DOCSLIB.ORG

View the Poster

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

M.A.D.E. Split Personality Hood Hop Memphis Bleek Cassidy J-Kwon The Sounds of the Amazon: April 2, 2004 December 16, 2003 March 16, 2004 March 30, 2003 Room on Fire The Black Album The Strokes Jay-Z October 28, 2003 November 14, 2003 Chutes Too Narrow A Rush of Blood to the Head Kamikaze The Shins Coldplay Twista October 21, 2003 August 27, 2002 ADULT ALTERNATIVE November 14, 2003 Audioslave Away from the Sun My Private Nation Chariot Waiting for My Rocket to Come Speakerboxxx/The Love Below Cee-Lo Green is the Soul Machine Fallen Audioslave 3 Doors Down Train Gavin DeGraw Jason Mraz Outkast Cee-Lo ALTERNATIVE Evanescence #7 November 19, 2002 November 12, 2002 June 3, 2003 July 22, 2003 October 15, 2002 September 23, 2003 March 2, 2004 Bows & Arrows March 4, 2003 Try This Schizophrenic The Walkmen Pink JC Chasez February 3, 2004 H I P November 11, 2003 February 24, 2004 HOP College Dropout Confessions Kaye West #19 Usher #4 Desperate Youth More Than You Think You Are February 10, 2004 March 23, 2004 Franz Ferdinand TV on the Radio Matchbox Twenty Franz Ferdinand #16 March 9, 2004 November 19, 2002 Echoes February 16, 2004 14 Shades of Grey Rapture Staind October 21, 2003 May 20, 2003 POP Hotel Paper Beg for Mercy In The Zone Michelle Branch Songs About Jane G-Unit Britney Spears June 14, 2003 Maroon 5 #11 November 14, 2003 November 18, 2003 June 25, 2002 Remixes Mariah Carey Ocotber 14, 2003 Come Away With Me Norah Jones #8 Meadowlands February 26, 2002 Cheers Let’s Talk About It Wrens Obie Trice Carl Thomas September 9, 2003 September 23, 2003 March 23, 2004 Live in Paris Life for Rent Room for Squares Diana Krall Dido John Mayer October 1, 2002 September 30, 2003 September 18, 2001 Damita Jo Janet Jackson #5 Chicken N Beer Soul Flower March 30, 2004 Ludacris En Vogue October 7, 2003 February 24, 2004 R&B Only You New York City Films About Ghosts Harry Connick, Jr. Peter Malick, Norah Jones Counting Crows February 3, 2004 July 8, 2003 November 25, 2003 Feels Like Home Norah Jones #2 February 10, 2004 Tales of a Librarian Heavier Things The Diary of Alicia Keys Tori Amos John Mayer Alicia Keys November 18, 2003 September 9, 2003 December 2, 2003 Permission to Land Into the Now The Darkness Tesla September 16, 2003 ROCK March 9, 2004 Singles Closer Afterglow No Doubt Greatest Hits Josh Groban #10 Sarah McLachlan #15 November 25, 2003 Guns N’ Roses #12 The Movie Album November 11, 2003 November 4, 2003 March 23, 2004 Sixty-Six to Timbuktu Barbara Streisand Robert Plant October 14, 2003 November 4, 2003 Very Best of Sheryl Crow Honkin’ on Bobo Sheryl Crow #13 Aerosmith #3 November 4, 2003 Greatest Hits 2 March 30, 2004 Bob Seger November 4, 2003 In Time: The Best of R.E.M. R.E.M. October 28, 2003 Ultimate Daryl Hall & John Oates One Way Out Hall & Oates Allman Brothers March 16, 2004 March 24, 2004 Sacred Love Seal IV Very Best of Symphony Alive IV Mescalero Sting Seal Eagles KISS ZZ Top September 30, 2003 September 9, 2003 October 21, 2003 July 22, 2003 September 9, 2003 Michael Buble Josh Grobin in Concert Bare Michael Buble Josh Grobin Annie Lenox CLASSIC ROCK February 11, 2003 December 3, 2002 September 12, 2000 As Time Goes By Essential Bruce Springsteen About Time Then and Now Rod Stewart Bruce Springsteen Steve Winwood The Who October 21, 2003 November 11, 2003 October 21, 2003 November 30, 2003 CLASSICAL American Angels Anonymous 4 #20 The Rosemary Clooney Songbook A Portrait of Anonymous 4 1000: A Mass for the End of Time February 10, 2004 Bette Midler Anonymous 4 Anonymous 4 Me & Mr. Johnson September 30, 2003 April 10, 1997 September 12, 2000 Eric Clapton #1 BLUES Josh Grobin Lucky Words of the Angel Very Best of Jackson Browne March 30, 2004 Josh Grobin Melissa Ethridge Trio Mediaeval Jackson Browne November 20, 2001 February 10, 2004 January 29, 2002 March 16, 2004 La Belle Marie Passion Concert for George Blues Singer All That We Let In Anonymous 4 Peter Gabriel Various Artists Buddy Guy A D U L T Indigo Girls #17 September 9, 2003 May 7, 2002 October 21, 2003 June 3, 2003 The Red Thread February 17, 2004 Wolcum Yule An English Ladymass Cold Mountain Soundtrack Greendale Lucy Kaplanksy Anonymous 4 Anonymous 4 Various Artists Neil Young CONTEMPORARY February 10, 2004 October 14, 2003 March 8, 1993 December 16, 2003 August 19, 2003 Peter Cincotti Punk Debutante Master and Commander Score On The Beach Keep It Simple 70th Birthday Concert Peter Cincotti Cooler Kids Christopher Gordon Neil Young Keb Mo’ John Mayall March 11, 2003 July 1, 2003 November 11, 2003 August 19, 2003 October 21, 2003 November 18, 2003 Become You Love is Hell Part I Shootenanny! Darkness into Light The Passion of the Christ Songs The Last Samurai Score Hildago Highway 61 Revisited Indigo Girls Ryan Adams Eels Anonymous 4 Various Artists Hans Zimmer Seal Bob Dylan March 12, 2002 November 4, 2003 June 3, 2003 April 8, 2003 April 6, 2004 November 25, 2003 March 2, 2004 September 16, 2003 This Guy’s in Love Steve Tyrell #18 A New Standard October 28, 2003 Back in the Circus Educated Guess Grace Loneliness Knows My Name The Missing Steve Tyrell Jonatha Brooke Ani DiFranco Jeff Buckley Patrick Park James Horner September 21, 1999 February 24, 2004 January 20, 2004 August 24, 1994 July 15, 2003 November 18, 2003 The Sounds of the Amazon is based on data collected from The Gospel of John Score Blood on the Tracks Jeff Dana Bob Dylan November 25, 2003 September 16, 2003 Amazon.com on April 2, 2004. It shows not only the Top 20 Albums for the day, but also, using the “Customers who Music from The O.C. The Passion of the Christ Bootleg Series 6 Various Artists #7 John Debney #14 Bob Dylan #6 bought this album also bought...” data, shows their March 30, 2004 February 24, 2004 March 30, 2004 interconnectivity. Heavier lines indicate a stronger buying proclivity between two albums. Standard Time But Beautiful: Standards Just Because I’m a Woman Guest Aqualung Pirates of the Carribean Bringing It All Back Home Steve Tyrell Boz Scaggs Various Artists Phantom Planet Aqualung Klaus Badelt Bob Dylan October 2, 2001 May 6, 2003 October 14, 2003 November 4, 2003 October 28, 2002 July 22, 2003 September 16, 2003 Dan Saffer SOUNDTRACKS Carnegie Mellon University Spring 2004.
Recommended publications
  • Download This List As PDF Here

