The Ukrainian Weekly 2008, No.48
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Damsel Dark Money the Darkest Minds the Dawn
DAMSEL Actors: Robert Pattinson. Robert Forster. Actresses: Mia Wasikowska. DARK MONEY THE DARKEST MINDS Actors: Bradley Whitford. Harris Dickinson. Patrick Gibson. Skylan Brooks. Wade Williams. Mark O'Brien. Wallace Langham. Sammi Rotibi. McCarrie McCausland. Logan Siu. Actresses: Amandla Stenberg. Mandy Moore. Miya Cech. Gwendoline Christie. Golden Brooks. Lidya Jewett. Faye Foley. Deja Dee. Cynne Simpson. Tara Jones. THE DAWN WALL DEADPOOL 2 Actors: Ryan Reynolds. Josh Brolin. Julian Dennison. T. J. Miller. Karan Soni. Jack Kesy. Eddie Marsan. Stefan Kapicic. Randal Reeder. Nikolai Witschl. Actresses: Morena Baccarin. Zazie Beetz. Leslie Uggams. Brianna Hildebrand. Shioli Kutsuna. Hayley Sales. Islie Hirvonen. Tanis Dolman. Eleanor Walker. Sonia Sunger. DEAR MOLLY Actors: Alok Rajwade. Björn Johansson. Jaswinder Singh. Tomas Johansson. Vilas Mane. Jan- Erik Tholin. Actresses: Chitrika Jadhav. Gurbani Gill. Ashwini Giri. Sanjita Shroff. Mrinmayee Godbole. Urvi Yadav. Alicia Borggren. Lia Boysen. THE DEATH OF STALIN Actors: Steve Buscemi. Michael Palin. Jeffrey Tambor. Simon Russell Beale. Rupert Friend. Jason Isaacs. Actresses: Andrea Riseborough. Olga Kurylenko. DEATH WISH Actors: Bruce Willis. Vincent D'Onofrio. Dean Norris. Actresses: Camila Morrone. Elisabeth Shue. Kimberly Elise. DELAWARE SHORE Actors: James Robinson, Jr.. Jason R. Maga. Kevin Austra. Ed Aristone. Kevin Francis. Kevin D. Benton. Charles "Linwood" Jackson. Actresses: Gail Wagner. Emily McKinley Hill. Kirsten Valania. Sharyn Pak Withers. Brittany Anne Williamson. Bella Dontine. Jessica Classen. DEN OF THIEVES Actors: Gerard Butler. Pablo Schreiber. O'Shea Jackson, Jr.. Curtis "50 Cent" Jackson. Maurice Compte. Brian Van Holt. Evan Jones. Mo McRae. Kaiwi Lyman. Eric Braeden. Actresses: Meadow Williams. Dawn Olivieri. Charline St. Charles. Tracey Bonner. Alexus Lapri Geier. Sonya Chung. -
Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects. -
Jerusalem Quartet
The 2019/20 Beethoven Festival Opening Weekend BOOKING DETAILS ENCLOSED JERUSALEM QUARTET BARTÓK EXPLORED THE JERUSALEM QUARTET INTERVIEW SIMON MAJARO MBE SPRING SPECIAL CELEBRATION EMANUEL AX TURNS 70 2019 FRIENDS OF OF FRIENDS INSERT 2019/20 HIGHLIGHTS Beethoven was born in Bonn in December 1770. Throughout the 2019/20 Season, we will celebrate the 250th anniversary of his birth with a festival encompassing almost all of his instrumental and chamber repertoire and, through our Learning department, the influence of his legacy. Given Beethoven’s hearing loss later in times and we are delighted to introduce her life, in the 2019/20 Season we will have to the Wigmore Hall audience in March. Your the opportunity to examine how we listen exceptional financial support enables us to to music individually either as performers, present debut concerts such as this. It also composers or audience members. Included allows us to celebrate significant milestones with this issue of The Score magazine are with established artists such as Emmanuel the details for the exciting opening weekend Ax, in special gala events. celebrations on the 14 and 15 September We are delighted to announce that Kikkas © Kaupo when we present ten concerts in two days, Wigmore Hall is to become the new home placing Beethoven in context through the for CAVATINA’s extraordinary activities ABOVE John Gilhooly works of his predecessors and successors, nationwide. For those of you who don’t and those in the 20th century, and even already know CAVATINA and the story of its In this edition, there is also a very today, who still felt his influence. -
2018 DG Report on the Safety of Journalists and the Danger of Impunity
