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Cambridge University Press 978-1-107-03397-9 - The Late Poetry of the Lake Poets: Romanticism Revised Tim Fulford Index More information Index Ackermann, Rudolph, 274 Byron, Lord, 1, 11–12, 17–19, 27–8, 49, 51–2, 71, Adams, John, 78 73–7, 79–89, 95, 100–2, 109, 115, 127–8, Allston, Washington, 170 130–3, 137–40, 144, 148, 151, 155, 157, 217 Anti-Jacobin Review and Magazine, 11, 149 Cain (1821), 74 Augustan Review, 26 Childe Harold’s Pilgrimage (1812–18), 18, 88, Austen, Jane, 163 137, 155 Northanger Abbey (1818), 159 Don Juan, 12, 18, 47 Heaven and Earth (1821), 74 Banks, Joseph, 31, 43 Manfred (1817), 74 Barbauld, Anna Letitia, 10, 120 The Island (1823), 74–5, 77, 79, 86–9, 100 Bate, Jonathan, 207 The Siege of Corinth (1816), 100, 128, 137 Beaumont family, 114 The Vision of Judgment (1821), 75–7 Beaumont, George, 31, 41, 43, 258 Beddoes, Thomas, 129 Canning, George, 149 Bentham, Jeremy, 73 Carlson, Julia S., 16 Bewell, Alan, 74 Chatterton, Thomas, 214 Black’s Picturesque Guide to the English Chaucer, Geoffrey Lakes, 241–2 Canterbury Tales, 221 Blackwood’s Magazine, 10, 13, 228, 251, 257 Christian, Fletcher, 74, 78–9, 81, 83–4, 88 Blake, William, 1, 106 Clifford family, 214–16 Songs of Innocence and of Experience, Clifford, Henry, 64 1, 56 Cobbett, William, 15 Bligh, William, 77–9, 84 Cochrane, Thomas, 100 Bloom, Harold, 18 Cockburn, Henry, 10 Bloomfield, Robert, 11, 32 Coleridge, Hartley, 245, 266 Bolivar, Simon, 99 Coleridge, John, 151 Bonaparte, Napoleon, 71, 81, 83 Coleridge, John Taylor, 25 Bowles, William Lisle, 89 Coleridge, Samuel Taylor, 1, 25–6, 36, 43, 51, 69, The Missionary (1815), 89 86, 105–11, 113–95, 211, 214, 243 British Critic, 11 ‘A Day Dream’, 167–8 Brontë, Charlotte, 29 Biographia Literaria (1817), 6, 13–14, 26, 107–9, Brown, John, 129, 132 114–15, 124–7, 138, 145, 150–1, 161, 185–6 Budge, Gavin, 129 ‘Christabel’, 1, 19, 106, 113, 115–17, 119, 121, 124, Bunyan, John, 180 126–9, 131–47, 151, 153, 155, 157–8, 161, 166, Burgh, James, 150 172, 216, 263 Burke, Edmund, 33, 57, 68, 73, 83, 190, Christabel: Kubla Khan, A Vision; The Pains of 213, 262 Sleep (1816), 4, 13, 19, 109–11, 113, 116–17, 122, Burke, Tim, 201 124, 126, 128–54, 158–9, 167, 176, 180, 185–7 Burns, Robert, 32 ‘Dejection, an Ode’, 156, 171, 176, 178, 181, 184 Butler, Marilyn, 26 ‘Duty Surviving Self-Love’, 180 306 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03397-9 - The Late Poetry of the Lake Poets: Romanticism Revised Tim Fulford Index More information Index 307 ‘Fire, Famine and Slaughter’, 181 Elfenbein, Andrew, 56 ‘Fragments from the Wreck of Memory’, 161 European Magazine, 228 ‘France, an Ode’, 151 ‘Frost at Midnight’, 34, 113, 181 Farington, Joseph ‘Garden of Boccaccio’, 170–2 Views of the Lakes &c in Cumberland and ‘Hard is my lot’, 177–8, 180, 182–3, 188, 190–2 Westmorland (1787), 31 ‘Kubla Khan’, 2, 4, 19, 92, 94, 113, 115–16, 124, Finow, 81 127–8, 132, 136, 138–47, 159, 184 Flinders, Matthew Lectures, 180, 183 A Voyage to Terra Australis (1814), 43 ‘Letter to Sara Hutchinson’, 120, 171, 176, Freud, Sigmund, 265 178–80 Friendship’sOffering, 161 ‘Love’, 127, 137, 155, 158–9, 161 Furr, Derek, 171 ‘New Thoughts on Old Subjects’, 161 Notebook entries, 120–1, 124, 147, 178–9, 187 Galperin, William, 202 Poetical Works (1828), 5, 110–11, 155, 160, 167, George III, 47, 51, 75 173–7, 179–95 Gill, Stephen, 20, 201, 220 Poetical Works (1829), 155, 175 Gillman, Anne, 171 ‘Prose in Rhyme, or Epigrams, Moralities, and Gilpin, William, 30–1, 34, 47, 249, 256 Things Without a Name’, 173–6 Observations on the River Wye, and Several Parts Remorse (1813), 156–8, 180 of South Wales, &c. Relative Chieflyto Sibylline Leaves (1817), 13, 127, 153–4, 176, 231–3 Picturesque Beauty (1782), 31 ‘The Aeolian Harp’, 231–3 Observations, Relative Chiefly to Picturesque ‘The Ballad of the Dark Ladie’, 126, 155, 158 Beauty, Made in the Year 1772, on Several ‘The Blossoming of the Solitary Date Tree. Parts of England, Particularly the Mountains, A Lament’, 5, 17, 155, 176–7, 179–95 and Lakes of Cumberland, and Westmoreland The Friend, 106–7 (1786), 31, 217 ‘The Devil’s Thoughts’, 181 Gilpin, William Sawrey, 31 ‘The Improvisatore’, 161–6, 175–6, 192 Girtin, Thomas, 251 ‘The Pains of Sleep’, 113, 116, 118–20, 128, Glover, John, 31 145–8, 181 Godwin, William, 10, 87 ‘The Rime of the Ancient Mariner’, 2, 106, 113, Goodson, A.C., 114 119–20, 124, 126–7, 142, 148, 153, 157 Graves, R.P., 211 The Statesman’s Manual (1816), 151 Gray, Thomas ‘To W. Wordsworth’, 123, 171 Elegy in a Country Churchyard, 50 ‘Work without Hope’, 169, 180, 192 Green, William, 219–20, 249 ‘Youth and Age’, 169, 174–5, 180 A Series of Sixty Beautifully coloured plates of the Coleridge, Sara, 90 Lakes of Lancashire, Cumberland & Cook, James, 41, 76–7 Westmorland (1808–10), 249 Cowper, William, 9, 29, 32, 73 The Tourist’s New Guide to the Lake District, ‘Yardley Oak’, 210 Containing a Description of the Lakes, Critical Review, 135 Mountains and Scenery in Cumberland, Westmorland, and Lancashire (1819), 219–20 Dante, 18, 256 Darwin, Erasmus, 17, 129, 132 Hartman, Geoffrey, 202, 205 Davies, Edward, 260 Hazlitt, William, 11–12, 49, 52, 107, 113, 117, 131, De Man, Paul, 241 149–51, 158 De Quincey, Thomas, 199 Heath, Charles, 160 Dobrizhoffer, Martin, 90–1, 95–7 Heber, Reginald, 100 An Account of the Abipones, 90–1 Heffernan, James A.W., 16 Hemans, Felicia, 1, 155, 160 Eclectic Review, 11, 101, 228 ‘Casabianca’, 56 Edinburgh Annual Register, 127 Herder, Johann Gottfried, 212 Edinburgh Review, 10–11, 26, 105, 114, 127, 135, Hone, William, 15 149, 151, 153, 199–200 Hood, Thomas, 32 Edwards, Edward, 78–9 Horne Tooke, John, 212, 272 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03397-9 - The Late Poetry of the Lake Poets: Romanticism Revised Tim Fulford Index More information 308 Index Housman, John Langan, Celeste, 56, 136 Descriptive Tour, and Guide to the Lakes, Caves, Larkin, Peter, 165, 202 Mountains, and other Natural Curiosities, in Leask, Nigel, 17, 70, 114, 129 Cumberland, Westmoreland, Lancashire, and Linnaeus, Carl, 182 a Part of the West Riding of Yorkshire (1800), Literary Chronicle, 101 218 Literary Gazette, 155 Hume, David, 190 Lockhart, John Gibson, 11 Hunt, Leigh, 84, 101 London Magazine, 10, 101 Hunter, John, 130 Lonsdale, Lord, 12, 201, 269 Hurwitz, Hyman, 185 Lorraine, Claude, 30, 47, 59, 253 Hebrew Tales (1826), 184–5 Lovell, Robert, 86 Hutchinson, Joanna, 221 Loyola, Ignatius of, 90 Hutchinson, Sara, 45, 107, 167–8, 171, 176, 178–81, 183, 187–8, 192 Macaulay, Thomas, 72 Hutchinson, William Education Minute (1835), 72 An