Failure to Protect: a Call for the UN Security Council to Act in North Korea

Total Page:16

File Type:pdf, Size:1020Kb

Failure to Protect: a Call for the UN Security Council to Act in North Korea ea U.S. Committee for Human Rights in North Kor Nobel Peace Prize Laureate (1986) , Former Prime Minister of Norway , Former President of the Czech Republic , el áclav Hav Act in North Korea he Honorable V Failure to Protect Failure A Call for the UN Security Council to T Honorable Kjell Magne Bondevik The Boston University Professor Elie Wiesel, Failure to Protect A Call for the UN Security Council to Act in North Korea DLA Piper US LLP 409334_DLA_NK_CVR 10/19/06 10:35 AM Page 1 409334_DLA_NK_CVR_v2 10/23/06 10:08 AM Page 2 DLA Piper LLP is a global law firm with over 3,200 lawyers in 62 offices and 24 countries around the world. We provide legal assistance to our clients in an extensive range of practice areas including corporate and finance, legislative and regulatory, general business litigation, and strategic counseling on international matters. DLA Piper has created a nonprofit entity to support major international pro bono projects. The initiative, named New Perimeter, has been established as a nonprofit subsidiary of DLA Piper dedicated exclusively to international pro bono work. In the first year of the program alone, the firm committed 13,000 attorney hours at a value of over $5 million, which expanded the firm’s aggregate U.S. pro bono commitment in 2005 to approximately 80,000 hours or an aggregate value of $23 million. U.S. Committee for Human Rights in North Korea The U.S. Committee for Human Rights in North Korea is an independent, nongovernmental organization based in Washington, D.C. Created in 2001, the Committee was established to conduct independent research on human rights abuses in North Korea, and to disseminate its findings. It is not affiliated with the U.S. government. Acknowledgements President Havel, Prime Minister Bondevik, and Professor Wiesel would like to thank DLA Piper for its pro bono assistance in preparing, publishing, and disseminating this report. In particular, special thanks are due to attorneys Anthony Ashton, Elizabeth J. Brown Fore, Ann DePriester, Jared Genser, Ellen S. Ginsberg, Matt James, Sheldon Krantz, Anthony Lehman, C. Dylan Sanders, Michael S. Tracy, and Gina Vetere; former summer associates Catherine Campbell, Katrina Emmons, Kristen Leanderson, Alexandra Marzelli, and Colin Parent; former summer clerk Jennifer Harkin; and staff Lynn Bryant, Margot Finn, Ted Loud, Jennifer Maginnis, Melissa McGinn, and Marion Nowak. Special thanks are also due to Debra Liang-Fenton with the U.S. Committee for Human Rights in North Korea. Numerous legal and North Korea experts privately provided invaluable assistance to this project and informed the content. For their many important contributions, DLA Piper and the Committee are very grateful. For more information about this report, please contact: Jared Genser, Esq. Debra Liang-Fenton DLA Piper US LLP U.S. Committee for Human Rights in North Korea Cover Photo 1200 Nineteenth Street, NW 1025 F Street, NW, Suite 800 Washington, DC 20036-2412 Washington, DC 20004-1409 Caption: An unidentified 71-year-old woman carries last year’s dried +1 (202) 861-6436 direct +1 (202) 378-9579 direct cabbage leaves in Anju, North Korea, April 5, 1997 [email protected] [email protected] Photo: Associated Press. Licensed for use. www.dlapiper.com www.hrnk.org 409334_DLA_KoreaBook_v6 10/20/06 12:13 PM Page A Failure to Protect: A Call for the UN Security Council to Act in North Korea Report Commissioned By: The Honorable Václav Havel, Former President of the Czech Republic The Honorable Kjell Magne Bondevik, Former Prime Minister of Norway Professor Elie Wiesel, Boston University Nobel Peace Prize Laureate (1986) Prepared By: U.S. Committee for Human Rights in North Korea October 30, 2006 Copyright © 2006 DLA Piper US LLP and U.S. Committee for Human Rights in North Korea. All rights reserved. 409334_DLA_KoreaBook_v6 10/20/06 9:09 AM Page C Foreword Although in recent weeks the international focus has been on North Korea’s nuclear weapons test, the situation in that country is also one of the most egregious human rights and humanitarian disasters in the world today. Yet sadly, because North Korea is also one of the most closed societies on Earth, information about the situation there has only trickled out over time. With the unanimous adoption by the UN Security Council of the doctrine that each state has a “responsibility to protect” its own citizens from the most egregious of human rights abuses, a new instrument for international diplomacy has emerged. While states retain sovereignty to control their own territory, if they fail to protect their own citizens from severe human rights abuses, the international community now has an obligation to intervene through regional bodies and the United Nations, up to and including the Security Council. In this context, we commissioned the global law firm DLA Piper LLP to work with the U.S. Committee for Human Rights in North Korea in preparing an objective and definitive report on the failure of the North Korean government to exercise its responsibility to protect its own people. The evidence and analysis contained in this report is deeply disturbing. Indeed, it is clear