CI-18/COUNCIL-31/6/REV 2 2018 DG Report on the Safety of Journalists and the Danger of Impunity INTRODUCTION This report is submitted to the Intergovernmental Council of the International Programme for the Development of Communication (IPDC) in line with the Decision on the Safety of Journalists and the issue of Impunity adopted by the Council at its 26th session on 27 March 2008, and renewed at subsequent sessions in 2010, 2012, 2014 and 2016. In its latest Decision, adopted in November 2016, the IPDC Council urged Member States to “continue to inform the Director-General of UNESCO, on a voluntary basis, on the status of the judicial inquiries conducted on each of the killings condemned by the Director-General”. The present report provides an analysis of the cases of killings of journalists and associated media personnel that were condemned by the Director-General in 2016 and 2017. It also takes stock of the status of judicial enquiries conducted on each of the killings recorded by UNESCO between 2006 and 2017, based on information provided by Member States. TABLE OF CONTENTS 1. Executive Summary 2 2. Background and Context 2 3. Journalists’ killings in 2016 and 2017: key findings 7 3.1 Most dangerous regions 8 3.2 Rise in number of women journalists among fatalities 9 3.3 Highest number of killings among TV journalists 11 3.4 Majority of victims are local journalists 11 3.5 Freelance and staff journalists 12 3.6 More killings occurring in countries with no armed conflict 12 4. Member States’ responses: status of the judicial enquiries on cases of journalists killed from 2006 to end 2017 13 4.1 Decrease in Member State response rate to Director-General’s request 18 4.2 Slight reduction in impunity rate, but 89% of cases remain unresolved 19 4.3 Member States reporting on measures to promote safety of journalists and to combat impunity 22 5. -
Mark Padmore
` BRITTEN Death in Venice, Royal Opera House, Covent Garden At the centre, there’s a tour de force performance by tenor Mark Padmore as the blocked writer Aschenbach, his voice apparently as fresh at the end of this long evening as at the beginning Erica Jeal, The Guardian, November 2019 Tenor Mark Padmore, exquisite of voice, presents Aschenbach’s physical and spiritual breakdown with extraordinary detail and insight Warwick Thompson, Metro, November 2019 Mark Padmore deals in a masterly fashion with the English words, so poetically charged by librettist Myfanwy Piper, and was in his best voice, teasing out beauty with every lyrical solo. Richard Fairman, The Financial Times, November 2019 Mark Padmore is on similarly excellent form as Aschenbach. Padmore doesn’t do much opera, but this role is perfect for him………Padmore is able to bring acute emotion to these scenes, without extravagance or lyricism, drawing the scale of the drama back down to the personal level. Mark Padmore Gavin Dixon, The Arts Desk, November 2019 Tenor ..It’s the performances of Mark Padmore and Gerald Finley that make the show unmissable. …Padmore……conveys so believably the tragic arc of Aschenbach’s disintegration, from pompous self-regard through confusion and brief ecstatic abandon to physical and moral collapse. And the diction of both singers is so clear that surtitles are superfluous. You will not encounter a finer performance of this autumnal masterpiece. Richard Morrison, The Times, November 2019 BACH St John Passion¸ Orchestra of the Age of Enlightenment, Simon Rattle. Royal Festival Hall, London Mark Padmore has given us many excellent evangelists, yet this heartfelt, aggrieved, intimate take on St John’s gospel narrative, sometimes spiked with penetrating pauses, still seemed exceptional. -
John Gilhooly
