Christianity and Mithraism
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Summer/June 2014
AMORDAD – SHEHREVER- MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA TABESTAN 1383 AY 3752 Z VOL. 28, No 2 SUMMER/JUNE 2014 ● SUMMER/JUNE 2014 Tir–Amordad–ShehreverJOUR 1383 AY (Fasli) • Behman–Spendarmad 1383 AY Fravardin 1384 (Shenshai) •N Spendarmad 1383 AY Fravardin–ArdibeheshtAL 1384 AY (Kadimi) Zoroastrians of Central Asia PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Copyright ©2014 Federation of Zoroastrian Associations of North America • • With 'Best Compfiments from rrhe Incorporated fJTustees of the Zoroastrian Charity :Funds of :J{ongl(pnffi Canton & Macao • • PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 28 No 2 June / Summer 2014, Tabestan 1383 AY 3752 Z 92 Zoroastrianism and 90 The Death of Iranian Religions in Yazdegerd III at Merv Ancient Armenia 15 Was Central Asia the Ancient Home of 74 Letters from Sogdian the Aryan Nation & Zoroastrians at the Zoroastrian Religion ? Eastern Crosssroads 02 Editorials 42 Some Reflections on Furniture Of Sogdians And Zoroastrianism in Sogdiana Other Central Asians In 11 FEZANA AGM 2014 - Seattle and Bactria China 13 Zoroastrians of Central 49 Understanding Central 78 Kazakhstan Interfaith Asia Genesis of This Issue Asian Zoroastrianism Activities: Zoroastrian Through Sogdian Art Forms 22 Evidence from Archeology Participation and Art 55 Iranian Themes in the 80 Balkh: The Holy Land Afrasyab Paintings in the 31 Parthian Zoroastrians at Hall of Ambassadors 87 Is There A Zoroastrian Nisa Revival In Present Day 61 The Zoroastrain Bone Tajikistan? 34 "Zoroastrian Traces" In Boxes of Chorasmia and Two Ancient Sites In Sogdiana 98 Treasures of the Silk Road Bactria And Sogdiana: Takhti Sangin And Sarazm 66 Zoroastrian Funerary 102 Personal Profile Beliefs And Practices As Shown On The Tomb 104 Books and Arts Editor in Chief: Dolly Dastoor, editor(@)fezana.org AMORDAD SHEHREVER MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA Technical Assistant: Coomi Gazdar TABESTAN 1383 AY 3752 Z VOL. -
Mithra Oct 2015
Mithra The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation James R. Russell. 2015. "Mithra." In the Proceedings of Genocide of Armenians in the Ottoman Empire in the Great War, 1915-2015: One Hundred Years of Research. International Conference on the Armenian Genocide, Sorbonne, Paris, France, March 25-28, 2015. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:23514774 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Mithra. By James R. Russell, Harvard University. I want to take you to the ancient city of Dura Europos. Dura, whose Aramaic name means something like “fortified place” was a populous, cosmopolitan walled city on a hill looking over the Euphrates frontier of the Roman Empire with the realms of the Arsacid Parthians, near modern-day Deir ez-Zor in Syria. The Seleucid successors of Alexander made what had been a fort into a town, appending its second, Greek name. Dura Europos was destroyed, never again to be inhabited, during a sudden, swift Sasanian attack in AD 256: devastating for the inhabitants but good for archeology. The French occupying forces discovered the ruins in 1918; and over the succeeding two decades a team of archeologists excavated it and for generations art historians and textual scholars have pored over the finds: great scholars such as Franz Cumont, father of Mithraic studies, and Mikhail Rostovtzeff, historian of the Hellenistic era, worked there. -
Parsee Religious Ceremonial Objects in the United States National Museum
