMAS HAILES LACY, THEATRICAL PUBLISHER, LONDON. IDALIA. First produced at the Royal St. James's Theatre (under the management of Miss Herbert), on Monday, April 22nd, 1867. This Drama is in part founded on the novel, " Idalia," by Onida. HUGH STONELEIGH ................ Mr. C. WYNDHAM. COUNT FALCON ................. Mr. HENRY IRVING. VICTOR VANE ... ................. Mr. F. CHARLES. VOLPONE VITELLO ... ... Mr. J. D. STOYLE. BAEON LINTZ (of the Austrian Army) Mr. GASTON MORRAY. CAPTAIN DELAFOSSE (of the Zouaves) Mr. WILTON. JOSEPH (Garcon at the Cafe) Mr. ALLEN. SCHWARTZ ... (a Croat) ... Mr. BRIDGFORD. BATZ ... (an Innkeeper) ... Mr. RIVERS. FILIPPO ... (Postillion) ... Mr. BROWNE. ENSIGN SCHWEITZER ... Mr. MERVIN. PICCOLO................................................... Mr. MONRO. BOTTEGA ... (a Savoyard)... Mr. SHARPE. BERTO ... (a Boy) ... Miss GUNNISS. IDALIA, COUNTESS GLORIA... Miss HERBERT. MADAME PARA VENT ...................Mrs. FRANK MATTHEWS. CERISE ................................. Miss K. KEARNEY. MADEMOISELLE PETITCHAT ... Miss BRUCE. VIOLETTA ................................. Miss THOMPSON. BIBI ... ... ... ... Miss AUSTIN. LULU ... ... ... Miss SMITHSON. Masquers, Croats, Zouaves, French and Austrian Soldiers, Vivan- dieres, Flower Girls, Monks, Peasants, &c. PERIOD—1859, during the Struggle for Italian Independence. Time of Representation—Two hours and fifteen minutes. IDALIA. ACT I. POST HOUSE ON THE SIMPLON PASS. GORGE OF GONDO. An interval of Two Months is supposed to elapse between the First and Second Acts. ACT II. THE VILLA BEATA—LAGO DI GARDA. GARDEN OF THE VILLA. GROTTO ON THE SHORE OF THE LAKE. ACT III. ROAD NEAR SAN MARTINO. SOLFERINO FROM THE SPIA D'ITALIA. -
Proquest Dissertations
BUTTERFLIES, TURBULENCE, GROWTH: VOICES OF LOVE Donna Safatli A Thesis In The Department Of Sociology and Anthropology Presented in Partial Fulfillment of the Requirements For the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada April, 2008 © Donna Safatli, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-40846-9 Our file Notre reference ISBN: 978-0-494-40846-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Queer Friendship and Erotic Bonds a Dissertation Submitted in Partial Sa
UNIVERSITY OF CALIFORNIA RIVERSIDE Anarchic Intimacies: Queer Friendship and Erotic Bonds A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Laurence Hilary Dumortier March 2017 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Steven Gould Axelrod Dr. George E. Haggerty Copyright by Laurence Hilary Dumortier 2017 The Dissertation of Laurence Hilary Dumortier is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to acknowledge the tremendous support and guidance of my dissertation committee, Jennifer Doyle, Steven Gould Axelrod and George E. Haggerty. Their advice, suggestions and encouragement have been invaluable. I also want to recognize how inspiring they have been to me as examples of brilliant scholarship, dedicated teaching, and personal integrity. I’m also grateful to Stephen Koch who granted me several lengthy personal interviews about his recollections of Peter Hujar and David Wojnarowicz, and who allowed me to study previously unpublished photographs and contact sheets from the Peter Hujar Archive. iv ABSTRACT OF THE DISSERTATION Anarchic Intimacies: Queer Friendship and Erotic Bonds by Laurence Hilary Dumortier Doctor of Philosophy, Graduate Program in English University of California, Riverside, March 2017 Dr. Jennifer Doyle, Chairperson What makes a friendship “queer”? The queerness of the friendships I will explore in this project is, in part related to, but not co-extensive with, the sexual orientation of its participants. In all of the pairings I examine, at least one, if not both, of the friends is non- heterosexual. However, what makes the “queerness” of each of these friendships is not only the orientation of its participants, but the relationship’s exceeding of the conventional boundaries and definitions of friendships. -
The Vilcek Foundation Celebrates a Showcase Of
THE VILCEK FOUNDATION CELEBRATES A SHOWCASE OF THE INTERNATIONAL ARTISTS AND FILMMAKERS OF ABC’S HIT SHOW EXHIBITION CATALOGUE BY EDITH JOHNSON Exhibition Catalogue is available for reference inside the gallery only. A PDF version is available by email upon request. Props are listed in the Exhibition Catalogue in the order of their appearance on the television series. CONTENTS 1 Sun’s Twinset 2 34 Two of Sun’s “Paik Industries” Business Cards 22 2 Charlie’s “DS” Drive Shaft Ring 2 35 Juliet’s DHARMA Rum Bottle 23 3 Walt’s Spanish-Version Flash Comic Book 3 36 Frozen Half Wheel 23 4 Sawyer’s Letter 4 37 Dr. Marvin Candle’s Hard Hat 24 5 Hurley’s Portable CD/MP3 Player 4 38 “Jughead” Bomb (Dismantled) 24 6 Boarding Passes for Oceanic Airlines Flight 815 5 39 Two Hieroglyphic Wall Panels from the Temple 25 7 Sayid’s Photo of Nadia 5 40 Locke’s Suicide Note 25 8 Sawyer’s Copy of Watership Down 6 41 Boarding Passes for Ajira Airways Flight 316 26 9 Rousseau’s Music Box 6 42 DHARMA Security Shirt 26 10 Hatch Door 7 43 DHARMA Initiative 1977 New Recruits Photograph 27 11 Kate’s Prized Toy Airplane 7 44 DHARMA Sub Ops Jumpsuit 28 12 Hurley’s Winning Lottery Ticket 8 45 Plutonium Core of “Jughead” (and sling) 28 13 Hurley’s Game of “Connect Four” 9 46 Dogen’s Costume 29 14 Sawyer’s Reading Glasses 10 47 John Bartley, Cinematographer 30 15 Four Virgin Mary Statuettes Containing Heroin 48 Roland Sanchez, Costume Designer 30 (Three intact, one broken) 10 49 Ken Leung, “Miles Straume” 30 16 Ship Mast of the Black Rock 11 50 Torry Tukuafu, Steady Cam Operator 30 17 Wine Bottle with Messages from the Survivor 12 51 Jack Bender, Director 31 18 Locke’s Hunting Knife and Sheath 12 52 Claudia Cox, Stand-In, “Kate 31 19 Hatch Painting 13 53 Jorge Garcia, “Hugo ‘Hurley’ Reyes” 31 20 DHARMA Initiative Food & Beverages 13 54 Nestor Carbonell, “Richard Alpert” 31 21 Apollo Candy Bars 14 55 Miki Yasufuku, Key Assistant Locations Manager 32 22 Dr. -