A RARE INTERVIEW WITH JOHN GILHOOLY PLUS SPRING SCHUMANN PERSPECTIVES 2018 PEKKA KUUSISTO RESIDENCY JAN ÁČEK’S INSTRUMENTAL WORKS FRIENDS OF OF FRIENDS YOUR 2018/19 DATES INSIDE John Gilhooly’s vision for Wigmore Hall extends far into the next decade and beyond. He outlines further dynamic plans to develop artistic quality, financial stability and audience diversity. JOHN GILHOOLY IN CONVERSATION WITH CLASSICAL MUSIC JOURNALIST, ANDY STEWART. FUTURE COMMITMENT “I’M IN FOR THE LONG HAUL!” Wigmore Hall’s Chief Executive and Artistic Director delivers the makings of a modern manifesto in eight words. “This is no longer a hall for hire,” says John Gilhooly, “or at least, very rarely”. The headline leads to a summary of the new season, its themed concerts, special projects, artist residencies and Learning events, programmed in partnership with an array of world-class artists and promoted by Wigmore Hall. It also prefaces a statement of intent by a well-liked, creative leader committed to remain in post throughout the next decade, determined to realise a long list of plans and priorities. “I am excited about the future,” says John, “and I am very grateful for the ongoing help and support of the loyal audience who have done so much already, especially in the past 15 years.” 2 WWW.WIGMORE-HALL.ORG.UK | FRIENDS OFFICE 020 7258 8230 ‘ The Hall is a magical place. I love it. I love the artists, © Kaupo Kikkas © Kaupo the music, the staff and the A glance at next audience. There are so many John’s plans for season’s highlights the Hall pave the confirms the strength characters who add to the way for another 15 and quality of an colour and complexion of the years of success. -
Museum of the Moving Image Presents Comprehensive Terrence Malick Retrospective
FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE PRESENTS COMPREHENSIVE TERRENCE MALICK RETROSPECTIVE Moments of Grace: The Collected Terrence Malick includes all of his features, some alternate versions, and a preview screening of his new film A Hidden Life November 15–December 8, 2019 Astoria, New York, November 12, 2019—In celebration of Terrence Malick’s new film, the deeply spiritual, achingly ethical, and politically resonant A Hidden Life, Museum of the Moving Image presents the comprehensive retrospective Moments of Grace: The Collected Terrence Malick, from November 15 through December 8. The films in the series span a period of nearly 50 years, opening with Malick’s 1970s breakthroughs Badlands (1973) and Days of Heaven (1978), through his career-revival masterworks The Thin Red Line (1998) and The New World (2005), and continuing with his 21st- century films—from Cannes Palme d’Or winner The Tree of Life (2011); the trio of To the Wonder (2012), Knight of Cups (2015), and Song to Song (2017); and sole documentary project Voyage of Time (2016)—through to this year’s A Hidden Life. Two of these films will be presented in alternate versions—Voyage of Time and The New World—a testament to Malick’s ambitious and exploratory approach to editing. In addition to Malick’s own feature films, the series includes Pocket Money (1972), an ambling buddy comedy with Lee Marvin and Paul Newman, which he wrote (but did not direct), and Thy Kingdom Come (2018), the documentary featurette shot on the set of To the Wonder by photographer Eugene Richards. -
2014-2015 Hurford Next Generation Fellowship Research Papers