PARSES RELIGIOUS CEREMONIAL OBJECTS IN THE UNITED STATES NATIONAL MUSEUM.^ By I. M. Casanowicz, Assistant Curator, Division of Old ^VorUl Archeology, United States National Museum. INTRODUCTION. THE PABSEES. The Parsees are the descendants of the ancient Persians, who, at the overthrow of their country by the Arabs in G41 A. D., remained faithful to Zoroastrianism, which was, for centuries previous to the Mohammedan conquest, the state and national religion of Persia. They derive their name of Parsees from the province of Pars or Fars, broadly employed for Persia in general. According to the census of 1911 the number of Parsees in India, including Aden, the Andaman Islands, and Ceylon, the Straits Settlements, China, and Japan, amounted to 100,499, of whom 80,980 belonged to the Bombay Presidency.2 About 10,000 are scattered in their former homeland of Persia, mainly in Yezd and Kerman, where they are Imown by the name of Gebers, Guebers, or Gabars, derived by some from the Arabic Kafir, infidel. persian, zoroaster (avesta, zarathushtea ; pahlavi texts, zartdsht ; modern zaeddsht). The religious beliefs and practices of the Parsees are based on the is, teachings of Zoroaster, the Prophet of the ancient Iranians ; that those Aryans who at an unknown early date separated from the Aryo- Indians and spread from their old seats on the high plateau north of the Hindu Kush westward into Media and Persia on the great plateau between the plain of the Tigris in the west and the valley of the Indus in the east, the Caspian Sea and the Turanian desert in lA brief description of part of tlie collection described in this paper appeared in the American Anthropologist, new series, vol. -
Zurvainism and Post Islamic Persian Literature: with Ferdusi As a Case Study
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright ZURVANISM AND ITS INFLUENCE ON ‘POST-ISLAMIC’ PERSIAN LITERATURE with FERDOWSI AS A CASE STUDY By Parisa Pourhosseini Submitted to the Faculty of Arts, University of Sydney, for the Degree of Masters of Arts by Thesis Submitted March 2014 1 Introduction …………………………………………………………… 1 1 Zurvanism: Concepts and Development Mesopotamian Legacy of Zurvanism Avesta and Zurvan …………………………………………………….. 9 The Historical Background of Zurvanism ……………………………..10 Narratives of the Zurvan Myth Imperfect Origin of the Creation …………………………………….. -
Iran (Persia) and Aryans Part - 6
INDIA (BHARAT) - IRAN (PERSIA) AND ARYANS PART - 6 Dr. Gaurav A. Vyas This book contains the rich History of India (Bharat) and Iran (Persia) Empire. There was a time when India and Iran was one land. This book is written by collecting information from various sources available on the internet. ROOTSHUNT 15, Mangalyam Society, Near Ocean Park, Nehrunagar, Ahmedabad – 380 015, Gujarat, BHARAT. M : 0091 – 98792 58523 / Web : www.rootshunt.com / E-mail : [email protected] Contents at a glance : PART - 1 1. Who were Aryans ............................................................................................................................ 1 2. Prehistory of Aryans ..................................................................................................................... 2 3. Aryans - 1 ............................................................................................................................................ 10 4. Aryans - 2 …............................………………….......................................................................................... 23 5. History of the Ancient Aryans: Outlined in Zoroastrian scriptures …….............. 28 6. Pre-Zoroastrian Aryan Religions ........................................................................................... 33 7. Evolution of Aryan worship ....................................................................................................... 45 8. Aryan homeland and neighboring lands in Avesta …...................……………........…....... 53 9. Western -
