When Ziggy Played Guitar: David Bowie, the Man Who Changed the World Pdf

Total Page:16

File Type:pdf, Size:1020Kb

When Ziggy Played Guitar: David Bowie, the Man Who Changed the World Pdf FREE WHEN ZIGGY PLAYED GUITAR: DAVID BOWIE, THE MAN WHO CHANGED THE WORLD PDF Dylan Jones | 224 pages | 01 Apr 2016 | Cornerstone | 9781848093850 | English | London, United Kingdom The Story of David Bowie's Ziggy Stardust David Bowie always had a keen ear for a great guitarist. As we look back at the long career of Bowie, who died January 10, we celebrate both his music and the guitarists who created it with him. Here are nine of the greatest, along with signature tracks that exemplify their contributions. His stinging signature tone, achieved with a Les Paul Custom, became a hallmark of the glam era and inspired guitarists like Randy Rhoads in terms of technique and image. In the video for it, shown below, he mimes using his Kent-branded three-pickup Hagstrom. Belew recalled on his Facebook page how he met Bowie in Berlin during one of the shows. Shall we talk about it over dinner? So the three of us sat down with Frank and the band. Bowie wanted the guitarist to join his group for the subsequent support tour, but Vaughan was reluctant to leave Double Trouble, who had just finished recording their debut, Texas Flood. Gabrels met Bowie in and subsequently joined forces with him in Tin Machine from to The album is full of his beautifully noisy guitar squawks and squeals, which at times recall the digital chatter of a 56k modem. The sound was perfect for When Ziggy Played Guitar: David Bowie album awash in technological isolation, despair and paranoia. GP logo Created with Sketch. Guitar Player Newsletter. Get the latest news, reviews and product advice straight to your inbox. Receive news and offers from our other brands? Yes No. Receive mail from us on behalf of our trusted partners or sponsors? Thank When Ziggy Played Guitar: David Bowie for signing up to GuitarPlayer. You will receive a verification email shortly. There was a problem. Please refresh the page and try again. Most Read Most Shared. Premium performance. Exceptional value. David Bowie mural | Attractions in Brixton, London By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Thanks for subscribing! Look out for your first newsletter in your inbox soon! Friendly warning! We're working hard to be accurate. But these are unusual times, so please check that venues remain open. A star the Man Who Changed the World born in Brixton: David Bowie, rock legend. It became a hub for fans after Bowie's death inand remains a popular place for paying tribute. Go to the content Go to the footer Close London icon-chevron-right London. Time Out London. Get us in your inbox Sign up to our newsletter for the latest and greatest from your city and beyond. We already have this email. Try another? My Account My Profile Sign out. My Account. Worldwide icon-chevron-right The Man Who Changed the World icon- chevron-right United Kingdom icon-chevron-right England icon-chevron-right London icon-chevron-right David Bowie mural. David Bowie mural. Attractions Brixton Recommended. Book online. Time Out says. You may also like. Latest news. Share Tweet. The Story Behind Ziggy’s, London’s New David Bowie–Themed Bar | Condé Nast Traveler July 5, was the day everything changed. Bowie played his blue acoustic guitar like a prop and pointed his finger seductively down the camera. When Ziggy Played Guitar: David Bowie and Bowie shared the mic, as they often did in the studio. They were different. They were weird. It was literally overnight success. On that day, Ziggy rose. The Man Who Changed the World on July 3, Ziggy would fall. Rewind to June and this influence over pop music seemed unlikely. We got to a crossroads with Leeds one way and Hull the other. We went back to Hull and started a band called Ronno. The sessions were quick, but Bowie decided not to tour the album because he had ideas for the next one. I can do piano, I can do guitar, I can do rock, I can do whatever. He left it at that. His ideas for the different aspects of the album came from different places. And the songs? He thought it was boring. Only Bowie knows if he planned it, but he certainly planted the see to help the idea grow. And people went with it. One take. If it went to four it was a bad session. If you messed up it was a big deal. The only booze was a couple of beers. We were very professional, but still easygoing. In the period