that Kim Jong Il and the North Korean government are actively committing crimes against humanity. North Korea allowed as many as one million, and possibly many more, of its own people to die during the famine in the 1990s. Hunger and starvation remain a persistent problem, with over 37 percent of children in North Korea chronically malnourished. Furthermore, North Korea imprisons upwards of 200,000 people in its modern-day gulag, and it is estimated more than 400,000 have died in that system over 30 years. It is on this basis that we strongly urge the UN Security Council to take up the situation of North Korea. Protecting the people of North Korea requires nothing less. Václav Havel Kjell Magne Bondevik Former President of the Czech Republic Former Prime Minister of Norway Professor Elie Wiesel, Boston University Nobel Peace Prize Laureate (1986) 409334_DLA_KoreaBook_v5 10/19/06 5:32 PM Page E Table of Contents Approach Map of North Korea Table of Acronyms Executive Summary ........................................................................................i I. Background on the Situation in North Korea..............................................1 A. Historical Context of International Concern over the Korean Peninsula ......................................................................................1 B. Economic Development............................................................................6 C. Economic and Social Indicators................................................................9 II. The Crisis ................................................................................................10 A. Major Human Rights Concerns..............................................................10 1. Food Policy and Famine ........................................................................12 2. Treatment of Political Prisoners ..............................................................30 3. Abduction of Foreigners ........................................................................42 B. Transnational Effects of the Crisis in North Korea ..................................48 1. Weapons of Mass Destruction................................................................48 2. Refugee Outflows ..................................................................................58 3. Drug Trafficking ....................................................................................62 4. Money Counterfeiting and Laundering..................................................65 C. The International Response ....................................................................68 1. The Six-Party Talks ................................................................................68 2. The United Nations ..............................................................................70 3. South Korea: Development of the Sunshine Policy ................................76 4. United States of America........................................................................80 III. North Korea and the UN Security Council ............................................83 A. Violation of the Responsibility to Protect................................................83 B. “Non-Traditional” Threat to the Peace....................................................94 Recommendations ......................................................................................100 Appendix I: Background, Duties, and Operations of UN Security Council......................................................................101 Appendix II: The New “Responsibility to Protect” Doctrine under International Law ..................................................................109 Appendix III: Crimes Against Humanity ....................................................119 Appendix IV: Lessons from Past Security Council Interventions ................134 409334_DLA_KoreaBook_v6 10/20/06 8:55 AM Page G Approach The intent of this report is to apply a new doctrine of international law – the responsibility of all states to protect their own citizens from the most egregious of human rights abuses – to the situation in North Korea. Based on a comprehensive review of published information and first-hand interviews, this report concludes that North Korea has violated its responsibility to protect its own citizens from crimes against humanity being committed in the country,
Recommended publications
  • The Changing Face of Korean Cinema, 1960 to 2015 / Brian Yecies and Ae-Gyung Shim
    The Changing Face of Korean Cinema The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history that runs parallel to the nation’s politi- cal, social, economic, and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the twenty-first century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds and demonstrates the forces behind Korea’s positioning of itself as an important contributor to regional and global culture, especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung Hee’s authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry’s profes- sionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions of film policy, producing, directing, genres, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of “Planet Hallyuwood”. It will be of particular interest to students and scholars of Korean Studies and Film Studies.