Excursion to the Lakes, in Westmoreland and Manning, Peter J., 16, 201 Cumberland, August 1773 (1774), 218 Mariner, William, 80–3, 86 An Account of the Natives of the Tonga Islands in Janowitz, Anne K., 136 the South Pacific Ocean (1817), 80–2, 85–6 Jeffrey, Francis, 15, 25–6, 38, 49, 51, 69, 71, Mays, J.C.C., 141–4 105–10, 113–15, 117, 125, 127, 130, 135, 137, McGann, Jerome J., 170 145, 151, 199–200, 217, 247, 278 The Romantic Ideology, 109 Review of Madoc, 9, 25, 106 Medwin, Thomas Review of Poems in Two Volumes, 9–10, 25, Private Conversations with Lord Byron (1824), 105–6, 125, 199, 216 86 Review of Thalaba the Destroyer, 9, 15, 25, 117 Milton, John, 18, 38, 71, 109, 202 Review of The Excursion, 8–9, 25–6, 39, 107, Paradise Lost, 96, 183, 194, 210, 222, 263 125, 199 Mitford, Mary Russell, 89 Review of The Isle of Palms, and Other Christina, the Maid of the South Seas (1811), 89 Poems, 25 Montgomery, James, 89 Review of The White Doe of Rylstone, 217 Greenland (1819), 89 Jenner, Edward, 98–9 Monthly Review, 11, 153–4 Jerdan, William, 155 Moore, Thomas, 11, 17, 71, 160 Jones, Ewan, 136 Lalla Rookh (1817), 71 Junius, 76 More, Hannah, 149, 270 More, Thomas, 57 Kant, Immanuel, 118 Moxon, Edward, 6, 273, 278 Keats, John, 1, 10, 157, 163, 187, 191, 261 Murray, John, 80, 116, 128, 132 Hyperion (1819), 71 ‘La Belle Dame sans Merci’, 161 Nash, Edward, 26, 38, 41 ‘Ode to a Nightingale’, 191 Nelson, Horatio, 75 ‘On First Looking into Chapman’s Homer’, New Annual Register, 26 170 New Monthly Review, 11 Kotzebue, Augustus von, 9 Newlyn, Lucy, 116, 151 Lamb, Charles, 132, 140 O’Higgins, Bernardo, 99 Landon, Letitia Elizabeth, 1, 155–62, 164–72, 176, Otley, Jonathan, 223–4 180 A Concise Description of the English Lakes and ‘A Moorish Romance’, 157 Ancient Mountains (1823), 223–4 ‘Sans Souci’, 168 Ovid, 251 ‘The City of the Dead’, 168 ‘The Departed’, 161 Payne Knight, Richard, 256 The Improvisatrice (1824), 154–8, 161–2, 165, 180 Peachey, Emma, 35–8 ‘Verses on an engraved portrait of the Duchess Peachey, William, 35, 37 of Bedford’, 171–2 Percy, Thomas, 214 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03397-9 - The Late Poetry of the Lake Poets: Romanticism Revised Tim Fulford Index More information Index 309 Pickering, William, 173 Alastor (1816), 71 Pinkney, Tony, 208 Prometheus Unbound (1820), 71 Pitt, William, 135, 151 The Revolt of Islam (1818), 71 Pitts, Jennifer, 73 Simonsen, Pieter, 16 Plato, 190 Simpson, David, 74 Polidori, John, 132 Smith, Adam, 73 Polwhele, Richard Southey, Edith May, 90, 92–4, 97–8 The Unsex’d Females (1798), 148 Southey, Herbert, 52 Poole, Thomas, 118 Southey, Robert, 1, 25–8, 30, 32–77, Poussin, Nicholas, 34 79–102, 106–8, 115, 118, 156, 160, 200–1, Price, Uvedale, 256 216–17, 243, 249, 273–4 Prickett, Stephen, 8 A Vision of Judgement (1821), 14–15, 47–52, Priestley, Joseph, 150 75–6, 84, 102 Purchas, Samuel, 139 ‘Book of the Prophet Jehephary’, 14 Purchas His Pilgrimage, 138 ‘Botany Bay Eclogues’ (1797), 69 Carmen Triumphale (1814), 14 Quarterly Review, 72, 79–81, 89–90, 100, 127 ‘Epitaph’ (‘Here in the fruitful vales of Quillinan, Rotha, 233 Somerset’), 35–8 History of Brazil (1810–19), 72, 88, 91–2, 95, 98 Reiss, Daniel, 170 Letters from England, by Don Manuel Alvarez Richard I, 75 Espriella (1807), 34–5, 43, 45, 52, 218 Richards, I.