that followed, with the album nearly finished, the real fun started. Bowie lived in Haddon Hall in Beckenham, Kent, between and It was kind of a commune, had a hippy vibe, was bohemian, and kooky. Bowie was an effeminate actor-type obsessed with the galaxy, so it surprised no-one when he started wearing weird clothes. You have to be a man to wear pink. But as it took off we got more into it. So we kept those. As excitement for Aylesbury built, so did the PR campaign. Even when I was David Jones. Ziggy and The Spiders were unleashed. And at the end of the show he ripped off his blouse and threw it at the crowd. Freddie Mercury was there. Roger Hunt was there. The Man Who Changed the World was ready for take-off. A date mini tour followed, in February. We were getting bottles and all sorts flying at the stage, and being given the finger. We never finished. It was very dangerous. It sold 8, copies in its first week. It stayed in the charts for weeks. Ziggy And The Spiders had risen. And so the touring began. It started in the UK in August Then in September a date American tour began and lasted until December. Instantly, the craziness started. So we had to stay inside. Then, on the way to Japan in Januarythey stopped off in Moscow that proved to be entirely unprepared for their future- forward stylings. So stepping on a plane full of Russian businessmen was pretty freaky. Bowie wanted to see Red Square, so they arranged a blacked-out limo with a little slit in the window, and it drove us around Red Square and back to the airport. Nobody in Moscow saw us! Crowd reactions were on Beatlemania levels. At the peak of it, Bowie was sneaking into venues because screaming girls would queue outside just to try and When Ziggy Played Guitar: David Bowie him. There were non-celebrities infiltrating the inner circle as well. Mike Garson was a pianist based in Brooklyn who was brought in to play keyboards on the US tour and was, at a time when it was still sexy and funky, a Scientologist. He tried to spread the L Ron Hubbard love around, and managed to persuade Woody to get involved. So I kind of stopped drinking. It meant more to me than doing all of that. So that started to change my the Man Who Changed the World. Bowie, too, was going through a spiritual awakening, but was acting it out through the medium of Ziggy. It became… odd. It was the first Woody and Bolder had heard of it. Ziggy was dead. Except in David Byrne and Talking Heads. In When Ziggy Played Guitar: David Bowie Kapranos and Franz Ferdinand. In Madonna. In the very concept that a pop star can have a persona. In Nicki Minaj. In MIA. In Lady Gaga. In Robert Smith. He created a monster, and he had to kill it. He died of liver cancer inaged Sign in. Log into your account. Forgot your password? Password recovery. Recover your password. Blogs NME Blogs. By Tom Howard..
Recommended publications
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • Lots of Changes for Tour Championship East Lake Renovated; New Date; No Woods
    « GEORGIAPGA.COM GOLFFOREGEORGIA.COM « SEPTEMBER 2008 Lots of changes for Tour Championship East Lake renovated; new date; no Woods By Mike Blum G R record 23-under 257. Only three of 30 E B N I ust as in the Presidential race, the word D players were over par for the week, with E V E T 2-over 282 tying for last place. change will be closely associated with S the 2008 PGA Tour Championship “When you give these players soft presented by Coca-Cola. greens, they’re going to shoot lights out,” J Burton says. “It will be a lot different this Other than returning to East Lake for the fifth straight year – the eighth time year with greens that are firm and fast.” overall – with a field of 30 top PGA Tour East Lake closed for play March 1 and pros, there will be a lot of changes for this will not re-open until Tour Championship month’s event, with the tournament sched - week. Players and spectators will notice uled for Sept. 25-28. some changes to the course, which will still Since last year’s tournament, the course play to a par of 70 for the tournament has undergone renovations, stemming but has been lengthened to just over from the problems East Lake’s bent grass 7,300 yards. greens encountered from last summer’s Perhaps the most dramatic change is the hot, dry weather. addition of a new tee on the picturesque East Lake’s putting surfaces have been par-3 sixth hole, one of the first in golf to converted to mini-verde, an ultra-dwarf feature an island green.