    [Show full text]
  • Sla Voj Zizek
    Demanding the Impossible Demanding the Impossible Sla voj Zizek Edited by Yong-june Park polity Copyright© Indigo Book company 20I3 First published in 20 I 3 by Polity Press Polity Press 65 Bridge Street Cambridge CB2 I UR, UK Polity Press 3 50 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN-q: 978-o-7456-7228-I ISBN-q: 978-o-7456-7229-8(pb) A catalogue record for this book is available from the British Library. Typeset in I r on 14 pt Sabon by Servis Filmsetting Ltd, Stockport, Cheshire Printed and bound in Great Britain by T.J. International, Padstow, Cornwall The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. I Iowever, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. For further information on Polity, visit our website: www.politybooks.com Contents Acknowledgments Vll I Politics and Responsibility
    [Show full text]
  • IN FOCUS: Decolonizing Media Studies Decolonize Media: Tactics
    IN FOCUS: Decolonizing Media Studies Decolonize Media: Tactics, Manifestos, Histories by NICHOLAS MIRZOEFF and JACK HALBERSTAM, editors, for the Decolonizing Media Collective Figure 1. Photo used by permission of the MTL Collective. ecolonize media! Inspired by Standing Rock, the Decolonize the Curriculum movement in South Africa, and long histories of resistance in the Americas, Palestine, and elsewhere, we propose that the next step for media activism as a whole is to place these spaces of opposition and refusal into extended engagement Dwith current decolonial thought and practices. The “object” of study for this In Focus dossier is not the dominant (media) forms of racial capitalism, but rather decolonial action, thinking, and organizing. In short, putting your thinking body in space of all kinds—public, intellectual, academic—where it is not supposed to be and trying to Press © 2018 by the University of Texas 120 Summer 2018 | 57 | No. 4 www.cmstudies.org Cinema Journal 57 | No. 4 | Summer 2018 decolonize it. We witness the abuses of Harvey Weinstein’s Hollywood and the insidious market uses of Mark Zuckerberg’s social media, and we refuse to engage. In terms of media as such, we propose open-access publishing, open-source software, a return to independent filmmaking, and more strategic and informal uses of social media—all to resist the politics of the casting couch on the one hand and the market domination of all intimate and social relations on the other. We recognize the powerful interventions of hacktivists and the continued potential of web media and their copresence with organizers in reclaiming spaces of all kinds.
    [Show full text]
  • The North Korean Films of Shin Sang-Ok
    第 22 号 『社会システム研究』 2011年 3 月 1 査読論文 The North Korean Films of Shin Sang-ok Johannes Schönherr * Abstract Shin Sang-ok was a prolifi c South Korean fi lm director who suddenly disappeared to North Korea in 1978. Between 1983 and 1986, he made 7 feature fi lms in North Korea and produced 13 films more. In 1986, Shin used the chance of a business trip to Vienna to defect to the United States. In this paper, I briefl y describe North Korean cinema history of the period before Shin arrived in the country, Kim Jong-il’s involvement in fi lm, Shin’s pre-North Korea career and fi nally the main fi lms he made in North Korea and how they affected the development of North Korean cinema. Keywords Shin Sang-ok, Park Chung-hee, Kim Il-sung, Kim Jong-il, North Korean cinema, cinema history, Pulgasari 1. Introduction Shin Sang-ok (1926 – 2006) was a prolifi c movie director and producer all of his adult life, in total he made 74 fi lms in the 52 years he was active (1952 – 2004). He was a truly international film director and worked within or closely collaborated with the film industries of several countries, including South Korea, North Korea, the United States, Hong Kong and Japan, and he had the ability to successfully adapt to all those different settings. Shin is best known today for the most enigmatic years of his life – his period in North * Correspondence to:Johannes Schönherr Free writer (Graduated from New York University Master of the Arts in Cinema Studies 1994) 7-4 Kannawa Higashi, Beppu-shi, Oita 874-0042 Japan E-mail : [email protected] 2 『社会システム研究』(第 22 号) Korea, spanning altogether from 1978 to 1986 though he was only making fi lms from 1983 to 1986.