    Download This List As PDF Here

    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
  • Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media

    Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media

    Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects.
  • Jerusalem Quartet

    Jerusalem Quartet

    The 2019/20 Beethoven Festival Opening Weekend BOOKING DETAILS ENCLOSED JERUSALEM QUARTET BARTÓK EXPLORED THE JERUSALEM QUARTET INTERVIEW SIMON MAJARO MBE SPRING SPECIAL CELEBRATION EMANUEL AX TURNS 70 2019 FRIENDS OF OF FRIENDS INSERT 2019/20 HIGHLIGHTS Beethoven was born in Bonn in December 1770. Throughout the 2019/20 Season, we will celebrate the 250th anniversary of his birth with a festival encompassing almost all of his instrumental and chamber repertoire and, through our Learning department, the influence of his legacy. Given Beethoven’s hearing loss later in times and we are delighted to introduce her life, in the 2019/20 Season we will have to the Wigmore Hall audience in March. Your the opportunity to examine how we listen exceptional financial support enables us to to music individually either as performers, present debut concerts such as this. It also composers or audience members. Included allows us to celebrate significant milestones with this issue of The Score magazine are with established artists such as Emmanuel the details for the exciting opening weekend Ax, in special gala events. celebrations on the 14 and 15 September We are delighted to announce that Kikkas © Kaupo when we present ten concerts in two days, Wigmore Hall is to become the new home placing Beethoven in context through the for CAVATINA’s extraordinary activities ABOVE John Gilhooly works of his predecessors and successors, nationwide. For those of you who don’t and those in the 20th century, and even already know CAVATINA and the story of its In this edition, there is also a very today, who still felt his influence.
  • Feature Guitar Songbook Series