    [Show full text]
  • Celebrations
    Celebrations Alentejo Portalegre Islamic Festival “Al Mossassa” Start Date: 2021-10-01 End Date: 2021-10-03 Website: https://www.facebook.com/AlMossassaMarvao/ Contacts: Vila de Marvão, Portalegre The historic town of Marvão, in Alto Alentejo, will go back in time to evoke the time of its foundation by the warrior Ibn Maruam, in the ninth century, with an Islamic festival. Historical recreations with costumed extras, an Arab market, artisans working live, a military camp with weapons exhibition, games for children, knights in gun duels, exotic music and dance, acrobats, fire- breathers, snake charmers , bird of prey tamers and circus arts are some of the attractions. Centro de Portugal Tomar Festa dos Tabuleiros (Festival of the Trays) Date to be announced. Website: http://www.tabuleiros.org Contacts: Tomar The Festival of the Trays takes place every four years; the next one will take place in July 2023. Do not miss this unique event! The blessing of the trays, the street decorations, the quilts in the windows and the throwing of flowers over the procession of the trays carried by hundreds of young girls on their heads, is an unforgettable sight. The Procession of the Tabuleiros, heralded by pipers and fireworks, is led by the Banner of the Holy Ghost and the three Crowns of the Emperors and Kings. They are followed by the Banners and Crowns from all the parishes, and the girls carrying the trays. In the rear are the cartloads of bread, meat and wine, pulled by the symbolic sacrificial oxen, with golden horns and sashes. The girls who carry the trays have to wear long white dresses with a coloured sash across the chest.
    [Show full text]
  • Martin V. PGA Tour, Inc., 984 F
    No. 98-35309 IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ________________ CASEY MARTIN, Plaintiff-Appellee v. PGA TOUR, INC., Defendant-Appellant ___________________ ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF OREGON ___________________ BRIEF FOR THE UNITED STATES AS AMICUS CURIAE ___________________ BILL LANN LEE Acting Assistant Attorney General JESSICA DUNSAY SILVER THOMAS E. CHANDLER Attorneys Department of Justice P.O. Box 66078 Washington, D.C. 20035-6078 (202) 514-3728 TABLE OF CONTENTS PAGE STATEMENT OF JURISDICTION ................... 1 INTEREST OF THE UNITED STATES ................. 1 STATEMENT OF THE ISSUES .................... 2 STATEMENT OF THE CASE ..................... 3 INTRODUCTION AND SUMMARY OF ARGUMENT ............ 11 ARGUMENT: I. THE GOLF COURSES ON WHICH THE PGA TOUR CONDUCTS ITS TOURNAMENTS ARE PLACES OF "PUBLIC ACCOMMODATION" UNDER TITLE III OF THE AMERICANS WITH DISABILITIES ACT .......... 16 II. THE PGA TOUR VIOLATED TITLE III’S REASONABLE MODIFICATION PROVISION BY REFUSING TO PERMIT CASEY MARTIN TO RIDE A CART IN ITS TOURNAMENTS .................... 25 CONCLUSION ......................... 37 CERTIFICATE OF COMPLIANCE TABLE OF AUTHORITIES CASES: Anderson v. Little League Baseball, Inc., 794 F. Supp. 342 (D. Ariz. 1992) ........ 21, 27, 28 Arnold v. United Parcel Serv., Inc., 136 F.3d 854 (1st Cir. 1998) .................... 19 Bowers v. National Collegiate Athletic Ass’n, No. 97-2600, 1998 WL 300552 (D.N.J. June 8, 1998) .......... 21 Brown v. Loudoun Golf & Country Club, Inc., 573 F. Supp. 399 (E.D. Va. 1983) .................... 22 Castellano v. City of New York, 142 F.3d 58 (2d Cir. 1998), petition for cert. filed, 66 U.S.L.W. 3790 (U.S.
    [Show full text]
  • Ghosts in the Photographs Oxford’S Post-Rock Sound Explorers Talk Terrifying Auditions, Music from Outer Space and Playing in the Dark
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 277 August Oxford’s Music Magazine 2018 photo: Helen Messenger “The great thing about not having a vocalist is the listener has to think for themselves: they take away whatever the music has made them feel, not what someone has told them to feel.” Ghosts in the Photographs Oxford’s post-rock sound explorers talk terrifying auditions, music from outer space and playing in the dark. Also in this issue: THE CELLAR under threat again. ALPHABET BACKWARDS return. Introducing THE DOLLYMOPS CORNBURY reviewed. plus All your Oxford music news, reviews and gigs for August NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk old self. “This past week Joe has been under general anaesthetic twice: first for neurosurgery and second THE CELLAR faces another fight for its survival following a severe for his leg. The neurosurgery reduction of its capacity last month. consisted of reshaping part of his 15,000 signed a petition to save the venue from closure last year when skull that had collapsed and been the building’s owners, the St Michael’s and All Saints charities put in an compressed into the brain by the application to change the use of the building to retail storage. The plans, weight of the truck’s trailer. The which would have ended live music at The Cellar after 40 years, were operation was successful, but the thrown out by Oxford City Council planning officers.