    [Show full text]
  • Alternative Titles Index
    VHD Index - 02 9/29/04 4:43 PM Page 715 Alternative Titles Index While it's true that we couldn't include every Asian cult flick in this slim little vol- ume—heck, there's dozens being dug out of vaults and slapped onto video as you read this—the one you're looking for just might be in here under a title you didn't know about. Most of these films have been released under more than one title, and while we've done our best to use the one that's most likely to be familiar, that doesn't guarantee you aren't trying to find Crippled Avengers and don't know we've got it as The Return of the 5 Deadly Venoms. And so, we've gathered as many alternative titles as we can find, including their original language title(s), and arranged them in alphabetical order in this index to help you out. Remember, English language articles ("a", "an", "the") are ignored in the sort, but foreign articles are NOT ignored. Hey, my Japanese is a little rusty, and some languages just don't have articles. A Fei Zheng Chuan Aau Chin Adventure of Gargan- Ai Shang Wo Ba An Zhan See Days of Being Wild See Running out of tuas See Gimme Gimme See Running out of (1990) Time (1999) See War of the Gargan- (2001) Time (1999) tuas (1966) A Foo Aau Chin 2 Ai Yu Cheng An Zhan 2 See A Fighter’s Blues See Running out of Adventure of Shaolin See A War Named See Running out of (2000) Time 2 (2001) See Five Elements of Desire (2000) Time 2 (2001) Kung Fu (1978) A Gai Waak Ang Kwong Ang Aau Dut Air Battle of the Big See Project A (1983) Kwong Ying Ji Dut See The Longest Nite The Adventures of Cha- Monsters: Gamera vs.
    [Show full text]
  • Der Japanische Monsterfilm (Daikaijū -, Kaijū -, Daimajin - Und Kaijin Eiga) – Filmographie Und Bibliographie Von Ludger Kaczmarek & Hans J
    Repositorium für die Medienwissenschaft Ludger Kaczmarek; Hans Jürgen Wulff Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie 2018 https://doi.org/10.25969/mediarep/12780 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kaczmarek, Ludger; Wulff, Hans Jürgen: Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2018 (Medienwissenschaft: Berichte und Papiere 147). DOI: https://doi.org/10.25969/mediarep/12780. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0147_18.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 147, 2018: Japanischer Monsterfilm Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek u. Hans J. Wulf. ISSN 1613-7477. URL: htp://berichte.derwulf.de/0147_18.pdf. Letzte Änderung: 25.09.2018. Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga) – Filmographie und Bibliographie von Ludger Kaczmarek & Hans J. Wulf Inhalt: 1. Vom Horror zum Trash – der japanische Monsterflm / Oliver Miller [1] 1.1 Die Wurzeln des Monsterflms [1] 1.2 Der Ursprung des japanischen Monsterflms: oodzilla [2] 1.3 Die Monster sind los – auf dem Weg in die Kommerzialisierung [3] 1.4 Der japanische Monsterflm als eigenstänndiges oenre [4] 1.5 Die Rückkehr oodzillas und ein Blick in die ZukunF [4] 1.6 Fazit [5] Anmerkungen [5] 2.
    [Show full text]
  • Silva Iaponicarum Fasc. 43/44/45/46
    SILVA IAPONICARUM 日林 FASC. XLIII/XLIV/XLV/XLVI 第四十三・四十四・四十五・四十六 号 SPRING/SUMMER/AUTUMN/WINTER 春・夏・秋・冬 2015 SPECIAL EDITION POLISH FILM STUDIES AND JAPANESE CINEMA edited by Krzysztof Loska and Dawid Głownia Posnaniae, Cracoviae, Varsoviae, Kuki MMXV ISSN 1734-4328 2 Drodzy Czytelnicy. Niniejszy specjalny zeszyt Silva Iaponicarum 日林 zawiera artykuły zebrane od polskich filmoznawców specjalizuj ących si ę w kinie japo ńskim. Cieszymy si ę, że mo żemy przedstawi ć w ten sposób najnowsze prace zarówno uznanych polskich badaczy japo ńskiego kina, jak i filmoznawców pokolenia młodszego, znajduj ących si ę u progu ich kariery akademickiej. Nawet wydanie filmowe specjalne naszego kwartalnika pozostaje wielow ątkowe. St ąd jako jedynego klucza porz ądkowania artykułów w trakcie jego kompilacji zastosowano porz ądek alfabetyczny elementów składowych, według nazwisk autorów artykułów. Serdecznie dzi ękujemy autorom wszystkich prac zamieszczonych w tym wydaniu Silva Iaponicarum za gotowo ść do ich publikacji w jednym specjalnym zeszycie naszego kwartalnika oraz za efektywn ą współprac ę w procesie opracowania tekstów. Redaktorzy Kolegium redakcyjne Kraków – Pozna ń –Toru ń – Warszawa – Kuki grudzie ń 2015 3 Dear Readers, This special issue of Silva Iaponicarum 日 林 contains articles received from Polish researchers focusing on Japanese film and cinema studies. We are delighted and honoured to present the most recent works of both the established representatives of Polish academics of the Japanese film studies together with conctributions from younger generation of scholars, who are at the begining of their academic careers. The special film fascicle is very diverse in terms of topics. This is why in the process of the compilation we decided to introduce the alphabetical order of papers (by the authors’ names) in the fascicle.