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  • “After Blenheim” Y “The Inchcape Rock” De Robert Southey: La Balada Como Expresión Moral E Ideológica

    “After Blenheim” Y “The Inchcape Rock” De Robert Southey: La Balada Como Expresión Moral E Ideológica

    ISSN: 1579-9794 “After Blenheim” y “The Inchcape Rock” de Robert Southey: la balada como expresión moral e ideológica MARÍA DEL MAR RIVAS CARMONA Universidad de Sevilla Fecha de recepción: 12 de febrero de 2009 Fecha de aceptación: 15 de abril de 2009 Resumen: La calidad literaria de los escritos en prosa de Robert Southey es incuestionable. Destacan especialmente por la sencillez y claridad de la expresión formal. Sin embargo, también estas características se convierten en rasgo esencial en sus composiciones en verso, en especial en baladas tan populares como “After Blenheim” y “The Inchcape Rock”. En estas dos composiciones, en concreto, dichas características no sólo suponen una calidad estética, sino también un instrumento eficaz para la transmisión de mensajes de extrema importancia. El autor se vale de la aparentemente paradójica o contradictoria elección de un léxico y una sintaxis muy simples para expresar verdades trascendentes y que “deberían” ser igual de claras y evidentes para todos: los que hacen las guerras no son héroes; más tarde o más temprano la maldad encuentra su merecido. Palabras clave: Robert Southey. Baladas románticas. “After Blenheim”. Poema anti- bélico. “The Inchcape Rock”. Leyendas populares. Abstract: Robert Southey‟s prose writings are undoubtedly highly valued mostly for the great clarity and simplicity of the formal expression. These are, we believe, the most outstanding features of his style. Nevertheless, these same traits are also the most relevant features in his verse compositions, especially in such popular ballads as “After Blenheim” and “The Inchcape Rock”. In these two poems, in particular, the above characteristics reveal not only highly aesthetic qualities but also become an efficient tool for the transmission of an utterly relevant message.
  • A Poetics of Dissent; Or, Pantisocracy in America Colin Jager

    A Poetics of Dissent; Or, Pantisocracy in America Colin Jager

    A Poetics of Dissent; or, Pantisocracy in America Colin Jager Theory and Event 10:1 | © 2007 To know a bit more about the threads that trace the ordinary ways and forgotten paths of utopia, it would be better to follow the labor of the poets. -- Jacques Ranciere, Short Voyages to the Land of the People The past can be seized only as an image, which flashes up at the instant when it can be recognized and is never seen again. -- Walter Benjamin, Theses on the Philosophy of History 1. "Pantisocracy" was an experiment in radical utopian living, invented in England in the closing years of the eighteenth century by a couple of young poets, never put into practice, and described in later, more sober years with a mixture of embarrassment and shame by the poets and their friends, and with sanctimonious anger by their enemies. In the essay that follows I will interpret Pantisocracy as an example of what I call a "poetics of dissent" -- that is, a literary strategy that makes possible a dissenting politics. Immediately, however, it needs to be made clear that both "literary" and "politics" are understood broadly here; indeed, the politics I pursue is simply the possibility of speaking in a certain way. Moreover this essay bears a complicated relationship to a systematic exposition or exegesis, for although certain thinkers -- Derrida, Ranciere, Benjamin, Hardt and Negri -- appear here, I employ them opportunistically. The goal is to describe Pantisocracy in such a way as to create an historical "image" (in Benjamin's sense of the word) of dissent.