    [Show full text]
  • The Last Days of John Lennon
    Copyright © 2020 by James Patterson Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: December 2020 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-42907-8 Library of Congress Control Number: 2020945289 E3-111020-DA-ORI Table of Contents Cover Title Page Copyright Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 — Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 — Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24
    [Show full text]
  • Cash Box NY Telex: 666123 Tists (Page 7)
    UA-LA958-I Featuring ^ “Days Gone Down On United Artists Records in .C 1979 LIBERTY UNITED RECORDS. INC . LOS ANGELES CALIFORNIA 90028 UNITED ARTISTS RECORDS IS A TRADING NAM.F VOLUME XLI — NUMBER 3 — JUNE 2, 1979 FHE INTERNATIONAL MUSIC RECORD WEEKLY C4SH GEORGE ALBERT President and Publisher ? 5 MEL ALBERT “An Apple A Day Vice President and General Manager EDITORML CHUCK MEYER value. billboard. Director of Marketing Records are your best entertainment DAVE FULTON With near unanimous agreement that the Considering that consumers are looking for the In Chief Editor aforementioned maxim is true, it is time to let others most for their money, the time is right to let them J.B. CARMICLE realize this secret. know the investment value of music. With minimal General Manager. East Coast And the great hook to this is that it can be done care, a consumer can spend $4-6and haveawork of JIM SHARP Director, Nashville without a costly advertising campaign which also re- art for a lifetime. East Coast Editorial quires executives from various labels to agree to a This simple program needs to be coordinated KEN TERRY East Coast Editor CHARLES PAIKERT budget and a creative approach. Quite simply, a through the RIAA or another industry organization LEO SACKS AARON FUCHS series of phone calls and verbal agreements are all that will take the initiative to promote the concept to West Coast Editorial that is needed. the manufacturers. In a matter of days, the plan ALAN SUTTON. West Coast Editor JOEY BERLIN — RAY TERRACE Whenever a manufacturer advertises his albums, could be instituted.
    [Show full text]
  • NY Unofficial Archive V5.2 22062018 TW.Pdf
    ........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION
    [Show full text]
  • Asking Descriptive Questions
    INTERVIEWS As an anthropologist, Spradley introduces the very important concept of interviewing as a major Qualitative method for the collection of data. Two major themes are involved in this process: developing rapport with those you are interviewing and attaining meaningful informa- tion. The rapport process, if developed correctly, has four stages: (I) Apprehension—most interviews have an element'of uncertainty that may cause apprehensive feelings, both for the subject being interviewed and the researcher conducting the inquiry; (2) exploration—once rapport begins to be established, the researcher and the subject become more comfortable with each other; (3) cooperation represents the third stage. Here, mutual trust is established between both parties, and as a result, cooperation exists; (4) participation is the last step in gaining rapport. After some time spent together, the informant begins to perceive his or her role as a teacher to the researcher. At this stage, complete participation is achieved. Spradley then goes on to describe and analyze the various types of ethnographic Questions that the interviewer asks and elicits answers that have to be drawn from those being Questioned. This process should lead to further probing Questions and more in-depth information. The author examines numerous descriptive Questions. He goes on to offer the novice researcher practical methods in conducting an ethnographic interview. ASKING DESCRIPTIVE QUESTIONS JAMES SPRADLEY thnographic interviewing involves two THE RAPPORT PROCESS distinct but complementary processes: Edeveloping rapport and eliciting informa- Rapport refers to a harmonious relationship tion. Rapport encourages informants to talk between ethnographer and informant. It means about their culture. Eliciting information fosters that a basic sense of trust has developed that the development of rapport.