    [Show full text]
  • Paul Fischer North Korea Is Known for Many Things That We Are Not
    292 Book Reviews Paul Fischer A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator’s Rise to Power. (New York: Flatiron Books, 2015). 367 pp. $17.99 paper. $27.99 cloth. North Korea is known for many things that we are not supposed to know. It runs a dangerous military program that can jeopardize the balance of power in East Asia. The bulk of its citizens suffer from extreme poverty. The govern- ment tortures and kills dissenters in prison camps. And the list does not come close to ending there. Yet in this age of Facebook, Google Earth, and advanced gps technology, much of the “real” North Korea, for most of us, still remains a mystery. In news programs, movies, and video games, the “fatherly state” has been the subject of endless caricature and ridicule. Interested observers remain ignorant of the complex state of affairs that exists above the demili- tarized zone. A Kim Jong-Il Production is one of the newest attempts to demystify North Korean behavior. To understand the state’s attempts at propaganda and cultur- al indoctrination, it turns to the famous kidnapping of actress Choi Eun-Hee and director Shin Sang-Ok. Relying on scholarly accounts, journalistic reports, personal memoirs, and oral interviews, Paul Fischer explores the fascinating life story of the filmmaking duo from their prime years in South Korea to the decade they were forced to spend under Kim Jong-Il between the late 1970s and the mid 1980s. Readers learn a lot about North Korea itself as a “theater state” (p.
    [Show full text]
  • Films and Documentaries Catalog
    University of Pittsburgh University Center for International Studies Asian Studies Center Video and DVD Collection of the Asian Studies Teaching Resource Library (revised July 2019) Video Borrowing Policy: We do mail videos to teachers upon written request (either JAPAN Japan - Feature Films Title Year Description Film-Maker Length Level All About Lily Chou-Chou (DVD) 2005 A junior-high student's obsession with a singer, Lily Chou-Chou, Shunji Iwai 146 min 10-16+ cannot protect him from the harsh reality of his life. Note: contains dark themes that may warrant an R rating. Big Bird in Japan (VHS) 1991 A musical adventure - Big Bird and Barkley the Dog traveling Children's 60 min K-12 through Japan. Television Workshop Black Rain (VHS) 1988 This is a Cannes Film Festival award-winning movie about Shohei Imamura 123 min 13-16+ humanity and survival after the 1945 atomic horror of Hiroshima. The film chronicles the shocked survivors as they struggle with radiation sickness and rebuild their shattered lives. It is based on the book by Ibuse Masujii, History: World War II and Hiroshima. The Burmese Harp (DVD) 1956 The action takes place in Burma, where the Japanese army is Kon Ichikawa 116 min 9-16+ collapsing at the end of World War II. A soldier who plays the Burmese harp, after being wounded and separated from his combat unit, is nursed back to health. Check It Out, Yo! (DVD) Please 2006 Four friends on the island of Okinawa become bored with their Miyamoto, Rieko 117 min note: our copy is a “Region 2” lives, until one day they meet a beautiful woman at a hip-hop DVD.
    [Show full text]
  • The Transnational Asian Studio System: Cinema, Nation-State, and Globalization In
    The Transnational Asian Studio System: Cinema, Nation-State, and Globalization in Cold War Asia by Sangjoon Lee A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Cinema Studies New York University May, 2011 _______________________ Zhang Zhen UMI Number: 3464660 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3464660 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 ⓒ Sangjoon Lee All Right Reserved, 2011 DEDICATION This dissertation is dedicated to my father, Lee Eui-choon, and my mother, Kim Sung-ki, for their love and support. iii ACKNOWLEDGEMENTS This dissertation would not have been possible without the generous support and encouragement of my committee members and fellow colleagues at NYU. My deepest debts are to my dissertation advisor; Professor Zhang Zhen has provided me through intellectual inspirations and guidance, a debt that can never be repaid. Professor Zhang is the best advisor anyone could ask for and her influence on me and this project cannot be measured. This dissertation owes the most to her. I have been extremely fortunate to have the support of another distinguished film scholar, Professor Yoshimoto Mitsuhiro, who has influenced my graduate studies since the first seminar I took at NYU.