THE HURFORD FOUNDATION 2014-2015 HURFORD NEXT GENERATION FELLOWSHIP RESEARCH PAPERS No. 2 A New Russian Ukraine Policy and the Future of Russian-Ukrainian Interdependency Andrey Sushentsov, Ph.D. Director, Valdai Club Programs Docent, MGIMO EASI-Hurford Next Generation Fellow The Hurford Fellows Program is sponsored by the Carnegie Endowment for International Peace and is made possible by a generous grant from the Hurford Foundation 1 THE HURFORD FOUNDATION The Hurford Fellowships, administered by the Carnegie Endowment for International Peace, support the Euro- Atlantic Security Initiative (EASI) Next Generation Network in identifying young academics conducting innovative research on international security in the Euro- Atlantic area. 2 A New Russian Ukraine Policy and the Future of Russian-Ukrainian Interdependency Andrey Sushentsov, Ph.D. Director, Valdai Club Programs Docent, MGIMO Ukraine is an especially significant country for Russia and will remain so in the foreseeable future. The two countries are connected not only by the common history and religion, but also by much more tangible, inherited, structural, social and economic ties that can be measured by a double-digit percentage of the shares of each other’s GDP. Owing to the choices of the Ukrainian elites and the constant political instability that started in 2004, Russian-Ukrainian interdependence is weakening. Russia has chosen to remove its vitally important interests - the Black Sea Fleet naval base, energy transport infrastructure, defense contracts and Russian population - from Ukrainian influence. Under normal conditions, this process might have unfolded over decades, but it was accelerated in 2014 by the forcible seizure of power in Ukraine by supporters of the Maidan. -
Download Booklet
A WINTER’S NIGHT FOREWORD Winchester College is very fortunate to have on its staff composer Oliver Tarney. His two 1 I saw three ships come sailing in English traditional arr. Philip Marshall [2.11] The addition of a brass ensemble to Christmas arrangements of popular Christmas hymns use concerts and carol services, combining with the the full forces to great and novel effect, and serve Christmas cantata: A winter’s night Cecilia McDowall more traditional sounds of choir and organ, has to compliment the much-loved David Willcocks 2 I. In dulci Jubilo [5.15] become increasingly popular in recent years. arrangement of O come, all ye faithful. Two 3 II. O little one sweet [3.02] This recording brings together a number of works works already in circulation have been especially 4 III. Noël nouvelet [3.09] for the specific forces of choir, brass quintet, arranged for our forces and premiered on this 5 IV. Still, still, still [3.41] organ and percussion, some of which have been disc: Jonathan Willcocks’s The holly and the ivy 6 V. Sussex carol [3.39] arranged specially for this release. and Mack Wilberg’s Ding dong! merrily on high. 7 Adam lay y’bounden Philip Ledger [2.22] 8 O little town of Bethlehem Ralph Vaughan Williams arr. Oliver Tarney [3.47] As I began exploring repertoire for this Interspersed amongst these works are a selection 9 Puer natus in Bethlehem Samuel Scheidt [2.15] combination, Cecilia McDowall’s wonderful of popular Christmas carols which have formed 0 See amid the winter’s snow John Goss arr. -
Neonazis & Euromaidan
Stanislav Byshok Alexey Kochetkov NEONAZIS & EUROMAIDAN From democracy to dictatorship [Second edition] 2014 Stanislav Byshok, Alexey Kochetkov NEONAZIS & EUROMAIDAN. From democracy to dictator- ship. [Second edi on]. “Whoever is not jumping is a Moskal” is a chant that women and men of diff erent ages who took to Kiev Independence Square in win- ter 2013-2014 repeated trying to get warm. They kept jumping and laughing, for nobody in the ‘brave new world’ of the Ukrainian revo- lu on under Stepan Bandera’s banner fancied gaining the character of a staunch enemy of Ukrainian statehood. Mass demonstra ons of “angry ci zens” in Ukraine had objec ve reasons. This was a protest against ineff ec ve and corrupt govern- ment, against police and bureaucra c abuse of power, against unclear and dead-end policies of the President and the Government. All na onal libera on movements use the popular ideas and po- li cal sen ments that dominate the society as their posi ve mani- festo. Thus, exclusively le -wing ideologies were mainstream in the Russian Empire in 1917, radical Islamism was most popular in Arab countries during the Arab spring of 2012, whereas na onalism, also radical, turned mainstream in the Ukraine of 2013-2014. The book describes the development of Ukraine’s na onal- ist groups since 1991 un l present day. It focuses on the history of the parliamentary right-wing radical Svoboda party and the non- parliamentary Right Sector movement. The authors study the ideol- ogy, psychology and methods of poli cal struggle of these structures. -