    Feature Guitar Songbook Series

    feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1.
  • Mark Padmore

    Mark Padmore

    ` BRITTEN Death in Venice, Royal Opera House, Covent Garden At the centre, there’s a tour de force performance by tenor Mark Padmore as the blocked writer Aschenbach, his voice apparently as fresh at the end of this long evening as at the beginning Erica Jeal, The Guardian, November 2019 Tenor Mark Padmore, exquisite of voice, presents Aschenbach’s physical and spiritual breakdown with extraordinary detail and insight Warwick Thompson, Metro, November 2019 Mark Padmore deals in a masterly fashion with the English words, so poetically charged by librettist Myfanwy Piper, and was in his best voice, teasing out beauty with every lyrical solo. Richard Fairman, The Financial Times, November 2019 Mark Padmore is on similarly excellent form as Aschenbach. Padmore doesn’t do much opera, but this role is perfect for him………Padmore is able to bring acute emotion to these scenes, without extravagance or lyricism, drawing the scale of the drama back down to the personal level. Mark Padmore Gavin Dixon, The Arts Desk, November 2019 Tenor ..It’s the performances of Mark Padmore and Gerald Finley that make the show unmissable. …Padmore……conveys so believably the tragic arc of Aschenbach’s disintegration, from pompous self-regard through confusion and brief ecstatic abandon to physical and moral collapse. And the diction of both singers is so clear that surtitles are superfluous. You will not encounter a finer performance of this autumnal masterpiece. Richard Morrison, The Times, November 2019 BACH St John Passion¸ Orchestra of the Age of Enlightenment, Simon Rattle. Royal Festival Hall, London Mark Padmore has given us many excellent evangelists, yet this heartfelt, aggrieved, intimate take on St John’s gospel narrative, sometimes spiked with penetrating pauses, still seemed exceptional.
  • John Gilhooly

    John Gilhooly

    A RARE INTERVIEW WITH JOHN GILHOOLY PLUS SPRING SCHUMANN PERSPECTIVES 2018 PEKKA KUUSISTO RESIDENCY JAN ÁČEK’S INSTRUMENTAL WORKS FRIENDS OF OF FRIENDS YOUR 2018/19 DATES INSIDE John Gilhooly’s vision for Wigmore Hall extends far into the next decade and beyond. He outlines further dynamic plans to develop artistic quality, financial stability and audience diversity. JOHN GILHOOLY IN CONVERSATION WITH CLASSICAL MUSIC JOURNALIST, ANDY STEWART. FUTURE COMMITMENT “I’M IN FOR THE LONG HAUL!” Wigmore Hall’s Chief Executive and Artistic Director delivers the makings of a modern manifesto in eight words. “This is no longer a hall for hire,” says John Gilhooly, “or at least, very rarely”. The headline leads to a summary of the new season, its themed concerts, special projects, artist residencies and Learning events, programmed in partnership with an array of world-class artists and promoted by Wigmore Hall. It also prefaces a statement of intent by a well-liked, creative leader committed to remain in post throughout the next decade, determined to realise a long list of plans and priorities. “I am excited about the future,” says John, “and I am very grateful for the ongoing help and support of the loyal audience who have done so much already, especially in the past 15 years.” 2 WWW.WIGMORE-HALL.ORG.UK | FRIENDS OFFICE 020 7258 8230 ‘ The Hall is a magical place. I love it. I love the artists, © Kaupo Kikkas © Kaupo the music, the staff and the A glance at next audience. There are so many John’s plans for season’s highlights the Hall pave the confirms the strength characters who add to the way for another 15 and quality of an colour and complexion of the years of success.
  • My Town: Writers on American Cities