    [Show full text]
  • Spectacle Theater May 2018
    Sunday Monday Tuesday Wednesday Thursday Friday Saturday Spectacle 1 2 3 4 5 7:30 pm* 7:30 pm Closed 7 pm 7:30 pm* Theater MAYDAY 1971 RAW CASSETTE INDIEBEAT: THE AN EVENING WITH MISSING SUN BLACK MASK 10 pm 10 pm STRONG WIND YOU CALL THIS 10 pm IN BEIJING PROGRESS?! Midnight URBAN GIRL SATANIC COMES TO GET ATTRACTION MARRIED May 2018 Midnight PULGASARI 6 7 8 9 10 11 12 Lost & Forgotten Cinema 124 S. 3rd St., Brooklyn 3 pm 7:30 pm 7:30 pm 7:30 pm 7:30 pm 7:30 pm* 7:30 pm Contemporary Underground $5 tickets unless otherwise noted FIST CHURCH CENTRE FORWARD EVIL OF DRACULA PULGASARI THE DREAMED GANG GIRL ZHE ZHE with Q&A Special Events spectacletheater.com PATH TRILOGY with Q&A 5 pm 10 pm 10 pm 10 pm Midnight ZHE ZHE SO WRONG LAKE OF DRACULA STRONG WIND IN 10 pm WEREWOLF IN A THEY’RE RIGHT BEIJING THE VAMPIRE GIRLS’ DORMITORY 7:30 pm DOLL THE DREAMED PATH Midnight EVIL OF DRACULA 13 14 15 16 17 18 19 3 pm 7:30 pm 7:30 pm 7:30 pm* 7:30 pm 7:30 pm 7:30 pm* BLOOD BRUNCH EVIL OF DRACULA URBAN GIRL AN EVENING WITH SO WRONG PULGASARI YOU CALL THIS COMES TO GET KATRINA DEL MAR THEY’RE RIGHT PROGRESS?! 5 pm 10 pm MARRIED 10 pm (Director in YOU CALL THIS CASSETTE 10 pm* 10 pm LAKE OF DRACULA Attendance) PROGRESS?! 10 pm GANG GIRL CENTRE FORWARD THE VAMPIRE DOLL TRILOGY Midnight 10 pm 7:30 pm* DEAD GIRLS THE VAMPIRE DOLL AN EVENING WITH KATRINA DEL MAR Midnight SATANIC ATTRACTION 20 21 22 23 24 25 26 3 pm 7:30 pm 7:30 pm 7:30 pm 7:30 pm* 7:30 pm 7:30 pm FIST CHURCH LAKE OF DRACULA ZHE ZHE STRONG WIND IN MIL DKU DES :: X, MD CENTRE FORWARD STRONG WIND
    [Show full text]
  • Nosferatu. Revista De Cine (Donostia Kultura)
    Nosferatu. Revista de cine (Donostia Kultura) Título: Bong Joon-ho: Epica de lo minúsculo Autor/es: Costa, Jordi Citar como: Costa, J. (2007). Bong Joon-ho: Epica de lo minúsculo. Nosferatu. Revista de cine. (55):181-185. Documento descargado de: http://hdl.handle.net/10251/41528 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Bong, Joon-ho Epica de lo minúsculo Jordi Costa Bong./txm-lwk hmnaika IIIÜ' ::t!ucntw 1f.mkur lx1f aurk1l11 ::ut'/1 lu'tda lx'n' r¡¡xwfallll'llhtf.·o ali•t /Wm/11. Omit:a¡x•n 1/llri otitwrit:at futrlultii'2Út :tu'nlxn' le!tt•flett{!P pelikula, flmkiug /Jup,:..,· 1\'el'el' Bilt' / Dogs of F/aii(/Prs (:!000), t'tnlxtteko oldakt·ta pm:estwll =~wxn hem'alde lx11i bumzku komedia belt:a: belw-belwko klaseek kontsunulutako t.mkunl'tik Konn benir111moskota kateguriam {!.rJtnlutako animalimn .1/emories t~{.lltmler (100.1) !mUY:// l. emyJiizoclon'ftk cliktadum aldiari erplm c/Ji¡ l'm'lXtso. serif'ko !tilt::.aift' lx1t al.l'llolzm .mkt:.((t dul'tl ¡;olizi ikcrlan lxlleh'f.· obiatutn Re!letako ~?·rtmm uikunslolll :~(.f.- moldotutako anh'/wmi lxlll'll zedJtl:UIItljÍun'a.
    [Show full text]