Evolution of the Zoroastrian Iconography and Temple Cults
O. BASIROV ANES 38 (2001) 160-177 Evolution of the Zoroastrian Iconography and Temple Cults Oric BASIROV 1 Ilchester Place London W14 8AA UK Fax: +44 207 602 9280 E-mail: [email protected] Abstract The Gathas of Zoroaster does not refer to any iconography or temples. Indeed, a doctrinal aversion to such rituals can be detected in his teachings. His seven ab- stract and amorphic Amesha Spentas, for example, are probably the first purely conceptual deities with a built-in deterrent to artistic representation. His pre- scribed places of daily rituals, moreover, are mountaintops and riverbanks, and not temples. Such devotional purity and simplicity is also confirmed by the lack of hardly any archaeological evidence to the contrary in the prophet's homeland in Eastern Iran. This is also the case in the pre-imperial period in Western Iran, where the centre of religion moved early in the first millennium BC. Assyrian annals and many classical writers also confirm that Medes and early Achaemenians did not have any cult statues and temples. The latter, however, soon after forming the first world empire, developed the many aspects of, by now, familiar Zoroastrian iconography. This was inspired, no doubt, by the artistic repertoire of their western subjects, such as the Babylonians, Elamites, Greeks and Egyptians. Nor could the Achaemenians refrain, towards the end of their rule, from building temples, both to house their own sacred fire, and the alien-inspired divine images. These two distinct temple cults, established around 400 BC, appear to have spread throughout the Achaemenian, and later, the Parthian Empires. -
Parsi) Hill - Jimmy Suratia 28 Finding ‘Saosha, Tying Kusti’ in Sogdiana
Become a member online with a simple click or through the following individuals: UK residents and other countries please send completed application form and cheque payable in Sterling to WZO, London to: Mrs Khurshid Kapadia, 217 Pickhurst Rise, West Wickham, Kent BR4 0AQ, UK. USA residents - application form and cheque payable in US Dollars as “The World Zoroastrian Organisation (US Region)” to: Mr Kayomarsh Mehta, 6943 Fieldstone Drive, Burr Ridge, Illinois IL60527-5295, USA. Canadian residents - application form and cheque payable in Canadian Dollars as “ZSO” and marked WZO fees to: The Treasurer, ZSO, 3590 Bayview Avenue, Toronto, Ontario M2M 356, Canada. Ph: (416) 733 4586. New Zealand residents - application form with your cheque payable in NZ Dollars as “World Zoroastrian Organisation, to: Mr Darius Mistry, 134A Paritai Drive, Orakei, Auckland, New Zealand HAMAZOR - ISSUE 1 2014 COVER The four images used are on pages 71 & 72 where full credit is given. PHOTOGRAPHS Courtesy of individuals whose articles appear in C o n t e n t s the magazine or as mentioned. 04 Abtin Sassanfar WZO WEBSITE 05 Report from the Chairman, WZO 07 European Interfaith Youth Network - benafsha engineer www.w-z-o.org 10 “Marriage nu spot Fixing” - pauruchisty kadodwala 11 Be Good - Sing Ashem Vohu - khosro mehrfar 13 Structural Limits on Gatha Studies - dinyar mistry 16 A Gathic View of Zoroastrianism & Ethical Life - review, soli dastur 19 Farohar/Fravahar Motif. Parts I & II - k.e.eduljee 25 Commemoration of the Zoroastrian (Parsi) Hill - jimmy suratia 28 Finding ‘Saosha, tying Kusti’ in Sogdiana. Part I - kersi shroff 32 The Cyrus Cylinder at the MET - behroze clubwalla 36 The Cyrus Cylinder’s visit to SF - nazneen spliedt 38 Four Funerals & a Concert for ‘Peace’ - dilnaz boga 40 Dr Murad Lala scales Mt Everest - beyniaz edulji 44 Outstanding Young Houstonian - magdalena rustomji 46 The Jam e Janbakhtegan Games - taj gohar kuchaki 48 G.K. -
Zurvanite Iconographic Canon. Astronomy and Mythology