    My Town: Writers on American Cities

    MY TOW N WRITERS ON AMERICAN CITIES MY TOWN WRITERS ON AMERICAN CITIES CONTENTS INTRODUCTION by Claire Messud .......................................... 2 THE POETRY OF BRIDGES by David Bottoms ........................... 7 GOOD OLD BALTIMORE by Jonathan Yardley .......................... 13 GHOSTS by Carlo Rotella ...................................................... 19 CHICAGO AQUAMARINE by Stuart Dybek ............................. 25 HOUSTON: EXPERIMENTAL CITY by Fritz Lanham .................. 31 DREAMLAND by Jonathan Kellerman ...................................... 37 SLEEPWALKING IN MEMPHIS by Steve Stern ......................... 45 MIAMI, HOME AT LAST by Edna Buchanan ............................ 51 SEEING NEW ORLEANS by Richard Ford and Kristina Ford ......... 59 SON OF BROOKLYN by Pete Hamill ....................................... 65 IN SEATTLE, A NORTHWEST PASSAGE by Charles Johnson ..... 73 A WRITER’S CAPITAL by Thomas Mallon ................................ 79 INTRODUCTION by Claire Messud ore than three-quarters of Americans live in cities. In our globalized era, it is tempting to imagine that urban experiences have a quality of sameness: skyscrapers, subways and chain stores; a density of bricks and humanity; a sense of urgency and striving. The essays in Mthis collection make clear how wrong that assumption would be: from the dreamland of Jonathan Kellerman’s Los Angeles to the vibrant awakening of Edna Buchanan’s Miami; from the mid-century tenements of Pete Hamill’s beloved Brooklyn to the haunted viaducts of Stuart Dybek’s Pilsen neighborhood in Chicago; from the natural beauty and human diversity of Charles Johnson’s Seattle to the past and present myths of Richard Ford’s New Orleans, these reminiscences and musings conjure for us the richness and strangeness of any individual’s urban life, the way that our Claire Messud is the author of three imaginations and identities and literary histories are intertwined in a novels and a book of novellas.
  • Bakalářská Práce 2012

    Bakalářská Práce 2012

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury
  • Aynsley Dunbar Retaliation

    Aynsley Dunbar Retaliation

    AYNSLEY DUNBAR RETALIATION Of the numerous British blues-rock bands to spring up in the late '60s, the Aynsley Dunbar Retaliation was one of the better known, though solid reception on tours did not translate into heavy record sales. Musically, the group recalled John Mayall's Bluesbreakers during the 1966-1967 era that had produced that group's A Hard Road album, though with a somewhat more downbeat tone. The similarities were hardly coincidental, as the band's founder and leader, drummer Aynsley Dunbar, had been in the Bluesbreakers lineup that recorded the A Hard Road LP. Too, bassist Alex Dmochowski would go on to play with Mayall in the 1970s, and guitarist Jon Morshead was friendly with fellow axeman Peter Green (also in the Bluesbreakers' A Hard Road lineup), whom he had replaced in Shotgun Express. Though he was only 21 when he formed the Aynsley Dunbar Retaliation, the drummer had already played with several bands of note in both his native Liverpool and London. Stints in several Merseybeat groups had culminated in his joining the Mojos, and Dunbar played on a couple of singles by the group, though these were cut after their British chart hits. Shortly after leaving the Mojos, he did his stint with the Bluesbreakers, after which he played for a few months in the Jeff Beck Group, also appearing on their 1967 single "Tallyman"/"Rock My Plimsoul." Wanting to lead his own band, in mid-1967 he formed the Aynsley Dunbar Retaliation, joined by Morshead, who'd previously been in the Moments (with a pre-Small Faces Steve Marriott), Shotgun Express, and Johnny Kidd & the Pirates; singer/guitarist/keyboardist Victor Brox, who worked for a while with British blues godfather Alexis Korner; and bassist Keith Tillman.
  • Or, the Last Confederate Cruiser

    Or, the Last Confederate Cruiser

    THE MAGAZINE OF HISTORY WITH NOTES AND QUERIES fxira Number No. 12 THE SHENANDOAH; OR THE LAST CONFED ERATE CRUISER Cornelius E. Hunt, One of her Officers WILLIAM ABBATT 141 EAST 25TH STREET, . NEW YORK 1910 COPYRIGHT, 1910, BY WILLIAM ABBATT THE OLD RIP OF THE SHENANDOAH. CAPTAIN WADDEW, (as Kip Van Winkle). "Law! Mr. Pilot, you don t say so! The war in America over these Eight Months? Dear ! dear ! who d ever a thought it !" Harper s Weekly, Dec. 9, 1865. v THE SHENANDOAH, THE LAST CONFEDERATE CRUISER BY CORNELIUS E. HUNT (ONE OF HER OFFICERS). NEW YORK G. W. CARLETON& CO. LONDON: S. LOW, SON, & CO. 1867 NEW YORK Reprinted WILLIAM ABBATT 1910 (Being Extra No. 12 of THE MAGAZINE OF HISTORY WITH NOTES AND QUERIES.) Facsimile of the original THE SHENANDOAH; OR THE LAST CONFEDERATE CRUISER, CORNELIUS E. HUNT, (ONE OF BEE OFTICEBS). NEW YORK: C. W. CARLETON, & CO. PUBLISHERS. LONDON : S. LOW, SON, & CO. MDCCCLXYU. EDITOR S PREFACE The cruise of the Skenandoah is one of the scarce items of its day. Only two copies have come to our notice in seven years, and " as the stories of the Alabama-Kearsage, and "Captain Roberts Never Caught have proven among the most popular of our " Extras," no doubt this one will be almost or quite as interesting to our readers; particularly as it has never before been reprinted since its original appearance in 1867. " Its author, a Virginian, is described as an acting-master s mate," in Scharf s History of the Confederate Navy, but we have no further information of him.
  • JOHN MAYALL & the BLUESBREAKERS Blues Breakers