Ç”Μ影Ƽ”Å'˜ ĸ²È¡Œ
æ–¯å¤§æž—ä¹‹æ» ç”µå½±æ¼”å‘˜ 串行 (Cast) é¯ ä¼¯ç‰¹Â·å¼—è˜å ¾· https://zh.listvote.com/lists/film/actors/%E9%AD%AF%E4%BC%AF%E7%89%B9%C2%B7%E5%BC%97%E8%98%AD%E5%BE%B7-314659/movies Justin Edwards https://zh.listvote.com/lists/film/actors/justin-edwards-6181643/movies James Barriscale https://zh.listvote.com/lists/film/actors/james-barriscale-39701219/movies Simon Russell Beale https://zh.listvote.com/lists/film/actors/simon-russell-beale-971782/movies Roger Ashton-Griffiths https://zh.listvote.com/lists/film/actors/roger-ashton-griffiths-740202/movies Olga Kurylenko https://zh.listvote.com/lists/film/actors/olga-kurylenko-164730/movies Cara Horgan https://zh.listvote.com/lists/film/actors/cara-horgan-515080/movies Jason Isaacs https://zh.listvote.com/lists/film/actors/jason-isaacs-214223/movies Paddy Considine https://zh.listvote.com/lists/film/actors/paddy-considine-498389/movies Dermot Crowley https://zh.listvote.com/lists/film/actors/dermot-crowley-5262794/movies Andrea Riseborough https://zh.listvote.com/lists/film/actors/andrea-riseborough-289545/movies Paul Whitehouse https://zh.listvote.com/lists/film/actors/paul-whitehouse-1343140/movies Toby Kebbell https://zh.listvote.com/lists/film/actors/toby-kebbell-719359/movies 阿德里安·麦克æ https://zh.listvote.com/lists/film/actors/%E9%98%BF%E5%BE%B7%E9%87%8C%E5%AE%89%C2%B7%E9%BA%A6%E5%85%8B%E6%B4%9B%E6%A0%BC%E6%9E%97- ´›æ ¼æž— 28341340/movies Jeffrey Tambor https://zh.listvote.com/lists/film/actors/jeffrey-tambor-320204/movies Michael Palin https://zh.listvote.com/lists/film/actors/michael-palin-223985/movies -
Interview with Olga Kurylenko for the Daily Life's Sunday
SHE’S FRANK, SMART, FUNNY AND UNLUCKY IN LOVE. HERE BOND GIRL AND EX MODEL OLGA KURYLENKO OPENS UP TO JANE CORNWELL. lga Kurylenko’s people have booked a table for two in a cafe in Chelsea, in the heart of discrete, upper-crust west London. It will just be the two of us – no bodyguards, no PR girls flashing the five- minute sign, none of the media-minder obusiness often associated with celebrity interviews, especially ones with stunning, critically-acclaimed French-Ukrainian actresses on the cusp of A-list status. We’re meeting to talk about her role in Russell Crowe’s directorial debut, The Water Diviner, a drama about an Australian farmer, Joshua Connor (Crowe), who travels to Turkey in search of his three sons, missing after the 1915 Battle of Gallipoli. Kurylenko plays Ayshe, the mysterious woman who owns the Istanbul hotel in which Connor stays. There have been no press screenings, understanding so I haven’t seen the film. But the official trailer, with its swirling dust storms, swelling string music and exploding World War I battlefields underscores The Water Diviner’s wannabe blockbuster status. There’s a scene OLGA where Ayshe delivers linen to Connor’s room, her eyes big and sad under her headscarf. “There is nothing there but ghosts,” she says, a beguiling mix of beauty, strength and fragility. “Her husband has also disappeared in the war,” 35-year-old Kurylenko will tell me once she arrives (I have received a text saying she is running late). “But Ayshe refuses to marry her husband’s brother, as was the tradition in Turkey, because for her it is love or nothing.