Archaeoastronomy and Ancient Technologies 2014, 2(2), 66 – 102; http://aaatec.org/art/a_ge3 www.aaatec.org ISSN 2310-2144 Zurvanite Iconographic Canon. Astronomy and Mythology. Vitalij E. Larichev 1†, Sergey A. Parshikov 2, Elena G. Gienko 3 1 Institute of Archaeology and Ethnography of SB RAS, Novosibirsk, Russian Federation. 2 NO "Environmental center of rational management of natural resources" (NO EC RMNR), Krasnoyarsk, Russian Federation. 3 Siberian State Academy of Geodesy, Plakhotnogo st.10, Novosibirsk, Russian Federation; E-mail: [email protected] Abstract This article reveals the results of the study of iconographic canon of Zurvanite mythologem belonging to the worldwide myths, comprising the myth of the divine twins. The following reasons make the theme relevant: 1. There is no iconographic canon Zurvanite mythologem which is universally accepted by modern Iranian studies; 2.Saratsk petroglyphic composition of XVIII-XVII centuries BC (Minusinsk Basin of Siberia) in Khakassia that we have defined as the earliest of all supposed images of Zurvanite myth; 3. The significance of Zurvanite myths in the process of monotheistic theology’s forming. In our work we have come to the conclusion that the creators of Saratsk petroglyphic composition were the bearers of the Andronovo cultural-historical community who came to the territory of Khakassia in XVIII-XVII centuries BC. In the processes of semantic disclosure of mythologem of the symbols of Saratsk petroglyphic composition due to the fact that Andronovs belonged to the circle of Aryan tribes confederation we relied on the text of the Avesta, Pahlavi texts and medieval authors mentioned in Zurvanite mythologem. Studies have shown that the spatial distribution of Saratsk petroglyphic composition corresponds to the astronomically significant areas of the Saratsky Sunduk sanctuary which is a "classical" Iranian-Aryan vara (protective slab separatings the sacred world from the real world - profane) located on the top of the Saratsky Sunduk mountain. -
Zurvanite Iconographic Canon. Astronomy and Mythology
Archaeoastronomy and Ancient Technologies 2014, 2(2), 66 – 102; http://aaatec.org/documents/article/ge3.pdf www.aaatec.org ISSN 2310-2144 Zurvanite iconographic canon. Astronomy and mythology. Vitalij E. Larichev 1†, Sergey A. Parshikov 2, Elena G. Gienko 3 1 Institute of Archaeology and Ethnography of SB RAS, Novosibirsk, Russian Federation. 2 NO "Environmental center of rational management of natural resources" (NO EC RMNR), Krasnoyarsk, Russian Federation. 3 Siberian State Academy of Geodesy, Plakhotnogo st.10, Novosibirsk, Russian Federation; E-mail: [email protected] Abstract This article reveals the results of the study of iconographic canon of Zurvanite mythologem belonging to the worldwide myths, comprising the myth of the divine twins. The following reasons make the theme relevant: 1. There is no iconographic canon Zurvanite mythologem which is universally accepted by modern Iranian studies; 2.Saratsk petroglyphic composition of XVIII-XVII centuries BC (Minusinsk Basin of Siberia) in Khakassia that we have defined as the earliest of all supposed images of Zurvanite myth; 3. The significance of Zurvanite myths in the process of monotheistic theology’s forming. In our work we have come to the conclusion that the creators of Saratsk petroglyphic composition were the bearers of the Andronovo cultural-historical community who came to the territory of Khakassia in XVIII-XVII centuries BC. In the processes of semantic disclosure of mythologem of the symbols of Saratsk petroglyphic composition due to the fact that Andronovs belonged to the circle of Aryan tribes confederation we relied on the text of the Avesta, Pahlavi texts and medieval authors mentioned in Zurvanite mythologem. -
Was Zoroastrian Art Invented in Chorasmia?