    [Show full text]
  • If There's Any Way We Can Show That Golf Courses
    ALWAYS DRIVEN MORE COMFORT. MORE POWER. MORE VERSATILITY. MORE CONTROL. Simply Superior. THE ALL-NEW WORKMAN® GTX SERIES. COMING SPRING 2016. ©2016 The Toro Company. All rights reserved. In conjunction with LET’S DO SOMETHING inspirational You're invited! Association members, golf course operators, industry leaders, friends and supporters will gather for a special evening of networking, recognition and camaraderie. During the event the NGCOA will honor association award winners, including the prestigious Award of Merit recipient, Darius Rucker. Join us on Wednesday, February 10 for the Celebration Darius Rucker Dinner & Awards at the Omni Hotel San Diego. NATIONAL GOLF COURSE OWNERS ASSOCIATION GOLF BUSINESS CONFERENCE San Diego, CA Feb. 8-11 www.golfbusinessconference.com 4 january 2016 different point of view Unlike many management firms, Affinity Management fo- cuses solely on private club operations. Their clients range in size and scope, yet managing partner Damon DeVito says the company’s philosophy is surprisingly simple: listening to members and figuring out how to make their lives better at the club. It isn’t a novel concept, yet in the current era, it’s one that’s all too easily overlooked. a brave new vital world signs The center of any facility is the Few will argue that the golf shop, but golf retail remains game and business are an animal that confounds many struggling, but opinions course owners and operators. vary greatly as to just how To thrive in the modern age sick golf truly is. As the indus- requires imagination and in- try prepares for a new season, novation to stimulate sales and experts measure and debate 40 engage customers.
    [Show full text]
  • ITALIAN BOWIE Tutto Di David Bowie in Italia E Visto Dall'italia INTRODUZIONE
    Davide Riccio ITALIAN BOWIE Tutto di David Bowie in Italia e visto dall'Italia INTRODUZIONE Bowie ascoltava la musica italiana? Ogni nazione avrebbe voluto avere i propri Elvis, i propri Beatles, i propri Rolling Stones, il proprio Bob Dylan o il proprio "dio del rock" David Bowie, giusto per fare qualche nome: fare cioè propri i più grandi tra i grandi della storia del rock. O incoronarne in patria un degno corrispettivo. I paesi che non siano britannici o statunitensi perciò di loro lingua franca mondiale sono tuttavia fuori dal gioco: il rock è innanzi tutto un fatto di lingua inglese. Non basta evidentemente cantare in inglese senza essere inglesi, irlandesi o statunitensi et similia per uguagliare in popolarità internazionale gli originari o gli oriundi ed entrare di diritto nella storia internazionale del rock. A volte poi, pur appartenendo alla stessa lingua inglese, il cercarne o crearne un corrispettivo è operazione comunque inutile ai fini del fare o non fare la storia del rock, oltre che un fatto assai discutibile, così come avvenne a esempio negli States in piena Beatlemania con i Monkees, giusto per citare un gruppo nel quale cantava un certo David o Davy Jones, lo stesso che - per evitare omonimia e confusione - portò David Robert Jones, ispirandosi al soldato Jim Bowie e al suo particolare coltello, il cosiddetto Bowie knife, ad attribuirsi un nome d'arte: David Bowie. I Monkees nacquero nel 1965 su idea del produttore discografico Don Kirshner per essere la risposta rivale (anzitutto commerciale) americana ai Beatles, quindi i Beatles americani o gli anti-Beatles.
    [Show full text]
  • Magazin 06-2003
    2 Oldie Markt 06/03 Plattenbörsen Oldie Markt 06/03 3 Plattenbörsen 2003 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teu- ren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher, Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. Juni Hildesheim Uni Mensa WIR (051 75) 93 23 59 1. Juni Düsseldorf WBZ am Hauptbahnhof ReRo (02 34) 30 15 60 1. Juni Passau Nibelungenhalle Marylyn Stoschek (085 09) 26 09 1. Juni Graz/Österreich Kolpinghaus Discpoint (00 43) 19 67 75 50 14. Juni Karlsruhe Badnerlandhalle Neureut Ludwig Reichmann (01 79) 697 43 12 15. Juni Braunschweig Stadthalle Maxx pro (053 37) 94 85 31 15. Juni Augsburg FC-Sportheim Haunstetten Peter Pulz (082 31) 41 42 25. Juni Rotterdam/Holland Ahoy ARC (00 31) 229 21 38 91 26. Juni Berlin Statthaus Böcklerpark Kurt Wehrs (030) 425 03 00 29. Juni Dortmund Westfalenhalle Goldsaal Manfred Peters (02 31) 48 19 39 29. Juni Linz/Österreich Volkshaus Bindermichl Marylyn Stoschek (085 09) 26 09 Die Veröffentlichung von Veranstaltungshinweisen auf Schallplattenbörsen ist eine kostenlose Service-Leistung von Oldie-Markt. Ein Anspruch auf Veröffentlichung in obenstehendem Kalender besteht nicht. 2 Oldie Markt 06/03 News Oldie Markt 06/03 3 News • News • News • News • News • News • News * Radiohead kehren auf dem am 10.
    [Show full text]