Faust in France 12-21-12.Fdx
Faust in France by Christopher Shorr An Adaptation of "The Tragical History of Doctor Faustus" by Christopher Marlowe Christopher Shorr 1010 N. New Street Bethlehem, PA 18018 [email protected] 484-695-3564 CHARACTERS FAUST, a scientist for the German Army. HABER, Faust's friend and accomplished chemist. Inventor of scientific process used to generate poison gas in WWI. CLARA, Haber's dead wife. Also a chemist. HANS, a male German soldier. Re-animated to play: SIN OF THE TRENCH, FRIAR and ATTENDANT. ANNA, a young female German soldier. Re-animated to play: SIN OF NO MAN'S LAND, THE DUCHESS SOPHIE and FRIAR FRITZ, a waterboy for the German army. Re-animated to play: SIN OF MUSTARD GAS and Faust's puppet JURGEN, a young male German Soldier. Re-animated to play: SIN OF BOY SOLDIER, ARCHDUKE FERDINAND and FRIAR ERNST, a male German soldier. Re-animated to play: SIN OF SHELL SHOCK, THE POPE and ATTENDANT KARL, a male German soldier. Re-animated to play: SIN OF JEALOUSY OF NATIONS, FRIAR and EMPEROR FRANZ JOESPH HAUPTMANN, a male German soldier who outranks the others. Re- animated to play: SIN OF MACHINE GUN, ATTENDANT and CARDINAL OF LORRAIN CHORUS/LUCIFER, king of Hell. MEPHISTOPHILIS, Lucifer's servant in Hell. GOOD ANGEL EVIL ANGEL NOTE: This development of this script included an initial production at Moravian College in Bethlehem, PA, followed by a development workshop and reading at Wellfleet Harbor Actor's Theatre as part of the WHAT Lab series supported in part by Moravian College's Faculty Development and Research Committee. -
2008 Research Report on Child Labour
Research Report No.3 Small Hands A Survey Report on Child Labour in China www.clb.org.hk September 2007 I. INTRODUCTION .......................................................................................................3 II. THE PRINCIPAL CHARACTERISTICS AND LEGAL PROHIBITION OF CHILD LABOUR IN CHINA.................................................................................................5 1. Defining child labour ...................................................................................................5 Regular workers (zhengshi de gugong) .............................................................................5 Casual workers (waichu banggong)..................................................................................5 Household helpers (jiating banggong) ..............................................................................6 Apprentices (xuetu)............................................................................................................6 Work-study students (qingong jianxue) .............................................................................6 Forced labourers (nugong)................................................................................................7 2. The regional, gender and economic characteristics of child labour........................7 3. Laws and government measures prohibiting the use of child labour .....................8 Legal Prohibitions on child labour....................................................................................8 Government -
Indhold Getting LOST
Indhold Getting LOST ...................................................................................................................................................... 3 Fremgangsmåde og afgrænsningsfelt ............................................................................................................... 4 Beskrivelse af serien .......................................................................................................................................... 5 Føljetonformatet ............................................................................................................................................... 6 Episodernes opbygning og seriens plots ....................................................................................................... 7 Karaktererne .................................................................................................................................................. 8 Jacks plotlinje ................................................................................................................................................. 9 White Rabbit’s konstruktion og karakterfremstilling .................................................................................. 10 316’s konstruktion og karakterfremstilling ................................................................................................. 15 En strukturalistisk analyse af karakterens konstruktion ............................................................................. 19 Psychologial traits/habitual