Ancient Civilizations from Scythia to Siberia 24 (2018) 68-86 brill.com/acss Was Zoroastrian Art Invented in Chorasmia? Frantz Grenet* Collège de France [email protected] Abstract Before the recent discoveries of the Karakalpak-Australian Expedition to Ancient Chorasmia (KAE) evidence for Zoroastrianism in Chorasmia was scant, coming only from the official use of the Zoroastrian calendar, the onomastics, and the archaeologi- cally documented funerary practices of the region, while the interpretation of remains of temples or fire chapels is subject to discussion. During the last seasons of work on the material of the KAE excavations at Akchakhan-kala, the royal seat of Chorasmia in the 2nd century BC – 2nd century AD, substantial fragments of wall paintings from the rear wall of the main columned hall of the “Ceremonial Complex” were cleaned and reassembled. It appeared at once that they belong to oversized standing figures, most probably deities. The best pre- served image has been identified as Srōsh, god of prayer and protector of the soul after death. The second figure is probably to be identified as a personification of the group of the Fravashis, pre-created souls of the ancestors and protectors of “Aryan people” in battles, also worshipped as deities. A third figure, very partly preserved, perhaps represents Zam-Spandarmad, goddess of the Earth. If these identifications are valid, these deities appear to have been chosen because of their association with the turn of the year. This would be consistent with the possibility that the already known “por- trait gallery” of Akchakhan-kala was related to the commemoration of royal and clanic ancestors at the end of the year. -
Mithra Mithraism Christmas Day & Yalda Complete
MITHRA, MITHRAISM CHRISTMAS DAY & YALDA K. E. Eduljee Zoroastrian Heritage Monographs Time saving Truth from Falsehood and Envy. Falsehood holds the mask of deceit in his hand. A 1737 painting by Francois Lemoyne (1688-1737). The artist suffered from severe depression and killed himself the day after he completed this painting. In the Zoroastrian scriptures, the Avesta, Mithra is the guardian of truthfulness, keeping one’s word and the bonds of friendship. Zoroastrianism presages a world when goodness will overcome evil, and truthfulness will overcome deceit and the Lie. Every person needs to do her or his part to enable that goal to be reached – and to battle falsehood at every step. This monograph is dedicated to the memory of my mother Katayun Eduljee née Katayun Kaikhoshro Irani. Her brother, Darius Kaikhoshro Irani’s leadership and motivation have inspired my study and writing. Detailed edition First edition published, November 2015. This second edition published, November 2016 by K. E. Eduljee West Vancouver, BC, Canada The monograph has been published in two versions: 1. Complete version with notations and source texts, 2. Abridged version without notations and source texts. For further enquiries and pdf or printed copies: [email protected] www.zoroastrianheritage.com This pdf copy in full form may be distributed freely. © K. E. Eduljee No part of this book may be reproduced in any other form without permission from the author, except for the quotation of brief passages in citation. Zoroastrian Heritage Monographs VII. References MITHRA, MITHRAISM, CHRISTMAS DAY & YALDA CONTENTS PART I – MITHRA & MITHRAISM............................................................................ 1 1. Who is Mithra?...................................................................................................... -
The Bull Headed Mace. Thegurz
The Bull headed Mace. the Gurz. Firoza PunthakeyMistree w Fareidoon's Weapon of Choice The use of a mace with a horned-bull's head at one Ib end, (see picture) is mentioned in Zoroastrian myths as well as in stories from the Shaname. Famed Zoroastrian warriors such as Fareidoon and Rustom, were known according to legend to have used it as a favoured weapon of war. In fact Rustom's bull-headed mace was universally feared in the region. In the story of Fareidoon Athywan versus the evil King Zohak, set in the epic . Peshdadianperiod,it is Fareidoon who attacks Zohak with the bull headed mace to knock him unconscious, before Zohak is trussed up and sent as an eternal prisoner to Mount Demavand. Since then, the Zoroastrians have seen it as a weapon to protect the religion and themselves from the forces of evil. For Zoroastrian Priests, it is their weapon of office, to be used to protect the sacred fire in times of danger. Thus every priest when initiated is ceremonially given a mace when he undergoes the Navar c~remony. The priest is duty bound to use the mace to safeguard the sacred fire, when the religion is in danger. The crescent shaped horns, symbolizes the moon, which as per Zoroastrian mythology, is the repository of the seed of the bull. A mythical Bull Hadyans, will be sacrificed, at the end of time, possibly as an act to purify the world during the Yasna ritual, performed by Ahura Mazda and the last Shaoshyant. The half-moon horned symbol of the bull, is also found in the implements used in the Yasna ceremony.