    JOHN MAYALL & the BLUESBREAKERS Blues Breakers

    DESCRIPTION 2018 repress, light blue vinyl. Vinyl Lovers presents a reissue of John Mayall & The Bluesbreakers's Blues Breakers With Eric Clapton, originally released in 1966. This seminal British blues album gave Clapton the chance to finally show his chops, not surprisingly, launching Clapton into stardom. Recorded in 1966 during Clapton's short stint with the Bluesbreakers, just after leaving the Yardbirds (the birth place of other legendary guitar players like Jimmy Page and Jeff Beck) and before he joined Cream. Includes 4 bonus tracks. Light blue vinyl. TRACKLISTING A1. All Your Love A2. Hideaway A3. Little Girl A4. Another Man A5. Double Crossing Time A6. What'd I Say A7. Parchman Farm A8. Ramblin' On My Mind A9. It Ain't Right JOHN MAYALL & THE B1. Key To Love B2. Have You Heard BLUESBREAKERS B3. Steppin' Out B4. They Call It Stormy Monday (Live) Blues Breakers With Eric B5. Intro To Maudie (Live) B6. Have You Ever Loved A Woman (Live) Clapton (Blue Vinyl) B7. Hoochie Coochie Man (Live) HIGHLIGHTS Label • Vinyl Lovers presents a reissue of John Mayall & The Bluesbreakers's VINYL LOVERS Blues Breakers With Eric Clapton, originally released in 1966. • This seminal British blues album gave Eric Clapton the chance to finally show Format his chops, launching him into stardom. LP • Includes 4 bonus tracks Catalog Number • Light blue vinyl. VL 990020LP UPC 889397102234 Also available: x(i89397*LKMMNo(Y (VL 900020LP) MAYALL & THE BLUESBREAKERS, JOHN: Bluesbreakers with Eric Clapton LP [8013252900020] Store Price $14.99 (VL 900174LP) MAYALL & THE BLUESBREAKERS, JOHN: A Hard Road 2LP [8013252900174] (VL 900402LP) MAYALL, JOHN: The Turning Point 2LP [8013252900402] Release Date 11/30/18 (VL 990013LP ) MAYALL, JOHN: Plays John Mayall LP [8013252990014] Territory NORTH AMERICAN EXCLUSIVE Press Contact: [email protected] Genre FILE UNDER - M - ROCK Exclusively Distributed by 60 Lowell Street, Arlington, MA 02476 ph: (781) 321-0320 • fx: (781) 321-0321 [email protected] .
  • Download Booklet

    Download Booklet

    A WINTER’S NIGHT FOREWORD Winchester College is very fortunate to have on its staff composer Oliver Tarney. His two 1 I saw three ships come sailing in English traditional arr. Philip Marshall [2.11] The addition of a brass ensemble to Christmas arrangements of popular Christmas hymns use concerts and carol services, combining with the the full forces to great and novel effect, and serve Christmas cantata: A winter’s night Cecilia McDowall more traditional sounds of choir and organ, has to compliment the much-loved David Willcocks 2 I. In dulci Jubilo [5.15] become increasingly popular in recent years. arrangement of O come, all ye faithful. Two 3 II. O little one sweet [3.02] This recording brings together a number of works works already in circulation have been especially 4 III. Noël nouvelet [3.09] for the specific forces of choir, brass quintet, arranged for our forces and premiered on this 5 IV. Still, still, still [3.41] organ and percussion, some of which have been disc: Jonathan Willcocks’s The holly and the ivy 6 V. Sussex carol [3.39] arranged specially for this release. and Mack Wilberg’s Ding dong! merrily on high. 7 Adam lay y’bounden Philip Ledger [2.22] 8 O little town of Bethlehem Ralph Vaughan Williams arr. Oliver Tarney [3.47] As I began exploring repertoire for this Interspersed amongst these works are a selection 9 Puer natus in Bethlehem Samuel Scheidt [2.15] combination, Cecilia McDowall’s wonderful of popular Christmas carols which have formed 0 See amid the winter’s snow John Goss arr.